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Newscoop’s overhauled interface now looks and feels like the 21st century newsroom should. Sleek, modern styling and a workflow designed by journalists makes life that much easier.
Never seen an electronic display for a juice container before. While the size of cups is nice, not sure what the asterisk or pound key do (escape? quit?)
Art and utility—not necessarily a harmonious pairing. An essential element of artistic freedom is the right to think up and make things that are at first glance totally useless. Designers and technologists are the ones who helpfully intervene in human-machine coexistence. But only artistic confrontations that break out of the confines of practical considerations produce what is truly unexpected and really new. The eminently useful useless is thus the driving force behind the development of the works featured in this exhibition by Linz Art University’s Interface Cultures program.
Instructors: Christa Sommerer (AT), Laurent Mignonneau (FR), Martin Kaltenbrunner (AT), Marlene Hochrieser (AT), Michaela Ortner (AT)
picture showing iWilson, a project by Veronika Pauser (AT).
credit: rubra
Typical of the weather this time of year - a colourful mix of rain, wind
and sunny spells. Makes for some nice and interesting skies sometimes.
Usha Kadiyala, Emergency Medicine Senior Research Laboratory Tech with J.Scott VanEpps lab, Department of Emergency Medicine Adult, studies Staphylococcus aureus biofilm and graphene quantum dots under flow conditions.
Photo by Robert Coelius
Robert Coelius
Multimedia Producer, Communications & Marketing, Michigan Engineering | @UMengineering
Art and utility—not necessarily a harmonious pairing. An essential element of artistic freedom is the right to think up and make things that are at first glance totally useless. Designers and technologists are the ones who helpfully intervene in human-machine coexistence. But only artistic confrontations that break out of the confines of practical considerations produce what is truly unexpected and really new. The eminently useful useless is thus the driving force behind the development of the works featured in this exhibition by Linz Art University’s Interface Cultures program.
Instructors: Christa Sommerer (AT), Laurent Mignonneau (FR), Martin Kaltenbrunner (AT), Marlene Hochrieser (AT), Michaela Ortner (AT)
picture showing iWilson, a project by Veronika Pauser (AT).
credit: rubra
The client want something different from their competitor, so i try to be a 'bad boy' here.
I use grunge style and blend it with simple & clean layout to make it easy for user to browse the site.
Expanded Interfaces
Mediencampus der Hochschule Darmstadt und School of Art & Design am Cork Institute of Technology
This year‘s presentation by students in the Interface Cultures program showcases newly emerging artistic skill profiles at the nexus of interactive media technology and interface technology.
credit: rubra
La 1re fois que j'ai rempli le formulaire, j'ai inscrit 10 (pour 10 kg) et lorsque j'ai eu le devis pour l'envoi du colis à 23 euros, cela m'a surpris! Je suis revenu sur ce formulaire et ensuite compris que la valeur demandée était en grammes et non pas en kilo. J'imagine que mon subconscient a vu l'image "kg" de gauche et a complètement zappé le libellé à droite.
belle confusion :)
voici le formulaire: www.laposte.fr/Particulier/Utiliser-nos-outils-pratiques/...
Humidifier. All capacitive touch controls. Given the effect of humidity on cap touch, this is can sometimes be annoying.
The portfolio interface with z depth switching and scaling image selection. Tonal sonic palette for haptic feedback
Усовершенствование панели настроек оборудования подключаемого к Openbravo POS для задания параметров параллельных портов. Подробности в Теме 153.
Joanne Beckwith , Graduate Research Assistant with the Solomon and VanEpps Labs connects thermocouples to monitor the temperature while biofilms are exposed to a heat treatment.
Photo by Robert Coelius
Multimedia Producer, Communications & Marketing, Michigan Engineering | @UMengineering
Interface para aplicativo mobile de leitura e envio de e.mails.
Cliente: nTime Mobile Solutions *2006
Completed during saturday morning. Design by n4txi. Work well with Ic-R10 and Ic-756pro2 from HamRadioDeluxe. Looking forward for ok rtty dx contest this weekend , finally I will enjoy comfort of dx cluster :))
A web interface designed by me for my s e n t i n e l t y p e fonts. It's a branding communications effort that doubles as a visual index. Site visitors can point to
any font name and click. Includes Index, About, Contact & Biblia (written articles)
links.
