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Material: The Eureka Optima emphasized its lightweight design with many pictures demonstrating how easily the vacuum can be lifted by a woman.
The Wistarion, Pg. 42, 1943, Archives & Special Collections, Hunter College Libraries, Hunter College of the City University of New York, New York City.
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Material scouting with the fine folks at the Vancouver Economic Commission today. Best meeting of 2015.
Walking around Commercial and Strathcona area by the industrial parts of Vancouver. What a great little experience.
iPhone 5S / VSCO film pack 04.
April 15 2015.
De Material Xperience in Ahoy Rotterdam met als thema 'The Smart Environment' gaat over de intelligente materialen van de toekomst.
Sharon, a volunteer with the Family International, and a local co-worker preparing school materials in Padang.
wanted to work on composition yesterday. Ive been quiet at work so spent a lot of time looking at photographers websites getting inspired with colour and placement of shots. really happy with the results of my visit to the Macaroni factory.
The Dum Dum Girls
The Bowery Ballroom
March 25th, 2014
New York City
© 2014 LEROE24FOTOS.COM
ALL RIGHTS RESERVED.
THIS MATERIAL MAY NOT BE PUBLISHED,
BROADCAST, REWRITTEN OR REDISTRIBUTED.
Large-scale sculptures of
Barbara Chase-Riboud, Infinite Folds at the Serpentine North Gallery. An exploration of her sculpture technique and materiality, defined by the interplay between folds of cast bronze or aluminium and coilds of wool or silk. This exhibition is on until the 29th January 2023.
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All photographs © Andrew Lalchan
In this masterclass, participants were introduced to the history and current developments in the remarkable material that is glass, and invited to experiment with basic fusing, cutting, decorating and assembling techniques. We used a microwave kiln to create jewellery and other small objects. We cut, etched, dremelled, painted and decorated mirrored and flat glass tiles as well as glass jars, tumblers and other objects brought in by participants themselves.
Lady Gaga
Roseland Ballroom
April 4th, 2014
New York City
© 2014 LEROE24FOTOS.COM
ALL RIGHTS RESERVED.
THIS MATERIAL MAY NOT BE PUBLISHED,
BROADCAST, REWRITTEN OR REDISTRIBUTED.
Armagh County Museum glass collection. Toasting glass, (Masonic). Engraved, "St Patrick's Lodge Armagh, 659". Probably dating to the foundation of this lodge in 1789.
Alice Glass
Public Arts x AdHoc
215 Chrystie Street
New York City
Thursday, May 17th 2018
© 2018 LEROE24FOTOS.COM
ALL RIGHTS RESERVED.
THIS MATERIAL MAY NOT BE PUBLISHED,
BROADCAST, REWRITTEN OR REDISTRIBUTED.
ARTIST MATERIAL FUND
October 27 – November 20, 2022
RECEPTION: THURSDAY, OCTOBER 27 / 5-7PM
Come get some FREE building materials, tools, and art supplies at AMF at artLAB Gallery.
Founded in 2014, the AMF is a service that relocates material and diminishes waste produced in the art industry, while providing resources for artistic production. Rooted in cooperation and mutual aid, the program supports and promotes the sharing of under-used goods to realize their full, potential value, builds more efficient studios. It’s a platform that operates outside of the capitalist, consumerist model, and strives to create one viable alternative to the common issue of fiscal precarity and ecological irresponsibility. As an economically and environmentally responsible redistribution centre, the service gives raw workable material another life by collecting materials from cultural institutions across Southwestern Ontario, making them free and available to artists and individuals in the community.
The rules are simple:
First-come, first-served.
There is no limit to what you can take.
Take only what you need.
It is pick up only.
We do not accept unsolicited drop offs.
We do not deliver.
You don’t need to be an artist to collect material.
We’ve got lots to go around.
A community engagement project by Suzanne Carte, the AMF is supported by the Art Gallery of Burlington (AGB). This edition of the AMF was curated by students in MCS4691 Waste Stream/Waste Dream.
Artlab Gallery
JL Visual Arts Centre
Western University
London, Ontario, Canada
© 2022; Department of Visual Arts; Western University