View allAll Photos Tagged lead

Munich (GER), 11 August 2022: Thompson-Smith Molly of Great Britain competes in the Lead qualification during the 2022 European Championships in Munich (GER).

 

© Jan Virt / IFSC. This photo is for editorial use only. For any additional use please contact marco.vettoretti@ifsc-climbing.org

Sometimes we need to be different to lead. :)

Lead also got some Kira-Kira chips ^_^

Now he looks even MORE like a Ware Wolf (Thats his race)

btw, Lead doesn't really have those weird lines under his eyes... There just to show he hasn't eaten in a while.

The Manhattan and Bronx skyline as seen from North Central Bronx Hospital on Monday, January 28, 2019. Michael Appleton/Mayoral Photography Office

Steel, Gorecka, Twell, Partridge

VAN NUTT live act at the concert of HELLROOM PROJECTORS / Kulturzentrum Gaswerk Winterthur

www.pooterland.com/lightshows_van_nutts.html

vannutt.ch/

 

Taken in mara north conservancy

18" x 24" Oil on panel

2010

Model:

Lilith Lead Singles (restyle by me)

 

Fashion credits:

outfit and accessories: Erin High End Envy

Loosely based on a 12950's Mercury..

Recruits Baseball Club- 14u Black vs. Winipeg, Canada

Saint Bartholomew church in London

Sitter: unknown

 

Studio: J. Davis & Sons, Preston & Lancaster.

 

Plain back CDV.

 

J. Davis occupied studios at the following Preston addresses:

 

12, Fylde Road, Preston 1882

130, Church Street, Preston 1889-1890

 

BEYONCÉ, GREEN DAY & LADY GAGA LEAD THE WAY WITH THREE MOONMEN AT THE “2009 VIDEO MUSIC AWARDS”, JANET JACKSON & MADONNA CELEBRATE MICHAEL JACKSON

 

Taylor Swift Wins “Best Female Video”

While Eminem Grabs “Best Hip Hop Video”

 

New York, NY (September 13, 2009) –– MTV turned New York City inside out for the “ 2009 Video Music Awards ” as the network celebrated a legend and brought together the biggest names in music, TV, film and sports. Live from Radio City Music Hall, VMA icon Madonna opened the show and introduced the emotional and heartfelt tribute to Michael Jackson. Janet Jackson was joined onstage by the most renowned choreographers in the world and Michael’s tour dancers, all of whom were influenced by the “King of Pop,” for a memorable and high energy performance. To honor her brother and his illustrious career, the dancers recreated some of his most memorable music videos including “Thriller,” “Bad,” “Smooth Criminal” and “Scream.” The celebration received a standing ovation and set the tone for the most important evening in music and pop culture.

Always controversial, British comedian Russell Brand pushed the envelope as he had fun with a slew of new stars and charmed the ladies. Aerosmith’s Joe Perry and popstar Katy Perry helped Russell kick-off his hosting duties in a big way with a light infused performance of the classic rock anthem by Queen, “We Will Rock You.”

 

Young country-pop superstar Taylor Swift earned “Best Female Video” for “You Belong With Me” in one of the most competitive categories of the evening, causing Kanye West to storm the stage in protest of Beyoncé not winning. In a gracious act, Beyoncé later called Taylor back on stage to rightfully accept her award. Beyoncé did win an outstanding three moonmen including the coveted “Video of the Year” award for her viral video sensation “Single Ladies (Put A Ring On It).” Also landing three statues was Lady Gaga including “Best New Artist ” for her hit single “Poker Face.” Green Day made a triumphant return to the VMAs by claiming three awards including “Best Rock Video ” for “21 Guns.” Eminem walked away victorious in an extremely heated race for “Best Hip Hop Video” with “We Made You.”

 

Adding to her collection of moonmen and accepting her award via satellite while on tour, Britney Spears won “Best Pop Video” for “Womanizer.” After officially premiering at last year’s show, T.I. and Rihanna won “Best Male Video” for their multi-platinum song “Live Your Life.”

 

Eminem once again showcased his comedic chops teaming up with Tracy Morgan and featuring a cameo by Cyndi Lauper to present the “Best New Artist” nominees throughout the show.

 

Drawing on the musical energy and passion of New York City, MTV used the city as a backdrop to showcase the unprecedented and groundbreaking performances from today’s most popular artists. Making her first VMA performance a standout, Taylor Swift sang a never-before-heard version of her single “You Belong With Me.” Taylor fully incorporated all NYC has to offer by transitioning from a subway car to 6th Avenue surrounded by fans and ending her performance on top of a taxi cab.

 

Known for her over the top live performances and fashion forward style, Lady Gaga turned a childhood dream into a reality as she made her grand entrance into VMA history. During her unforgettable performance of “Paparazzi,” the international superstar gives her own interpretation on the price of fame which culminates with her levitating into the air.

 

Surrounded by pyro and using every corner of the VMA stage, fan favorite Green Day made an explosive return to the VMA stage by giving a high energy rock performance of their single “East Jesus Nowhere.”

 

Beyoncé had all of Radio City dancing to “Single Ladies (Put A Ring On It)” with her call and response to the audience as she translated her music video phenomenon to the live stage. The pop diva was backed by an army of dancers as they displayed their incomparable dance moves during her performance.

 

Already a household name across the pond, British rockers Muse gave a breakthrough performance expanding their fan base worldwide. The band performed their latest single “Uprising” from a live remote at the Walter Kerr Theater in the Broadway district of Manhattan in front of hundreds of screaming fans.

 

Determined to top herself and once again raise the bar for live performances, P!nk mastered a jaw-dropping aerial act 30 feet above the stage while performing her single “Sober.” And yes, she sang every single word of it.

 

Bringing the show to a climactic end, JAY-Z and Alicia Keys honored their hometown of New York as they gave a powerful performance of “Empire State of Mind.”

 

As the official VMA house band, hip-hop’s newest challenger Wale and the legendary go go band UCB hyped up the audience as they put their own unique spin on some of the biggest songs of the year, his own material and a few classic covers. They collaborated with a number of artists including Kid Cudi with “Day And Night,” The All-American Rejects with “Gives You Hell, ” Pitbull with “You Know You Want Me” and 3OH!3 with “Don’t Trust Me”. Kid Cudi honored DJ AM during his performance of “Make Her Say.”

 

The star studded show also included appearances by Megan Fox, Jimmy Fallon, Jennifer Lopez, Shakira, Jack Black, Andy Samberg, Kristin Cavallari, Pete Wentz, Gerard Butler, Diddy, Tracy Morgan, Adam Brody, Jamie-Lynn Sigler, Alexa Chung, Gabe Saporta of Cobra Starship and Justin Bieber, Ne-Yo , Nelly Furtado , Robert Pattinson , Kristen Stewart , Taylor Lautner , Chace Crawford , Leighton Meester , Miranda Cosgrove and Serena Williams.

 

The MTV audience was treated to exclusive first looks at fall’s most anticipated films and soundtracks including Michael Jackson's THIS IS IT and The Twilight Saga: New Moon trailers during the show. Viewers were also given a sneak peek at the latest trailer from the upcoming movie Fame during MTV News’ “2009 VMA Preshow.”

