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Rugged, windswept mountains rise abruptly out of gentle prairie grassland in spectacular Waterton Lakes National Park. Here, several different ecological regions meet and interact in a landscape shaped by wind, fire, flooding, and abundant plants and wildlife. The park helps protect the unique and unusually diverse physical, biological and cultural resources found in the Crown of the Continent: one of the narrowest places in the Rocky Mountains. The highlight of Waterton's sparkling chain of lakes is the international Upper Waterton Lake, the deepest lake in the Canadian Rockies. In 1932, the park was joined with Montana's Glacier National Park to form the Waterton-Glacier International Peace Park - a world first.
www.pc.gc.ca/pn-np/ab/Waterton/index_e.asp
In 1895, a 140 sq. km (54 sq. miles) area was protected through an Order in Council of the federal government. After a variety of status and name changes, it became what it is now known as Waterton Lakes National Park.
Waterton was Canada's 4th national park, the smallest in the Canadian Rockies. Its size has varied considerably over the years but its area is now 505 sq. km (195 sq. miles).
The first major step toward preservation of Waterton was taken by a Pincher Creek rancher, F.W. Godsal, who sent a proposal to Ottawa in 1893 recommending that the Waterton Lakes area be set aside as a national park.
The park's name derives from the Waterton Lakes. This chain of lakes, named by Lieutenant Blakiston (a member of the Palliser Expedition), honours a British naturalist, Squire Charles Waterton (1782-1865).
As part of a Canada-wide system of national parks, Waterton Lakes National Park represents the southern Rocky Mountains Natural Region - where some of the most ancient mountains in the Rockies abruptly meet the prairie. It is a landscape shaped by wind, fire, and flooding; with a rich variety of plants and wildlife.
The park is part of the Crown of the Continent ecosystem; a place with unusually diverse physical, biological and cultural resources. This ecosystem is one of the narrowest places in the Rocky Mountain chain. This means Waterton and its surrounding region sits on a key pinch point of a crucial north-south Rocky Mountain wildlife corridor.
Several different ecological regions meet in Waterton - with prairie plants of the Great Plains, Rocky Mountain plants from northern areas, and coastal plants from the Pacific Northwest all overlapping. The park contains 45 different habitat types, including grasslands, shrublands, wetlands, lakes, spruce-fir, pine and aspen forests, and alpine areas. This means Waterton has an unusually rich and varied number of plants for its size, with more than 1000 vascular plant species, 182 bryophytes and 218 lichen species. Many of these are rare or threatened. More than half of Alberta's plant species can be found in Waterton.
The park's variety of vegetation communities provides homes for many animals, including more than 60 species of mammals, over 250 species of birds, 24 species of fish, and 10 reptiles and amphibians. Large predators include wolf, coyote, cougar, grizzly bear, and American black bear. The grasslands are important winter range for ungulates such as elk, mule deer, and white-tailed deer. In the fall, the marsh and lake areas of the park are used extensively by migrating ducks, swans, and geese. Some animals found here are considered rare or unusual eg. trumpeter swans, Vaux's swifts, and vagrant shrews.
Waterton Lakes National Park also has global importance because of several key international designations:
Waterton-Glacier International Peace Park (1932) - The Peace Park was originally created as a symbol of peace and goodwill between the United States and Canada, but has now evolved to also represent cooperation in a world of shared resources. Both parks strive to protect the ecosystem through shared management, not only between themselves, but also with their other neighbours.
On December 6, 1995 UNESCO designated the Waterton-Glacier International Peace Park as a World Heritage Site because it has a distinctive climate, physiographic setting, mountain-prairie interface, and tri-ocean hydrographical divide. It is an area of significant scenic values with abundant and diverse flora and fauna.
Criteria (revised in 2006)
(vii) Both national parks were originally designated by their respective nations because of their superlative mountain scenery, their high topographic relief, glacial landforms, and abundant diversity of wildlife and wildflowers.
(ix) The property occupies a pivotal position in the Western Cordillera of North America resulting in the evolution of plant communities and ecological complexes that occur nowhere else in the world. Maritime weather systems unimpeded by mountain ranges to the north and south allow plants and animals characteristic of the Pacific Northwest to extend to and across the continental divide in the park. To the east, prairie communities nestle against the mountains with no intervening foothills, producing an interface of prairie, montane and alpine communities. The international peace park includes the headwaters of three major watersheds draining through significantly different biomes to different oceans. The biogeographical significance of this tri-ocean divide is increased by the many vegetated connections between the headwaters. The net effect is to create a unique assemblage and high diversity of flora and fauna concentrated in a small area.
Waterton Biosphere Reserve (1979) - As Canada's second biosphere reserve, Waterton was the first Canadian national park to take part in this UNESCO program. Biosphere Reserves are created to achieve a better understanding of the relationship between humans and the natural environment by integrating knowledge and experience from both natural and social sciences. Major goals are to support information exchange, research, education, training and improved land management; largely through cooperation and shared projects with local private landowners and government agencies.
The park has two national historic sites located within its boundaries. These are the Prince of Wales Hotel National Historic Site (1995) and the Lineham Discovery Well National Historic Site (the site of western Canada's first producing oil well) (1968).
Waterton is located in the southwest corner of Alberta. It is bordered...
on the west by the province of British Columbia (Akamina-Kishinena Provincial Park and Flathead Provincial Forest);
on the south by Glacier National Park, Montana;
on the north and east by the Bow-Crow Forest, and private lands in the Municipal Districts of Cardston and Pincher Creek;
and includes a large timber reserve belonging to the Kainaiwa (Blood Tribe.)
The townsite sits at 1280 m (4200 ft) above sea level and the park's highest peak, Mt. Blakiston, is 2940 m (9645 ft) above sea level or approximately 1,490 m (4900 ft) tall.
The park is open year round although most facilities are closed in winter. Annual visitation is approximately 425,000. The year round residential population of about 100 people increases in the summer to about 2,000.
UNIQUE NATURAL FEATURES OF WATERTON
Some of the oldest, exposed sedimentary rock in the Canadian Rockies the Lewis thrust fault has exposed 1,500 million-year-old sedimentary rock.
