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22nd street near Mission Street, San Francisco.

 

I've not uploaded anything for more than two months because I got bored with my usual photography. I think it's an indispensable blank.

Besides, I was a bit too busy preparing for a few exhibitions. Now I've just finished it and I leave Tokyo for Europe the day after tomorrow. First, I visit a gallery in Antwerp and give them some of my prints, which will be exhibited in "Unseen Photo Festival" in Amsterdam this September. Then I go to Charleroi for holding a duo exhibition “Double Attractions" with my friend, André Fromont at Maison du Hainaut. It’ll open on June 18th and last two months. Thank you so much, André!

www.facebook.com/events/1006982032682663/?active_tab=posts

André is an incredible artist. His works look like beautiful mirages and always encourage me to be free to feel, think and act.

www.flickr.com/photos/andrefromont/

This time he shows many diptychs which juxtapose his images and mine, in addition to his own mesmerizing works. You can see his magic narrative in the diptychs. And I myself exhibit a series of pictures “TOKYO - Between Visible and Invisible” there.

www.flickr.com/photos/toru-ukai-new/albums/72157668407682036

The vernissage starts at 5 pm on Saturday, June 18th. Join us and enjoy our works if possible :)

 

Website: TORU UKAI Photography

 

A new project. At present I don't know how it'll develop…

 

Website: TORU UKAI Photography

central perth

Manzano Mountains. Los Lunas, New Mexico USA

Rainbow colours on the horizon at the interface of sky and sea.

A cold, bright dry day (mostly) today with occasional roving rain showers.

ISO 100 - f/6.3 - 1/1250s - 105mm

Scanned IR lith print.

 

Rolleiflex T w/ Tessar 75 mm/f3.5 + Rollei IR filter.

July 1, 2023.

 

Rollei IR 400 in Rodinal 1+100, semistand 1 h.

 

Lith printed on Rollei Vintage 332 RC and developed in Moersch SE5 (20A+20B+100OB+H2Oqs700) + (tired) Moersch Lith Omega 1+100, 90 sec.

 

Untoned.

 

PS borders.

 

Morning sun divides the shadow from the light. Border intensified by lith printing.

 

The amazing interface between sun and thick fog in Glenfinnan

Paris, France; 21.10.2014

M Monochrom - 50mm Summilux

Paris : Paris

 

More picture | Pour plus de photos : www.tiashoots.com

 

Follow me | Pour me suivre : Facebook

Alias: Interface

Allegiance: Hero

Team Affiliation: Honor Guard

Powers: Copycat, Flight, Regeneration, Technopathy.

Photographed in 665 nanometer infrared using an infrared converted Canon 20D and rendered in channel inverted false color infrared. Twin Falls County, Idaho.

Cemetery boundary, Dereham Road

I'm sorry that I couldn't check out your recent pictures for almost 2 months because I've been busy preparing for the collective exhibition in Tokyo. I try to catch up!

www.flickr.com/photos/toru-ukai-new/41162977392/

Nothing happens at present. Just the potential and the vibrations…

 

(Or "Theater Degree Zero #22)

Highway #1 on the Big Sur California Coastline also known as the Cabrillo Highway.

Quite like this ridge leading into the ocean .... will have to explore it some more...

spring creek moss on granite

"Interface": Edited Digital Light

Show Experiment:2015:

Copyright:2017:Joel A. Fairchild.

A view of the London Mastaba, a temporary art exhibition by Christo and Jeanne-Claude, on The Serpentine in Hyde Park, London.

 

www.serpentinegalleries.org/exhibitions-events/christo-an...

 

You can see more pics in my London set.

Playing with ICM at the side a lake. Result is quite is restful (and a bit of a surprise).

We often get baby alligator lizards in our house -- they sometimes sneak in through an open door, and have even hitched a ride on our fuzzy-haired dog on occasion. My wife found this one in the house last night. They're tiny, but as with many reptiles, the juveniles are almost perfect replicas of the adults, so something else in the photo for scale helps -- in this case, my fingertip. After a few pics, I put it back in our garden.

Airport, Griffin, Georgia

JCH Streetpan 400 film with 720nm filter

 

The diagonal interface that structures this eye-catching canvas references vernacular basketry, examples of which Whitten regularly collected when spending his summers in Greece. In fact, its highly illusionistic, dimensional surface was made by combining viscous acrylic paint wit a customized hand tool. Throughout a career of more than 5o years, Whitten frequently created grid-based compositions – a through-line to various styles of abstract art – some based on mosaics, others from the digital realm.

From one mind....to a computer screen.....everything we are is stored as 1's and 0's

 

 

I'm sorry these images are my old pictures. The system automatically deleted some images from my photostream. I don't know why. I can't help restoring the setting of 'viewing privacy'. Feel free to ignore them!

 

Website: TORU UKAI Photography

Belfast, Northen Ireland.

Please don't use this image on websites, blogs or other media without my explicit permission.

My photos are © all rights reserved.

Please e-mail me if you would like to use these photos.

 

Midway Geyser Basin. Yellowstone National Park, Wyoming.

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