Gaucho knots from 7 lead 6 bight Turk's heads, Spanish ring knots, and a center Gaucho knot from a 5 lead 4 bight knot.

I started with just two strands, one black and one white of 0.9mm cord, working each of the knots from left to right, but the final large Gaucho ended up a bit uneven after tightening, so I cut it off and properly retied another...

76 / 366

Broken Pencils

Again using the Raynox attachment, and lit from above with a speedlight and mini softbox.

Belgium

18" x 24" Oil on panel

2010

Loosely based on a 12950's Mercury..

Saint Bartholomew church in London

Sitter: unknown

Studio: J. Davis & Sons, Preston & Lancaster.

Plain back CDV.

J. Davis occupied studios at the following Preston addresses:

12, Fylde Road, Preston 1882

130, Church Street, Preston 1889-1890

I love it. Upstate.

BEYONCÉ, GREEN DAY & LADY GAGA LEAD THE WAY WITH THREE MOONMEN AT THE “2009 VIDEO MUSIC AWARDS”, JANET JACKSON & MADONNA CELEBRATE MICHAEL JACKSON

Taylor Swift Wins “Best Female Video”

While Eminem Grabs “Best Hip Hop Video”

New York, NY (September 13, 2009) –– MTV turned New York City inside out for the “ 2009 Video Music Awards ” as the network celebrated a legend and brought together the biggest names in music, TV, film and sports. Live from Radio City Music Hall, VMA icon Madonna opened the show and introduced the emotional and heartfelt tribute to Michael Jackson. Janet Jackson was joined onstage by the most renowned choreographers in the world and Michael’s tour dancers, all of whom were influenced by the “King of Pop,” for a memorable and high energy performance. To honor her brother and his illustrious career, the dancers recreated some of his most memorable music videos including “Thriller,” “Bad,” “Smooth Criminal” and “Scream.” The celebration received a standing ovation and set the tone for the most important evening in music and pop culture.

Always controversial, British comedian Russell Brand pushed the envelope as he had fun with a slew of new stars and charmed the ladies. Aerosmith’s Joe Perry and popstar Katy Perry helped Russell kick-off his hosting duties in a big way with a light infused performance of the classic rock anthem by Queen, “We Will Rock You.”

Young country-pop superstar Taylor Swift earned “Best Female Video” for “You Belong With Me” in one of the most competitive categories of the evening, causing Kanye West to storm the stage in protest of Beyoncé not winning. In a gracious act, Beyoncé later called Taylor back on stage to rightfully accept her award. Beyoncé did win an outstanding three moonmen including the coveted “Video of the Year” award for her viral video sensation “Single Ladies (Put A Ring On It).” Also landing three statues was Lady Gaga including “Best New Artist ” for her hit single “Poker Face.” Green Day made a triumphant return to the VMAs by claiming three awards including “Best Rock Video ” for “21 Guns.” Eminem walked away victorious in an extremely heated race for “Best Hip Hop Video” with “We Made You.”

Adding to her collection of moonmen and accepting her award via satellite while on tour, Britney Spears won “Best Pop Video” for “Womanizer.” After officially premiering at last year’s show, T.I. and Rihanna won “Best Male Video” for their multi-platinum song “Live Your Life.”

Eminem once again showcased his comedic chops teaming up with Tracy Morgan and featuring a cameo by Cyndi Lauper to present the “Best New Artist” nominees throughout the show.

Drawing on the musical energy and passion of New York City, MTV used the city as a backdrop to showcase the unprecedented and groundbreaking performances from today’s most popular artists. Making her first VMA performance a standout, Taylor Swift sang a never-before-heard version of her single “You Belong With Me.” Taylor fully incorporated all NYC has to offer by transitioning from a subway car to 6th Avenue surrounded by fans and ending her performance on top of a taxi cab.

Known for her over the top live performances and fashion forward style, Lady Gaga turned a childhood dream into a reality as she made her grand entrance into VMA history. During her unforgettable performance of “Paparazzi,” the international superstar gives her own interpretation on the price of fame which culminates with her levitating into the air.

Surrounded by pyro and using every corner of the VMA stage, fan favorite Green Day made an explosive return to the VMA stage by giving a high energy rock performance of their single “East Jesus Nowhere.”

