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On camera SB800/ 2nd SB800 camera left. Not much Photoshopping...just brightening and contrast. Just getting into using off camera flash so any critiques or suggestions are more than welcome!
At The Chapel of the Chimes, designed by Julia Morgan. I wonder if they needed guides for tourists, or mostly for people looking for their loved ones.
Knowing the snow would soon be flying, I took advantage of a warm October day to climb Kessler Peak.
Knowing the Brazilian Email Obtain Woman
Brazilian girls, are around the world popular for being captivating. They are famous for dressed in little bikinis and making the most of everyday life into the optimum.
What could very well make these warm, sultry lasses in micro bikinis any hotter?...
www.nawigacja-satelitarna.pl/knowing-the-brazilian-email-...
This is a workshop that was facilitated by ILRI as a follow up on a communication training offered to Tanzania Dairy Board (TDB) staff in Nairobi Kenya in 2014.
TDB is one of the partners in implementing the MoreMilkiT project in Tanzania, which is led by ILRI
The objective of this second workshop is to review the TDB action plan, what worked/didn't work, identify capacity gaps, and chart the way forward on how TDB can use available opportunities to achieve it's mission.(Photo Credit:ILRI/Mercy Becon)
One of my favourite shots from Venice. This mask greeted you in the front of the shop as you walked in
april 19,2010~oday was great:)
slept in!
cleaned my room
schoooolllll
firehouse! yummm:)))
worked, but it was fun tonight:)
went to the tattoo place to get my belly ring cause my favorite one the top fell off:( but i got at new one & it looks great! yay!
worked with caleb to make a little extra $$$
~a life with out love is no life at all~
get in touch with yourself, tap into the universe.
I'm trying to concentrate things that concentrate.
I'm trying to concentrate things that I'm trying to concentrate.
I have to admit at not knowing there was a church here at Lympne, but then it is down a very narrow and winding main street, which ends just outside the church and an entrance to the neighbouring castle.
Lympne, pronounced "Lim" for some reason, probably to confuse visitors, that's the excuse in Norfolk anyway.
There are no words in which I can describe St Nicholas; it is huge and sprawling, and access for the bell-ringers us up a fine spiral staircase.
Arches, arches, side chapels and aisles, it has it all.
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Standing next to the medieval castle on the top of a steep slope, the long and rather forbidding church has a unique atmosphere. From the north all appears to be of the thirteenth century, but the sheer mass of the tower gives away the Norman origins of the building. The church is entered through the north aisle. Inside, there are blocked Norman arches on the west face of the tower which indicate that it was originally an outer wall. The thirteenth-century arch which cuts between nave and tower contrasts well with the twelfth-century arch between nave and chancel. There is a good collection of stained glass; particularly appealing is the window which shows St Elizabeth of Hungary, and the east window of 1950 by J.E. Nuttgens.
www.kentchurches.info/church.asp?p=Lympne
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“A curious church, adjacent to the interesting castellated mansion of the Archdeacons, which is a good domestic specimen of the fifteenth century. The church is of much earlier date, having both Norman and Early English work, but chiefly the latter. It consists of nave with north aisles, chancel, and massive tower situated between the chancel and nave; also a porch on the north, on which side is the public approach to the church, which, on the south, is very near to the declivity of the hill overlooking the marsh. The walls are of coarse masonry, with flints and stone intermixed. There is a tiled roof of high pitch to the aisle; the chancel has a moulded parapet. There are no buttresses on the north, save one flat one near the west end; and the aisle has lancet windows of different sizes.
On The south of the nave, the windows, originally Perpendicular, have been mutilated. The west wall of The nave has been rebuilt, too soon and not well. It is very near to the wall of the castle. The nave has, on the north,two rude pointed Early English arches opening to the aisle, without mouldings, on a square pier having an impost, and the angles chamfered. The roof of the nave is flat pitched and Perpendicular. The aisle is carried along The tower ; but the portion corresponding with the latter is divided off for a vestry. The roof of the aisle is a well preserved one, with tie-beams and king-posts ; it has at its east end two lancets, and in the wall is a sepulchral arch under a window, the inner member slightly ogeed and foliated. There are some stone brackets internally against the tower walls above the west arch. The north porch is plain ; over the door is the date 1708. The tower is plain and rude, and has an unfinished appearance, being without parapet. On each side of it are two rude semi-Norman belfry windows, and there are flat buttresses. The tower opens to the nave internally by a rude pointed arch like those of the arcade, opened in a large mass of plain wall, above this arch are seen two rude windows opening into the nave.
The tower has a large pointed arch on The north, opening to the aisle, much resembling the western arch and those in the nave. The eastern arch opening to the chancel is semi-circular, rude, and without mouldings; but the impost is sculptured with starry ornament. On each side of this arch is a smaller pointed one of hagioscopic character, as frequently seen both in Kent and Sussex, and elsewhere: Pinvin, and Wyre-Piddle, Worcester ; Little Shelford, Cambridge; Coombes, Sussex.
