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Just go to a Google Maps Mashup and generate trackback URL by clicking on the map, then trackback - very easy...

The samurai dons a flowery hat and I cannot believe I am still awake!

Losing Libraries:

www.losinglibraries.org/

 

A Nation Without School Librarians:

maps.google.com/maps/ms?ie=UTF8&oe=UTF8&msa=0&...

 

This morning on Web4Lib, Petter Naess mentioned both the Losing

Libraries site and the Nation Without School Librarians mashup. Both

of these sites are mashups, actually, taking data sources and

combining them with (usually) Google Maps to create an informative and

educational data visualization. Back in January 2008, the Horizon

Report forecast that data mashups were about two to three years away

from becoming mainstream. Right now, they sure look like they are!

Data mashups with Google Maps have become ubiquitous within news and

current events tracking as well as crisis and disaster management.

They are particularly heavily used in public health and health

outreach.

 

Horizon Report: 2008: Two to Three Years: Data Mashups:

wp.nmc.org/horizon2008/chapters/data-mashups/

 

When I was looking at these maps of how libraries are disappearing,

the obvious next question was if this is tied to the national economic

crisis and general unemployment. The Slate mashup, "When Did You

County's Jobs Disappear?," seemed to confirm this, although a bit more

dramatically than the more reliable PatchworkNation map.

 

Slate: When Did Your County's Jobs Disappear?

www.slate.com/id/2216238

 

Patchwork Nation: Unemployment Rate April 2010:

www.patchworknation.org/#/archive/~category=economics&...

 

I was very intrigued that the unemployment patterns seem to differ

from the Hardship Index, and I am curious why. Why some states or

counties or communities are managing to avoid hardship despite some of

the highest unemployment rates in the country. What is different about

the communities or leadership or strategies that is making that

possible?

 

PathworkNation: Hardship Index:

www.patchworknation.org/#/archive/~category=hardship&...

 

Does the Economic Stimulus & Recovery Act perhaps explain part of the

difference?

 

GIS User: EPA Economic Stimulus and Recovery Efforts Map:

www.gisuser.com/content/view/18570/2/

 

The next question I had was whether reduction of library services in

economically challenged areas was associated with reductions in other

core services, such as public safety, police, fire, other related

services. I know here in Ann Arbor, the city has reduced many of these

services and is both switching

streetlights from incandescent to LED while also testing locations

where streetlights may be removed or reduced in number altogether

(word of mouth from citizen in affected trial area). Are there other

cost saving mechanisms in process that may have safety implications?

For these questions, I was unable to easily or immediately locate

maps, but I hope someone is looking at this. There is a fascinating

article from Mashable looking at other ways in which maps and mapping

and mashups are being used for public and community good.

 

Virtual Neighborhood Watch: How Social Media is Making Cities Safer:

mashable.com/2009/10/01/social-media-public-safety/

 

Here's another way to look at the patterns of library closures and

librarian layoffs. How are those states doing academically? Take a

look at the ranks by ACT score, and notice that in general the areas

that are closing libraries are already locations that are not doing

well academically.

 

ACT Scores By State (2007):

www.mibazaar.com/education/actscores.html

 

Do you have unanswered questions for which this approach might be

useful? There are an ever increasing number of APIs available to make

federal data sources accessible for this purpose.

 

Federal Computer Week: Web mashups put transparency to the test:

fcw.com/articles/2010/01/11/feat-mashups-test-transparenc...

 

Don't know how? There is a local expert teaching classes on how to do

map mashups.

 

Roger Rayle: Google Earth Classes:

www.la2m.org/articles/google-earth-classes

 

Here's an example of one of Roger's projects from a while back.

 

Google Earth Applications in a Community Information System: Scio

Residents for Safe Water

www-personal.umich.edu/~copyrght/image/solstice/sum08/Ray...

 

Want to see more map mashups? Here is an amazing collection.

 

ProgrammableWeb: Google Maps Mashups:

www.programmableweb.com/api/google-maps/mashups

Sleeping Harley (Mashup) @beci_bombshellcosplay

Mashup, a mural at 143 Columbus Circle, was painted in 2014 by Rubin415 with assistance from Joe Iurato and Sean 9 Lugo. One of Sean 9 Lugo's wheatpastes in the boarded windows is a memorial to the property owners dog who passed away.

Best viewed large. 100 x 100 cm giclée art print [15 prints made]

Sleeping Harley (Mashup) @beci_bombshellcosplay

Spiderman/Punisher logo mashup.

 

Sleeping Harley (Mashup) @beci_bombshellcosplay

Datapalooza Mashup 2016, Thursday, 30th June at CodeNode, London. Images Copyright www.edtelling.com. www.skillsmatter.com/conferences/8168-datapalooza-mashup-...

Daughter took camera to school to follow up on the latest trends.

 

She kindly gave me permission to inform you guys.

OLYMPUS DIGITAL CAMERA

A mashup of this & this.

Mashup of:

Photo 1: “Military gun salute at the crematorium, Brisbane”, No known copyright restrictions. Photo by George Jackson. Image sourced from State Library of Queensland.

Photo 2: “Soldiers drill in their gas masks during World War I”, No known copyright restrictions. Image sourced from State Library of Queensland.

Photo 3: “Scaling a wall on VP Day in Brisbane, 1945”, No known copyright restrictions. Image sourced from State Library of Queensland.

Photo 4: “Deep sea diver” Used with permission from D. Dolan.

Photo 5: “American Lockheed P-38 Lightning fighter plane flying along the coast of Queensland, ca. 1943”, No known copyright restrictions. Image sourced from State Library of Queensland.