Argillite the vivid colours of green and red layers of sedimentary rock are a result of oxidized and unoxidized iron in the rock. Both rock types, called argillite, derived from iron rich muds laid down on the bottom of an ancient sea.
Climate Waterton receives Alberta's highest average annual precipitation levels (1,072 mm) It is also one of Alberta's windiest places. Winter winds over 100 km/hr are common. Waterton has many chinooks, which contribute to it being one of Alberta's warmest areas in winter (about 28 winter days with temperatures of 2.5 C and above). These winds can cause temperatures to rise dramatically over short periods of time.
Foothills fescue prairie this grassland region stretches along the plains and foothills from southern Alberta into Montana. Waterton Lakes is the only Canadian national park that preserves foothills fescue grasslands.
Rare Vegetation Of 45 vegetation types identified in Waterton's recent Ecological Land Classification, 16 are considered significant because they are rare (small area in the park) or fragile and threatened. Notable are two grassland types and two types of aspen forest. These are threatened by non-native plant invasion, disturbance and heavy grazing pressure.
Rare Plants Amongst Waterton's more than 1000 species of vascular plants, 179 species are rare in Alberta. Twenty-two of these plants are not found anywhere else in Alberta.
Moonwort Hot Spot Waterton has globally significant genetic diversity, best symbolized by its amazing variety of small ferns called moonworts. Waterton has 8 different moonworts. The Waterton moonwort (Botrychium x watertonense) is only found here and is considered the rarest plant in the park.
Beargrass (Xerophyllum tenax) Tall beargrass flowers and their tufts of grassy leaves are Waterton's showiest plant. Waterton Lakes is the only Canadian national park that protects this lily. It is the unofficial emblem of the Waterton-Glacier International Peace Park.
Plains-dwelling Grizzly Bears Waterton is one of the last places in North America where grizzlies commonly range into the edges of its former grassland range.
What would the mind's eye of an artificial intelligence be like?
Ever since I got the Hipstamatic Vixen film in December, I've been experimenting with it combined with the Salvador 84 film and all sorts of post-processing craziness (I've noted what adjustments I could in the tags in case you want to try and replicate these effects). Most of the results of my experiments have been abstract muddles not really worth sharing, but I quite like this one!
Photographed in Lyons. When I first saw this beast, I noticed the wingbars, which seemed more prominent in the field. I thought that I failed to get any pics, but was wrong
Note the large, oddly colored bill. Also, the interface between the white underparts and the pink/gray is shaped more like the white/gray interface of a WWJU. Finally, there is some gray suffusion to the pink sides.
The media consumption experience is poised to transform, and fast. Technologies that have been tinkered with for years, ranging from virtual and augmented reality to sensors and robotics, are finally on the tipping point of mass commercialization. As the physical and digital worlds converge, how will these technologies shape how people interact with digital media?
On November 18, 2014, NYC Media Lab and Razorfish hosted the second occasion of Future Interfaces, an evening "science fair" on the future of human-computer interaction and digital media. More than 300 guests came to go hands-on with 30 demos from startups and universities to see what's on the verge of commercialization, what’s still in the lab, and what advances will change the nature of media and communications in the future.
To learn more about the event and to see a full list of participating demos, visit www.nycmedialab.org/events/future-interfaces/
This is a short demo of some user interface concept work I've been developing recently. The interface is entirely built with HTML, and then progressively enhanced using jQuery. The slider controls use jQuery UI's Slider package, and Filament Group's enhanced Accessible Slider extension.
Command Line Interface - CLI
Type: Text
Static, Disconnected, High-Low, Directed, Recall
Graphical User Interface - GUI
Type: Graphics
Responsive, Indirect, DBL Medium, Exploratory, Recognition
Natural User Interface - NUI
Type: Objects
Evocative, Unmediated, Fast Few, Contextual, Intuition
Interface by Gradio.com powered by google colab*
Avatar: Zenobia Salomé Himanez (zenobia.himanez)
Morphing revisited from the early 2000 phenom, with ai its soooo much neater and easier
machined classic boxy jacket showing the back
the hem front and back will be changed.
at the moment i've edged in zigzag stitching. i'll be adding a biased hem in the same oatmeal fabric.
the sleeve hem is tacked ready to be hand stitched
i'm not adding the collar
oatmeal fabric with flecks wool blend 2 metres @ £8 per metre
green lining 2 metres @ £2 per metre
both 1.50 metres wide
i followed the classic boxy jacket downloaded pattern from this reference book flic.kr/p/2q55djV
'the dressmaking book' by alison smith mbe publisher dk
alongside the reference book i use you tube tutorials that i search for when more explanation is needed
for the lining i'll follow the instructions where the boxy jacket has a collar
How to Sew Darts | Beginner & Advanced www.youtube.com/watch?v=m9x-i-txyfo
5 Tips on how sew non-pointy darts! www.youtube.com/watch?v=D8M_TLn_do4
How to Sew an Invisible Zipper
www.youtube.com/watch?v=yaza9t-CAiQ
How to Sew an Invisible Zipper - Updated
www.youtube.com/watch?v=cG8CSr11kjA
How To Sew Invisible Zipper On Shirt / Dress | Sewing Technique Tutorial
www.youtube.com/watch?v=ZHNrRoCSxaE
Invisible Zipper
www.youtube.com/shorts/npDSSAMzNNc
Super clever invisible zip trick
www.youtube.com/watch?v=2UyfKL5G-Bw
how to understitch www.youtube.com/watch?v=aFz4tsplENI
what is understitching?
www.youtube.com/watch?v=gnRDeKqKgto
ten top stitching tips www.youtube.com/watch?v=XDRXfYgkU4k
Top and Dress
Detailed Sewing Tutorial For A Beginner : Simple Linen Top, Bias Binding Neckline【Free Pattern】
www.youtube.com/watch?v=5cFiT8UcU54
Download the Pattern
www.madebysachi.com/2021/09/27/super-simple-top/
LINEN DRESS DIY【Free Pattern +Easy Draft】Step by Step Guide for Beginner /back opening /Skirt Pleats
www.youtube.com/watch?v=iDFRlF_yEtA&t=0s
Download the Pattern
www.madebysachi.com/2021/09/27/super-simple-top/
BASIC SEAM POCKET
www.madebysachi.com/2022/07/09/basic-seam-pocket/
How to Sew Pleats | Box Pleat, Knife Pleat, Inverted Box Pleat
www.youtube.com/watch?v=kRlHcPh38MY
Forming Box Pleats
www.youtube.com/watch?v=cNXJ_BIsb1E
Inverted Pleat
www.youtube.com/watch?v=EfdE3DlJdFQ
setting the sleeve www.youtube.com/watch?v=Nqo-SIy8MXY&t=178s
coat pattern instructions www.sewmag.co.uk/free-sewing-patterns/serena-wool-coat#lo...
