View allAll Photos Tagged interfaces
© All rights reserved. Use without permission is illegal. Taken at the Blackwater National Wildlife Refuge on Maryland's eastern shore. Tamron 18-200mm f/3.5-6.3.
Off to our cottage on the Chesapeake Bay tomorrow for another long weekend.
See it LARGER.
I was attempting to bake banana bread the other day, but not being the baking type I didn't have any scales. That's when I noticed that on the inside of my pack of butter they had printed gradations in 25g intervals so you could measure the butter out yourself.
Now from a usability perspective this is a fantastic addition. I doubt it'll increase sales of Lurpak butter by a statistically notable amount which makes its existence even more impressive!
Did the board spend months deciding whether to add this in or not? did somebody in marketing sweat blood convincing their bosses this was a good idea? Maybe the designers just slipped it in themselves, hoping nobody would notice. However this came about I salute you, you buttery disciples of food usability.
(This one turned out to be a bit blurry, please leave a comment+link if you have a better photo.)
I made a live mindmap as discussion took place in this session that I co-moderated with Carlos Scolari.
This is the left side of the blackboard. You can tell my handwriting was hurried, there were ferocious debates going on!
Thanks to Christine for the paranomic version!
StatEL rend l’analyse des vos données simple et didactique. Les boîtes de dialogues de StatEL sont toutes conçues pour être les plus explicites possibles, en vous prenant « par la main », et en vous permettant de comprendre ce que vous faîtes.
Pour télécharger la version démonstration de StatEL, veuillez visitez notre site : www.adscience.fr
Interface explicite (2nd exemple)
Pour télécharger la version démonstration de StatEL, veuillez visitez notre site : www.adscience.fr
StatEL rend l’analyse des vos données simple et didactique. Les boîtes de dialogues de StatEL sont toutes conçues pour être les plus explicites possibles, en vous prenant « par la main », et en vous permettant de comprendre ce que vous faîtes.
Pour télécharger la version démonstration de StatEL, veuillez visitez notre site : www.adscience.fr
Interface explicite (2nd exemple)
Pour télécharger la version démonstration de StatEL, veuillez visitez notre site : www.adscience.fr
The interface of this ATM thinks I should be able to withdraw up to € 999,999,999,999.—. I think so, too. Unfortunately, my balance disagrees.
Maybe they have taken the event of a hyperinflation into account?
This was from a VCR model (possibly 1970s-era) that allowed recording - likely a luxurious feature at the time. The unit was probably four feet across and half a foot tall.
Art and utility—not necessarily a harmonious pairing. An essential element of artistic freedom is the right to think up and make things that are at first glance totally useless. Designers and technologists are the ones who helpfully intervene in human-machine coexistence. But only artistic confrontations that break out of the confines of practical considerations produce what is truly unexpected and really new. The eminently useful useless is thus the driving force behind the development of the works featured in this exhibition by Linz Art University’s Interface Cultures program.
Instructors: Christa Sommerer (AT), Laurent Mignonneau (FR), Martin Kaltenbrunner (AT), Marlene Hochrieser (AT), Michaela Ortner (AT)
picture showing FMR1, a project by Fabrizio Lamoncha (ES), Ioan Ovidiu Cernei (RO), Maša Jazbec (SI).
credit: rubra
Icons, widgets and user interface design and styling for Pebble Beach Systems, Broadcast Automation.
Back in the 90's, Ray Anderson was pretty much set for life - running a carpet company that made nearly a billion dollars a year. The company is called 'Interface', Ray started it more than 30 years ago and now, it's the largest carpet manufacturer in the world. It's also one of the greenest. Back in '94, he vowed to make his company the world's first sustainable business, with a carbon footprint of zero by the year 2020. Basically, do business, make money and protect the environment at the same time. More than a decade later Interface is halfway there and still making lots of money. So now, Ray is spreading the word. He's been in the documentary 'The Corporation,' which criticizes how big companies operate and he's been part of Leonardo DiCaprio's environmental doc 'The 11th Hour.' These days, Ray travels the world - talking about corporate sustainability. He's also put together a little something for the President of the United States, a 100 day action plan for the environment.