Beyoncé had all of Radio City dancing to “Single Ladies (Put A Ring On It)” with her call and response to the audience as she translated her music video phenomenon to the live stage. The pop diva was backed by an army of dancers as they displayed their incomparable dance moves during her performance.

Already a household name across the pond, British rockers Muse gave a breakthrough performance expanding their fan base worldwide. The band performed their latest single “Uprising” from a live remote at the Walter Kerr Theater in the Broadway district of Manhattan in front of hundreds of screaming fans.

Determined to top herself and once again raise the bar for live performances, P!nk mastered a jaw-dropping aerial act 30 feet above the stage while performing her single “Sober.” And yes, she sang every single word of it.

Bringing the show to a climactic end, JAY-Z and Alicia Keys honored their hometown of New York as they gave a powerful performance of “Empire State of Mind.”

As the official VMA house band, hip-hop’s newest challenger Wale and the legendary go go band UCB hyped up the audience as they put their own unique spin on some of the biggest songs of the year, his own material and a few classic covers. They collaborated with a number of artists including Kid Cudi with “Day And Night,” The All-American Rejects with “Gives You Hell, ” Pitbull with “You Know You Want Me” and 3OH!3 with “Don’t Trust Me”. Kid Cudi honored DJ AM during his performance of “Make Her Say.”

The star studded show also included appearances by Megan Fox, Jimmy Fallon, Jennifer Lopez, Shakira, Jack Black, Andy Samberg, Kristin Cavallari, Pete Wentz, Gerard Butler, Diddy, Tracy Morgan, Adam Brody, Jamie-Lynn Sigler, Alexa Chung, Gabe Saporta of Cobra Starship and Justin Bieber, Ne-Yo , Nelly Furtado , Robert Pattinson , Kristen Stewart , Taylor Lautner , Chace Crawford , Leighton Meester , Miranda Cosgrove and Serena Williams.

The MTV audience was treated to exclusive first looks at fall’s most anticipated films and soundtracks including Michael Jackson's THIS IS IT and The Twilight Saga: New Moon trailers during the show. Viewers were also given a sneak peek at the latest trailer from the upcoming movie Fame during MTV News’ “2009 VMA Preshow.”

2009 MTV VIDEO MUSIC AWARDS WINNERS

GENERAL CATEGORIES:

VIDEO OF THE YEAR

Beyoncé

Title: Single Ladies (Put A Ring On It)

Album: I AM…SASHA FIERCE

Director: Jake Nava

Label: Music World Music/Columbia

Production Company: Anonymous Content

Producer: John Winter

BEST NEW ARTIST

Lady Gaga

Title: Poker Face

Album: The Fame

Director: Ray Kay

Label: Streamline/KonLive/Cherrytree/Interscope

Production Company: Rockhard Films

Producer: Jil Hardin/ Nicole Ehrich

BEST MALE VIDEO

T.I. featuring Rihanna

Title: Live Your Life

Album: Paper Trail

Director: Anthony Mandler

Label: Atlantic Reords

Production Company: Les Enfants Terribles

Producer: Gina Leonard

BEST FEMALE VIDEO

Taylor Swift

Title: You Belong With Me

Album: Fearless

Director: Roman White

Label: Big Machine Records

Production Company: Revolution Pictures

Producer: Randy Brewer

BEST HIP HOP VIDEO

Eminem

Title: We Made You

Album: Relapse

Director: Joseph Kahn

Label: Aftermath/Interscope

Production Company: HSI Productions

Producer: Mary Ann Tanedo

BEST POP VIDEO

Britney Spears

Title: Womanizer

Album: Circus

Director: Joseph Kahn

Label: Jive/Zomba Label Group

Production Company: HSI Productions

Producer: Mary Ann Tanedo

BEST ROCK VIDEO

Green Day

Title: 21 Guns

Album: 21st Century Breakdown

Director: Marc Webb

Label: Reprise Records

Production Company: DNA Inc

Producer: Michael Angelos

PROFESSIONAL CATEGORIES:

BEST CHOREOGRAPHY

Beyoncé

Title: Single Ladies (Put A Ring On It)

Album: I AM…SASHA FIERCE

Director: Jake Nava

Label: Music World Music/Columbia

Production Company: Anonymous Content

Producer: John Winter

Choreographer: Jaquel Knight & Frank Gatson Jr.