The chancel is very long, and externally has strong buttresses. It is not pewed, but has some modern wainscoting, and a poor modern roof of flat pitch. The east window has three lancets, but the central one is closed up by an ugly modern tablet on which is the decalogue. There are single lancets north and south, and those in the north-west and south-west, now closed, have a lychnoscopic look. The fittings are mean, and need improvement. The font is modern. There is a slab with a flory cross. There are five bells. The churchyard is very extensive, lint all on the north side”.
Copied from “The Churches of Kent” Sir Stephen R. Glynne.
Published 1877.
Knowing better, doing worse.
New 52 page zine featuring wild 'n crazy photos & stories from: Brandon Aighty, Kurt Angler, K. Eleanor Bleier, Kieran Danielson, Da Best, Deanskii, Seth G. of Doom Spiral, Alexandra Gloff, Stephen Harper, AdrianJ, William Kannar, Henry May, Stephanie Mill, Adam Otto, Lump Sum Orrian, Prea SW, Nicky Romano, THTD, Daniel Walsh, and Shawn Whisenant.
Comes with a stack of of original stickers and photos.
Just a stock photo. Thanks to Rizal for the pose mate, just recently viewed this collection we did almost 4 years ago and it rocks, too much rocks!
I have to admit at not knowing there was a church here at Lympne, but then it is down a very narrow and winding main street, which ends just outside the church and an entrance to the neighbouring castle.
Lympne, pronounced "Lim" for some reason, probably to confuse visitors, that's the excuse in Norfolk anyway.
There are no words in which I can describe St Nicholas; it is huge and sprawling, and access for the bell-ringers us up a fine spiral staircase.
Arches, arches, side chapels and aisles, it has it all.
-----------------------------------------------------
Standing next to the medieval castle on the top of a steep slope, the long and rather forbidding church has a unique atmosphere. From the north all appears to be of the thirteenth century, but the sheer mass of the tower gives away the Norman origins of the building. The church is entered through the north aisle. Inside, there are blocked Norman arches on the west face of the tower which indicate that it was originally an outer wall. The thirteenth-century arch which cuts between nave and tower contrasts well with the twelfth-century arch between nave and chancel. There is a good collection of stained glass; particularly appealing is the window which shows St Elizabeth of Hungary, and the east window of 1950 by J.E. Nuttgens.
www.kentchurches.info/church.asp?p=Lympne
-------------------------------------------------------
“A curious church, adjacent to the interesting castellated mansion of the Archdeacons, which is a good domestic specimen of the fifteenth century. The church is of much earlier date, having both Norman and Early English work, but chiefly the latter. It consists of nave with north aisles, chancel, and massive tower situated between the chancel and nave; also a porch on the north, on which side is the public approach to the church, which, on the south, is very near to the declivity of the hill overlooking the marsh. The walls are of coarse masonry, with flints and stone intermixed. There is a tiled roof of high pitch to the aisle; the chancel has a moulded parapet. There are no buttresses on the north, save one flat one near the west end; and the aisle has lancet windows of different sizes.
On The south of the nave, the windows, originally Perpendicular, have been mutilated. The west wall of The nave has been rebuilt, too soon and not well. It is very near to the wall of the castle. The nave has, on the north,two rude pointed Early English arches opening to the aisle, without mouldings, on a square pier having an impost, and the angles chamfered. The roof of the nave is flat pitched and Perpendicular. The aisle is carried along The tower ; but the portion corresponding with the latter is divided off for a vestry. The roof of the aisle is a well preserved one, with tie-beams and king-posts ; it has at its east end two lancets, and in the wall is a sepulchral arch under a window, the inner member slightly ogeed and foliated. There are some stone brackets internally against the tower walls above the west arch. The north porch is plain ; over the door is the date 1708. The tower is plain and rude, and has an unfinished appearance, being without parapet. On each side of it are two rude semi-Norman belfry windows, and there are flat buttresses. The tower opens to the nave internally by a rude pointed arch like those of the arcade, opened in a large mass of plain wall, above this arch are seen two rude windows opening into the nave.
The tower has a large pointed arch on The north, opening to the aisle, much resembling the western arch and those in the nave. The eastern arch opening to the chancel is semi-circular, rude, and without mouldings; but the impost is sculptured with starry ornament. On each side of this arch is a smaller pointed one of hagioscopic character, as frequently seen both in Kent and Sussex, and elsewhere: Pinvin, and Wyre-Piddle, Worcester ; Little Shelford, Cambridge; Coombes, Sussex.
