View allAll Photos Tagged its_dramatic
White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes. Trails through the dunes include the raised Interdune Boardwalk and the Dune Life Nature Trail, dotted with interpretive exhibits on wildlife and other features. Dunes Drive is a looped road from the White Sands Visitor Center to the dune field. Read the blog post - www.dvrawfiles.com/white-sands-new-mexico Watch the vlog - www.youtube.com/watch?v=GhwKZVqNfiU
White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes. Trails through the dunes include the raised Interdune Boardwalk and the Dune Life Nature Trail, dotted with interpretive exhibits on wildlife and other features. Dunes Drive is a looped road from the White Sands Visitor Center to the dune field. Read the blog post - www.dvrawfiles.com/white-sands-new-mexico Watch the vlog - www.youtube.com/watch?v=GhwKZVqNfiU
1760
Visit: www.refordgardens.com/
MECONOPSIS BETONICIFOLIA
REFORD GARDENS | LES JARDINS DE MÉTIS
From Wikipedia:
Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.
Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.
Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.
She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.
In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.
During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.
In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.
Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.
To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.
Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.
In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)
Visit : en.wikipedia.org/wiki/Elsie_Reford
Visit : www.refordgardens.com/
LES JARDINS DE MÉTIS
Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.
Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.
Commission des lieux et monuments historiques du Canada
Historic Sites and Monuments Board of Canada.
Gouvernement du Canada – Government of Canada
© Copyright
This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.
Saltwell Park, Gateshead
former home of the stained glass designer/manufacturer William Wailes.
"At the turn of the 19th century, Gateshead, with the exception of a couple of industrial hubs at Sherriff Hill and the quayside, was mostly made up of substantial agricultural estates.
The largest of these was Saltwell Estate which consisted of around 500 acres of land between Team Valley, Bensham and Low Fell. In 1805 this estate was broken up into a number of smaller areas including Saltwell Cottage.
Newcastle born William Wailes who was one of the19th century’s leading stained glass designers bought this area of land in 1850. He lived in South Dene Towers before it was demolished which was on the site now occupied by Gateshead Crematorium.
By 1856 Saltwell Cottage had become the Saltwellside estate and Wailes commissioned the design of a grand Victorian mansion for his family to live in. He employed builder George Brown and this was probably his biggest project. He began work on the mansion in 1859 and continued until 1871 when Saltwell Towers was finally complete.
Saltwell Towers (listed grade II) was a large mansion of striking design with red brickwork and Gothic turrets, but its dramatic exterior masked what was essentially a flawed building. It was built without foundations, with only basic sanitation and a variety of miss matched roofing levels and guttering.
While Brown was building Saltwell Towers, Gateshead was expanding and industrialising. As a result, the air pollution, poor social conditions and general shortage of clean drinking water in the town led to concern about public health and gave rise to calls for the creation of a public park.
William Wailes’s dream didn’t last long and he sold Saltwellside Park and Towers for £35,000 to the Gateshead Corporation in November 1875 when he ran into financial difficulties.
In 1876 garden designer Edward Kemp was invited to submit designs to the Corporation for the existing gardens and an area of open fields to the north. Kemp's plans were implemented over a period of years by borough surveyor James Bowyer at a cost of around £11,000.
In the Spring of 1876 there was a buzz in the year as the Park was prepared for its grand opening. The hedges enclosing the four fields were rooted out and the whole area was ploughed by a steam plough. The town Surveyor ordered one dozen metal plates marked "please keep off the grass"; and police supervision of the Park was arranged. The formal opening was planned for Whit Monday, but it never actually went ahead. Nonetheless, the public were allowed to use the park by the end of 1876 and it became the People’s Park.
In its early years, Saltwell Park showed signs of being transformed into a zoo. In June 1877 the park was home to swans, peacocks, peahens, pheasants, bantam cocks, bantam hens and ducks.
In 1880 the Chief Constable of Gateshead, John Elliott paid for the construction of an aviary, supplied birds, and in the same year he built a monkey house and provided monkeys. These, however, were not a success and in October 1880 the male monkeys were ordered to be removed ’forthwith’.
Around this time, Lord Ravensworth also presented two deer to the Park and it may have been one of these which involved the Corporation in litigation and expenses of £650 when a visitor to the Park in 1889 was attacked by a stag.
Wailes carried on as a private tenant in the Towers at a cost of £140 per year until his death in 1881. While Wailes was prepared to put up with the building problems, others were not, and there were continuing complaints about the sanitation, heating and the inconvenient size of the larger rooms.
The first tenant after Wailes was Hugh Clayton Armstrong, a Newcastle timber merchant who surrendered his tenancy when his original five year lease was up. At this time, Joseph Ainsley Davidson Shipley, a Newcastle based solicitor, approached the Council with a view to leasing the Towers.
Shipley lived in the mansion until his death in 1909 and the following year, the Towers was leased to John Henry Rowell, a local brewer, for five years for an annual rent of £120 and the Council agreed to have electricity installed at a cost of £445.
After Rowell died in August 1913, his widow kept the tenancy on until 1915 after which the house was used temporarily as a billet for soldiers and then, between 1916 and 1920, it was used as an army hospital attached to the nearby Whinney House Hospital.
There was only to be one further documented tenant and this was Harold Svendsen, a garage owner who moved into the house in 1920, again on a five year tenancy, but within two years had left, unable to pay the rent.
Around this time, Sarah’s Great Grandma went to live in the Towers to work as a nanny to care for the two sets of twins who lived there. She had been known to say it was a wonderful place to live and it was a very happy time in her life.
Sarah’s Great Grandma met her husband to be John Roberts while she was working there. John ran a business with his sister supplying agricultural feed. John was described as having perfect manners, very articulate and quite well to do. Even his own family nicknamed him Lord John.
John’s sister lived in Balmoral Terrace which was her week day town house and she spent the weekends with her younger brother who lived at the building which is now the Shepherd and Shepherdess at Beamish.
John married Sarah’s Great Grandma at Lamesley church and they moved to John Street and raised their own family there. There are memories that there was a family rift on John’s side as it was seen that he had “married out”, meaning he had married out of his class, but this didn’t stop him marrying the love of his life.
It is believed that they called their children Brenda and Pat after the children she looked after at Saltwell Towers. Sarah’s Great Grandma worked all the hours she could and Brenda, her first born became fretful, so much so, the doctor took her away and gradually weaned her back to the family once she was settled.
As business became more prosperous John tried allsorts to get Sarah’s Great Grandma to move to a new house but she liked the community she lived in and her neighbourhood and wanted to stay where she was.
Just a life was treating them well, John died suddenly at the age of 42 from a heart defect. Unbeknown to them, Brenda, their first born had the same defect and she tragically died at the tender age of 16. Sarah’s Mam was born the same year and was named Brenda after her.
Attempts to lease Saltwell Towers following Mr Svfendsen’s departure were unsuccessful and the house remained unoccupied for over ten years. Eventually, and after some debate, it was decided to turn the house into a museum.