BEST DIRECTION

Green Day

Title: 21 Guns

Album: 21st Century Breakdown

Director: Marc Webb

Label: Reprise Records

Production Company: DNA Inc

Producer: Michael Angelos

BEST EDITING

Beyoncé

Title: Single Ladies (Put A Ring On It)

Album I AM…SASHA FIERCE

Director: Jake Nava

Label: Music World Music/Columbia

Production Company: Anonymous Content

Producer: John Winter

Editor: Jarrett Fijal

BEST SPECIAL EFFECTS

Lady Gaga

Title: Paparazzi

Album: The Fame

Director: Jonas Akerlund

Label: Streamline/KonLive/Cherrytree/Interscope

Production Company: Factory Films Ltd.

Producer: Steven Johnson/Nicole Ehrich

BEST CINEMATOGRAPHY

Green Day

Title: 21 Guns

Album: 21st Century Breakdown

Director: Marc Webb

Label: Reprise Records

Production Company: DNA Inc

Producer: Michael Angelos

Cinematographer: Jonathan Sela

BEST ART DIRECTION

Lady Gaga

Title: Paparazzi

Album: The Fame

Director: Jonas Akerlund

Label: Streamline/KonLive/Cherrytree/Interscope

Production Company: Factory Features

Producer: Steven Johnson/Nicole Ehrich

Art Director: Jason Hamilton

ONLINE CATEGORIES:

BREAKTHROUGH VIDEO

Matt & Kim

Title: Lessons Learned

Album: Grand

Director: Taylor Cohen & Otto Arsenault

Label: Fader

Production Company: FVNMO

Producer: Taylor Cohen, Otto Arsenault

BEST VIDEO (THAT SHOULD HAVE WON A MOONMAN)

Beastie Boys

Title: Sabotage

Album: III Communication

Director: Spike Jonze

Label: Grand Royal/Capitol Records

Shugoll Research and Telescope are the Official Business Advisors of the “2009 MTV Video Music Awards” Nominee and Winner Voting periods.

Jesse Ignjatovic/Den of Thieves is the Executive Producer for the “2009 MTV Video Music Awards.” Dave Sirulnick is Executive Producer. Garrett English is co-Executive Producer/Executive in Charge of Production. Amy Doyle is co-Executive Producer. Joanna Bomberg is Executive in Charge of Music and Talent. Jen Jones is Producer. Hamish Hamilton is Director. Robin Reinhardt-Locke is Celebrity Talent Executive.

Official sponsors of the “2009 MTV Video Music Awards” are 5 ® Gum, Febreze, Pepsi, Rhapsody ®, Sears, Taco Bell ®, U.S. Army and Verizon Wireless.

The “2009 MTV Video Music Awards” will be available to a potential viewing audience of more than 1.2 billion people via MTV’s global network of 68 channels reaching 577 million households around the world as well as through syndication. In addition, its convergent programming & content will reach the entire interactive community, via MTV’s more than 200 digital media properties around the world.

This photograph comes to you by courtesy of the letter L

Today is the twelfth day of February Alphabet Fun: 2015.

Ozzie likes to go out - he walks on the lead with me but runs around the field when my daughter in law takes him out.

comin up short

19.9.10: Cofton Park, Birmingham

Lead, kindly light, amid the encircling gloom, lead thou me on!

The night is dark, and I am far from home; lead thou me on!

Keep thou my feet; I do not ask to see the distant scene,

One step enough for me.

Which I have loved long since, and lost awhile.

John Henry Newman, The Pillar of the Cloud, 1833

The Beatification of John Henry Newman by Pope Benedict XVI.

Clifford Longley, in The Tablet (25.9.10), caught the mood of the Pope's visit to Britain perfectly:

There were two fifth columns that nobody had bargained for: ordinary British Catholics who decided spontaneously to stand up and be counted; and ordinary British people with open minds and sense of fair play. The former bought tickets for the set-piece events, some even giving up a night’s sleep to stand for hours in a wet and muddy field on the outskirts of Birmingham. The latter let curiosity and a desire to be touched by history move them to join Catholic crowds on the streets of Edinburgh, Glasgow and London to wait, watch and wave. The Catholic masses and the broader public formed a resonating feedback loop via the media, learning how to behave as bystanders on a papal route from what they saw others doing and feeling on television the night before. It was Diana moment.

