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Filthy Dirty IPA – so named because it’s “full of filthy amounts of fruity & tropical hop character” – is a 7.2% abv and 75 IBU ale that’s been brewed with Pale, Crystal and Carapils malts, and Chinook, Centennial, Simcoe, Citra and Anthem hops

SoMe Brewing Company

York, ME United States

Crux "Cast Out" and Temperence whiskey, at Bootleggers in Beaverton, OR

  

It seemed no single beer could adequately convey the collective talents of Portland, Oregon brewing legend and Ecliptic Brewing founder John Harris; Luke and Walt Dickinson, the brewmaster duo behind North Carolina’s Wicked Weed Brewing; and Stone Brewmaster Mitch Steele. So, this veritable triad of power opted to brew TWO beers. The first was a traditional Belgian-style tripel aged four months in oak barrels that originally housed red wine, then tequila. It was then blended at a one-fourth to three-fourths ratio with a freshly brewed West Coast double IPA to create this beer. A variety of diverse flavors coalesce into something more unique than any one beer our trio could have conceived.

  

Barnstormer Saison IPA is a brand new Phillips seasonal that just left their hangar! Pouring a golden straw colour with a marshmallow white head, fruity esters on the nose lead to flavours of banana and cotton candy. Invert the bottle and throw your tastebuds for a loop-de-loop!

Roma, 12 giugno 2019 – Workshop nell'ambito del progetto europeo IPA DRAM-Disaster Risk Assessment and Mapping in the Western Balkans and Turkey, realizzato con il contributo del Dipartimento della Protezione Civile e dedicato alla mappatura dei rischi.

 

Il programma per l’assistenza tecnica ai Paesi dell’area Balcanica occidentale e alla Turchia è finanziato dalla Commissione europea DG ECHO per una migliore gestione del rischio di catastrofi a livello europeo, nazionale e regionale. Gli Stati beneficiari sono l’Albania, la Bosnia-Erzegovina, la Repubblica di Macedonia del Nord, il Kosovo, il Montenegro, la Serbia e la Turchia.​

De Lívia. IPA. Aigua de Lívia, malta d'ordi i llúpol procedents de cultiu ecològic i llevat. 6,2%. Ja em despertava dubtes trobar-la al Carrefour. No està malament, encara que deixa algun regust. Anant a tastar el pòsit, el llevat, té un regust metàl·lic. #IPA #IndianPaleAle #IndiaPaleAle #beer #ale #beerlife #drinklocal #beerblogger #beernation #timeforabeer #ale #localbeer #craftbeer #cervesaartesana #cervesaartesanal #hophead #craftbeernotcrapbeer #craftbeerporn #craftbeerlover #beerstagqram #beerpic

I created this infographic of the International Phonetic Alphabet in English for a blog post written by my lovely wife which was posted on one of my good friends self-learning language blog. You can read that post here: Linguistics for Language Learners: What is the IPA

 

For more on self-taught language learning check out:

www.languagebasecamp.com

Airbus A300-605R cn558 de 1990

Tunisair (01/03/2000-..?..).

aéroport Nice Côte d'Azur

13/07/2012

F-WWAR, A6-EKD, TS-IPA

 

1/160 sec; f/8; ISO 100

Canon EF 50mm f/1.8 STM

Manual; Pattern metering

Photoshop Post-Processed

Simcoe & Chinook IPA

Ipswich, Massachusetts that is, being enjoyed from the balcony of the Beauport Hotel, Gloucester MA.

Brewdog Punk IPA

In total 11 countries participated with intervention or support teams: Albania, Bosnia and Herzegovina, Croatia, the former Yugoslav Republic of Macedonia, Germany, Kosovo(*), Luxembourg, Montenegro, Serbia, Slovenia and Sweden.

 

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Au total, 11 pays ont participé à l’exercice avec des équipes d’intervention ou de soutien: l’Albanie, l’Allemagne, l’ancienne République yougoslave de Macédoine, la Bosnie-Herzégovine, la Croatie, le Kosovo(*), le Luxembourg, le Monténégro, la Serbie, la Slovénie et la Suède.

 

(*)This designation is without prejudice to positions on status, and is in line with UNSCR 1244 and the ICJ Opinion on the Kosovo Declaration of Independence.

 

Story: Marieta Koleva

 

© European Union/ECHO

Mandala IPA

Brasserie d'Olt

St-Geniez-d'Olt

France

“Scottish IPA” is an aberration of styles, created from the daily cask program at Spinnakers Brewpub, this is a Scottish Ale aggressively hopped with Super Galenas, almost like a Scottish IPA.

