View allAll Photos Tagged lead
Houston Texas. Candid shot low light no flash low light no flash I have know idea who this band was. I was just walking by.
Fuji GS645S
Fujinon W 60mm f4
Kodak Gold 200
dev @ars-imago Zurich
Essential film holder and Digitaliza
DSLR-Scan
Negative Lab Pro
I don't know the lead guitarist's name (nor the drummer in the background), but they were performing the warm-up music for the 2024 Doo Dah Queen Tryouts, held at The Old Towne Pub, located in the Old Town section of Pasadena. And it's not an easy place to find, a veritable hole in the wall.
This is a frame grab from HD video, using my Canon EOS T6 camera, with the Canon 18-55mm zoom lens. The video itself will eventually turn up in the final edited video, once I have the chance to finish it.
This image is copyrighted by Chrissy T's Photography. Do not edit, crop or alter image in anyway. Thank you.
Model:
Elyse (Lilith Lead Singles ooak by me)
Fashion credits:
dress and jewels: Eden Wild at Earth
shoes: Ayumi Opium
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KCS 4862 a GE ES44AC, and BNSF 7613 a GE ES44DC lead a grain train up the Zap Subdivision at Harmon, North Dakota.
St Mary's Church, Lead, is a redundant Anglican chapel standing in an isolated position in fields some 0.75 miles (1.2 km) to the west of the village of Saxton, North Yorkshire, England. Though technically a chapel, it is generally referred to as a church. It is managed by the The Churches Conservation Trust and is recorded in the National Heritage List for England as a designated Grade II* listed building. The chapel stands close to the site of the battle of Towton of 1461, which was part of the Wars of the Roses. In the 1930s it was saved from neglect by a local group of ramblers, and is known locally as the Ramblers Church (info from wiki)
This primered little early-fifties hot rod is the first in a possible series of lead sleds.
Minigarage is back son.
Please don't use this image on websites,
blogs or other media without my explicit permission.
© G. Marchese All rights reserved.
A posterised image of City (Meadow) Shaft Engine House at Minera Lead Mines near Wrexham, Wales taken on a cold winter's day in 1986. If I recall correctly this was the first time I used a new Minox 35GT camera.
Camera: Minox 35GT
For more photographs please click here: www.jhluxton.com/The-35mm-Film-Archive/Mines-of-Wales/Min...
Laxey, on the Isle of Mann, was a quiet hamlet of just a few cottages in the mid 1700s. The main industries then were the bleaching of linen, and perhaps a little smuggling.
Lead was first mined here 1790, but it was not until the 1840s that mining gathered pace with the formation of the Great Laxey Mining Company. A Massive industry grew up in this valley, and at one time more zinc was produced here than from all other mines in Britain put together. Mining reached its peak in the 1800s, with almost ever home in Laxey touched by it in some way. Prosperity - or ruin - followed the successes or disasters in the mines.
Traders supplied the miners and their families with goods, and men came from considerable distances to seek employment here. The Washing Floors worked night and day to crush and sort the ore, employing women and boys. The harbour was developed to allow ships to dock and load up with ore.
At tourist industry even grew up around the mining complex, with summer visitors eager to climb the Great Laxey Wheel.
This first tunnel ('level') was driven into the hillside from about 1790. It is part of the oldest workings in the mine and is known as the Old Adit Level - an adit is a level with one end open to the daylight.
British postcard by Film Weekly, London.
With his smooth, boyish good looks, American actor Richard Cromwell (1910-1960) had the makings of a Hollywood star in the early 1930s. The handsome actor became well known with The Lives of a Bengal Lancer (1935), sharing top billing with Gary Cooper and Franchot Tone. His film career reached its pinnacle with Jezebel (1938) with Bette Davis and Henry Fonda and John Ford's Young Mr. Lincoln (1939) also with Fonda. But soon after that, his meteoric career crashed and burned.