On 8 July 1933, Saltwell Towers opened up as the Gateshead Municipal Museum and it was re-named several times to Gateshead local and Industrial Museum, Saltwell Towers Museum and Saltwell Park Museum.
Saltwell Towers had dry rot and a serious damp problem that was first identified in 1932. It never really got fixed and was only superficially resolved for the opening a year later.
The condition of building gradually declined and gradually the rooms that held the exhibits were systematically closed, due to a fear that the ceilings would collapse.
In February 1969 the Saltwell Park Museum’s closure happened quickly and very suddenly and the collection that remained in the closed building could not be moved to safer storage for another five years in 1974 when Tyne and Wear Museums was set up.
In 1999 the Towers was refurbished as part of a £9.6 million restoration project, funded collaboratively by the Heritage Lottery Fund and Gateshead Council and re-opened in 2005 as a café and visitor centre which plays host to around two million visitors each year. " www.sarahmains.com
Redmond, Oregon
Listed 10/30/2013
Reference Number: 13000859
Petersen Rock Garden, which has state-wide significance, is eligible for listing in the National Register of Historic Places under Criterion C in the areas of Art and Landscape Architecture, as a folk art environment, for its significance as an exceptional work of art that combines architecture, landscape, art, and sculpture in a unified whole. Located approximately eight miles southwest of Redmond, Oregon, the work recalls European and American grotto traditions, juxtaposed with American iconography and vernacular folk art traditions, through the creativity and artistry of Danish immigrant Rasmus Christian Petersen. Petersen, who began constructing the garden after finishing his education in Danish and American culture at Nysted Folk High School in Nebraska and three successful decades of farming, was also influenced by his homestead's setting in central Oregon, with its dramatic views of the Cascade range . Creation of the garden represents the last chapter in Petersen's life. The gardens are all the more remarkable for their unexpectedness in the desert landscape and their lack of precedent in their creator's life. The Period of Significance for the site is 1927, the date of construction of the Petersen's residence, to 1952, the date of Petersen's death. The gardens and property as a whole retain excellent integrity and easily convey the reasons for their significance.
National Register of Historic Places Homepage
Tomb of Nicholas de Huggate (d.1338) in the north transept.
There is a danger of running out of superlatives when trying to describe Beverley Minster. It is not only the second finest non-cathedral church in the country but is architecturally a far finer building than most of our cathedrals themselves! It will come as a surprise to many visitors to find this grand edifice simply functions today as a parish church and has never been more than collegiate, a status it lost at the Reformaton. What had added to its mystique and wealth was its status as a place of pilgrimage housing the tomb of St John of Beverley, which drew visitors and revenue until the Reformation brought an end to such fortunes and the shrine was destroyed (though the saint's bones were later rediscovered and reinterred in the nave). That this great church itself survived this period almost intact is little short of a miracle in itself.
There has been a church here since the 8th century but little remains of the earlier buildings aside from the Saxon chair near the altar and the Norman font in the nave. The present Minster's construction spans the entirety of the development of Gothic architecture but forms a surprisingly harmonious whole nevertheless, starting with Early English in the 13h century choir and transepts (both pairs) with their lancet windows in a building phase that stopped at the first bays of the nave. Construction was then continued with the nave in the 14th century but only the traceried windows betray the emergent Decorated style, the design otherwise closely followed the work of the previous century which gives the Minster's interior such a pleasingly unified appearance (the only discernable break in construction within can be seen where the black purbeck-marble ceased to be used for certain elements beyond the eastern bay of the nave). Finally the building was completed more or less by 1420 with the soaring west front with its dramatic twin-towers in Perpendicular style (the east window must have been enlarged at this point too to match the new work at the west end).
The fabric happily survived the Reformation intact aside from the octagonal chapter-house formerly adjoining the north choir aisle which was dismantled to raise money by the sale of its materials while the church's fate was in the balance (a similar fate was contemplated for the rest of the church by its new owners until the town bought it for retention as a parish church for £100). The great swathes of medieval glass alas were mostly lost, though seemingly as much to neglect and storm-damage in the following century than the usual iconoclasm. All that survived of the Minster's original glazing was collected to form the patchwork display now filling the great east window, a colourful kaleidoscope of fragments of figures and scenes. Of the other furnishings the choir stalls are the major ensemble and some of the finest medieval canopied stalls extant with a full set of charming misericords (though most of these alas are not normally on show).
There are suprisingly few monuments of note for such an enormous cathedral-like church, but the one major exception makes up for this, the delightful canopied Percy tomb erected in 1340 to the north of the high altar. The tomb itself is surprisingly plain without any likeness remaining of the deceased, but the richly carved Decorated canopy above is alive with gorgeous detail and figurative embellishments. There are further carvings to enjoy adorning the arcading that runs around the outer perimeter of the interior, especially the north nave aisle which has the most rewarding carved figures of musicians, monsters and people suffering various ailments, many were largely restored in the 19th century but still preserve the medieval spirit of irreverent fun.
To summarise Beverley Minster would be difficult other than simply adding that if one enjoys marvelling at Gothic architecture at its best then it really shouldn't be missed and one should prioritise it over the majority of our cathedrals. It is a real gem and a delight to behold, and is happily normally open and welcoming to visitors (who must all be astonished to find this magnificent edifice is no more than a simple parish church in status!). I thoroughly enjoyed this, my second visit here (despite the best efforts of the poor weather!).
Cahow, a name derived from its eerie cries, this nocturnal ground-nesting seabird is the national bird of Bermuda, and a symbol of hope for nature conservation. It was thought extinct for 330 years. Its dramatic rediscovery as a "Lazarus species", that is, a species found to be alive after being considered extinct for centuries, has inspired documentary filmmakers.
Initially superabundant throughout the archipelago, the Cahow is a slow breeder, but excellent flier, and spends its adult life on the open seas. At five years old it returns to its former nesting place and begins breeding, laying only one egg per season. Cahows mate for life.
More info from Wiki
See also one of my photo of Cahow in the article: www.sciencenewsforstudents.org
Westmorland Dales In The Yorkshire Dales National Park
This is an area of tremendous history and there are stone circles, remains from the romans and medieval villages to be found.
In the Mallerstang valley you will find the atmospheric ruins of Pendragon Castle with its reputed connection to Uther Pendragon – the father of King Arthur. Towering over the castle is Wild Boar Fell where Sir Richard de Musgrave is thought to have killed the last wild boar in Britain. There could be something in this as his tomb is in Kirkby Stephen church and, when it was examined, in addition to his bones there were two wild boar tusks.
More modern history was created by the building of railways. The Settle to Carlisle railway cuts through the Westmorland Dales as part of its dramatic journey through the Dales with its stunning examples of Victorian engineering. There was also Stainmore Railway which was built to bring coal from the Tees Valley over to Cumbria for use in making iron. Although this railway closed in the 1960s it has left some tremendous reminders of its existence such as the viaducts over Podgill and Smardale and the station at Kirkby Stephen East.
