View allAll Photos Tagged lead
This was a commercial oven cable connected to an extension lead, both rated at 15amps (both with correct plug ends and thicker insulated cabling). When we attempted to test the oven we found that 1. It was still working??!! and 2. The two ends were fused/melted together so we had to isolate the power and pry them off each other.
This was a situation where these plug ends where behind the oven where the staff had no idea there may be a problem brewing. The plugs had a very strong burnt smell and were clearly melted. Our customer was very grateful of our find (we have been servicing them every 6 months for 2 years) and they felt lucky that this had not injured anyone or caused a fire.
Staff in this workshop had conducted a very dangerous repair to this lead - please call an electrician next time - its far safer for all! Want to know whats under that tape? Completely bare copper wire!!!!
October 31st, 2016
Fun morning using hand-loaded 200 grain LSWC bullets on the metal targets...shooting off-hand and using a 1911A1 -- one of my favorite handguns...
Photography by Dirk Behlau, www.thepixeleye.com for Century Media Records.
Once in a while during a band’s career, there comes the moment when you look back and reevaluate your
body of work. Such self-criticism can either lead towards an overhaul of one’s stylistic palette or increased
awareness for what you truly are. Considering Brazilian death metal brothers KRISIUN, such an analysis can
cause quite a dilemma. Active since 1990, and renowned for such furious classics as the rabid “Black Force
Domain” (1995), 2000’s constantly blasting masterpiece “Conquerors Of Armageddon”, and the merciless yet
memorable “Southern Storm” (2008), the band’s trademarks have always been insane tempos, almost
inhuman drumming and Lemmy-like roaring vocals negating any sense of ‘hooks’ or ‘melody’. And, let us face
it – while KRISIUN have become extremely technical and more varied in terms of grooves and rhythms over the
years – they are forever committed to deliver the full-on-death-metal-assault that made the group legendary
in the first place. Still, after 2015’s “Forged in Fury”, Alex, Max and Moyses realized a different approach was
necessary. “It was a bit of a complicated album,” singer/bassist Alex Camargo admits. “There were more
slower parts on it and it was also quite long. We still stand behind it 100%, but we doubt it is what KRISIUN’s
essence is about.”
Thus, for “Scourge of the Enthroned”, KRISIUN’s 11th studio album, the group decided to head for a faster
and extremely savage record again. Clocking in at an intense 38 minutes – counting in the bonus tracks
“Forged in Fury” was almost an hour long – it was also due to producer Andy Classen’s input that “Scourge of
the Enthroned” became a real monster: “Working with Andy at Stage One Studio again, felt like coming
home. We stayed at his musician’s apartment for almost a month and we all concentrated on capturing an honest, almost live kind of vibe and trimmed the songs harder than on the last one.” Located in the
countryside close to German city Kassel, the landscape helped immensely during this period. “There was no
distraction at all, that place is in the middle of nowhere and apart from barbecuing with Andy we just
worked on the songs like madmen.” Once the album kicks off with the title track, KRISIUN’s newest opus hits
with an urgency and immediate force that even harkens back to the debut! “You mean the ‘Black Force
Domain’ riff in ‘Demonic III’, huh? That song is about the band and our history. After all these years, we felt
it was about time we do our own anthem and a riff like that is a bit of a throwback for us and the fans!” In
terms of sound, however, the band did not bring back the uncontrolled roughness of “Black Force Domain” yet
had a distinct mindset when starting the recording process: “We interpret the album title as us being a
scourge for all the plastic death metal out there. You are listening to human beings here not a computer! All
has been recorded and played naturally, and while you can hear all details, it does not go for this ‘American’
sound that is so lifeless and sterile. It is a very organic and heavy album and I think that connects it with the
spirit we already had on the debut.”
Indeed, sir, and it offers a whole bunch of highlights as well! From the Slayer-like screeching solo opening
‘Devouring Faith’, to the neck-breaking ‘A Thousand Graves’ and rhythmic complexity of ‘Abysmal Misery
(Foretold Destiny)’ over to the album’s epic finale ‘Whirlwind of Immortality’, the latter being another track
connected to the artwork by Eliran Kantor (Testament, Hate Eternal, Incantation) as Alex explains: “The song
is about the Anunnaki, who appear in Sumerian mythology, judging the fates of mankind. Often they are
portrayed as seven figures, we have only three appear on the cover since it connects well with ‘Demonic III’.