The squiggles are from a woodcut by Albrecht Dürer.
This interface has yet to be launched on the internet.
You are looking at a 250 meter roll of 60"(ish) interfacing. It was so tall I had to step out of my studio to get it all in the frame. But it's huge, huge! However, it is also cheap. It's made by a fantastic company in Germany and is far, far, far better than anything I've purchased or seen at any stores in person (this includes trips to the garment district in NY). And the best part about it, is how inexpensive it is. And this is why, if you're making goods to sell at retail you have to invest in wholesale products.
The most similar item I've found is made by a company named Pellon, it is their #30. If I purchase an entire 20" wide bolt with my wholesale discount it comes to about $30 for a 15 yard bolt, or about $2 a yard. Not too bad, right? Well, this is 60" wide, so the equivalent of 3 bot widths. And by purchasing an entire roll it is $.95 per meter/yard. 95-cents for 3 times as much interfacing. And since it is so wide, I have far less wasted interfacing. So, as some would say, this is a good thing.
Southwest Airlines Boarding Lines
(Las Vegas Airport)
The problem: Limited space
The (attempted) solution: Provide 2 lines, but make each modal
Two main poles in the front of the line have 3-faced rotating signs with letters indicating the group (A,B,C), and numbers indicating which half of the line travelers are in (1-30, 31-60). The poles in the middle have the subsection numbers (1-5, 6-10, 11-15, 16-20, 21-25, 26-30).
So in theory this idea works great because you can potentially always have one line queuing up while the other is boarding, but in practice this design has it's problems. Since the 3-faced group signs have to be spun manually by the gate attendant, problems emerge when the gate attendant turns the sign to the wrong group letter, somewhere in between, or forgets to turn the sign entirely. Resulting in people shuffling back and forth in confusion.
Another problem is that each number block is supposed to provide room for 5 people, but there is only room for 4. So the 5th person always spills into the adjoining block. This spilling renders the marking of every block past the second useless. To make matters worse, people tend to stand with their luggage in front or behind them. This just adds to uselessness of the number blocks.
SWA... a few suggestions for improving your design:
- Display the subsections (number blocks) on the floor as well as above.
- Have some visual indicators on the floor to suggest travelers stand with their carry-ons to one side of them, allowing travelers to stand closer together.
- Use large low power digital displays for the group signs, and provide gate attendants an interface for controlling them from any of their stations.
Having a smoother process will not only speed up boarding times, but also reduce traveler anxiousness. Resulting in happier flight attendants. Creating a positive feedback loop.
i don't know what's worst: the fact that some front-end developer screwed up the search button, or the "0 hits" result i got by searching for "photoshop." on adobe's own website
berlin
it says "still coming over for a fuck?"
leica mda
voigtländer ultron 28mm f2
kodak tri-x 400 in ilford ilfotec lc29 1+19
Art and utility—not necessarily a harmonious pairing. An essential element of artistic freedom is the right to think up and make things that are at first glance totally useless. Designers and technologists are the ones who helpfully intervene in human-machine coexistence. But only artistic confrontations that break out of the confines of practical considerations produce what is truly unexpected and really new. The eminently useful useless is thus the driving force behind the development of the works featured in this exhibition by Linz Art University’s Interface Cultures program.
Instructors: Christa Sommerer (AT), Laurent Mignonneau (FR), Martin Kaltenbrunner (AT), Marlene Hochrieser (AT), Michaela Ortner (AT)
picture showing iWilson, a project by Veronika Pauser (AT).
credit: rubra
International festival of contemporary dance, IIC, Delhi; Groups from Australia, Israel, India and Taiwan
Game On by Theatre of Rhythm and Dance, Australia
Concept & Direction: Annalouise Paul Choreography: Annalouise Paul and Miranda Wheen
Classical Indian Tabla: Bobby Singh Contemporary Dance Miranda Wheen
The Panasonic Point-O-Matic knows.
Related: www.leadholder.com/assets/catalog/alvin-1971/alvin-1971-p...