But the effect on me of their general nastiness was to want to go and join the Swiss Guard. Yet Pope Benedict himself is surely a bit of a Roundhead, a touch Puritan. His addresses were utterly serious, though brilliantly calculated to connect with many of the things the British are worried about. But if his thoughts didn’t appeal directly to the senses, the gorgeous sights and sounds certainly did. It was Charles II’s time again, rumbustious and slightly irreverent. Thank you, God, for teenagers.

More here.

On 19th September 2010, John Henry Newman was beatified by Pope Benedict XVI at Cofton Park in Birmingham.

Let us take things as we find them: let us not attempt to distort them into what they are not... We cannot make facts. All our wishing cannot change them. We must use them.

- Blessed John Henry, Cardinal Newman

We were at Cofton Park for Newman as much as we were for the Pope. I'm not the biggest fan of Benedict XVI or of the cult of hero worship, but Newman is for me one of the outstanding figures of the 19th Century; along with Darwin and Marx, he is one of the three great thinkers of that century. The three of them changed the way we understand the world, how we got here and where we are going.

What Darwin, Marx and Newman all had in common was that they devoted their lives to arguing theories of development. All three had a profound effect on how we lived our lives in the 20th century. Newman's theory was a theory of theological development. His starting point was to say: if we are imperfect, how can we possibly claim to truly know the mind of God?

As a young man, Newman had been an evangelical, believing in the literal truth of the Bible. As he matured, and realised this was not a possibility, he asked himself the big question: if we are literally incapable of posessing a knowledge of the mind of God, if we cannot understand exactly what it is that God is asking us to do, but we are still called on to seek perfection, then how does the revelation of that knowledge come about?

Newman decided it was the duty of the Church to be open to unfolding revelation, for each generation to continue the journey towards God in its own way. Some traditionalist Catholics are uncomfortable with the uncertainty of this, and ask the question "does this mean that some things we used to think were sinful are no longer sins?" In the words of the great Cardinal Hume, the answer is yes, I am afraid it does, because understanding of how sin may be realised is ultimately in the mind of imperfect man. Rather confusingly, Newman used the word 'Tradition' to explain the way the Church develops in response to this unfolding revelation.

Some of Newman's well-known sayings were projected on to the big screens at Cofton Park on Sunday, and one of my favourites went up just as the Pope was getting out of his helicopter: To grow is to change, and to become perfect is to change often. A little ironic perhaps, as one of the charges often levelled against this Pope by his fellow-Catholics is that he is intransigent and dogmatic - was it the spirit of Newman sending him a message, perhaps?

I think English Catholics have a love-hate relationship with Benedict XVI. He is a northern European, he's one of us, he thinks like us - but on the other hand he is such a deep intellectual that he doesn't engage in ordinary people's lives in the way that John Paul II did, even though John Paul II was in many ways a much more conservative Pope. JP2 is increasingly seen by history as providing a steady hand on the tiller at a time when the ship was entering uncertain waters, and I expect history's view of Benedict to be similar, that he kept the Conservatives on board at a time when the great outcry for change might have led to fragmentation.

I am also glad that there is at last a wider, public debate about the role of Faith in a civilised and secular society, and the relationship between Fides et Ratio, Faith and Reason, although it needs to be conducted without hysteria. While I think the Church and the Pope are certainly patriarchal and authoritarian, I do not believe that either is homophobic. This seems to me a very serious charge, and quite inappropriate when addressing the real issues involved in the Catholic Church's understanding of homosexuality. The Church's teaching in the matter (with which I find much to disagree) is against non-creative sexual acts, and also against sexual acts outside of marriage. Thus, homosexuality is not taught to be sinful, but it is taught to be a disordered state. While I think this teaching is wrong, I also think that to describe it as 'homophobic', that is, the fear of homosexuality or the promotion of a hatred of homosexuality, is just plain wrong. I am not saying that homophobic Catholics do not exist, but I am not aware of ever having met one. Indeed, several of my openly gay friends are Mass-attending Catholics. This obviously isn't enough, but it is a better starting point.

