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Boa noite, amigas!
Vi uma combinação parecida com essa num blog gringo e estava doida pra fazer também! Fica tão lindo!
Usei o duochrome/multichrome da UP Colors por cima de um rosa, o Love Bug da Jordana e ficou num tom perfeito, delicado! Esses UP Colors são lindos, estou adorando muito eles!
Pra carimbar usei a plaquinha 208 da BM, e esmalte preto de carimbo da Blant, que graças à Deus não manchou quando passei seche-vite!
Gostei muito, deu um visual lindo na unha!
Boa noite amigas e até amanhã! ;*
Ahhh, sempre esqueço de colocar o Facebook! Quem quiser me add no facebook, vá em frente! É esse aqui: www.facebook.com/penelope.luz.1
I bought some blueberries yesterday and a box of blueberry muffin mix. The baking part was a bit tiring and I had to wait for almost an hour for the muffins to cool down a bit before I could take some shots. I kinda miss taking photos of food lately so I thought it's worth the effort. Maybe next time I would just buy the baked ones from the grocery!
For the set up, I used an off-camera flash fired from the right @1/8 Manual power slightly above and about 5 feet from the subject. The muffins were placed on a white plate inside a light tent.
Excuse the really crappy photo...
Got the Avengers set today and had a go at making a suit more in keeping with the Hulk's size and proportions.
I think I could refine it a bit more but for now it's OK. It's got shoulder, elbow, wrist and partial leg movement. The Iron Man minifig fits inside too.
one month from today is my last day of work.
sure wish i had one of these this morning.
this photo was taken at the Grove in Albuquerque. I'll have a blog post up on that soon.
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800,000 views of this tall leather clad woman! Pretty amazing!
I think she would make a great Doninatrix!
Coleção completa no link (complete collection)
Explore #6.
www.dxfoto.com.br/artigos/dxshop/
Ainda faltam algumas cameras que gostaria de ter. Mas essas são as cameras que tenho em mãos no momento. Tirando a Leica, todas funcionam.
Ai vai a lista dos desejos: (upgrade pessoal)
Yashica T4 (ou Leica Minilux, melhor né), canon g10, canon 5d, canon canonet, polaroid sx70, rolleiflex, alguma de fole antiga grande formato, holga polaroid back, kodak brownie, e a lista vai longe...
Fabric scrap journal from a class taught by Pam Garrison at ArtFiberfest in Issaquah, WA, in June 2005.
Jan '06 -- Pam now has a blog-- check out pamgarrison.typepad.com
The view when standing beneath a large hydro generator turbine. Yes, its off!
See my other Infrastructure images at flic.kr/s/aHsjCwbrWt
Im so happy to announce my very first tattoo cover is out in the U.S now! There is an interview inside with me so pick it up and check it out! I believe its available at boarders,barnes and nobel,and possibly some other places as well that I do not know about yet.I also just shot for total tattoo magazine witch will be out in a few months.Thanks everyone for your support! xo
Featured in "Mosaic: finding your own voice" by Brit Hammer. (available on www.blurb.com, Sept '08). www.brithammer.com/books/
24" across. Wall-hanging.
This is the piece I made for KimboRock (Kim Grant) as a trade for the gorgous website she made for me. I hope she feels it was worth all her hard work.
El Sheikh Zayed bin Sultan al-Nahyan, considerado el padre de los Emiratos Arabes Unidos (EAU), convirtió un sueño en realidad al construir una mezquita de una belleza incomparable, a pesar de que no pudo verla finalizada. Se empezó a construir en 1998 y se acabó en 2007, tres años después de su muerte.
Como es habitual, bajo la cúpula mayor se encuentra la sala de oración. Para acceder a ella debe cruzarse el gran patio de 17.000 metros cuadrados, cubierto con losas de mármol adornadas con incrustaciones de flores de colores y rodeado de galerÃas con arcos en forma de herradura.
Lo más llamativo en la sala de oración, a primera vista, son las 7 lámparas de cristal, la más grande de ellas tiene 10 metros de diámetro y un peso de 8 toneladas. Están fabricadas con cristal de Swarovski, montados sobre una estructura de plata y cobre y bañados en oro.
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Sheikh Zayed Grand Mosque was initiated by the late president of the United Arab Emirates (UAE), His Highness Sheikh Zayed bin Sultan Al Nahyan, who wanted to establish a structure which unites the cultural diversity of Islamic world, with the historical and modern values of architecture and art.
The mosque is large enough to accommodate over 40,000 worshipers. The main prayer hall can accommodate over 7,000 worshipers. There are two smaller prayer halls, with a 1,500-capacity each, one of which is the female prayer hall.
The Sheikh Zayed Grand Mosque has seven imported chandeliers from the company Faustig in Munich Germany that incorporate millions of Swarovski crystals mounted on a metal structure of gold plated silver and copper.
The 8 tones weight largest chandelier is the second largest known chandelier inside a mosque, the third largest in the world and has a 10 m (33 ft) diameter and a 15 m (49 ft) height.
