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This ceramic tile dated 1992 shows the name of a Seal Beach resident who played football for and graduated from Los Alamitos High School; played football for and graduated from UCLA and then became a professional player in the NFL.
Replacement of a dead, damaged or failed liver with a healthy liver from a deceased donor or a part of liver from a healthy living donor done through a surgical procedure is known as liver transplant.
Liver is the largest largest internal organ and works to perform several critical functions, which includes:
•Processing of nutrients, medications and hormones
•Production of bile, to help body absorb and metabolise fats, cholesterol and fat-soluble vitamins
•Production of important proteins
•Filtering of blood of bacteria and toxins
•Managing immune responses and fighting infections
Liver transplant is usually done in people who suffer from major complications arising due to end-stage chronic liver disease. Liver transplants are also done in sudden liver failure cases which usually happen in younger cases.
All over the world more number of patients with failed liver are waiting for a deceased donor than its available.
Living-donor liver transplant is a better alternative to waiting for a deceased-donor liver as when a part of the liver is removed from the donor, it regenerates and returns to its normal size shortly after surgical removal.
India is one of the major centers for liver transplant in the world. In india all Liver transplants are done in JCI accredited hospitals by an internationally trained and experienced team of surgeons who follow internationally accepted protocols.
Types of Liver Transplant
1. Living Donor liver transplant
Cut a section of a normal liver and cirrhotic liver
Liver transplant is done in people whose symptoms due to liver failure cannot be controlled or who have liver cancer.
Liver failure can be acute or chronic depending upon progress of disease or symptoms. In acute cases failure occurs quickly within a matter of weeks. It is not a common condition and happens usually as a result of complications of medications, drug overdose or ingestion of toxins or heavy metals.
Chronic liver failure is much more commoner and occurs over a period of months or years. Chronic liver failure is usually caused by a plethora of conditions. When non-functional scar tissue replaces the normal tissue of the liver is called cirrhosis. Cirrhosis is the most common cause of chronic liver failure and liver transplant.
Major causes that lead to cirrhosis of liver and liver transplant include:
•Chronic infection with Hepatitis B and C.
•Excessive regular alcohol consumption for a long period of time.
•Pathological fatty deposition in the liver is called non-alcoholic fatty liver disease, causing inflammation and liver cell damage.
•Hemochromatosis, Wilson’s disease and other genetic diseases causing excessive deposition of metals in the liver.
•Inborn, acquired and chronic infectious disease of bile duct.
Liver transplant can treat acute liver failure, but it is more commonly to treat chronic liver failure. Liver transplant is also a good treatment option for certain cancers that originate in the liver.
Risks in Liver Transplant
Risks in liver transplant can be due to the surgical procedure or with the drugs that need to be given to prevent rejection of the donor’s liver.
Risks in the surgical procedure include:
•Leakage, blockage or contraction of bile duct
•Excessive bleeding
•Thrombosis or blood clots formation
•Failure of survival of donated liver
•Infection
•Rejection of donated liver
In few conditions if the underlying disease is not treated or controlled properly there may occur recurrence of liver disease in the transplanted liver.
Anti-rejection medication side effects
After a liver transplant, immuno-supressant medications are needed for the rest of life to prevent rejection of the transplanted liver by the patient’s immunity. These anti-rejection medications can cause:
•Bone loss or thinning
•Loss of blood sugar control or diabetes
•Loose motion
•Increased blood pressure
•High cholesterol
Immuno-suppresants also increase risk of infection as well.
Evaluation
Patient needs to be evaluated prior to final decision for transplant:
•To understand if patient is healthy enough to undergo transplant surgery and will be able tolerate lifelong anti-rejection medications
•To manage any medical conditions that may interfere with transplant success
Specific tests, procedures and consultations prior to transplant surgery:
•Laboratory tests, like blood and urine tests to assess the general condition of body, including the liver
•Imaging studies, like an ultrasound
•Heart tests which may be ECG and Echocardiogram for assessment of cardiovascular system
•A general health exam, to check for other illnesses that may affect liver transplant
Other evaluations can be:
•Nutritional assessment and counseling with dietitians
•Psychological evaluation
•Addiction testing and counseling
Waiting for a new liver usually takes a heavy toll on the patient and family in terms of finances, socialization, and mental health as well. Most countries have a long waiting list depending upon the severity of the disease and the availability of donors.
Liver transplant in India if a patient’s relatives are willing to donate has no waiting and can be performed in any of the top JCI accredited hospitals.
Complications due to end-stage liver failure are serious, and patients may need to be frequently hospitalized.
Living liver donors
A small portion of liver from the donor is transplanted into the recipient by a surgical procedure. Eventually the liver portions in both the donor and the recipient grow to normal size within a few weeks.
Living-donor liver transplants are a better alternative to waiting for a deceased-donor liver as it:
•Prevents the hazardous health complications of living with a failed liver.
•Prevents financial losses to the patient and family
•Survival and success rate of Living liver transplant is better than a deceased liver transplant.
•Prevents psychological and mental health issues.
•Prevents damage to other organs including brain from unmetabolized toxins building up in the body
Usually living donors are close family members or friends. It is always advised and better to find willing family members for liver transplant.
Apart from some surgical risk to the donor, advantages of living liver transplant greatly outnumbers deceased donor liver transplant.
Domino liver transplant is a less common living liver donor transplant type where the donor already suffers from a condition called amyloidosis. Amyloidosis liver causes abnormal deposition of proteins in the body organs causing their damage, but the liver functions well. So the donor receives a normal liver from another donor or deceased person and in turn donates his amyloidotic liver to another person. The recipient of the amyloidotic liver will also eventually suffer from amyloidosis but that takes decades. This type of liver transplant is reserved for elderly patients.
2. Deceased donor liver transplant
Is a more common procedure due to unavailability of living donors because of various social, psychological, mental and other issues. In this type of liver transplant a liver is harvested from a brain dead victim whose still might be pumping blood to the organs including liver. The liver is harvested from the body with either relative’s consent or if the dead person prior to the death had pledged to donate organs. In such cases multiple organs can be harvested and one dead donor can give life to many.
The harvested liver is then surgically transplanted into the recipient very similar to the living donor liver transplant.
Cost of liver transplant surgery
Liver transplant is a very complex and specialised surgical procedure and can only be performed in hospitals with top of the line infrastructure. Huge investments in infrastructure and high cost of training of the transplant team results in a whopping high cost of liver transplant surgery.
Cost of liver transplant surgery in the western world can be as high as USD 300000. But in the asian countries like India the cost of liver transplant in a JCI accredited hospital with an internationally trained and qualified transplant team is almost 10% of the cost of western countries. On an average the cost in India is about USD 35000-40000. Given the cost benefit and the success rate as good as the western countries, India is the most cost-effective country for liver transplant surgery.
During the procedure
Living liver donor procedure
Living-donor liver organ regeneration
During the transplant surgery the surgical team starts by harvesting the donor liver from the donor. For this surgeon makes an incision in the abdomen to access your liver. After harvesting a part of the donor’s liver the incision is closed with stitches.
By this time another surgical team removes the diseased liver from the recipient and places the donor liver in its place and secured. Then blood vessels and bile ducts are connected to the donor liver. Surgery can take several hours up to 12 hours.
After closure of the incision with stitches, the recipient will need to stay in ICU for upto couple of days.
The transplanted liver portion in the recipient’s body and the left chunk of liver in the donor’s body regenerate rapidly. They regenerate to normal volume in several weeks.
After a liver transplant
•Few days of stay in the intensive care unit (ICU) for monitoring patients and looking for early signs of complications.
•A total stay in hospital for 7-10 days
•Frequent follow-ups after discharge from hospital during the first month.
•Continue medications for the rest of the life to prevent rejection of the transplanted liver.
A recipient can resume normal activities and go back to work within a few months after liver transplant. But complete recovery from a liver transplant can take upto six months which depends upon the general condition and health of the patient prior to the surgery.
Results
A successful liver transplant depends on many factors, but the most important of which is the health condition of the recipient prior to the transplant and other organs involvement. The higher the involvement of other organ functions and longer the wait period before transplant the lower the chances of success. The world over overall survival rates of recipients after liver transplant at 5 years is 75%. Indian Doctors and hospitals very well match the success of liver transplant in the developed countries and have similar at 5 years survival rate.
It has been researched that people who receive living donor liver transplant have better short-term survival rates than compared to those who receive a deceased-donor liver.
Diet and nutrition
A healthy well-balanced diet after a liver transplant is very important for recovery and keeping the transplanted liver healthy.
A discussion with a dietician regarding food habits and diet chart helps maintain a healthy diet. The important things include:
•Well balanced diet low in salt, cholesterol, sugar and fat
•Avoid alcoholic beverages and use of alcohol in cooking
•Fruits and vegetables must form a big portion of daily diet
•Grapefruit and grapefruit juice affect post transplant medications and must be avoided
•Processed food to be avoided and whole grain foods should be preferred
•Foods must be high in natural fibres
•Dairy products should be low-fat or fat-free to maintain optimal calcium and phosphorus levels
•Stay well hydrated with plenty of water and fluids
•Lean fat free meats like fish or poultry can be consumed in limited amounts.
Exercise
In the post liver transplant period habit exercise and physical activity should be developed to help improve overall well being.
Walking regularly is a good activity and can be started in the immediate post transplant period. It improves physical as well as mental health.
Walking, bicycling, swimming, and other low-impact strength training and physical activities can immensely modify lifestyle.
thechirurgie.com/liver-transplant-surgery-cost-type-fact-...
NARMADA PARIKRAMA
The Narmada also called the Rewa, is a river in central India and the fifth longest river in the Indian subcontinent. It is the third longest river that flows entirely within India, after the Godavari and the Krishna. It is also known as "Life Line of Madhya Pradesh" for its huge contribution to the state of Madhya Pradesh in many ways. It forms the traditional boundary between North India and South India and flows westwards over a length of 1,312 km (815.2 mi) before draining through theGulf of Khambhat into the Arabian Sea, 30 km (18.6 mi) west of Bharuch city of Gujarat. It is one of only three major rivers in peninsular India that run from east to west (longest west flowing river), along with the Tapti River and the Mahi River. It is the one of the rivers in India that flows in a rift valley, flowing west between the Satpura and Vindhya ranges. The other rivers which flows through rift valley include Damodar River in Chota Nagpur Plateau and Tapti. The Tapti River and Mahi River also flow through rift valleys, but between different ranges. It flows through the states of Madhya Pradesh(1,077 km (669.2 mi)), and Maharashtra, (74 km (46.0 mi))– (35 km (21.7 mi)) then along the border between Madhya Pradesh and Maharashtra (39 km (24.2 mi) and the border between Madhya Pradesh and Gujarat and in Gujarat (161 km (100.0 mi)).
