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The Spring 2023 PantherPalooza/Student Involvement Fair was held on January 24, 2023, in the MLK Jr. University Union. (Brejona Hutchinson)
University of Illinois Springfield 2019 Involvement Expo, UIS studenst were welcomed with a warm and joyful event where they can register themselves to different clubs, organizations which will enrich their student life
University of Illinois Springfield 2019 Involvement Expo, UIS studenst were welcomed with a warm and joyful event where they can register themselves to different clubs, organizations which will enrich their student life
The Spring 2023 PantherPalooza/Student Involvement Fair was held on January 24, 2023, in the MLK Jr. University Union. (Brejona Hutchinson)
Copyright © Dave DiCello 2012 All Rights Reserved.
"Living involves tearing up one rough draft after another."
~Anonymous
A collection of candid images from around New York City.
As always, you can read about the processing I've done on this shot and all my images on on my website.
New blog post today, Rockin' out! Check it out if you have a chance!
My website: HDR Exposed Photography
My zenfolio: HDR Exposed - Zenfolio
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Stony Brook, NY; Stony Brook University: Student Activities hosted an involvement fair for all student clubs and organizations to promote their group on the Student Activities Center Plaza.
Stony Brook, NY; Stony Brook University: Student Activities hosted an involvement fair for all student clubs and organizations to promote their group on the Student Activities Center Plaza.
The Spring 2023 PantherPalooza/Student Involvement Fair was held on January 24, 2023, in the MLK Jr. University Union. (Brejona Hutchinson)
Stony Brook, NY; Stony Brook University: Student Activities hosted an involvement fair for all student clubs and organizations to promote their group on the Student Activities Center Plaza.
Police attending a serious incident of armed robbery, apparently involving a man with a samurai sword!
Led by the Office of the Children’s Commissioner, Takeover Day gives young people the chance to work with adults for the day and be involved in experiencing and learning in ways that connect them with the world of work and raise their personal aspirations for the future. For us at NHS England it also offered us a way to explore with young people how we can really involve them in decision making and genuinely making their voices heard in the NHS.
Our aims for Takeover day were simple:
- Increase Young people's understanding of NHS England's role;
- Provide assurance that the opinions of young people are valued and respected; and
- Increase aspirations, skills, knowledge and inspiration
On Thursday 28 November young People really took over! Working with the Young People’s Health Partnership – one of our national voluntary sector strategic partners including Addaction, Association of Young People’s Health, Brook, CLIC Sargent, StreetGames, and Youth Access – Young People came from all over the country to participate in a days workshop to explore their views and experiences of the NHS and concluded with a powerful presentation to the Executive Team.
Since part of my job involves designing signs now, I pay attention to signs, good and (mostly) bad. These signs installed as part of recent road work turn a simple intersection into a labyrinth. I counted more than 20 sign poles in a 40 ft radius, with almost 50 individual signs. In fact, this is worse than it looks. I expect someone to be injured or worse solely because no one in motion can figure out what they are supposed to do in time to take effective and safe action. I've heard that this configuration was mandated by road safety administrators and if you have leisure to contemplate this mess, it sorta makes sense. There are two separate sets, one (most of those on the right) are for bicycles and the others for cars. You have 20 feet and 2 seconds to decide which apply to you. The irony is that if you didn't pay attention to the signs, the road makes sense by itself and you'd figure out what is what on your own.
They fixed this see flickr.com/photos/ldjaffe/3148369479
ANZAC War Memorial, Hyde Park (South), Sydney. Completed: 1934,
Architect: C. Bruce Dellit, Sculpture: George Rayner Hoff, Bult: Kell & Rigby, Period: Interwar Period, Style: Art Deco,
It is a highly powerful and symbolic monument representing the sacrifice of war. It is blocky and buttressed, set on a broad podium and topped with the stepped apex of the Art Deco ziggurat. It is embellished by Rayner Hoffs' expressive sculptures that involve the viewer in scenes of war.
The Memorial is the dominant element in the southern portion of Hyde Park. It includes the Pool of Reflection and associated plantings, seeds for which were collected from Gallipoli and northern France. The Memorial is historically significant as an expression of public grief and sense of sacrifice following Australian involvement in World War I, aesthetically significant as the finest work of architect C. Bruce Dellit, as one of the finest examples of Inter-war Stripped Classical and Art Deco styles in Australia, and as an examplar of the work of renowned sculptor Rayner Hoff.
Students learn about services, clubs, and volunteer opportunities from both on-campus and community organizations at the 2017 Involvement Expo on the UIS Quad Wednesday, August 30, 2017
This adventure novel involves how Joam Garral, a ranch owner who lives near the Peruvian-Brazilian border on the Amazon River, is forced to travel downstream when his past catches up with him. Most of the novel is situated on a large jangada (a Brazilian timber raft) that is used by Garral and his family to float to Belem at the river's mouth. Many aspects of the raft , scenery, and journey are described in detail and the novel features illustrations by Leon Benett.
i wrote the hi tim (minus the hearts) after the scotch break last thursday and things grew from there.