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Lo Sheikh Zayed bin Sultano al-Nahyan, considerato il padre degli Emirati Arabi Uniti (EAU), trasformò un sonno in realtà costruendo una moschea di una bellezza incomparabile, malgrado non fosse riuscito a vederla finita. L’opera si incominciò a costruire nel 1998 e finì nel 2007, tre anni dopo la sua morte.
Come è solito, sotto la cupola maggiore si trova la sala delle preghiere. Per accederla deve incrociarsi il gran patio di 17.000 metri quadrati, coperto con lastre di marmo fiorite con incrostazioni di fiori di colori e circondato di gallerie con archi in forma di ferro di cavallo.
La cosa più vistosa nella sala de le preguiere sono 7 lampade di vetro, la cui più grande, sita nella sala dei maschi, ha 10 metri di diametro ed un peso di 8 tonnellate. Sono fabbricate con vetro di Swarovski, montati su delle strutture di argento e rame , ricoperte in oro.
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El Sheikh Zayed bin Sultan al-Nahyan, considerat el pare dels Emirats Arabs Units (EAU), va convertir un somni en realitat en construir una mesquita d'una bellesa incomparable, a pesar que no va poder veure-la finalitzada. Es va començar a construir en 1998 i es va acabar en 2007, tres anys després de la seva mort.
Com és habitual, sota la cúpula major es troba la sala d'oració. Per accedir a ella ha de creuar-se el gran pati de 17.000 metres quadrats, cobert amb lloses de marbre adornades amb incrustacions de flors de colors i envoltat de galeries amb arcs en forma de ferradura.
El més cridaner a la sala d'oració, a primera vista, són les 7 lluminà riess de cristall, la més gran d'elles té 10 metres de dià metre i un pes de 8 tones. Estan fabricades amb cristall de Swarovski, muntats sobre una estructura de plata i coure i banyats en or.
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Espero que os gusten
Spero vi piacciano
Hope you like them
Espero us agradin
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TheFella Photography | Twitter | Facebook Page | 500px | RedBubble | Website | Getty Images
After failing to get a photograph of the inside of St Paul's last week, I decided to try my luck taking a photo of the inside of Brompton Oratory in South Kensington. Unfortunately when I got there, there were signs saying no photoraphy. Fortunately, there weren't many people around. I stood in an alcove in the back, placed my camera bag in front of me, and attached my camera to the tripod on the back of my bag. I lined up using live view and then solemnly bowed my head, as I expect that's what people do in churches.
Strange how an atheist has two church photographs in a row! (And a cathedral, as I photographed that couple on the steps of St Paul's...)
Looks much more impressive larger and on black (Press L).
Details
Canon EOS 500D / ISO 400 / f/10 / 18-55mm @ 18mm / 13 seconds 0EV, 3.2 seconds -2EV, 30 seconds +2EV
it just hit 104F at 4:30 pm. we've all been grounded. I tried to work outside this morning; I made about 2 hours and had to come in.
even louie louie slept some, but he's still the eager beaver, wanting to play.
holga
patrickjoust | tumblr | facebook | books
...
Konica Hexar RF and Voigtlander Ultron 28mm f/1.9
Kodak 100UC
Here is another small vignette from the ea multiplayer video game "Star Wars Battlefront". this time, I build a scene from the Death Star DLC. It shows a battle between some rebels and stormtroopers in a typical imperial Death Star coridor.
I hope you like it,let me know ;)
Greetings KevFett2011
An interior shot of the MAXXI.
Museo nazionale delle arti del XXI secolo, or National Museum of the 21st Century Arts, is a national museum of contemporary art and architecture in Rome - Architect: Zaha Hadid
sometimes it's okay to surrender to the pain.
i broke down today,
and with the tinkling sound of shattered glass,
there i was,scattered across the floor.
A prenda que ofereci há minha mãe, pelo seu aniversário.
Boneca em tecido e feltro, pintada á mão com aplicações em crohé, fitas, contas...
ALL RIGHT RESERVED
All material in my gallery CANNOT be reproduced, copied, edited, published, transmitted or uploaded in any way without my permission.
Italy urbex roadtrip May 2018
online store: www.artfinder.com/tim-knifton
Instagram: www.instagram.com/Timster_1973
VIDEO: A quick video shoot inside the house.. nothing special.
Yeah, I know it's Valentine's Day.. not Weekend,.. and that it was yesterday, but I'm late with my post.. so sue me! :P
Anyway, the fact that I'm single doesn't mean that I can't throw on a pretty pinkish/reddish dress, wear some sexy high heels and make myself pretty... so that's just what I did.
Sadly, I was only able to take pictures inside.. and that doesn't make for very interesting shots.
I hope you all had a great weekend, single or with a loved one! (or a couple of loved ones.. if that's your thing :-P )
VIDEO: A quick video shoot inside the house.. nothing special.
