View allAll Photos Tagged manfrotto
Производство компании STV, аренда оборудования для DSLR видео-съемки (обвес на Canon (dslr rig), 550D, Manfrotto 525/501) - www.CinemaKit.ru
This is a portable strobist flash setup for lighting a hockey arena. Of course you take a small risk that a puck/stick could damage it, but the risk in any one game is small. I used a simple manfrotto clamp, and made my own "Justin clamp" from a tiny camera tripod bought from a drugstore and a 1/4" bolt mounted through a hole I drilled in the clamp. A superclamp would have been a little more secure but less versatile. I used this setup for the hockey image titled "Panic" in my photostream. Next time I'll rig it with a safety cable and use a suspender strap for the battery pack.
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Photo by Olympus E-M5II E-M5 MarkII + 60mm f/2.8 marco 微距鏡
Nikon D80 connected to the Sigma 50-500 in turn connected to the very sturdy Bogen-Manfrotto 322RC2 head and 3021BPRO tripod legs. D80 shutter triggered with the Nikon ML-L3 wireless remote.
This shot was taken with a Nikon Coolpix 3700.
Indeed it was not meant to happen - as they say " Came 'orf in me 'and guv , honest !! " .
Somewhat disappointed to say the least , not that old , but old enough to be out of warranty ! Cannot see any way of fixing it and if I could - how long before any of the other legs go ! Mostly used indoors and no rough treatment .
Have to save it for when going up the side of a steep mountain now !
Nikon D70, Nikon 28mm f/2.8 lens, Hoya +1 & +2 close up lenses, Manfrotto 055PROB tripod and focus rack. Some manual fill in flash from Nikon SB-24. Foil windscreen sun protector, two pins and Hama pocket blower to clear wee bugs from the backing paper.
Lens, focussed manually, was stopped down to smallest aperture to give an exposure of around 2.5 seconds for the maximum depth of field. As the natural light wasn't too strong I dug out the reflector and manually triggered the flash gun midway through the exposure for some fill light.
The Manfrotto 055PROB and the Chinese made focus rack really helped with this shot.
The pins were to hold the stem of the bisected mushrooms off the paper so they would lay flat to the page and not give harsh shadows. The windscreen sun propector makes a great reflector and I really should sort out a dedicated area for this sort of work (though with the amount of bugs crawling out of the fungi it was handy I was outside).
Photo taken with a Sharp 902 mobile phone.
This is the end result.
post Tour criterium Herentals
strobist:
on camera master flash (SB800) triggering 2nd flash attatched onto railing with Manfrotto superclamb at right behind rider.
with shutter speed somewhere between 1/5 & 1/20 of a second (@ f22) and panning with the riders to obtain 'motion blur' to emphasize the riders' speed
Canon 5D Mark ii (One of the Best cameras ever made) with 17-40mm f/4 L Lens on a Manfrotto tripod and 128RC Fluid Head
Shot with:
Camera Nikon D50
Exposure 0.05 sec (1/20)
Aperture f/1.8
Focal Length 35 mm
Exposure Bias 0 EV
This photograph was taken in the magic of The Golden Hour around Sunrise (Sunrise was at precisely 07:56am), at an altitude of Nine metres, at 08:09am on Sunday January 11th 2014 off Botany Road and Marine Drive, on the sandy shoreline of Botany Bay in Broadstairs, Kent, England.
I set off at 05:30am on a very chilly morning, around two degrees, and a bracing wind that pounded flesh and bones, but well worth the one and a half hour journey there to enjoy a lovely sunrise. The seven bays in Broadstairs consist of: (From south to north) Dumpton Gap, Louisa Bay, Viking Bay, Stone Bay, Joss Bay, Kingsgate Bay and Botany Bay.
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Nikon D800 15mm 1/400s f/2.8 iso100 RAW (14Bit) AF-S single point focus. Manual exposure. Matrix metering. Auto white balance.