The Westmorland Dales In The Yorkshire Dales National Park
This is an area of tremendous history and there are stone circles, remains from the romans and medieval villages to be found.
In the Mallerstang valley you will find the atmospheric ruins of Pendragon Castle with its reputed connection to Uther Pendragon – the father of King Arthur. Towering over the castle is Wild Boar Fell where Sir Richard de Musgrave is thought to have killed the last wild boar in Britain. There could be something in this as his tomb is in Kirkby Stephen church and, when it was examined, in addition to his bones there were two wild boar tusks.
More modern history was created by the building of railways. The Settle to Carlisle railway cuts through the Westmorland Dales as part of its dramatic journey through the Dales with its stunning examples of Victorian engineering. There was also Stainmore Railway which was built to bring coal from the Tees Valley over to Cumbria for use in making iron. Although this railway closed in the 1960s it has left some tremendous reminders of its existence such as the viaducts over Podgill and Smardale and the station at Kirkby Stephen East.
The Düsseldorf Media Harbor, or Medienhafen, is a striking example of urban regeneration that has transformed a derelict industrial port into one of the city's most fashionable and dynamic districts. Once a bustling commercial harbor filled with warehouses and disused buildings, the area began its dramatic makeover in the 1990s. City planners embarked on a strategic project to rejuvenate the waterfront, focusing on a plot-by-plot approach that blended new, avant-garde architecture with the preservation of historic industrial elements. The result is a vibrant hub that seamlessly combines the old and the new, attracting both locals and tourists with its unique atmosphere and creative energy.
The architectural landscape of the Medienhafen is its most prominent feature, showcasing the works of some of the world's most renowned architects. The most iconic structures are undoubtedly the "Gehry Buildings," officially known as the Neuer Zollhof. Designed by the visionary Frank O. Gehry, these three asymmetrical, sculptural high-rises—clad in stainless steel, red brick, and white plaster—have become a symbol of modern Düsseldorf. Other notable buildings include the Colorium, with its eye-catching kaleidoscopic glass facade by William Alsop, and the sleek Stadttor by Helmut Jahn. These architectural masterpieces stand alongside renovated historic warehouses, creating a visually captivating and diverse urban environment that has made the area a must-see for architecture enthusiasts.
Beyond its architectural appeal, the Media Harbor is a thriving economic center. As its name suggests, it is home to over 800 companies, primarily from the media, advertising, and creative sectors. The area's revitalization was driven by a vision to create a hub for these industries, and the project has been a resounding success. The modern office buildings and refurbished industrial spaces provide a unique and inspiring setting for creative work. This concentration of innovative firms has not only revitalized the district but has also solidified Düsseldorf's reputation as a major player in Germany's creative economy.
The cultural and leisure offerings in the Medienhafen are as diverse as its architecture. The waterfront is lined with a variety of trendy cafes, upscale restaurants, and vibrant bars, catering to the district's sophisticated crowd. Visitors can enjoy a wide range of culinary experiences, from Mediterranean cuisine and gourmet burgers to fine dining with stunning views of the Rhine River. The area is also a popular spot for leisure activities, whether it's a stroll along the promenade, a sightseeing cruise on the river, or simply enjoying the lively atmosphere. The fusion of business and pleasure makes the Medienhafen a destination where people can work, dine, and relax in style.
In essence, the Düsseldorf Media Harbor is a testament to the power of thoughtful urban redevelopment. It has successfully transformed an aging industrial zone into a modern, stylish, and economically significant district. By preserving its historical character while embracing cutting-edge architecture and new industries, the Medienhafen has created a unique identity. It stands as a symbol of Düsseldorf's reinvention and a vibrant, forward-looking neighborhood that attracts a mix of creatives, business professionals, and tourists alike, all drawn to its dynamic blend of art, commerce, and culture.
REFORD GARDENS | LES JARDINS DE METIS
Beautiful flowers at Reford Gardens.
Visit : www.refordgardens.com/
From Wikipedia:
Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.
Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.
Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.
She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.
In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.
During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.
In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.
Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.
To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.
Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.
In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)
Visit : en.wikipedia.org/wiki/Elsie_Reford
LES JARDINS DE MÉTIS
Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.
Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.
Commission des lieux et monuments historiques du Canada
Historic Sites and Monuments Board of Canada.
Gouvernement du Canada – Government of Canada
© Copyright
This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.
Pudatso is China's first national park, opened in 2007, Nestled deep in the mountains of northwest Yunnan at an elevation ranging from 3,500 to 4,000 meters (11,500 to 13,100 feet), Pudatso is an integral part of the Three Parallel Rivers Scenic Area, as it is the source of China's three most famous rivers: the Yellow, Yangtze, and Mekong. The area is recognized for its dramatic topological contours and rich biodiversity. Foremost among the lakes in the park are the Bita and Shudu lakes, though the extended wetlands area extends far beyond to encompass forested mountains, grasslands in river valleys and a great abundance of rare plants and animals.
Itsukushima (厳島) a/k/a Miyajima (宮島), which in Japanese means "Shrine Island”, is an island in the western part of the Inland Sea of Japan, located in the northwest of Hiroshima Bay. Frequent ferry services operates to carry traffic between the island and the mainland. The trip takes about ten minutes. There is also an hourly express passenger ferry to Hiroshima Harbor. The island is one of Hayashi Gahō 's “Three Views of Japan” specified in 1643. Itsukushima is part of the city of Hatsukaichi in Hiroshima Prefecture. The island was part of the former town of Miyajima before the 2005 merger with Hatsukaichi. Itsukushima is famous for the Itsukushima Shrine, a UNESCO World Heritage Site. According to records, the shrine was established in the time of Empress Suiko. The warrior-courtier Taira no Kiyomori gave the shrine its present form. In 1555, Mōri Motonari defeated Sue Harukata at the Battle of Miyajima. Toyotomi Hideyoshi built a large building, the Senjō-kaku, on a hill above the shrine. Itsukushima has a number of shrines and temples [in Japan, the term "shrine" implies a Shinto religious structure and "temple" implies a Buddhist one], including Toyokuni Shrine with a five-storied pagoda and Daiganji Temple - one of the three most famous Benzaiten temples of Japan. The island is also famous for its upper hill side cherry blossoms and maple leaf autumn foliage. The island, including the waters around it (part of the Seto Inland Sea), are within Setonaikai National Park. This sea is affected by strong tides. At low tide, the bottom of the sea is exposed past the island's torii – [a traditional Japanese gate most commonly found at the entrance of or within a Shinto shrine, where it symbolically marks the transition from the mundane to the sacred]. At high tide, the sea covers all the previously exposed seabed mud and fills areas underneath the shrine boardwalk. Miyajima's maple trees are renowned throughout Japan and blanket the island in crimson in the autumn. Momiji manjū, pastries filled with azuki jam or custard, are popular souvenirs and carry maple-leaf emblems. Many other varieties such as chocolate and cheese are available. Because the island is seen as sacred, trees may not be cut for lumber and Deer roam freely. Deer are thought of as sacred in the native Shinto religion because they are considered messengers of the gods. They walk the streets of the city, not afraid of the tourists / Itsukushima Shrine (厳島神社 Itsukushima-jinja) is a Shinto shrine best known for its "floating" torii gate. The Itsukushima shrine is one of Japan's most popular tourist attractions. It is most famous for its dramatic gate, or torii on the outskirts of the shrine , the sacred peaks of Mount Misen, extensive forests, and its aesthetic ocean view. The shrine complex itself consists of two main buildings: the Honsha shrine and the Sessha Marodo-jinja, as well as 17 other different buildings and structures that help to distinguish it. The complex is also listed as a UNESCO World Heritage Site, and six of its buildings and possessions have been designated by the Japanese government as National Treasures.