The Periplus Maris Erythraei (c. 80 AD) calls it the Nammadus, and theBritish Raj called it the Nerbudda or Narbada. Narmadā is a Sanskrit word meaning "the Giver of Pleasure".
To Hindus the Narmada is one of the five holy rivers of India; the other four beingGanges, Yamuna, Godavari and Kaveri. It is believed that a dip in any of these five rivers washes one's sins away. According to a legend, the river Ganges, polluted by millions of people bathing in it, assumes the form of a black cow and comes to the Narmada to bathe and cleanse itself in its holy waters. Legends also claim that the Narmada River is older than the river Ganges.
The river was mentioned by Ptolemy in the second century AD as Namade and by the author of the Periplus. The Ramayana, the Mahabharat, and thePuranas refer to it frequently. The Rewa Khand of Vayu Purana and the Rewa Khand of Skanda Purana are entirely devoted to the story of the birth and the importance of the river, and hence Narmada is also called the Rewa.
There are many fables about the origin of the Narmada. According to one of them, once Lord Shiva, the Destroyer of the Universe, meditated so hard that he started perspiring. Shiva's sweat accumulated in a tank and started flowing in the form of a river – the Narmada. Another legend has it that two teardrops that fell from the eyes of Lord Brahma, the creator of the universe, yielded two rivers – the Narmada and the Son.
Legends also say that for Lord Shiva, the Hindu God, the river is especially sacred on account of its origin, and it is often called Shankari, i.e., daughter of Shankar (Lord Shiva). All the pebbles rolling on its bed are said to take the shape of his emblem with the saying, "Narmada Ke Kanker utte Sankar" (a popular saying in the Hindi belt of India), which means that 'pebble stones of Narmada get a personified form of Shiva'. These lingam shaped stones (cryptocrytalline quartz), calledBanalinga also called (Banashivalingas) are much sought after for daily worship by the Hindus. The Brihadeeswara Temple in Thanjavur, Tamil Nadu, constructed by Rajaraja Chola, has one of the biggest Banalingas. Adi Shankara met his guru Govinda Bhagavatpada on the banks of the river Narmada.
Narmada is also said to have been in love with the Sonbhadra, another river flowing on the Chota Nagpur Plateau. According to the Puranas, the Narmada is also called the Rewa, from its leaping motion (from the root 'rev') through its rocky bed.
Important religious places and Ghats along the course of the river, starting from its origin at Narmadakhund at Amarkantakhill, are a) the Amarkantak (in Sanskrit: Neck of Shiva) or Teertharaj (the King of Pilgrimages), b) Omkareshwar, Maheshwar, and Mahadeo temples, Nemawar Siddeshwar Mandir in the middle reach of the river – all named after Shiva, c) Chausath Yogini (sixty four yoginis) temple, d) Chaubis Avatar temple, e) Bhojpur Shiva temple and Bhrigu Rishi temple in Bharuch. The Narmada River is also worshipped as mother goddess by Narmadeeya Brahmins.
The importance of the Narmada River as sacred is testified by the fact that the pilgrims perform a holy pilgrimage of aparikrama or circumambulation of the river.[17] The Narmada Parikrama, as it is called, is considered to be a meritorious act that a pilgrim can undertake. Many sadhus and pilgrims walk on foot from the Arabian Sea at Bharuch in Gujarat, along the river, to the source in Maikal Mountains (Amarkantak hills) in Madhya Pradesh and back along the opposite bank of the river. It is a 2,600-kilometre (1,600 mi) walk.[18] Important towns of interest in the valley are Jabalpur, Barwani, Hoshangabad, Harda, Narmada Nagar, Omkareshwar, Dewas (Nemavar, Kity, Pipri), Mandla and Maheshwar in Madhya Pradesh, andRajpipla and Bharuch in Gujarat. Some places of historical interest are Joga Ka Quilla, Chhatri of Baji Rao Peshwa andBhimbetka, and among the falls are the Dugdhdhara, Dhardi falls, Bheraghat, Dhuandhara, Kapiladhara and Sahastradhara. By Kailash Mansarovar Foundation Swami Bikash Giri www.sumeruparvat.com , www.naturalitem.com
NARMADA PARIKRAMA
The Narmada also called the Rewa, is a river in central India and the fifth longest river in the Indian subcontinent. It is the third longest river that flows entirely within India, after the Godavari and the Krishna. It is also known as "Life Line of Madhya Pradesh" for its huge contribution to the state of Madhya Pradesh in many ways. It forms the traditional boundary between North India and South India and flows westwards over a length of 1,312 km (815.2 mi) before draining through theGulf of Khambhat into the Arabian Sea, 30 km (18.6 mi) west of Bharuch city of Gujarat. It is one of only three major rivers in peninsular India that run from east to west (longest west flowing river), along with the Tapti River and the Mahi River. It is the one of the rivers in India that flows in a rift valley, flowing west between the Satpura and Vindhya ranges. The other rivers which flows through rift valley include Damodar River in Chota Nagpur Plateau and Tapti. The Tapti River and Mahi River also flow through rift valleys, but between different ranges. It flows through the states of Madhya Pradesh(1,077 km (669.2 mi)), and Maharashtra, (74 km (46.0 mi))– (35 km (21.7 mi)) then along the border between Madhya Pradesh and Maharashtra (39 km (24.2 mi) and the border between Madhya Pradesh and Gujarat and in Gujarat (161 km (100.0 mi)).
The Periplus Maris Erythraei (c. 80 AD) calls it the Nammadus, and theBritish Raj called it the Nerbudda or Narbada. Narmadā is a Sanskrit word meaning "the Giver of Pleasure".
To Hindus the Narmada is one of the five holy rivers of India; the other four beingGanges, Yamuna, Godavari and Kaveri. It is believed that a dip in any of these five rivers washes one's sins away. According to a legend, the river Ganges, polluted by millions of people bathing in it, assumes the form of a black cow and comes to the Narmada to bathe and cleanse itself in its holy waters. Legends also claim that the Narmada River is older than the river Ganges.
The river was mentioned by Ptolemy in the second century AD as Namade and by the author of the Periplus. The Ramayana, the Mahabharat, and thePuranas refer to it frequently. The Rewa Khand of Vayu Purana and the Rewa Khand of Skanda Purana are entirely devoted to the story of the birth and the importance of the river, and hence Narmada is also called the Rewa.
There are many fables about the origin of the Narmada. According to one of them, once Lord Shiva, the Destroyer of the Universe, meditated so hard that he started perspiring. Shiva's sweat accumulated in a tank and started flowing in the form of a river – the Narmada. Another legend has it that two teardrops that fell from the eyes of Lord Brahma, the creator of the universe, yielded two rivers – the Narmada and the Son.
Legends also say that for Lord Shiva, the Hindu God, the river is especially sacred on account of its origin, and it is often called Shankari, i.e., daughter of Shankar (Lord Shiva). All the pebbles rolling on its bed are said to take the shape of his emblem with the saying, "Narmada Ke Kanker utte Sankar" (a popular saying in the Hindi belt of India), which means that 'pebble stones of Narmada get a personified form of Shiva'. These lingam shaped stones (cryptocrytalline quartz), calledBanalinga also called (Banashivalingas) are much sought after for daily worship by the Hindus. The Brihadeeswara Temple in Thanjavur, Tamil Nadu, constructed by Rajaraja Chola, has one of the biggest Banalingas. Adi Shankara met his guru Govinda Bhagavatpada on the banks of the river Narmada.
Narmada is also said to have been in love with the Sonbhadra, another river flowing on the Chota Nagpur Plateau. According to the Puranas, the Narmada is also called the Rewa, from its leaping motion (from the root 'rev') through its rocky bed.
Important religious places and Ghats along the course of the river, starting from its origin at Narmadakhund at Amarkantakhill, are a) the Amarkantak (in Sanskrit: Neck of Shiva) or Teertharaj (the King of Pilgrimages), b) Omkareshwar, Maheshwar, and Mahadeo temples, Nemawar Siddeshwar Mandir in the middle reach of the river – all named after Shiva, c) Chausath Yogini (sixty four yoginis) temple, d) Chaubis Avatar temple, e) Bhojpur Shiva temple and Bhrigu Rishi temple in Bharuch. The Narmada River is also worshipped as mother goddess by Narmadeeya Brahmins.
The importance of the Narmada River as sacred is testified by the fact that the pilgrims perform a holy pilgrimage of aparikrama or circumambulation of the river.[17] The Narmada Parikrama, as it is called, is considered to be a meritorious act that a pilgrim can undertake. Many sadhus and pilgrims walk on foot from the Arabian Sea at Bharuch in Gujarat, along the river, to the source in Maikal Mountains (Amarkantak hills) in Madhya Pradesh and back along the opposite bank of the river. It is a 2,600-kilometre (1,600 mi) walk.[18] Important towns of interest in the valley are Jabalpur, Barwani, Hoshangabad, Harda, Narmada Nagar, Omkareshwar, Dewas (Nemavar, Kity, Pipri), Mandla and Maheshwar in Madhya Pradesh, andRajpipla and Bharuch in Gujarat. Some places of historical interest are Joga Ka Quilla, Chhatri of Baji Rao Peshwa andBhimbetka, and among the falls are the Dugdhdhara, Dhardi falls, Bheraghat, Dhuandhara, Kapiladhara and Sahastradhara. By Kailash Mansarovar Foundation Swami Bikash Giri www.sumeruparvat.com , www.naturalitem.com
NARMADA PARIKRAMA
The Narmada also called the Rewa, is a river in central India and the fifth longest river in the Indian subcontinent. It is the third longest river that flows entirely within India, after the Godavari and the Krishna. It is also known as "Life Line of Madhya Pradesh" for its huge contribution to the state of Madhya Pradesh in many ways. It forms the traditional boundary between North India and South India and flows westwards over a length of 1,312 km (815.2 mi) before draining through theGulf of Khambhat into the Arabian Sea, 30 km (18.6 mi) west of Bharuch city of Gujarat. It is one of only three major rivers in peninsular India that run from east to west (longest west flowing river), along with the Tapti River and the Mahi River. It is the one of the rivers in India that flows in a rift valley, flowing west between the Satpura and Vindhya ranges. The other rivers which flows through rift valley include Damodar River in Chota Nagpur Plateau and Tapti. The Tapti River and Mahi River also flow through rift valleys, but between different ranges. It flows through the states of Madhya Pradesh(1,077 km (669.2 mi)), and Maharashtra, (74 km (46.0 mi))– (35 km (21.7 mi)) then along the border between Madhya Pradesh and Maharashtra (39 km (24.2 mi) and the border between Madhya Pradesh and Gujarat and in Gujarat (161 km (100.0 mi)).