Nikkor AF-S 14-24mm f/2.8G ED IF. Nikon MB-D12 battery grip. Two Nikon EN-EL batteries. Nikon DK-17M Magnifying Eyepiece. Nikon DK-19 soft rubber eyecup. Manfrotto MT057C3 057 Carbon Fiber Tripod 3 Sections (Payload 18kgs). Manfrotto MH057M0-RC4 057 Magnesium Ball Head with RC4 Quick Release (Payload 15kgs). Manfrotto quick release plate 410PL-14.Jessops Tripod bag. Optech Tripod Strap.Digi-Chip 64GB Class 10 UHS-1 SDXC. Lowepro Transporter camera strap. Lowepro Vertex 200 AW camera bag. Nikon MC-DC2 remote shutter release. Nikon GP-1 GPS unit.
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LATITUDE: N 51d 23m 15.17s
LONGITUDE: E 1d 26m 26.48s
ALTITUDE: 9.0m
RAW (TIFF) FILE SIZE: 103.00MB
PROCESSED (JPeg) SIZE: 18.99MB
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Processing power:
HP Pavillion P6-2388EA Desktop with AMD A10-5700 APU processor. AMD Radeon HD 7570 graphics. 2TB with 8GB RAM. 64-bit Windows 8.1. Verbatim USB 2.0 1TB desktop hard drive. Nikon VIEWNX2 Version 2.10.0 64bit. Adobe photoshop Elements 8 Version 8.0 64bit
A friend gave me this nice Manfrotto Professional 079B monopod he inherited of his late grandfather. It came with a nice addon: a wooden walking stick knob. Cool :)
As far as I know the Manfrotto 679B is it's successor.
Great support of Manfrotto: all parts can still be ordered: www.manfrottospares.com/079b-parts.html
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Photo by Olympus E-M5II E-M5 MarkII + 60mm f/2.8 marco 微距鏡
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Photo by Olympus E-M5II E-M5 MarkII + 60mm f/2.8 marco 微距鏡
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Photo by Olympus E-M5II E-M5 MarkII + 60mm f/2.8 marco 微距鏡
© Alan Armbruster
Photo submitted via email by Alan Armbruster to the 190CX Operation Museum competition.
"The Evolution of my D200 / Manfrotto 486RC/190 Tripod Setup:
1) I bought my Nikon D200 as an upgrade for my Nikon D70. To protect my investment while on a trip to Costa Rica, I purchased a Kata Rain Cover. I quickly found to fundamental flaws in the design of the cover. 1) You could not put a strap on the camera without the rain running down the strap to the camera itself. 2) If you chose to simply carry the camera with your hand in the cover, condensation would build up inside the camera leaving the cover foggy, and the camera moist.
2) My next step was to build a frame that I could put the camera on, have a strap, and still keep it free from rain. This worked perfectly. I then found that if I wanted to take a picture using my tripod, I would have to take the camera off the frame and put a plate on. I chose to get a Manfrotto 3299 Quick Change Adapter, and mount it onto the frame. The plate goes on the bottom, to secure the frame onto the tripod, and, the quick release goes on the top, to secure the camera. Now I was able to quickly place the camera on the frame, as well as place the frame onto my 190 without having to worry about screws.
3) I kept the original strap on the camera while it is on this setup because 1) it was difficult to take off and put on. I could disassemble the rain gear in less than a minute, So, to have it ready to go, at all times, I just leave it on.
4) I did, however, add two Velcro straps to the frame for securing the straps. 2) This also doubles as a safety strap should the camera fall.
5) I did find that in some cases, rain would get on my lens. I added a T-section to my camera frame and was able to find an umbrella with the same threads.
6) My next challenge was the flash. Taking macro shots in the rain required extension tubes that required lots of light. That was something that was always lacking when it rained in the bush. My Nikon SB-800 is not waterproof, nor is the internal flash strong enough for most macro applications I had. I added a flash holder made from left over PVC pipe, which neatly screws into the T-section on my frame in place of the umbrella. A Ziplock bag completed the flash rain-proofing. The SB-800 is connected with an SC-29 cable, to my D200.