Richard Cromwell was born LeRoy Melvin Radabaugh in Long Beach, California, in 1910. he was the second of five children of Fay B. (née Stocking) and Ralph R. Radabaugh, who was an inventor. In 1918, when Radabaugh was still in grade school, his father died of the Spanish flu. Roy earnestly delivered morning newspapers to help out the family's budget crisis. on a scholarship, he attended the Chouinard Art Institute in Los Angeles, a precursor to the California Institute of the Arts. He continued to work part-time as a maintenance man, custodian and soda jerk. He set up a small art shop in Hollywood in the late 1920s and made masks and oil paintings there. He sold pictures, made lampshades, and designed colour schemes for houses. The handsome Cromwell made contacts with film stars of the time such as Anna Q. Nilsson, Colleen Moore, Beatrice Lillie, Greta Garbo, Joan Crawford and Tallulah Bankhead, some of whom he also immortalised in his paintings and masks. He painted scenery for community theatre productions and eventually took on acting roles. His first film appearance was an extra role in King of Jazz (John Murray Anderson, Walter Lantz, 1930), along with the film's star, Paul Whiteman and his orchestra. On a whim, his friends encouraged him to audition for the lead role in a Columbia remake of D.W. Griffith's silent classic Tol'able David (1921) starring Richard Barthelmess. Radabaugh won the role over thousands of hopefuls. In storybook fashion, studio mogul Harry Cohn gave him his screen name Richard Cromwell and launched his career. Cromwell earned $75 per week for his work on Tol'able David (John G. Blystone, 1930), which co-starred Noah Beery Sr. and John Carradine. Gary Brumburgh at IMDb: "the studio publicity machines worked overtime to promote both the film and their new leading man. Richard lived up to all the hype once the reviews came out, giving a terrific debut performance in a very difficult role. As the rather weak-willed young boy who finds the strength and courage to right the injustice done to him, he hit overnight stardom". Amid the flurry of publicity, Cromwell toured the country and was even invited to the White House to meet President Herbert Hoover. Cohn signed Cromwell to a multi-year contract based on the strength of his performance and the success at the box office of his debut. In the following years, Richard played several leading roles in smaller films, often in youthful, somewhat sensitive roles. Leslie Halliwell later described him in his Filmgoer's Companion as the "friendly hero of the early talkies". Cromwell maintained a deep friendship with Marie Dressler, which continued until her death from cancer in 1934. Dressler personally insisted that her studio bosses cast Cromwell on a loan-out in the lead opposite her in Emma (Clarence Brown, 1932), also with Myrna Loy. Dressler was nominated for a second Best Actress award for her portrayal of the title role in Emma. This was another break that helped sustain Cromwell's rising status in Hollywood. He was now much in demand and his next roles were in The Age of Consent (Gregory La Cava, 1932) co-starring Arline Judge and Eric Linden, Tom Brown of Culver (William Wyler, 1932), and Hoopla (Frank Lloyd, 1933), where he is seduced by Clara Bow, in her final film. He made an early standout performance as the leader of the youth gang in Cecil B. DeMille's unusual cult-favourite, This Day and Age (1933). To ensure that Cromwell's character used the right slang, DeMille asked high school student Horace Hahn to read the script and comment. Cromwell then starred with Jean Arthur in Most Precious Thing in Life (Lambert Hillyer, 1934). He had his definitive breakthrough when he co-starred with Gary Cooper and Franchot Tone in the adventure film The Lives of a Bengal Lancer (Henry Hathaway, 1935), which was nominated for seven Oscars. Cromwell played the son of a senior officer who is tortured by insurgents. His father refuses to rescue him in order to demonstrate his impartiality. After this promising start, Cromwell's career received a bump when he wanted more artistic independence.
Richard Cromwell's next pictures at Columbia Pictures and elsewhere were mostly inconsequential. Cromwell starred with Will Rogers in Life Begins at 40 (1935) and appeared in Poppy (1936) as the suitor of W.C. Fields' daughter, Rochelle Hudson. In 1937, he portrayed the young bank robber in love with Helen Mack and on the lam from Lionel Atwill in The Wrong Road (James Cruze, 1937). A challenge was his lead role in The Road Back (James Whale, 1937), a sequel to the classic All Quiet on the Western Front (Lewis Milestone, 1930). The film chronicled the story of young German soldiers readjusting to civilian life after WWI. Fearful that this film would not do well in Germany, the new regime at Universal Pictures severely edited the film before release, removing much of the strongly anti-Nazi slant that author Erich Maria Remarque included in the original novel, and which director James Whale had intended to retain in the film version. The resulting film was not well-received. Richard Cromwell took a detour in his career to Broadway for the chance to star as an evil cadet in an original play by Joseph Viertel, 'So Proudly We Hail!'. The military drama was directed by future film director Charles Walters, co-starred Edward Andrews and Eddie Bracken, and opened to much fanfare. The New York Herald Tribune called Cromwell's acting "a striking portrayal" and The New York Times said that he "ran the gamut of emotions" in the play. Cromwell had shed his restrictive Columbia contract and pursued acting work as a freelancer in other media. Cromwell guest-starred on the radio in 'The Royal Gelatin Hour' (1937) hosted by Rudy Vallee, in a dramatic skit opposite Fay Wray. Enjoying the experience, Cromwell acted in the role of Kit Marshall on the radio soap opera Those We Love, which ran from 1938 until 1942. On-screen, Cromwell appeared in Storm Over Bengal (Sidney Salkow, 1938), for Republic Pictures, in order to capitalise on his success in The Lives of a Bengal Lancer. He stood out in supporting roles as Henry Fonda's brother, who kills a man in a duel of honour, in the romantic drama Jezebel (William Wyler, 1938) starring Bette Davis and as defendant Matt Clay to Henry Fonda's title performance in Young Mr. Lincoln (John Ford, 1939). In 1939, Cromwell again tried his luck on stage in a regional production of Sutton Vane's play 'Outward Bound', co-starring Dorothy Jordan. Cromwell drifted into secondary features. He enjoyed an active social Hollywood life with friends including Barbara Stanwyck, Joan Crawford, Franchot Tone, George Cukor, Cole Porter and William Haines. For Universal Pictures, Cromwell starred as a draftsman who thwarts the Nazis in Enemy Agent. He went on to appear in marginal but still watchable fare such as Baby Face Morgan (Arthur Dreifuss, 1942), with Mary Carlisle. Cromwell enjoyed a career boost with Cosmo Jones, Crime Smasher (1943), the film adaptation of the hit radio serial. However, he was next up at Monogram Pictures, where he was cast as a doctor working covertly for a police department to catch mobsters in the forgettable though endearing Riot Squad.