How to properly sew a shawl collar jacket/sewing techniques for beginners www.youtube.com/watch?v=DjeqgIfSt9c
Easy Way To Sewing shawl collar | Coat Collar Tutorial Cutting and Stitching | Sewing Tutorial www.youtube.com/watch?v=dsUZjA9JErI
my sewing machine JL220 flic.kr/p/2odruLA from john lewis www.johnlewis.com/john-lewis-jl220-sewing-machine-pepperm...
sewing machine maintenance flic.kr/p/2q9GVTh
How to Use your SEWING MACHINE (for Beginners)
www.youtube.com/watch?v=jmaZBTMzkoY
A Beginners' Guide To Using Your Sewing Machine
www.youtube.com/watch?v=imryOl_LNaw
Beginners Sewing Course - Day 1 - The Basics
www.youtube.com/watch?v=IGITrkYdjJs
Seam Finishes
10 SEAM FINISHES Without a Serger || Basic to Couture
www.youtube.com/watch?v=GYt7JxC_bIc&t=596s
7 Seam Types and How to Make it- Sewing Lesson for Beginner
www.youtube.com/watch?v=Ax6JDDP_6O8
French Seam Pockets
How to Add Pockets to a Side Seam using French Seams
www.youtube.com/watch?v=aatWJL_aAYY
Lining
How to add lining to ANY dress pattern | Sewing Tutorial
www.youtube.com/watch?v=ENKI3fSBQBo
How To Sew a Slip Stitch by Hand
www.youtube.com/watch?v=pjky55Cp1_I
Buttonholes
3 Sewing Tips to Make Buttonholes Neatly and Quickly
www.youtube.com/watch?v=6oOz28Ybk8I
How to Machine-Sew and Custom-sized Buttonhole
www.youtube.com/watch?v=A6P-TKK3tjg&t=135s
Place and Sew Hooks and Eyes Correctly
www.youtube.com/watch?v=_d06GhQx_Wg
How to Fix a Low Neckline
www.youtube.com/watch?v=3U-W6W5fh-4
Interfacing
How to fuse iron-on interfacing to fabric
www.youtube.com/watch?v=7idVbAkUBTU
reference books
i'm a complete beginner at dressmaking. posting photos of progress to encourage myself to continue www.flickr.com/photos/connect2012/albums/72177720305370633/ i'm not making any recommendations ...
Hardest thing always is to make a housing... This is an interface switching the keyer and PTT with RTS/DTR on the serial port and couples the audio in and out. All fully insulated with relais or transformers. Cost: $ 0.00 as I had all this stuff in the junk box.
So here we are, on the road again, and I hadn't sorted out the Sony A6000 to Snapseed interfaces.
I shoot RAW and my image transfers from this trip look meh. After 4 weeks it finally occurred to me to look at the file size. Lo and behold, thumbnail jpgs were transferred. Ugh.
This is why my cellphone images look sharp on Flickr and the A6000 images do not.
I tested shooting RAW + JPG and the good, full Rez JPG does transfer. Lesson learned.
Next thing is image processing.
I read about how Norman Seeff used to print high contrast works with a twist. He used a black stocking between the enlarger lens and paper to give a interesting softness to some of his images.
He wasn't by any means the only one to do this.
When I worked at Samy Cameras photo lab on Sunset Blvd in Hollyweird we used to do this at client request. It was really no big deal.
What was a bigger deal was our use of Agfa Portriga Rapid 111 Glossy paper. It gave a gorgeous deep walnut brown tone. We used this for may of the gallery shows we printed for various then famous photographers.
Taking the black stocking idea and borrowing tones from Portriga Rapid, it turns out, expresses pretty well how I feel about Rome.
So, here is a series of images done in an old, outdated, likely not very hip manner.
Layout de Inovação proposto pela ITBN. Interactive Transmidia Branding Network. Através de um vídeo mapeado é possível obter maiores informações sobre a história, personagens e navegar por conteúdos integrados e relativos dentro do vídeo. A tecnologia envolve html5 e possibilita, inclusive, alterar o layout da página a cada clique ou navegador pelas informações internas mesmo que o usuário estiver assistindo o vídeo em fullscreen. 2010
Google Video is increasingly cluttered. Check out the viral links in the blue box ('Email - Blog - Post to MySpace') - do Google not test their interfaces at a range of font sizes?
The interface does complement the video though:
My work-day... Today's pretty slow and boring. :/
Edit: Interesting note, everyone in that chat window (as in everyone I was talking to) works for Apple, except for the "beg51" one... He just wishes he worked there. :D
Other work-time screenshots from Apple:
Ben pretending he's Steve Jobs
Eric Schmidt (Google CEO) joins Apple board of directors
My Apple badge (not a screenshot, but fun nonetheless)
Mountain Dew bottlecap stack (also not a screenshot, but very slackerish at work... it was slow!)
Smoke break shenanigans (also not a screencap, but funny)
My eMac at Apple, and part of my desktop
You like this? Then Digg this shit, son! :D
Edit: 05/10/2007 - Somewhere around 2pm today, Ira SomethingOrOther, from Apple (who did not even care to specify his position) called my house and spoke to me. Mr. Ira Whoever then "asked me nicely" to remove the image ("I'm asking you to take it down, or we'll send you papers". Yes. his words). My response: "So, I'm being threatened with a NastyGram?" and before I could barely finish the word "threatened", his hurried and heavy-toned response was "No, you're not being threatened. We're 'asking you nicely' to remove it." I inquired exactly what the part of it was that Apple had a problem with, and was given a very vague response:
"We don't have a problem with it. It's illegal to post internal systems of Apple's."
"However, Peoplesoft is not owned nor created by Apple."
"PeopleSoft does belong to Apple."