Smailholm Tower is a peel tower at Smailholm, around five miles (8 km) west of Kelso in the Scottish Borders. Its dramatic situation, atop a crag of Lady Hill, commands wide views over the surrounding countryside. The tower is located at grid reference NT637346, just west of Sandyknowe farm, and is now a Scheduled Ancient Monument in the care of Historic Scotland. In June 2007 it was awarded the maximum "five-star" status as a tourist attraction from VisitScotland, a rating bestowed on only eight other sites in Scotland.
Smailholm Tower is a peel tower at Smailholm, around five miles (8 km) west of Kelso in the Scottish Borders. Its dramatic situation, atop a crag of Lady Hill, commands wide views over the surrounding countryside. The tower is located at grid reference NT637346, just west of Sandyknowe farm, and is now a Scheduled Ancient Monument in the care of Historic Scotland. In June 2007 it was awarded the maximum "five-star" status as a tourist attraction from VisitScotland, a rating bestowed on only eight other sites in Scotland.
Sang Pengembara #instago #ig_nesia #instahub #iphone4s #instagood #instagram #iphonesia #instagramhub #its_dramatic #all_shots #awesome_shot #webstagram #gang_family #b_ig #potrait #photooftheday #hi #humaninterest #hdr #hdr_art #hdreality #hdr_lovers #hdrepublic #hdrpotters #hdroftheday #hdrstyles_gf #hdr_indonesia #softhdr #bestshooter #thebestshooter
139 Likes on Instagram
32 Comments on Instagram:
luigipinna: I like it!!
kartszee: Braaaaavo!!!✨✨
spacelord_mf: Karen wants u!!
dickymuhammad: WESOME DAN MAZING BRAD!!
ryosky: @rianhamzah @denin_gk @ahay_art @alexicr @abdielvarian thanks a lot guys
ryosky: @code99 @fairabagdja @kenzy_dslr @luigipinna @kartszee thanks much guys
ryosky: @spacelord_mf ahahahahaa
ryosky: @dickymuhammad hatur nuhun pisan kangbro
Victoria’s citadel, like Mdina’s, sits on a high ledge. From the semicircular battlements running from east to west there is an unrivalled panorama of Gozo, each of the pocket-sized villages being identifiable by their anything but pocket-sized churches. The immense dome of the Xewkija rotunda to the east looks even more splendidly over-the-top from here. Apart from its dramatic vantage point, the citadel’s attraction lies in the colour of its old limestone buildings, whose pallor has warmed with age. There is a diversity of styles within the fortifications.: the Baroque cathedral, diminutive Palazzo Bondi, the derelict Norman area, the bastions and the gutted little alleys.
The original citadel dates back to the Romans, who probably used the 500 foot high bluff, in the centre of the island, as an acropolis for their settlement below. Hardly any traces of this or the 9th-century Arab occupation have survived, however. The 12th-century Norman citadel or Gran Castello was destroyed by Dragut Rais during he disastrous short siege of 1551 (until 1637, the island’s population had to pass the night in the citadel in order to avoid being captured by pirates). The town, within its fortified walls, was rebuilt in fits and starts on the existing plan by a series of grand masters. The present entrance to the citadel was cut through into Cathedral Square in 1957; the original and much smaller on 25 yards further on, known as the Mdina Door, is marked by a Roman inscription dating back to the 2nd century AD.
There is a danger of running out of superlatives when trying to describe Beverley Minster. It is not only the second finest non-cathedral church in the country but is architecturally a far finer building than most of our cathedrals themselves! It will come as a surprise to many visitors to find this grand edifice simply functions today as a parish church and has never been more than collegiate, a status it lost at the Reformaton. What had added to its mystique and wealth was its status as a place of pilgrimage housing the tomb of St John of Beverley, which drew visitors and revenue until the Reformation brought an end to such fortunes and the shrine was destroyed (though the saint's bones were later rediscovered and reinterred in the nave). That this great church itself survived this period almost intact is little short of a miracle in itself.
There has been a church here since the 8th century but little remains of the earlier buildings aside from the Saxon chair near the altar and the Norman font in the nave. The present Minster's construction spans the entirety of the development of Gothic architecture but forms a surprisingly harmonious whole nevertheless, starting with Early English in the 13h century choir and transepts (both pairs) with their lancet windows in a building phase that stopped at the first bays of the nave. Construction was then continued with the nave in the 14th century but only the traceried windows betray the emergent Decorated style, the design otherwise closely followed the work of the previous century which gives the Minster's interior such a pleasingly unified appearance (the only discernable break in construction within can be seen where the black purbeck-marble ceased to be used for certain elements beyond the eastern bay of the nave). Finally the building was completed more or less by 1420 with the soaring west front with its dramatic twin-towers in Perpendicular style (the east window must have been enlarged at this point too to match the new work at the west end).
The fabric happily survived the Reformation intact aside from the octagonal chapter-house formerly adjoining the north choir aisle which was dismantled to raise money by the sale of its materials while the church's fate was in the balance (a similar fate was contemplated for the rest of the church by its new owners until the town bought it for retention as a parish church for £100). The great swathes of medieval glass alas were mostly lost, though seemingly as much to neglect and storm-damage in the following century than the usual iconoclasm. All that survived of the Minster's original glazing was collected to form the patchwork display now filling the great east window, a colourful kaleidoscope of fragments of figures and scenes. Of the other furnishings the choir stalls are the major ensemble and some of the finest medieval canopied stalls extant with a full set of charming misericords (though most of these alas are not normally on show).
There are suprisingly few monuments of note for such an enormous cathedral-like church, but the one major exception makes up for this, the delightful canopied Percy tomb erected in 1340 to the north of the high altar. The tomb itself is surprisingly plain without any likeness remaining of the deceased, but the richly carved Decorated canopy above is alive with gorgeous detail and figurative embellishments. There are further carvings to enjoy adorning the arcading that runs around the outer perimeter of the interior, especially the north nave aisle which has the most rewarding carved figures of musicians, monsters and people suffering various ailments, many were largely restored in the 19th century but still preserve the medieval spirit of irreverent fun.