  

1/160 sec; f/8; ISO 100

Canon EF 50mm f/1.8 STM

Manual; Pattern metering

Photoshop Post-Processed

1/160 sec; f/8; ISO 100

Canon EF 50mm f/1.8 STM

Manual; Pattern metering

Photoshop Post-Processed

IPA Best of Show, Splashlight October 22, 2022 NYC

Photo credit: Okay Ogut/ Splashlight/ Lucie Foundation

De Prins Prinsegracht

A glass of JJJ IPA from Moor Beer Company in Langport, Somerset, England, on draft at The Rake in Borough Market, London.

 

JJJ IPA is a 9% abv ale that, according to the brewery, has the richness of a Barley Wine and the hops of a real IPA. Basically an Imperial IPA.

 

It poured a clear golden color with hardly no head. Aroma was fairly sweet, caramel-ish, but with some citrus hops underneath. Mouthfeel was full bodied with an almost sticky sweetness. Flavor started out with a massive malt body, caramel sweetness, before the bittering hops and an alcohol note balanced the sweetness. Long bittersweet finish.

 

This is an impressive imperial IPA, especially for England (I would have guessed America), though I found their Hoppiness Moor drinkable.

A spelt-based IPA from Karhu of Finland.

IPA Best of Show, Splashlight October 22, 2022 NYC

Photo credit: Okay Ogut/ Splashlight/ Lucie Foundation

IPA Best of Show, Splashlight October 22, 2022 NYC

Photo credit: Okay Ogut/ Splashlight/ Lucie Foundation

1/160 sec; f/8; ISO 100

Canon EF 50mm f/1.8 STM

Manual; Pattern metering

Photoshop Post-Processed

IPA Best of Show, Splashlight, Oct 22, 2022, NYC

Photo Credit: Okay Ogut/ Splashlight/ Lucie Foundation

Shape Creation IPA, ForeLand Beer, Portland, Oregon

Winter Hill Brewing Company

Somerville, MA United States

From Moody Ales out of Port Moody comes their “Affable IPA” a good natured easy going IPA. The beer pours a golden copper colour with a creamy white head. The aroma consists of citrus, grassy floral hops and some malts. The flavour is of pine, resin, hops bitterness, citrus with a caramel backbone. The alcohol content comes in at 6.8%

One nice beer from US : Got a stash of it :-)

A can of BrewDog Punk IPA at BrewDog Edinburgh.

 

This was the first time I got to try the Punk IPA from a can, so I was really excited about tasting it, and I was not going to be disappointed. Like the regular draft and bottled versions, the canned Punk IPA is a 5,6% abv beer, brewed with Marris Otter Extra Pale Malt and hopped with Chinook, Simcoe, Ahtanum and Nelson Sauvin.

 

It poured a hazy, deep golden color with a big, white head. The hop aroma was stunning, like smelling fresh hop flowers, with a great piny character and some underlying citrus notes. The mouthfeel was medium to light with a nice creamy texture. The flavor started out fruity, grapefruit and citrus, with some resinous pine notes too, all balanced with a mild malt sweetness. The aroma hops were really fresh, adding so much fruitiness to the beer it almost tasted like a tropical juice! The finish sported a good bitterness and some lingering fruit notes.

 

The Punk IPA from can is simply delicious, a tasty, well-hopped and refreshing India Pale Ale!

In parallel to the field operations, the exercise had an observer program with participants from 20 European countries. The opening of the program was done by high level representatives from the consortium organizing the exercise: Administration of the Republic of Slovenia for Civil Protection and Disaster Relief, German Federal Agency for Technical Relief, National Protection and Rescue Directorate of the Republic of Croatia, Swedish Civil Contingencies Agency, the Europan Commission (DG ECHO).

 

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En parallèle aux opérations sur le terrain, l’exercice comportait aussi un programme d’observation avec des participants provenant de 20 pays européens.

 

Story: Marieta Koleva

 

© European Union/ECHO

 

IPA Best of Show, Splashlight October 22, 2022 NYC

Photo credit: Okay Ogut/ Splashlight/ Lucie Foundation

IPA Best of Show, Splashlight October 22, 2022 NYC

Photo credit: Okay Ogut/ Splashlight/ Lucie Foundation

Cask of Central City IPA with Citra Hops at the Whip

Rebel IPA is brewed with 5 varieties of West coast hops: cascade, simcoe, centennial, chinook, & amarillo. It’s everything we love about West coast style IPA’s. Big citrus & grapefruit flavors with subtle pine notes for a flavorful refreshing brew

Parkade is a big, bold, piney, resiny, beast of an IPA, packed full of citrus from a huge dry hop of Centennial, Mosaic, Simcoe and Amarillo. Finishes with a nice hit of bitterness for balance.