"No, PeopleSoft is not owned by Apple, I've used it at Radioshack, Wells Fargo, and Shasta High School."
"Well... um... GCRM is."
"Yeah, sure, I guess."
When I asked specifically if it was GCRM that Apple's higher-ups had an issue with, I was again given a very vague answer, just coming back down to somewhat thinly veiled heavyhanded "polite asking".
Now, I understand Apple's interest in protecting their internal secrets, interests, and properties... So, in response to Ira *Insert forgettable last name here*, I have replaced this image with a hopefully Apple-Friendly version. Anything even remotely considered Apple internal systems has been blurred out.
I am now not in any violation of any interpretation of any sort of NDA that I signed a year and a half ago.
Cupertino must've been bored this week... It's not like this was a leak of Asteroid proportions. Which, being said, as an Apple fan and a musician obsessed with computer-based recording, I would 99.9% buy one of those bastards. IF it didn't suck. Pass that on to His Steveness, Ira.
So, if this image is now Apple-Approved, great. If this still is a problem, I believe you have my number. ;-)
FILE MÍDIA ARTE | FILE MEDIA ART
Aaron Oldenburg – Baptize – Estados Unidos | United States
Alan Bigelow – Saving the alphabet - Estados Unidos | United States
Alan Bigelow – My summer vacation - Estados Unidos | United States
Alan Bigelow – Brainstrips - Estados Unidos | United States
Alice Bradshaw – Static - Reino Unido | United Kingdom
Alix Poscharsky - Arthur N. Ghell - Reino Unido | United Kingdom
Annette Weintraub - One Text, Many Stories [URBAN MEMORY LOSS: a Nightmare of Change in which Time is Inscribed in Space or How a Text Became a Story] - Estados Unidos | United States
Apokalipso: Rafael Gomes, Áthila Benites, Sávio Oliveira, Leandro Caro, Natanael Andrade, Fernando Gavronski & Fernanda Ferreiro – Senmorta – Brasil | Brazil
Bam Studio - Estudio de Animação Barros Melo: Leonardo Domingues – A sorte – Brasil | Brazil
Bam Studio - Estudio de Animação Barros Melo: Marcio Vieira – Mundo mudo - Brasil | Brazil
Bam Studio - Estudio de Animação Barros Melo: Filippe Lyra & William Paiva – Voltage - Brasil | Brazil
boredomresearch: Vicky Isley & Paul Smith – Lost Calls of Cloud Mountain Whirligigs (View 2, Right & Left) - Reino Unido | United Kingdom
Brad Todd - film noir – Canadá | Canada
Bruno M. Rocha, Camilo S. Lima, Caroline V. Costa & Daniela Bissoli - WIRESCAPES_simulação transversa de uma condição de metrópole - Brasil | Brazil
Calin Man - Have a Nice Click - Romênia | Romania
Caterina Davinio - The First Poetry Space Shuttle Landing on Second Life – Itália | Italy
Céline TROUILLET - Song No. 9 – França | France
Céline TROUILLET - Song No. 11 – França | France
Chris Coleman - The Magnitude of the Continental Divides – Estados Unidos | United States
Christin Bolewski - Shan-Shui-Hua – Alemanha | Germany
Coletivo Vertigem: Juliana Rodrigues, Natalia Santana & Ygor Ferreira - Repensando a Obra de arte repensada, Eu Tu Ele, Nós, Vós, Eles ou Labirinto Flutuante – Brasil | Brazil
Daito Manabe & Motoi ishibashi - Pa++ern – Brasil | Brazil
Danilo Guimarãres - (L) anos de Brasília! – Brasil | Brazil
David Clark, Marina Roy & Graham Meisner - Sign After The X - Canadá | Canada
Eric Schockmel - Occupation: Movement I (Syscape#4) - Reino Unido | United Kingdom
Fernanda Antoun - Um, Dois! Um, Dois! - Brasil | Brazil
Fundamental Research Lab: Robert B. Lisek – NEST – Polônia | Polony
Gabriela Golder – RESCATE – Argentina | Argentina
hint.fm: Fernanda Viegas & Martin Wattenberg – Fleshmap - Estados Unidos | United States
Hyun Ju Song - NOTHING IS FINISHED - Alemanha | Germany
Ivan Henriques – ReLandscaping - Holanda - Netherlands
Jason Nelson - Evidence of Everything Exploding - Austrália | Australia
Jonathan Monaghan - French Penguin - Estados Unidos | United States
Juliana Yamashita - Metro Tracks - Brasil | Brazil
Kevin Evensen – Danses - Estados Unidos | United States
Kika Nicolela – Flickering - Brasil | Brazil
Kristoffer Ørum, Anders Bojen, Rune Graulund, Maja Zander, Kaspar Bonnén, Stig W. Jørgensen, Palle R Jensen, Ida Marie Hede Bertelsen, Peter Rasmussen, Kasper Hesselbjerg, Ulrik Nørgaard, Daphne Bidstrup, Andreas Pallisgaard & Kristian Haarløv - Radiant Copenhagen - Dinamarca | Denmark
lemeh42 - Inner Klänge – Itália | Italy
Leonardo Uehara - An interactive sound tale - Brasil | Brazil
Martin John Callanan - I wanted to see all the news from today - Reino Unido | United Kingdom
Maya Watanabe – ABRASIS – França | France
Michael Takeo Magruder - Data_plex (economy) - Reino Unido | United Kingdom
Michael Takeo Magruder - Data_sea - Reino Unido | United Kingdom
Michele Barker & Anna Munster - Duchenne's Smile - Austrália | Australia
Miriam Thyes - Global Vulva - Alemanha | Germany
mitumBACK: Coelestine Engels, Markus Hafner & Christof Berthold – mitumBACK - Áustria | Austria
moddr: Gordan Savicic, Walter Langelaar & Danja Vassiliev - Web 2.0 Suicidemachine - Holanda - Netherlands
