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Today Fuu helped me sort through some forgotten fabric I found in a cupboard! I have TONNES of the stuff - must be at least 150 different prints!
Time for some dresses, me thinks...
A designer friend makes some great things from recycled materials. This is one of a project of 100 robots.
www.youtube.com/watch?v=3yYMqdR1neg
This is a fictional interview based on real interview material :
issuu.com/cesarharada/docs/2016_web_light
issuu.com/cesarharada/docs/2026_web
issuu.com/cesarharada/docs/2066_web
July, 2016
" I live in Cha Kwo Ling. I am getting older. I love being here. I have a lot
of friends, my neighbours look after me, we have shops and restaurants. My parents were born here so I came back to our home. It is very safe here, our doors are always open. Long time ago, we had fishermen, people working in the stone quarry, and later in the oil industry on the docks. All of this is gone now. We have a recycling centre, waste materials everywhere, trucks come and go all day long, it is a good business but some people are complaining about the noise and the dirt ; I don’t mind. I take the minibus everyday in and out. When there is heavy rain, some roofs are leaking. We have mosquitoes, rats running around at night, sometimes even snakes, but we are used to it. We love it here. I don’t have much hope for Cha Kwo ling, I live day by day, trying to live a happy life. We are proud of our beautiful temple and festivals that attract people from all around."
== Exhibitied at ==
Osage Gallery
觀塘興業街二十號
聯合興業工廠大廈四樓
4/F, Union Hing Yip Factory Building,
20 Hing Yip Street, Kwun Tong, Kowloon, Hong Kong
== Authors ==
Documentation: Selina XinYi Zhang William Wong
House 2016: Song Jia Rui, Hao Jia, Li Dai
House 2026: David Tam Bobo Ngai Orlando Chan Pearl Cao Janet Choi Wen Nian
House 2066: Venus Ng TingTing Ng Timothy Lam Ivan Chan Desmond Chang
Mentors: Susanne Trumpf, Georg Hoehne, Cesar Jung-Harada
Director of Program: Tobias Klein
== Brief ==
SUGAR is delicious. And Hong Kong exemplifies our global society’s addiction to the sweet life. Life in Hong Kong is fast-paced, convenient, delicious and glittery. In Hong Kong, you will find people shopping in both luxury goods stores and fast fashion giants, dining in Michelin-starred restaurants, traveling via one of the best public transportation systems in the world and living in beautiful homes in the sky.
As with the gaping cavities that result from over-consumption of sugar, Hong Kong also suffers negative consequences of its sugar addiction. The pursuit of the good life has led society to wilfully turn a blind eye to the cost and consequence of its consumption. Hong Kong is paying the toll of its addiction. Overflowing landfills, polluted air and waterways, hungry children and homeless seniors are the untold parts of Hong Kong’s story. The city that hosts the highest density of millionaires is also the home of caged home dwellers.
The concentration of wealth and power have reached such extent that the whole city landscape manifests how decisions are taken: top down. Big scale investments shape the urban life. The way of financing, the use of resources and targeted clientele for the majority of projects are decided based on the expected revenue. The lack of responsible involvement and intervention is not only an emerging factor in architectural profession. Hong Kong young generation see themselves with little perspective due to unaffordable property prices and question the inequality in the city's population. The aesthetic of the city is for most “business-friendly”, which really is sterile, technocentric, vacant of any form of spontaneity and life.
How can city dwellers move away from pure consumption and reclaim an active advocacy? How can the future population of Hong Kong deal more responsibly with the offer of sugar? Can life come back in the constructed environment? How can we break away from sugar addiction and build together a sustainable city?
Cesar Jung-Harada and Susanne Trumpf, with the support of Georg Hoehne.
Cisco Office Wall Freeze.
If you like and then subsequently use this photo, please reference me (Zoe Sands) and provide a link to my Twitter: twitter.com/zoe9
Production and operation characteristics of refractory industry
Refractory material output continued to decline. Refractory output in 2016 continued the downward trend in 2015, a decrease of 8.56%. The main reason for the decline in refractories output is the rapid and drastic reduction in the market demand for........
Article source:
www.ruizhirefractory.com/en/new/production-and-operation-...
Email: sales@ruizhirefractory.com
"I have the same goal I've had ever since I was a girl. I want to rule the world."
Madonna
Me before heading to the party. I drove to the party without the gloves on and bow in hair. It was still light out and I didn't want to look like a fool:)
This collection consists of business records and reference materials created in the operation of Heintish Drug Store. The business records consist of approximately 100 pages from an account book in which are adhered prescription forms. The drugs noted in the prescriptions were presumably concocted and filled by the pharmacist (likely H.E. Heinitsh, Heinitsh Drug Store founder, or H.E. Heinitsh, his nephew, later proprietor of Heinitsh Drug Store). The information usually included on the prescriptions include: a number assigned to the prescription by the pharmacist, the patient's name, the drug or prescription name, instructions for the administration of the prescription, symptom of the malady for which the prescription was written.