 

2009 MTV VIDEO MUSIC AWARDS WINNERS

 

GENERAL CATEGORIES:

 

VIDEO OF THE YEAR

Beyoncé

Title: Single Ladies (Put A Ring On It)

Album: I AM…SASHA FIERCE

Director: Jake Nava

Label: Music World Music/Columbia

Production Company: Anonymous Content

Producer: John Winter

 

BEST NEW ARTIST

Lady Gaga

Title: Poker Face

Album: The Fame

Director: Ray Kay

Label: Streamline/KonLive/Cherrytree/Interscope

Production Company: Rockhard Films

Producer: Jil Hardin/ Nicole Ehrich

 

BEST MALE VIDEO

T.I. featuring Rihanna

Title: Live Your Life

Album: Paper Trail

Director: Anthony Mandler

Label: Atlantic Reords

Production Company: Les Enfants Terribles

Producer: Gina Leonard

 

BEST FEMALE VIDEO

Taylor Swift

Title: You Belong With Me

Album: Fearless

Director: Roman White

Label: Big Machine Records

Production Company: Revolution Pictures

Producer: Randy Brewer

 

BEST HIP HOP VIDEO

Eminem

Title: We Made You

Album: Relapse

Director: Joseph Kahn

Label: Aftermath/Interscope

Production Company: HSI Productions

Producer: Mary Ann Tanedo

 

BEST POP VIDEO

Britney Spears

Title: Womanizer

Album: Circus

Director: Joseph Kahn

Label: Jive/Zomba Label Group

Production Company: HSI Productions

Producer: Mary Ann Tanedo

 

BEST ROCK VIDEO

Green Day

Title: 21 Guns

Album: 21st Century Breakdown

Director: Marc Webb

Label: Reprise Records

Production Company: DNA Inc

Producer: Michael Angelos

 

PROFESSIONAL CATEGORIES:

 

BEST CHOREOGRAPHY

Beyoncé

Title: Single Ladies (Put A Ring On It)

Album: I AM…SASHA FIERCE

Director: Jake Nava

Label: Music World Music/Columbia

Production Company: Anonymous Content

Producer: John Winter

Choreographer: Jaquel Knight & Frank Gatson Jr.

 

BEST DIRECTION

Green Day

Title: 21 Guns

Album: 21st Century Breakdown

Director: Marc Webb

Label: Reprise Records

Production Company: DNA Inc

Producer: Michael Angelos

 

BEST EDITING

 

Beyoncé

Title: Single Ladies (Put A Ring On It)

Album I AM…SASHA FIERCE

Director: Jake Nava

Label: Music World Music/Columbia

Production Company: Anonymous Content

Producer: John Winter

Editor: Jarrett Fijal

 

BEST SPECIAL EFFECTS

Lady Gaga

Title: Paparazzi

Album: The Fame

Director: Jonas Akerlund

Label: Streamline/KonLive/Cherrytree/Interscope

Production Company: Factory Films Ltd.

Producer: Steven Johnson/Nicole Ehrich

 

BEST CINEMATOGRAPHY

Green Day

Title: 21 Guns

Album: 21st Century Breakdown

Director: Marc Webb

Label: Reprise Records

Production Company: DNA Inc

Producer: Michael Angelos

Cinematographer: Jonathan Sela

 

BEST ART DIRECTION

Lady Gaga

Title: Paparazzi

Album: The Fame

Director: Jonas Akerlund

Label: Streamline/KonLive/Cherrytree/Interscope

Production Company: Factory Features

Producer: Steven Johnson/Nicole Ehrich

Art Director: Jason Hamilton

 

ONLINE CATEGORIES:

 

BREAKTHROUGH VIDEO

Matt & Kim

Title: Lessons Learned

Album: Grand

Director: Taylor Cohen & Otto Arsenault

Label: Fader

Production Company: FVNMO

Producer: Taylor Cohen, Otto Arsenault

 

BEST VIDEO (THAT SHOULD HAVE WON A MOONMAN)

Beastie Boys

Title: Sabotage

Album: III Communication

Director: Spike Jonze

Label: Grand Royal/Capitol Records

 

Shugoll Research and Telescope are the Official Business Advisors of the “2009 MTV Video Music Awards” Nominee and Winner Voting periods.

 

Jesse Ignjatovic/Den of Thieves is the Executive Producer for the “2009 MTV Video Music Awards.” Dave Sirulnick is Executive Producer. Garrett English is co-Executive Producer/Executive in Charge of Production. Amy Doyle is co-Executive Producer. Joanna Bomberg is Executive in Charge of Music and Talent. Jen Jones is Producer. Hamish Hamilton is Director. Robin Reinhardt-Locke is Celebrity Talent Executive.

 

Official sponsors of the “2009 MTV Video Music Awards” are 5 ® Gum, Febreze, Pepsi, Rhapsody ®, Sears, Taco Bell ®, U.S. Army and Verizon Wireless.

 

The “2009 MTV Video Music Awards” will be available to a potential viewing audience of more than 1.2 billion people via MTV’s global network of 68 channels reaching 577 million households around the world as well as through syndication. In addition, its convergent programming & content will reach the entire interactive community, via MTV’s more than 200 digital media properties around the world.

BEYONCÉ, GREEN DAY & LADY GAGA LEAD THE WAY WITH THREE MOONMEN AT THE “2009 VIDEO MUSIC AWARDS”, JANET JACKSON & MADONNA CELEBRATE MICHAEL JACKSON

 

Taylor Swift Wins “Best Female Video”

While Eminem Grabs “Best Hip Hop Video”

 

New York, NY (September 13, 2009) –– MTV turned New York City inside out for the “ 2009 Video Music Awards ” as the network celebrated a legend and brought together the biggest names in music, TV, film and sports. Live from Radio City Music Hall, VMA icon Madonna opened the show and introduced the emotional and heartfelt tribute to Michael Jackson. Janet Jackson was joined onstage by the most renowned choreographers in the world and Michael’s tour dancers, all of whom were influenced by the “King of Pop,” for a memorable and high energy performance. To honor her brother and his illustrious career, the dancers recreated some of his most memorable music videos including “Thriller,” “Bad,” “Smooth Criminal” and “Scream.” The celebration received a standing ovation and set the tone for the most important evening in music and pop culture.

Always controversial, British comedian Russell Brand pushed the envelope as he had fun with a slew of new stars and charmed the ladies. Aerosmith’s Joe Perry and popstar Katy Perry helped Russell kick-off his hosting duties in a big way with a light infused performance of the classic rock anthem by Queen, “We Will Rock You.”

 

Young country-pop superstar Taylor Swift earned “Best Female Video” for “You Belong With Me” in one of the most competitive categories of the evening, causing Kanye West to storm the stage in protest of Beyoncé not winning. In a gracious act, Beyoncé later called Taylor back on stage to rightfully accept her award. Beyoncé did win an outstanding three moonmen including the coveted “Video of the Year” award for her viral video sensation “Single Ladies (Put A Ring On It).” Also landing three statues was Lady Gaga including “Best New Artist ” for her hit single “Poker Face.” Green Day made a triumphant return to the VMAs by claiming three awards including “Best Rock Video ” for “21 Guns.” Eminem walked away victorious in an extremely heated race for “Best Hip Hop Video” with “We Made You.”

 

Adding to her collection of moonmen and accepting her award via satellite while on tour, Britney Spears won “Best Pop Video” for “Womanizer.” After officially premiering at last year’s show, T.I. and Rihanna won “Best Male Video” for their multi-platinum song “Live Your Life.”

 

Eminem once again showcased his comedic chops teaming up with Tracy Morgan and featuring a cameo by Cyndi Lauper to present the “Best New Artist” nominees throughout the show.

 

Drawing on the musical energy and passion of New York City, MTV used the city as a backdrop to showcase the unprecedented and groundbreaking performances from today’s most popular artists. Making her first VMA performance a standout, Taylor Swift sang a never-before-heard version of her single “You Belong With Me.” Taylor fully incorporated all NYC has to offer by transitioning from a subway car to 6th Avenue surrounded by fans and ending her performance on top of a taxi cab.

 

Known for her over the top live performances and fashion forward style, Lady Gaga turned a childhood dream into a reality as she made her grand entrance into VMA history. During her unforgettable performance of “Paparazzi,” the international superstar gives her own interpretation on the price of fame which culminates with her levitating into the air.

 

Surrounded by pyro and using every corner of the VMA stage, fan favorite Green Day made an explosive return to the VMA stage by giving a high energy rock performance of their single “East Jesus Nowhere.”

 

Beyoncé had all of Radio City dancing to “Single Ladies (Put A Ring On It)” with her call and response to the audience as she translated her music video phenomenon to the live stage. The pop diva was backed by an army of dancers as they displayed their incomparable dance moves during her performance.

 

Already a household name across the pond, British rockers Muse gave a breakthrough performance expanding their fan base worldwide. The band performed their latest single “Uprising” from a live remote at the Walter Kerr Theater in the Broadway district of Manhattan in front of hundreds of screaming fans.