Não se Cale!: Amanda Miyuki de Sá, Danilo Polo Cain, Douglas Ferreira Neto, Fábio Henrique Alves Will, Patrícia Hitomi Nakazone, Talles Marques Duarte - NÃO SE CALE: A VIOLÊNCIA CONTRA A MULHER A PARTIR DAS PROPOSTAS FOTOGRÁFICAS DE BARBARA KRUGER – Brasil | Brazil
Nicholas Knouf – MAICgregator - Estados Unidos | United States
Nicole Kenney & KS Rives - Before I die I want to - Estados Unidos | United States
Nicole Stenger – DYNASTY - França | France
Osvaldo Cibils - 300x300artsport - Itália | Italy
Owen Eric Wood – Holobomo - Canadá | Canada
Owen Eric Wood – Parallel - Canadá | Canada
OZCAN TURKMEN - ENTROPIC POETRY - Turquia | Turkey
Pipol - TV Cronópios - Brasil | Brazil
Rachelmauricio – towtom - Brasil | Brazil
Rachelmauricio – TexET - Brasil | Brazil
Rachelmauricio - NO_HAHAB - Brasil | Brazil
Regina Pinto – AlphaAlpha - Brasil | Brazil
Regina Pinto - DAVID DANIEL'S 200+ HUMANS BEINGÈD HYMN TO HUMANITY - Brasil | Brazil
rgb3000 - superfreedraw.com - Alemanha | Germany
Richard O'Sullivan – Monitor - Reino Unido | United Kingdom
Richard O'Sullivan - Broken Windows - Reino Unido | United Kingdom
Roderick Coover – Canyonlands - Estados Unidos | United States
Roderick Coover - SOMETHING THAT HAPPENED ONLY ONCE - Estados Unidos | United States
Rosa Menkman - Glitch Studies Manifesto - Holanda - Netherlands
Rui Filipe Antunes - Senhora da Graça - Reino Unido | United Kingdom
Sally Grizell Larson – Axiom - Reino Unido | United Kingdom
Sergio Sotomayor - Madera (Wood) - Espanha | Spain
Silvia Laurentiz - Poesias Digitais: Projeto Percorrendo Escrituras - Brasil | Brazil
Spot - Dreams In High Fidelity II - Estados Unidos | United States
Stanza – Sondcities - Reino Unido | United Kingdom
Stuart Pound - Dance 0-19 - Reino Unido | United Kingdom
Stuart Pound - She's not there - Reino Unido | United Kingdom
Stuart Pound - Bus Stop version 2010 - Reino Unido | United Kingdom
Stuart Pound - Not you again! - Reino Unido | United Kingdom
Stuart Pound - Oh no, not you again! - Reino Unido | United Kingdom
Stuart Pound - Sticky Pixels - Reino Unido | United Kingdom
Susanne Berkenheger - The Last Days of Second Life - Alemanha | Germany
Tchello d'Barros - "Convergências" | "Convergences" - Brasil | Brazil
Tim Webster - Wonderlands: Machu Picchu - Austrália | Australia
Tina Velho - Tão longe...tão perto - Brasil | Brazil
Trace Sanderson aka Lainy Voom & Tamara Russel aka Gala Charron - Virtual Build Archive (VBA) - Reino Unido e Estados Unidos | United Kingdom and United States
Tuvalu Vizualization Project: Hidenori Watanave, Makiko Suzuki & Shuichi Endou - Tuvalu Vizualization Project - Japão | Japan
UBERMORGEN.COM - SUPERENCHANCED GENERATOR - Áustria | Austria
UBERMORGEN.COM - UGI - UNIVERSAL HEALTH - Áustria | Austria
VJ Eletro-I-MAN - Projeto Representa Corisco - Espanha | Spain
Wilton Azevedo, Rita Varlesi & Savana Pace – Atame: a Angústia do Precário - Brasil | Brazil
ZAO – hearts - Brasil | Brazil
HIPERSÔNICA PARTICIPANTES | HYPERSONICA PARTICIPANTS
++CAYCE POLLARD coletivodeartecomputacional; Nicolau Centola e Fabrizio Poltronieri - A Night in São Paulo - Brasil | Brazil
4propri8 - Junglow Drift - Brasil | Brazil
all your gardening needs – Arranco - Brasil | Brazil
Basavizi: André Damião Bandeira, Fernando Visockis & Sérgio Saad - HID - Human Improvisation Delight - Brasil | Brazil
Berger Rond - Stairs of Unsteady - Canadá | Canada
Carlos Dohrn - x → y - Brasil | Brazil
Carol Robinson – BILLOWS - França | France
Claudio Parodi - The Mother of All Feedback - Itália | Italy
Daniel Gazana - MISTÉRIO MUDO - Brasil | Brazil
Daniel Gazana - RE-CONNECT - Brasil | Brazil
Daniel Gazana - THE KINGDOM OF THE STEEL PORTAL - Brasil | Brazil
Danilo Rossetti - Metropolis parte 1 - Brasil | Brazil
Debashis Sinha - The Bell Garden - Canadá | Canada
Edilson Cardoso - Hâhnio - Ruídos para Filmes de Horror B - Brasil | Brazil
Eduardo Patrício - Electric Talk M.M.S. - Brasil | Brazil
Edwin Lo - Auditory Scenes: The other side of Tides in Limbo - China | China
Emanuele Battisti - Electrode - Study on Pink Noise N.1 - Itália | Italy
Felipe Kirst Adami - Piano Harm - Brasil | Brazil
Franklin Valverde – Sonóricos - Brasil | Brazil
Graeme Truslove - Divergent Dialogues - Reino Unido | United Kingdom
Graeme Truslove – Concrètisations - Reino Unido | United Kingdom
Graeme Truslove – Portals - Reino Unido | United Kingdom
Graeme Truslove – Elements - Reino Unido | United Kingdom
Gustavo Alfaix - (en)treses - Brasil | Brazil
John Young – Lamentations - Reino Unido | United Kingdom
Kunkuni Mix Project: Rosa Apablaza & Federico Duret - Posible Objetivo Patera - Holanda | Netherlands
Minusbaby - Subversive Motives in Chip Music or The 8bitpeople's party - Estados Unidos | United States
Ocp – Rejects - Portugal | Portugal
Panayiotis KOKORAS - Contruct Synthesis - Grécia | Greece
PAULO GUICHENEY - rec on struction - Brasil | Brazil
Philip Mantione - Dialtone and Strings - Estados Unidos | United States
Regina Porto - Metrópolis São Paulo - Brasil | Brazil
Rohan De Livera – Haiku - Sri Lanka | Sri Lanka
Secret Axis Sonic Collective: Vanderlei Lucentini, Kojiro Umezaki, Yann Novak, Manrico Montero, Terjen Paulsen, Adam Tindale, Scott Smalwood, Zbgniew Karkowski & Hangchul Ki - Secret Axis - Brasil | Brazil
