View allAll Photos Tagged integration

trying to visualize inner conflicts.

This week in 2007, the space shuttle Atlantis, mission STS-117, landed at Edwards Air Force Base following the completion of a successful 14-day mission to the International Space Station. The primary mission objective was to deliver the second and third starboard truss segments, S3 and S4, and another pair of solar arrays to the station. Today, the Payload Operations Integration Center at NASA's Marshall Space Flight Center serves as "science central" for the space station, working 24/7, 365 days a year in support of the orbiting laboratory's scientific experiments. The NASA History Program is responsible for generating, disseminating, and preserving NASA’s remarkable history and providing a comprehensive understanding of the institutional, cultural, social, political, economic, technological and scientific aspects of NASA’s activities in aeronautics and space. For more pictures like this one and to connect to NASA’s history, visit the Marshall History Program’s webpage.

 

Image credit: NASA

 

Read more

 

Marshall History

 

For more NASA History photos

 

NASA Media Usage Guidelines

Used for assembly of the VLS rockets in the Alcântara Launch Center

Merge [mɝːdʒ] (von englisch to merge ‚verschmelzen‘, ‚vereinigen‘, ‚zusammenführen‘) ist der Vorgang des Abgleichens mehrerer Änderungen, die an verschiedenen Versionen.

 

merging (also called integration) - that reconciles multiple changes .

However, patch commutation can be proven to produce "correct" merge results.

 

Idealfall: Exakte Planung durch Projektarbeit.

 

Beta-Version von SmugMug & Flickr: Testen - Spiegeln - Installieren

 

Verifizierbare Unstimmigkeiten sollten mittels Prüfläufe jederzeit automatisch ausgemerzt werden.

 

Integration von beiden Teilen:

Beispiel:

 

Benz und Daimler Emblem -> Mercedes Benz Logo

-----------

Viele Probleme in den Letzen Tagen

und seit flickr beta 2.0.

  

Flickr Site Issue - 120 groups missing / PHOTOS RESTORED UP TO 2018-04-23

HELP FORUM

 

We're recovering from some database issues.

 

www.flickr.com/help/forum/en-us/72157696686588785/

 

#

We have identified 120 groups from shard 6 that have gone missing during the time the shard was running empty and will be working on restoring those as well.

 

#

Do I need to do anything? No.

 

EAGLE1EFi HILFE FORUM

Photos von Teilnehmern und 120 Gruppen weg!

 

Muss ich etwas machen? Nein! Es wird alles wieder von flickr "recovered", in den alten Stand versetzt.!

  

Created with fd's Flickr Toys

''Immortals are never alien to one another.''

  

— Homer (The Odyssey)

 

Press L to view in Lightbox

.

.

NO GIFS AND ANIMATED ICONS, PLEASE!

(Updated on July 26,2025)

 

Looking north-northwest toward the High Falls of the Pigeon River.

 

In this region, this stream marks the boundary of the United States and Canada. Here it spills over a northeast-southwest-oriented dike of Mesoproterozoic diabase, a dark wall of highly resistant mafic igneous rock. Then it rushes down a canyon deeply incised into much softer shale, siltstone, and graywacke of the Paleoproterozoic Rove Formation. These sedimentary strata can be dimly discerned through the mist at lower left and right.

 

The tremendous visceral impact of the surging water and splashing spray is matched by the spectacle of geologic time presented at the High Falls. The Rove beds were deposited between 1.836 and 1.78 Ga ago in the Animikie Basin, a downwarped section of the Earth's crust linked to the Penokean mountain-building episode.

 

Then, at about 1.1 Ga and long after the lofty Penokean Mountains had been beveled flat by erosion, the magma that would become the diabase was injected into a large vertical fissure in the Rove. This occurred during the cataclysmic episode that created the Midcontinent Rift (MCR) and almost tore North America apart. While specialists still debate the details of its origin, the MCR formed in a time of crustal extension and thinning. Its massive outpourings of lava may also be linked to mantle-plume activity.

 

To see the other photos and descriptions of this series, visit my

Natural History: Minnesota album.