As KRISIUN is about to celebrate its 30th anniversary in 2020, it’s only fair we now appear symbolized as
ancient death metal gods on the cover, haha!” Lyrically, the album however does not dig too deep into myths
as Camargo confirms: “We deal with religious fanaticism, war, and the tragedy of the refugees, who flee
from the fighting in their home countries to end up drowning in the sea or being treated like dogs in the
western countries. Reality offers a lot of topics to write pissed off death metal!”
Asked what plans KRISIUN have for the months to come, Alex promises a release show in Essen (Germany) on
September 7th, a global live onslaught and invites everybody to check out “Scourge of the Enthroned”, revel in
its violent glory and adds: “We are one the few three piece bands out there, delivering it tight, loud, raw
and real!” And that is, what the essence of KRISIUN is all about!
my sister asked me to customize her taeyang lead and had a specific faceup in mind so i did it and here he is, this is the 2nd round i made him because my sister washed the first one and accidentally removed the face up
Thanks In Advance for not using Graphics to this picture.
Press L to view in lightbox (must see large!)
Press F to Faves This Photo
-Please don't use or alter this image on websites, blogs or any other media without my explicit permission. © All rights reserved
'In Europe, SCART is the most common method of connecting audio-visual equipment together, and has become the standard connector for such devices (even more so than the phono plug). It is far less common elsewhere in the world.'
Sometimes it happens in an instance. We step up, we see a path forward. We see a path and we take it. Even when we have no idea where we're going. - Meredith Grey
VIEW LARGE AND ON BLACK
R36 WF (GE) 9586 lead (1st car), St. Louis Car, 11/1963
R36 WF (GE) 9587 (2nd car), St. Louis Car, 11/1963
R36 ML (WE) 9543 (3rd car), St. Louis Car, 2/1965
WF cars built for 1964-1965 World's Fair, R36 ML (IRT Main Line) cars assembled from leftover R33 shells at end of R36 contract held over by the decision to have the last 40 R33s built as World's Fair single units for 7 service with large picture windows and turquoise "Blue Arrow" livery.
These small-group, hands-on, intensive workshops run 10am to 5pm. Each student gets a fully-loaded Macintosh computer, or may use your own laptop. Workshop Instructors lead students in case studies and tutorials which clearly demonstrate tricks of the trade. Workshops location will be announced soon.
Workshop take place at Bay Area Video Coalition, 2727 Mariposa St, 2nd Floor, San Francisco, CA 94110
Mark SpencerFriday 30 July Workshop
Mastering Motion's Camera :: 10am - 5pm
Facilitated by Mark Spencer
Come learn how to take control of Motion's camera to create dynamic, engaging 3D motion graphics.
Motion's 3D implementation is a natural extension of the Motion interface and makes working in 3D surprisingly intuitive - but there tricks to getting just the results you want. In this hands-on session, you'll learn how to harness the power of Motion's 3D space and cameras, including:
• Setting up 3D scenes for camera animation
• Understanding the difference between viewpoint and framing cameras
• Positioning cameras in 3D space
• Cutting between cameras
• Working with angle of view and depth of field
• Animating cameras with behaviors and keyframes
Mark Spencer is a freelance producer, editor, teacher and writer based in the Bay Area. His company Day Street Productions is a production and post studio focused on corporate and industrial video. He is an Apple-certified Master Trainer for Final Cut Pro and Motion, teaching for organizations such as NAB, BAVC, Stanford University, DVExpo, MacWorld, and consulting for corporations and individuals. He is the author or co-author of 5 books on Motion including the Apple Pro Training Series book Motion 4 from Peachpit Press, and has written for print and online publications including DV Magazine, EditWell, ProVideo Coalition and kenstone.net. He maintains www.applemotion.net, a resource for Motion. Mark has an MBA from the Wharton School of the University of Pennsylvania.
Darrin FrankovitzSaturday 31 July Workshop
Cinema 4D with Mograph :: 10am - 5pm
Facilitated by Darrin Frankovitz, Maxon Lead Trainer
This workshop will cover 3D Fundamentals using CINEMA 4D R11.5, including Navigating in 3D Space, Lights and Cameras, Textures and Materials, Multi-pass Rendering, Keyframe Animation, Using the Timeline, After Effects integration and more.