Still experimenting with material flowers ... wanted to make a pair of earrings, and of course i still think the flowers are a bit too big (even though these are the smallest flowers i have made to date)
trying to get them smaller and smaller ... still not quite there yet ... will keep on trying though!
Submitted February 2011 to the "operation tackle that bead stash!" Blog
tacklethatbeadstash.blogspot.com/2011/01/february-moodboa...
material fotográfico para cantora Carol Bezerra
foto e tratamento base para arte gráfica: Vitor Vieira
Make: Roberto JRO Santos
assistencia: Tuca Fanchin
Mayor Tumlin had a full week of chicken events! Both the KFC-Big Chicken and a new Bojangles held ribbon cutting events on Thursday, May 11.
This city of Marietta photograph is being made available for publication by news organizations and/or for personal use printing by the subject(s) of the photograph. The photograph may not be manipulated in any way and may not be used in commercial or political materials, advertisements, e-mails, products or promotions that in any way suggests approval or endorsement of the city of Marietta, its elected officials or staff. Publication of this photograph must include a credit: "Photo courtesy of the city of Marietta."
Organizers and speakers at the Materials innovation Keynote Session on Wednesday, February 17 at TMS2016. Front row, left to right: Katsuyo Thornton, University of Michigan and session organizer; James Warren, National Institute of Standards and Technology and session organizer; Carolyn Seepersad, University of Texas at Austin and keynote speaker; and David McDowell, Georgia Institute of Technology and session organizer. Back row, left to right: Shashi Adigo, Lockheed Martin and speaking on behalf of Rick Barto, Lockheed Martin; David Furrer, Pratt & Whitney and keynote speaker; Michael McKerns, California Institute of Technology and keynote speaker; and Charles Ward, U.S. Air Force Research Laboratory and session organizer.
Preferred Woodworking of Savage, MN donated the materials and my neighbors Chad and Bridget built the frame. It's made of oak, and is simply beautiful. My neighbors have a daughter the same age as my own (though she's in a different Kindergarten class), and they are good friends. When the local frame shop was uninterested in donating a frame, I thought of my neighbors who work for a woodworking shop. So I asked Bridget if she or Chad could do it. Preferred Woodworking was great about the whole thing, and they did beautiful work.
I'm going to stain and polyurethane it, and install the craft paper, and hanging hardware myself. I probably should have asked for a French cleat hanging system, but I didn't think of it. It should be fine though - it's not that heavy - the mosaic is 10 pounds, and the frame is about 7 pounds. The hardware and wire are designed to hold 2-3 times that amount of weight.
LA ENDIABLADA DE ALMONACID DEL MARQUESADO : 2-2-2013
La endiablada es el nombre dado a una manifestación festiva de tradición inmemorial celebrada en Almonacid del Marquesado, provincia de Cuenca, durante los días 1, 2 y 3 de febrero en honor a la Virgen Candelaria y San Blas. Durante estos tres días, aproximadamente 130 "diablos", ataviados con trajes de llamativos colores y grandes cencerros colgados a la espalda, recorren las calles del pueblo, y sacan en procesión a los Santos, dedicándoles danzas y saltos. Esta fiesta está declarada de interés turístico regional.
Los diablos guardan todos una uniformidad homogénea consistente en:
- Traje: se utilizan trajes de llamativos colores, muchos de ellos con motivos florales, de confección artesanal. Todos los trajes son distintos, pero, dentro de esta diversidad, se aprecia una extraña unidad de conjunto, resultando un colorido excepcional.
- Cencerros: son los auténticos protagonistas de las fiestas. Normalmente se llevan tres de gran tamaño, aunque el número y magnitud de los mismos dependen de las fuerzas y disposición de cada uno. Están colgados a la espalda mediante correas de cuero, formando lo que se denomina "sartas" (de ensartar). Los diablos los hacen sonar pausadamente durante su caminar, y de forma frenética y vehemente durante sus danzas.
-Tocado: los diablos llevan un gorro adornado con flores en su parte superior durante el día 1 y hasta la tarde del día 2 de febrero, durante la festividad de La Candelaria. A partir de aquí se cambia por una mitra, de color rojo con ribetes amarillos, en recuerdo de San Blas, que fue obispo de Sebaste.