To summarise Beverley Minster would be difficult other than simply adding that if one enjoys marvelling at Gothic architecture at its best then it really shouldn't be missed and one should prioritise it over the majority of our cathedrals. It is a real gem and a delight to behold, and is happily normally open and welcoming to visitors (who must all be astonished to find this magnificent edifice is no more than a simple parish church in status!). I thoroughly enjoyed this, my second visit here (despite the best efforts of the poor weather!).
"White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes. Trails through the dunes include the raised Interdune Boardwalk and the Dune Life Nature Trail, dotted with interpretive exhibits on wildlife and other features. " A popular activity here is sledding on the dunes using plastic discs or elongated sleds.
Smailholm Tower is a peel tower at Smailholm, around five miles (8 km) west of Kelso in the Scottish Borders. Its dramatic situation, atop a crag of Lady Hill, commands wide views over the surrounding countryside. The tower is located at grid reference NT637346, just west of Sandyknowe farm, and is now a Scheduled Ancient Monument in the care of Historic Scotland. In June 2007 it was awarded the maximum "five-star" status as a tourist attraction from VisitScotland, a rating bestowed on only eight other sites in Scotland.
Taunton is the county town of Somerset, England. Taunton is a thriving, forward-looking town where modern life sits alongside relics of its dramatic past dating back to Saxon times.
Wald bodykit for the BMW 3-series
Wald’s 3-series bodykit is something of a change of pace, then, although its dramatic looks definitely let onlookers know this is not a stock BMW.
Available in white (pictured) and gun-metal grey, the Wald E90 Sport Line 3-series appearance kit features side-skirts, a trunk-lid spoiler, a completely reworked front and rear appearance, plus four fog lamps. Custom 19in wheels with low-profile tires five the Wald the mean stance that befits its aggressive new trim.
A custom exhaust system offers a high-performance sound, though that’s the extent of the driveline modifications, so don’t expect to go running down M3s, despite the car’s mean look.
Francis W. Edmonds (1806–1863), The Wind Mill, ca. 1858. Oil on canvas. New-York Historical Society, The Robert L. Stuart Collection, S-217
Set in a carefully ordered, albeit modest household, this inconsequential episode finds its dramatic peak in the contrast between the child’s intense excitement and the disciplined attentiveness of the family dog. What is unusual, however, is that Edmonds (himself the father of a large family) portrayed a playful moment shared by a father and son within the domestic sphere normally presided over by women.
Smailholm Tower is a peel tower at Smailholm, around five miles (8 km) west of Kelso in the Scottish Borders. Its dramatic situation, atop a crag of Lady Hill, commands wide views over the surrounding countryside. The tower is located at grid reference NT637346, just west of Sandyknowe farm, and is now a Scheduled Ancient Monument in the care of Historic Scotland. In June 2007 it was awarded the maximum "five-star" status as a tourist attraction from VisitScotland, a rating bestowed on only eight other sites in Scotland.
Smailholm Tower is a peel tower at Smailholm, around five miles (8 km) west of Kelso in the Scottish Borders. Its dramatic situation, atop a crag of Lady Hill, commands wide views over the surrounding countryside. The tower is located at grid reference NT637346, just west of Sandyknowe farm, and is now a Scheduled Ancient Monument in the care of Historic Scotland. In June 2007 it was awarded the maximum "five-star" status as a tourist attraction from VisitScotland, a rating bestowed on only eight other sites in Scotland.
CATHEDRAL GORGE STATE PARK -- parks.nv.gov/cg.htm -- Cathedral Gorge State Park is known for its dramatic, carved cliffs and canyons, remnants of a Pliocene-era lakebed. Visitors from around the world enjoy hiking trails to explore the formations and cathedral-like spires. Miller Point, a scenic overlook, offers excellent views of the scenic canyon. Hiking, picnicking, camping, nature study, photography and ranger programs are the most common activities at the park. Facilities open all year include a 24-unit campground, RV dump station, restrooms with showers, a group use area and a day use picnic area. Cathedral Gorge is 165 miles northeast of Las Vegas, via Interstate 15 North, and easy access off U.S. Highway 93 two miles north of Panaca.
Smailholm Tower is a peel tower at Smailholm, around five miles (8 km) west of Kelso in the Scottish Borders. Its dramatic situation, atop a crag of Lady Hill, commands wide views over the surrounding countryside. The tower is located at grid reference NT637346, just west of Sandyknowe farm, and is now a Scheduled Ancient Monument in the care of Historic Scotland. In June 2007 it was awarded the maximum "five-star" status as a tourist attraction from VisitScotland, a rating bestowed on only eight other sites in Scotland.
A product of New Zealand, Manuka honey is made by bees pollinating the Manuka bush. It’s known for its unique health benefits that include the ability to heal sore throats, cure Staph infections and even gingivitis.
What sets Manuka honey apart is its dramatic nutritional profile. And, while regular honey is known for nutritional and immune health benefits, Manuka honey is a great source of amino acids, B vitamins, calcium, copper, iron, magnesium, phosphorus and more. So, here’s a list of some of the top benefits from consuming Manuka honey.
Click here for more details www.simplecookingclub.com/7-benefits-manuka-honey/
The beautiful and now tranquil setting of Augustinian Lanercost Priory belies an often troubled history. Standing close to Hadrian's Wall, it suffered frequent attacks during the long Anglo-Scottish wars, once by Robert Bruce in person. The mortally sick King Edward I rested here for five months in 1306-7, shortly before his death on his final campaign.
The east end of the 13th-century church survives to its full height, housing within its dramatic triple tier of arches some fine monuments.
More photos of Lanercost Priory here: www.flickr.com/photos/davidambridge/albums/72157624989399623
Smailholm Tower is a peel tower at Smailholm, around five miles (8 km) west of Kelso in the Scottish Borders. Its dramatic situation, atop a crag of Lady Hill, commands wide views over the surrounding countryside. The tower is located at grid reference NT637346, just west of Sandyknowe farm, and is now a Scheduled Ancient Monument in the care of Historic Scotland. In June 2007 it was awarded the maximum "five-star" status as a tourist attraction from VisitScotland, a rating bestowed on only eight other sites in Scotland.
Kirkjufell, or 'Church Mountain', is a distinctly shaped peak found on the north shore of Iceland’s Snæfellsnes Peninsula, only a short distance away from the town of Grundarfjörður. It is often called ‘the most photographed mountain in Iceland’ due to its dramatic formation and perfect coastal location.
Kirkjufell takes its name from its resemblance to a church steeple, sharpened at the top with long curved sides. From other angles, the mountain has been compared to a witch’s hat or even a freshly scooped ice cream.