As Lead Trainer of the Cineversity 1on1 Training program Darrin Frankovitz has trained groups of designers from Apple Inc. to artists at National Geographic Magazine, CNN, FOX, and individual freelancers across North America.
Darrin may be contacted via email: darrin (at) maxon (dot) net.
Mason DixonSunday 1 August Workshop
Creative Motion Design with After Effects and Photoshop :: 10am - 5pm
Facilitated by Mason Dixon, School of the Art Institute of Chicago
This workshop provides a 1 day crash course in the fundamentals of After Effects. It is designed to bring anyone up to speed on keyframes animation, visual effects, compositing, time bending, basic 3D and character animation with Adobe After Effects.
A dropout from University of Texas's Advanced Communications Theory Laboratory, Jameson Wallace, then Sfear Bebopanaut, went to work for a small internet start-up, iChat, designing the first version of Yahoo's chat community. After iChat's IPO, Sfear organized a team of hackers to detect vulnerabilities in electronic voting systems before the 2000 presidential election. After 9/11, Sfear changed his name to Mason Dixon and moved to Chicago, where he now resides as an instructor of Motion Graphics at the School of the Art Institute of Chicago. His public sculptures and video performances have appeared at the Museum of Contemporary Art, SIGGRAPH, South By Southwest, Lollapalooza, Boston Center for the Arts, Cambridge University UK, US Botanical Gardens in DC and the Burning Man freedom festival. He has produced over 70 exhibitions in 10 US cities and has shown with artists such Mia Liu, Carl Cox, Shepard Fairey, String Cheese Incident, American Analog Set and DJ Spooky.
limited edition fiberglass sculpture by Louie Cordero
Based on a photograph taken when he was 9(?) years old. The "de-skinned" jaw is based on a memory of a dog biting him in the mouth when he was small. The bust sits on a gold stylized cloud akin to cloud renditions in Hindu art.
Model:
Lilith Lead Singles (restyle by me)
Fashion credits:
trousers and blouse: Lilith Lead Singles
shoes from ebay
after the visit i could actually TASTE lead (plumbum) in my mouth. Needless to say that workers out there have more of
this heavy metal in their bodies.
this is a skylight in the roof of the McNally houseboat, a large floating residence now in the collection of the Antique Boat Museum on the St Lawrence River in Clayton, New York; intricate workmanship and an unusual form make this a unique example of the glazier's art
On April 10, 2015, Daniel Jones, one of the busiest comic hypnotists in the entertainment industry, appeared at Dulany Auditorium at William Woods University. Having appeared on ABC, NBC, CBS and FOX affiliates across the country and considered a master in the art of illusion, Daniel is recognized internationally by his peers as a top inventor, designer and engineer of original theatrical illusions. Daniel's work has appeared on America's Got Talent, The Tonight Show, The Ellen Show and at Caesars Palace in Las Vegas! This event was provided as part of the LEAD program.
The Courage to Lead: A Human Rights Summit for Women Leaders, December 8-10, 2009.
The Courage to Lead Summit brought together experienced and emerging human rights leaders from over thirty countries to share and build on their experiences and to promote mentoring and
collaboration among women who play a key role in promoting human rights worldwide.
The conference is organized by The Eleanor Roosevelt Project of the George Washington University and Vital Voices Global Partnership with support from the U.S. Department of State, the Office of the High Commissioner for Human Rights and the International Labour Organization. The Conference of NGOs in Consultative Relationship with the United Nations (CoNGO) coordinated logistics for the event.
Morning sessions of the December 8-10 summit at the ILO are also open to the public.
US Mission Photo: Photo by Eric Bridiers
On April 10, 2015, Daniel Jones, one of the busiest comic hypnotists in the entertainment industry, appeared at Dulany Auditorium at William Woods University. Having appeared on ABC, NBC, CBS and FOX affiliates across the country and considered a master in the art of illusion, Daniel is recognized internationally by his peers as a top inventor, designer and engineer of original theatrical illusions. Daniel's work has appeared on America's Got Talent, The Tonight Show, The Ellen Show and at Caesars Palace in Las Vegas! This event was provided as part of the LEAD program.
BN logo on a sign affixed to the Lumber Lead bridge over Western Avenue and 26th Street, in December 1999.
Opening ceremony with the National Anthem during the Kirtland AFB Air Show June 4, 2016. 600 mm on Nikon D810, 1/2500 sec. Air Force Academy Jump Team.