SIMPLE.NORMAL: CLEBER GAZANA – CONSTRUCT - Brasil | Brazil
Sol Rezza - 25 segundos de vida - México | Mexico
The Tiny Orchestra - THE LANGUAGE OF WAITING - Canadá | Canada
Túlio Falcão - Túlio Falcão apresenta: a música de Enrorlando di Falcus - Brasil | Brazil
Vanessa Rossetto - Dogs in English Porcelain - Estados Unidos | United States
Victor Valentim – Estralactides - Brasil | Brazil
HIPERSÔNICA SCREENING – HYPERSONICA SCREENING
Daniel Gazana - MAN-MACHINE-TIME - Brasil | Brazil
Eduardo Raccah – EY - Alemanha | Germany
Fernando Velázquez - SP, automata landscape - Brasil | Brazil
Jaap: Harriet Payer Anderss, Jorge Esquivelzeta - Sound of this City - México | Mexico
Pink Twins - Defenestrator - Finlândia | Finland
Roberto Doati – Sindrome scamosciata - Itália | Italy
Rodrigo F. Cadiz - ID-FUSIONES - Chile | Chile
Sandra Crisp – Oceanics - Reino Unido | United Kingdom
Soundsthatmatter – skinstryment - Brasil | Brazil
Soundsthatmatter – bwavssh - Brasil | Brazil
Soundsthatmatter – soundstrain - Brasil | Brazil
FILE MAQUINEMA | FILE MACHINIMA
Andrzej Kozlowski aka CapKosmaty - Apocalypsis Ex Machinima - Polônia | Poland
Annie Ok - My life as an avatar (03-10) - Estados Unidos | United States
Annie Ok - My life as an avatar (04-08) - Estados Unidos | United States
Annie Ok - My life as an avatar (06-08) - Estados Unidos | United States
Basile Vignes aka Tutsy Navarathna - To Each one his own Dreams - Índia | India
Basile Vignes aka Tutsy Navarathna - Vegetal Planet - Índia | India
Berardo Carboni aka Finally Outlander – Volavola - Itália | Italy
Bernard Capitaine aka Iono Allen - The story of Susa Bubble - França | France
Chantal Gerads aka Chantal Harvey - A Woman´s Trial - Holanda | Netherlands
Corndog & Oil Tiger Machinima Team - War of Internet Addiction - China | China
Daniel Wasiluk aka Surgee - The Demise - Polônia | Poland
Egils Mednis aka Demoplay - The Ship - Letônia | Latvia
Elise Carlson aka Lyric Lundquist - Cradle and Trap - Estados Unidos | United States
Elise Carlson aka Lyric Lundquist - Cyberspace is Vast - Estados Unidos | United States
Elise Carlson aka Lyric Lundquist - Sideways Time - Estados Unidos | United States
Elizabeth Pickrd aka Liz Solo - The Death of an avatar - Canadá | Canada
Harrison Heller aka Nefarious Guy & Amorphous Blob Productions – Clockwork - Estados Unidos | United States
Iain Friar aka IceAxe – Clockwork - Reino Unido | United Kingdom
Iain Friar aka IceAxe – Embers - Reino Unido | United Kingdom
J. Joshua Diltz - Six Days - Estados Unidos | United States
James Thorpe aka Blackace - Daddy is Home - Reino Unido | United Kingdom
Les Riches Douaniers: Gilles Richard & Fabrice Zoll - Chevauchée Nocturne - França | France
Les Riches Douaniers: Gilles Richard & Fabrice Zoll – Kamikaze - França | France
Luca Lisci aka Voom – Prometheus - Itália | Italy
Luca Lisci aka Voom - The Blue Planet - Itália | Italy
Luca Lisci aka Voom - Valentina 'Riflesso' - Itália | Italy
Mark Capell aka Hardy Capo - Control Point - Reino Unido | United Kingdom
Miguel Moreira aka Hadj Ling - The Black Chant - Portugal | Portugal
Pineapple Pictures: Kate Fosk & Michael Joyce – Voices - Reino Unido | United Kingdom
Piotr Kopik - Big Psomm 2 - Polônia | Poland
Rob Wright aka Robbie Dingo - Watch the world(s) - Reino Unido | United Kingdom
Sam Goldwater aka Lorka - The Monad - Reino Unido | United Kingdom
Simone Schleu aka Sisch - Saving Grace - Alemanha | Germany
Simone Schleu aka Sisch – Transient - Alemanha | Germany
The Do Group: Clemens Fobianke aka Cisko Vandeverre - Der Erlköning - Alemanha | Germany
The Do Group: Clemens Fobianke aka Cisko Vandeverre - Der Handschuh - Alemanha | Germany
Tobias Lundmark aka Dopefish & Malu05 - Among Fables and Men - Suécia | Sweden
Tom Jantol - Brief Encounter - Croácia | Croatia
Tom Jantol - Wizard of OS: The Fish Incident - Croácia | Croatia
Tony Bannan aka Ammo Previz - Folie à Deux - Austrália | Australia
Trace Sanderson aka Lainy Voom – Fall - Reino Unido | United Kingdom
Trace Sanderson aka Lainy Voom – Postcard - Reino Unido | United Kingdom
Trace Sanderson aka Lainy Voom – Push - Reino Unido | United Kingdom
Van Aerden & Nicolas Bonne – Metabup - França | France
Van Aerden & Nicolas Bonne - Transbup (Trailer) - França | France
Vivian Kendall aka Osprey Therian - Alazi Sautereau - Estados Unidos | United States
Vivian Kendall aka Osprey Therian - Virtual Reality in the Future - Estados Unidos | United States
Zachariah Scott - Jill´s song - Estados Unidos | United States
GAMES
Alexandre Machado | 44 Bico Largo - Robo Sucata - Brasil | Brazil
Behold Studios | Buraco de Bala - Luna - Magnetoware Adventures - Brasil | Brazil
Eddy Boxerman & Dave Burke – Osmos - Canadá | Canada
Elias Holmlid, Dmitri Kurteanu, Guy Lima Jr. & Stefan Mikaelsson – Continuity - Suécia | Sweden
Erik Svedäng - Blueberry Garden - Suécia | Sweden
Florian Faller & Adrian Stutz – Feist - Suíça | Switzerland
Grupo Yellow Jam: Luciano José Firmino Júnior, Luiz José Barbosa de Moura Souza, Rafael Valle Barradas & Heloise Dantas Oliveira - Last Hope - Brasil | Brazil
