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Indiana University President Pamela Whitten presides over the installation of Ken Iwama as the seventh Chancellor of IU Northwest. The photo was taken at the Arts & Sciences Building Theater on Friday, October 1, 2021.
Photography: Martina Pipprich
For a detailed list of all authors please refer to lyriklabor.de/
Das LyrikLabor ist ein Projekt von Studierenden der Lehreinheiten Kommunikationsdesign und Innenarchitektur der Fachhochschule Mainz und des Deutschen Instituts der Johannes Gutenberg-Universität Mainz.
Das LyrikLabor entführt seine Besucher in eine literarische Traumwelt. Vom 19. bis zum 22. März entsteht in Mainz ein poetisches Design- und Kommunikationszentrum.
Poesie für alle Sinne
Auf drei Ebenen zeigt das LyrikLabor Installationen, die Traumgedichte aus verschiedenen Epochen künstlerisch interpretieren. Der Besucher kann hier selbst aktiv werden; er darf nicht nur entdecken, sondern mitgestalten. Lyrik wird aus den Anthologien befreit und zu einem Erlebnis für alle Sinne.
The tiles are hauled up to the platform at the top of three storey scaffolding. They are then laid out on the platform as they will be on the wall. In sets of five vertical lines the cement is applied to the wall and the tiles carefully pressed into place. Once this is completed the grouting between each tile is applied.
Artist:
Netikan Roopngarm, Thammachat Jun Mepokee
Abstract:
God's Green Earth is a world that was created by God and it is beautiful and peaceful. The aim of this exhibition is to show what has happened to god's creation because of mankind. The God’s green Earth that used to be beautiful, is now destroyed by the humans temptations.
Materials:
Materials include commercial objects such as paper, cloths, water colour, spray pain, legal drugs (as illegal drugs), powder, assemblages of some found objects.
Exhibition format: Installation Art
Overview:
Point of installation is of irresponsibility, carelessness and laziness, leading to social failure as represent by models of both human and non-human elements in the show that would directly and indirectly relate to it. These would expressed in sarcastic way. Humour would also be part of the installation.
Artist:
Netikan Roopngarm, Thammachat Jun Mepokee
Abstract:
God's Green Earth is a world that was created by God and it is beautiful and peaceful. The aim of this exhibition is to show what has happened to god's creation because of mankind. The God’s green Earth that used to be beautiful, is now destroyed by the humans temptations.
Materials:
Materials include commercial objects such as paper, cloths, water colour, spray pain, legal drugs (as illegal drugs), powder, assemblages of some found objects.
Exhibition format: Installation Art
Overview:
Point of installation is of irresponsibility, carelessness and laziness, leading to social failure as represent by models of both human and non-human elements in the show that would directly and indirectly relate to it. These would expressed in sarcastic way. Humour would also be part of the installation.
three meters long speaker hung on a wall hides seven small speakers each playing different cover version of David Bowie’s song "Heroes" recorded in 1977 and covered in wide range of genres by more than forty artists
original version is not present in the installation
in two minutes loop all seven tracks more or less meet at one point to sing the main refrain they all share
as closer to the speaker as better to hear each cover separately and vice-versa
silver sewed logotype "HEROES" corresponds to the typography of original EP layout
pictures on the wall in this video are not part of the installation
exhibited at Nonstop Workshop, 11—13/07/2008 Castle Letovice, Czech Republic
photo by Michal Šeba
The tiles are hauled up to the platform at the top of three storey scaffolding. They are then laid out on the platform as they will be on the wall. In sets of five vertical lines the cement is applied to the wall and the tiles carefully pressed into place. Once this is completed the grouting between each tile is applied.
This exhibition documents international Indigenous artists’ responses to the impacts of radiation and toxic waste on Native peoples and the environment. The work of the 36 artists and collectives, most of whom identify as Indigenous, is centered around the impact that nuclear testing, uranium mining, and the subsequent contamination have had on the colonized peoples and their ancestral, unceded lands of present-day Australia, Canada, Greenland, the US, Japan, and the Pacific Islands. The exhibition presents an interdisciplinary mixture of forms and genres, including sculpture, video installation, photography, collage, glasswork, metalwork, fiber, paintings, and virtual-reality experiences. The works tell personal stories of illness, struggle, and resilience in the face of corporate willfulness and government complicity.
Learn more at armoryarts.org/exposure.
Photo by Milly J. Correa Hernandez. Courtesy Armory Center for the Arts.
www.blockpavingmaintenance.co.uk/
Block paving installation by Block Paving Maintenance paving specialist of crazy paving sequence of photos
The tiles are hauled up to the platform at the top of three storey scaffolding. They are then laid out on the platform as they will be on the wall. In sets of five vertical lines the cement is applied to the wall and the tiles carefully pressed into place. Once this is completed the grouting between each tile is applied.
Hashimoto Contemporary is pleased to present Homeward Bound the debut solo exhibition of Oakland-based artist Christopher Martin. Utilizing the visual vernacular of traditional American tattooing, Martin interweaves imagery from the African Diaspora, his own mythology and iconic navy tattoos to create bold banners and paintings.
Working across mediums including tattooing, textile and painting, each facet of Christopher Martin’s practice informs the others. Imagery commonly found in traditional sailor tattoos are prevalent influences for the current body of work featured in Homeward Bound. The history and superstition embedded in archetypical nautical motifs such as anchors, mermaids and animals are re-coded to reflect the history and stories of the African American experience.
The reclamation of cotton as a primary medium, applied in the large-scale tapestry works and the fiber based paintings on paper, reflect the Atlantic slave trade and the artist’s North Carolina roots. Steeped in Southern and Black history, Christopher Martin’s work layers the confrontation of contemporary injustice and folkloric storytelling to create a new lexicon for black culture.
“Plan 10″ is an interactive installation that uses sound, lights and animated video that users control trough a controlboard, where they can sequence and control events in a tactile miniature sciencefiction city."
Part of the exhibition "Intermation" - Marieke Verbiesen, Cassandra C. Jones & Jakob Ciocci.
With most of our TV installations we have concealed all the cables and wires inside the wall and re-plastered over
Indiana University President Pamela Whitten presides over the installation of Ken Iwama as the seventh Chancellor of IU Northwest. The photo was taken at the Arts & Sciences Building Theater on Friday, October 1, 2021.
Indiana University President Pamela Whitten presides over the installation of Ken Iwama as the seventh Chancellor of IU Northwest. The photo was taken at the Arts & Sciences Building Theater on Friday, October 1, 2021.
“Plan 10″ is an interactive installation that uses sound, lights and animated video that users control trough a controlboard, where they can sequence and control events in a tactile miniature sciencefiction city."
Part of the exhibition "Intermation" - Marieke Verbiesen, Cassandra C. Jones & Jakob Ciocci.