The Periplus Maris Erythraei (c. 80 AD) calls it the Nammadus, and theBritish Raj called it the Nerbudda or Narbada. Narmadā is a Sanskrit word meaning "the Giver of Pleasure".
To Hindus the Narmada is one of the five holy rivers of India; the other four beingGanges, Yamuna, Godavari and Kaveri. It is believed that a dip in any of these five rivers washes one's sins away. According to a legend, the river Ganges, polluted by millions of people bathing in it, assumes the form of a black cow and comes to the Narmada to bathe and cleanse itself in its holy waters. Legends also claim that the Narmada River is older than the river Ganges.
The river was mentioned by Ptolemy in the second century AD as Namade and by the author of the Periplus. The Ramayana, the Mahabharat, and thePuranas refer to it frequently. The Rewa Khand of Vayu Purana and the Rewa Khand of Skanda Purana are entirely devoted to the story of the birth and the importance of the river, and hence Narmada is also called the Rewa.
There are many fables about the origin of the Narmada. According to one of them, once Lord Shiva, the Destroyer of the Universe, meditated so hard that he started perspiring. Shiva's sweat accumulated in a tank and started flowing in the form of a river – the Narmada. Another legend has it that two teardrops that fell from the eyes of Lord Brahma, the creator of the universe, yielded two rivers – the Narmada and the Son.
Legends also say that for Lord Shiva, the Hindu God, the river is especially sacred on account of its origin, and it is often called Shankari, i.e., daughter of Shankar (Lord Shiva). All the pebbles rolling on its bed are said to take the shape of his emblem with the saying, "Narmada Ke Kanker utte Sankar" (a popular saying in the Hindi belt of India), which means that 'pebble stones of Narmada get a personified form of Shiva'. These lingam shaped stones (cryptocrytalline quartz), calledBanalinga also called (Banashivalingas) are much sought after for daily worship by the Hindus. The Brihadeeswara Temple in Thanjavur, Tamil Nadu, constructed by Rajaraja Chola, has one of the biggest Banalingas. Adi Shankara met his guru Govinda Bhagavatpada on the banks of the river Narmada.
Narmada is also said to have been in love with the Sonbhadra, another river flowing on the Chota Nagpur Plateau. According to the Puranas, the Narmada is also called the Rewa, from its leaping motion (from the root 'rev') through its rocky bed.
Important religious places and Ghats along the course of the river, starting from its origin at Narmadakhund at Amarkantakhill, are a) the Amarkantak (in Sanskrit: Neck of Shiva) or Teertharaj (the King of Pilgrimages), b) Omkareshwar, Maheshwar, and Mahadeo temples, Nemawar Siddeshwar Mandir in the middle reach of the river – all named after Shiva, c) Chausath Yogini (sixty four yoginis) temple, d) Chaubis Avatar temple, e) Bhojpur Shiva temple and Bhrigu Rishi temple in Bharuch. The Narmada River is also worshipped as mother goddess by Narmadeeya Brahmins.
The importance of the Narmada River as sacred is testified by the fact that the pilgrims perform a holy pilgrimage of aparikrama or circumambulation of the river.[17] The Narmada Parikrama, as it is called, is considered to be a meritorious act that a pilgrim can undertake. Many sadhus and pilgrims walk on foot from the Arabian Sea at Bharuch in Gujarat, along the river, to the source in Maikal Mountains (Amarkantak hills) in Madhya Pradesh and back along the opposite bank of the river. It is a 2,600-kilometre (1,600 mi) walk.[18] Important towns of interest in the valley are Jabalpur, Barwani, Hoshangabad, Harda, Narmada Nagar, Omkareshwar, Dewas (Nemavar, Kity, Pipri), Mandla and Maheshwar in Madhya Pradesh, andRajpipla and Bharuch in Gujarat. Some places of historical interest are Joga Ka Quilla, Chhatri of Baji Rao Peshwa andBhimbetka, and among the falls are the Dugdhdhara, Dhardi falls, Bheraghat, Dhuandhara, Kapiladhara and Sahastradhara. By Kailash Mansarovar Foundation Swami Bikash Giri www.sumeruparvat.com , www.naturalitem.com
NARMADA PARIKRAMA
The Narmada also called the Rewa, is a river in central India and the fifth longest river in the Indian subcontinent. It is the third longest river that flows entirely within India, after the Godavari and the Krishna. It is also known as "Life Line of Madhya Pradesh" for its huge contribution to the state of Madhya Pradesh in many ways. It forms the traditional boundary between North India and South India and flows westwards over a length of 1,312 km (815.2 mi) before draining through theGulf of Khambhat into the Arabian Sea, 30 km (18.6 mi) west of Bharuch city of Gujarat. It is one of only three major rivers in peninsular India that run from east to west (longest west flowing river), along with the Tapti River and the Mahi River. It is the one of the rivers in India that flows in a rift valley, flowing west between the Satpura and Vindhya ranges. The other rivers which flows through rift valley include Damodar River in Chota Nagpur Plateau and Tapti. The Tapti River and Mahi River also flow through rift valleys, but between different ranges. It flows through the states of Madhya Pradesh(1,077 km (669.2 mi)), and Maharashtra, (74 km (46.0 mi))– (35 km (21.7 mi)) then along the border between Madhya Pradesh and Maharashtra (39 km (24.2 mi) and the border between Madhya Pradesh and Gujarat and in Gujarat (161 km (100.0 mi)).
The Periplus Maris Erythraei (c. 80 AD) calls it the Nammadus, and theBritish Raj called it the Nerbudda or Narbada. Narmadā is a Sanskrit word meaning "the Giver of Pleasure".
To Hindus the Narmada is one of the five holy rivers of India; the other four beingGanges, Yamuna, Godavari and Kaveri. It is believed that a dip in any of these five rivers washes one's sins away. According to a legend, the river Ganges, polluted by millions of people bathing in it, assumes the form of a black cow and comes to the Narmada to bathe and cleanse itself in its holy waters. Legends also claim that the Narmada River is older than the river Ganges.
The river was mentioned by Ptolemy in the second century AD as Namade and by the author of the Periplus. The Ramayana, the Mahabharat, and thePuranas refer to it frequently. The Rewa Khand of Vayu Purana and the Rewa Khand of Skanda Purana are entirely devoted to the story of the birth and the importance of the river, and hence Narmada is also called the Rewa.
There are many fables about the origin of the Narmada. According to one of them, once Lord Shiva, the Destroyer of the Universe, meditated so hard that he started perspiring. Shiva's sweat accumulated in a tank and started flowing in the form of a river – the Narmada. Another legend has it that two teardrops that fell from the eyes of Lord Brahma, the creator of the universe, yielded two rivers – the Narmada and the Son.
Legends also say that for Lord Shiva, the Hindu God, the river is especially sacred on account of its origin, and it is often called Shankari, i.e., daughter of Shankar (Lord Shiva). All the pebbles rolling on its bed are said to take the shape of his emblem with the saying, "Narmada Ke Kanker utte Sankar" (a popular saying in the Hindi belt of India), which means that 'pebble stones of Narmada get a personified form of Shiva'. These lingam shaped stones (cryptocrytalline quartz), calledBanalinga also called (Banashivalingas) are much sought after for daily worship by the Hindus. The Brihadeeswara Temple in Thanjavur, Tamil Nadu, constructed by Rajaraja Chola, has one of the biggest Banalingas. Adi Shankara met his guru Govinda Bhagavatpada on the banks of the river Narmada.
Narmada is also said to have been in love with the Sonbhadra, another river flowing on the Chota Nagpur Plateau. According to the Puranas, the Narmada is also called the Rewa, from its leaping motion (from the root 'rev') through its rocky bed.
Important religious places and Ghats along the course of the river, starting from its origin at Narmadakhund at Amarkantakhill, are a) the Amarkantak (in Sanskrit: Neck of Shiva) or Teertharaj (the King of Pilgrimages), b) Omkareshwar, Maheshwar, and Mahadeo temples, Nemawar Siddeshwar Mandir in the middle reach of the river – all named after Shiva, c) Chausath Yogini (sixty four yoginis) temple, d) Chaubis Avatar temple, e) Bhojpur Shiva temple and Bhrigu Rishi temple in Bharuch. The Narmada River is also worshipped as mother goddess by Narmadeeya Brahmins.
The importance of the Narmada River as sacred is testified by the fact that the pilgrims perform a holy pilgrimage of aparikrama or circumambulation of the river.[17] The Narmada Parikrama, as it is called, is considered to be a meritorious act that a pilgrim can undertake. Many sadhus and pilgrims walk on foot from the Arabian Sea at Bharuch in Gujarat, along the river, to the source in Maikal Mountains (Amarkantak hills) in Madhya Pradesh and back along the opposite bank of the river. It is a 2,600-kilometre (1,600 mi) walk.[18] Important towns of interest in the valley are Jabalpur, Barwani, Hoshangabad, Harda, Narmada Nagar, Omkareshwar, Dewas (Nemavar, Kity, Pipri), Mandla and Maheshwar in Madhya Pradesh, andRajpipla and Bharuch in Gujarat. Some places of historical interest are Joga Ka Quilla, Chhatri of Baji Rao Peshwa andBhimbetka, and among the falls are the Dugdhdhara, Dhardi falls, Bheraghat, Dhuandhara, Kapiladhara and Sahastradhara. By Kailash Mansarovar Foundation Swami Bikash Giri www.sumeruparvat.com , www.naturalitem.com
Postcard
The Fay Thomas Collection includes family archives relating to the Thomas family. Moses Thomas (1825-1878) was a significant figure in the history of the area now known as the City of Whittlesea, Victoria, Australia. Thomas and Ann and their family lived at "Mayfield", Mernda, Victoria.
Miss Lily Thomas (1871-1946), Thomas and Ann’s fourth daughter lived there all her life. She collected postcards which her family and friends sent her on a very regular basis. It was an easy and enjoyable way to keep in touch. Production of postcards blossomed in the late 19th and early 20th centuries. Lily’s collection encompasses the so-called Golden Age (1890-1915) with many postmarked 1906-1907. Some were sent to other members of the family.
The collection document the natural landscape as well as the built environment—buildings, gardens, parks, and tourist sites. Topographical Postcards showing street scenes and general views from Australian and international locations, some of which are artistic views. Popular postcard manufacturers such as Tuck’s Postcards are included in the collection.
Decorative cards, many embellished with floral motives (as a nod to the receiver Lily?) and embossing. Greeting cards are common for Christmas, New Year, Easter and of course birthdays.
Regular senders can be identified from Kyneton and the Great Ocean Road area, Victoria and there is a siginifant collection from Scotland (but not sent from there).
