View allAll Photos Tagged livecomposite
Live Composite taken with an Olympus OM-D E-M5 Mark II and the 8mm Fisheye Pro Lens
Photo by Mike Boening www.mikeboening.com
Blog post on behind the scenes of this shot found here goo.gl/p6MXnE
Photo by Mike Boening www.mikeboening.com
Cambio de registro. Era una noche muy calurosa de este verano. Tengo que agradecer a los vecinos del pueblo su colaboración al apagar sus linternas a mis ruegos. Como dije era una noche muy calurosa y apetecía pasear por este lugar que es el punto más alto de la localidad y donde el aire más se hace notar para alivio de los paisanos. El tiempo transcurrido para la consecución de la imagen fue de tres horas de las cuales aproximadamente dos las pasé charlando con los vecinos. Bonita experiencia.
Funtastic's Zero Gravity carnival ride at the 2019 Rose Festival City Fair, Tom McCall Waterfront Park, Portland, OR 24 - 0.5sec exposures composited in camera using the Olympus Live Composite exposure mode. O8366
Shot at dusk on the Williston Reservoir in northern British Columbia. The water is low in the Spring and hundreds of tree stumps are visible that are usually under water. The trees were crushed when the reservoir was created to accommodate a hydroelectric dam built in the 1960s.
The lens is Rokinon 12mm f/2.0, shot using "Live Composite" mode with my Olympus OMD.
Shot in Live Composite mode on an E-M1 and using the 12-40 Pro Lens. 3 Minutes of exposure time with a shot every 1/2 second
Photo by Mike Boening www.mikeboening.com
THE EYE IN THE SKY
©LoCuoS
I am the eye in the sky, looking at you, I can read your mind.
Olympus OM-D EM-1
Sistema LIVECOM
Olympus Firmaware 2.0
He contado alguna vez las bondades del sistema del Live Composite (composición en vivo) que disponen las nuevas máquinas Olympus.
Pero el otro día digamos que fue la primera vez que probé el sistema en serio con mis compis de LoCuoS.
Las posibilidades que te da para componer en tiempo real son infinitas, solo tu imaginación es el límite. Eso de estar viendo lo que estas haciendo es realmente apasionante. Y te permite hacer composiciones antes jamas pensadas sobre todo en foto nocturna, sin que se queme la fotografía.
Uno de mis compis con su FF de Nik.... solo repetía y repetía que por qué no hacían lo mismo los de Nik...(pequeños gruñidos)....Yo me sonreía y le decía....ya sabes un 2º cuerpo de Oly, jajaja.
Próximamente iré desgranando muchas de las ventajas que tiene, algunas no se han dicho y que he comprobado.
Esta es solo una sencilla imagen tomada no con mucho tiempo, en la que me he permitido una licencia.....que le voy a hacer.
I ever tell you the benefits of Live Composite system (composition in vivo) that the new machines feature Olympus on my Facebook.
But the other day say that was the first time I tried the system seriously with my LoCuoS team.
The possibilities for composing gives you real-time are endless, only your imagination is the limit. That of watching what you're doing is really exciting. And allows you to do compositions never before thought especially in night photo, photography without burning.
One of my housemates with his FF Nik just repeated and repeated .... why not doing the same the Nik ... (little grunts) .... I smile and say, you know .... A 2nd Oly body, Olympus.
Soon I'll be shelling many of the advantages, some unsaid and I checked.
This is just a simple picture taken not too long, in which I have allowed a license ..... you will do.
Foto realizada con una Olympus OMD E-M10mk2 + 12-40mm f2.8.
La foto se realizó en la inauguración de la exposición de fotografía nocturna y light painting ART AMB LLUM en el Castell d'Alaquàs en Alaquàs, Valencia.
la mayoria de los asistentes están mirando hacia arriba porque gracias a Olympus se estaban viendo en directo como se realizaba su fotografia mediante el modo LIVE COMPOSITE.
Foto realizada por LaLLUMdelaNIT, Augusto Llacer y Sergio Alvarez Carmona
This is a merge of two Live Composite shots. The sky and water are from one and the car trails are from another. I didn't think of it at the time, but I should have taken a short exposure for the sky to have one without the boat and air trails.
More photos from San Francisco are in my set
More Live Composite photos are in my set
More photos with the Olympus 7-14mm Pro 2.8 lens are in my set
Funtastic's Vertigo carnival ride at Cinco de Mayo May 3-5, 2019, Tom McCall Waterfront Park, Portland, OR 18 2sec exposures composited in camera using the Olympus Live Composite exposure mode. O7892
from the Tilikum Crossing Bridge, Portland, Oregon. 8 1sec frames composited in camera using Olympus Live Composite Exposure Mode. OM12299
Another variation on Beverly Pepper's My Circle on display at Union Square
More photos with the Olympus 7-14mm Pro 2.8 lens are in my set
More photos like this one are in my set
More Live Composite photos are in my set
Burning Churches by Me and that Man
That night I saw the flames flicker on the television set
The vicar's tears fell as he faced the camera men
And my mother grabbed her crucifix
And drew in her breath
It's suspected arson the newsreader said
My life was reborn into that incendiary darkness
It brought to mind the great writers of satanic verses
From that truth my eyes glowed with unholy illumination
From the matchstick spark until the final glowing embers
I'm called by the light
Of burning churches
Saved by the light
Of burning churches
I was always the altar boy and never a thief
Part of the choir and friends with the priest
But it all changed when those prayer books went up in flames
Childhood on fire consumed in the blaze
Now I smoke all my opportunities right down to the filter
I don't regret a single fucking moment of my future
I know the devil better than myself
And there's no good fun in heaven cause I'm down here raising hell
Called by the light
Of burning churches
Saved by the light
Of burning churches
There's plenty of things that should be left unsaid
So I'll drink some more whiskey and say them again
My life is this war against their words
Slaves to salvation and the prayers of the lord
I'll take up my seat next to Anton La Vey
With a Molotov cocktail and a can of gasoline
Ashes up to heaven
Beautiful destruction
I grew up by that light
I was raised by the light
BURN BURN BURN x7
Burning Churches!
Called by the light
Of burning churches
Saved by the light
Of burning churches
Called by the light
Of burning churches
Saved by the light
Of burning churches
_____________________
Reading between the lines (het Doorkijkkerkje) is an artwork by the architect duo Gijs Van Vaerenbergh
Borgloon
Photo by Mike Boening www.mikeboening.com
Live Composite for 2 minutes on an Olympus OMD EM1 with a 12-40 Pro lens.