View allAll Photos Tagged interfaces
INTERFACE TO GOD
Kunsthalle zu Kiel.
Collaboration with BjarneMelgaard and Snorre Ruch [music]. 2 CD’s, picture disc, four posters, 6 huge PVC banners, floor-texts, three tents with three videos
(Vortex, Nullo, Anim RMX), 132 page catalogue: Societé Anonyme.
©Halvor Bodin/Bjarne Melgaard/Snorre Ruch 2002
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Images of our new Open Company 12" ruggedized touch monitor (sample-unit) - soon available for orders shipping to Denmark, Greenland, The Faroe Islands, Iceland, Norway, Sweden and Germany.
Intended use:
Digital Signage, In-Vehicle, Automotive, Industrial environments.
Description:
- 12.1" Digital Touch Monitor
- Case/Bezel Colour: Black
- Display Type: 4:3 Ratio
- Physical Resolution :1024X768
- Support OS: WIN9X,2000,ME,CE / Linux / Win7 / Win XP / Vista
- Input Video Format: Analog
- Touchscreen Interface: USB
- 4-wires resistive touch-screen interface
- Standard VGA input (15 pin D-SUB) can match with PC, GPS and security systems
- Power consumption: =5) Vertical (up/down): 160° (70°/90°)
- Temperature Range: Operating:-20℃-60℃, Storage:-30℃-70℃
- Relative Humidity Non Condensing: Operating:10%-90%, Storage 5%-90%
Screen capture from the HP Tech Support site. Three screens earlier, when asked for "country or region," I chose "United States (English)."
International festival of contemporary dance, IIC, Delhi; Groups from Australia, Israel, India and Taiwan
Game On by Theatre of Rhythm and Dance, Australia
Concept & Direction: Annalouise Paul Choreography: Annalouise Paul and Miranda Wheen
Classical Indian Tabla: Bobby Singh Contemporary Dance Miranda Wheen
The final XAML interface for my 10k Submission. Now I just have to wire it up.
Design inspired by a box of Mac & Cheese.
International festival of contemporary dance, IIC, Delhi; Groups from Australia, Israel, India and Taiwan
Game On by Theatre of Rhythm and Dance, Australia
Concept & Direction: Annalouise Paul Choreography: Annalouise Paul and Miranda Wheen
Classical Indian Tabla: Bobby Singh Contemporary Dance Miranda Wheen
view usage at www.zenvlog.com - meta mystery tag at right. This is the interface to the Dan Zen game Save Earth at www.danzen.com/saveearth
$6.99 per yard
20" wide
Pellon® SF568 Lightweight Shape-Flex® is a lightweight woven, fusible interfacing and part of our popular regular Shape-Flex® interfacing line. It provides lightweight, yet crisp support for collars, cuffs, yokes, pockets, facings, and other detail areas of a garment. It can also add body and permanent stability when used as a backing for needlework and punch embroidery. Lightweight Shape-Flex® is intended for light woven and knit fabrics.
Interface illustration for a company that specializes in toy packaging.
Meant to be converted from Illustrator into a Flash website.
Note the toybox would link to their toy packaging samples, the coloring pages would link to sell sheets, etc.
Interface for the Sex Strike Dildo, internet connection, power supply and control of the servos and the Seismic and Sex Strike Dildos.
This is the interface I built for my upcoming installation at the Toca Me conference 2009 in Munich.
Considering how slick the rest of the Tumblr interface is this error feedback is awful.
Not only that, but you only get told what the limitations for the field are once once you submit. You don't get an example or expectation set.
Oh, and it reloads the whole page.
Spain, Andalucia, Huelva, Ayamonte, Restaurant, Mother and child, Outdoor type.
Best viewed: LARGE.
The new contactless interface.
Inconsistent design, no indication that this is a contactless interface, no point or area to touch, lack of feedback when touching, inconsistent numeric layout on keypad, lack of feedback on keypad. Argh.
Since 2004, Linz Art University has offered an “Interface Cultures” master’s degree program in which students learn scientific and, above all, artistic ways of working with all possible—and impossible—forms of communication with machines and devices. From the very outset, this program founded by Christa Sommerer (AT) and Laurent Mignonneau (FR) has offered students the opportunity to showcase their work in conjunction with Ars Electronica and thereby to reach very large audiences.
Photo showing instructor Christa Sommerer (AT) at the opening.
credit: rubra
avero delivered the corporate identity, interface design and a movie for an SAP recruiting platform.
Since 2004, Linz Art University has offered an “Interface Cultures” master’s degree program in which students learn scientific and, above all, artistic ways of working with all possible—and impossible—forms of communication with machines and devices. From the very outset, this program founded by Christa Sommerer (AT) and Laurent Mignonneau (FR) has offered students the opportunity to showcase their work in conjunction with Ars Electronica and thereby to reach very large audiences.
Photo showing Gerfried Stocker (AT) (artistic director Ars Electronica) at the opening.
credit: rubra
ReacTIVision tags used to create a tangible interface to show 500 individual student portfolio's. Karsten Schmidt (AKA Toxi) taking care of business. Early stage prototype.
International festival of contemporary dance, IIC, Delhi; Groups from Australia, Israel, India and Taiwan
Game On by Theatre of Rhythm and Dance, Australia
Concept & Direction: Annalouise Paul Choreography: Annalouise Paul and Miranda Wheen
Classical Indian Tabla: Bobby Singh Contemporary Dance Miranda Wheen
International festival of contemporary dance, IIC, Delhi; Groups from Australia, Israel, India and Taiwan
Game On by Theatre of Rhythm and Dance, Australia
Concept & Direction: Annalouise Paul Choreography: Annalouise Paul and Miranda Wheen
Classical Indian Tabla: Bobby Singh Contemporary Dance Miranda Wheen