YPRL hold digital copies of the Papers of the Moses Thomas Family held at State Library Victoria
Copyright for these images is Public domain but a credit to the Fay Thomas Collection and YPRL would be appreciated.
Enquiries: Yarra Plenty Regional Library
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Want to know more about the Hazards of Asbestos? Asbestos is a chronic respiratory condition. The inhaled fibers irritate the lung tissues and cause scarring. Symptoms include shortness of breath and a crackling sound in the lungs when inhaling. The disease is disabling and usually fatal. Workers who have renovated or demolished buildings containing asbestos may be at risk.
Lung cancer which is one of the hazards of Asbestos is the cause of most deaths from asbestos exposure. Mining, milling, manufacturing, and use of asbestos and asbestos products put the worker at risk. Symptoms include a cough, change in breathing and shortness of breath. Smoking in combination with asbestos exposure increases the risk of lung cancer. Symptoms of stage four mesothelioma should be taken very serious as well.
What really is Asbestos?
Asbestos is the name for a group of naturally occurring mineral fibers which are strong and both heat and chemically resistant. Due to these properties, asbestos was commonly used in the past as insulation and fireproofing. It was also used as a component in other building materials. There are three main types of asbestos found in Ireland – chrysotile (white asbestos), amosite (brown asbestos) and crocidolite (blue asbestos). The risk associated with exposure to asbestos relates to the possibility that the fibers within the asbestos-containing material (ACM) can become released into the air and are then inhaled. Breathing in air containing asbestos fibers can lead to asbestos-related diseases (mainly cancers of the chest and lungs). These diseases will not occur immediately and can take from 15 – 60 years to develop.
What are the hazards of asbestos?
When talking about hazards of asbestos, breathing asbestos fibers can cause a buildup of scar-like tissue in the lungs called asbestosis and result in loss of lung function that often progresses to disability and death. Asbestos also causes cancer of the lung and other diseases such as mesothelioma of the pleura which is a fatal malignant tumor of the membrane lining the cavity of the lung or stomach. Mesothelioma cancer is regarded to be one of the deadliest hazards of asbestos. Epidemiologic evidence has increasingly shown that all asbestos fiber types, including the most commonly used form of asbestos, chrysotile, causes mesothelioma in humans.
Where is asbestos found in homes and residential buildings?
Water, hail, and wind can damage structures and contribute to the release of fibers from asbestos-containing materials (see examples below). When these materials dry out, they can break down into very small fibers, which can get into the air and be easily inhaled during cleanup work.
What’s so dangerous about asbestos?
1. Asbestos fibers are very small. If you inhale them, they go deep into your lungs, and stay there, possibly causing disease 10 to 40 years later.
2. Asbestos is (a lung disease) and mesothelioma (a rare type of cancer) are both diseases that only people exposed to asbestos get.
3. You’re 90 times more likely to develop lung cancer if you smoke and are exposed to asbestos than people who do not smoke and are not exposed to asbestos.
Can asbestos be reduced- what can be done to reduce the hazards of asbestos?
These standards reduce the risk to workers by requiring that employers provide personal exposure monitoring to assess the risk and hazard awareness training for operations where there is any potential exposure to asbestos. Airborne levels of asbestos are never to exceed legal worker exposure limits. There is no “safe” level of asbestos exposure for any type of asbestos fiber. If you or a loved one is showing signs of stage four mesothelioma symptoms, it is suggested that they speak with a professional physician as soon as possible.
Methods for Controlling Exposure:
In order to control the hazards of asbestos or its exposure, it is necessary you follow the below tips which are:
>>Avoid disturbing sources of asbestos until proper steps for assessment and control can be implemented.
>>Never smoke, eat, or drink in areas where asbestos exposure is possible.
>>Avoid dry sweeping, shoveling, or other dry clean-up of dust and debris containing asbestos.
>>Wet materials before and during cutting, breaking, or other work that might release asbestos fibers into the air.
>>Wear protective outer clothing that can be removed and cleaned or discarded.
>>If work involving asbestos-containing materials must be done, use a NIOSH-approved respirator to protect workers from inhaling asbestos fibers.
>>Wash exposed parts of the body with soap and water.
>>Avoid carrying asbestos fibers out of a work site where they can later be inhaled by others (e.g., by family members at home).
General Asbestos Awareness
Again the danger or hazards of asbestos is in its release into the air. Each of us has walked on asbestos tiles somewhere at some point in time. There is no harm it that. However, if you take the tile and drill holes in it or take a file to it, you will release asbestos fibers into the air which could enter your lungs. If you or a loved one has recently been diagnosed with stage four mesothelioma, here at the asbestos cancer organization we are fully suited to help you find treatment options and a good mesothelioma attorney.
On the other hand, it would be difficult to do anything with asbestos-based insulation without the risk of getting some of it airborne. This is called being friable.
If the material is positive for asbestos, only a properly trained crew can remove, repair, encapsulate, or enclose it. They must be appropriately trained to remove and dispose of the material. The best thing you can do if you come across some friable material that you believe may be asbestos containing is to stop and ask prior to disturbing it. This is for your safety.
The post Knowing the Hazards of Asbestos and its Prevention appeared first on Mesothelioma Cancer Information.
source umassmedicalschool.com/2019/02/23/knowing-the-hazards-of-... umassmedicalschool.blogspot.com/2019/02/knowing-hazards-o...
Standard symbolism includes: Butterflies (or Wings), Crystal/Fractal images (Thoth), Clouds. (Sourced from my Queen of Swords). Tarot fans might recognize this card as a nod to the Aquarian Tarot. I had a "special" relationship with its men of swords back in college.
Standard meanings include:
Fire of Air. Like all Knights, younger man in motion. Intellectual, private. (Per college: he was too busy doing big things, thinking deep thoughts, to pay attention to me.)
Ob. NIN reference:
Yeah, none. It's Marcus Mumford.
Mary didn't have a new poem, so I punted. Biggest event last week was seeing Mumford & Sons in concert, after totally falling in love with them at Red Rocks. (Hence mandolin, red rocks silhouette, and if you really squint, you might see their current tour art).
He's an Aquarius, Air... so... Swords? Sure, why not? (Folks were campaigning for the King of Swords, but... Marcus seems to me still too young for that card. Of the court cards, only the Kings get facial hair. But, I'm enough of a Photoshop bad-ass to get him clean-shaven.)
Also... he's a motorcycle buff, which totally fits the Knight. (Hence helmet & gloves). During the blizzard folks gave "helpful" imagery suggestions, resulting in the composite sword of a "dirk" and "fork" (trident). The design was done by the grammys, else I might've added one in, which would've given me a NIN reference, since Trent also won another one this year.
St. George Historic District, St. George, Staten Island
The St. George Historic District, which includes portions of St. Marks Piace, Carroll Piace, Westervett Avenue, and Hamilton Avenue, the Phelps Place cul-de-sac, and short stretches of Richmond Terrace, is a small enclave containing some 78 buildings, part of a larger suburban development, located along Staten Island's North Shore. Predominantly late nineteenth century in character, the area of the district had its roots in one of the earliest ptanned suburban communities in New York City. Initiated by Thomas E. Davis, a wealthy Manhattan real estate developer, in 1834-35, the project was taken over in 1836 by the New Brighton Association, a consortium of wealthy New York City entrepreneurs who promoted this location as a commuter suburb called New Brighton which was readily accessible to New York City by steamboat ferry service.
The proposed development slowed, almost immediately affected by the economic collapse of 1837; within the historic district, however, part of the existing street pattern reflects that shown on the plan of New Brighton of 1835 - three crescent-shaped streets ascending a steep hillside and another that surrounded them. The present street names are those shown on that original plan: Richmond Terrace, Carroll Place, St. Marks Place, and Hamilton Avenue (its original westernmost end is today part of Westervelt Avenue). In addition, there are four structures from this earliest phase of development. The oldest structure in the district is the house at 404 Richmond Terrace (now "Pavilion on the Terrace"), a temple-fronted Greek Revival residence built c. 1835 by Thomas Davis and acquired shortly thereafter by Henry P. Robertson, a Manhattan merchant.
Another early house remains at 272 Richmond Terrace, originally part of a grouping of three similar houses constructed c. 1839-45 by Henry McFarlane. Also surviving are two early carriage houses that were buHt to serve houses on Richmond Terrace.
In the 1840s and 1850s New Brighton developed into a fashionable summer resort. One Italianate villa, now modified, at 97 St. Marks Place and two [arge brick Italianate outbuildings on the north side of Carrolt Place survive from this period.
A Civil War business boom brought new development and a population increase to Staten Island as New York's populace sought affordable housing. Among the most notable houses built in the area of the historic district was the Anson Phelps Stokes residence (1862), one of three large estate houses constructed at the top of the hill on land between St. Mark's Place and Hamilton Avenue. This period was marked by the introduction of a new building type to the district, the double house, and a new style, the Second Empire. Several houses dating from the 1860s and early 1870s, designed in this style and distinguished by their mansard roofs, are located on Westervelt Avenue and the north side of St. Mark's Place. This period of development was halted by the Depression of 1873.
Sometime between 1878 and 1882, the saloon and hotel keeper Joseph Wilks built the brick double house at 30-32 Westervelt Avenue which shows the influence of the Romanesque Revival style. The increase in building activity within the proposed district starting in the 1880s coincided with the consolidation of competing Staten Island ferry lines at one location, the site of the present St. George ferry terminal. Improved transportation, making the area more convenient to lower Manhattan, was the primary impetus for the suburb's development boom. The story has been told that the appellation, St. George, which first appears on an 1885 map, was the name that ferry promoter Erastus Wiman gave to the terminal, after George Law, a railroad engineer and financier, made land available for the new railroad and new terminal.
The majority of houses in the proposed district were constructed in the 1880s and 1890s and reflect combination of the decorative Queen Anne styie and aspects of the Coionial Revival and Shingie styles; it is these houses which give the proposed district its predominant architectural character. Most of the houses are wood-frame structures with clapboard or shingie siding, although there are some masonry buildings. Taking advantage of the hilly topography, the houses are designed with picturesque features such as comer towers, protecting bays, and porches which add architectural variety. The houses on the south side of St. Marks Place, for example, are set uphill and back from the street while those on the north side of the street are located on narrow, deep jots running downhill to Carroll Place and have additional stories at the rear. Historically Carroll Place was lined with outbuildings related to the properties on St. Marks Place and Richmond Terrace.
A few of the surviving buildings on Carroll Place, such as those at Nos. 9, 17, and 135, appear on an 1874 map; they were subsequently converted for residential use. Other buildings on Carrol! Place are garages for the properties on St. Marks Place.
