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Kop Hill Climb 2025
The climb was established in 1910 and continued until 1925 when, due to a minor accident involving a spectator, the RAC stewards stopped the meeting and, within a week, declined to grant any further permits for high-speed contests on public roads in the UK.
The last competitive event on public roads was held on 28 March 1925, making the Kop Hill Climb the last competitive race run on a public highway in the UK.
The event was revived in 2009 at Kop Hill as a non-competitive charity event celebrating the history of cars and motorcycles.
Throughout the day, exhibitors climb the hill with cars and motorcycles to entertain the spectators in the grandstand and on the viewing platforms.
The climb is 903 yards (826 m) long.
The event takes place on a public road. The gradient is 1:6, leading to 1:5, with a short 1:4 at its steepest at the top of the climb.
en.wikipedia.org/wiki/Kop_Hill_Climb
Hill Climb Start
Berliet
40-50 Tourer
Registration Number:
BF 4364
Year of Manufacture:
1907
Specification:
8240cc
Eric Knowles
Students got a chance to explore some of Lafayette’s organizations, clubs, and programs during the Involvement Fair on the Quad. The College boasts more than 200 opportunities for students to become involved in campus life, including academic honor societies, cultural and social organizations, community outreach, arts programs, sports clubs, and living groups. The fair is sponsored by Student Government and the Office of Student Leadership and Involvement.
Photos by Zachary Hartzell
Sept. 8, 2015
Stony Brook, NY; Stony Brook University: Student Activities hosted an involvement fair for all student clubs and organizations to promote their group on the Student Activities Center Plaza.
Session 4: Networking, building synergies and involving volunteers and citizen science
Session 4: Réseau, mise en place de synergies, implication de volontaires et sciences citoyennes
Ulcinj (Montenegro) - 28 October 2016
1st Mediterranean Plant Conservation Week “Building a regional network to conserve plants and cultural diversity”
1re Semaine de la conservation des plantes méditerranéennes “Construction d’un réseau régional pour la conservation de la diversité culturelle et végétale”
Photo by Pilar Valbuena for The IUCN Centre for Mediterranean Cooperation.
More information on 1st Mediterranean Plant Conservation Week, please visit:
www.medplantsweek.uicnmed.org/
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: lourdes.lazaro@iucn.org
Office of Student Activities and Involvement 2011-2012 pictures taken by Erin Ayres for Technology and Design
Stony Brook, NY; Stony Brook University: Student Activities hosted an involvement fair for all student clubs and organizations to promote their group on the Student Activities Center Plaza.
Faculty of Science, Mathematics and Computer Science from the University of Amsterdam – 2002 - 2009
The design for the complex involves the integration of a comprehensive faculty building within the Science Park in Amsterdam East. The contract was acquired through an international competition. The near 65.000m ² building was developed in close collaboration with Architecture Studio HH and Meyer and Van Schooten Architects. The building sections A, B and D primarily house laboratories and each have individual identities. The design task for section C called for a large and differentiated building that would achieve the right balance between unity and diversity. Section C mainly consists of offices and it was designed as an elongated “floating” building with two semi-enclosed inner courtyards. The main public space is formed in between the courtyards. Building C acts as the connector to the other sections making the building a unified whole with a certain monumental quality.
Interior design - In the open workstations are semi private office suites, created for four to six people by the placement of tall cabinets. The custom made cabinet walls are double sided and offer open and closed shelf-space, lockers for storing personal belongings, as well as black-or whiteboards. The bamboo framework binds these components together into a whole cabinet. Also the desks have been designed with bamboo tabletops. For the the 'common rooms' users could choose from several flavours.
Building D is one of three laboratory buildings, which surround office wing C. The building houses various laboratory types such as biology, chemistry and physics labs, in particular the latest must withstand severe vibration requirements. It also houses a number of educational rooms.