The PantherPalooza Student Involvement Fair was held on the Library Quad on August 30, 2022. (Dominic Baima)
On September 4, 2019, the Student Involvement Fair and the Global Opportunities Fair showcased different clubs, Greek Life, and international experiences that students could participate in while at Ramapo College. Representatives from more than 160 clubs and organizations were in attendance.
Tidwell Christmas traditions involve puzzles. #teamworkmakesthedreamwork #christmas #franklintn
25 Likes on Instagram
4 Comments on Instagram:
rachelle_dekker: I love this tradition!!!
michelletidwell: It requires patience...and alcohol :). #boom #adhdwhat?!
thevisiblechad: Nice womb chair in the background! Someone in the family has taste.
jdouglas612: I love puzzling!
Akagi-sans work involves 1/1 scale dolls and doll parts with a fusion of other objects.
The full article that includes this photo lives at www.dannychoo.com/adp/eng/1727/
You may also want to check out www.flickr.com/photos/dannychoo/collections/ for similar photos
Tokyo Figure Show
紅樹時雨氏の作品には1/1スケールのドールパーツが使用されている。
この写真の含んだ記事は www.dannychoo.com/adp/jpn/1727/ にあります。
コレクションは www.flickr.com/photos/dannychoo/collections/ にあるよ。
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”.
Since 2009, Daniel Kerkhoff, from Minneapolis, Minnesota, U.S.A., has been creating his own artist-in-residencies in communities in Ghana, Ecuador, and Vietnam.
Embedding himself in a community, he develops multiple connections through creating art (installations), writing poetic journals, making art with children, curating exhibitions, working with artists, assisting art libraries and community libraries, documenting walks and the community, and just being a part of everyday life.
Along with painting, collage, art installations, photography, and writing, his art practice involves connecting, sharing, and weaving people and places.
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”.
Assisting and creating libraries is part of my art practice.
During my art residencies, I continue to bring books and materials, art work, maps, magazines and journals, CDs, DVDs, and photos to the community centers in Adugyama, Ashanti Region Ghana and Sisid-anejo, Cañar, Ecuador. I also give a variety of art books, journals, and materials to fellow artists and art spaces.
In Accra, Ghana, I bring art books and magazines to The Nubuke Foundation and The Center for Contemporary Art, Ghana. In Cuenca, Ecuador, I'm connected to In-Arte Contemporáneo and bring art magazines and information. In Hanoi, I have provided various art publications and books to Cuci Fine Art, Chay Art, and Chaap Collective.
I bring art publications, art work, and music created by friends and colleagues of mine. I document their work in these different communities, creating another form of connection and awareness.
I consider this a weaving project, a form of sharing that can have many on-going effects. –Daniel Kerkhoff, www.danielkerkhoff.com
“Playing Catch, Giving and Receiving”
You are invited to play catch with my prints. Two dimensional prints that hang on the wall are transformed into three dimensional balls, a form of sculpture that is also performance and participatory.
Playing catch is a common past time that's relaxing and connecting. It is an act of giving (throwing) and receiving (catching) involving a ball, and, in this case, prints transformed into a ball (sculpture).
Instead of viewing the stationary print on a wall or a sculpture on the floor, it is viewed moving through time and space, dependent on the participants and their actions.
It is visual, transformative, therapeutic, sharing, interactive, and connecting, simple and playful actions of giving and receiving.
--Daniel Kerkhoff, www.danielkerkhoff.com
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”
“Walking the Path, Prints on Prints”
You are invited to walk on my prints, using them as a path.
It’s another way of experiencing art like a stepping stone meditation,
a different awareness may take place on an intentional walk, slower,
deliberate, a winding pathway, your prints touching these prints.
You become, in a way, the performer, the participant, the collaborator,
your soles connecting and becoming a part of these prints, adding steps,
humbling, engaging, liberating, creating another connection.
The title of this series is: "Paper Trail, A4 (All Over the Place)" from "The Quiet and Ugly Artist (Hanoi, 1965-2015)". These prints are collages made from my daily life in Hanoi -- collections of receipts, maps, brochures, business cards, food wrappers and waste.
They are my journal, a record of my consumption and daily activities, stamped with symbols that reflect my connection with Hanoi. They are painted over,
fragments remain revealed, information becomes cloudy, is lost and buried, like memory and history.
I created these collages during my artist-in-residency in Hanoi from
February 6, 2015 to October 26, 2015.
Walking is an important part of my art residencies. I document a familiar route in the community I’m living in by walking slowly, taking photos, and picking up “treasures”.
--Daniel Kerkhoff, www.danielkerkhoff.com
UIS organizations set up tables throughout the Public Affairs Building so students could walk through and learn about the different opportunities offered on campus. The Involvement Expo is part of Welcome Week at UIS.
For Zahrah Alghamdi, material and memory are inextricably intertwined. Many of her works involve large accumulations of material that seemingly layer the histories and cultures of the places from which they come. When Alghamdi, who grew up in the southwestern region of Saudi Arabia, visited Palm Springs, she was struck by the connection between the desert landscapes and architectures. For Desert X, she has created a sculpture that echoes and synthesizes the traditionally built forms from her country with the architectural organization she found in the Coachella Valley. The result takes the form of a monolithic wall comprised of stacked forms impregnated with cements, soils, and dyes specific to each region. It expresses a highly individualized language corresponding to feelings, emotions, and memories associated with place and time.