During the last two years of World War II, Richard Cromwell served with the United States Coast Guard. Upon returning to California following the war's end, he acted in local theatre productions. He also signed on for live performances in summer stock in the East during this period. Cromwell's break from films due to his stint in the Service meant that he was not much in demand after the War's end. He failed to make a comeback as a film actor with a role in the Film Noir Bungalow 13 (Edward L. Cahn, 1948) and he retired from the film industry. All told, Cromwell's film career spanned 39 films. In the 1950s, he returned to his artistic roots and studied ceramics. He built a pottery studio on his property, becoming especially known and admired for his creative tile designs. Returning to the name Roy Radabaugh, Cromwell also wrote extensively, producing several published stories and an unfinished novel in the 1950s. Cromwell was married once, briefly (1945–1946), to actress Angela Lansbury, when she was 19 and Cromwell was 35. They were married in a small civil ceremony in Independence, California. Lansbury later stated in a 1966 interview that her first marriage was a mistake because Cromwell was gay. His homosexuality had been kept secret from the public and Lansbury had not known about it before the marriage. However, Cromwell and Lansbury remained friends until his death in 1960. She later described him as "charming with a good knowledge of jazz music". In 1960 he tried a second comeback in the film business. In July 1960, Cromwell signed with producer Maury Dexter for 20th Century Fox's planned production of The Little Shepherd of Kingdom Come (Andrew V. McLaglen, 1961), starring singer Jimmie Rogers. Diagnosed with liver cancer shortly thereafter, he was forced to withdraw and Chill Wills replaced Cromwell in the film. Richard Cromwell was a heavy smoker for many years and at times advertised Lucky Strike. He died on 11 October 1960 in Hollywood, at the age of 50. He is interred at Fairhaven Memorial Park in Santa Ana, California. For his services to the film industry, Cromwell has a star on the Hollywood Walk of Fame (1627 Vine Street). Cromwell's legacy is preserved today by his nephew Dan Putnam and his cousin Bill Keane IV. In 2005, Keane donated materials relating to Cromwell's radio performances to the Thousand Oaks Library's Special Collection, "The American Radio Archive". In 2007, Keane donated memorabilia relating to Cromwell's film career and ceramics work to the AMPAS Margaret Herrick Library in Beverly Hills.
Sources: Gary Brumburgh (IMDb), Leslie Halliwell (Filmgoer's Companion), Wikipedia (English and German) and IMDb.
And, please check out our blog European Film Star Postcards.
The vinta ( locally known as lepa-lepa or sakayan) is a traditional boat found in the Philippine island of Mindanao. These boats are made by Bajau and Moros lining in the Sulu Archipelago. It has a sail with assorted vertical colors that represents the colorful culture and history of the Muslim community. These boats are used for inter-island transport of people and goods. Zamboanga City is known for these vessels.
ill be posting most of my vacation photos in the coming days...got tons of it...hehe...its just i dont know wich one to upload...haha..
have a happy weekend everyone!!
to relax, a Call to the holidays ... and I've been caught :)
Nikon D300 + Sigma 10-20 @ 20 mm
ISO 200 - f/8- 20 s
Lee GND 0.6 HE + Lee GND 0.6 SE
Lead Foot - Cobbler's shoe form (sorry...it's actually cast iron not lead), machined stainless steel wheels, RC engine, conduit fitting, propane torch tip, carburetor float, lamp switch, jig clamps and typewriter parts. one foot long (of course!), 7" wide, 4" tall.
TJCA's Jonathan Hargro making a lead block for Bill Lay during the first half of the Pine Lake Prep football game. Thomas Jefferson won the Southern Piedmont Conference game 14 to 0.
Headman aquatints himself with the new judge in town. He explains that, when it comes to Headhunter affairs, the judge has two choices: either accept the generous bribe provided by Cobra, or take a bullet to the face. Silver, or lead...
I took myself on a bit of an expedition last week up to the Cwm Rheidol lead mine ruins. It was a bit of a last minute decision so my Light painting kit was limited - I'm going back at some point with some more toys (and a better safety plan!!!*)
f3.5
iso 100
10mm
80 second exposure
Led orb tool, LED Lenser and flash gels
*Compulsory warning: In no way do I advocate or recommend going anywhere near old ruins or mines. These places are dangerous.
This is Bunny (aka Bungee) our Maltese Puppy.... and the wife ... I cannot take credit for the idea behind this image but I loved the original so much I thought I would give it a go and try to take a similar shot, I must credit the original I spotted on 500px taken by photographer Dave Brownlee. see here 500px.com/photo/446975.
more of Daves work here www.davebrownlee.com/