 

original image by krispy.

 

I love this mashup which krispy composed using various elements from my photostream. But what makes this even more of a combination piece is that one of the images he employed, The Peter Pa was based on yet another image originally created by CL and DB. This mashup was more like a meetup! This is like a four car crash with notes. Yes, I tried to list above each of the source images I could locate for this piece. Hope I didn't miss any.

Yoz Grahame of Ning, left, shows off the company's suite of really cool tools.

Big mixup of splatters, and stencils. It makes for a busy canvas, but I was happy nonetheless

esferográfica sobre colagens sob tratamento digital. ouié.

Reunited afyer 8 years Phillie Casablanca and Mr Blobby at The Car Shop in Swindon.

A mashup of www.summeroflovecraft.com/images/cthulhu-6.jpg (from Call of Cthulhu, sorry I don't know the artist's name) and www.artusa.com/images/jay6/kinkade - almost heaven.jpg, (Thomas Kinkade, of course) suggested by Ethan at Making Light.

 

I've put up a quickie tutorial over here: www.canary3d.com/torrefaction/2007/08/almost_hell_1.html

I just realized I need to mirror one of the hands...

 

www.thingiverse.com/thing:11597

This image remix is a part of the Re-Picture Australia Project. I have mashed-up the following:

- Air Raid Warden testing new equipment in Brisbane, October 1942

- Map shewing route London to Fremantle, 1908

So I started making some new mashups

Photo by me, post by Caryn

Featuring Ms. Mashup

 

Old Borges Ranch, Walnut Creek, California

Presented is a set of images, the original photo and art mashups. The photo shows a statue of a woman, seeming to be kneeling on a wall, but that is an illusion of the point of view. This statue is in Santa Fe, at the New Mexico Museum of Art. It is outdoors in the West Sculpture Garden. Titled “Border Crossing”, it is a life size depiction of a poor Mexican couple, the woman sitting on the shoulders and neck of her man as he strides with great determination. This polychrome fiberglass sculpture was made in 1989 by American artist Luis A. Jiménez Jr. (1940 – 2006). The images of the figures convey emotions of fear but hope, doubt but determination, wariness but single minded purpose. It portrays embers of an old life but sparks of a newer better one. In spite of the grim and complex demeanors of the characters, there is an inherent optimism in this statue which conveys the spirit of those willing to risk their entire way of life for the promise of a better one. Information and pictures of the whole statue are at:

 

The New Mexico Museum of Art :: www.nmartmuseum.org/

The West Sculpture Garden :: www.nmartmuseum.org/site/explore/sculpture/

Border Crossing (1989, Luis A. Jiménez Jr. ) :: www.nmartmuseum.org/site/explore/sculpture/west-sculpture...

 

My picture is taken from the city street outside the walls of the sculpture garden. My view makes it appear as though the woman is kneeling on the wall, but close inspection shows his forehead and hair between her hands and knees. While the statue conveys a mix of emotions and is meant to be hopeful, this photo always struck me as having a certain melancholy and despondency. It was taken on a cold dreary cloudy rainy winter day in February. I cannot decide if the somber dispirited look of the woman is an artifact of my camera's limited view of the whole statue, or an atmospheric effect due to the gloomy weather, or else just my own individual interpretation. Regardless the explanation, this statue, for me, seen from this angle of my camera, has a far different interpretation than what the artist intended. To me, this image, from the heartland of ancient Southwest civilizations, speaks of sunset or twilight, a sad contemplation of a world full of rich indigenous cultures that have been unable to defend themselves against modernity. To render that interpretation, the original photo has been reworked in the second image.

 

I did little to change the main subject or general layout of the image, just some color and highlight corrections, and some minor architectural adjustments of the walls. The main alterations were the addition of a sunset sky, the metate and the zia, and the fire and the highlights it adds to the woman. The sky is a sunset image I took in Guilderland, New York (outside Albany). The fire is from a photo I took of the fireplace in the lobby of the hotel across the street from the statue and museum. The metate in front of her was made from snippets of the stucco wall. The zia, the symbol of New Mexico and its native arts, was hand drawn and blended into the sky. At times I like the zia in the image, and at others I find it obtrusive, so I have also rendered the image without it (version 3). Version 4 is a tighter crop of the image that eliminates extraneous periphery.

 

embers of indigenous culture _ v3 _ art (no zia) _ (© 2014 megart)

 

Companion files:

embers of indigenous culture _ v1 _ photo _ (© 2014 megart)

embers of indigenous culture _ v2 _ art _ (© 2014 megart)

embers of indigenous culture _ v3 _ art (no zia) _ (© 2014 megart)

embers of indigenous culture _ v4 _ art (crop) _ (© 2014 megart)

 

Photo & Art Series 2

Sometimes, a photo by itself is boring or mundane, but it has an alternative life or message when combined with other imagery for an artistic reinterpretation. Sometimes a photo is not much of an image by itself, but it is a useful graphical element or resource that can be used to add textures, colors, or other enhancements to other photos or art. Sometimes a photo inspires new meanings or interpretations, and artistic re-renderings of the photo can elevate it beyond its face value subject. In this series of images, photos have been combined, hashed, rehashed, and mashed up to make new art and images.

 

Photo by me, post by Caryn

Featuring Ms. Mashup

 

Old Borges Ranch, Walnut Creek, California

Mickey mashup with the Incredible Hulk. Note the weird addition of plates on Hulk's nipples. I am so confused by this one.

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