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Artoo has always been known to stick his thing into other machines, but this time it was Threepio's turn.
The is the intersection of two walls on an office building at 199 S. Los Robles in Pasadena. The building was pretty boring overall, but from this perspective it was pretty cool.
Here's the street view. I was on my bicycle when I took the shot above and positioned myself right in the cleft of the first "V" closest to the sidewalk.
In the dark of the night when it's just you and your subject and you move in for the close up...
you wonder what they're thinking.
Entre l'ombre projetée d'une souche dans l'eau, qui met en évidence sa transparence, et la lumière réfléchie à sa surface..
July 3.16 - A small brush fire spread to 70 hectares in the wind at Burns Bog. Delta Fire crews were unable to keep up with the fast spread of the fire so Forestry and Metro Vancouver was called to assist.
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All photos reserved by www.bcfiretrucks.com No reproduction allowed of any photos unless written permission. For licencing information contact ryan@bcfiretrucks.com
front of the hat inside out showing the white, lightweight interfacing before the lining was attached flic.kr/p/2qsLKcf
the wool hat fits and it's wearable, thank goodness :) i'll wear it with one of the coats or boxy jacket when the weather's cold. will definitely make some more hats. i was greatly helped by the you tube tutorials particularly the 'baker boy/newsboy cap sewing tutorial' www.youtube.com/watch?v=6gcCdJP64WE&list=PLhaf82yGltt...
blue wool fabric leftover from previous projects
both calico and lining fabrics were leftover from previous projects
lightweight interfacing 1m x 1m 50cm cost £2
white thread leftover from previous projects
button chosen from some odd buttons in the button box
gutermann blue thread 1000m cost £10 plenty remaining for other projects
elastic 1m @ £1.50 used 30cm to give a tight fit on the headband
Baker boy / newsboy cap sewing tutorial
www.youtube.com/watch?v=6gcCdJP64WE&list=PLhaf82yGltt...
How to sew a woman's beret with a visor
www.youtube.com/watch?v=EEqkTs1r8Rs
Peaky Blinders Style _Shelby Cap
www.youtube.com/watch?v=PesNwRqgjo4
parts of a hat
www.totallypromotional.com/blog/parts-of-a-hat/
my sewing machine JL220 flic.kr/p/2odruLA from john lewis www.johnlewis.com/john-lewis-jl220-sewing-machine-pepperm...
sewing machine maintenance flic.kr/p/2q9GVTh
How to Use your SEWING MACHINE (for Beginners)
www.youtube.com/watch?v=jmaZBTMzkoY
A Beginners' Guide To Using Your Sewing Machine
www.youtube.com/watch?v=imryOl_LNaw
Beginners Sewing Course - Day 1 - The Basics
www.youtube.com/watch?v=IGITrkYdjJs
Seam Finishes
10 SEAM FINISHES Without a Serger || Basic to Couture
www.youtube.com/watch?v=GYt7JxC_bIc&t=596s
7 Seam Types and How to Make it- Sewing Lesson for Beginner
www.youtube.com/watch?v=Ax6JDDP_6O8
French Seam Pockets
How to Add Pockets to a Side Seam using French Seams
www.youtube.com/watch?v=aatWJL_aAYY
Lining
How to add lining to ANY dress pattern | Sewing Tutorial
www.youtube.com/watch?v=ENKI3fSBQBo
How To Sew a Slip Stitch by Hand
www.youtube.com/watch?v=pjky55Cp1_I
Buttonholes
3 Sewing Tips to Make Buttonholes Neatly and Quickly
www.youtube.com/watch?v=6oOz28Ybk8I
How to Machine-Sew and Custom-sized Buttonhole
www.youtube.com/watch?v=A6P-TKK3tjg&t=135s
Place and Sew Hooks and Eyes Correctly
www.youtube.com/watch?v=_d06GhQx_Wg
How to Fix a Low Neckline
www.youtube.com/watch?v=3U-W6W5fh-4
Interfacing
How to fuse iron-on interfacing to fabric
www.youtube.com/watch?v=7idVbAkUBTU
reference books
i'm a complete beginner at dressmaking. posting photos of progress to encourage myself to continue. no recommendations being made www.flickr.com/photos/connect2012/albums/72177720305370633/
A compact, fully automatic projected energy PDW. Model shown outfitted with red dot reflex sight, collapsible stock and tactical display with interface for milspec handhelds. Accepts Class "E" STANAG microcells which provide for approximately 800 bursts, or 40 seconds of sustained full auto fire.
Shown here with tactical display unfolded.
That's my video work, Future City (vimeo.com/tizzycanucci/futurecity), showing just inside the front door. First ever rl exhibition I've had art in, rather than being the administrator for.
The ‘Interface’ exhibition organised by neo:artists is at neogallery23, in the Market Place Shopping Centre in Bolton. It runs until 20th May 2018, open Thursday-Sunday from 11am-5pm. Admission is free and the space is fully accessible.