 

Determined to top herself and once again raise the bar for live performances, P!nk mastered a jaw-dropping aerial act 30 feet above the stage while performing her single “Sober.” And yes, she sang every single word of it.

 

Bringing the show to a climactic end, JAY-Z and Alicia Keys honored their hometown of New York as they gave a powerful performance of “Empire State of Mind.”

 

As the official VMA house band, hip-hop’s newest challenger Wale and the legendary go go band UCB hyped up the audience as they put their own unique spin on some of the biggest songs of the year, his own material and a few classic covers. They collaborated with a number of artists including Kid Cudi with “Day And Night,” The All-American Rejects with “Gives You Hell, ” Pitbull with “You Know You Want Me” and 3OH!3 with “Don’t Trust Me”. Kid Cudi honored DJ AM during his performance of “Make Her Say.”

 

The star studded show also included appearances by Megan Fox, Jimmy Fallon, Jennifer Lopez, Shakira, Jack Black, Andy Samberg, Kristin Cavallari, Pete Wentz, Gerard Butler, Diddy, Tracy Morgan, Adam Brody, Jamie-Lynn Sigler, Alexa Chung, Gabe Saporta of Cobra Starship and Justin Bieber, Ne-Yo , Nelly Furtado , Robert Pattinson , Kristen Stewart , Taylor Lautner , Chace Crawford , Leighton Meester , Miranda Cosgrove and Serena Williams.

 

The MTV audience was treated to exclusive first looks at fall’s most anticipated films and soundtracks including Michael Jackson's THIS IS IT and The Twilight Saga: New Moon trailers during the show. Viewers were also given a sneak peek at the latest trailer from the upcoming movie Fame during MTV News’ “2009 VMA Preshow.”

 

2009 MTV VIDEO MUSIC AWARDS WINNERS

 

GENERAL CATEGORIES:

 

VIDEO OF THE YEAR

Beyoncé

Title: Single Ladies (Put A Ring On It)

Album: I AM…SASHA FIERCE

Director: Jake Nava

Label: Music World Music/Columbia

Production Company: Anonymous Content

Producer: John Winter

 

BEST NEW ARTIST

Lady Gaga

Title: Poker Face

Album: The Fame

Director: Ray Kay

Label: Streamline/KonLive/Cherrytree/Interscope

Production Company: Rockhard Films

Producer: Jil Hardin/ Nicole Ehrich

 

BEST MALE VIDEO

T.I. featuring Rihanna

Title: Live Your Life

Album: Paper Trail

Director: Anthony Mandler

Label: Atlantic Reords

Production Company: Les Enfants Terribles

Producer: Gina Leonard

 

BEST FEMALE VIDEO

Taylor Swift

Title: You Belong With Me

Album: Fearless

Director: Roman White

Label: Big Machine Records

Production Company: Revolution Pictures

Producer: Randy Brewer

 

BEST HIP HOP VIDEO

Eminem

Title: We Made You

Album: Relapse

Director: Joseph Kahn

Label: Aftermath/Interscope

Production Company: HSI Productions

Producer: Mary Ann Tanedo

 

BEST POP VIDEO

Britney Spears

Title: Womanizer

Album: Circus

Director: Joseph Kahn

Label: Jive/Zomba Label Group

Production Company: HSI Productions

Producer: Mary Ann Tanedo

 

BEST ROCK VIDEO

Green Day

Title: 21 Guns

Album: 21st Century Breakdown

Director: Marc Webb

Label: Reprise Records

Production Company: DNA Inc

Producer: Michael Angelos

 

PROFESSIONAL CATEGORIES:

 

BEST CHOREOGRAPHY

Beyoncé

Title: Single Ladies (Put A Ring On It)

Album: I AM…SASHA FIERCE

Director: Jake Nava

Label: Music World Music/Columbia

Production Company: Anonymous Content

Producer: John Winter

Choreographer: Jaquel Knight & Frank Gatson Jr.

 

BEST DIRECTION

Green Day

Title: 21 Guns

Album: 21st Century Breakdown

Director: Marc Webb

Label: Reprise Records

Production Company: DNA Inc

Producer: Michael Angelos

 

BEST EDITING

 

Beyoncé

Title: Single Ladies (Put A Ring On It)

Album I AM…SASHA FIERCE

Director: Jake Nava

Label: Music World Music/Columbia

Production Company: Anonymous Content

Producer: John Winter

Editor: Jarrett Fijal

 

BEST SPECIAL EFFECTS

Lady Gaga

Title: Paparazzi

Album: The Fame

Director: Jonas Akerlund

Label: Streamline/KonLive/Cherrytree/Interscope

Production Company: Factory Films Ltd.

Producer: Steven Johnson/Nicole Ehrich

 

BEST CINEMATOGRAPHY

Green Day

Title: 21 Guns

Album: 21st Century Breakdown

Director: Marc Webb

Label: Reprise Records

Production Company: DNA Inc

Producer: Michael Angelos

Cinematographer: Jonathan Sela

 

BEST ART DIRECTION

Lady Gaga

Title: Paparazzi

Album: The Fame

Director: Jonas Akerlund

Label: Streamline/KonLive/Cherrytree/Interscope

Production Company: Factory Features

Producer: Steven Johnson/Nicole Ehrich

Art Director: Jason Hamilton

 

ONLINE CATEGORIES:

 

BREAKTHROUGH VIDEO

Matt & Kim

Title: Lessons Learned

Album: Grand

Director: Taylor Cohen & Otto Arsenault

Label: Fader

Production Company: FVNMO

Producer: Taylor Cohen, Otto Arsenault

 

BEST VIDEO (THAT SHOULD HAVE WON A MOONMAN)

Beastie Boys

Title: Sabotage

Album: III Communication

Director: Spike Jonze

Label: Grand Royal/Capitol Records

 

Shugoll Research and Telescope are the Official Business Advisors of the “2009 MTV Video Music Awards” Nominee and Winner Voting periods.

 

Jesse Ignjatovic/Den of Thieves is the Executive Producer for the “2009 MTV Video Music Awards.” Dave Sirulnick is Executive Producer. Garrett English is co-Executive Producer/Executive in Charge of Production. Amy Doyle is co-Executive Producer. Joanna Bomberg is Executive in Charge of Music and Talent. Jen Jones is Producer. Hamish Hamilton is Director. Robin Reinhardt-Locke is Celebrity Talent Executive.

 

Official sponsors of the “2009 MTV Video Music Awards” are 5 ® Gum, Febreze, Pepsi, Rhapsody ®, Sears, Taco Bell ®, U.S. Army and Verizon Wireless.

 

The “2009 MTV Video Music Awards” will be available to a potential viewing audience of more than 1.2 billion people via MTV’s global network of 68 channels reaching 577 million households around the world as well as through syndication. In addition, its convergent programming & content will reach the entire interactive community, via MTV’s more than 200 digital media properties around the world.

Home terrariums are very hot in interior design right now. Happily, this is one trend Singaporeans can really take part in! No need to seal everything up to conserve water, because goodness knows there's enough in the air. This beautiful, large terrarium cover has hand-made, leaded glass with one section of opaque stained glass in malachite-colored swirls. One section swings open much as a birdcage door might, but you can also just lift the whole thing off. we think you could get some really nice mosses and such growing under there if you have a green thumb...

Magpie lead Mine Derbyshire

At 21:47 GMT, the equinox happened, and so from then on, light is destined to win over darkness. Which meant, of course, that the day before then was the shortest "day", or amount of daylight.

 

This is the end of the year, the build up and excitement before Christmas, and at the same time, looking back at the year, and what has happened in the previous 50 or so weeks. So, a time of mixed emotions, good and bad, happy and sad.

 

But I was on vacation, or not going to work.

 

I am not up to date, but I did all the tasks I was supposed to do, threw a few electronic grenades over the walls, and was now happy not to think of that shit for two whole weeks.

 

For Jools, however, there was half a day to do, and then her employers paid for all those employed at the factory to go to a fancy place in Folkestone for lunch, drinks at the bar and a bottle of wine between four folks.

 

It was, in short, a time for celebration. Something I realise has not happened in my job since I left operational quality, to be happy and give thanks to those we work with. And be recognised for the good job we do.