St Lawrence, Brundall, Norfolk
The Broads begin at Brundall. This is furthest outer Norwich; Brundall, and particularly adjoining Brundall Gardens, is Norwich's Metroland. How Betjeman must have loved it. And I liked it a lot too. The first time I came here was on a day in the summer of 2011. I had been cycling in nearby parishes which had, for Norfolk, a somewhat unenlightened attitude to church-opening, so it was a pleasure to come here and be able to step inside this lovely space.
But first, I had to find it. St Lawrence is a long, towerless church set back from the road and hidden in a garden-like churchyard with its rectory and parish hall. You step through a pretty thatched lychgate which serves as the parish memorial to the local boys lost in the mud and blood of Flanders and France. The path takes you to the east of the church and onto the south side, where the neat graveyard slopes down towards the river. Many churchyards have benches, but here was the first time that day I was unable to resist sitting down and soaking up the sunshine and the birdsong. It was idyllic.
It was good to be back here. They were doing building work to the north of the church, but the south was as idyllic as ever. St Lawrence is a curious building. There probably never was a tower. A tall bellcote sits about a third of the way down the nave, level with the porch. As Pevsner notes, it appears to be medieval. The north aisle you see as you walk from the lych gate dates from as recently as 1900, but everything you see from the south side is apparently 13th Century, except that, in reality, the bellcote sits above the medieval western gable; early in the 20th Century, the nave was extended westwards. if you stand to the south you can see that the building must get darker inside the further east you go.
You step into what is essentially an Edwardian era interior, that period of High Church triumphalism and gravitas between the end of the 19th Century and the First World War. It is the Church of England at its dramatic peak. But there are plenty of medieval survivals here, including East Anglia's only lead font. it is contemporary with the church building, its design depicting a repeated motif of the crucifixion and fleur-de-lys. It seems curiously primitive compared with lead fonts found elsewhere in the country, for example Low Halstow and Brookland in Kent.
There is good glass by Clayton and Bell, less good by Kempe & Co, but they both let coloured light fall across the dark wood furnishings, which is very atmospheric. In the north aisle, and probably installed here as part of the restoration in 1900, there is a fine roundel of continental glass depicting the church's patron Saint with his grid iron. It is probably 18th Century, I should think, unless it is one of those clever copies by the King workshop. Certainly of the 20th Century is the set of royal arms above the south door, because it is for Elizabeth II, one of several sets in East Anglia but probably the only one which appears to be painted on a fibre glass panel.
The view eastwards is to the early 20th Century roodscreen and the darkness of the chancel beyond. You can see that St Lawrence was restored for shadowy, incense-led worship. The memorials either side of the sanctuary are worth a look. The one on the south side is to Charles Leath, Midshipman of the British Navy... who died at sea in 1804. The memorial features his sword and sextant in relief at the top.
Even more striking is the relief on the memorial on the opposite wall. It dates from half a century later, and remembers Robert Cubitt and his wife Henrietta. The relief depicts a schooner with its sails furled, basking on a choppy sea. Under the relief are the words Such is Life.
There is a danger of running out of superlatives when trying to describe Beverley Minster. It is not only the second finest non-cathedral church in the country but is architecturally a far finer building than most of our cathedrals themselves! It will come as a surprise to many visitors to find this grand edifice simply functions today as a parish church and has never been more than collegiate, a status it lost at the Reformaton. What had added to its mystique and wealth was its status as a place of pilgrimage housing the tomb of St John of Beverley, which drew visitors and revenue until the Reformation brought an end to such fortunes and the shrine was destroyed (though the saint's bones were later rediscovered and reinterred in the nave). That this great church itself survived this period almost intact is little short of a miracle in itself.
There has been a church here since the 8th century but little remains of the earlier buildings aside from the Saxon chair near the altar and the Norman font in the nave. The present Minster's construction spans the entirety of the development of Gothic architecture but forms a surprisingly harmonious whole nevertheless, starting with Early English in the 13h century choir and transepts (both pairs) with their lancet windows in a building phase that stopped at the first bays of the nave. Construction was then continued with the nave in the 14th century but only the traceried windows betray the emergent Decorated style, the design otherwise closely followed the work of the previous century which gives the Minster's interior such a pleasingly unified appearance (the only discernable break in construction within can be seen where the black purbeck-marble ceased to be used for certain elements beyond the eastern bay of the nave). Finally the building was completed more or less by 1420 with the soaring west front with its dramatic twin-towers in Perpendicular style (the east window must have been enlarged at this point too to match the new work at the west end).
The fabric happily survived the Reformation intact aside from the octagonal chapter-house formerly adjoining the north choir aisle which was dismantled to raise money by the sale of its materials while the church's fate was in the balance (a similar fate was contemplated for the rest of the church by its new owners until the town bought it for retention as a parish church for £100). The great swathes of medieval glass alas were mostly lost, though seemingly as much to neglect and storm-damage in the following century than the usual iconoclasm. All that survived of the Minster's original glazing was collected to form the patchwork display now filling the great east window, a colourful kaleidoscope of fragments of figures and scenes. Of the other furnishings the choir stalls are the major ensemble and some of the finest medieval canopied stalls extant with a full set of charming misericords (though most of these alas are not normally on show).
There are suprisingly few monuments of note for such an enormous cathedral-like church, but the one major exception makes up for this, the delightful canopied Percy tomb erected in 1340 to the north of the high altar. The tomb itself is surprisingly plain without any likeness remaining of the deceased, but the richly carved Decorated canopy above is alive with gorgeous detail and figurative embellishments. There are further carvings to enjoy adorning the arcading that runs around the outer perimeter of the interior, especially the north nave aisle which has the most rewarding carved figures of musicians, monsters and people suffering various ailments, many were largely restored in the 19th century but still preserve the medieval spirit of irreverent fun.
To summarise Beverley Minster would be difficult other than simply adding that if one enjoys marvelling at Gothic architecture at its best then it really shouldn't be missed and one should prioritise it over the majority of our cathedrals. It is a real gem and a delight to behold, and is happily normally open and welcoming to visitors (who must all be astonished to find this magnificent edifice is no more than a simple parish church in status!). I thoroughly enjoyed this, my second visit here (despite the best efforts of the poor weather!).
The west window of All Saints Pavement contains a sequence of stained glass panels from c1370, depicting Christ's Passion & Resurrection. They were originally in the now redundant church of St Saviour in York and were reinstalled here in the mid 20th century.
All Saints in Pavement, York is distinguished by its dramatic octagonal tower, a major landmark of the city and masterpiece of late medieval architecture. The church itself is of mainly 14th/15th century date, though lost its chancel in the following centuries. The west window contains reset late 14th century panels depicting the Passion.
This church is generally open and welcoming to visitors.
Loft bedroom of apt San Quirico.
Podere al Salcio is an 18th century stone and brick country house originally built in the local tradition as a farming building, with animals in the low building on the left, haystack, granary and deposit on the ground floor of the main house. The first floor used to hosts the farmers' families.