IPA Best of Show, Splashlight, Oct 22, 2022, NYC

Photo Credit: Okay Ogut/ Splashlight/ Lucie Foundation

My New Year's Resolution for 2008; drink 52 different IPA beers.

 

For week 1, my sister was kind enough to provide me with a six-pack of Wolaver's Organic IPA.

 

Despite being organic, it does not taste like tree bark. It's quite smooth, as a matter of fact and would make a good "Intro to IPA" beer. It's smooth and hoppy with being too crazy-hoppy. Don't get me wrong, I like the crazy-hoppy IPA's, but for those who are not used to it, this beer is a great way to wet one's palate for more IPA.

IPA Best of Show, Splashlight October 22, 2022 NYC

Photo Credit: Okay Ogut/ Splashlight/ Lucie Foundation

The Dalí Theatre and Museum Figueres Catalonia Spain

 

(Catalan: Teatre-Museu Dalí, IPA: [teˈatɾə muˈzɛw ðəˈɫi], Spanish: Teatro Museo Dalí), is a museum of the artist Salvador Dalí in his home town of Figueres, in Catalonia, Spain.

 

Building

The heart of the museum is the building that housed the town's theater when Dalí was a child, where one of the first public exhibitions of young Dalí's art was shown. The old theater was burned during the Spanish Civil War and remained in a state of ruin for decades. In 1960, Dalí and the mayor of Figueres decided to rebuild it as a museum dedicated to the town's most famous son.

In 1968, the city council approved the plan, and construction began the following year. The architects were Joaquim de Ros i Ramis and Alexandre Bonaterra. The museum opened on September 28, 1974,with continuing expansion through the mid-1980s. The museum now includes buildings and courtyards adjacent to the old theater building.

 

The museum displays the single largest and most diverse collection of works by Salvador Dalí, the core of which was from the artist's personal collection. In addition to Dalí paintings from all decades of his career, there are Dalí sculptures, 3-dimensional collages, mechanical devices, and other curiosities from Dalí's imagination. A highlight is a 3-dimensional anamorphic living-room installation with custom furniture that looks like the face of Mae West when viewed from a certain spot.

 

The museum also houses a small selection of works by other artists collected by Dalí, ranging from El Greco and Bougereau to Marcel Duchamp and John de Andrea, In accordance with Dalí's specific request, a second-floor gallery is devoted to the work of his friend and fellow Catalan artist Antoni Pitxot, who also became director of the museum after Dalí's death.

 

A glass geodesic dome cupola crowns the stage of the old theater, and Dalí himself is buried in a crypt below the stage floor. The space formerly occupied by the audience has been transformed into a courtyard open to the sky, with Dionysian nude figurines standing in the old balcony windows.

 

A Dalí installation inside a full-sized automobile, inspired by Rainy Taxi (1938), is parked near the center of the space.

 

Art collection

 

The Dalí Theatre and Museum holds the largest collection of major works by Dalí in a single location. Some of the most important exhibited works are Port Alguer (1924), The Spectre of Sex-appeal (1932), Soft self-portrait with grilled bacon (1941), Poetry of America—the Cosmic Athletes (1943), Galarina (1944–45), Basket of Bread (1945), Leda Atomica (1949), Galatea of the Spheres (1952) and Crist de la Tramuntana (1968).

There is also a set of works created by the artist expressly for the Theater-Museum, including the Mae West room, the Palace of the Windroom, the Monument to Francesc Pujols, and the Cadillac plujós.

 

A collection of holographic art by Dalí, and a collection of jewelry he designed are on display. Another room contains a bathtub and a side table with an open drawer and a lamp, all of which Dalí had installed upside-down on the ceiling.

 

An extension to the museum building contains a room dedicated to optical illusions, stereographs, and anamorphic art created by Dalí. The artist's final works, including his last oil painting, The Swallow's Tail (1983), are on display here.

THE DALINIAN SYMBOLS

  

A study of the work of Dalí, reveals some systematically present symbols in all his work. It's fetish objects that apparently have little in common: crutches, sea urchins, ants, bread...