 

So, I was to take Jools to work, and have the car for the day.

 

Jools was conscious that my plan for the day involved driving to the far west of Kent, so realised I needed an early start, and not dropping her off in Hythe at seven.

 

We left after coffee just after six, driving through Dover and Folkestone on the main road and motorway before turning over the downs into Hythe. I dropped her off in the town, so she could get some walking in. She always didn't walk, as waves of showers swept over the town, and me as I drove back home for breakfast and do all the chores before leaving on a mini-churchcrawl.

 

So, back home for breakfast, more coffee, wash up, do the bird feeders and with postcodes, set out for points in the extreme west. Now, Kent is not a big county, not say, Texas big, but it takes some time to get to some parts of the west of the county. Main roads run mainly from London to the coast, so going cross-country or cross-county would take time.

 

At first it was as per normal up the A20 then onto the motorway to Ashford then to Maidstone until the junction before the M26 starts. One of the reasons for going later was to avoid rush hours in and around Maidstone, Tonbridge and Tunbridge Wells.

 

As it was, after turning down the A road, things were fine until I got to Mereworth, but from there the road began to twist and turn until it lead me into Tonbridge. Once upon a time, this was a sleepy village or small town. The the railways came and it became a major junction. The road to Penshurt took me though the one way system, then down the wide High Street, over the river Medway and up the hill the other side.

 

Two more turns took me to my target, through what were once called stockbroker mansions, then down a hill, with the village laid out before me just visible through the trees.

 

The village was built around the outskirts of Penshurst Place, home to the Sidney family since Tudor times. Just about everything is named the Leicester something, the village having its own Leicester Square, though with no cinemas, and all timber framed houses and painfully picturesque.

 

The church lays behind the houses, the tower in golden sandstone topped with four spirelets.

 

I parked the car, and armed with two cameras, several lenses and a photographer's eye, walked to the church.

 

The reason for coming was I can only remember a little about my previous visit, but the Leicester name thing triggered in my head the thought the memorials and tombs might be worth a revisit.

 

So there I was.

 

Gilbert Scott was very busy here, so there is little of anything prior to the 19th century, but the memorials are there. Including one which features the heads of the children of Robert Sidney (d1702) in a cloud. Including the eldest son who died, apparently, so young he wasn't named, and is recorded as being the first born.

 

This is in the Sidney Chapel where the great and good are buried and remembered, it has a colourful roof, or roof beams, and heraldic shields. It has a 15th century font, which, sadly, has been brightly painted so is gaudy in the extreme.

 

I go around getting my shots, leave a fiver for the church. Go back to the car and program Speldhurst into the sat nav.

 

Its just a ten minute drive, but there is no place to park anywhere near the church. I could see from my slow drive-by the porch doors closed, and I convinced myself they were locked and not worth checking out.

 

I went on to Groombridge, where there is a small chapel with fabulous glass. I had been here before too, but wanted to redo my shots.

 

It was by now pouring with rain, and as dark as twilight, I missed the church on first pass, went to the mini-roundabout only to discover that it and the other church in the village were in Sussex. I turned round, the church looked dark and was almost certainly locked. I told myself.

 

I didn't stop here either, so instead of going to the final village church, I went straigh to Tunbridge Wells where there was another church to revisit.

 

I drove into the town, over the man road and to the car park with no waiting in traffic, how odd, I thought.

 

It was hard to find a parking space, but high up in the parking house there were finally spaced. I parked near the stairs down, grabbed my cameras and went down.

 

I guess I could have parked nearer the church, but once done it would be easier to leave the town as the road back home went past the exit.

 

I ambled down the hill leading to the station, over the bridge and down the narrow streets, all lined with shops. I think its fair to say that it is a richer town than Dover because on one street there were three stores offering beposke designer kitchens.

 

The church is across the road from the Georgian square known at The Pantiles, but it was the church I was here to visit.

 

I go in, and there is a service underway. I decide to sit at the back and observe.

 

And pray.

 

I did not take communion, though. The only one there who didn't.

 

About eight elderly parishioners did, though.

 

I was here to photograph the ceiling, and then the other details I failed to record when we were last here over a decade ago.

 

I was quizzed strongly by a warden as to why I was doing this. I had no answer other than I enjoyed it, and for me that is enough.

 

After getting my shots, I leave and begin the slog back up to the car, but on the way keeping my promise to a young man selling the Big Issue that I would come back and buy a copy. I did better than that in that I gave him a fiver and didn't take a copy.

 

He nearly burst into tears. I said, there is kindness in the world, and some of us do keep our promises.

 

By the time I got to the car park, it was raining hard again. I had two and a half hours to get to Folkestone to pick up Jools after her meal.

 

Traffic into Tunbridge Wells from this was was crazy, miles and miles of queues, so I was more than happy going the other way.

 

I get back to the M20, cruise down to Ashford, stopping at Stop 24 services for a coffee and something to eat. I had 90 minutes to kill, so eat, drink and scroll Twitter as I had posted yet more stuff that morning. In other news: nothing changed, sadly.

 

At quarter past four I went to pick up Jools, stopping outside the restaurant. When she got in she declared she had been drinking piña coladas. Just two, but she was bubby and jabbering away all the way home.

 

With Jools having eaten out, and with snacks I had, no dinner was needed, so when suppertime came round, we dined on cheese and crackers, followed by a large slice of Christmas cake.

 

She was now done for Christmas too.

 

----------------------------------------------------

 

A large sandstone church of nave, aisles, chancel and chapels that was restored by Sir George Gilbert Scott in 1864. It stands in an excellent position set back from the street in a large well-kept churchyard. The tower is of three stages with four pinnacles strangely set well back from the corners. Inside it is obvious that there have been many rebuildings and repairs, leaving a general character of the Victorian period. The good chancel screen is by Bodley and Garner and dates from 1897. Whilst it is well carved the florid design is more suited to a West Country church than to the Garden of England. The fifteenth-century font has been painted in bold colours in a way that can never have been imagined when it was new! Nearby is the Becket window designed by Lawrence Lee in 1970. It is quite unlike any other window in Kent and has an emphasis on heraldry - the figure of Becket and three knights are almost lost in the patchwork effect. Under the tower is the famous Albigensian Cross, a portion of thirteenth-century coffin lid with the effigy of a woman at prayer. The south chapel, which belongs to Penshurst Place, was rebuilt by Rebecca in 1820 and has a lovely painted ceiling. It contains some fine monuments including Sir Stephen de Pencester, a damaged thirteenth-century knight. Nearby is the large standing monument to the 4th Earl of Leicester (d. 1704) designed by William Stanton. It is a large urn flanked by two angels, above which are the heads of the earls children's floating in the clouds!

 

www.kentchurches.info/church.asp?p=Penshurst

 

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PENSHURST.

THE next parish eastward from Chidingstone is Penhurst, called in the Textus Roffenfis, Pennesherst. It takes its name from the old British word Pen, the height or top of any thing, and byrst, a wood. (fn. 1) It is called in some antient records, Pen cestre, and more vulgarly, Penchester, from some sortified camp or fortress antiently situated here.

 

There is a district in this parish, called Hallborough, which is within the lowy of Tunbridge, the manerial rights of which belong to Thomas Streatfeild, esq. and there is another part of it, comprehending the estate of Chafford, which is within the jurisdiction of the duchy court of Lancaster.