Best viewed on a mac.
I don't know why my images always look so shitty on a pc. I don't sharpen them at all and yet they always look like it. Not only on flickr, but in general.
Please no group invites or awards! They will be deleted. Uggh, can people read?
The main hall of Chehel Sotun is a three dome structure, with each dome being flanked by a vaulted arch on either side, to give a total of six vaults. Each vault is filled with a large scale fresco painted on ceramic with the detail of a Persian miniature as used until then only in book illustrations. The decoration and the frescoes of the main hall were finished in 1647, under the auspices of Shah Abbas II to record key events in the Safavid dynasty
The renowned frescoes overpower the beautiful decoration of the domes and the vault surroundings. The decoration is in the Safavid style, similar to that found in the mosques, but instead of blues and yellows the dominant colour here is a warm gold. The richness of colour contributes to the overwhelming experience. The impact of the frescoes is due in a large part due to the very decorations that they are embedded into, and as such form an integral part of.
The internal roof is all the more breathtaking considering this palace was badly damaged when Esfahan was occupied by the Afghans from 1721-1729, who covered the frescoes with thick white paint. The remarkable recovery is being carried out by the Instituto Italiano per Il Medio Oriente. It seems only the dome frescoes are beyond repair, which makes the well preserved dome fresco on the open air rear terrace all the more precious.
The eastern side (shown here on the lower half) shows three frescoes, from left to right:
- Shah Abbas II's party for Nader Mohammad Khan, Emir of Turkistan
- Shah Ismail I's battle in India
- Shah Ismail I's Battle of Taher-Abad against Sheibak Khan the Uzbek
The western side (shown here on the top half) also shows three frescoes, from right to left:
- Shah Tahmasp receiving the Hindu prince Humayun
- Shah Ismail I's Battle of Chaldoran against the Ottoman Turks
- Shah Abbas I's feast in honor of Vali Mohammad Khan, Emir of Turkestan
The lower walls that support the domed and vaulted roof feature an additional twenty small frescoes, placed between the doors, niches and windows. These are conventional frescoes painted on plaster, and somewhat dominated by the six large frescoes in the ceiling vaults. While they have survived less well, they depict daily life at the Safavid court in exquisite detail.
note: There are "Click for detail" links attached to notes over each individual fresco, that load the separate photo of the relative fresco, including the smaller frescoes along the lower walls.
On our first trip to Iran, I took so many photos inside the main hall that upon reviewing the photos, I realised there were enough photos to create this composite image of the entire ceiling, excluding the lower walls. The shadows from the side windows have been reduced, but not removed to retain a sense of depth. The individual photos had to be manipulated considerably to 'flatten' the complex form of the ceiling and join the pieces together - a process which by nature introduces distortions in spatial form as well as technically compromising the resolution of some sections more than others, depending on the level of correction. In addition, with the inevitable 'flip and copy' sections, this image is not 100% accurate.
For over a year, while this image accumulated some 3,000 views, there were dark black shadows where the detail of the lower walls was missing.
On our second trip to Iran I systematically photographed the lower walls, taking first a series of photos of both walls to create a stitched panorama image of each wall, as well as taking individual photos of each of the small frescoes, which were post processed as individual shots (each also individually uploaded to flickr from the individual shots) and then reduced into the wall 'panoramas'. The two composite wall 'panoramas' were subsequently added to the top and bottom of the composite roof image. Finally the combined 'roof and walls composite' was re-equalised to match the roof and the walls, as well as enhancing colour and contrast from the earlier 'roof only' versions.
Unfortunately not a single shot of the small fresco on the right beside the eastern main entrance came out sharp enough, so for time being, there is no large version available of that particular fresco, and accordingly, there is no 'Click for detail' link on this composite.
Instead of uploading the complete version as a new image, I chose to replace this previously incomplete image.
The complete composite measures 10400 x 14941 at 133Mb in JPEG (in PSD it's 2GB and that's in 8bit after the 16bit version ran out of memory...). This scaled down version measures 'only' 2048x1534 at 4Mb. The six main frescoes linked from this page are crops from the high resolution PSD original, while the smaller frescoes from the lower walls are linked to the original size photos, which appear in reduced size on this composite.
The EXIF data originates from a photo from the lower part of the 'Battle in India' fresco, but all photos were taken with identical exposure etc. During both trips to Iran I was still shooting with the Nikon D200, so the Sigma 30mm f1.4 was the perfect lens given its equivalent to the classic normal prime on an APS-C sensor. The hall is remarkably dark, and no flash is allowed. The crowdy environment means setting up a tripod is simply not an option. The Sigma f1.4 allowed the low noise ISO400 to be used while still achieving a speed of 1/45 sec - just fast enough to get a sharp handheld picture...
I am attempting to create similar composites of Vank Cathedral, and the Apadana Stairs...
* This photo is blogged here by 'IntelliBriefs'
* This photo is used by Columbia University
* 26 July '07 - #286 on Flickr's Explore.