Loess Bluffs National Wildlife Refuge

Missouri

ZWO ASI6200MM-P/EFW 2" x 7 (RGB)

Tele Vue NP101is/LCF (4" f/5.4)

Losmandy G11

 

Captured with NINA.

Processed with PixInsight.

 

20 subs x 30s per RGB channel for 30 minutes total integration time.

CAMERA NIKON D7000

EXPOSURE 6

APERTURE 16

ISO 200

LENS NIKKOR 105 mm

CAMERA NIKON D7000

EXPOSURE 5

APERTURE 16

ISO 160

LENS NIKKOR 105 mm

Natchitoches, Louisiana

An amazing and historic place.

www.kaffiefrederick.com/history

Nuff said.

...this is one of my oldest images...but i relly love it...i never seen a scene like this before and after in berlin...she was in the park with her husband and kids...they played basketball...suddlendy she went up and through a few balls...luck that i have my camera with me...

...i hope some more people view and like it...

@{-->-- ... thank you all very much my friends...:)))

Die Geschichte von Kreta ist sehr bewegt

-Minoische Zeit etwa 3000 v. Chr. bis 13.Jh v Chr

-archaische Zeitalter : 6. bis zum 4. Jahrhundert

-Byzantinisches Reich (395–1204)und Sarazenenherrschaft (826–961)

- Venezianische Herrschaft (1204–1669)

- Osmanische Herrschaft (1669–1897)

- De-facto-Unabhängigkeit (1898–1913)

- Vereinigung mit Griechenland (seit 1913)

 

- Minoan-Mycenaean Crete(3000-1300 BC)

- Classical, Hellenistic, Roman, Byzantine and Arab Crete(395-1204)

- Venetian Crete (1205–1669)

-Ottoman Crete (1669–1898)

- Independence(1898-1913)

-Crete was unified with mainland Greece(1913)

(Wikipedia)

------------------------------

Im Straßenbild sieht man noch Minarette und Moscheen , aber die die meisten wurden einem anderen Zweck zugeführt. Geschichte kann man aber nicht ausradieren und ein friedlicher, harmonischer Mix aus Religionen, Architekturen, Kulturen kann doch nur bereichern.

There are still minarets and mosques in the street, but most of them have been brought to a different purpose. But you can not eradicate history and a peaceful, harmonious mix of religions, architecture, cultures can only enrich

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak T-Max 100

Ars Imago FD 1+39

6 min 20°C

Scan from negative film

Pleiades imaged from London on 7th January 2016

TS65 Quad Asrograph, Atik 314L+ CCD

300 seconds x 18 (1hr 30 mins) integration

Darks and flats applied.

Processed in DSS and Photoshop CS6

I am taking a different turn in photography.

I love incorporating art with photographs so now I play with my iPad and Laminar software.

Thus allows me to layer my bits and pieces hopefully into a more interesting landscape.

 

Here is my completed image of the Eagle Nebula (M16) imaged with Sulphur, Hydrogen, and Oxygen narrowband filters. This false-color widefield image of the nebula represents the strong oxygen signal as cyan, hydrogen as yellow/orange, and the stronger sulphur signal as red. Naturally, this nebula is nearly all red in color, as hydrogen-alpha dominates the field. With selective filters and processing I have stretched the intensity of the Oiii and Sii to better represent where they lie in the nebula.

 

Equipment:

OTA: William Optics GT81 w/0.8x reducer (382mm fl at f/4.7)

Mount: Orion Sirius EQ-G (HEQ-5)

Guidescope: Orion 50mm guidescope

Guiding camera: Orion StarShoot Autoguider

Imaging camera: ZWO ASI1600MM-Cool

 

Accessories:

DeepSkyDad Autofocuser

QHYCCD PoleMaster

 

Software:

SGP

PHD2

CdC

PixInsight

 

Acquisition:

Location: Flower Mound, TX for Ha(Bortle 7), Atoka, OK and Ft. Griffin State Historic Park, TX for Oiii and Sii(Bortle 3)

