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An event to celebrate crafts, engineering, science projects, etc. For and by all ages.All of these “makers” come to Maker Faire to show what they have made and to share what they have learned. Maker Faire is primarily designed to be forward-looking, showcasing makers who are exploring new forms and new technologies.
Circa 13.000 simulazioni di realtà aumentata e con il caschetto digitale, più di 4.000 dimostrazioni del drone e dei DPI intelligenti (Dispositivi di Protezione Individuale) e oltre 2.000 bambini nella sezione dedicata ai più piccoli: sono questi i numeri della partecipazione agli stand Acea per l’edizione 2016 di Maker Faire.
Scopri di più su www.gruppo.acea.it
This guy knew how to pose on this sucker. Got his hands up right where the wings extend outward. Love those shades.
The Weather Makers is the first solo exhibition in Scotland by Canadian artist Kelly Richardson and is programmed as part of Dundee Contemporary Arts’ Discovery Film Festival. Richardson creates hyper-real digital films of rich and complex landscapes that have been manipulated using CGI, animation and sound. Weaving together myth and metaphor with scientific research and new digital technologies, The Weather Makers will present three large-scale video works alongside a new print series.
The exhibition asks the viewer to consider what the future might look like if we continue on our current trajectory of planetary pillaging and consumption, and why we have allowed ourselves to arrive at such a moment of global environmental crisis.
Mariner 9 (2012), Kelly Richardson
A 12-metre-long panoramic view of a Martian landscape set hundreds of years in the future, Mariner 9 (2012) presented in this partnership between Dundee Contemporary Arts and NEoN Digital Arts Festival, evokes the human search for life beyond our own planet that continues even as we damage or destroy entire ecosystems on Earth. This vast video work was created using scenery-generation software employed by the film and gaming industries in combination with technical data from NASA’s missions to Mars to produce a faithful artist’s rendering of Martian terrain, populated by the debris from centuries of exploration.
In Orion Tide (2013-14), Richardson presents a desert punctuated by spurts of light and smoke repeatedly launching into the dark night sky. The viewer is left to question what these rocket-like movements are; why they have been launched; and who or what they are carrying. They could be departing explorers searching for a new world or perhaps the escape of a group of planetary refugees, a mass exodus of humanity.
In Leviathan (2011), a 20-minute loop of footage shot on Caddo Lake in Uncertain, Texas displays the region’s unique bald cypress trees in their swamp environment. Filmed from a single vantage point, like a painting set in motion, Richardson has digitally enhanced the nearly monochromatic setting with strange yellow tendrils of light, undulating and twisting beneath the water, hinting at an undiscovered or mutated bioluminant life-form, or perhaps the aftermath of something altogether more disturbing.
Accompanying the exhibition’s large-scale video works will be Richardson’s latest series of chromogenic prints, Pillars of Dawn, which present images of an imaginary desert in which trees and terrain have been physically crystallised by changes in the environment.
As part of NEoN Digital Arts Festival, Kelly has also been invited to curate an exhibition of digital art making reference to both her own immersive landscape work and the festival theme of Media Archaeology. That exhibition will run in Centrespace in the Visual Research Centre on the lower ground floor of DCA, open from Sat 11 November – Sun 19 November 2017.
Richardson currently lives and works on Vancouver Island where she is Associate Professor in Visual Arts at the University of Victoria. Her work is held in many major international collections including the Hirshhorn Museum and Sculpture Garden, SMoCA and Albright-Knox Art Gallery to the National Gallery of Canada, Art Gallery of Ontario, Musée d’art contemporain de Montréal, Arts Council Collection England and Towner, Eastbourne.
Her work has been selected for the Beijing, Busan, Canadian, Gwangiu and Montreal biennales, and recent solo exhibitions include SMoCA, CAG Vancouver, VOID Derry, Naturhistorisches Museum Wien, and a major survey at the Albright-Knox.
Supported by the High Commission of Canada to the United Kingdom
SCAN Tour
Images: Kathryn Rattray Photography
----5 Minute Hack----
The Best of Both Worlds? Moleskine meets Maker's Notebook.
I only made a cover , but I think this is an Ideal size for a Maker's (mini) Notebook!
I going to call it Maker'skine, or Maker's Mole? or MoleBook or...?
This photo is licensed under a Creative Commons license. If you use this photo, please list the photo credit as "Kent K. Barnes / KentKB" and link the credit to
Thank You....
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I spotted one of my favorite local bluegrass/rag bands at the Saturday Market today... they rock! er... RAG!
