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Morning view of the much photographed Lower Yellowstone Falls.
View large - 'Lower Yellowstone Falls' On Black
View the entire Yellowstone and Tetons - Sept 2007 Set
View my - Most Interesting according to Flickr
I took some time to go into the styling of the lower jaw. That's the level of detail that I'll get to across the whole model.
Lower Falls and its associated dam are one of three waterfalls on the Genesee River between downtown Rochester and Lake Ontario. Kodak world headquarters is in the background at the right. Photographed from the Driving Park Av. Bridge.
Photographed using a Sony A7R with a Nikkor 43-86mm f/3.5 lens.
This is the second time I've visited Lower Beamer, and the first time hiking downstream. Definitely easier than the upstream hike.
This little river winds its way under the old railway viaduct down to the sea in Lower Largo in Fife
View from Artist Point
Canyon Village
Yellowstone National Park
Wyoming
* Life immitating painting ?
Also known as West Double Falls because there is a second falls immediately in front of me (Lower Cliffview Falls)
Since Vernal Falls was half in the sun and half in the shade...and wasn't very full, I decided to focus on the lower part of the falls that was in the shade. I stopped several places along those 600 steep :) granite stairs to take a few shots from my monopod, which luckily, also came in handy as a hiking stick.
en.wikipedia.org/wiki/Latourell_Falls
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Lower Surry Church - Part of what remains of a wall of the Lower Surry Church. Surry, VA USA - Nikon D810 - en.wikipedia.org/wiki/Old_Brick_Church_(Bacon%27s_Castle,_Virginia)
View of the Lower Falls in late morning light that nicely illuminates the northern canyon wall. This photo was taken from the lower observation area at Red Rock Point. The trail is paved, but very steep and with many switchbacks, about a 1/2 mile roundtrip. Take water, the hike is worth it. It is the yellow rock, visible on the north rim here, from which Yellowstone National Park gets its name. Just to the right of the falls is an observation deck on the brink of the falls. The people on the deck provide some idea of scale. Smoke from the forest fires are keeping part of the sky somewhat grey. Yellowstone National Park, Wyoming USA.
The lower falls in the Grandy Canyon of the Yellowstone are 94 m (308 ft) high, or almost twice as high as Niagara!
Lower South Falls, Silver Falls State Park, OR.
Lower South Falls, which often plays second fiddle to the bigger South Falls upstream, is quite a sight during spring. Here, the Silver Creek falls into the canyon as a sheet of water from about 93 feet. Just like many waterfalls in Silver Falls State Park, the trail takes you behind the waterfall and brings you very close to the water. The trail to this waterfall is about 0.8 miles from the parking lot and travels along Silver Creek through lush green forested areas of the park.
I like to shoot around 1/4th of a second for waterfalls. I prefer this look better than the 1s-2s cotton candy look. I exaggerated the ‘stringy look’ (for the lack of a better term) of this waterfall by compositing parts of frames shot with 1/4th, 1/8th and 1/5th of a second. Post-processing involved optimizing ‘highlights’ and ‘clarity’ in PS CS6 for the final ‘stringy’ look!
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Zeiss Ikon ZI M mount rangefinder camera,
Konica 90mm F 2.8 lens after a CLA and focus distance recalibration to Leica M standards, performed by Kanto Camera in Japan.
Kodak T Max 100 film in Paterson FX 39 developer.
Exposed EI 40, 1/500s F 4.
Developed in Paterson FX 39 developer 1+14, 12 minutes at 18 °C, 10s initial agitation then 10s at beginning of each minute.
Could have used a few more minutes of developer time.
Fixed in Moersch ATS alcaline fixer, 7 minutes, same agitation as developer.
Washed in flowing tap water for 10 minutes.
The developer is a sealed box from 10 years ago, performance is still acceptable.
I followed the same approach I used in the darkroom back at the time for FX 39, i.e. overexposing T Max 100 about 1 stop and underdeveloping accordingly via higher dilution and same development time of standard 1+9 mixture.
I used to aim for lower gamma because I used condenser enlarger.
Grain was unnoticeable in darkroom prints up to 12x enlargement, it's still very good even in high res digital scans.
Today I tend to prefer Moersch Finol with tabular grain films, developed to higher film gamma: I find it offers better midtone separation, true E. I. 100 speed and better acutance.
However for a darkroom print I suspect T Max 100 and FX 39 would still be hard to beat in term of overall balance of acutance/grain/convenience.
Fine tuning staining developers like Finol for VC paper is an art in its own right and I never really spent the proper time to learn it.
Scanned to true optical 4500dpi with a custom macro setup, Rodagon APO 75mm HM repro lens at 0.95:1 ratio, F 5.6 aperture.
I have always wanted to make this photograph. Here is a scene of the moon rising over the financial district of lower manhattan. the hudson river and battery park make up the foreground leading to the Staten Island Ferry terminal and Brooklyn in the right of the frame. The moon is the star of the scene center spot of the frame of course. I made this shot in a series of many during a lapse of the moon rising seemingly from the skyscrapers. In my opinion, a shot of the moon rising over Manhattan and the New York City skyline is almost as exciting to witness with your eyes as it is to photograph. but for those who cannot witness hope this photo does justice. press "L" on your keyboard for a better view.
shutter 1/5
aperture F7.1
focal length 130mm
ISO 800
Sony DT 4/5.5 SAM 55-200mm lens
tripod
Single exposure
tone mapping