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The new Nike Store debut in our hometown, Turin. Slathered in lights, vibrant with music, the façade turns into a 4-story-high musical sequencer, where people can create their music in real time stepping up to the Kinect-fitted platform and conducting an orchestra of sounds and colors.
For the St. Regis, an establishment world-renowned for personal service, Potion created a custom interactive bar and tasting table to expand the reach of the Master Sommelier in their newest restaurant.
Working closely with the Rockwell Group and The Map Office to design the overall experience at Adour, Potion’s interactives, constructed from gold and bronze with a goat skin surface, are as far from a traditional touch screen as one can get. Potion’s large-scale interactive projections seamlessly blend with the environment, allowing patrons to browse Adour's complete wine list by wine type, country, and varietal.
Upon selecting a wine, a rosette appears that contains detailed information about the wine’s origin. Sommeliers and patrons alike may share or send their rosettes to other guests at the bar. At the touch-sensitive Private Tasting Table, Potion’s software allows the maitre d’ to create a unique group experience for guests, “setting the table” with personalized wine selection projections. To keep each patron’s experience personal and fresh, Potion created a custom content management system for Adour, allowing the wine director to update the interactive bar on a daily basis or for a special occasion.
Edited Gemini Observatory image of the interacting galaxies NGC 5426 and NGC 5427.
"Gemini Observatory/Association of Universities for Research in Astronomy"
Some screen grabs from my latest interactive installation.
Made for "The New Sublime" exibition at Clearleft during the Brighton Digital Festival.
More info here: www.clearleft.com/does/art
20 May 2019 - Interactive workshop: Future of work & skills session.
Speakers: Stijn Broecke, Senior Economist, Skills and Employability Division, Directorate for Employment, Labour and Social Affairs, OECD
Jaap Buis, Manager Public Affairs, Randstad Global
Mike Mansfield, Program Director, Aegon Center for Longevity and Retirement, Aegon
Discussion leaders:
Ramsey Alwin, Director of Financial Resilience, Thought Leadership, AARP
Lisa Blom, Public Policy & Government Affairs Manager, International Relations, Google
Liz Dooley, Managing Director , Janssen Sciences Ireland, Johnson & Johnson
Maarten Goos, Professor, Law, Economics and Governance, Utrecht University, Netherlands
Klaas-Jan Lageschaar, Global Public Affairs Officer, Randstad
Dana Minbaeva, Professor in Strategic and Global HRM; Vice-President for International Affairs, Copenhagen Business School
Stefanie Schurer, Associate Professor, University of Sydney, Austrakua
Laurin Sepoetro, Head of Public Policy, Uber
Eric Thode, Director of Program Rethinking Work, Bertelsmann Stiftung
Susan Weinstock, Vice President, Financial Resiliency Programming, AARP
OECD Headquarters, Paris.
Photo: OECD / Christian Moutarde
This is part of the new media solutions offered by Motion Effects Studio. We use an interactive holographic glass screen as a projection screen.
MasterCard and Dynamics Inc. announced a joint commercial initiative to drive innovation in the interactive payment card market. The collaboration enables MasterCard to offer exclusive Dynamics products to its issuers globally, providing consumers with added choice, flexibility and security at the point of sale.
21 May 2019 – Interactive Workshop: Alice in wonderland: How policy can learn from fictional futures.
Facilitators: Joshua Polchar, Strategic Foresight Analyst, OECD, Julia Staudt, Strategic Foresight Analyst, OECD.
Discussion leader:Zoltán Cséfalvay, Author, TECHtonic Shifts. OECD Headquarters, Paris.
Photo: OECD / Christian Moutarde
Opening night of I CAN DO THAT, an interactive art show created and independently curated by Jenny Lam. Named the audience choice for 2012's "Best Art Exhibit" in the 20th anniversary edition of NewCity's Best of Chicago issue.
Photo by Sophia Nahli Allison.
