View allAll Photos Tagged manipulator
This manipulated picture shows my VN800 with the chopped Classic rear fender I have been working on, removed the front fender, the whole bike lowered about three inches in the rear and two inches in the front, new seat, fork gaitors, Sparto taillight and switched back to the stock handlebars (a Sportster handlebar was mounted when the picture was taken). Oh and the color is obviously black instead of Cardinal Red. This sketch is probably pretty close to the final result, and some of the modifications were already finnished when this picture was published.
"I think nature is very unnatural. I think the truly natural things are dreams, which nature can't touch with decay." - Bob Dylan
Manipulated photography employing layered filters from the Superphoto, Vinci and default editing apps on my cameraphone, and inspired by Marvel Comics' She-Hulk.
The Weather Makers is the first solo exhibition in Scotland by Canadian artist Kelly Richardson and is programmed as part of Dundee Contemporary Arts’ Discovery Film Festival. Richardson creates hyper-real digital films of rich and complex landscapes that have been manipulated using CGI, animation and sound. Weaving together myth and metaphor with scientific research and new digital technologies, The Weather Makers will present three large-scale video works alongside a new print series.
The exhibition asks the viewer to consider what the future might look like if we continue on our current trajectory of planetary pillaging and consumption, and why we have allowed ourselves to arrive at such a moment of global environmental crisis.
Mariner 9 (2012), Kelly Richardson
A 12-metre-long panoramic view of a Martian landscape set hundreds of years in the future, Mariner 9 (2012) presented in this partnership between Dundee Contemporary Arts and NEoN Digital Arts Festival, evokes the human search for life beyond our own planet that continues even as we damage or destroy entire ecosystems on Earth. This vast video work was created using scenery-generation software employed by the film and gaming industries in combination with technical data from NASA’s missions to Mars to produce a faithful artist’s rendering of Martian terrain, populated by the debris from centuries of exploration.
In Orion Tide (2013-14), Richardson presents a desert punctuated by spurts of light and smoke repeatedly launching into the dark night sky. The viewer is left to question what these rocket-like movements are; why they have been launched; and who or what they are carrying. They could be departing explorers searching for a new world or perhaps the escape of a group of planetary refugees, a mass exodus of humanity.
In Leviathan (2011), a 20-minute loop of footage shot on Caddo Lake in Uncertain, Texas displays the region’s unique bald cypress trees in their swamp environment. Filmed from a single vantage point, like a painting set in motion, Richardson has digitally enhanced the nearly monochromatic setting with strange yellow tendrils of light, undulating and twisting beneath the water, hinting at an undiscovered or mutated bioluminant life-form, or perhaps the aftermath of something altogether more disturbing.
Accompanying the exhibition’s large-scale video works will be Richardson’s latest series of chromogenic prints, Pillars of Dawn, which present images of an imaginary desert in which trees and terrain have been physically crystallised by changes in the environment.
As part of NEoN Digital Arts Festival, Kelly has also been invited to curate an exhibition of digital art making reference to both her own immersive landscape work and the festival theme of Media Archaeology. That exhibition will run in Centrespace in the Visual Research Centre on the lower ground floor of DCA, open from Sat 11 November – Sun 19 November 2017.
Richardson currently lives and works on Vancouver Island where she is Associate Professor in Visual Arts at the University of Victoria. Her work is held in many major international collections including the Hirshhorn Museum and Sculpture Garden, SMoCA and Albright-Knox Art Gallery to the National Gallery of Canada, Art Gallery of Ontario, Musée d’art contemporain de Montréal, Arts Council Collection England and Towner, Eastbourne.
Her work has been selected for the Beijing, Busan, Canadian, Gwangiu and Montreal biennales, and recent solo exhibitions include SMoCA, CAG Vancouver, VOID Derry, Naturhistorisches Museum Wien, and a major survey at the Albright-Knox.
Supported by the High Commission of Canada to the United Kingdom
SCAN Tour
Images: Kathryn Rattray Photography
How many times have you heard someone say this, but I was never really happy with the face I had put on the tractor I was obsessed with for a time last year. Plus, the resolution on the face was much lower than the tractor surrounding it. So, I retooled him.
And he's in for further retooling, as I noticed an error after the fact that leaps out at me now.
No Hitch, I'm not done with you, not by a country mile.
Original face here
Original tractor here
This is a manipulated photo for the Down Under Challenge
Pen and Ink vs Photo is a technique originated by a very artistic Ben Heine
this image is based on kktp's P-47D Thunderbolt Eileen 2 photo.
the image was made for Leave It To Me contest.
as a background I used 1 of the thousands pictures I took for my Piece Of Land set.
