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One of a series of minimalist digital abstracts inspired by the the Synthetic Cubism and constructivism of the English artist Ben Nicholson (1894-1982). In particular his 1940s work where he further explored the earlier reflief compositions of the 1930s in works such as 1943 (painting) now owned by the British Council, and 1940-42 (two forms) now in Southampton City Art Gallery. These works represent exercises in arranging colours and forms exactly as a mathematician would seek to devise 'elegant' solutions to problems of calculation and measurement.
Granted this is 2 blocks worth, but this is an awful lot of cutting!! There's no way I would ever make it through a whole quilt of this block, so thank you ladies for making it as my bee block!
Ten Interlocking Triangular Prisms #1
Designer: Daniel Kwan
Units: 90
Paper Ratio: 1:3 and 1:6.5
Connection: No Glue
Paper: Astrobrights Copy Paper
Diagram: None
InterCity 332 departs the Interlaken West en route to Basel – a Swiss journey using a German ICE trainset.
The Ausfahrsignale (exit signal) of the interlocking at Interlocking is still displaying a single green aspect, indicating "Freie Fahrt" (figure 1 in the Swiss rule book) – "Proceed at maximum speed authorized by the timetable." The small signal unit displaying a diagonal white over green aspect is the Abfahrerlaubnis – the authority to depart the station.
In common with many European signal installations, this signal does not return to the red ("Halt") indication until the train has entered the second track segment past the exit signal.
Two Interlocking Triangles #2
Designer: Dirk Eisner
Units: 6
Paper Ratio: 1:1.5
Connection: No Glue
Paper: Memo
Diagram: None
Even with a small space a backyard patio is possible
198 Langstaff Road East
Thornhill, ON
L3T 3Z7
905-731-7220
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A simple interlocking walkway from home to backyard workshop.
Check out Rainbow Landscaping's Services on our Website at rainbowlandscaping.com
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Red Line #901 passes an outbound Brown Line local at Armitage, preparing to dive into the State Street Subway. Behind the restored canopies is Armitage Tower; built in the 1940s, the tower controlled the interlocking between the four-track Northwestern Elevated main line and the State Street Subway, which diverged down the middle of the main line. The tower closed in 1968 and found use first as a CTA office, then a signal department base.
A side garden design makes the whole landscaped design come togetherCheck out Rainbow Landscaping's Services on our Website at www.rainbowlandscaping.com.
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A technique for lap siding. This photo is a little washed out the siding is yellow against redish-brown.
FORT BENNING, Ga. July 16, 2015 – Military Police of the Georgia Army National Guard’s 178th MP Company practice civil disturbance response techniques during annual training at Fort Benning.
Georgia Army National Guard Photo by Captain William Carraway / released
I'm favoring White Vinegar baths once again in cast iron restorations, while both CLR and Evaporust did an ok job i think it was actually me in periodic scrub downs with assorted wire brushes that got the results .
Today the stand got immersed in White Vinegar with scrub downs and actually saw how clean right down to the gray cast iron that started to appear .
Either the crud finally started to yield after CLR and switching
to Evaporust baths but seemed still faster with White Vinegar
with the same amount of elbow work .
Still nowhere clean as I want it but the other stand is now in White Vinegar . later, this stand will have another three
gallons of fresh clean White Vinegar to set in and i think will completely remove all the rust still present .
While I'd love to get the sandblaster up and running, manual labor in rust removal does insure I wont fry my dainty compressor, its rated air capacity is just good enough for finishing work and not a total strip down, not to mention I'm still setting up the new sandblast cabinet.
The back side of the lever deck is where the interlocking bed was. In the photo it's directly above the ends of the levers, where all the light is shining through. If viewed full size you will see a number of square beams, some of which still have linkages attached to them. These beams rocked back and forth when their corresponding lever was worked and moved another flat beam (the locking rod) longitudinally. However the locking rod could only move if it was unlocked, or, that it wasn't being locked by the action of another lever. A mechanically programmed system of inter-dependance was built into the machine. Think of it as an early computer with a fixed program.
This interlocking machine was of the Saxby and Farmer type, developed in England in the late 19th Century. This machine was built by The Federal Railway Signal Company of Troy NY.
A technique for lap siding. This photo is a little washed out the siding is yellow against redish-brown.
Left: Lot 14 - Holtzapffel, 'Legend of St Giles' by Percy Spence, 700pc 3repl, plywood, 18x24in, original but tatty box. Est £130 - sold for £150. Great line-cutting in this smooth-cut Holtzapffel.
Centre-Left & Centre-Right: A semi interlocking version of the image with some line-cutting - no337produced for the Home Jigsaw Library, 800pc 2repl, 1 brok 24x18in. The title given to this jigsaw is 'Protecting the Deer'. I bought this from a BCD member in Sept 2016.
Top & Lower Right: An interlocking version from an unknown maker, which looks to have about half a dozen replacements. The 800pc vintage jigsaw measures 24x18in and was sold by BCD member stgenix in Dec 2014. Some of the replacement pieces are obvious and need repainting.
The artist also produced several designs for Chad Valley GWR eg The Vikings Landing at St Ives & King Arthur on Dartmoor, His illustrations were also used for the Delta Heroes of History series.
Percy Frederick Seaton Spence (1868 – 1933) was an Australian artist.
Spence was born in Sydney, seventh child of English parents Francis Spence, civil servant, and his wife Hannah, née Turnbull. Spence spent his youth in Fiji where his father held a government position. He became an illustrator to the Sydney Daily Telegraph, Illustrated Sydney News and The Bulletin and also exhibited at the Royal Art Society.
In 1893 Spence made two drawings of Robert Louis Stevenson in Sydney; one is now in the National Portrait Gallery, London. Spence went to England after marrying Jessie Wright 30 January 1894; illustrations by him appeared in Punch, Black and White, the Graphic, and other well-known publications of the time. Spence had two pictures in the Royal Academy exhibition of 1899 and his work was also accepted in the three following years. In 1901 he was responsible for the illustrations to Britain's Austral Empire, mostly portraits of the leading Australian politicians of that period.
In 1905 Spence was back in Sydney and held a one-man show of his work, and in 1910 he provided 75 illustrations for the volume Australia, in Black's colour series. They show Spence to have been an artist of ability and variety. Spence died of uraemia on 3 August 1933 in Middlesex Hospital, London, after an eye operation.
Spence is represented in the National Gallery and the Mitchell library in Sydney. A pencil sketch of Phil May is in the National Portrait Gallery (London), and other portraits are at University of Sydney and at the High Court. The "H. M. Australian Fleet arriving at Sydney Heads" and a portrait of Rear-Admiral George Patey are at Buckingham Palace.
Looking east towards Indianapolis from MY Interlocking at east end of Big Four Yard. Avon, Indiana, 13NOV88.
**This is for a monogram ONLY** Please tell me letters in exact order-normally First name, Last name, Middle name. (Middle inital, which is the last name, will be larger)
This view gives a good idea on what went on when I laid the caps and pavers, in order to get a deck I feel comfortable with.
BTW, the patio project has just passed the one-month mark.
Interlocking walkway along the side of a suburban home in thornhill
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