The Phelps Place cul-de-sac is located on what was once the Anson Phelps Stokes estate. The double houses at 7-8 and 9-10 Phelps Place, as well as the freestanding house at 11 Phelps Place, were all designed by Manhattan architect Douglass Smyth and built c. 1890. They display elements of the popular Shingle style as adapted to specuiativety developed suburban architecture.
The district is also notable for the large number of works; from this era designed by Staten Island architect Edward Alfred Sargent (1842-1914). Examples of Sargent's work within the proposed district include the houses at 103, 115, 119, and 125 St. Marks Place, dating from c. 1890, which show the influence of the Shingle style. No. 103 was built for banker Frederick L. Rodewald, while Nos. 115 and 119 were built for Vernon Brown, a shipping agent for Cunard Lines. No. 1-5 St. Marks Place (c. 1887-91) and No. 27 St. Mark's Place (1906) are also documented as having been designed by Sargent, as were the c. 1890 alterations to the earlier house at No. 75 which included the addition of the porch and projecting bays.
As the governmental and business center developed near the ferry terminal in the years after Staten Island was consolidated into Greater New York, the larger neighborhood including the area of the district came to be known as St. George. Suburban development continued in the district as the owners of large estates died and the heirs sold off the properties. He freestanding frame houses from this period, many of them on the east side of Westervelt Avenue and on Hamilton Avenue, continue the stylistic trends established by Sargent and his contemporaries in the 1890s.
Also included within the district are examples of non-residential architecture which contribute to its character. The neo-Romanesque St. Peter's Roman Catholic Church, built in 1900-01 to the designs of Harding & Gooch, on the site of an 1844 structure which had been Staten Island's first Roman Catholic church, dominates the view down St. Mark's Place. Two one-story commercial buildings, faced in decorative terra cotta and built along the west side of Westervelt Avenue, are typical of small stores constructed in suburban residential neighborhoods during the 1920s and '30s.
The historical significance of the St. George Historic District comes in part because of its prominent residents over several generations, including many leading members of the arts, professions, and business community, political and social leaders, and founders of such important local institutions as the Staten Island Institute of Arts and Sciences and the Staten Island Women's Club.
The architecture of the district reflecting several distinct eras of suburban development on Staten Island, the curving streetscapes, the distinctive topography, and the terraced landscape al! work together to give the area its special character.
- From the 1994 NYCLPC Historic District Designation Report
This is a photograph from the Forest Marathon festival 2013 which was held in the beautiful Coillte forest of Portumna in Co. Galway, Ireland on Saturday 15th June 2013. The event includes a 10k, a full marathon, a half marathon and two ultra-running events - a 50k and 100k race. The races started at 08:00 with the 100KM, the 50KM at 10:00, and subsequent races at two hour intervals onwards. All events started and finished within the forest with the exception of the half marathon and marathon which started outside of the forest. All events see participants complete 5KM loops of the forest which start and end at the car-park/amenity end of the forest. There is an official Refreshment/Handling Zones at this point on the loop.
The event was organised by international coach Sebastien Locteau from SportsIreland.ie and his fantastic team of volunteers from Galway and beyond. Congratulations to Seb on organising a very professionally run event and an event which is growing bigger and more prestigious with each passing year. There was an incredible atmosphere amongst the runners, the spectators, and the organisers. Hats off to everyone involved.
The marathon, 50KM, and 100KM events are sanctioned by Athletics Ireland and AIMS (the Association of International Marathons and Distance Races). The event has also achieved IAU (International Association of Ultrarunners) Bronze Label status for 2013.
Electronic timing was provided by RedTagTiming: www.redtagtiming.com/
Energy Bars, Gels, Drinks etc were provided by Fuel4Sport: www.fuel4sport.ie/
This is a set of photographs taken at various points on the 5KM loop in the Forest and contains photographs of competitors from all of the events except the 10KM race.
Viewing this on a smartphone device?
If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
Overall Race Summary
Participants: Approximately 600 people took part across all of the events which were staged: 10km, half marathon, marathon, 50km, and 100KM.
Weather: The weather was unfortunately not what a summer's day in June should be like - there was rain, some breeze, but mild temperatures.
Course: This is a fast flat course depending on your event. The course is left handed around the Forest and roughly looks like a figure of 8 in terms of routing.
Location Map: Start/finish area on Google StreetView [goo.gl/maps/WWTgD] are inside the parklands and trails
Refreshments: There are no specific refreshments but the race organizers provide very adequate supplies for all participants.
Some Useful Links
Official Race Event Website: www.forestmarathon.com/
The Boards.ie Athletics Forum Thread for the 2013 Event: www.boards.ie/vbulletin/showthread.php?t=2056874371
A GPS Garmin Trace of the Course Profile (from the 50KM event) connect.garmin.com/activity/189495781
Our Flickr Photographs from the 2012 Events: www.flickr.com/photos/peterm7/sets/72157630146344494/
Our Flickr Photographs from the 2011 Events: www.flickr.com/photos/peterm7/sets/72157626865466587/
Title Sponsors Sports Ireland Website: sites.google.com/a/sportsireland.ie/welcome-sports-irelan...
A VIDEO of the Course: www.youtube.com/watch?feature=player_embedded&v=2FLxE...
Google StreetView of the Entrance to Portuma Forest: goo.gl/maps/MX62O
Wikipedia: Read about Portumna and Portumna Forest Park: en.wikipedia.org/wiki/Portumna#Portumna_Forest_Park
Coilte Ourdoors Website: www.coillteoutdoors.ie/?id=53&rec_site=115
Portumna Forest on EveryTrails: www.everytrail.com/guide/portumna-forest-park-woodland-tr...
More about the IAU Bronze Label: www.iau-ultramarathon.org/index.asp?menucode=h07&tmp=...
How can I get a full resolution copy of these photographs?
All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available offline, free, at no cost, at full image resolution WITHOUT watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, web multimedia, commercial/promotional material that you provide a link back to our Flickr page to attribute us. This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember - all we ask is for you to link back to our Flickr set or Flickr pages. Taking the photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
If you would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets
Kanchipuram otherwise known as Kanchi is a city in the Indian state of Tamil Nadu, 72 km from Chennai – the capital of Tamil Nadu. The city covers an area of 11.605 km2 and had a population of 164,265 in 2001. It is the administrative headquarters of Kanchipuram District. Kanchipuram is well-connected by road and rail. Chennai International Airport is the nearest domestic and international airport to the city, which is located at Tirusulam in Kanchipuram district.
Located on the banks of the Vegavathy River, Kanchipuram has been ruled by the Pallavas, the Medieval Cholas, the Later Cholas, the Later Pandyas, the Vijayanagar Empire, the Carnatic kingdom, and the British. The city's historical monuments include the Kailasanathar Temple and the Vaikunta Perumal Temple. Historically, Kanchipuram was a centre of education and was known as the ghatikasthanam, or "place of learning". The city was also a religious centre of advanced education for Jainism and Buddhism between the 1st and 5th centuries. Kanchipuram based Buddhist institutions were instrumental in spreading Theravada Buddhism to South East Asia.
In Hindu theology, Kanchipuram is one of the seven Indian cities to reach final attainment. The city houses Varadharaja Perumal Temple, Ekambareswarar Temple, Kamakshi Amman Temple, and Kumarakottam Temple, which are some of major Hindu temples in the state. The city is a holy pilgrimage site for both Saivites and Vaishnavites. Of the 108 holy temples of the Hindu god Vishnu, 14 are located in Kanchipuram. The city is well known for its hand woven silk sarees and most of the city's workforce is involved in the weaving industry.
Kanchipuram is administered by a Special grade municipality constituted in 1947. It is the headquarters of the Kanchi matha, a Hindu monastic institution believed to have been founded by the Hindu saint and commentator Adi Sankaracharya, and was the capital city of the Pallava Kingdom between the 4th and 9th centuries.
ETYMOLOGY
Kanchipuram was known in early Tamil literature as Kachi or Kachipedu but was later Sanskritized to Kanchi or Kanchipuram. According to legend, the name Kanchi is derived from Ka referring to the Hindu god Brahma and anchi, referring to his worship of Hindu god Vishnu at this place. The earliest inscription from the Maurya period (325–185 BCE) denote the city as Kanchipuram, where King Visnugopa was defeated by Samudragupta Maurya (320–298 BCE). Patanjali (150 BCE or 2nd century BCE) refers to the city in his Mahabhasya as Kanchipuraka. The city was referred to by various Tamil names like Kanchi, Kanchipedu and Sanskrit names like Kanchipuram. The Pallava inscriptions from (250–355) and the inscriptions of the Chalukya dynasty refers the city as Kanchipura. Jaina Kanchi refers to the area around Tiruparutti Kundram. During the British rule, the city was known as Conjeevaram and later as Kanchipuram. The municipal administration was renamed Kancheepuram, while the district retains the name Kanchipuram.
HISTORY
While it is widely accepted that Kanchipuram had served as an Early Chola capital, the claim has been contested by Indian historian P. T. Srinivasa Iyengar who wrote that the Tamil culture of the Sangam period did not spread through the Kanchipuram district, and cites the Sanskritic origins of its name in support of his claim. The earliest references to Kanchipuram are found in the books of the Sanskrit grammarian Patanjali, who lived between the 3rd and 2nd centuries BCE. The city is believed to have been part of the mythical Dravida Kingdom of the Mahabharatha, and was described as "the best among cities" (Sanskrit: Nagareshu Kanchi) by the 4th-century Sanskrit poet, Kalidasa.
Kanchipuram grew in importance when the Pallavas of southern Andhra Pradesh, wary of constant invasions from the north, moved their capital south to the city in the 6th century. The Pallavas fortified the city with ramparts, wide moats, well-laid-out roads, and artistic temples. During the reign of the Pallava King Mahendravarman I, the Chalukya King Pulakesin II (610–642) invaded the Pallava kingdom as far as the Kaveri River. The Pallavas successfully defended Kanchipuram and foiled repeated attempts to capture the city.[18] A second invasion ended disastrously for Pulakesin II, who was forced to retreat to his capital Vatapi which was besieged and Pulakesin II was killed by Narasimhavarman I (630–668), son of Mahendravarman I (600–630), at the Battle of Vatapi. Under the Pallavas, Kanchipuram flourished as a centre of Hindu and Buddhist learning. King Narasimhavarman II built the city's important Hindu temples, the Kanchi Kailasanathar Temple, the Varadharaja Perumal Temple and the Iravatanesvara Temple. Xuanzang, a Chinese traveller who visited Kanchipuram in 640, recorded that the city was 9.7 km in circumference and that its people were renowned for their bravery, piety, love of justice, and veneration for learning.
The Medieval Chola king Aditya I conquered the Pallava kingdom, including Kanchipuram, after defeating the Pallava ruler Aparajitavarman (880–897) in about 890. Under the Cholas, the city was the headquarters of the northern viceroyalty. The province was renamed "Jayamkonda Cholamandalam" during the reign of King Raja Raja Chola I (985–1014), who constructed the Karchapeswarar Temple and renovated the Kamakshi Amman Temple. His son, Rajendra Chola I (1012–44) constructed the Yathothkari Perumal Temple. According to the Siddhantasaravali of Trilocana Sivacharya, Rajendra Chola I brought a band of Saivas with him on his return from the Chola expedition to North India and settled them in Kanchipuram. In about 1218, the Pandya king Maravarman Sundara Pandyan (1216–1238) invaded the Chola country, making deep inroads into the kingdom which was saved by the intervention of the Hoysala king Vira Narasimha II (1220–1235), who fought on the side of the Chola king Kulothunga Chola III. Inscriptions indicate the presence of a powerful Hoysala garrison in Kanchipuram, which remained in the city until about 1230. Shortly afterwards, Kanchipuram was conquered by the Telugu Cholas, from whom Jatavarman Sundara Pandyan I took the city in 1258. The city remained with the Pandyas until 1311 when the Sambuvarayars declared independence, taking advantage of the anarchy caused by Malik Kafur's invasion. After short spells of occupation by Ravivarman Kulasekhara of Venad (Quilon, Kerala) in 1313–1314 and the Kakatiya ruler Prataparudra, Kanchipuram was conquered by the Vijayanagar general Kumara Kampana, who defeated the Madurai Sultanate in 1361.
The Vijayanagar Empire ruled Kanchipuram from 1361 to 1645. The earliest inscriptions attesting to Vijayanagar rule are those of Kumara Kampanna from 1364 and 1367, which were found in the precincts of the Kailasanathar Temple and Varadaraja Perumal Temple respectively. His inscriptions record the re-institution of Hindu rituals in the Kailasanathar Temple that had been abandoned during the Muslim invasions. Inscriptions of the Vijayanagar kings Harihara II, Deva Raya II, Krishna Deva Raya, Achyuta Deva Raya, Sriranga I, and Venkata II are found within the city. Harihara II endowed grants in favour of the Varadaraja Perumal Temple. In the 15th century, Kanchipuram was invaded by the Velama Nayaks in 1437, the Gajapati kingdom in 1463–1465 and 1474–75 and the Bahmani Sultanate in about 1480. A 1467 inscription of Virupaksha Raya II mentions a cantonment in the vicinity of Kanchipuram. In 1486, Saluva Narasimha Deva Raya, the governor of the Kanchipuram region, overthrew the Sangama Dynasty of Vijayanagar and founded the Saluva Dynasty. Like most of his predecessors, Narasimha donated generously to the Varadaraja Perumal Temple. Kanchipuram was visited twice by the Vijayanagar king Krishna Deva Raya, considered to be the greatest of the Vijayanagar rulers, and 16 inscriptions of his time are found in the Varadaraja Perumal Temple. The inscriptions in four languages – Tamil, Telugu, Kannada, and Sanskrit – record the genealogy of the Tuluva kings and their contributions, along with those of their nobles, towards the upkeep of the shrine. His successor, Achyuta Deva Raya, reportedly had himself weighed against pearls in Kanchipuram and distributed the pearls amongst the poor. Throughout the second half of the 16th and first half of the 17th centuries, the Aravidu Dynasty tried to maintain a semblance of authority in the southern parts after losing their northern territories in the Battle of Talikota. Venkata II (1586–1614) tried to revive the Vijayanagar Empire, but the kingdom relapsed into confusion after his death and rapidly fell apart after the Vijayanagar king Sriranga III's defeat by the Golconda and Bijapur sultanates in 1646.
After the fall of the Vijayanagar Empire, Kanchipuram endured over two decades of political turmoil. The Golconda Sultanate gained control of the city in 1672, but lost it to Bijapur three years later. In 1676, Shivaji arrived in Kanchipuram at the invitation of the Golconda Sultanate in order to drive out the Bijapur forces. His campaign was successful and Kanchipuram was held by the Golconda Sultanate until its conquest by the Mughal Empire led by Aurangazeb in October 1687. In the course of their southern campaign, the Mughals defeated the Marathas under Sambhaji, the elder son of Shivaji, in a battle near Kanchipuram in 1688 which caused considerable damage to the city but cemented Mughal rule. [11]Soon after, the priests at the Varadaraja Perumal, Ekambareshwarar and Kamakshi Amman temples, mindful of Aurangazeb's reputation for iconoclasm, transported the idols to southern Tamil Nadu and did not restore them until after Aurangazeb's death in 1707. Under the Mughals, Kanchipuram was part of the viceroyalty of the Carnatic which, in the early 1700s, began to function independently, retaining only a nominal acknowledgement of Mughal rule. The Marathas invaded Kanchipuram during the Carnatic period in 1724 and 1740, and the Nizam of Hyderabad in 1742.
Kanchipuram was a battlefront for the British East India Company in the Carnatic Wars against the French East India Company and in the Anglo-Mysore Wars with the Sultanate of Mysore. The popular 1780 Battle of Pollilur of the Second Anglo-Mysore War, known for the use of rockets by Hyder Ali of Mysore, was fought in the village of Pullalur near Kanchipuram. In 1763, the British East India Company assumed indirect control from the Nawab of the Carnatic over the erstwhile Chingleput District, comprising the present-day Kanchipuram and Tiruvallur districts, in order to defray the expenses of the Carnatic wars. The Company brought the territory under their direct control during the Second Anglo-Mysore War, and the Collectorate of Chingleput was created in 1794. The district was split into two in 1997 and Kanchipuram made the capital of the newly created Kanchipuram district.
DEMOGRAPHICS
During the rule of King Narasimha Varma in the 7th century, the city covered about 10 square kilometres and had a population of 10,000. The population increased to 13,000 in subsequent years and the city developed cross patterned links with rectangular streets. The settlements in the city were mostly caste based. During the period of Nandivarma Pallavan II, houses were built on raised platforms and burnt bricks. The concepts of the verandah in the front yard, garden in the backyard, ventilation facilities and drainage of rainwater were all introduced for the first time. The centre of the city was occupied by Brahmins, while the Tiruvekka temple and houses of agricultural labourers were situated outside the city. There were provisions in the city's outskirts for training the cavalry and infantry.
During the Chola era, Kanchipuram was not the capital, but the kings had a palace in the city and lot of development was extended eastwards. During the Vijayanagara period, the population rose to 25,000. There were no notable additions to the city's infrastructure during British rule. The British census of 1901 recorded that Kanchipuram had a population of 46,164, consisting of 44,684 Hindus, 1,313 Muslims, 49 Christians and 118 Jains.
According to 2011 census, Kanchipuram had a population of 164,384. About 800,000 pilgrims visit the city every year as of 2001.
______________________________________________
TEMPLE HISTORY
The Devaraja Swami Temple is a very ancient Vainava holy place. Not only the vaishnavites but the whole Hindu Community visits this temple regularly.
The temple was constructed at various stages, centuries ago by various kings. A number of new structures were added and Tiruppanies done during the dynasty of Vijaya Nagara Kings between 14th and 16th century.
During the reign of Vijananagar kings such as Krishna Devarayar, Achutharayar, Sadasivarayar, Sri Rangarayar I, Sri Venkatarayar I and Venkatarayar III, new buildings came up in Devarajaswamy Temple. They made Punniya Kodi Vimanam golden.
The hundred pillared Mandapam was also built by them. This has become a center of attraction to the foreign tourists with exquisite carvings and delicate works of art. The Tiruppanies done by Alam Kheer Basha of Delhi during 1645 was inscribed on the walls of the temple.
TEMPLE STRUCTURE
The height of East Gopuram is 125 feet; width 99 feet. The height of West Raja Gopuram is 96 feet and width 92.5 feet.
The Trade Facilitation Programme (TFP) currently includes almost 100 Issuing Banks in the EBRD region and more than 800 Confirming Banks worldwide. The event gave EBRD confirming and issuing banks the opportunity to review and discuss industry challenges and opportunities with leading specialists, including International Chamber of Commerce and Chief Economist Office. It also featured 25th anniversary award ceremony which will recognize most active banks in EBRD Countries of Operations.
14:30 – 14:45 Opening and Welcome Speeches
• Alexander Saveliev, Director, Financial Institutions, EBRD
• Rudolf Putz, Head of Trade Facilitation Programme, EBRD
14:50 – 15:30 Panel Discussion: Development of Trade & Trade Finance - SEMED
Moderator: Kamola Makhmudova, Senior Banker, EBRD
• Alexander Plekhanov, Office of the Chief Economist, EBRD
• Hanane El Boury, Banque Centrale Populaire (BCP), the Kingdom of Morocco
• Ahmed Benyahya, BMCE Bank, the Kingdom of Morocco
• Hossam Mustafa Rageh, Commercial International Bank (CIB), the Arab Republic of Egypt
• Anas AlMasri, Bank Al Etihad, the Hashemite Kingdom of Jordan 15:30 –
15:50 – 16:30 Panel Discussion: EBRD’s new Partner Banks
Moderator: Marco Nindl, Principal Banker, EBRD
• Sally Hamdalla, QNB Alahli, the Arab Republic of Egypt
• Malliotis Achilleas, Eurobank Cyprus, Republic of Cyprus
• Vladislav Berezhny, Credit Agricole Bank, Ukraine
• Ahu Heper Dolu, Fibabanka, Republic of Turkey
• Andrew Wood, Norton Rose Fulbright LLP, the United Kingdom
16:35 – 17:15 Panel Discussion: Trade Finance Solutions for Imports of Energy Efficient Machinery & Equipment – Gaps and Constraints
Moderator: Terry McCallion, Director, Energy Efficiency and Climate Change, EBRD
• Sergiy Kostogryz, Raiffeisen Bank Aval, Ukraine
• Gagik Sahakyan, Ameriabank, Armenia
• Maria Mogilnaya, Associate Banker, EBRD
• Holger Kautzky, Commerzbank
• Eugenia Zhiglova, KBC Bank
17:35 – 18:10 TFP Annual Awards Ceremony
Hosted by Nick Tesseyman, Managing Director, Financial Institutions, EBRD
Congratulations from Ambassador Chih-Kung Liu, Head of the Taipei Representative Office in the UK
Northern Mockingbird
Mimus polyglottos Order PASSERIFORMES - Family MIMIDAE
The "American nightingale," the Northern Mockingbird is known for its long, complex songs that include imitations of many other birds. It is a common bird of hedgerows and suburbs, and has been slowly expanding its range northward.
Description
Medium-sized songbird.
Long tail.
Pale gray above, whitish below.
Bill thin.
Two white wingbars.
Large white patches show in wings in flight.
White outer tail feathers.
Size: 21-26 cm (8-10 in)
Wingspan: 31-35 cm (12-14 in)
Weight: 45-58 g (1.59-2.05 ounces)
Sex Differences
Sexes look alike.
Sound
Song is a series of varied phrases, with each phrase repeated many times in a row. Includes much mimicry of other bird songs and calls. Call a harsh dry "chew."
Conservation Status
Common and widespread. Populations may be declining in heart of the range, but range is expanding northward.
Other Names
Moqueur polyglotte (French)
Centzontle, Jilguero, Ruiseñor (Spanish)
Cool Facts
The Northern Mockingbird frequently gives a "wing flash" display, where it half or fully opens its wings in jerky intermediate steps, showing off the big white patches. No one knows why it does this behavior, but some have suggested that it startles insects into revealing themselves. However, it does not appear to flush insects, and other mockingbird species that do not have white wing patches use the display, casting doubt on this idea.
The Northern Mockingbird is a loud and persistent singer. It sings all through the day, and often into the night. Most nocturnal singers are unmated males, which sing more than mated males during the day too. Nighttime singing is more common during the full moon. In well-lit areas around people, even mated males may sing at night.
A Northern Mockingbird continues to add new sounds to its song repertoire throughout its life.
The Northern Mockingbird typically sings throughout most of the year, from February through August, and again from September to early November. A male may have two distinct repertoires of songs: one for spring and another for fall. One study found only a one percent overlap in song types used in spring and fall.
The female Northern Mockingbird sings too, although usually more quietly than the male does. She rarely sings in the summer, usually only when the male is away from the territory. She sings more in the fall, perhaps to establish a winter territory.
Sources used to construct this page:
Derrickson, K. C., and R. Breitwisch. 1992. Northern Mockingbird (Mimus polyglottos). In The Birds of North America, No. 7 (A. Poole, P. Stettenheim, and F. Gill, eds.). The Academy of Natural Sciences, Philadelphia, PA, and The American Ornithologists' Union, Washington, D.C.
Hayslette, S. E. 2003. A test of the foraging function of wing-flashing in northern mockingbirds. Southeastern Naturalist 2:93-98.
Please [View On White] & [View On Black]
The Great Limerick Run 2015 (Marathon, Half Marathon, Relay, and 6 Mile) races were held in Limerick City, Ireland on Sunday 3rd of May 2014 starting at 09:00. This was a very large mass participation event which is now firmly established on the Irish running calendar. These are a set of a photographs from: the start of the marathon, the mile 2 mark of the mark, the half way point of the marathon (to about a 3:40 finishing time), a selection from mile 20 of the marathon. These sets of photographs will not include every competitor. The official results are available here [www.tdl.ltd.uk/] and the official race website is available at [www.greatlimerickrun.com/] These are not offical race photographs.
We have a full set of photographs from todays race on Flickr at this album location:https://www.flickr.com/photos/peterm7/sets/72157651923101059/
USING OUR PHOTOGRAPHS - A QUICK GUIDE AND ANSWERS TO YOUR QUESTIONS
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
BUT..... Wait there a minute....
We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.
This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
The Prince Albert pub in Brighton has recently been decorated with a fabulous mural of Musical Legends - reinforcing the pub's musical traditions. The mural is a collaboration between graffiti artist Req, the original creator, SinnaOne and pub owner Chris Steward.
The pub is close to Brighton Station, next time you're in the area, why not take a look
North Country families serving with the Colours include the following: Mr. J. Stephenson, Springwell: 4 sons ans 1 son-in-law (C. Nutter)
This photograph was published in the Illustrated Chronicle on the 5th of May 1915.
During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.
The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images or have any stories or information to add please comment below.
Copies of this photograph may be ordered from us, for more information see: www.newcastle.gov.uk/tlt Please make a note of the image reference number above to help speed up your order.
I wanted to include bobbin lace in yarn in our exhibition last year but made a mess of it, because I'd forgotten how to do it. Inspired by Marie-Christine -
www.flickr.com/photos/mchg/sets/72157612303649953/
www.flickr.com/photos/mchg/5752381042/in/photostream/
- I've tried again. Quite a few mistakes but I know what to do now.
Regensburg is one of Germany’s best preserved medieval Cities. Architectural highlights include the Old Town Hall, the beautiful white and gold Old Chapel, and the Porta Pretoria, gates to an acient Roman fort built in 179 A.D The city is the capital of Upper palatinate , a bustling university town and one of Bavaria’s cultural centers.
The Stone Bridge over the River Donau (Danube). In the old downtown there are two side-by-side cathedrals built at different times. It is easy to see which is older, the one with the round windows. Larger arched windows are relatively new construction
Built in the 1300s to replace earlier cathedrals, Regensburg Cathedral (Dom St. Peter) is the finest Gothic building in Bavaria. Its harmonious exterior, alive with interesting medieval sculptures, has recently been fully cleaned. Inside are even more sculptures along with an extensive collection of medieval stained glass.
Most of my Milky Way shots include a foreground that is scenic or rural, mainly because the places where the Milky Way isn’t obscured by lots of light pollution tend to be away from my home in the city. I also prefer the natural stuff to the manmade anyway. The reality is that I often can’t drive the hours and kilometres needed to get to those places so last night I headed out to this spot that’s about a 30 minute drive from home.
The location is on the edge of the urban sprawl of Sydney, a few kilometres past the beginning of one of the freeways out of town. The foreground is most definitely not a natural structure but I think it serves well to frame the Milky Way’s core region with its billions of stars and light-years-wide expanses of dust and gas.
Shot with Canon EOS 6D, Samyang 14mm @ f/2.8, 20 sec @ ISO 6400.
ROCKTROPOLIS is a progressive rock band that is like a volcano ready to explode upon your ears. Members include guitarist ROCKTROPOLIS, Bassist and Keyboardist Sam Metropoulos and Drummer Marc Stemmler. Influences are Dream Theater, Rush, Yngwie, Yes, Deep Purple and Iron Maiden to name a few. Guitarist ROCKTROPOLIS has worked with The Process, Gabe Gonzalez (George Clinton) and former drummer John Macaluso (Yngwie Malmsteen, ARK and VOX). Multi instrumentalist Sam Metropoulos has collaborated on several albums with The Process, played with John Macaluso and has opened for Yngwie Malmsteen. Akin to the pillars of the great Parthenon, drummer Marc Stemmler provides the foundation for which ROCKTROPOLIS bridges the hemispheres between classical and progressive rock music. ROCKTROPOLIS is a Nominee of the 2013 Detroit Music Awards.
ROCKTROPOLIS is represented by Howard Hertz/Joseph Bellanca (Hertz Schram, p.c.) Mr. Hertz’s impressive roster includes George Clinton, Sippie Wallace, The Romantics, The Bass Brothers, Eminem, Marilyn Manson, Russell Simmons, O-Town, Pantera, Marcus Belgrave, The GO, Mike Posner, Elmore Leonard, Warner Tamerlane and Atlantic Records.
ROCKTROPOLIS is currently recording/producing their debut album, with Chris Lewis as their recording engineer (Fire Hyena Studio). Projected release date is summer 2013. Be prepared to own a collection of brilliant compositions that are melodic, epic and infectious to the soul.
www.RocktropolisMusic.com (c) 2012
Hagerstown, Indiana (September 10, 2012) The new Model T Ford Museum is slated to hold its grand opening during Richmond’s Octoberfest on September 28 at 6 p.m. The museum which was previously located in Centerville, Indiana near the Warm Glow Candle Factory for 5 years moved just a few miles east to Richmond, Indiana’s Historical Depot District this past spring.
Since the move to Richmond volunteers have been steadily preparing the museum’s new home, displays and vehicles for the event.
Today, a photo shoot for the Model T Museum’s newly acquired 1930 Pietenpol Sky Scout was held at the Hagerstown Airport.
The plan arrived at the airport around 10:00 a.m. this morning and was assembled by Model T enthusiasts and many of them brought their own Model Ts to use during the photo shoot.
One of the people there today was Mr. Jay Klehfoth who is the CEO and publisher of the Vintage Ford Magazine.
Jay is a walking encyclopedia when it comes to all things Model T. I was to learn he’s pretty knowledgeable in a lot of areas too. During our walk around of the plane Jay pointed out one of the parts for the engine had been made by a former factory in Richmond of all places. And there are many other special things about this airplane I’m sure he’ll be writing about in the next issue of the the Vintage Ford Magazine. He not only knew a lot about the Pietenpol Sky Scout plane that was being photographed for the magazine cover. He’s pretty sharp when it comes to airports too. He said that the Hagerstown airport were today’s photo shoot was done has the longest grass landing strip in the United States which to me made it the perfect place for today’s event.
This Pietenpol that will be on display at the museum is powered by a 20 HP Model T engine which was modified to include dual-ignition which is used in aviation. According to an article in the AntiqueAirfield.com website from September 10, 2012 there was only one original Pietenpol Sky Scout built by Bernard Pietenpol himself, and just two replicas. The article also said that all 3 were still flying.
The new Model T Ford Museum is going to be an exciting addition to what is one of Indiana’s grandest historical areas and a must in this part of the Midwest.
Richmond is a perfect place for any day trip. But, if you want to see all that Richmond has to offer you’ll need to plan on staying several days.
The Model T Ford Museum is located in Richmond’s Historic Depot District at 309 N 8th St, Richmond, IN 47374 - 765-488-0026.
Model T Ford Museum website: www.mtfca.com/clubpages/museum.htm
Additional Information:
The Model T Ford Club of America has nearly 8,000 families worldwide. Members are from all 50 states and 41 other countries.
The Vintage Ford Magazine is published bimonthly by the Model T Ford Club of America, 119 W. Main Street, Centerville, Indiana and is mailed to all members. Subscription rates are $35.00 per year (six issues) in the United States ($42.00 Canada and $44.00 elsewhere) and include member ship in the club.
All correspondence should be ad dressed to:
THE MODEL T FORD CLUB
OF AMERICA
P.O. Box 126
Centerville, IN 47330-0126
765-855-5248 fax 765-855-3428
e-mail: admin@mtfca.com
Raw Video: Prepping Pietenpol Sky Scout For Photo Shoot youtu.be/7_JnszAF8GA
Video: Pietenpol Sky Scout Photo Shoot youtu.be/h3m6ZWgNJMg
Video: Model T Ford Museum Grand Opening Set youtu.be/OwIiE5O1UQk
Reculver is a popular summer resort situated about 1 mile (2 km) east of Herne Bay, on the North Kent coast of England. Its main features are the ruins of a Roman fort, or "castrum", a ruined medieval church, and a country park, which includes an interpretation centre run by the Kent Wildlife Trust.