Faculty of Science, Mathematics and Computer Science from the University of Amsterdam – 2002 - 2009
The design for the complex involves the integration of a comprehensive faculty building within the Science Park in Amsterdam East. The contract was acquired through an international competition. The near 65.000m ² building was developed in close collaboration with Architecture Studio HH and Meyer and Van Schooten Architects. The building sections A, B and D primarily house laboratories and each have individual identities. The design task for section C called for a large and differentiated building that would achieve the right balance between unity and diversity. Section C mainly consists of offices and it was designed as an elongated “floating” building with two semi-enclosed inner courtyards. The main public space is formed in between the courtyards. Building C acts as the connector to the other sections making the building a unified whole with a certain monumental quality.
Interior design - In the open workstations are semi private office suites, created for four to six people by the placement of tall cabinets. The custom made cabinet walls are double sided and offer open and closed shelf-space, lockers for storing personal belongings, as well as black-or whiteboards. The bamboo framework binds these components together into a whole cabinet. Also the desks have been designed with bamboo tabletops. For the the 'common rooms' users could choose from several flavours.
Building D is one of three laboratory buildings, which surround office wing C. The building houses various laboratory types such as biology, chemistry and physics labs, in particular the latest must withstand severe vibration requirements. It also houses a number of educational rooms.
Stony Brook, NY; Stony Brook University: Student Activities hosted an involvement fair for all student clubs and organizations to promote their group on the Student Activities Center Plaza.
In October, 1995 the P4/5 children at Colliston Primary School were involved in an African wildlife and safari project involving conservation. They designed a T-shirt and wrote to the famous wildlife artist David Shepherd. They received a long letter and pictures in reply. (Photograph - Colin Wight)
Students got a chance to explore some of Lafayette’s organizations, clubs, and programs during the Involvement Fair on the Quad. The College boasts more than 200 opportunities for students to become involved in campus life, including academic honor societies, cultural and social organizations, community outreach, arts programs, sports clubs, and living groups. The fair is sponsored by Student Government and the Office of Student Leadership and Involvement.
Chuck Zovko/Zovko Photographic LLC
Sept. 3, 2014
At Louie's 4th birthday party, after the cake we played a traditional Japanese game involving a blindfold, a big stick and a watermelon. Here Louie enjoys the fruit of his friends' smashing labour.
The community packaging forest honey in Batudulang Village, Sumbawa Regency, West Nusa Tenggara.
Warga mengemas madu hutan di Desa Batudulang, Batu Lateh, Sumbawa, Nusa Tenggara Barat.
Photo by Donny Iqbal/CIFOR-ICRAF
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
This is a photograph from a set of photographs taken at the second running of the Castletown-Finea/Coole/Whitehall GFC 5KM Road Race and Fun Run which was held in Finea, Co. Westmeath, Ireland on Wednesday August 21st 2013 at 19:30. The race was unique in the fact that it provided participants to run in two counties (Westmeath and Cavan) and two provinces (Ulster and Leinster) in Ireland during the same race. The race started on the Cavan side of the famous bridge of Finea and finished on the banks of the river. Finea is a beautiful Irish village which is well known for its scenery and it's position in the beautiful landscape of North Westmeath amongst the lakes and hills. The area attracts tourists for fishing and game shooting every year.
The race was very well organised with excellent stewarding and support and great community involvement. Well done to everyone involved. This race has the ability to grow in strength each year.
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If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
Overall Race Summary
Participants: There was about 150 participants of runners, joggers, and walkers.
Weather: There was mild August evening. There was a tail wind supporting the runners for the first 3Km but this turned into a strong head-wind for the final 2km of the race.
Course: The race starts and finishes at either side of the Bridge of Finea. The Bridge End Bar was the start where the race went out 400m on the Granard road and runners turned around at cone and headed back into Co. Westmeath over the bridge and the 1km mark. Following the Castlepollard Road the race took at left at the 2km and followed a loop back past the National School and back into Finea village again for a finish down on the banks of the River Inny. The course was a tough undulating course but fair. Any short hills were balanced out by adequate down-hill the other side. The stewards provided excellent traffic management on what is a busy section of road between the 1st KM and the final KM and the finish.