7) Taking pictures at night, in the dark, had a few near misses. I found that it was difficult to see my camera / tripod in the dark. Reflective tape on the legs of the tripod remedied this. Since I always carry a small flashlight, this worked out perfectly
8) During the winter, a tripod can get very cold. With bare moist hands tending to stick to the cold exposed metal of the tripod, I added pipe insulation to the top part of the legs on the tripod. This made the tripod much easier to carry in the winter with no gloves on, and, gave it a better, more secure grip.
9) Spring in British Columbia brings with it the re-emergence of bears, after their winter hibernation. While concentrating on my subject matter, I was left vulnerable to bears. Although I carried Bear Spray (a pepper based substance that can be sprayed as far as 8 meters) it was much more convenient to have it mounted on one of the tripod legs using a Velcro strap, that also doubles as a strap for keeping the legs together while transporting through the bushes.
10) I also found that the inside of the center of the tripod made an excellent place to store my extra bear bangers and a first aid kit (bandaids and ointment).
11) When I have to switch lenses or remove or replace my flash more than once, cases are fastened to the legs of the tripod, making them easily accessible.
12) My remote, instead of dangling all over is neatly velcroed to one of the legs.
13) Fom time to time, I also place a double ended clamp with a diffuser plate, on the setup to either place my GPS or take notes on the surroundings.
I can’t see this being the end of the evolution for my setup. It has endless possibilities."
Photo shooting in chapel Saint-Vincent in Saint-Laurent d'Agny
Model Yuri Kurohime
Make-up Artist Etienne Florame
instagram.com/flostorio_mpk_art_
Light/Strobist: Godox AD600Pro in TTL mode in a Broncolor beautybox on a Manfrotto lightstand
Shot on a Pentax K-1 with the Pentax D-FA 24-70mm f/2.8 DC WR at Manfrotto's UK headquarters during a Manfrotto Brand Champions training day. Lighting was done using SMDV Flashwave manual transmitters on Canon Speedlites or Manfrotto Lykos constant LED panels.
Make-up by Sarah at The London Body Painting Co., model Abbie Latham.
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Maximum load with Combi Boom at max extension is said to be 2 kg, so it should be enough for light flash (like Quadra, AcuteB or Pro-7B/Pro-B head) and standard reflector. During last studio shoot I wanted to test can it hold the advertised 2 kg.
Pro-7B head with beauty dish with counterweight (comes with stand) worked ok. I wouldn't put much more weight for this boom, so Avenger boom & other sturdier booms are still recommended for bigger and heavier light modifiers. Nice stand and for speedlight use the boom should work with even small softboxes (Ezy & clones as examples).
I regularly run past this Huf show home, but often at night the shutters are down. This evening I noticed they were left open showing off the stunnin interiors. Even though it was gone 11pm, I headed back with my camera to try out some nightime architectural photography. I hope you like them. Nikon D610 + 28-80mm on Manfrotto tripod.
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Manfrotto Monopod 479-4B
Length Collapsed: 50cm
Length fuly extended: 153cm
Weight 810g
Four Sections
© Dirk HR Spennemann 2009
All Rights Reserved
The Manfrotto ProLight Redbee photo backpack in action with my Pentax K-1 and SMC Pentax-D FA 150-450mm DC AW lens and a Manfrotto 055 XPRO3 tripod with three way head. Photo for the Manfrotto Brand Champion training day at Richmond Park.
This device, once aligned with the celestial north pole (not exactly at Polaris), automatically rotates at the same rate as the Earth, so stars will stay in the same relative location to the camera.
It is mounted on a Manfrotto 410 Geared Head, so that by just twisting a couple knobs, the head can be precisely aligned. It will hold its alignment without slipping.
The camera sits on a Manfrotto 496-RC2 Ball Head, which rotates with the AstroTrac so that no matter where the camera is pointed, the stars should remain stationary in frame.