 

THIS PARISH lies in the Weald, about four miles Southward from the foot of the sand hills, and the same distance from Tunbridge town, and the high London road from Sevenoke. The face of the country is much the same as in those parishes last described, as is the soil, for the most part a stiff clay, being well adapted to the large growth of timber for which this parish is remarkable; one of these trees, as an instance of it, having been cut down here, about twenty years ago, in the park, called, from its spreading branches, Broad Oak, had twenty-one ton, or eight hundred and forty feet of timber in it. The parish is watered by the river Eden, which runs through the centre of it, and here taking a circular course, and having separated into two smaller streams, joins the river Medway, which flows by the southern part of the park towards Tunbridge. At a small distance northward stands the noble mansion of Penshurst-place, at the south west corner of the park, which, till within these few years, was of much larger extent, the further part of it, called North, alias Lyghe, and South parks, having been alienated from it, on the grounds of the latter of which the late Mr. Alnutt built his seat of that name, from whence the ground rises northward towards the parish of Lyghe. Close to the north west corner of Penshurst-park is the seat of Redleaf, and at the south west corner of it, very near to the Place, is the village of Penshurst, with the church and parsonage. At a small distance, on the other side the river, southward, is Ford-place, and here the country becomes more low, and being watered by the several streams, becomes wet, the roads miry and bad, and the grounds much covered with coppice wood; whence, about a mile southward from the river, is New House, and the boroughs of Frendings and Kingsborough; half a mile southward from which is the river Medway; and on the further side of it the estate of Chafford, a little beyond which it joins the parish of Ashurst, at Stone cross. In a deep hole, in the Medway, near the lower end of Penshurst-park, called Tapner's-hole, there arises a spring, which produces a visible and strong ebullition on the surface of the river; and above Well-place, which is a farm house, near the south-east corner of the park, there is a fine spring, called Kidder's-well, which, having been chemically analized, is found to be a stronger chalybeate than those called Tunbridge-wells; there is a stone bason for the spring to rise in, and run to waste, which was placed here by one of the earls of Leicester many years ago. This parish, as well as the neighbouring ones, abounds with iron ore, and most of the springs in them are more or less chalybeate. In the losty beeches, near the keeper's lodge, in Penshurst-park, is a noted beronry; which, since the destruction of that in lord Dacre's park, at Aveley, in Effex, is, I believe, the only one in this part of England. A fair is held here on July I, for pedlary, &c.

 

The GREATEST PART of this parish is within the jurisdiction of the honour of Otford, a subordinate limb to which is the MANOR of PENSHURST HALIMOTE, alias OTFORD WEALD, extending likewise over parts of the adjoining parishes of Chidingstone, Hever, and Cowden. As a limb of that of honour, it was formerly part of the possessions of the see of Canterbury, and was held for a long time in lease of the archbishops, by the successive owners of Penhurst manor, till the death of the duke of Buckingham, in the 13th year of king Henry VIII. in the 29th year of which reign, Thomas Cranmer, archbishop of Canterbury, exchanging Otford with the crown, this, as an appendage, passed with it, and it remained in the hands of the crown till the death of king Charles I. 1648; after which the powers then in being, having seised on the royal estates, passed an ordinance to vest them in trustees, to be sold, to supply the necessities of the state; when, on a survey made of this manor, in 1650, it appeared that the quit-rents due to the lord, from the freeholders in free socage tenure, were 16l. 18s. 3½d. and that they paid a heriot of the best living thing, or in want thereof, 3s. 4d. in money. That there were copyholders holding of it, within this parish, by rent and fine certain; that there was a common fine due from the township or borough of Halebury, and a like from the township of Penshurst, a like from the townships or boroughts of Chidingstone, Standford, and Cowden; and that there was a court baron and a court leet. The total rents, profits, &c. of all which amounted to 23l. and upwards. (fn. 2) After this the manor was sold by the state to colonel Robert Gibbon, with whom it remained till the restoration of king Charles II. when the possession and inheritance of it returned to the crown, where it remains, as well as the honour of Otford, at this time, his grace the duke of Dorset being high steward of both; but the see farm rents of it, with those of other manors belonging to the above mentioned honour, were alienated from the crown in king Charles II.'s reign, and afterwards became the property of Sir James Dashwood, bart. in whose family they still continue.

 

SOON AFTER the reign of William the Conqueror Penshurst was become the residence of a family, who took their name from it, and were possessed of the manor then called the manor of Peneshurste; and it appears by a deed in the Registrum Roffense, that Sir John Belemeyns, canon of St. Paul, London, was in possession of this manor, as uncle and trustee, in the latter part of king Henry III.'s reign, to Stephen de Peneshurste or Penchester, who possessed it in the beginning of the reign of king Edward I. He had been knighted, and made constable of Dover castle and warden of the cinque ports by Henry III. in which posts he continued after the accession of king Edward I. (fn. 3) He died without issue male, and was buried in the south chancel of this church, under an altar tomb, on which lay his figure in armour, reclining on a cushion. He left Margery, his second wife, surviving, who held this manor at her death, in the 2d year of king Edward II. and two daughters and coheirs; Joane, married to Henry de Cobham of Rundale, second son of John de Cobham, of Cobham, in this county, by his first wife, daughter of Warine Fitz Benedict; (fn. 4) and Alice to John de Columbers, as appears by an inquisition, taken in the 3d year of king Edward II. His arms, being Sable, a bend or, a label of three points argent, still remain on the roof of the cloisters of Canterbury cathedral. Alice, above mentioned, had this manor, with that of Lyghe adjoining, assigned to her for her proportion of their inheritance; soon after which these manors were conveyed to Sir John de Pulteney, son of Adam de Pulteney of Misterton, in Leicestershire, by Maud his wife. In the 15th year of that reign he had licence to embattle his mansion houses of Penshurst, Chenle in Cambridgeshire, and in London. (fn. 5) In the 11th year of king Edward III. Thomas, son of Sir John de Columbers of Somersetshire, released to him all his right to this manor and the advowson of the chapel of Penshurst; (fn. 6) and the year following Stephen de Columbers, clerk, brother of Sir Philip, released to him likewise all his right in that manor and Yenesfeld, (fn. 7) and that same year he obtained a grant for free warren within his demesne lands within the former. He was a person greatly esteemed by that king, in whose reign he was four times lord mayor of London, and is noticed by our historians for his piety, wisdom, large possessions, and magnificent housekeeping. In his life time he performed several acts of public charity and munificence; and among others he founded a college in the church of St. Laurence, since from him named Poultney, in London. He built the church of Little Allhallows, in Thamesstreet, and the Carmelites church, and the gate to their monastery, in Coventry; and a chapel or chantry in St. Paul's, London. Besides which, by his will, he left many charitable legacies, and directed to be buried in the church of St. Laurence above mentioned. He bore for his arms, Argent a fess dancette gules, in chief three leopards heads sable.

 

By the inquisition taken after his death, it appears, that he died in the 23d year of that reign, being then possessed of this manor, with the advowson of the chapel, Lyghe, South-park, and Orbiston woods, with lands in Lyghe and Tappenash, and others in this county. He left Margaret his wife surviving, who married, secondly, Sir Nicholas Lovaine; and he, in her right, became possessed of a life estate in this manor and the others above mentioned, in which they seem afterwards jointly to have had the see; for Sir William Pulteney, her son, in his life time, vested his interest in these manors and estates in trustees, and died without issue in the 40th year of the same reign, when Robert de Pulteney was found to be his kinsman and next heir, who was ancestor to the late earl of Bath. The trustees afterwards, in the 48th year of it, conveyed them, together with all the other estates of which Sir John Pulteney died possessed, to Sir Nicholas Lovaine and Margaret his wife, and their heirs for ever. Sir Nicholas Lovaine above mentioned was a descendant of the noble family of Lovaine, a younger branch of the duke of Lorraine. Godfrey de Lovaine, having that surname from the place of his birth, possessed lands in England in right of his mother, grand daughter of king Stephen, of whose descendants this Nicholas was a younger branch. He bore for his arms, Gules, a fess argent between fourteen billets or; which arms were quartered by Bourchier earl of Bath, and Devereux earl of Essex. (fn. 8) He died possessed of this manor, leaving one son, Nicholas, who having married Margaret, eldest daughter of John de Vere, earl of Oxford, widow of Henry lord Beaumont, died without issue, and a daughter Margaret, who at length became her brother's heir.