The chancel is very long, and externally has strong buttresses. It is not pewed, but has some modern wainscoting, and a poor modern roof of flat pitch. The east window has three lancets, but the central one is closed up by an ugly modern tablet on which is the decalogue. There are single lancets north and south, and those in the north-west and south-west, now closed, have a lychnoscopic look. The fittings are mean, and need improvement. The font is modern. There is a slab with a flory cross. There are five bells. The churchyard is very extensive, lint all on the north side”.
Copied from “The Churches of Kent” Sir Stephen R. Glynne.
Published 1877.
As a stark contrast to the clean lines and brand new buildings of Temple Quay, we stopped off at the reclamation yard . More of both places to come!
A young woman who came with her mother to our photography group. She ended up posing for a number of us while we learned about some studio lighting techniques.
Knowing how the daily life of the inhabitants of Gavà 6,000 years ago and all the work inside the mines, the oldest in Europe and the only dedicated to the extraction of variscita, a semi-precious mineral used to make jewelry, is made possible by the Gavà Mines Archaeological Park.
The Gavà Mines Archaeological Park proposes a tour from the investigations that are made around an archaeological dig. Visitors can learn from their own experience in the park's natural environment and the lifestyle of the Neolithic community. Through this research and the latest audiovisual and multimedia technologies, they can discover what life was like for our ancestors and learn how the archaeological team in charge of the site have rebuild it on site.
Original source: www.gavaciutat.cat/parc-arqueologic-mines-de-gava
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Conèixer com era la vida quotidiana dels habitants del Gavà de fa 6.000 anys i sobretot el treball a l'interior de les mines, les més antigues d'Europa i les úniques dedicades a l'extracció de la variscita, un mineral semipreciós utilitzat per confeccionar joies és possible gràcies al Parc Arqueològic Mines de Gavà.
El Parc Arqueològic Mines de Gavà ens proposa un recorregut a partir de les investigacions que es fan al voltant d'una excavació arqueològica. El visitant podrà conèixer a partir de la seva pròpia experiència al Parc l'entorn natural i l'estil de vida de la comunitat neolítica. Mitjançant aquestes investigacions i les últimes tecnologies audiovisuals i multimèdia, es podrà descobir com era la vida dels nostres avantpassats i com l'equip d'arqueòlegs responsables del jaciment l'han pogut conèixer i reconstruir.
Font: www.gavaciutat.cat/parc-arqueologic-mines-de-gava
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Conocer cómo era la vida cotidiana de los habitantes del Gavà de hace 6.000 años y sobre todo el trabajo en el interior de las minas, las más antiguas de Europa y las únicas dedicadas a la extracción de la variscita, un mineral semiprecioso utilizado para confeccionar joyas es posible gracias al Parque Arqueológico Minas de Gavà.
El Parque Arqueológico Minas de Gavà nos propone un recorrido a partir de las investigaciones que se hacen alrededor de una excavación arqueológica. El visitante podrá conocer a partir de su propia experiencia en el Parque del entorno natural y el estilo de vida de la comunidad neolítica. Mediante estas investigaciones y las últimas tecnologías audiovisuales y multimedia, se podrá descubrir como era la vida de nuestros antepasados y como el equipo de arqueólogos responsables del yacimiento lo han podido conocer y reconstruir.
Fuente: Font: www.gavaciutat.cat/parc-arqueologic-mines-de-gava
When sitting up on the top of our steps I spotted my cats mirroring each other! One on my left... the other on my right! LOL
“Knowing is not enough, we must apply. Willing is not enough, we must do.”- #Jokes, #Cartoons & #Quotes on Bachelors
malenadugroup.blogspot.in/2014/10/Cartoon-and-Quotes-on-l...
Shona Art, to me, is very seductive and extremely beautiful.
The variety of soft and hard coloured stone that is used invites one to explore it, both visually and mentally. It is mesmerizing to sit an contemplate.
This lovely piece is out of Serpentine stone and was done by Elliot Katombera who is a young Shoto Artist who works out of Harare, Zimbabwe.
The serpentine group describes a group of common rock-forming hydrous magnesium iron phyllosilicate minerals; they may contain minor amounts of other elements including chromium, manganese, cobalt and nickel.
In mineralogy and gemology, serpentine may refer to any of 20 varieties belonging to the serpentine group.There are three important mineral polymorphs of serpentine: antigorite, chrysotile and lizardite.
In the variety found throughout Zimbabwe its colours vary from black to brown to green, orange and variegated. Hardness level varies from very soft to vary hard. Measured on a moss scale where a diamond is ten, serpentine goes from 1.2 up to 6.54. The majority of the sculptors today, however do not carve from soft serpentine, but rather select deposits of rock that are hard and therefore more durable.
Katombera is around 30 years old and has been working with Shona Sclupture for the last 15 years.
This small piece also graces my home.