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I love the catwalk going straight to the upper levels, the long smokestack, and the vegetation growing on top of the structure. What’s the story behind those broken windows? Who worked there? I scouted the place on my own back in 2009. I had noticed a small passage going under the building. Alas, it looked pretty unsafe and darn close to a small, very functioning electrical power plant. I pondered my options and figured I’d rather get my BFF Bennett get electrocuted first, a year later. More on the blog.
Gabriela Ramos, Chief of Staff and G20 Sherpa of the OECD, at the High Level Meeting of the Global Partnership for Effective Development and Co-operation, Mexico City, 15-16 April 2014.
www.oecd.org/about/secretary-general/oecd-secretary-gener...
Taken on the TU Berlin Invasion Tour 2011.
Many funny moments, many a good laugh, with many good mates.
I think this translates to something like level 4 - artillary room?
Farranfore to Valentia Railway Line - MP Farranfore Junction 2 1/4.
Level Crossing in Firies, Kerry 23rd June 2012, looking towards Valentia Harbour.
The River Brue, just downstream of Glastonbury. The water level is a good couple of feet higher than the road alongside.
I was here, as I had read that Shoreham had a particularly fine Rood Screen and loft still in situ, and that it reached fully across the body of the church.
You approach the church from the river, up a narrow high street with the Lych Gate straight ahead as the road dog legs right.
Once through the Lych Gate, there is a narrow path right ahead of you, lined on both sides by fir trees, the church itself can be glimpsed through gaps in the trees, however in summer it is almost hidden. Until you come level with the wooden porch, and the welcoming sign that the church is open.
Upon entering, you see the church was two cell orginally, with a lean to aisle on the south, which now houses the Lady Chapel. And stretching across both parts is the splendid Rood Screen.
Fully six and a half feet wide at the top, carved and well looked after, it is a glory.
All about were the wardens and volunteers doing the weekly clean up, and refreshing the fine floral displays.
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Description: Church of St Peter and St Paul
Grade: I
Date Listed: 10 September 1954
English Heritage Building ID: 447963
OS Grid Reference: TQ5227961590
OS Grid Coordinates: 552279, 161590
Latitude/Longitude: 51.3330, 0.1845
SHOREHAM
771/31/1154 CHURCH STREET
10-SEP-1954 SHOREHAM
(North side)
CHURCH OF ST PETER AND ST PAUL
I
Church sited on the edge of a village rich in historic buildings. The foundations of the Norman chancel were found under the nave in 1956-7. C14 N wall; N chapel early Perp; other features mostly late Perp; c.1775 W tower, rebuilt after a fire. Chancel rebuilt and the north east vestry/organ chamber added in the 1860s restoration by Woodye; restoration in the 1950s.
MATERIALS: Flint and stone rubble with freestone dressings; the tower flint with red brick dressings; tiled roofs.
PLAN: Nave and chancel in one, west tower; south bay south arcade; north chapel, north east vestry/organ chamber; south east chapel, south west porch.
EXTERIOR: Chancel with coped gable, diagonal buttresses with set-offs and 3-light east window of 1953 (following war damage) with reticulated tracery. One Decorated and one Perpendicular style window to the nave. The C14 north chapel (now the vestry) has a 2-light window (tracery much renewed), Woodyer's eastward extension is largely Decorated style but has a 3-light Perpendicular east window. The south aisle is buttressed, one buttress partly rebuilt in red brick with 3-light Perpendicular windows (much stonework renewal) with cinquefoil-headed lights and Tudor arched heads. Very lively design to 3-stage tower with red brick banding to the lower and clasping toothed pilaster buttresses to the upper stages, above a red brick platband. The tower has a pierced red brick parapet and obelisk pinnacles with ball finals. Windows and doorways in the tower have proud architraves with keyblocks and capitals; pedimented clockface on west face, 1857 clock. The south west porch is remarkable: timber-framed and gabled with renewed cusped and pierced bargeboards. Although it has been extensively repaired the front posts and spandrels each side of the doorway are constructed out of the solid. The spandrels are carved with blind tracery. Much of the construction above the doorway and of the side walls appears to be C19 with ad hoc repairs, but the design of a plain crown post braced to the collar purlin may be original. The timber framed sides of the porch sit on a flint base and the tier of panels below the middle rail have flint infill. Above the rail are, to the front, 5-light square-headed timber mullioned openings with traceried heads and, to the rear, panels filled with diagonal boarding.
INTERIOR: The nave has a medieval 4-bay Perpendicular crownpost roof, the crownposts with moulded capitals and bases and 4-way bracing. The south chancel chapel has a probably late medieval boarded, panelled roof with flat carved bosses at the intersections of the ribs and a C19 parclose screen, made locally. 6-bay south arcade with engaged shafts with capitals and moulded arches, one and half bays to the chancel. Probably late medieval tie beam and common rafter roof to the south aisle. The chancel roof is 1860s and is boarded and panelled, including one bay of the nave. C19 reredos of stone panels with painted figures under ogee arches, the stone panelling extending across the width of the sanctuary. Octagonal responds to the moulded arch into the north chapel. Stone flag flooring to nave, salvaged from Shoreham Place and laid in 1955-7. Impressive late medieval (restored) timber screen with rood loft with lierne vaulting extends across the width of the nave and south aisle, the main doorway to the nave off-centre and the south end projecting across one of the aisle windows. This is said to be the only surviving screen in Kent that extends across the full width a church.