Check out his interview with George here - www.cbc.ca/thehour/videos.html?id=922404269
Back in the 90's, Ray Anderson was pretty much set for life - running a carpet company that made nearly a billion dollars a year. The company is called 'Interface', Ray started it more than 30 years ago and now, it's the largest carpet manufacturer in the world. It's also one of the greenest. Back in '94, he vowed to make his company the world's first sustainable business, with a carbon footprint of zero by the year 2020. Basically, do business, make money and protect the environment at the same time. More than a decade later Interface is halfway there and still making lots of money. So now, Ray is spreading the word. He's been in the documentary 'The Corporation,' which criticizes how big companies operate and he's been part of Leonardo DiCaprio's environmental doc 'The 11th Hour.' These days, Ray travels the world - talking about corporate sustainability. He's also put together a little something for the President of the United States, a 100 day action plan for the environment.
Check out his interview with George here - www.cbc.ca/thehour/videos.html?id=922404269
Interface criada para uma adaptação de Robinson Crusoé em jogo para PS3 e XBOX. Aqui é demonstrada a tela do mapa da ilha.
Facial Feature Controlled Robotics; Artificial Autonomics, Artificial Touch & Robotic Interface, For Paralysis Victims.
MRISAR Creator and R&D Team Member John Siegel, testing his team’s prototype Facial Feature Controlled Robotic Arm in 2003. His team’s 1990's circa, original innovative R & D in "Facial Feature Controlled Technology" and "Artificial Sense of Touch Technology" (Adaptive Technology prototypes for the disabled), has helped pioneer those fields! Their work was presented before and published by ICORR 99 and Stanford University. Since then, they have become the most versatile Robotics R & D Team in the world.
This experiment uses only three facial movements to utilizes fourteen functions that control a five range of motion robotic arm, while relating it’s status through a visual indicator console. This design is easy to control and allows multitasking. We condensed it’s circuits and power distribution by designing an unusual circuit which takes simple signals from sensors on a patient’s face and integrates them through a matrix of wires, relays and electronics which relate Boolean logic and power distribution in both directions and on one set of common paths.
MRISAR’s R & D Team, who have Designed, Fabricated & Marketed the Earth’s Largest Selection of "Internationally Renowned & Awarded" World-Class Robotics Exhibits & Devices; and “Hands On” Scientific, Technological & Interactive Art Exhibits. Our innovative, interactive, inexpensive, durable & easy to maintain creations incorporate interactive technologies & designs for people with disabilities and other special needs. They also provide their own Educational Kits & Materials for K thru 12/College & University level curriculums.
Their Exhibit Sales Customers include World-Class Science Centers, Museums, Universities, NASA, Royalty, Foreign & Domestic Governments, the Film Industries for inclusion in media productions, etc. We specialize in Cybernetics, Bionics, Mechatronics, Autonomics, Animatronics & Teleoperated devices.
Their Humanitarian & Environmental Research & Development has been presented before and/or published and awarded by: the United Nations, NASA-Emhart, Stanford, Cambridge, ICORR, ROMAN, IEEE, Discover Awards, International Federation of Robotics (IFR), etc. Their 1990's circa, original innovative R & D in "Facial Feature Controlled Technology" and "Artificial Sense of Touch Technology" (Adaptive Technology prototypes for the disabled), has helped pioneer those fields! They were the only company in the world to be awarded an entire chapter regarding their work in the International Federation of Robotics (IFR) “World Robotics; Service Robotics, 2011”.
In 2010 MRISAR purchased a disused school on the plains of North Dakota and relocated to it. Profit from their International Exhibit Sales helps fund their Humanitarian R&D and the transformation of the 36,000 sq. ft. complex, surrounded by 10 acres in North Dakota, into a World-Class “Interactive, Robotics, Technology, Invention, Art & Nature Center”.
International festival of contemporary dance, IIC, Delhi; Groups from Australia, Israel, India and Taiwan
Game On by Theatre of Rhythm and Dance, Australia
Concept & Direction: Annalouise Paul Choreography: Annalouise Paul and Miranda Wheen
Classical Indian Tabla: Bobby Singh Contemporary Dance Miranda Wheen
Velcro, contracted from the French words velours and crochet, was invented by Swiss engineer George de Mestral in 1941.
International festival of contemporary dance, IIC, Delhi; Groups from Australia, Israel, India and Taiwan
Game On by Theatre of Rhythm and Dance, Australia
Concept & Direction: Annalouise Paul Choreography: Annalouise Paul and Miranda Wheen
Classical Indian Tabla: Bobby Singh Contemporary Dance Miranda Wheen
It was a lot more difficult than I thought trying to come up with an exciting macro of computer hardware. Maybe I was using the wrong hardware.