Location Map: Start/finish and registration took place at the Bridge (see Google StreetView Image here goo.gl/maps/1Zqek)
Refreshments: There was a very impressive selection of refreshments including sandwiches and home-made breads in the Bridge End Bar afterwards.
Some Useful Links
Wikipedia Page about Finea: en.wikipedia.org/wiki/Finnea
FACEBOOK Page for the CFCW 5KM Run 2013 www.facebook.com/cfcw.bigfightnight
CFCW GAA Facebook www.facebook.com/pages/Castletown-Finea-Coole-Whitehall-G...
The song which immortalised the Bridge of Finea - 'Come back Paddy Reilly' by Percy French - sung here by Paddy Reilly [www.youtube.com/watch?v=WGmrpMT0-yo] and lyrics [www.lyricsfreak.com/i/irish+music/come+back+paddy+reilly_...]
FAcebook Photographs www.facebook.com/cfcw.bigfightnight/media_set?set=a.57172...
How can I get a full resolution copy of these photographs?
All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available offline, free, at no cost, at full image resolution WITHOUT watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, web multimedia, commercial/promotional material that you provide a link back to our Flickr page to attribute us. This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember - all we ask is for you to link back to our Flickr set or Flickr pages. Taking the photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
If you would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets
"Hanaawase. Hama following your sugoroku actor". Author: Tamaki Yamato
Kabuki hut of Edo "Morita seat", "young actor, Umemura Hamatsugi". 's Unfussy troupe of stamps. One day, I keep my strange morning glory from unknown daughter in the street. The morning glory or is it called a ghost, create turmoil unexpected. Teacher and Zamoto. By involving up landlady of Chaya, solve the mystery of Hama following began. Faintly amusing incident pledge. Modern novel feature rookie winner.
The Albertina
The architectural history of the Palais
(Pictures you can see by clicking on the link at the end of page!)
Image: The oldest photographic view of the newly designed Palais Archduke Albrecht, 1869
"It is my will that the expansion of the inner city of Vienna with regard to a suitable connection of the same with the suburbs as soon as possible is tackled and at this on Regulirung (regulation) and beautifying of my Residence and Imperial Capital is taken into account. To this end I grant the withdrawal of the ramparts and fortifications of the inner city and the trenches around the same".
This decree of Emperor Franz Joseph I, published on 25 December 1857 in the Wiener Zeitung, formed the basis for the largest the surface concerning and architecturally most significant transformation of the Viennese cityscape. Involving several renowned domestic and foreign architects a "master plan" took form, which included the construction of a boulevard instead of the ramparts between the inner city and its radially upstream suburbs. In the 50-years during implementation phase, an impressive architectural ensemble developed, consisting of imperial and private representational buildings, public administration and cultural buildings, churches and barracks, marking the era under the term "ring-street style". Already in the first year tithe decided a senior member of the Austrian imperial family to decorate the facades of his palace according to the new design principles, and thus certified the aristocratic claim that this also "historicism" said style on the part of the imperial house was attributed.
Image: The Old Albertina after 1920
It was the palace of Archduke Albrecht (1817-1895), the Senior of the Habsburg Family Council, who as Field Marshal held the overall command over the Austro-Hungarian army. The building was incorporated into the imperial residence of the Hofburg complex, forming the south-west corner and extending eleven meters above street level on the so-called Augustinerbastei.
The close proximity of the palace to the imperial residence corresponded not only with Emperor Franz Joseph I and Archduke Albert with a close familial relationship between the owner of the palace and the monarch. Even the former inhabitants were always in close relationship to the imperial family, whether by birth or marriage. An exception here again proves the rule: Don Emanuel Teles da Silva Conde Tarouca (1696-1771), for which Maria Theresa in 1744 the palace had built, was just a close friend and advisor of the monarch. Silva Tarouca underpins the rule with a second exception, because he belonged to the administrative services as Generalhofbaudirektor (general court architect) and President of the Austrian-Dutch administration, while all other him subsequent owners were highest ranking military.