I "broke" and "dirtied" some parts of the plane. the plane layer blurred a bit and its opacity was reduced before the final flattened.
I added this crow above the cockpit to manipulate the sizes ratio and to strengthen the "disaster" atmosphere.
When you have to stay at home for a couple of days, bored, no getting out to shoot a few, you start looking through old photos, slides and boxes. And look what I found, forgotten from probably 20 years ago. Thought I had thrown it away. So today I got out a little, went to the old camera store, loaded up on 120 and.....watch out, I got a new toy to play with.
After Photoshop
Manipulated Photography
in the Digital Age
www.metmuseum.org/exhibitions/view?exhibitionId={2E988323-B8DF-496F-B72A-E999E567FABA}&oid=190056671&pg=2&rpp=20&pos=1&ft=*
Connell’s decade-long project Double Life appears to document an evolving relationship between two women who are strangely similar in appearance—perhaps identical twins. In fact, the photographs are composed of multiple images of the same model, digitally stitched together into seamless composites. Through carefully controlled lighting, body language, and other subtle visual cues, Connell imbues the pictures with an uncanny intimacy, whether the scene is set in the private space of the bedroom or in the public realm of a small-town carnival. “I often think that my photographs lie as documents but tell the truth as images,” the artist explained in an interview. “There is the essential fiction here that I didn’t photograph two people at the same time and place. But that fiction enables to photographs to portray inner thoughts, vulnerabilities, or memories on the surface.”
Image lit with a translucent 36" umbrella to the left. Another translucent umbrella (approx) the same size behind the camera for fill. Hat and background lit with 4X8' scrim hung from the ceiling. Nikon D200
I made this in photoshop inspired by color, water, and lilly...I am really happy with how it came out ...hope you like it too ;-)better viewed LARGE
Here I stripped the original paint from the tank, made the rims and fork legs black , as well as some smaller parts.
An abstract photo artwork to express how depressive it can be to be isolated for months in a bleak cell.
Part of my collection:
Texture i created using my photos and other textures of mine
You have permission to use these textures freely when you incorporate them into yournon-profit artwork, please be sure to follow the terms below:
- Image must be altered/incorporated into your artwork in some way.
- Please credit/link to me when using my textures.
Copy & paste this code for an easy credit:
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<b>FREE Textures </b>provided by: <a href="http://www.flickr.com/photos/chrysti/">Chrysti </a>
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- If you wish to sell your images using these, please contact me for written permission first: note I will ask to see the finished work, and your use (print, article, etc) before granting permission.
Under NO circumstances may these textures be used for:
- CD collections that you sell, website stock that you offer, collage sheets or any other collection whether for profit, or not.
- Website backgrounds, sold, offered or used as an individual image. Link to my set if you wish to share these with others :-)
One last important note:
Only the images in my photostream with the terms of use clearly stated, and a CC license applied to them, are offered for your use. All other photos and artwork are off-limits for any downloading. I retain all copyrights to my work. Thanks!
If you use these, I'd love to see how! Feel free to leave a SMALL sized photo with it in my comments so I can visit easily!
Hope they inspire you & happy creating!
Thank You. Have a question? Just ask!
You have permission to use these textures freely when you incorporate them into your non-profit artwork, please be sure to follow the terms below:
- Image must be altered/incorporated into your artwork in some way.
- Please credit/link to me when using my textures.
Copy & paste this code for an easy credit:
---------------------------------------------------------------------------
<b>FREE Textures </b>provided by: <a href="http://www.flickr.com/photos/chrysti/">Chrysti </a>
---------------------------------------------------------------------------
- If you wish to sell your images using these, please contact me for written permission first: note I will ask to see the finished work, and your use (print, article, etc) before granting permission.
Under NO circumstances may these textures be used for:
- CD collections that you sell, website stock that you offer, collage sheets or any other collection whether for profit, or not.
- Website backgrounds, sold, offered or used as an individual image. Link to my set if you wish to share these with others :-)
One last important note:
Only the images in my photostream with the terms of use clearly stated, and a CC license applied to them, are offered for your use. All other photos and artwork are off-limits for any downloading. I retain all copyrights to my work. Thanks!
If you use these, I'd love to see how! Feel free to leave a SMALL sized photo with it in my comments so I can visit easily!
Hope they inspire you & happy creating!
Thank You. Have a question? Just ask!