Dates: 5/12/18, 5/26/18, 5/27/18, 6/29/18, 6/30/18, 8/2/18, 8/3/18, 8/6/18

Gain: 200 Offset: 50

Camera temp: -10C

Sii: 36x600" Astrodon 3nm

Ha: 160x300" Astrodon 5nm

Oiii: 37x600" Astrodon 3nm

Total integration time: 25hr 30min

64x darks per calibration (master from library)

30x flats per calibration

200x bias per calibration (master from library)

 

Preprocessing:

Batch PreProcessing script to generate calibrated images

StarAlignment

LocalNormalization

ImageIntegration

DrizzleIntegration

DynamicCrop each master

DBE each master

 

Luminance Processing:

Duplicated the master Ha to use as the luminance

Deconvolution

TGV & MMT noise reduction (via Jon Rista's method)

HistogramTransformation bring to non-linear

Duplicated the image to create a starless version, using a starmask and several iterations of MMT and MT. Then pushed the faint nebulosity in the starless version using PixelMath expression: "1-(1-$T)*(1-$T)"

Combined the starless version with the image using PixelMath expression "F=0.4; (1-(1-$T)*(1-s)*F)+($T*~F)" followed by the same function but with F=0.2, (s=starless photo).

HDRMultiscaleTransform to reveal core

MultiscaleLinearTransform for sharpening

LocalHistogramEqualization

MMT and MT for star size reduction

MMT for noise reduction of the darker areas

 

Preparing separate Sii, Ha, and Oiii linear masters for tonemapping (applied to each master individually):

TGV & MMT noise reduction (via Jon Rista's method)

Removed stars via a StarMask and a few iterations of MMT and MT

Further removed background artifacts with an unmasked MMT

HistogramTransformation to bring to non-linear

HDRMultiscaleTransform to reveal core

 

Combined prepared Sii, Ha, and Oiii masters with ChannelCombination:

R: Sii

G: Ha

B: Oiii

 

Tonemap Processing:

Invert>SCNR green>Invert to remove magenta

Several a/b channel CurvesTransformations using ColorMasks to alter the colors to an aesthetically pleasing palette

CurvesTransformation for saturation

DBE to remove color bias in the corners

 

Combined Tonemap with Luminance using LRGBCombination

HistogramTransformation to stretch image slightly

UnsharpMask with a StarMask to harden up the soft stars a tad

CurvesTransformation for slight saturation

ACDNR for final noise reduction

Resampled to 40% for web posting

Integrate all as high dynamic range imaging HDR

ITALY - SAN REMO "La Pigna"

de la nature, la poésie, la sensualité... tout qui me parle, tout que j'ai envie d'exprimer.

 

J'avais passé des années en faisant de collages de papier, de peinture et de photos. Maintenant, je reviens sur mes racines artistiques et j'ai commencé à faire une nouvelle série de superpositions. Voici la première.

 

_____

 

of nature, of poetry, of sensuality... all that speaks to me, all that I desire to express.

 

I had spent years making collages of paper, paint, photographs. Now I am revisiting my artistic roots, and I have started a new series of photo composites. Here is the first.

  

Target:M63, Sunflower Galaxy, flocculent spiral galaxy, Canes Venatici, 29 million light years away.

 

Location:24-4-22, Aberdaron, North Wales, Bortle 2, no Moon, gusty wind.

 

Acquisition:23x 120s Red, 25x 120s Green, 27x 120s Blue, 56x 120s Lum. Calibration Darks, Dark Flats and Flats. Total integration 4.4 hours.

 

Equipment:Skywatcher 200P Newtonian, HEQ5Pro. ZWO EFWmini, LRGB filters. Baader MPCCMKIII Coma Corrector. Altair H183Mpro.

 

Guiding:Skywatcher 9x50 Finder, 2x Barlow. Altair GPCAMAR0130M.

 

Software:NINA, PHD2, EQMOD.

 

Processing:Affinity Photo, Siril, StarXTerminator, Topaz DeNoise AI.

  

Third in a series of ten, paper pieced collages using vintage, aged papers. 5 x 7 on card stock.

Reprocess of Witches Broom, Cygnus from last years data. 3.1 hours integration Ha and (OIII). Esprit 100ED, ASI1600MMpro.

2 4 5 6 7 ••• 79 80