Zahrah Alghamdi (Al Bahah, Saudi Arabia, 1977) explores memory and history through traditional architecture in both medium and assemblage. Her laborious and meticulous process involves assembling particles of earth, clay, rocks, leather, and water. Her medium and process draw on the notion of “embodied memory” to translate and delineate themes of cultural identity, memory, and loss. Alghamdi represented Saudi Arabia in the 2019 Venice Biennale and participated in Desert X AlUla 2020.
ESPAÑOL
Para Zahrah Alghamdi, el material y la memoria están estrechamente entrelazados. Muchas de sus obras condensan grandes cúmulos de material cual si fuesen estratos superpuestos de historias y culturas de los sitios de donde provienen. Alghamdi creció en Al Bahah, en la región suroeste de Arabia Saudita, y cuando visitó Palm Springs quedó impresionada por la conexión entre los paisajes y las arquitecturas del desierto. Para Desert X, creó una escultura que sintetiza y hace eco a las formas de construcción tradicionales de su país con la organización arquitectónica que encontró en el Valle de Coachella. El resultado toma la forma de un muro monolítico compuesto por elementos apilados, impregnados de cemento, tierra y tinturas específicas de los procesos de edificación de cada región; expresando un lenguaje sumamente personal que atañe a sentimientos, emociones y recuerdos asociados a un lugar y a un tiempo.
Zahrah Alghamdi explora memoria e historia a través de la arquitectura tradicional como medio y montaje. Su trabajo y meticulosos procesos comprenden el ensamblaje de partículas de tierra, arcilla, rocas, cuero y agua. La noción de “memoria encarnada” sirve como base de producción y prácticas para traducir y delinear temas de identidad cultural, memoria y pérdida. Alghamdi representó a Arabia Saudita en la Bienal de Venecia 2019 y participó en Desert X AlUla 2020.
What Lies Behind the Walls
33.964250, -116.484250
Pierson Boulevard between Foxdale Drive and Miracle Hill Road, Desert Hot Springs
On view from sunrise to sunset
Generous support is provided by Ba’a Foundation.
Faculty of Science, Mathematics and Computer Science from the University of Amsterdam – 2002 - 2009
The design for the complex involves the integration of a comprehensive faculty building within the Science Park in Amsterdam East. The contract was acquired through an international competition. The near 65.000m ² building was developed in close collaboration with Architecture Studio HH and Meyer and Van Schooten Architects. The building sections A, B and D primarily house laboratories and each have individual identities. The design task for section C called for a large and differentiated building that would achieve the right balance between unity and diversity. Section C mainly consists of offices and it was designed as an elongated “floating” building with two semi-enclosed inner courtyards. The main public space is formed in between the courtyards. Building C acts as the connector to the other sections making the building a unified whole with a certain monumental quality.
Interior design - In the open workstations are semi private office suites, created for four to six people by the placement of tall cabinets. The custom made cabinet walls are double sided and offer open and closed shelf-space, lockers for storing personal belongings, as well as black-or whiteboards. The bamboo framework binds these components together into a whole cabinet. Also the desks have been designed with bamboo tabletops. For the the 'common rooms' users could choose from several flavours.
Building D is one of three laboratory buildings, which surround office wing C. The building houses various laboratory types such as biology, chemistry and physics labs, in particular the latest must withstand severe vibration requirements. It also houses a number of educational rooms.
Faculty of Science, Mathematics and Computer Science from the University of Amsterdam – 2002 - 2009
The design for the complex involves the integration of a comprehensive faculty building within the Science Park in Amsterdam East. The contract was acquired through an international competition. The near 65.000m ² building was developed in close collaboration with Architecture Studio HH and Meyer and Van Schooten Architects. The building sections A, B and D primarily house laboratories and each have individual identities. The design task for section C called for a large and differentiated building that would achieve the right balance between unity and diversity. Section C mainly consists of offices and it was designed as an elongated “floating” building with two semi-enclosed inner courtyards. The main public space is formed in between the courtyards. Building C acts as the connector to the other sections making the building a unified whole with a certain monumental quality.
Interior design - In the open workstations are semi private office suites, created for four to six people by the placement of tall cabinets. The custom made cabinet walls are double sided and offer open and closed shelf-space, lockers for storing personal belongings, as well as black-or whiteboards. The bamboo framework binds these components together into a whole cabinet. Also the desks have been designed with bamboo tabletops. For the the 'common rooms' users could choose from several flavours.
Building D is one of three laboratory buildings, which surround office wing C. The building houses various laboratory types such as biology, chemistry and physics labs, in particular the latest must withstand severe vibration requirements. It also houses a number of educational rooms.
Stony Brook, NY; Stony Brook University: Student Activities hosted an involvement fair for all student clubs and organizations to promote their group on the Student Activities Center Plaza.