In the annals of Austrian history, especially those of military history, they either went into as commander of the Imperial Army, or the Austrian, later kk Army. In chronological order, this applies to Duke Carl Alexander of Lorraine, the brother-of-law of Maria Theresa, as Imperial Marshal, her son-in-law Duke Albert of Saxe-Teschen, also field marshal, whos adopted son, Archduke Charles of Austria, the last imperial field marshal and only Generalissimo of Austria, his son Archduke Albrecht of Austria as Feldmarschalil and army Supreme commander, and most recently his nephew Archduke Friedrich of Austria, who held as field marshal from 1914 to 1916 the command of the Austro-Hungarian troops. Despite their military profession, all five generals conceived themselves as patrons of the arts and promoted large sums of money to build large collections, the construction of magnificent buildings and cultural life. Charles Alexander of Lorraine promoted as governor of the Austrian Netherlands from 1741 to 1780 the Academy of Fine Arts, the Théâtre de Ja Monnaie and the companies Bourgeois Concert and Concert Noble, he founded the Academie royale et imperial des Sciences et des Lettres, opened the Bibliotheque Royal for the population and supported artistic talents with high scholarships. World fame got his porcelain collection, which however had to be sold by Emperor Joseph II to pay off his debts. Duke Albert began in 1776 according to the concept of conte Durazzo to set up an encyclopedic collection of prints, which forms the core of the world-famous "Albertina" today.
Image : Duke Albert and Archduchess Marie Christine show in family cercle the from Italy brought along art, 1776. Frederick Henry Füger.
1816 declared to Fideikommiss and thus in future indivisible, inalienable and inseparable, the collection 1822 passed into the possession of Archduke Carl, who, like his descendants, it broadened. Under him, the collection was introduced together with the sumptuously equipped palace on the Augustinerbastei in the so-called "Carl Ludwig'schen fideicommissum in 1826, by which the building and the in it kept collection fused into an indissoluble unity. At this time had from the Palais Tarouca by structural expansion or acquisition a veritable Residenz palace evolved. Duke Albert of Saxe-Teschen was first in 1800 the third floor of the adjacent Augustinian convent wing adapted to house his collection and he had after 1802 by his Belgian architect Louis de Montoyer at the suburban side built a magnificent extension, called the wing of staterooms, it was equipped in the style of Louis XVI. Only two decades later, Archduke Carl the entire palace newly set up. According to scetches of the architect Joseph Kornhäusel the 1822-1825 retreaded premises presented themselves in the Empire style. The interior of the palace testified from now in an impressive way the high rank and the prominent position of its owner. Under Archduke Albrecht the outer appearance also should meet the requirements. He had the facade of the palace in the style of historicism orchestrated and added to the Palais front against the suburbs an offshore covered access. Inside, he limited himself, apart from the redesign of the Rococo room in the manner of the second Blondel style, to the retention of the paternal stock. Archduke Friedrich's plans for an expansion of the palace were omitted, however, because of the outbreak of the First World War so that his contribution to the state rooms, especially, consists in the layout of the Spanish apartment, which he in 1895 for his sister, the Queen of Spain Maria Christina, had set up as a permanent residence.
Picture: The "audience room" after the restoration: Picture: The "balcony room" around 1990
The era of stately representation with handing down their cultural values found its most obvious visualization inside the palace through the design and features of the staterooms. On one hand, by the use of the finest materials and the purchase of masterfully manufactured pieces of equipment, such as on the other hand by the permanent reuse of older equipment parts. This period lasted until 1919, when Archduke Friedrich was expropriated by the newly founded Republic of Austria. With the republicanization of the collection and the building first of all finished the tradition that the owner's name was synonymous with the building name:
After Palais Tarouca or tarokkisches house it was called Lorraine House, afterwards Duke Albert Palais and Palais Archduke Carl. Due to the new construction of an adjacently located administration building it received in 1865 the prefix "Upper" and was referred to as Upper Palais Archduke Albrecht and Upper Palais Archduke Frederick. For the state a special reference to the Habsburg past was certainly politically no longer opportune, which is why was decided to name the building according to the in it kept collection "Albertina".
