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MEDIUM SHELTER: Same interior dimensions as the Deluxe Medium Shelter, exterior dimensions 22.5 long, 14.75 wide and 13 high. Single 3 mil bag covering, stuffed with straw, drain holes on bottom. $15 each
Hand crafted mosaic, made in Manchester by local artist Elaine Booth. Created with hand cut ceramic tile and other recycled materials.
”In visual perception a color is almost never seen as it really is - as it physically is. This fact makes color the most relative medium in art.”
Josef Albers
en.wikipedia.org/wiki/Temminck's_Tragopan
Have a great week!
I ebayed this medium format camera last week, haven't shot any film yet but look forward to messing around with it. I started digital, but have always had a fascination with trying film. It's a Zenza Bronica ETRS, and was just over 100 on ebay.
I attended a Hayaike Ikebana workshop today - Hayaike means "quick arranging". We did each arrangement in 20 minutes, then went around for a critique of our work. We each did a large, medium and small arrangement.
first attempt at using a medium format TLR camera. most pictures came out blurry, as i clearly don't understand it.
this one is nice, though.
Car
The original is from Puddleglum, but I heavily redesigned it.
It now has a opening garage door, fully interior and a more detailed front!
Maker: John K. Hillers (1843-1925)
Born:: Germany
Active: USA
Medium: albumen print
Size: 3.75" x 5"
Location: USA
Object No. 2013.272
Shelf: A-34
Publication: Fowker, Myself in the Water, The Western Photographs of John K. Hillers, Smithsonian Institution Press, Wahington, 1989, pl 87
First Seen: Portraits of the World's Peoples, Santa Barbara Museum of Art, Santa Barbara, 2004, pl 119
Other Collections: Smithsonian Institution, Wilson Center for Photography
Notes: On recto in negative on left : Big Navajo, on right Hillers. ink stamp on verso: Jul 19, 1902-1, Forbes Library, Northampton, Mass. WITHDRAWN.
in pencil on verso: New Mexico. Big Navajo. 12497
John Karl Hillers (1843, Hanover, Germany – 1925) was an American government photographer. Hillers came to the United States in 1852. He was a policeman and then a soldier in the American Civil War, first with the New York Naval Brigade, then in the army, he re-enlisted after the war and served with the Western garrisons until 1870. He worked as a teamster in Salt Lake City, when he met John Wesley Powell.
Originally hired as a boatman for the second Powell expedition down the Colorado River in 1871, Hillers began to replace Walter Clement Powell, John W. Powell's cousin and assistant to the expedition's photographers, first to E.O. Beaman and then to James Fennemore. Hillers was Powell's chief expedition photographer on the trip down the Grand Canyon the next year. He went on to spend twenty years exploring and photographing the American West, and is known particularly for his portraits of Native Americans.
He was the first staff photographer of Powell's Bureau of Ethnology (from 1879) and after returning to Powell's US Geological Survey in 1881 continued Bureau of American Ethnology work until he resigned in 1900. Although he officially retired in 1900, he continued to take photographs for the United States Geological Survey until 1919. He was the photographer of the first James Stevenson expedition to the Southwest,[8] which brought Frank H. Cushing to Zuni.
3,000 negatives from the Powell Surveys and 20,000 negatives from his association with the Bureau of Ethnology have been credited to John K. Hillers. (source: Wikipedia)
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