SUBSIDIARY FEATURES: Plain medieval octagonal stone font with a rustic conical font cover, said to be Tudor. 1827 timber drum pulpit designed by Blore, originating from Westminster Abbey: a timber drum with well-proportioned blind Gothic tracery below crocketted gables. Organ case 1730, also from Westminster Abbey. Simple nave benches with open backs and ends. Stained glass includes a 1903 Morris and Co window to Burne-Jones's design. C14 tomb canopy on north wall. Wall monuments include 4 of early C18 date by Henry Cheere (Pevsner) to members of the Borrett family.
The path to the church from the village is planted with Irish yews, said to date from 1867.
SUMMARY OF IMPORTANCE: St Peter and St Paul is a largely medieval church with an outstanding late medieval timber-framed porch and very lively polychromatic C18 tower. The interior includes a late medieval rood screen, late medieval roofs and good quality fittings re-used from Westminster Abbey.
SOURCES: Pevsner, West Kent and the Weald, 1980 edn., 521-522
Payne, A, Gliddon, P, Edwards, V, Benbow, D and David, E, St Peter and St Paul, Shoreham, Kent, 1995.
www.britishlistedbuildings.co.uk/en-447963-church-of-st-p...
The porch is of very solid fifteenth-century workmanship with good, though weathered, carvings in the spandrels and plain bargeboards above. Inside the church the greatest treasure is the rood screen, with its original loft - 6 ft 6 in wide. It shows the Pomegranate of Catherine of Aragon carved on its door, and this may help us date it to the visit of Henry VIII and his queen to nearby Otford Palace in 1520. The pulpit of 1827 is by Blore and is one of two in the county that originally stood in Westminster Abbey (the other is at Trottiscliffe). In the south wall is a window of 1903 depicting Joy, Creation and Love by the firm of Morris and Co. A most unusual thing to find is the painting of Lt Verney Cameron, who led the expedition to find David Livingstone in 1873, painted by Charles Cope RA.
while walking around by the tide pools, i got a crazy idea: "why not lay down in front of where the waves break to get a photo?"
My camera's okay, but I got saltwater in my mouth. Nasty.
© All rights reserved.
Any unauthorized use of this image is illegal and strictly prohibited.
McDonnell Douglas Boeing F15E Strike Eagle 91-0308 F-15E-51-MC VI 1215/E173 492nd FS low level Cadair pass from the west side mach loop Wales
_E2D4653
Sorry... I cropped the photo 'coz there was this stupid man beside me who always bumps his elbow to my camera and sometimes my head. So I bumped back and looked at him fiercely... He's about twice my age but we went away...
Anyways, here's a very amazing performance level from the Winter Festival.
The High Level Bridge is a road and railway bridge spanning the River Tyne between Newcastle upon Tyne and Gateshead in North East England. It is considered the most notable historical engineering work in the city.[1] It was built by the Hawks family[2] from 5050 tons of iron. George Hawks, Mayor of Gateshead, drove in the last key of the structure on 7 June 1849[3] and the bridge was opened by Queen Victoria later that year. (Wikipedia)
Lockheed C-130H Hercules (L-382) number 345 of the Royal Jordanian Air Force keeps low after take-off at RAF Fairford following the 2013 Royal International Air Tattoo.
Wide view of the C-Level Cirque. Low clouds hang around at the top of Cascade Mountain. We hiked up to a higher viewpoint at the rock face ahead.
Athenry to Claremorris Railway Line - MP Tuam 9 1/2.
Drum Level Crossing (XE276) on the N17 at Drum, Galway 23rd August 2012.
Taken at the upper level of Union Station. This floor hosts a few restaurants, shops and a coffee shop. Also, the entrance to the parking garage is located on this floor. I am fascinated by the patterns found on this ceiling. I think it is such a unique design.
Location: Washington, DC, US
Part of the Union Station set.
Shot of both the level 1 and level 2 menger sponges. Inspired by www.reddit.com/r/origami/comments/3bl2tr/tutorial_how_to_...
The cableway on level 2 between the silo and the launch control capsule in a Titan II missile silo. The view is towards the control center.
The Titan Missile Museum is located in a decommissioned Titan II missile complex just south of Tucson, Arizona. At over 100 feet tall, the Titan II was the largest ICBM ever deployed by the United States. We got the opportunity to take a comprehensive tour of the facility covering all eight levels of the underground silo.
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______________________________________________________________________
________________________________________________________________
______________________________________________________
Creator:
Cleveland-Cliffs Iron Company
Publisher:
Cleveland-Cliffs Iron Company
Description:
Black-and-white photograph of “Plate No. 167 - Prescott Pump - 1060' Level” at the Francis Mine.
Location:
Gwinn (Michigan, United States)
Worktype:
Black-and-white photograph
Type:
Image
Source:
Image from page 652 of 1918 Mining Agents Annual Report
Date:
1918
Format:
TIF
Identifier:
Volume 1989
Repository:
Central Upper Peninsula and Northern Michigan University Archives
Rights:
Restrictions on Use:
Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.
Archives of Michigan Permission to Duplicate Form:
www.michigan.gov/documents/hal/hal_mhc_am_Photo_Permissio...
Restrictions on Access:
There are no restrictions on accessing material in these record groups.
Rights Holder
Michigan State Archives
Collection:
Cleveland-Cliffs Iron Company (CCI) Records
Record Group:
MS86-100
Series:
Two: Agents Annual Report
Link to Project Website: