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Installation of the new window dedicated to St Pio of Pietrelcina (better known as Padre Pio) fitted on July 2nd 2020. It is the second of five windows I've been asked to design and make to complete the glazing of the north aisle. It also became my primary occupation whilst spending three months self isolating, so will always be the 'lockdown window' to me!
Our Lady of the Angels is Nuneaton's principal Roman Catholic church, and is a distinctive and solid essay in 20th century brick Gothic. The almost industrial-looking square block of the west tower is a major landmark by one of the main roads leading to the town centre.
The church began life as a chapel built in 1838, but most of the present building dates from a major enlargement and remodelling in 1936.
The interior has recently been beautifully redecorated and contains several stained glass windows by Hardman's, Gilbert Sheedy and me.
These images are to be used as a general guide to installing my microphone system. Accordions vary widely in construction so you will have to modify your installation to fit your instrument.
Installation opens
Thursday 14th, July, 2011
www.breaksof10.com/blog/2011/07/12/studio-onethirty3-pres...
Photography: David Bilbrough
Carpet Installation Vancouver
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Borealis Art Installation by Dan Acher. Photographed on North Terrace in Adelaide in Australia during the Fringe Festival.
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another installation being set up inside one of the remaining abandoned factory halls in Cockatoo Island, Sydney
The Absent City, by Roberto Behar and Rosario Marquardt at the Madison Museum of Contemporary Art through November 16. The three-part installation "examines scale, transparency, and language while drawing attention to the function of the museum and its relationship to the community."
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Matthew Abbott Recent Paintings, March 12, 2010
Courtesy of the Artist and Dunham Place Salon
Photo Credit: Elisabeth Bernstein
To inquire about these works please contact dunhamplacesalon@gmail.com
The Greater Beth-el Temple church family welcomed Elder Calvin J. Gould, Sr. and his wife, First Lady Valerie Gould, as our new pastor and wife. Our Pastoral Installation Service with the theme Serving God’s People: A New Day, A New Beginning, was held on Sunday, June 30, 2013 at 11:00 a.m. Our speaker was Bishop Edward C. Price. Elder and First Lady Gould are excited and happy to serve Greater Beth-el Temple and the Omaha metropolitan community.
May the Lord bless them both in moving the church forward through Jesus Christ, our Lord.
Regardless of the size of your signs or the complexity of your sign installation, we are a complete turnkey sign installation company which saves you time and protects your investment for many years to come.
Hashimoto Contemporary is pleased to present Homeward Bound the debut solo exhibition of Oakland-based artist Christopher Martin. Utilizing the visual vernacular of traditional American tattooing, Martin interweaves imagery from the African Diaspora, his own mythology and iconic navy tattoos to create bold banners and paintings.
Working across mediums including tattooing, textile and painting, each facet of Christopher Martin’s practice informs the others. Imagery commonly found in traditional sailor tattoos are prevalent influences for the current body of work featured in Homeward Bound. The history and superstition embedded in archetypical nautical motifs such as anchors, mermaids and animals are re-coded to reflect the history and stories of the African American experience.
The reclamation of cotton as a primary medium, applied in the large-scale tapestry works and the fiber based paintings on paper, reflect the Atlantic slave trade and the artist’s North Carolina roots. Steeped in Southern and Black history, Christopher Martin’s work layers the confrontation of contemporary injustice and folkloric storytelling to create a new lexicon for black culture.
Powerful contemporary voices across the Americas offer critical understandings of what it means to be global. Photo credit: Oriol Tarridas
Art installation on the walls of the now-abandoned former convent of Sant'Orsola, also home to squatters in the past, by local street artist Vaclav Pisvejc.
After fixing hundreds of dollar bills to the wall, the artist spray-painted across them, in French, ‘Capitalism is not possible.' Through his work, Pisvejc hopes to draw attention to San Lorenzo neighbourhood, particularly via Panicale and the Sant'Orsola complex, area with a dense immigrant population, marked by blight and often violence: ‘It's a place that Florentines avoid now.'
Monastero di Sant'Orsola, 1309, was a tobacco factory since 1810. Since 1940s it had different uses, most lately by squatters, and was abandoned, run down, hidden by scaffolding.
Florence 2014
Margarita Cabrera : Pulso y Martillo (Pulse and Hammer) on view February 5 - April 2, 2011. Visit www.sweeney.ucr.edu/exhibitions/cabrera/ for exhibition website.
Pulse and Hammer performance/installation in the Center Atrium Gallery of the Culver Center of the Arts, consisted of specially built wood platforms that will hold 3 x 8 foot, heavy gauge sheets of copper, the same used in the making of the copper butterflies and references the Santa Clara del Cobre, Michoacán, Mexico traditional copper craft-making techniques that Cabrera explored in The Craft of Resistance project.
Matthew Abbott Recent Paintings, March 12, 2010
Courtesy of the Artist and Dunham Place Salon
Photo Credit: Elisabeth Bernstein
To inquire about these works please contact dunhamplacesalon@gmail.com
The tiles are hauled up to the platform at the top of three storey scaffolding. They are then laid out on the platform as they will be on the wall. In sets of five vertical lines the cement is applied to the wall and the tiles carefully pressed into place. Once this is completed the grouting between each tile is applied.