It enjoys the most stunning views 360° degrees round, changing in colour throughout the day and seasons. Val d'Orcia is a Unesco World Heritage region for its dramatic beauty and untouched landscapes.
This is the Parata with comfortable chairs and sofas for outdoors eating and relaxing. a table and cooking facilities make it a perfect place to enjoy panpramic dinners.
Podere al Salcio is an 18th century stone and brick country house originally built in the local tradition as a farming building, with animals in the low building on the left, haystack, granary and deposit on the ground floor of the main house. The first floor used to hosts the farmers' families.
It enjoys the most stunning views 360° degrees round, changing in colour throughout the day and seasons. Val d'Orcia is a Unesco World Heritage region for its dramatic beauty and untouched landscapes.
Cathedral Gorge State Park is a public recreation area and geologic preserve featuring a dramatic landscape of eroded soft bentonite clay covering more than 1,600 acres (650 ha) in Lincoln County, Nevada. The state park is located along U.S. Route 93 at the west end of State Route 319, one mile (1.6 km) north of the town of Panaca.
The site has been popular with local picnickers since the nineteenth century, when it was known as Cathedral Gulch.[4] During the 1920s, its dramatic landscape provided a background for open-air plays and annual Easter ceremonies.[5] Governor James Scrugham began acquiring and setting aside the area for preservation in 1924. It subsequently became one of the four original Nevada state parks created in 1935. Members of the Civilian Conservation Corps built picnicking facilities that are still in use as well as a stone water tower and stone restroom which are no longer in operation.
from Wikipedia
Gubuk reot #instago #ig_nesia #instahub #iphone4s #instagood #instagram #iphonesia #instagramhub #its_dramatic #instanusantara #webstagram #all_shots #awesome_shot #gang_family #b_ig #hdr #hdrsoft #hdreality #hdr_lovers #hdrepublic #hdrpotters #hdroftheday #hdrstyles_gf #hdr_indonesia
187 Likes on Instagram
34 Comments on Instagram:
dacchaman: Great!!
alexicr: Nice!!!✨✨
dessyana: Asikkkkk ✨
ryosky: @germs__ @nathan63_gk @andyboim @asti_2105 @sumsus thanks a lot guys
ryosky: @echieyud @dacchaman @alexicr @dessyana thanks much guys
code99: Zadiss
Chīori: Talk by Alex Kerr
www.japanhouselondon.uk/whats-on/2020/chiori-talk-by-alex...
Iya Valley, a secluded mountainous region in Tokushima Prefecture is often referred to as Togenkyō (lit. utopia) thanks to its dramatic landscapes and lush nature, which boasts precipitous gorges and hundreds of old thatched houses perched on its hillsides.
In this event, Japan House London dedicates an evening to explore regional revitalization and preservation of cultural traditions which have been carried over throughout centuries to the present day.
With contributions from members of Tokushima Prefecture and author Alex Kerr, this panel discussion chaired by Japan House London Programming Director Simon Wright discusses various aspects of culture in Tokushima, such as the awa-odori dance, and investigates Alex Kerr’s approach towards the renovation of Chīori (‘House of the Flute’), a wooden house with thatched roof, to help preserve the local lifestyle and the hundreds of kominka (lit. ‘old house’) in the area.
The book ‘Lost Japan’ by Alex Kerr will be available to purchase in The Shop at the Ground Floor on the day. Guests who purchase the book in The Shop have the opportunity to have their copy signed by the author during the drinks reception following this event, which features a selection of sake from Tokushima Prefecture.
About the Speaker
Alex Kerr came to Yokohama with his family as a child in 1964 and has lived in Kameoka (near Kyoto) since 1977. Alex writes in both English and Japanese, and is author of numerous books on Japan, including Lost Japan (1993), Dogs and Demons (2001), Nippon Keikanron ‘Theory of Japanese Landscape’ (2014), Another Kyoto (2016) and Kanko Bokokuron (2019).
In addition to his involvement in Japanese arts in Kyoto, Alex worked as Japan representative of American real estate developer Trammell Crow in the 1980s. He is known for his work on restoration of old houses, having restored over forty houses in towns around Japan. Alex speaks to groups across Japan about ways to revive their local economies by preserving cultural heritage and developing sustainable tourism.
White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes. Trails through the dunes include the raised Interdune Boardwalk and the Dune Life Nature Trail, dotted with interpretive exhibits on wildlife and other features. Dunes Drive is a looped road from the White Sands Visitor Center to the dune field. Read the blog post - www.dvrawfiles.com/white-sands-new-mexico Watch the vlog - www.youtube.com/watch?v=GhwKZVqNfiU
Canyonlands National Park in southeastern Utah is known for its dramatic desert landscape carved by the Colorado River. Island in the Sky is a huge, flat-topped mesa with panoramic overlooks. Other notable areas include the towering rock pinnacles known as the Needles, the remote canyons of the Maze and the Native American rock paintings in Horseshoe Canyon. Whitewater rapids flow through Cataract Canyon.
Extremely rare in cultivation, Nernstia mexicana is one of the most beautiful flowering plants in the world. Native to San Luis Potosí and Hidalgo, Mexico between ~1000-3600m elevation, this slow-growing shrub has tidy grey-green leaves with recurved margins and a matte finish. These serve as a perfect backdrop to its dramatic pure white trumpet flowers which emit a fantastic fragrance. This species has considerable horticultural potential and it is my hope that it will someday be available to plant collectors and gardeners in all climates suitable to its cultivation.
Nernstia mexicana belongs to the Coffee-Gardenia family (Rubiaceae) and more specifically to the Portlandiinae subtribe of the Chiococceae tribe, which means that it is a close relative to other glamorous genera such as Osa and Portlandia.
Pictured here are plants grown by the Rose Hills Foundation Conservatory for Botanical Science at the Huntington Library Art Collections & Botanical Gardens in San Marino, California.
White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes. Trails through the dunes include the raised Interdune Boardwalk and the Dune Life Nature Trail, dotted with interpretive exhibits on wildlife and other features. Dunes Drive is a looped road from the White Sands Visitor Center to the dune field. Read the blog post - www.dvrawfiles.com/white-sands-new-mexico Watch the vlog - www.youtube.com/watch?v=GhwKZVqNfiU
Nite all #james_favorites #james_pop #igers #gang_family #webstagram #str8hdr #inhil_community #hdrpotters #hdroftheday #instago #iphone4s #instagood #instagram #iphonesia #instagramhub #its_dramatic #iphoneography #hdr_indonesia #hdr #gang_family #photooftheday
100 Likes on Instagram
23 Comments on Instagram:
ryosky: @shanepehrson @abafas @hermanfanlii thanks a lot guys
vicosandoval: fantastic
abdallah_booodi: Great bro
abdallah_booodi: Did you use the tutorial that you share on inhil_community for this one
ryosky: @abdallah_booodi yes but wif difference tone colors
tomituomas: Nice pics!
ryosky: @tomituomas thanks man!
ikon_pennie: Love :)
Smailholm Tower is located at Smailholm, around five miles (8 km) west of Kelso in the Scottish Borders. Its dramatic situation, atop a crag of Lady Hill, commands wide views over the surrounding countryside. The tower is now a Scheduled Ancient Monument in the care of Historic Scotland. In June 2007 it was awarded the maximum "five-star" status as a tourist attraction from VisitScotland, a rating bestowed on only eight other sites in Scotland.
