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Aprovechando el Carnaval nos propusieron de realizar alguna fotografĂas rápidas de light Paintg y este fue el resultado.
Escenas creadas por Herramienta casera fabricada por Noches Manchegas.
Since I live in the Northeast, there are a couple of options as far as shooting lighthouses are concerned. I had already shot the beavertail lighthouse in RI a few weeks ago, but wasn't too ecstatic with the results. I blamed in on the location of the lighthouses, the Nikon D70 and the Nikkor 18-70 lens. Living on the East Coast, you can get great sunrise shots behind lighthouses, but not a lot of sunsets. There's one in Acadia, but thats app. 6 hours drive away. Cape Elizabeth happens to be at app. 3 hours. Originally was debating whether to go to “Nubble light” or “Portland head” (Nubble was a bit closer); In my pursuit, sent an email out to Moe Chen, who happens to be an expert in shooting lights in the Maine area. Received immediate and good feedback from him, almost seemed like Nubble was going to be a good choice, because of the sunset glow, and that park officials don’t kick you out at sunset. Never the less, due to the fact there are more composition options at Portland, decided to make the 3 hour drive with my family (camouflaged my rendezvous as a family trip). As soon as I hit the road at 4:00 pm ish, could see there were lightning and dark clouds everywhere. Weather.com predicted scattered showers around 10:00 pm, so I thought to myself; “they’ll kick us out by 8:00 pm, so we should be good”. As we entered New Hampshire, a dark, gigantic, menacing cloud appeared to our left, it followed us all the way to Maine. We parked and my family settled in a vacant tent, while I took my new D7000 and 16-85 out for a weather resistant test. It started raining as I walked up the slope toward the lighthouse. Kept shooting in the drizzle, but had to take shelter in the museum as it started to pour down hard. After waiting for a few minutes, I figured, don’t have much time and the camera is weather resistant (presumably), so let’s do what we came here for. In the hour I had, it kept raining light to medium, but I kept shooting. Took app. 350 shots. A lot of them ended up having water droplets showing and blurring the image (note to self, keep the lens clean no matter what). I was trying to wipe the rain off with my t-shirt, but not having a lens cover made it hard.
Only was able to shoot from limited locations around the lighthouse in the hour or so I had. Wanted to go down to the rocks and shoot up, but was out of time and the security guy in his gold cart like police car kept on calling me.
By the way, the clouds acted as reflectors for the sun, which were on the opposite side, giving me a bit of orange glow towards East. No complaints there. By and large a good quick shoot. But need to go back for a sunrise shot and need to figure out how to sneak in to get a milky way shot with the light. Anyone has ideas about that?
Cheers,
Saqib
“In your light I learn how to love.
In your beauty, how to make poems.
You dance inside my chest
Where no one sees you,
but sometimes I do,
and that sight becomes this art.”
(Jalal ad-Din Muhammad Rumi - Poet and Sufi mystic, 1207-1273)
This red sari was drying under the sun along the Ganges in Varanasi (Benaras).
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It's a garden light. there is a little light around so it looks like the only thing in the world.
Camera: SONY SLT-a65V with 18-55 F3.5-5.6 kit lens
Processed using Darktable and GIMP on Ubuntu
Colour self portrait. It is the colour version of Day 35: www.flickr.com/photos/brady93/6858345308/in/photostream I saved a copy from the RAW file, which is saved in colour, no matter the camera setting.
A thousands of miles apart.
Yet in our hearts, we share the same revolutionary light.
In solidarity with the revolution to wipe the war criminals off from Bangladesh.
This was a lighting experiment with an objective to show the inside colors of this otherwise plain-looking seashell. Sun light was shining from behind the shell, with a diffused flash light from the upper side.
Do you see the colors of sunset?
Do you see the colors of the sea?
Camera Canon PowerShot S5 IS
Exposure 0.4
Aperture f/3.5
Focal Length 23.8 mm
ISO Speed 80
Exposure Bias 0 EV
Partial black and white of light trails on a London street at night
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How i did these ....
First of all you need to break the light bulb. I held the bulb in a bag and gently hit the bulb with a hammer. My success rate was about 1 in 3, hence buy cheap bulbs! There is another way and that's with an adjustable wrench and snap the glass at the smallest point. I believe the success rate would be a lot better than the hammer!
Once you've broken the bulb, it's a matter of choice to either clean off all the remaining glass or leave the bulb in the exact same state as first broken. If the filaments have moved, move them back in place so they are symmetrical.
I setup an old lamp stand approximately 12" in front of some black card. Attach the broken bulb, but make sure it's not plugged in! I then set the focus to manual and focused on the filaments. I used a number of various settings between f4 & f8 and a minimum shutter speed of 1/800. Set the camera to continuous shooting. No flash was used in any of these, but a couple of them I did back light the bulb but it didn't really make much difference. If anything, it gave me more pp work to do! The room also doesn't need to be pitch black, I did all of mine with natural light coming through the window!
So here goes .... Try and use a remote if you can as you have to start snapping about a second before plugging in the lamp. You literally get a couple of seconds before the bulb burns out. Hopefully this will give you about 6 shots to choose from.
Good luck all and dont forget to unplug the light before removing the blown bulb!!
'Coloumn Light' art installation, part of the Copenhagen Light Festival, February 2nd - March 3rd 2018.
this was one of the first shots i took with my G9 several years ago. i was sitting in the living room of my parents summer home in michigan and started to mess with the overhead ligh in the family room. i put the decreased the shutter speed and was throwing the camera up and down in my lap.
I APPRECIATE AWARDS, BUT I PREFER COMMENTS - OR ATLEAST COMMENTS WITH AWARDS.
I still don't admit to collecting Novi Stars even though I have Una Verse and Ari Roma.... and Mae tallic is in the mail and erm Allie Lectric is now under the tree. At least I can take comfort in the fact that I purchased all of them while on sale with Nita Light being my cheapest at $11.50 with free shipping via Amazon Prime
Camera and tripod mounted in passenger seat, took during ride home from work. Remote shutter release.
The light and setup were a little challenging, so Ken tried some off-camera flash. It looked fairly good, but we really need much more than 3 camera speedlights to do this right. We also should have been involved in the setup of the bleachers, so they would be positioned better relative to the aircraft. Next time.
Rural light painting in along the Missouri River bottoms in Boone County Missouri with the Pixelstick by Notley Hawkins Photography. Shot with a Canon EOS 5D Mark III camera with a EF17-40mm f/4L USM lens at f.4.5 with a 134 second exposure. Processed with Adobe Lightroom 5.7.
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