Picture: The "Wedgwood Cabinet" after the restoration: Picture: the "Wedgwood Cabinet" in the Palais Archduke Friedrich, 1905
This name derives from the term "La Collection Albertina" which had been used by the gallery Inspector Maurice von Thausing in 1870 in the Gazette des Beaux-Arts for the former graphics collection of Duke Albert. For this reason, it was the first time since the foundation of the palace that the name of the collection had become synonymous with the room shell. Room shell, hence, because the Republic of Austria Archduke Friedrich had allowed to take along all the movable goods from the palace in his Hungarian exile: crystal chandeliers, curtains and carpets as well as sculptures, vases and clocks. Particularly stressed should be the exquisite furniture, which stems of three facilities phases: the Louis XVI furnitures of Duke Albert, which had been manufactured on the basis of fraternal relations between his wife Archduchess Marie Christine and the French Queen Marie Antoinette after 1780 in the French Hofmanufakturen, also the on behalf of Archduke Charles 1822-1825 in the Vienna Porcelain Manufactory by Joseph Danhauser produced Empire furnitures and thirdly additions of the same style of Archduke Friedrich, which this about 1900 at Portois & Ffix as well as at Friedrich Otto Schmidt had commissioned.
The "swept clean" building got due to the strained financial situation after the First World War initially only a makeshift facility. However, since until 1999 no revision of the emergency equipment took place, but differently designed, primarily the utilitarianism committed office furnitures complementarily had been added, the equipment of the former state rooms presented itself at the end of the 20th century as an inhomogeneous administrative mingle-mangle of insignificant parts, where, however, dwelt a certain quaint charm. From the magnificent state rooms had evolved depots, storage rooms, a library, a study hall and several officed.
Image: The Albertina Graphic Arts Collection and the Philipphof after the American bombing of 12 März 1945.
Image: The palace after the demolition of the entrance facade, 1948-52
Worse it hit the outer appearance of the palace, because in times of continued anti-Habsburg sentiment after the Second World War and inspired by an intolerant destruction will, it came by pickaxe to a ministerial erasure of history. In contrast to the graphic collection possessed the richly decorated facades with the conspicuous insignia of the former owner an object-immanent reference to the Habsburg past and thus exhibited the monarchial traditions and values of the era of Francis Joseph significantly. As part of the remedial measures after a bomb damage, in 1948 the aristocratic, by Archduke Albert initiated, historicist facade structuring along with all decorations was cut off, many facade figures demolished and the Hapsburg crest emblems plunged to the ground. Since in addition the old ramp also had been cancelled and the main entrance of the bastion level had been moved down to the second basement storey at street level, ended the presence of the old Archduke's palace after more than 200 years. At the reopening of the "Albertina Graphic Collection" in 1952, the former Hapsburg Palais of splendour presented itself as one of his identity robbed, formally trivial, soulless room shell, whose successful republicanization an oversized and also unproportional eagle above the new main entrance to the Augustinian road symbolized. The emocratic throw of monuments had wiped out the Hapsburg palace from the urban appeareance, whereby in the perception only existed a nondescript, nameless and ahistorical building that henceforth served the lodging and presentation of world-famous graphic collection of the Albertina. The condition was not changed by the decision to the refurbishment because there were only planned collection specific extensions, but no restoration of the palace.
