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Putting a clean interface over a corrupted core changes nothing, malware dressed in white is still malware. A new theme cannot hide an ugly source code. #uglycodeexposed #fakeupgrade
CONSTRUCTIVE CRITICISM/SUGGESTIONS ARE ALWAYS WELCOME
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check out my website www.chrisvandolleweerd.com
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Another beach abstract. This time shot with my little Fuji X100T.
Rainbow colours on the horizon at the interface of sky and sea.
A cold, bright dry day (mostly) today with occasional roving rain showers.
ISO 100 - f/6.3 - 1/1250s - 105mm
I've not uploaded anything for more than two months because I got bored with my usual photography. I think it's an indispensable blank.
Besides, I was a bit too busy preparing for a few exhibitions. Now I've just finished it and I leave Tokyo for Europe the day after tomorrow. First, I visit a gallery in Antwerp and give them some of my prints, which will be exhibited in "Unseen Photo Festival" in Amsterdam this September. Then I go to Charleroi for holding a duo exhibition “Double Attractions" with my friend, André Fromont at Maison du Hainaut. It’ll open on June 18th and last two months. Thank you so much, André!
www.facebook.com/events/1006982032682663/?active_tab=posts
André is an incredible artist. His works look like beautiful mirages and always encourage me to be free to feel, think and act.
www.flickr.com/photos/andrefromont/
This time he shows many diptychs which juxtapose his images and mine, in addition to his own mesmerizing works. You can see his magic narrative in the diptychs. And I myself exhibit a series of pictures “TOKYO - Between Visible and Invisible” there.
www.flickr.com/photos/toru-ukai-new/albums/72157668407682036
The vernissage starts at 5 pm on Saturday, June 18th. Join us and enjoy our works if possible :)
Website: TORU UKAI Photography
An exploration of touch, texture, and the fluid boundary between humanity and nature. This piece focuses on the intersection of natural light and tactile sensation, prioritizing form and atmosphere over digital artifice.
Camera: Canon EOS 5D Mark II
Lens: 35mm Art
I'm sorry that I couldn't check out your recent pictures for almost 2 months because I've been busy preparing for the collective exhibition in Tokyo. I try to catch up!
Alias: Interface
Allegiance: Hero
Team Affiliation: Honor Guard
Powers: Copycat, Flight, Regeneration, Technopathy.
Paris : Paris
More picture | Pour plus de photos : www.tiashoots.com
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Now Ibasho gallery in Antwerp makes a little presentation of my work in their bookshop. You can see my prints and portfolio there, though I’ve not made my book yet… Drop in at IBASHO gallery when you visit Antwerp! :)
Website: TORU UKAI Photography
Death Valley National Park is an American national park that straddles the California–Nevada border, east of the Sierra Nevada. The park boundaries include Death Valley, the northern section of Panamint Valley, the southern section of Eureka Valley and most of Saline Valley.
The park occupies an interface zone between the arid Great Basin and Mojave deserts, protecting the northwest corner of the Mojave Desert and its diverse environment of salt-flats, sand dunes, badlands, valleys, canyons and mountains.
Death Valley is the largest national park in the contiguous United States, as well as the hottest, driest and lowest of all the national parks in the United States. It contains Badwater Basin, the second-lowest point in the Western Hemisphere and lowest in North America at 282 feet below sea level. More than 93% of the park is a designated wilderness area.
The park is home to many species of plants and animals which have adapted to the harsh desert environment including creosote bush, Joshua tree, bighorn sheep, coyote, and the endangered Death Valley pupfish, a survivor from much wetter times. UNESCO included Death Valley as the principal feature of its Mojave and Colorado Deserts Biosphere Reserve in 1984.
A series of Native American groups inhabited the area from as early as 7000 BC, most recently the Timbisha around 1000 AD who migrated between winter camps in the valleys and summer grounds in the mountains. A group of European-Americans, lost in the valley in 1849 while looking for a shortcut to the gold fields of California, gave this valley its grim name, even though only one of their group died there.