-Porra: la "porra" consiste en una especie de cetro, con un palo alargado en cuyo extremo se coloca una cabeza o figura, muchas veces deforme o monstruosa. La porra se levanta durante las danzas a los Santos.
-Careta: en la antigüedad, todos los diablos llevaban una careta con caracterizaciones horrendas. En la actualidad esta costumbre ha caído en desuso, aunque aún hay algunos que la llevan.
VIDEOS EN www.youtube.com/playlist?list=PLhOGO1Wd2-SqR9EnVSjqVeaAbc...
Autor: José-María Moreno García. Fotógrafo humanista y documentalista. Una de las mejores formas de conocer la historia de un pueblo es a través de sus imágenes; en ellas se conserva no sólo su realidad tangible, calles, plazas, monumentos, sino también sus costumbres, fiestas, tradiciones, lenguaje, indumentaria, gestos y miradas, que nos dicen sin palabras como se vivía, cuales eran sus esperanzas y temores, qué había en su pasado, qué esperaban del futuro. Uno de los objetivos más ambiciosos es recuperar y catalogar todo el material gráfico existente en nuestra familia desde 1.915, para después ponerlo a disposición de vosotros, que la historia volviera a sus protagonistas, y los que aún siguen con nosotros pudieran disfrutar con ello. VISITA La colección "CIEN AÑOS DE FOTOGRAFÍA FAMILIA MORENO (1915-2015)" en www.josemariamorenogarcia.es y www.madridejos.net
SI ALGUIEN NO DESEA APARECER EN EL ÁLBUM POR FAVOR COMUNICALO A josemariamorenogarcia@gmail.com
some of the gathered materials... I spiffed up a couple of the sketchbooks which give me a big smile each time I pick them up...
Arch702 Material Engagement DT (Seminar) taught by Wesley McGee. Students working on the KUKA Robot with rod bending tool
Title: 100x70 Work 102
Materials: Synthetic enamel on paper
Dimensions: 100 x 70 cm
Date: 2017
Title: 100x70 Work 101
Materials: Synthetic enamel on paper
Dimensions: 100 x 70 cm
Date: 2017
Want a fast and easy way to use lights and tulle to create a spooky haunted cave effect with big impact?
For this project you'll need a string of lights and a few yards of tulle. I like orange lights. They reflect really well off the tulle and give the area you're decorating a spooky glow.
I used a string of 60 Halloween lights from Target, and three yards of matte black tulle.
This is a decoration outside the Materials Science and Engineering Department, at Iowa State University, where I now work. :)
Advanced manufacturing techniques can introduce technology into fabrics, like this swatch with integrated LED fibers. AFFOA’s product development team continuously innovates around incorporating fiber technology seamlessly into fabrics.
Tijdens de Mash Up Material Night werden de grenzen van hout onderzocht. Hout is het enige bouwmateriaal dat klimaatneutraal is. Is het daarmee ook het materiaal van de toekomst? Experimenten met hout leiden tot zowel vernieuwende als omstreden toepassingen. Ontwerpers Marjan van Aubel, Lex Pott en Chris Kabel vertelden over hun eigen experimenten met dit veelzijdige materiaal. Moderator was ontwerper en onderzoeker Sophie Krier.
LEX POTT
Lex Pott heeft een grote interesse voor natuurlijke materialen, waaronder hout. In zijn ontwerpen gaat hij vaak uit van het materiaal zelf en maakt hij doelbewust de verschillende fasen in de bewerking van een materiaal ook zichtbaar in het eindproduct.
CHRIS KABEL
Chris Kabel ontwerpt gebruiksvoorwerpen, vaak door bestaande objecten en materialen vanuit een onverwacht perspectief te vervormen. Door een expliciete scheiding van functie, materiaal en vorm verwarren zijn ontwerpen: ze beschikken over eigenschappen die op grond van hun uiterlijk niet worden verwacht. Voor zijn innovatief materiaalgebruik won hij in 2009 de DOEN Materiaalprijs.
MARJAN VAN AUBEL
Marjan van Aubel komt uit een familie van scheikundigen, een achtergrond die bepalend is geweest voor haar werkwijze. Ze ontwikkelde ‘foaming wood’ door restmateriaal van hout met water en biologische hars te vermengen. Dat brengt een chemisch proces op gang dat vervolgens weer leidt tot pulp. Eenmaal uitgehard, past zij het materiaal toe in een serie meubelen.
TENTOONSTELLING HOUT
De Mash Up Material Night was onderdeel van het parallelprogramma georganiseerd in het kader van de tentoonstelling HOUT. De cyclische natuur van materialen, plekken en ideeën, te zien van 16 mei tot 10 augustus in Het Nieuwe Instituut.
Foto's: Matthijs Immink