Guilherme Bischoff, Francesco Sciamarella, Cauê Madeira & Evandro Valente | Kidguru Studios – Lumaki - Brasil | Brazil
Jairo Margatho | Overplay - Night Life - Brasil | Brazil
Joannie Wu & Lee Byron – Fireflies - Estados Unidos | United States
Kokoromi & Polytron - super HYPERCUBE - Canada | Canadá
Leonardo Arantes | Isis Interactive Graphics - Freestyle Challenge - Brasil | Brazil
Luiz Gerosa | Interama - Esther Art Gallery - Brasil | Brazil
Paulo Biagioni – Mutualismo - Brasil | Brazil
Philip Mangione - Chameleon Puzzle Runners - Brasil | Brazil
Q-Games - PixelJunk Eden - Japão | Japan
Rafael Fernandes | TecToy Digital - Vovó a solta - Brasil | Brazil
Rob Jagnow – Cogs - Estados Unidos | United States
Steph Thirion – Eliss - Portugal | Portugal
Tales of Tales – Vanitas - Belgica | Belgium
Tiago Fernandes | TecToy Digital - Dragon vs Heroes - Brasil | Brazil
Tiger Style Games - Spider: The Secret of Bryce Manor - Estados Unidos | United States
Tyler Glaiel – Closure - Estados Unidos | United States
Petri Purho - Crayon Physics Deluxe - Finlândia | Finland
INSTALAÇÕES | INSTALLATIONS
Andrew Hieronymi - Virtual Ground - Estados Unidos | United States
Corby & Baily, Jonathan Mackenzie - Southern Ocean Studies # 1.0 - Reino Unido | United Kingdom
Electronic Shadow: Naziha Mestaoui & Yacine Aït Kaci – SuperFluidity - França | France
Ernesto Klar - Luzes relacionais (Relational Lights) - Estados Unidos e Venezuela | United States and Venezuela
Guto Nóbrega – Breathing - Brasil | Brazil
Jarbas Jácome – Vitalino - Brasil | Brazil
Jeraman & Filipe Calegario - Marvim Gainsbug - Brasil | Brazil
Jonas Bohatsch - v+ - Áustria | Austria
Jörg Piringer - abcdefghijklmnopqrstuvwxyz for iPhone - Áustria | Austria
Jorge Luis Crowe - 2x (Power of two) - Argentina | Argentina
José Luis de Vicente, Irma Vilà & Bestiario - Atlas of Electromagnetic Space - Espanha | Spain
Keiko Takahashi & Shinji Sasada - Diorama Table - Japão | Japan
LEMUR: League of Electronic Musical Urban Robots & Eric Singer - LEMUR GuitarBot II - Estados Unidos | United States
Luo, He-Lin & Chen, I- Chun - Light Calligraphy - Taiwan (R.O.C.) | Taiwan (R.O.C.)
Markus Decker, Dietmar Offenhuber & Ushi Reiter - From Dust Till Dawn - Áustria | Austria
MARS: Media Arts Research Studies: Monika Fleischmann & Wolfgang Strauss – Mediaflow - Alemanha | Germany
Muk - disc.o - Áustria | Austria
Multitouch Barcelona: Dani Armengol, Roger Pujol, Xavier Vilar & Pol Pla - Hi! A real human interface - Espanha | Spain
Myrto Karanika & Jeremy Keenan – Strings - Reino Unido | United Kingdom
Pierre Proske - Frame Seductions - França e Austrália | France and Australia
Rachel Zuanon & Geraldo Lima – BioBodyGame - Brasil | Brazil
Raquel Kogan – Reler - Brasil | Brazil
Ricardo Barreto, Maria Hsu & AMUDI: Núcleo de Arte e Tecnologia da Escola Politécnica de Engenharia da USP: Breno Flesch Franco, Daniel Augusto Azevedo Moori, Erica Usui, Guilherme Wang de Farias Barros, João Flesch Fortes, Leandro Molon e Nadia Sumie Nobre Ota – feelMe - Brasil | Brazil
Ricardo Brazileiro – METROBANG - Brasil | Brazil
Rob Seward - Death Death Death - Estados Unidos | United States
Robert Mathy - Light Frequency Fingertips - Áustria | Austria
Sebastian Schmieg - Roy Block - Alemanha | Germany
SWAMP: Douglas Easterly, Matt Kenyon & Tiago Rorke – Tardigotchi - Nova Zelândia | New Zealand
Yacine Sebti - Jump! - Bélgica e Marrocos | Belgium and Morocco
PERFORMANCE
27/07
Minusbaby (Richard Alexander Caraballo) - Subversive Motives in Chip Music, or The 8bitpeoples' Party - Estados Unidos | United States
Celia Eid, Sébastien Béranger & Amilcar Zani – Dislocations - Brasil | Brazil
28/07
Jaime E Oliver LR - Silent Percussion Project - Peru | Peru
Panetone - Short lived like a butterfly - Brasil | Brazil
29/07
HEARTCHAMBERORCHESTRA - TERMINALBEACH: Erich Berger [Áustria e Finlândia | Austria and Finland] & Peter Votava [Áustria e Alemanha | Austria and Germany]
30/07
MooM: Dino Vicente & Bill Meirelles - Câmara Secreta - Brasil | Brazil
Ricardo Carioba - dáblio (w) - Brasil | Brazil
DOCUMENTA
27/07
Gustavo Godinho & Vladimir Cunha - Brega S/A- Brasil | Brazil
Claudio Mojope - Talk o Meu Coração ZunZunZunTV - Brasil | Brazil
28/07
Andreas Johnsen & Rasmus Poulsen - Man Ooman (Man Woman) - Dinamarca | Denmark
Fenton Bayle & Randy Barbato - Party Monster: The Shockumentary - Estados Unidos | United States
29/07
João Wainer & Roberto T. Oliveira – PIXO - Brasil | Brazil
Otávio Donasci - 30 Anos de Vídeocriaturas - Brasil | Brazil
30/07
Andreas Johnsen - Good Copy Bad Copy - Dinamarca | Denmark
Robert Baca & Joshua Rizzo - Welcome to Macintosh - Estados Unidos | United States
Interfaced panels for half-square 'pyramid' skirt (Note: it has since been confirmed that full-panel will be necessary for wrap-around [only half-panel shown, top-left])
Romo is an iPhone on wheels. Just like the PhoneSats and Quadcopter controllers, when you add prosthetics to a smartphone, you have a very capable robot, satellite or toy, with most of the cost of the control systems and user interface relegated to the phone.