 

Margaret, the widow of Nicholas the son, on his death, possessed this manor for her life, and was afterwards re-married to Sir John Devereux, who in her right held it. He was descended from a family which had their surname from Eureux, a town of note in Normandy, and there were several generations of them in England before they were peers of this realm, the first of them summoned to parliament being this Sir John Devereux, who being bred a soldier, was much employed in the wars both of king Edward III. and king Richard II. and had many important trusts conferred on him. In the 11th year of the latter reign, being then a knight banneret, he was made constable of Dover castle and warden of the cinque ports. In the 16th year of that reign, he had licence to fortify and embattle his mansion house at Penshurst, the year after which he died, leaving Margaret his wife, surviving, who had an assignation of this manor as part of her dower. She died possessed of it, with Yensfield, and other lands, about the 10th year of king Henry IV. and was succeeded in them by Margaret, sister and heir of her husband, Nicholas Lovaine, who was twice married, first to Rich. Chamberlayn, esq. of Sherburn, in Oxfordshire; and secondly to Sir Philip St. Clere, of Aldham, St. Clere, in Ightham. (fn. 9) Both of these, in right of their wife, seem to have possessed this manor, which descended to John St. Clere, son of the latter, who conveyed it by sale to John duke of Bedford, third son of king Henry IV. by Mary his wife, daughter and coheir of Humphry de Bohun, earl of Hereford, Essex, and Northampton.

 

The duke of Bedford was the great support and glory of this kingdom in the beginning of the reign of his infant nephew, king Henry VI. his courage was unequalled, and was followed by such rapid success in his wars in France, where he was regent, and commanded the English army in person, that he struck the greatest terror into his enemies. The victories he acquired so humbled the French, that he crowned king Henry VI. at Paris, in which city he died greatly lamented, in the 14th year of that reign, (fn. 10) and was buried in the cathedral church of Roan. He was twice married, but left issue by neither of his wives. He died possessed of the manors of Penshurst, Havenden-court, and Yensfield, as was then found by inquisition; in which he was succeeded by his next brother, Humphry duke of Gloucester, fourth son of king Henry IV. by Mary his wife, daughter and coheir of Humphry de Bohun, earl of Hereford, &c. who in the 4th year of king Henry V. had had the offices of constable of Dover castle and warden of the cinque ports, granted to him for the term of his life; and in the 1st year of king Henry VI. was, by parliament, made protector of England, during the king's minority; and the same year he was constituted chamberlain of England, at the coronation of that prince was appointed high steward of England.

 

The duke was, for his virtuous endowments, surnamed the Good, and for his justice was esteemed the father of his country, notwithstanding which, after he had, under king Henry VI. his nephew, governed this kingdom twenty-five years, with great applause, he was, by the means of Margaret of Aujou, his nephew's queen, who envied his power, arrested at the parliament held at St. Edmundsbury, by John lord Beaumont, then high constable of England, accompanied by the duke of Buckingham and others; and the night following, being the last of February, anno 25 king Henry VI. he was found dead in his bed, it being the general opinion that he was strangled; though his body was shewn to the lords and commons, with an account of his having died of an apoplexy or imposthume; after which he was buried in the abbey of St. Alban, near the shrine of that proto-martyr, and a stately monument was erected to his memory.

 

This duke married two wives; first Jaqueline, daughter and heir of William duke of Bavaria, to whom belonged the earldoms of Holand, Zeland, and Henault, and many other rich seignories in the Netherlands; after which he used these titles, Humphrey, by the grace of God, son, brother, and uncle to kings; duke of Gloucester; earl of Henault, Holand, Zeland, and Pembroke; lord of Friesland; great chamberlain of the kingdom of England; and protector and defender of the kingdom and church of England. But she having already been married to John duke of Brabant, and a suit of divorce being still depending between them, and the Pope having pronounced her marriage with the duke of Brabant lawful, the duke of Gloucester resigned his right to her, and forthwith, after this, married Eleanor Cobham, daughter of Reginald, lord Cobham of Sterborough, who had formerly been his concubine. A few years before the duke's death she was accused of witchcrast, and of conspiring the king's death; for which she was condemned to solemn pennance in London, for three several days, and afterwards committed to perpetual imprisonment in the isle of Man. He built the divinity schools at Oxford, and laid the foundation of that famous library over them, since increased by Sir Thomas Bodley, enriching it with a choice collection of manuscripts out of France and Italy. He bore for his arms, Quarterly, France and England, a berdure argent. (fn. 11)

 

By the inquisition, taken after his death, it appears, that he died possessed of the manors of Penshurst, Havenden-court, and Yensfield, in this county, and that dying, without issue, king Henry VI. was his cousin and next heir.

 

¶The manor of Penshurst thus coming into the hands of the crown, was granted that year to Humphrey Stafford, who, in consideration of his near alliance in blood to king Henry VI. being the son of Edmund earl of Stafford, by Anne, eldest daughter of Thomas of Woodstock, duke of Gloucester, sixth and youngest son of king Edward III. Mary, the other daughter and coheir, having married Henry of Bullingbroke, afterwards king Henry IV. and grandfather of king Henry VI. (fn. 12) as well as for his eminent services to his country, had been, in the 23d year of that reign, created duke of Buckingham. He was afterwards slain in the battle of Northampton, sighting valiantly there on the king's part. By the inquisition, taken after his death, it appears that he died in the 38th year of that reign possessed of this manor of Penshurst, among others in this county and elsewhere; which afterwards descended down to his great grandson, Edward duke of Buckingham, but in the 13th year of Henry VIII. this duke being accused of conspiring the king's death, he was brought to his trial, and being found guilty, was beheaded on Tower-hill that year. In the par liament begun April 15, next year, this duke, though there passed an act for his attainder, yet there was one likewise for the restitution in blood of Henry his eldest son, but not to his honors or lands, so that this manor, among his other estates, became forseited to the crown, after which the king seems to have kept it in his own hands, for in his 36th year, he purchased different parcels of land to enlarge his park here, among which was Well-place, and one hundred and seventy acres of land, belonging to it, then the estate of John and William Fry, all which he inclosed within the pale of it, though the purchase of the latter was not completed till the 1st year of king Edward VI. (fn. 13) who seems to have granted the park of Penshurst to John, earl of Warwick, for that earl, in the 4th year of that reign, granted this park to that king again in exchange for other premises. In which year the king granted the manor of Penshurst, with its members and appurtenances, late parcel of the possessions of the duke of Buckingham, to Sir Ralph Fane, to hold in capite by knight's service, being the grandson of Henry Vane, alias Fane, of Hilsden Tunbridge, esq. but in the 6th year of that reign, having zealously espoused the interests of the duke of Somersee, he was accused of being an accomplice with him, and being found guilty, was hanged on Tower-hill that year.

  

PENSHURST is within the ECCLESIASTICAL JURISDICTION of the diocese of Rochester, and being a peculiar of the archbishop of Canterbury, is as such within the deanry of Shoreham.

 

The church, which is a large handsome building, is dedicated to St. John Baptist. It consists of three isles, a cross isle, and three chancels, having a tower steeple at the west end.

 