Several short-lived boom towns sprang up during the late 19th and early 20th centuries to mine gold and silver. The only long-term profitable ore to be mined was borax, which was transported out of the valley with twenty-mule teams. The valley later became the subject of books, radio programs, television series, and movies. Tourism expanded in the 1920s when resorts were built around Stovepipe Wells and Furnace Creek. Death Valley National Monument was declared in 1933 and the park was substantially expanded and became a national park in 1994.
The natural environment of the area has been shaped largely by its geology. The valley is actually a graben with the oldest rocks being extensively metamorphosed and at least 1.7 billion years old. Ancient, warm, shallow seas deposited marine sediments until rifting opened the Pacific Ocean. Additional sedimentation occurred until a subduction zone formed off the coast. The subduction uplifted the region out of the sea and created a line of volcanoes. Later the crust started to pull apart, creating the current Basin and Range landform. Valleys filled with sediment and, during the wet times of glacial periods, with lakes, such as Lake Manly.
Death Valley is the fifth-largest American national park and the largest in the contiguous United States. It is also larger than the states of Rhode Island and Delaware combined, and nearly as large as Puerto Rico. In 2013, Death Valley National Park was designated as a dark sky park by the International Dark-Sky Association.
Scanned IR lith print.
Rolleiflex T w/ Tessar 75 mm/f3.5 + Rollei IR filter.
July 1, 2023.
Rollei IR 400 in Rodinal 1+100, semistand 1 h.
Lith printed on Rollei Vintage 332 RC and developed in Moersch SE5 (20A+20B+100OB+H2Oqs700) + (tired) Moersch Lith Omega 1+100, 90 sec.
Untoned.
PS borders.
Morning sun divides the shadow from the light. Border intensified by lith printing.
22 Sep 2021 Retired to AMARG.
43rd ECS Active Oct 1992 Apr 2020. Instructional airframe at Davis-Monthan AFB Sep 2021
55TH ELECTRONIC COMBAT GROUP
The 55th Wing is a United States Air Force unit assigned to Air Combat Command. The wing is primarily stationed at Offutt Air Force Base, Nebraska, but maintains one of its groups and associated squadrons at Davis-Monthan Air Force Base, Arizona, as a geographically separated unit.
Air Force Times
This Compass Call squadron was deployed in Afghanistan for 20 years. Here’s their inside story.
Rachel Cohen
June 15, 2022·15 min read
From 2001 to 2021, the shadowy 41st Electronic Combat Squadron — known as the 41st Expeditionary Electronic Combat Squadron when deployed overseas — was the longest continuously deployed Air Force unit in Afghanistan. The EC-130H Compass Call electronic-attack unit from Davis-Monthan Air Force Base, Arizona, was pivotal in fighting the Taliban, al Qaida and Islamic State-Khorasan fighters and protecting American and allied troops, logging nearly 14,800 sorties over 90,000 flying hours. They returned home in October 2021 to begin their next chapter with new missions and, soon, new planes.
Davis–Monthan Air Force Base / KDMA. EC-130H Hercules 73-1580 of the 43d Electronic Combat Squadron currently assigned to the 55th Electronic Combat Group.
The EC-130H fleet is composed of a mix of Baseline 1 and 2 aircraft.
Baseline 1 aircraft have the flexibility to keep pace with adversary use of emerging technology. It promotes enhanced crew proficiency, maintenance and sustainment with a common fleet configuration, new operator interface, increased reliability and better fault detection.
Baseline-2 provides the Air Force with the equivalent of a “fifth generation electronic attack capability,” providing improved aircraft performance and survivability.
We often get baby alligator lizards in our house -- they sometimes sneak in through an open door, and have even hitched a ride on our fuzzy-haired dog on occasion. My wife found this one in the house last night. They're tiny, but as with many reptiles, the juveniles are almost perfect replicas of the adults, so something else in the photo for scale helps -- in this case, my fingertip. After a few pics, I put it back in our garden.