Secondly, while I think that condoms have a role to play in fighting AIDS and other diseases in sub-Saharan Africa, the issue is a very complex one. Respect needs to be given to the Church's preference for other methods, and the resources it commits to employing them: education, building up respect for women, fighting to raise the social conditions in which the abuse of women thrives. To describe the Catholic Church's work in Africa as 'genocide', as one banner at the 'Protest the Pope' rally in London on Saturday did, is just plain daft.

The Catholic Church is crying out for change. Under John XXIII and Paul VI in the Sixties and Seventies there was a real sense of a pilgrim church on the move and open to the Holy Spirit. But I do not think this is currently the case. Perhaps Newman's beatification will open up the eyes of the Church again to the reality of its journey, who knows? Where there are difficulties with official Church teaching, most Catholics I know follow their prayerful consciences, as Newman said we must, in a spirit of loyal dissent. We think the Church's teaching on contraception and homosexuality is wrong - not because we think we are right, but because we think that ongoing revelation will lead to the teaching being developed and changed - to grow is to change, to become perfect is to change often.

It is good to see dissent, and it is good to see a public debate. It is right and proper that those protesting against the visit of the Pope in London on Saturday had the chance to make thier voices heard. Vatican officials are said to be amazed that 80,000 pilgrims and 10,000 protestors were able to go about their business in the same area of central London and there only be one arrest! I'd like to think it is a good example of English tolerance and fair play. But I am afraid that I do not like their leader, Professor Dawkins, at all. I think he is a fundamentalist, and I abhor fundamentalism in all its forms, whether Christian, Moslem, Socialist, Fascist or Atheist. He's an intelligent man, and really ought to know better. His spiteful and angry speech on Saturday - he was literally shaking with anger - was a world away from the spirit of peace, love and reconciliation that I felt around me at Cofton Park yesterday. Ultimately, it's all about Love.

Very neat packed wall along one of the many haulageroads

Castle Howard has an amazing collection of 18th century lead statues commissioned by Carlisle’s son, the 4th Earl. Copies were made in London of great Italian Renaissance masterpieces, and much restoration and re-casting has been carried out in recent years.

VERY nice and perfect condition leaded and bent slag glass shade with fruit motif

Providence RI graffiti. Used to say "lead hates toys" until it got buffed but it didnt stay like that for long haha

Peeling Paint, Lead Paint pics by Mike Mozart instagram.com/MikeMozart

"Lead, Kindly Light, amidst th'encircling gloom,

Lead Thou me on!

The night is dark, and I am far from home,

Lead Thou me on!

Keep Thou my feet; I do not ask to see

The distant scene; one step enough for me."

- J.H. Newman

Shot on the iPhone

Hard to believe it's 33% elemental lead, right?

I marked, cut and beveled this bauble myself. It's a difficult thing to do for two reasons, one, you have to look through the bauble to the surface being cut, and two, after you make a cut, the cut surface it turns opaque! That's not a problem until you've cut halfway around the bauble, then suddenly you can't see what you're trying to cut anymore!

Take your shoes or boots off at home to avoid tracking in lead or other pollutants.

The tour that I went on today was lead by Pat Liddy (who I highly recommend) and sponsored by Dublin City Council (thanks). Toured part of the Liberties and despite the fact that I live not far from the area and despite that I went to Kevin Street College I saw parts of the the city that I never saw before. I will revisit most of the area when the weather is better and I will of course publish some more photographs.

Pat Liddy is a well-known Dublin historian, author and artist who has developed a unique walking tour service for Dublin. Covering the inner city and, by advance request, the coastal villages, waterways, hills and intriguing suburbs, the tours are compiled by Pat Liddy himself based on his years of experience, historical research and the collection of anecdotal and legendary stories of Ireland's Capital City

The Liberties of Dublin, Ireland were manorial jurisdictions that existed since the arrival of the Anglo-Normans in the 12th century. They were town lands united to the city, but still preserving their own jurisdiction. The most important of these liberties were the Liberty of St. Sepulchre, under the Archbishop of Dublin, and the Liberty of Thomas Court and Donore belonging to the Abbey of St. Thomas (later called the Earl of Meath's Liberty). Today's "Dublin Liberties" generally refer to the inner-city area covered by these two liberties.