More info at artistsonthelam.blogspot.com/p/i-can-do-that.html and artistsonthelam.blogspot.com
An interactive Augmented Reality experience for Novartis Oncology Portugal, produced by NearInteraction, in partnership with BUG Group.
Blending stunning visualizations with playful interaction, Potion created “What’s In Your Blood,” a classic educational experience with a number of interactive twists. Designed in collaboration with Thinc Design for the Museum of Science and Industry’s exhibit “You! The Experience,” the multiuser interactive table lets visitors of all ages explore a hyper-realistic blood stream as it travels to the human heart. By placing one’s hands on holds mounted beside a giant heart, visitors can synchronize their own heart rate with that of the display. Delving into the science of our blood, Potion’s interactive software allows visitors to discover fourteen types of cells and molecules which they can examine in hyper-realistic 3-D renderings with a hand-held magnifying glass. To create a truly collaborative experience, Potion developed the interactive’s most popular activity, challenging visitors to understand how the body reacts in different health states. As visitors congregate and block all the blood vessels traveling to the heart, they create a heart attack. Visitors can also change the blood vessel's health states to learn first-hand how the body reacts under different conditions. The table’s shape and kid-friendly height allows families to gather around and learn together, creating conversation and extending the experience beyond the screen.
Town Lake Park's lighted fountain --an interactive granite and concrete plaza with LED lighted fountain jets -- at the Grand Opening, August 29, 2007.
I love the 'frozen water effect' in this photo and a couple of the others in this series. I did this by taking a long exposure in manual mode and ending it with a slow, rear flash. This captures the colors and motion of the water while preserving the sharp, instantaneous look with the flash. Of course it takes a lot of tries to perfect the technique. But I think the end result was worth it, no?
All photos Copyright 2007, Steve Hopson.
No reuse without permission.
Meet the Dreamer, my new interactive art project, which I have just started to prototype. This illuminated sculpture aims to make us more aware of the characters who live inside our heads, and how our emotions influence the way we perceive the world around us.
The Dreamer’s head lights up with rear-projected videos of some of the characters who influence us, along with memories and feelings that fill in our minds, day and night. To show what the Dreamer is thinking, our first prototypes display images of people and nature, sparking different moods, each represented by a different colored light, such as: red for anger, orange for fear, yellow for happiness, green for surprise, blue for sadness, purple for love, for example.
You will be able to change the Dreamer’s worldview by pressing buttons that make him/her more happy or sad, angry or kind, fearful or curious (like social media emoticons). In response, the Dreamer’s head will light up with different colors and facial expressions, as these emotions are activated in his/her mind.
This kinetic sculpture can give us a glimpse at what goes on inside our heads, as images of our lives pass by, fleeting like clouds in the sky, colored by our moods. The Dreamer’s quiet face keeps transforming, responding to new images and emotions with images and sounds of its own.
As times goes by, we see the interplay of the forces that drive us: anger can turn into love, sadness into joy, fear into curiosity. And changing our emotions can transform how we view the world. We hope this experience can help us replace our destructive emotions with a more positive outlook.
The Dreamer is being developed at Tam Makers, our makerspace in Mill Valley, where we are building our first prototypes. This interactive art project will be presented in different ways:
• as part of the Time Machine we’re building at Pataphysical Studios
• as a stand-alone exhibit in art shows and galleries
• in large street performances during public events
• in short videos on the web
We’re still experimenting with different ways to create The Dreamer. The current plan is to vacuum form a mannequin head (for the prototype), then a clay sculpture of the preferred shape (for the final product), using translucent white plastic, flattened a bit at the mouth, eyes and forehead, so that we can rear-project a variety of faces onto the heads from inside.
See more photos of our first prototypes in this Dreamer album: www.flickr.com/photos/fabola/albums/72157674887503188
Learn more on our project page: fabriceflorin.com/2018/10/25/dreamer
Great interactive window display C2 Imaging helped produce for Bloomingdale's NYC.