Canyonlands National Park in southeastern Utah is known for its dramatic desert landscape carved by the Colorado River. Island in the Sky is a huge, flat-topped mesa with panoramic overlooks. Other notable areas include the towering rock pinnacles known as the Needles, the remote canyons of the Maze and the Native American rock paintings in Horseshoe Canyon. Whitewater rapids flow through Cataract Canyon.
Commentary.
Leith Hill is the highest point of the
High Weald in South-East England.
The backslope of this Sandstone escarpment
climbs steadily but gently from Wotton
to the tower at the summit.
The south-facing Scarp slope, however, is much steeper.
Its dramatic rise from the Weald below,
presents views such as this.
A chequerboard of woodland and fields spreads southwards
as far as the South Downs.
On a clear day even the English Channel
can be seen through the Shoreham Gap.
On this hill, even half way up, it is as if life continues
uninterrupted below, with roads, traffic, farms, houses
and villages, but here, from its slopes
a still, silent breath of fresh air
creates a welcome peace, just for a while.
One of the many carvings adorning the wall arcading in the north aisle.
There is a danger of running out of superlatives when trying to describe Beverley Minster. It is not only the second finest non-cathedral church in the country but is architecturally a far finer building than most of our cathedrals themselves! It will come as a surprise to many visitors to find this grand edifice simply functions today as a parish church and has never been more than collegiate, a status it lost at the Reformaton. What had added to its mystique and wealth was its status as a place of pilgrimage housing the tomb of St John of Beverley, which drew visitors and revenue until the Reformation brought an end to such fortunes and the shrine was destroyed (though the saint's bones were later rediscovered and reinterred in the nave). That this great church itself survived this period almost intact is little short of a miracle in itself.
There has been a church here since the 8th century but little remains of the earlier buildings aside from the Saxon chair near the altar and the Norman font in the nave. The present Minster's construction spans the entirety of the development of Gothic architecture but forms a surprisingly harmonious whole nevertheless, starting with Early English in the 13h century choir and transepts (both pairs) with their lancet windows in a building phase that stopped at the first bays of the nave. Construction was then continued with the nave in the 14th century but only the traceried windows betray the emergent Decorated style, the design otherwise closely followed the work of the previous century which gives the Minster's interior such a pleasingly unified appearance (the only discernable break in construction within can be seen where the black purbeck-marble ceased to be used for certain elements beyond the eastern bay of the nave). Finally the building was completed more or less by 1420 with the soaring west front with its dramatic twin-towers in Perpendicular style (the east window must have been enlarged at this point too to match the new work at the west end).
The fabric happily survived the Reformation intact aside from the octagonal chapter-house formerly adjoining the north choir aisle which was dismantled to raise money by the sale of its materials while the church's fate was in the balance (a similar fate was contemplated for the rest of the church by its new owners until the town bought it for retention as a parish church for £100). The great swathes of medieval glass alas were mostly lost, though seemingly as much to neglect and storm-damage in the following century than the usual iconoclasm. All that survived of the Minster's original glazing was collected to form the patchwork display now filling the great east window, a colourful kaleidoscope of fragments of figures and scenes. Of the other furnishings the choir stalls are the major ensemble and some of the finest medieval canopied stalls extant with a full set of charming misericords (though most of these alas are not normally on show).
There are suprisingly few monuments of note for such an enormous cathedral-like church, but the one major exception makes up for this, the delightful canopied Percy tomb erected in 1340 to the north of the high altar. The tomb itself is surprisingly plain without any likeness remaining of the deceased, but the richly carved Decorated canopy above is alive with gorgeous detail and figurative embellishments. There are further carvings to enjoy adorning the arcading that runs around the outer perimeter of the interior, especially the north nave aisle which has the most rewarding carved figures of musicians, monsters and people suffering various ailments, many were largely restored in the 19th century but still preserve the medieval spirit of irreverent fun.
To summarise Beverley Minster would be difficult other than simply adding that if one enjoys marvelling at Gothic architecture at its best then it really shouldn't be missed and one should prioritise it over the majority of our cathedrals. It is a real gem and a delight to behold, and is happily normally open and welcoming to visitors (who must all be astonished to find this magnificent edifice is no more than a simple parish church in status!). I thoroughly enjoyed this, my second visit here (despite the best efforts of the poor weather!).
Palo Duro Canyon is a canyon system of the Caprock Escarpment located in the Texas Panhandle near the cities of Amarillo and Canyon. As the second-largest canyon in the United States, it is roughly 120 mi (190 km) long and has an average width of 6 mi (9.7 km), but reaches a width of 20 mi (32 km) at places. Its depth is around 820 ft (250 m), but in some locations, it increases to 1,000 ft (300 m). Palo Duro Canyon (from the Spanish meaning "hard wood" or, more exactly, "hard stick") has been named "The Grand Canyon of Texas" both for its size and for its dramatic geological features, including the multicolored layers of rock and steep mesa walls similar to those in the Grand Canyon.
The canyon was formed by the Prairie Dog Town Fork Red River, which initially winds along the level surface of the Llano Estacado of West Texas, then suddenly and dramatically runs off the Caprock Escarpment. Water erosion over the millennia has shaped the canyon's geological formations.
Notable canyon formations include caves and hoodoos. One of the best-known and the major signature feature of the canyon is the Lighthouse Rock. A multiple-use, six-mile round-trip loop trail is dedicated to the formation.
The painter Georgia O'Keeffe, who lived in nearby Amarillo and Canyon in the early 20th century, wrote of the Palo Duro: "It is a burning, seething cauldron, filled with dramatic light and color."[16] She made paintings of Palo Duro Canyon between 1916 and 1918, when she was an instructor and head of the art department at West Texas State Normal College.
Palo Duro Canyon is the site of an outdoor historical and musical drama, titled Texas, presented annually each summer by actors, singers, dancers, and artists of the Texas Panhandle region. The spectacle, created by playwright Paul Eliot Green, premiered on July 1, 1966 at the newly constructed Pioneer Amphitheatre in Palo Duro Canyon State Park. It has continued each summer through the present, making Texas "the best-attended outdoor history drama in the nation."
en.wikipedia.org/wiki/Palo_Duro_Canyon
en.wikipedia.org/wiki/Wikipedia:Text_of_Creative_Commons_...