Many places in The Liberties still have connections with a turbulent past in which political upheaval or dire poverty were the order of the day. In the 17th century, parts of them became wealthy districts, when the weaving crafts of the immigrant Huguenots had a ready market around the present day Meath Street Market, and a healthy export trade.

In the late 17th century development started in order to house the weavers who were moving into the area. Woolen manufacture was set up by settlers from England, while many Huguenots took up silk weaving, using skills they had acquired in their home country, France. They constructed their own traditional style of house, Dutch Billies, with gables that faced the street. Thousands of weavers became employed in the Coombe, Pimlico, Spitalfields and Weavers' Square.

However, English woolen manufacturers felt threatened by the Irish industry, and heavy duties were imposed on Irish wool exports. The Navigation Act was passed to prevent the Irish from exporting to the whole colonial market, then in 1699 the English government passed the Wool Act which prevented export to any country whatsoever, which effectively put an end to the industry in the Liberties.

A weavers' hall was built by the Weavers' Guild in the Lower Coombe in 1682. In 1745 a new hall was provided, financed by the Huguenot, David Digges La Touche. In 1750 the Guild erected a statue of George II on the front of their hall "as a mark of their sincere loyalty". The hall was demolished in 1965.

In the eighteenth century a revival took place by importing Spanish wool into Ireland, which was helped from 1775 by the Royal Dublin Society, but the events of 1798 and 1803, in which many weavers in the Liberties took part, and the economic decline that set in after the Act of Union, prevented any further growth in this industry in the Liberties.

Similarly, the successful growth of the silk and poplin industries, which was supported by the Royal Dublin Society in the second half of the 18th century, was hindered by an act passed by the Irish government in 1786, which prevented the society from supporting any house where Irish silk goods were sold. When war was declared against France under Napoleon and raw materials were difficult to obtain, the silk weavers suffered greatly.

The final blow came in the 1820s when the British government did away with the tarifs imposed upon imported silk products. From this time on fate of the Liberties was sealed and most of the once-prosperous houses became poverty-stricken tenements housing the unemployed and destitute.

The Tenter House was erected in 1815 in Cork Street, financed by Thomas Pleasants. Before this the poor weavers of the Liberties had either to suspend work in rainy weather or use the alehouse fire and thus were (as Wright expresses it) "exposed to great distress, and not unfrequently reduced either to the hospital or the gaol." The Tenter House was a brick building 275 feet long, 3 stories high, and with a central cupola. It had a form of central heating powered by four furnaces, and provided a place for weavers to stretch their material in bad weather.

Part of the area was redeveloped into affordable housing and parkland by the Iveagh Trust, the Dublin Artisans Dwellings Company and the City Council in the early to mid twentieth century. The appalling slums, dire poverty and hazardous dereliction have now been wiped away, and only a few scattered pockets remain to be demolished.

Lead pilot of a 4ship F15s LL Wales

Now working the Galt Sub, doing the Toyota run this morning in the sun (and -26 cold).

Yaaaay! I like how this photo turned out :D

(Just noticed that I am missing my EXIF data for this image... will try to fix it later)

Cast Lead 015

I love this Eden, she's so sweet and pretty!!

Eden is wearing the Touch of Frost Eugenia's dress, Splendid Jordan necklace, Haute Societe Vero's shoes and her sister's purse. :)

Processed with VSCO with a6 preset

Amtrak 42 and 41 Lead the on time Southwest Chief #4 is at Union Station for it's station stop seen here from the Main Street Bridge North of Pershing Road in Kansas City, Missouri.

Video: youtu.be/jQGiXbgRrzY

Photo Taken: 5-10-20 at 6:16 am

Picture ID# 2329

Lead Foot - Cobbler's shoe form (sorry...it's actually cast iron not lead), machined stainless steel wheels, RC engine, conduit fitting, propane torch tip, carburetor float, lamp switch, jig clamps and typewriter parts. one foot long (of course!), 7" wide, 4" tall.