Image: The palace after the Second World War with simplified facades, the rudiment of the Danubiusbrunnens (well) and the new staircase up to the Augustinerbastei
This paradigm shift corresponded to a blatant reversal of the historical circumstances, as the travel guides and travel books for kk Residence and imperial capital of Vienna dedicated itself primarily with the magnificent, aristocratic palace on the Augustinerbastei with the sumptuously fitted out reception rooms and mentioned the collection kept there - if at all - only in passing. Only with the repositioning of the Albertina in 2000 under the direction of Klaus Albrecht Schröder, the palace was within the meaning and in fulfillment of the Fideikommiss of Archduke Charles in 1826 again met with the high regard, from which could result a further inseparable bond between the magnificent mansions and the world-famous collection. In view of the knowing about politically motivated errors and omissions of the past, the facades should get back their noble, historicist designing, the staterooms regain their glamorous, prestigious appearance and culturally unique equippment be repurchased. From this presumption, eventually grew the full commitment to revise the history of redemption and the return of the stately palace in the public consciousness.
Image: The restored suburb facade of the Palais Albertina suburb
The smoothed palace facades were returned to their original condition and present themselves today - with the exception of the not anymore reconstructed Attica figures - again with the historicist decoration and layout elements that Archduke Albrecht had given after the razing of the Augustinerbastei in 1865 in order. The neoclassical interiors, today called after the former inhabitants "Habsburg Staterooms", receiving a meticulous and detailed restoration taking place at the premises of originality and authenticity, got back their venerable and sumptuous appearance. From the world wide scattered historical pieces of equipment have been bought back 70 properties or could be returned through permanent loan to its original location, by which to the visitors is made experiencable again that atmosphere in 1919 the state rooms of the last Habsburg owner Archduke Frederick had owned. The for the first time in 80 years public accessible "Habsburg State Rooms" at the Palais Albertina enable now again as eloquent testimony to our Habsburg past and as a unique cultural heritage fundamental and essential insights into the Austrian cultural history. With the relocation of the main entrance to the level of the Augustinerbastei the recollection to this so valuable Austrian Cultural Heritage formally and functionally came to completion. The vision of the restoration and recovery of the grand palace was a pillar on which the new Albertina should arise again, the other embody the four large newly built exhibition halls, which allow for the first time in the history of the Albertina, to exhibit the collection throughout its encyclopedic breadh under optimal conservation conditions.
Image: The new entrance area of the Albertina
64 meter long shed roof. Hans Hollein.
The palace presents itself now in its appearance in the historicist style of the Ringstrassenära, almost as if nothing had happened in the meantime. But will the wheel of time should not, cannot and must not be turned back, so that the double standards of the "Albertina Palace" said museum - on the one hand Habsburg grandeur palaces and other modern museum for the arts of graphics - should be symbolized by a modern character: The in 2003 by Hans Hollein designed far into the Albertina square cantilevering, elegant floating flying roof. 64 meters long, it symbolizes in the form of a dynamic wedge the accelerated urban spatial connectivity and public access to the palace. It advertises the major changes in the interior as well as the huge underground extensions of the repositioned "Albertina".
Christian Benedictine
Art historian with research interests History of Architecture, building industry of the Hapsburgs, Hofburg and Zeremonialwissenschaft (ceremonial sciences). Since 1990 he works in the architecture collection of the Albertina. Since 2000 he supervises as director of the newly founded department "Staterooms" the restoration and furnishing of the state rooms and the restoration of the facades and explores the history of the palace and its inhabitants.
Photography by Duane Anthony Jordan
Rosenberg Center for Student Involvement
Copyright © 2011 University of Baltimore All Rights Reserved
(Staff Photos by Rob Mattson/Amherst College, Office of Public Affairs) Students, faculty, staff and alumni enjoy music, games, food, and surprises on the quad, as part of the Lives of Consequence celebration weekend, Saturday afternoon, September 21, 2013. Through involvement, service, and generosity, the College raised a record-setting $502 million, and 86 percent of alumni and 54 percent of parents connected with Amherst students, faculty, or one another during the campaign. Funds raised will be used to strengthen areas critical to Amherst's mission: financial aid, faculty and curricular support, and student-enrichment opportunities.