An Artesan Jam Maker and her assistant preparing Jam prior to boittling and labeling.
all copyrights reserved ©2011 Art Hutchins ~ Art's Eye photographic©.http://artseyephotographic.zenfolio.com/
Maker Faire is the Greatest Show (and Tell) on Earth—a family-friendly showcase of invention, creativity and resourcefulness, and a celebration of the Maker movement. It’s a place where people show what they are making, and share what they are learning.
Makers range from tech enthusiasts to crafters to homesteaders to scientists to garage tinkerers. They are of all ages and backgrounds. The aim of Maker Faire is to entertain, inform, connect and grow this community.
The original Maker Faire was held in San Mateo, CA and in 2013 celebrated its eighth annual Bay Area event with some 900 makers and 120,000 people in attendance. World Maker Faire New York, the other flagship event, has grown in four years to 600+ makers and 75,000 attendees. Detroit, Kansas City, Rome, Oslo, Tokyo, Newcastle (UK), and Shenzhen are the home of "featured" 2014 Maker Faires (200+ makers), and almost 100 community-driven, independently organized Mini Maker Faires are now being produced around the United States and the world, including right here in Portland.
Photo by Gia Goodrich
The funniest part about this photo is some of the bumper stickers on the car that the kids are playing with. They include "What Rhymes With Bucket?" and worse.
Maker Faire 2017 was bigger, louder and hotter than previous years. Many of the attractions were still the same, but they felt more grown up. I particularly enjoyed the illuminated art in the Dark Room, such as Peter Hudson’s 3D Stroboscopic Zoetrope. I also enjoyed all the ingenious robot exhbits and the Traveling Spectacular’s vaudeville performance
I gave a talk about our Maker Art classes on Sunday morning. We teach children to create magical worlds together, combining art, tech and storytelling. Our students get really engaged in the process, which helps them develop their creative, problem-solving and social skills.
The presentation was well received by a great group of teachers, parents and kids. I connected with several librarians and teachers interested in teaching Maker Art in their communities. And one mom reached out to me afterwards to say this was the best talk she heard this year.
Maker Faire remains the Mecca for Bay Area DIY hobbyists and it was well worth the trip for me. I made some good connections after my talk and learned more about robots for our next classes. Onwards!
See more photos in my Maker Faire album:
www.flickr.com/photos/fabola/sets/72157633515937533
Here’s more info about my Maker Art talk:
makerfaire.com/maker/entry/60448/
Here are the slides I showed in the talk:
bit.ly/maker-art-talk-may-2017
Learn more about our Maker Art classes:
fabriceflorin.com//teaching-maker-art/
Learn more about Tam Makers:
#MakerFaire #MFBA17 #makers #makerart #makered #techedu
Maker Faire is the Greatest Show (and Tell) on Earth—a family-friendly showcase of invention, creativity and resourcefulness, and a celebration of the Maker movement. It’s a place where people show what they are making, and share what they are learning.
Makers range from tech enthusiasts to crafters to homesteaders to scientists to garage tinkerers. They are of all ages and backgrounds. The aim of Maker Faire is to entertain, inform, connect and grow this community.
The original Maker Faire was held in San Mateo, CA and in 2013 celebrated its eighth annual Bay Area event with some 900 makers and 120,000 people in attendance. World Maker Faire New York, the other flagship event, has grown in four years to 600+ makers and 75,000 attendees. Detroit, Kansas City, Rome, Oslo, Tokyo, Newcastle (UK), and Shenzhen are the home of "featured" 2014 Maker Faires (200+ makers), and almost 100 community-driven, independently organized Mini Maker Faires are now being produced around the United States and the world, including right here in Portland.
Photo by Gia Goodrich
The Western Balkans Investment Summit 2020 was held at the EBRD in London on Monday 24 February. The event was attended by all heads of government from the region, ministers, policy-makers and leading entrepreneurs.
The aim of the Summit was to highlight potential investment and business opportunities in the Western Balkans region and to promote regional and cross-border projects. This was the fourth EBRD summit of its kind; the inaugural Western Balkans Summit took place at the EBRD in February 2014 and, for the first time, brought together all the region’s six prime ministers.
The Western Balkans is a priority region for the EBRD. Today, the EBRD remains one of the largest institutional investors in countries of the region, with close to €12 billion invested to date.
The Summit started with a high-level session during which the six leaders and the President of the EBRD addressed the audience. This was an opportunity to discuss their overall vision for the region, key regional projects and opportunities for investment in energy and transport as well as the “soft connectivity” agenda in the Western Balkans. This was followed by a discussion panel, ‘Green Energy in the Western Balkans’.