Check us out on FB for more projects & company info: www.facebook.com/C2Imaging
The publicity for the movie I co-wrote is in full gear righ now, as the film opens on March 30th. There are a lot of posters in the Montreal metro but this one is of a new, interactive kind. Let me know if you see it! It's at the McGill metro, near the Centre Eaton entrance (close to the Carlton Cards store).
Reinventing accessibility, Potion's interactive self-service bar at Clo, an ultra-modern wine bar in New York's Time Warner Center, gives patrons the opportunity to become their own sommelier and pour their own wine, no matter the price. Potion designed custom software, hardware, and projections to achieve Clo's goal of creating a self-curated experience for patrons. Acting as both menu and guide, the 20-foot touch-sensitive surface invites patrons to simultaneously access detailed sommelier notes, wine prices, and a map that leads them to their next personalized tasting.
Working closely with the design firm 2x4, Potion placed careful attention in the bar's overall design, integrating software and electronics to create a seamless, self-service experience. After locating their wine of choice on the interactive bar, patrons use a smart card to dispense a 3 oz pour of anything from an $8 Reisling to a $76 Chateau Mouton Rothschild from wine dispensers located around the perimeter of the space. All of the bar's electronics are mounted in the ceiling, safely away from any spills, providing patrons with a unique and unhindered experience.
Taken with a Zeiss Ikon Symbolica (I) camera in week 456 of my 52 film cameras in 52 weeks project:
www.flickr.com/photos/tony_kemplen/collections/72157623113584240
Expired Solution VX200 film, developed in the Tetenal C41 kit.
Zija
Iacono designed and fabricated a counter to attractively display fragrant oils at the national convention.
Senior Designer Darold Ross and friends enjoying Ideum's latest open house and Exploring Pueblo Pottery projection-mapping project. Darold is part of Ideum's Creative Services group which designs and develops a wide range of interactive experiences. Learn more at ideum.com/company.
Reinventing accessibility, Potion's interactive self-service bar at Clo, an ultra-modern wine bar in New York's Time Warner Center, gives patrons the opportunity to become their own sommelier and pour their own wine, no matter the price. Potion designed custom software, hardware, and projections to achieve Clo's goal of creating a self-curated experience for patrons. Acting as both menu and guide, the 20-foot touch-sensitive surface invites patrons to simultaneously access detailed sommelier notes, wine prices, and a map that leads them to their next personalized tasting.
Working closely with the design firm 2x4, Potion placed careful attention in the bar's overall design, integrating software and electronics to create a seamless, self-service experience. After locating their wine of choice on the interactive bar, patrons use a smart card to dispense a 3 oz pour of anything from an $8 Reisling to a $76 Chateau Mouton Rothschild from wine dispensers located around the perimeter of the space. All of the bar's electronics are mounted in the ceiling, safely away from any spills, providing patrons with a unique and unhindered experience.
The Sheridan Interactive Multimedia Open House was a success. The pictures are also on Facebook - so tag yourselves if you want:
imm.sheridanc.on.ca/go/openhouse2012pics
Thank you for all who attended (or attended in spirit).
Special thanks to:
Studio Huddle (www.elevatorartlab.com) for a super location (very hot!)
Demi Kandylis (splitelement.com) for friendship (and the tables!)
Open House Committee (Carla (venue, food), Caitlyn, Lindsay (org, site))
Loading Sub Committee (Diana+, Carla, Yohei, Jack, Mani, Joel, Zain, Yatharth, Westley)
Poster Sub Committee (Jack, Kevin)
Teachers (Andrew, David, Dan)
Sheridan Institute - and thanks to the President (Jeff Zabudsky) for the visit!
Tech folks (Bob and Robert - and the Mac folks for the cart)
Of course the industry for their support
And a very special thanks to the Alumni of IMM for keeping the family together.
The graduate portfolios are available from the invite page:
imm.sheridanc.on.ca/openhouse/2012/
Our IMM blog continues to report on exciting events for IMM:
interactivemultimedia.wordpress.com/
We are currently accepting applications for September.
imm.sheridanc.on.ca (new site, one day!)
All the best,
Dan Zen