Love of God is not just a feeling but always involves showing love for God by selfless service to God’s creation. The only path to salvation is by rendering selfless service to God’s creation. “Seva brings you nearer to God Through seva, you realize that all are waves of the ocean of Divinity. “When you consider work as Divine service, you can do it anywhere, at any time. It is an offering to God, an offering to the Truth. Seva is uplifting your own Self, your own people, your own world. It is embracing God’s creation”.
To Know More About Saint Gurmeet Ram Rahim Singh Ji, Kindly Visit- omnipresencegod.wordpress.com
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Stony Brook, NY; Stony Brook University: Student Activities hosted an involvement fair for all student clubs and organizations to promote their group on the Student Activities Center Plaza.
We often get confused between our attachment to and our involvement in a situation. Most often we do not even differentiate at all between the two, leading us to the wrong conclusion that they invariably go together.
Joseph O’Connor made a differentiation between involvement and attachment. By involvement he meant the ability and willingness to affect a situation, while attachment signifies how much the outcome affects you, how much you identify with something. It is a different way of looking at whether you feel “at cause” or “at effect” of a situation, but maybe more clearly delineates the two orthogonal states of mind.
Read more on my blog post Involvement & Attachment, or how life is like playing Chess
Big Data - Viktor Mayer-Schonberger & Kenneth Cukier (2013)
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The fourth kind involves the person being taken and experimented on inside the alien craft.
Close encounter
In ufology, a close encounter is an event in which a person witnesses an unidentified flying object. This terminology and the system of classification behind it were first suggested in astronomer and UFO researcher J. Allen Hynek's 1972 book The UFO Experience: A Scientific Inquiry. Categories beyond Hynek's original three have been added by others but have not gained universal acceptance, mainly because they lack the scientific rigor that Hynek aimed to bring to ufology.
Sightings more than 150 metres (500 ft) from the witness are classified as daylight discs, nocturnal lights or radar/visual reports. Sightings within about 150 metres (500 ft) are subclassified as various types of close encounters. Hynek and others argued that a claimed close encounter must occur within about 150 metres (500 ft) to greatly reduce or eliminate the possibility of misidentifying conventional aircraft or other known phenomena.
Hynek's scale became well known after being referenced in a 1977 film, Close Encounters of the Third Kind, which is named after the third level of the scale. Promotional posters for the film featured the three levels of the scale, and Hynek himself makes a cameo appearance near the end of the film.
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Close encounters of the fourth kind
A close encounter of the fourth kind is a UFO event in which a human is abducted by a UFO or its occupants. This type was not included in Hynek's original close encounters scale.
Hynek's erstwhile associate Jacques Vallee argued in the Journal of Scientific Exploration that the fourth kind should refer to "cases when witnesses experienced a transformation of their sense of reality", so as to also include non-abduction cases where absurd, hallucinatory or dreamlike events are associated with UFO encounters.
The film The Fourth Kind makes reference to this category.
There was something for everyone at the Student Involvement Fair on Friday, 15 September, 2017, and judging by the signups there will be plenty of student led activities happening on campus in the weeks and months ahead. Photography by Glenn Minshall.
A nice touch was the involvement of a period Ribble bus, this was very difficult to arrange as the bus was doing a run past and actually not stationary. the problem was that it was rush hour and this was lucky as the bus is hiding a modern car.
It would have been nice if the bus could have turned round and come back the other way but it was on a tight time schedule and was not able to do this. A nice cameo to end the day
University of Illinois Springfield 2019 Involvement Expo, UIS studenst were welcomed with a warm and joyful event where they can register themselves to different clubs, organizations which will enrich their student life
The World Social Security Forum takes place in Panama City, Panama, from 14 to 18 November 2016.
The Forum is the largest and most important international event for social security and involves more than 1,000 participants, including ministers, administrators, CEOs and senior managers from ISSA member organizations in all world regions. The Forum is hosted by the Social Insurance Fund of Panama.