 

Dalí uses these symbols so as to make it more meaningful to the message of his painting. The contrast of a hard shell and a soft interior is at the heart of his thinking and his art. This contrast outside-(hard/soft) is consistent with psychological design whereby individuals produce (hard) defenses around the vulnerable psyche (flexible). Dalí knew very well the work of Freud and his followers, even if its iconography derives absolutely no psychoanalytic thought.

 

ANGELS

 

They have the power to enter the celestial vault, communicating with God and thus achieve mystical union that concerns both the painter. Figures of angels painted by Dalí often borrow traits of Gala, incarnation, for Dali, purity and nobility.

 

CRUTCHES

 

It may be the only support of a figure or the necessary support of a form unable to stand alone. Dalí the view child, in the attic of his father's House. It should take and will never part. This subject gave him an assurance and an arrogance which he had never yet been able. In the short dictionary of Surrealism (1938), Dalí gives the following definition: "wooden Support deriving from the Cartesian philosophy. Generally used to serve as a support to the tenderness of the soft structures."

 

ELEPHANTS

 

The dalinian elephants are usually represented with the long legs of desire invisible to many bearings, bearing on their Obelisk back symbol of power and domination. The weight supported by the frail legs of the animal evokes weightlessness.

 

SNAILS

 

The snail is related to an important milestone in the life of Dalí: his encounter with Sigmund Freud. Dalí believed that nothing happens just by accident, he was captivated by the vision of a snail on a bicycle outside the home of Freud. The link is then made him between a human head and the snail, he associated specifically with the head of Freud. As for the egg, the outer part of the (hard) shell and the inner (soft) body of the snail site and the geometry of its curves it enchantèrent.

 

ANTS

 

Symbol of decay and decomposition. Dalí ants first met in his childhood, observing the remains decomposed small animals devoured by them. He observed with fascination and repulsion, and continued to use them in his work, as a symbol of decadence and ephemeral.

 

SOFT WATCHES

 

Dalí has often said, "the materialization of the flexibility of time and the indivisibility of space... It is a fluid." The unexpected softness of the watch also represents the psychological aspect by which the speed of time, although accurate in its scientific definition, can greatly vary in its human perception. The idea came to him after a meal while he contemplated the remains of a runny camembert. He decided to paint over the landscape that served as backdrop for two soft watches which one hung miserably to an olive branch.

 

EGG

 

Christian symbol of the resurrection of Christ and the emblem of purity and perfection. The egg evokes by its appearance and its minerality dear symbolism to Dali, earlier, intrauterine life and re-birth.

 

SEA URCHIN

 

His "exoskeleton" (the shell sits outside), Harris of thorns, can make you very unpleasant a first contact with the animal. The shell on the other hand contains soft body (one of the favorite dishes of Dali, who was known to eat a dozen at each meal). The Sea Urchin shell, stripped of its spines, appears in many of his paintings.

 

BREAD

 

Is it fear of Miss, Dalí represents it in his paintings and also begins to make surrealist objects with bread. In his paintings, loaves more often have something 'hard' and phallic, opposed to the "soft" watches. Dali has always been a great admirer of the bread. It tapissera of Catalan round loaves Figueras Museum walls.

 

LANDSCAPES

 

Traditional space (based on the perspective and the paintings of the Renaissance). Realistic landscape strewn with strange and unreal objects located in a natural environment. The background and how to use landscapes are one of the strengths of the art of Dali. They contribute to create the atmosphere of unreality of his paintings (landscape of his native Catalonia and vast plain of Ampurdan surrounding Figueras).

 

DRAWERS

 

Human bodies that open by drawers are found repeatedly in paintings and objects from Dali. They symbolize the memory and the unconscious and refer to "thought to be drawers", a concept inherited from the reading of Freud. They express the mystery of hidden secrets. Most of the children explore each drawer, cabinet and wardrobe of their home.

 

VENUS OF MILO

 

It is part long's personal mythology of the painter. She is the first woman he model child in clay from a reproduction adorning the family dining room. It is also that he discovered on a box of crayons in New York. He finds stupid expression on his face that he nevertheless considered own to perfect but inadequate female beauty in an elegant woman whose gaze should be or seem intelligent. Dalí made several transformations of Venus: the space Venus, Venus with drawers...

  

Westcoast style IPAs owe their flavour to a range of bold hop character; this one is no different. Brewed with a variety of hops including Mosaic, Cascade and Dr. Rudi, this IPA possesses strong notes of citrus and tropical fruit.

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