A map showing the shortest lines connecting each building entrance with the closest street segment. The hotter the colours the shorter is the distance. This mapping method clearly highlight the districts build in the 19th century, with tight proximities between buildings in favour of pedestrian movement.
This is part 1 of a closer look at the Rexroth interface to show the menus and function selections. I took a million pictures to get good images, which was a trouble at first with reflections during the day, but then I tried in darkness. The green screen and orange buttons look sweet ey! In the top left is your main menu which is pretty self explanatory. On the right is load mode where you can toggle between continuous pack or auto pack, which initiates 3 full blade cycles, otherwise you have the full manual forward and reverse operation. A button which Superior Pak no longer does have, but should on their newest models, is for the engine revs where you can completely deactivate them to be quiet or throttle up to boost the hydraulics. Also worth mentioning is the table of values on the right for the lift, beam and packer. Those numbers are milliampere units which measure electrical signal, so move the joystick and the values will increase dependent on proportional control. On the bottom left is unload mode and all shown there is also pretty obvious, only thing to explain is that list on the right refers to the function solenoids, with the empty squares lighting up once the body/door is operated. The last screen on the bottom is your set/resets screen which is also very obvious with bin count reset and load limit mode to reduce pack pressure for recycling, but it can only be changed with a password. Now go to part 2 for the rest.
What does it take to make a good street photgraphy point and shoot camera? My short list includes:
-Fast auto-focus
-Sharp lens
-Pocketability
-Silent operation
-A waist level viewfinder.
Many P&S cameras fulfill the first four criteria, but only a few come equipped with a truly usable vertical viewfinder that leaves the subjects unaware their picture is taken. Two very common examples are the Yashica T3 and the Canon Sureshot Ace. I plan on testing both in the near future, but until then I thought I'd make a short comparison of specifications and user interface for anyone who might be interested in getting one of them.
Size-wise they are very similar and weigh pretty much the same. The Canon has a pretty streamlined shape that gives it a pleasant look even by today's standards. The Yashica seems quite outdated in that department. The Canon is a bit narrower / flatter, so this makes it marginally more pocketable.
Both cameras are quite ergonomic with a nice grip and easy access to all buttons and controls. The Yashica has a rubber grip cover so it might have the edge there, although the Canon feels very secure too. I really appreciate the fact that both cameras have a retractable lens barrier that serves as a ON-OFF switch too.
The conventional viewfinder of the Yashica has the edge, as it is bigger, brighter and has parallax marks, unlike that of the Canon. On the other hand, the vertical viewfinder is larger (although somehow darker) in the Canon.
What really let me down was the lack of a flash-off option in the Sureshot, which really forces one to use high speed film to avoid the flash firing all the time. The flash can be turned off in the Yashica, although it defaults to ON everytime the shutter fires.
Another plus of the Yashica is that you can get focus confirmation when you're shooting from the hip, as the "AF" sign shows in the LCD screen. This is not possible with the Canon, although you can definitely hear the lens move to focus and this is usually enough, unless the environment is noisy.
Both cameras use the expensive 2CR5 6V lithium battery, so prepare to spend a lot on the battery, either way.
ASA range is 50-1600 for the Canon, The Yashica goes from 64 to 1600. Regarding shutter speeds, the Yashica offers a full 1s-1/630s range, while the Canon is limited to a 1/40-1/125s range (but stops the lens down to f/32 if necessary)
Both cameras are pretty noisy, the Canon shutter being the louder of the two, although in both cameras the film does not advance until you lift your finger off the shutter button, so you can do that after taking the picture in order not to startle the subject.
In the critical field of optics, I am a fan of Canon Sureshots, so far I've had nothing but sharp, contrasty, flare-free pics from my other Canon P&S. However, the Canon lens looks like a certain underdog here, being a 3.5/35 triplet competing with a Zeiss 2.8/35 Tessar lens treated with the famous T* coating. However, only a field test will settle the score and hopefully I'm going to set it up soon enough.
So, the Yashica seems to be a clear winner regarding optics, exposure range and the crucial flash-off option. The larger waist-level viewfinder and the sleeker design of the Canon are not enough to claim victory over the Yashica, or even a draw for that matter. However, before declaring the Yashica the logical choice, consider this: The Canon usually sells for less than 1/20 the price of the Yashica...
What would the mind's eye of an artificial intelligence be like?
Ever since I got the Hipstamatic Vixen film in December, I've been experimenting with it combined with the Salvador 84 film and all sorts of post-processing craziness (I've noted what adjustments I could in the tags in case you want to try and replicate these effects). Most of the results of my experiments have been abstract muddles not really worth sharing, but I quite like this one!
McCalls 5220 Slim skirted dress with large cape collar or Peter Pan collar. Applied ribbon trim on cape collar. Short of three quarter length sleeves in one with bodice back and front. Three gore skirt has low pleat at center back , may be lined. Left side zipper placket. Bodice front edges, belt and collars are interfaced with cambric.
copyright 1959
Size 12
Breast 32
Waist 25
Hips 34