Among other monuments and inscriptions in this church are the following:—In the middle isle, a grave-stone, with the figure of a man and his two wives, now torn off, but the inscription remains in black letter, for Watur Draynowtt, and Johanna and Anne his wives, obt. 1507; beneath are the figures of four boys and three girls, at top, arms, two lions passant, impaling or, on a chief, two lions heads erased; a memorial for Oliver Combridge, and Elizabeth his wife, obt. 1698. In the chancel, memorials on brass for Bulman and Paire; within the rails of the altar a gravestone for William Egerton, LL. D. grandon of John, earl of Bridgwater, rector of Penshurst and Allhallows, Lombard-street, chancellor and prebendary of Hereford, and prebendary of Can terbury, he left two daughters and one son, by Anne, daughter of Sir Francis Head, obt. Feb. 26, 1737; on the south side of the altar, a memorial in brass for John Bust, God's painful minister in this place for twenty-one years; on the north side a mural monument for Gilbert Spencer, esq. of Redleafe-house, obt. 1709, arms, Spencer, an escutcheon of pretence for Combridge; underneath is another stone, with a brass plate, and inscription for William Darkenol, parson of this parish, obt. July 12, 1596; on grave-stones are these shields in brass, the figures and inscriptions on which are lost, parted per fess, in chief two lions passant guardant in base, two wolves heads erased; on another, the same arms, impaling a chevron between three padlocks; another, a lion rampant, charged on the shoulder with an annulet, and another, three lions passant impaling parted per chevron, the rest defaced. In the south chancel, on a stone, the figures of a man and woman in brass, and inscription in black letter, for Pawle Yden, gent. and Agnes his wife, son of Thomas Yden, esq. obt. 1564, beneath is the figure of a girl, arms, four shields at the corner of the stone, the first, Yden, a fess between three helmets; two others, with inscriptions on brass for infant children of the Sidney family; a small grave-stone, on which is a cross gradated in brass, and inscription in black letter, for Thomas Bullayen, son of Sir Thomas Bullayen; here was lately a monument for lady Mary . . . . . . eldest daughter of the famous John, duke of Northumberland, and sister to Ambrose, earl of Warwick, Robert, earl of Leicester, and Catharine, countess of Huntingdon, wife of the right hon. Sir Henry Sidney, knight of the garter, &c. at the west end of the chancel, a mural monument for Sir William Coventry, youngest son of Thomas, lord Coventry, he died at Tunbridge-wells, 1686; on the south side a fine old monument of stone, under which is an altar tomb, and on the wall above it a brass plate, with inscription in black letter, for Sir William Sidney, knightbanneret, chamberlain and steward to king Edward VI. and the first of the name, lord of the manor, of Penshurst, obt. 1553; on the front are these names, Sir William Dormer, and Mary Sidney, Sir William Fitzwilliam, Sir James Haninngton, Anne Sidney, and Lucy Sidney; on the south side a handsome monument, with the arms and quarterings of the Sidney family, and inscription for lord Philip Sidney, fifth earl of Leicester, &c. obt. 1705, and was succeeded by John, his brother and heir; for John, sixth earl of Leicester, cosin and heir of Henry Sidney, earl of Romney, &c. obt. 1737, his heirs Mary and Elizabeth Sidney, daughters and heirs of his brother the hon. Thomas Sidney, third surviving son of Robert, earl of Leicester, became his joint heirs, for Josceline, seventh earl of Leicester, youngest brother and heir male of earl John, died s. p. in 1743, with whom the title of earl of Leicester expired; the aforesaid Mary and Elizabeth, his nieces, being his heirs, of whom the former married Sir Brownlow Sherard, bart. and Elizabeth, William Perry, esq. on the monument is an account of the several personages of this noble family, their descent, marriages and issue, too long by far to insert here; on the north side is a fine monument for several of the infant children of this family, and beneath is an urn and inscriptions for Frances Sidney, fourth daughter, obt. 1692, æt. 6; for Robert Sidney, earl of Leicester, &c. fourth earl of this family, who married lady Elizabeth Egerton, by whom he had fifteen children, of whom nine died young, whose figures, as cherubims, are placed above, obt. 1702; Robert, the eldest son, obt. 1680, æt. 6; Elizabeth, countess of Leicester, obt. 1709, and buried here in the same vault with her lord. In the same chancel is a very antient figure in stone of a knight in armour, being for Sir Stephen de Penchester, lord warden and constable of Dover-castle in the reign of king Edward I. It was formerly laid on an altar tomb in the chancel, but is now placed erect against the door on the south side, with these words painted on the wall above it, SIR STEPHEN DE PENCHESTER. In the fourth window of the north isle, are these arms, very antient, within the garter argent a fess gules in chief, three roundels of the second, being those of Sir John Devereux, K. G. lord warden and constable, and steward of the king's house in king Richard II's reign; near the former was another coat, nothing of which now remains but the garter. In the same windows are the arms of Sidney; in the second window is this crest, a griffin rampant or. In the east window of the great chancel are the arms of England. In the east window of the south chancel are the arms of the Sidney family, with all the quarterings; there were also, though now destroyed, the arms of Sir Thomas Ratcliff, earl of Sussex, and lady Frances Sidney.

 

This church was of the antient patronage of the see of Canterbury, and continued so till the 3d year of queen Elizabeth, when Matthew, archbishop of Canterbury, granted it to that queen in exchange for the parsonage of Earde, alias Crayford; and though in the queen's letters patent dated that year, confirming this exchange, there is no value expressed, yet in a roll in the queen's office, it is there set down, the tenth deducted, at the clear yearly value of 32l. 1s. 9d. (fn. 24)

 

¶Soon after which the queen granted the church of Penshurst to Sir Henry Sidney, whose descendants, earls of Leicester, afterwards possessed it; from whom it passed, in like manner as Penshurst manor and place, to William Perry, esq. who died possessed of it in 1757, leaving Elizabeth his wife surviving, who continued proprietor of the advowson of this church at the time of her death in 1783; she by her last will devised it to trustees for the use of her eldest grandson, John Shelley, esq who has since taken the name of Sidney, and is the present owner of it.

 

In the 15th year of king Edward I. this church was valued at thirty marcs. By virtue of the commission of enquiry into the value of ecclesiastical livings, taken in 1650, issuing out of chancery, it was returned that the tithes belonging to the parsonage of Penshurst were one hundred and ten pounds per annum, and the parsonage house and glebe lands about fifty pounds per annum, the earl of Leicester being patron, and master Mawdell, minister, who received the profits for his salary. (fn. 25)

 

The annual value of it is now esteemed to be four hundred pounds and upwards. The rectory of Penshurst is valued in the king's books at 30l. 6s. 0½d. and the yearly tenths at 3l. 0s. 7½d. (fn. 26)

 

John Acton, rector of this parish, in 1429, granted a lease for ninety-nine years, of a parcel of his glebe land, lying in Berecroft, opposite the gate of the rectory, containing one acre one rood and twelve perches, to Thomas Berkley, clerk, Richard Hammond, and Richard Crundewell, of Penshurst, for the purpose of building on, at the yearly rent of two shillings, and upon deaths and alienations, one shilling to be paid for an heriot, which lease was confirmed by the archbishop and by the dean and chapter of Canterbury. (fn. 27)

 

www.british-history.ac.uk/survey-kent/vol3/pp227-257

 

19.9.10: Cofton Park, Birmingham

 

Lead, kindly light, amid the encircling gloom, lead thou me on!

The night is dark, and I am far from home; lead thou me on!

Keep thou my feet; I do not ask to see the distant scene,

One step enough for me.

 

I was not ever thus, nor prayed that thou shouldst lead me on;

I loved to choose and see my path; but now lead thou me on!

I loved the garish day, and, spite of fears, pride ruled my will.

Remember not past years!

 

So long thy power hath blest me, sure it still will lead me on.

O’er moor and fen, o’er crag and torrent, till the night is gone,

And with the morn those angel faces smile,

Which I have loved long since, and lost awhile.

 

John Henry Newman, The Pillar of the Cloud, 1833

 

The Beatification of John Henry Newman by Pope Benedict XVI.

 

Clifford Longley, in The Tablet (25.9.10), caught the mood of the Pope's visit to Britain perfectly:

 

There were two fifth columns that nobody had bargained for: ordinary British Catholics who decided spontaneously to stand up and be counted; and ordinary British people with open minds and sense of fair play. The former bought tickets for the set-piece events, some even giving up a night’s sleep to stand for hours in a wet and muddy field on the outskirts of Birmingham. The latter let curiosity and a desire to be touched by history move them to join Catholic crowds on the streets of Edinburgh, Glasgow and London to wait, watch and wave. The Catholic masses and the broader public formed a resonating feedback loop via the media, learning how to behave as bystanders on a papal route from what they saw others doing and feeling on television the night before. It was Diana moment.

 

By then there was nothing the protesters or the media could do to blow the Pope off course. They began to seem deaf to the zeitgeist. What could have been a papal disaster and national disgrace became for Pope Benedict, for the organisers, and above all for the ordinary people of Britain, Catholics included, a significant and memorable victory.

 

First prize goes to those feisty Catholic teenagers who seemed to be everywhere, laughing, having the time of their lives. Catholic, yes. But typical teenagers, very normal. “Pope Benedict, we love you more than beans on toast,” said one of their banners. They were loving it and saying so, with joyous exuberance at being near the Pope and being on the telly simultaneously. Whatever they were on, I wanted some.

 

Completely by chance, the TV cameras cut between these appealingly giddy young people in Hyde Park and the grim and serious business of “protesting the Pope”, as the opposition marchers called what they spent Saturday afternoon doing. It was Cavaliers versus Roundheads, and, televisually, no contest. No doubt the protesters spoke for many more, as the polls had suggested. But if voting was by one’s feet, the Cavalier party seemed to win by a factor of 20 or more. If I were Peter Tatchell, I would be a little bit embarrassed.