Keller’s short TED Talk came out today. Romo Arigato, Mr. Roboto.
I will be speaking on Robots in the Workplace at SRI on Thursday.
クルクル まわまわる
メグルかーそる メグルいんが
くルくリッくル・・・
TwiRl tWirL ArouNd Twirl aRound
CurSor that coMes Round.
CausE and effeCt that coMes Round.
big picture here if you're too lazy to click "all sizes"
www.flickr.com/photos/evablue/4044322285/sizes/o/
seems the new @blipfm interface is a little confusing because so many new features have been added. i've been playing with the beta so the switchover for me was seamless. i like the new version because they've added so much usability and features i like as a blipper.
so here's the stuff i found. it might help you figure out where all the old stuff went and what the new stuff is.
or you can see what the official blip blog says are the new features. i've highlighted their comments and pointed to the interface here:
Photo from series: «Stories of Toys and Cameras»
Photo from series: «Stories of Toys and Cameras»
Camera specifications
Matrix — 3.34 megapixel CCD (effective pixels of about 3.1 megapixels)
Lens — F 2.66 ~ 4.92
Built Viewfinder — Optical viewfinder
Focus — 50 ~ Infinity
Sensitivity — Auto, 100 200, 400
LCD screen — 1.5 inch LCD on the thin-film technology
Picture Resolution — 2048 x 1536, 1600 x 1200, 1024 x 768, 640 x 480
Video resolution images — 320 x 240
Quality pictures — Good (Fine) 5x compression rate Normal (Normal) aspect ratio of 10x
Spot Meter — Center-weighted average, multi-pattern TTLAE
Installing ModeN — Automatic and manual
Exposure compensation — on-2EV to + 2EV (-2.0, -1.7, -1.3, -1.0, -0.7, -0.3, 0.0, +0.3, +0.7, +1.0, +1.3, +1.7, +2.0)
Shutter — Mechanical shutter Variable electronic shutter Shutter Speed — 1/2000 sec 8 ~~
The digital zoom.
Preview mode: constant increase up to 2
Playback mode: variable magnification up to 8x
Format image files — EXIF 2.1 compatible (JPEG Compression) DCF compatible. Support DPOF, PIM
White balance — Automatic / Manual (5 modes in manual selection: daylight, cloudy, incandescent lighting, fluorescent lighting, black and white.)
Storage pictures — Built-in Flash Memory: 16 MB, External media: Memory Card SD / MMC
Microphone — built-in
Audio feedback — Buzzer
Communication Interface — USB 1.1
Delay shot — 2 mode, 2/10 sec with audible signal
Play Mode — Single shot / 9 small pictures
Video output — NTSC / PAL
Power supply — 2 AA batteries DC input: +3.3 DC adapter
Dimensions housing — Camera: 107 x 63 x 36.4 mm
Camera weight without batteries: 160 g
The price at the start of sales (2003) $ 280.
Identity / Branding / Collateral / Web GUI / Back-end proprietary technology /
ESP, THE Buy-Side Solution, provides settlement aggregation via advanced patent pending post-trade management technology, network and services. ESP connects to over 250 Algo, Broker and DMA venues worldwide through a single fix connection to our broker-neutral global routing network. Clients include leading mutual funds, life insurance companies, pension funds, asset managers and hedge funds.
Brokerage services are provided by Electronic Securities Processing (ESP) LLC.
Member of FINRA, SIPC.
FOLIO : www.behance.net/mitch_g
EMAIL : mitch@gstarstudio.com
A snapshot of the two main views we currently use to monitor flagging on Metafilter. 99% of the time we're interested in where the flags are piling up, not who is doing the flagging.
The top bit is what we see in the upper right corner of the main admin page on mefi; it lists flags sorted by volume and then by date for equally-flagged items. One recent change pb has made for us is the addition of subsite filters (see "all | ask | mefi | other") to make it simpler to keep an eye on major subsites independently if there's a lot of flagging activity on one that's obscuring lower-volume but still important flags on another.
We also use that "good spots" bit to keep an eye on "flagged as fantastic" stuff, since that flag carries a very different payload than most of the "there's a problem" choices. We will often notice sidebar-worthy comments because they show up here.
Down below is the inline flag info, something we've had for maybe a year now; it just lists flag count on individual items, which can be helpful for us when we're trying to figure out what's going on within a given thread. It used to be that we'd have to navigate comment-by-comment from the admin flag queue above, which worked but was tedious. This way, if a dozen things ended up flagged in a thread, we can tell what they are at a glance.
The blue pop-up is what we get if we hover over the "x times" link on the inline flag message. We don't need to use this much, but it's handy for the now-and-then occasion where we're not sure *why* a comment was flagged, as well as for the blue-moon situation where *who* flagged might help explain what's going on in a specific circumstance.
Other details not pictured here:
- Hovering over an item in the admin flag queue provides an abbreviated tooltip of the start of the comment or post flagged, which can help with quickly orienting or re-orienting us to what still needs attention before we even click through.
- There's a summary of flagging behavior in and on a thread at the top of each thread, to go with the per-comment inline flagging info. It tells us how many flags a post has gotten, as well as how many distinct comments have been flagged and how many total comment flags have accrued. We mirror the same information on the front page below every post. It's useful for telling at a glance if something looks like trouble without having to go to the admin interface first, which can help us notice things quicker if we're just casually browsing the site at the time.