Room Installations
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Chiharu Shiota
"Für den WhiteCube der Kunsthalle Rostock kreierte Chiharu Shiota eine ortsspezifische Installation namens „Letters of Thanks“. Dafür wurden Dankesbriefe in einer lokalen, Kampagne gesammelt und zusammen mit verschickten Briefen aus Japan, Dänemark und Brasilien, wo sie diese Arbeit schon realisiert hat, in die Installation der Kunsthalle Rostock integriert. Der Realisierung dieser Arbeit ging als Impuls die Dankbarkeit der Künstlerin gegenüber ihrem persönlichen Kontext voraus. Sie überträgt ihre eigenen Erfahrungen in einen Versuch, die Menschen dazu anzuregen, Gefühle, die schwer zu formulieren sind, in Worte zu fassen. Durch die Verwendung der neuen Medien sind die Beziehungen virtuell und abstrakter geworden. Die Geschwindigkeit von SMS, WhatsApp, WeChat, Facebook, Twitter und anderer Kommunikationsmedien verhindert die Auswahl spezifischer und persönlicher Begriffe. Das Briefeschreiben soll hier Teil des Entschleunigungsprozesses der Ausstellungsteilnehmer werden. Die Empfänger der Briefe sind Gott, Familienmitglieder, Freunde, das Universum..."
Quelle:http://www.kunsthallerostock.de/kunsthalle-rostock/2017/chiharu-shiota/
Europe, Spain, Andalucia, Almeria, Centre, Art installation (slightly cut)
While processing the previous shot, I remembered that I captured another love lock shot some years ago, way down in southern Spain, in Almeria. It’s an art installation and an example of communal art. On the shiny structure in the middle is a fitting quote: “Es propio del amor si es verdadero, compendiar en un ser el munda entero” – “It is characteristic of love, if it is true, to summarize the entire world in one being” (Ramón de Campoamor).
This is number 43 of Andalucia (& Valencia) Summer 2018 and of course 1391 of Minimalism / explicit Graphism .
Près de 250 pendules suspendus au plafond se balancent selon un rythme savamment orchestré, dessinant un labyrinthe en mouvement constant.
Le visiteur est alors invité à observer ce fascinant ballet ou à tenter de traverser cet environnement aux évolutions imprévisibles.
Contraint à éviter les pendules, il est aussi amené à anticiper ses déplacements.
pienw.blogspot.com/2022/01/de-wereld-volgens-roger-ballen...
Installation by Roger Ballen at the fotomuseum, The Hague
La première partie a été posée sur piliers, si bien que le visiteur passe par une sorte de galerie en plein air. Des niches abritent des œuvres en 2D et 3D de Vanmechelen, dont l’installation du Red Jungle Fowl, un coq doré sauvage ancêtre du poulet de ferme.
The first part was placed on pillars, so that the visitor passes through a sort of open-air gallery. Niches house 2D and 3D works by Vanmechelen, including the installation of the Red Jungle Fowl, a wild golden rooster ancestor of the farm chicken.
the people on top are walking on a net
walkable Artwork Installation "in Orbit" bei Tomás Saraceno
Museum "K21"
Düsseldorf
Do you imagine they are installing updates or viruses? I only have a few of these figures to work with so I am experimenting and trying out different ideas. There are many creative artists who have already shot lots of interesting and clever images with miniatures but I haven't, there is always room for different interpretations.
On a falling tide in the Mersey estuary one of Antony Gormley's cast-iron statues, a few hours ago semi-submerged, stands watch as a ferry departs the port of Liverpool and heads out towards the Irish Sea and its destination, Dublin.
The vessel is the 'Victorine', a roll-on, roll-off type that mostly caters for commercial trucks. It's a leisurely journey over too with the 5.30pm departure from Liverpool turning in to a 3.30am arrival at the Irish port - presumably to allow plenty of time for drivers to get their regulation rest before heading off to their next destination.
Per the Liverpool Biennial website:
Antony Gormley’s installation comprises 100 cast-iron life-size sculptures made from 17 different moulds taken from the sculptor’s own body, installed on Crosby Beach on the Mersey Estuary. The 'iron men' all face the open sea, and evoke the relationship between the natural elements, space and the human body. ‘Another Place’ covers a distance of almost 3km, with the pieces placed 250m apart along the tide line, and up to 1km out towards the horizon. The movement of local tides and daily weather conditions dictate whether the figures are visible or submerged. It has become one of the most well-loved and widely recognised public art works in the UK.
From personal experience, and with the huge cranes of the Port of Liverpool out of sight on my left, it's a surreal and magical place. By my reckoning, 11 of the men can be seen in this shot. Unsurprisingly, given the salty atmosphere and conditions, the statues have started corroding to varying degrees, which surely adds further to their appeal.
6.45pm, 25th July 2024
Installation in the Collection Lambert, Avignon, by Claude Leveque, 2000. Neon, fog, and sonorous tape.
I don't know what this mesh of industrial metal is, but with the right light, it becomes an art installation.
Anne Imhof, still from installation with movie, at exhibition YOUTH in Stedelijk Museum Amsterdam, NL
I photographed this ghosts installation at some house in our neighborhood, then I got the idea to "move" it to the creepy woods to make it a Halloween scene :))
Detail of this installation by Olafur Eliasson at museum Krona in Uden, the Netherlands, at the exhibition: Into the Light.
Thank you for taken your time to visit me, comments or faves are always much appreciated!
This revolving Image that changes its form is projected onto a Blacked out Shop Window .It is part of " The Awakening " Event in Hulls Old Town where magical light and sound installations are on view .."The Awakening" is to Celebrate the movement from Winter to Spring and Hulls Maritime Heritage and Folklore and Mythology ..
This greatest installation has been gone now
If you have interesting in this,
here's a link for the video of installation which filmed
by Mr. Neox himself
City inside out
To someone without a home living on street, the bustling city becomes one united exterior.
" City inside out " explores a world that lacks interiors.
Small coins fall into beggar's hats, large insults to their faces.
Joggers, dog walkers, groups of boisterous friends,clean people in new clothes, romantic couples, cell phone conversations, shiny traffics, wash their daily tides of health and prosperity past the homeless.
Late each night, other crowds emerge, dangerous as the sharp knife and gun, prickly as lice and poisonous' insect infested clothing, blurry as sight without glasses, ringing ears with imaginary voice, and resignation to untreated illness.
The survival test is administered without consideration for those who will see the next day.
- Haveit Neox
Part of my series from the Centre for international light art ZFIL in Unna, Germany.
Installation of 4 rotating rubber bands by dutch artist Philip Vermeulen.
Lichtkunst in Unna
An installation display that I was volunteering at over December.
Read about the display here: www.warringtonguardian.co.uk/news/19760581.no-25-golden-s...
This shot I took in museum K21 here in Düsseldorf. The building used to be the Parlament building. It’s now been renovated and turned into a beautiful museum, with many rooms on several levels in the interior. There’s a great café too!
This picture I took in a big room on two levels, with an enormous installation… and a great deal if very loud echoing noise!