 

Their fundamental mistake, in order to correct the earlier error of sounding like bigoted anti-Catholics, was to try to separate Catholics from their Pope. It wasn’t the majority they were against, they said, just this one man and his outrageous opinions – which many Catholics disagreed with. That last bit may be half true, though this Pope’s teachings differ hardly at all from the last one’s. And when it comes to the list of anti-Pope grievances drawn up by Mr Tatchell – though not those of the ludicrous Richard Dawkins – there are bits here and there with which I can sympathise.

 

But the effect on me of their general nastiness was to want to go and join the Swiss Guard. Yet Pope Benedict himself is surely a bit of a Roundhead, a touch Puritan. His addresses were utterly serious, though brilliantly calculated to connect with many of the things the British are worried about. But if his thoughts didn’t appeal directly to the senses, the gorgeous sights and sounds certainly did. It was Charles II’s time again, rumbustious and slightly irreverent. Thank you, God, for teenagers.

 

More here.

 

On 19th September 2010, John Henry Newman was beatified by Pope Benedict XVI at Cofton Park in Birmingham.

 

Let us take things as we find them: let us not attempt to distort them into what they are not... We cannot make facts. All our wishing cannot change them. We must use them.

 

- Blessed John Henry, Cardinal Newman

 

We were at Cofton Park for Newman as much as we were for the Pope. I'm not the biggest fan of Benedict XVI or of the cult of hero worship, but Newman is for me one of the outstanding figures of the 19th Century; along with Darwin and Marx, he is one of the three great thinkers of that century. The three of them changed the way we understand the world, how we got here and where we are going.

 

What Darwin, Marx and Newman all had in common was that they devoted their lives to arguing theories of development. All three had a profound effect on how we lived our lives in the 20th century. Newman's theory was a theory of theological development. His starting point was to say: if we are imperfect, how can we possibly claim to truly know the mind of God?

 

As a young man, Newman had been an evangelical, believing in the literal truth of the Bible. As he matured, and realised this was not a possibility, he asked himself the big question: if we are literally incapable of posessing a knowledge of the mind of God, if we cannot understand exactly what it is that God is asking us to do, but we are still called on to seek perfection, then how does the revelation of that knowledge come about?

 

Newman decided it was the duty of the Church to be open to unfolding revelation, for each generation to continue the journey towards God in its own way. Some traditionalist Catholics are uncomfortable with the uncertainty of this, and ask the question "does this mean that some things we used to think were sinful are no longer sins?" In the words of the great Cardinal Hume, the answer is yes, I am afraid it does, because understanding of how sin may be realised is ultimately in the mind of imperfect man. Rather confusingly, Newman used the word 'Tradition' to explain the way the Church develops in response to this unfolding revelation.

 

Some of Newman's well-known sayings were projected on to the big screens at Cofton Park on Sunday, and one of my favourites went up just as the Pope was getting out of his helicopter: To grow is to change, and to become perfect is to change often. A little ironic perhaps, as one of the charges often levelled against this Pope by his fellow-Catholics is that he is intransigent and dogmatic - was it the spirit of Newman sending him a message, perhaps?

 

I think English Catholics have a love-hate relationship with Benedict XVI. He is a northern European, he's one of us, he thinks like us - but on the other hand he is such a deep intellectual that he doesn't engage in ordinary people's lives in the way that John Paul II did, even though John Paul II was in many ways a much more conservative Pope. JP2 is increasingly seen by history as providing a steady hand on the tiller at a time when the ship was entering uncertain waters, and I expect history's view of Benedict to be similar, that he kept the Conservatives on board at a time when the great outcry for change might have led to fragmentation.

 

I am also glad that there is at last a wider, public debate about the role of Faith in a civilised and secular society, and the relationship between Fides et Ratio, Faith and Reason, although it needs to be conducted without hysteria. While I think the Church and the Pope are certainly patriarchal and authoritarian, I do not believe that either is homophobic. This seems to me a very serious charge, and quite inappropriate when addressing the real issues involved in the Catholic Church's understanding of homosexuality. The Church's teaching in the matter (with which I find much to disagree) is against non-creative sexual acts, and also against sexual acts outside of marriage. Thus, homosexuality is not taught to be sinful, but it is taught to be a disordered state. While I think this teaching is wrong, I also think that to describe it as 'homophobic', that is, the fear of homosexuality or the promotion of a hatred of homosexuality, is just plain wrong. I am not saying that homophobic Catholics do not exist, but I am not aware of ever having met one. Indeed, several of my openly gay friends are Mass-attending Catholics. This obviously isn't enough, but it is a better starting point.

 

Secondly, while I think that condoms have a role to play in fighting AIDS and other diseases in sub-Saharan Africa, the issue is a very complex one. Respect needs to be given to the Church's preference for other methods, and the resources it commits to employing them: education, building up respect for women, fighting to raise the social conditions in which the abuse of women thrives. To describe the Catholic Church's work in Africa as 'genocide', as one banner at the 'Protest the Pope' rally in London on Saturday did, is just plain daft.

 

The Catholic Church is crying out for change. Under John XXIII and Paul VI in the Sixties and Seventies there was a real sense of a pilgrim church on the move and open to the Holy Spirit. But I do not think this is currently the case. Perhaps Newman's beatification will open up the eyes of the Church again to the reality of its journey, who knows? Where there are difficulties with official Church teaching, most Catholics I know follow their prayerful consciences, as Newman said we must, in a spirit of loyal dissent. We think the Church's teaching on contraception and homosexuality is wrong - not because we think we are right, but because we think that ongoing revelation will lead to the teaching being developed and changed - to grow is to change, to become perfect is to change often.

 

It is good to see dissent, and it is good to see a public debate. It is right and proper that those protesting against the visit of the Pope in London on Saturday had the chance to make thier voices heard. Vatican officials are said to be amazed that 80,000 pilgrims and 10,000 protestors were able to go about their business in the same area of central London and there only be one arrest! I'd like to think it is a good example of English tolerance and fair play. But I am afraid that I do not like their leader, Professor Dawkins, at all. I think he is a fundamentalist, and I abhor fundamentalism in all its forms, whether Christian, Moslem, Socialist, Fascist or Atheist. He's an intelligent man, and really ought to know better. His spiteful and angry speech on Saturday - he was literally shaking with anger - was a world away from the spirit of peace, love and reconciliation that I felt around me at Cofton Park yesterday. Ultimately, it's all about Love.

Gorgeous in Elise's polka dot chiffon dress. I am absolutely in love with this outfit - it is marvelous.

 

Eden here reminds me a lot of Emily Van Kamp from Revenge.

Very neat packed wall along one of the many haulageroads

Castle Howard has an amazing collection of 18th century lead statues commissioned by Carlisle’s son, the 4th Earl. Copies were made in London of great Italian Renaissance masterpieces, and much restoration and re-casting has been carried out in recent years.

VERY nice and perfect condition leaded and bent slag glass shade with fruit motif

 

ink and watercolor on paper

Providence RI graffiti. Used to say "lead hates toys" until it got buffed but it didnt stay like that for long haha

Peeling Paint, Lead Paint pics by Mike Mozart instagram.com/MikeMozart

"Lead, Kindly Light, amidst th'encircling gloom,

Lead Thou me on!

The night is dark, and I am far from home,

Lead Thou me on!

Keep Thou my feet; I do not ask to see

The distant scene; one step enough for me."

- J.H. Newman

  

Shot on the iPhone

Take your shoes or boots off at home to avoid tracking in lead or other pollutants.

A well pad for a hydraulically fractured gas well sits in a manmade clearing in the rolling hills near Duckworth, W.Va. Photo by Mike DuBose, UM News. Aerial photography flight courtesy of SouthWings.

Peeling Paint, Lead Paint pics by Mike Mozart instagram.com/MikeMozart

I love this Eden, she's so sweet and pretty!!

Eden is wearing the Touch of Frost Eugenia's dress, Splendid Jordan necklace, Haute Societe Vero's shoes and her sister's purse. :)

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