View allAll Photos Tagged interfaces
Can you imagine our bodies being the engines of innovation, of our own health? Your brain, your heart, your internal organs, your skin, your gestures, your emotions, your DNA, your speaking patterns, your thoughts…all can change the way you eat, sleep, work, and play.
Fascinating stuff! We invite you to come to Vancouver – one of the world’s most creative and healthiest cities – and the Vancouver Convention Centre – a spectacular feat of green architecture right on the Pacific Ocean, next to Stanley Park and across from the North Shore mountains. Come to meet some remarkable people, share your ideas and discuss THE FUTURE OF HEALTH!
(c) Kris Krüg - If you'd like to use any of the photos for anything pls contact Kris first - 778. 898. 3076, kk@kriskrug.com)
Biomedical Engineering Undergradauate Kenji Yeoh preparing a master mix for a polymerase chain reaction (PCR) to amplify genomic DNA so that he can later examine it through gel electrophoresis and determine its genotype.
Photo by Robert Coelius
Multimedia Producer, Communications & Marketing, Michigan Engineering | @UMengineering
Yeon Ok Oh, Sejune Park, Yoojean Kim, & Sunyoung Seo(Sophomore), Instructor: Jisun An, Fall Semester 2016,
Visual Communication Design, Interface Design, Kyungil University /오연옥, 박세준, 김유진, & 서선영(2학년), 인터페이스디자인 과제, 지도교수:안지선, 2016년 2학기, 시각디자인, 경일대학교
INTERFACE TO GOD
Kunsthalle zu Kiel.
Collaboration with BjarneMelgaard and Snorre Ruch [music]. 2 CD’s, picture disc, four posters, 6 huge PVC banners, floor-texts, three tents with three videos
(Vortex, Nullo, Anim RMX), 132 page catalogue: Societé Anonyme.
©Halvor Bodin/Bjarne Melgaard/Snorre Ruch 2002
Venta Accesorios Originales para el Plotter Silhouette CAMEO en México.
Tienda en Linea:
Micro Sitio del Equipo:
Why is "other contacts" NOT a group??
--You can't rename it;
--You can't drag a contact into it;
It looks like other group, isn't it?!
Playful Interface Cultures
This year‘s presentation by students in the Interface Cultures program showcases newly emerging artistic skill profiles at the nexus of interactive media technology and interface technology.
credit: rubra
INTERFACE TO GOD
Kunsthalle zu Kiel.
Collaboration with BjarneMelgaard and Snorre Ruch [music]. 2 CD’s, picture disc, four posters, 6 huge PVC banners, floor-texts, three tents with three videos
(Vortex, Nullo, Anim RMX), 132 page catalogue: Societé Anonyme.
©Halvor Bodin/Bjarne Melgaard/Snorre Ruch 2002
Anonymous folding knife
"Delta Darts"
Zippo Folding lockblade
Cheap folding lockblade
Cheap "tanto"
Xtremely cheap folding lockblade
Titanium balisong
Cheap folding lockblade - custom wood handles (made them myself)
Nice Western Cutlery 5" boot knife
1.5" novelty butterfly from Olongopo, folding pocket knife
Butterfly from Olongopo
Stiletto from Tijuana
So here we are, on the road again, and I hadn't sorted out the Sony A6000 to Snapseed interfaces.
I shoot RAW and my image transfers from this trip look meh. After 4 weeks it finally occurred to me to look at the file size. Lo and behold, thumbnail jpgs were transferred. Ugh.
This is why my cellphone images look sharp on Flickr and the A6000 images do not.
I tested shooting RAW + JPG and the good, full Rez JPG does transfer. Lesson learned.
Next thing is image processing.
I read about how Norman Seeff used to print high contrast works with a twist. He used a black stocking between the enlarger lens and paper to give a interesting softness to some of his images.
He wasn't by any means the only one to do this.
When I worked at Samy Cameras photo lab on Sunset Blvd in Hollyweird we used to do this at client request. It was really no big deal.
What was a bigger deal was our use of Agfa Portriga Rapid 111 Glossy paper. It gave a gorgeous deep walnut brown tone. We used this for may of the gallery shows we printed for various then famous photographers.
Taking the black stocking idea and borrowing tones from Portriga Rapid, it turns out, expresses pretty well how I feel about Rome.
So, here is a series of images done in an old, outdated, likely not very hip manner.
This is my oven. Quick! Which controls are for the burners and which are for the oven? Which control the front burners and which the back?
International festival of contemporary dance, IIC, Delhi; Groups from Australia, Israel, India and Taiwan
International Co-production between Idan Cohen and Sapphire Creations Dance
Company Dancers Musician and Composer: Mayookh Bhaumik. Israeli
choreographer: Idan
Cohen Dancers: Ran Ben Dror, Noa Shiloh, Koushik Das, Ankita Duttagupta Collab: Idan
Cohen and Sapphire Creations Dance Company
Good grief, clicking these links is like trying to thread a needle. And why aren't there hyperlinks attached to the colored text? The government needs web designers. Bad.
INTERFACE TO GOD
Kunsthalle zu Kiel.
Collaboration with BjarneMelgaard and Snorre Ruch [music]. 2 CD’s, picture disc, four posters, 6 huge PVC banners, floor-texts, three tents with three videos
(Vortex, Nullo, Anim RMX), 132 page catalogue: Societé Anonyme.
©Halvor Bodin/Bjarne Melgaard/Snorre Ruch 2002
Since 2004, Linz Art University has offered an “Interface Cultures” master’s degree program in which students learn scientific and, above all, artistic ways of working with all possible—and impossible—forms of communication with machines and devices. From the very outset, this program founded by Christa Sommerer (AT) and Laurent Mignonneau (FR) has offered students the opportunity to showcase their work in conjunction with Ars Electronica and thereby to reach very large audiences.
credit: rubra