Owing to historic coastal erosion, the church ruins are now on the edge of a cliff. They form a backdrop to wide Thames-side marshes, and are sited within the remains of the Roman, Saxon Shore fort. Called "Regulbium", the fort guarded the north end of what were then the broad waters of the Wantsum Channel, which separated the Isle of Thanet from the rest of Kent, and was open to shipping. Recent archaeological excavation has shown that the site had been occupied in pre-historic times, and it is of interest that the name "Regulbium" is Celtic in origin, probably meaning "at the promontory", or similar.[2] The place is elevated above the surrounding countryside, and it still sits on a slight promontory today. In Old English, the place-name became corrupted to "Raculf", ultimately giving rise to the modern "Reculver".
While the churchyard to the north of the church has long since been lost to the sea, together with a large proportion of the Roman fort, Reculver continues to be threatened by the retreating coastline. The cliffs between Reculver and Herne Bay, which rise up to 30 metres (98 ft) in height, are highly vulnerable to erosion since they are composed of soft sand and clays, originally laid down in shallow seas about 60 million years ago. Consequently the coastline is receding extremely quickly, threatening residents and the local tourism industry. At present the area remains inadequately protected, and the provision of adequate sea defences is still under debate.
Archaeological investigation at Reculver has found evidence of a pre-historic settlement on the site of a well known Roman fort, or "castrum", which was built between 180 and 185 AD. About a century after the fort was built, a Roman naval commander named Carausius was given the task of clearing pirates from the sea between Britannia and the European mainland. In so doing he established a new chain of command, the British part of which was later to pass under the control of a "Count of the Saxon Shore". The "Notitia Dignitatum" shows that the fort at Reculver, then known as "Regulbium", became part of this arrangement. It was also the location for a lighthouse and watch tower, presumably because of its strategic position at the northern entrance to the important Wantsum Channel, and covering the mouths of both the River Thames and the River Medway
After the Roman occupation ended, Reculver became a seat of the Anglo-Saxon kings of Kent. A church was built on the site of the abandoned fort in about 669, when King Ecgberht of Kent granted land for the foundation of a monastery there.[4] Clearly Reculver quickly became an important Kentish house, since in 692 its abbot, Bertwald, a former abbot of Glastonbury in Somerset, was elected Archbishop of Canterbury. Bede, writing no more than 40 years later, described him as having been "learned in the Scriptures and well versed in ecclesiastical and monastic affairs."[5] Further, King Hlothhere of Kent presided over a council at Reculver in 679, attended by Archbishop Theodore of Canterbury, at which he granted the monastery lands in the western part of Thanet. In the original, 7th century charter recording this grant, Reculver is referred to as a "civitas", or "city".[6] Clearly this is intended to be figurative; nonetheless it indicates the importance then attached to the place.
It seems that monastic life had ceased at Reculver by the early 10th century, though whether or not this was due to the attentions of Vikings is unclear.[7] The minster subsequently became St. Mary's parish church of Reculver: a charter of the mid 10th century records its gift by King Eadred into the possession of Canterbury Cathedral, at which time the estate included the later parishes of Hoath and Herne.[8] No doubt this lies behind the unusual size and wealth of Reculver's parish in the 13th century, when it included chapels of ease at St. Nicholas-at-Wade and "All Saints" (no longer in existence, but between St Nicholas-at-Wade and Birchington), as well as at Hoath and Herne. In 1291, the "Taxatio" of Pope Nicholas IV put the total income due to the rector and vicar at about £130. This wealth led to disputes between lay and Church interests, over control of its benefice.[9] Probably this wealth should be seen as a distant reflection of Reculver's former status as a monastery, since '[it] is certain that by the close of the 7th century the church had become a major land-owner, particularly in north-east Kent, where to the original foundations of St Augustine's Abbey and Christchurch there had been added those of Reculver [etc.], with considerable estates attached.'[10]
Over time, the church gained a number of structural additions: principally, the towers were added in the 12th century, and, according to local legend, they were topped with spires around the end of the 15th century, since when they have been known locally as the "Twin Sisters". However it retained many prominent Anglo-Saxon features, and on a visit to Reculver in 1540 one of these raised John Leland to 'an enthusiasm which he seldom displayed':
Due to coastal erosion, the village surrounding the church was mostly abandoned around the end of the 18th century, and a new church was planned a little to the west and further inland, at Hillborough. Consequently, the old church was no longer required:
It was through the intervention of Trinity House that the towers were preserved as a navigational aid. In 1810 it bought what was left of the structure, and built the first groynes, designed to protect the cliff on which it stands. A storm destroyed the spires at a date prior to 1819, and Trinity House replaced them with similarly shaped, open structures, topped by wind vanes. These structures remained until they were removed between 1925 and 1931. So thorough was the demolition of this "shrine of early Christendom" and exemplar of Anglo-Saxon stone architecture and sculpture, that it is now represented only by the minimal ruins on the site, some fragments of the cross which had so enthused Leland, and the parts of two massive stone columns. The cross fragments and column parts may be viewed in the crypt at Canterbury Cathedral.[12] The vicarage was abandoned at the same time as the church, but it was briefly used as a public house known as "The Hoy and Anchor", while the present King Ethelbert Inn was being built to replace the original Hoy and Anchor, which had fallen into the sea a few years before. The vicarage soon followed it.
Today the site of the church is managed by English Heritage. New sea defences were built in the 1990s, but the struggle to protect the towers from the sea continues. A visitor centre in Reculver Country Park, just west of Reculver church, highlights the significant archaeological, historical, geological and wildlife conservation value of the area.
St Johns, Parramatta, NSW
Reculver Towers are often likened to the twin towers of St John's Cathedral, Parramatta in Sydney, Australia, which were added in 1817-1819. A campaign to save Reculver church was raging when Governor Lachlan Macquarie and his wife Elizabeth left England in 1809. Mrs Macquarie showed Lieutenant John Watts, ADC of 46th Regiment a watercolour of Reculver church and asked him to design some towers for St John's in Parramatta. A watercolour of Reculver Church in the Mitchell Library has a note in Governor Macquarie's hand that he laid the foundation stone on 23 December 1818, and that Mrs Macquarie chose the plan and Lt Watts was responsible for implementing the design. A stone from Reculver was presented by the UK Church Commission to St John's Cathedral in 1993
The site includes the remains of two churches built in the 14th century or later and an earlier round tower, but it is most famous for its high crosses.
The round tower is about 28 metres tall, and is in very good condition. It was likely built shortly after 968 and damaged in a fire in 1098.[3]
The three high crosses date from the 10th century and form part of the scriptural group (showing biblical scenes).[3]
The 5.5-metre Muiredach's High Cross is regarded as the finest high cross in the whole of Ireland. It is named after an abbot, Muiredach mac Domhnaill, who died in 923 and features biblical carvings of both the Old and New Testaments of the Bible. The North and West crosses are also notable examples of this kind of structure, but these have suffered much more from the effects of the weather. A copy of the main cross is held in the Victoria and Albert Museum in London.
The Kerala backwaters are a chain of brackish lagoons and lakes lying parallel to the Arabian Sea coast (known as the Malabar Coast) of Kerala state in southern India. The network includes five large lakes linked by canals, both manmade and natural, fed by 38 rivers, and extending virtually half the length of Kerala state. The backwaters were formed by the action of waves and shore currents creating low barrier islands across the mouths of the many rivers flowing down from the Western Ghats range.
The Kerala Backwaters are a network of interconnected canals, rivers, lakes and inlets, a labyrinthine system formed by more than 900 km of waterways, and sometimes compared to the American Bayou. In the midst of this landscape there are a number of towns and cities, which serve as the starting and end points of backwater cruises. National Waterway No. 3 from Kollam to Kottapuram, covers a distance of 205 km and runs almost parallel to the coast line of southern Kerala facilitating both cargo movement and backwater tourism.
The backwaters have a unique ecosystem - freshwater from the rivers meets the seawater from the Arabian Sea. In certain areas, such as the Vembanad Kayal, where a barrage has been built near Kumarakom, salt water from the sea is prevented from entering the deep inside, keeping the fresh water intact. Such fresh water is extensively used for irrigation purposes.
Many unique species of aquatic life including crabs, frogs and mudskippers, water birds such as terns, kingfishers, darters and cormorants, and animals such as otters and turtles live in and alongside the backwaters. Palm trees, pandanus shrubs, various leafy plants and bushes grow alongside the backwaters, providing a green hue to the surrounding landscape.
Vembanad Kayal is the largest of the lakes, covering an area of 200 km², and bordered by Alappuzha (Alleppey), Kottayam, and Ernakulam districts. The port of Kochi (Cochin) is located at the lake's outlet to the Arabian Sea. Alleppey, "Venice of the East", has a large network of canals that meander through the town. Vembanad is India’s longest lake.
HOUSE BOATS
The kettuvallams (Kerala houseboats) in the backwaters are one of the prominent tourist attractions in Kerala. More than 2000 kettuvallams ply the backwaters, 120 of them in Alappuzha. Kerala government has classified the tourist houseboats as Platinum, Gold and silver.
The kettuvallams were traditionally used as grain barges, to transport the rice harvested in the fertile fields alongside the backwaters. Thatched roof covers over wooden hulls, 30 m in length, provided protection from the elements. At some point in time the boats were used as living quarters by the royalty. Converted to accommodate tourists, the houseboats have become floating cottages having a sleeping area, with western-style toilets, a dining area and a sit out on the deck. Most tourists spend the night on a house boat. Food is cooked on board by the accompanying staff – mostly having a flavour of Kerala. The houseboats are of various patterns and can be hired as per the size of the family or visiting group. The living-dining room is usually open on at least three sides providing a grand view of the surroundings, including other boats, throughout the day when it is on the move. It is brought to a standstill at times of taking food and at night. After sunset, the boat crew provide burning coils to drive away mosquitoes. Ketuvallams are motorised but generally proceed at a slow speed for smooth travel. All ketuvallams have a generator and most bedrooms are air-conditioned. At times, as per demand of customers, electricity is switched off and lanterns are provided to create a rural setting.
While many ketuvalloms take tourists from a particular point and bring them back to around the same point next morning there are some specific cruises mostly in the Alappuzha area, such as the one night cruise from Alappuzha to Thotapally via Punnamada Lake two nights cruise from Alappuzha to Alumkavadi,[8] one night cruise from Alappuzha to Kidangara, and one night cruise from Alappuzha to Mankotta. There are numerous such cruises.
Beypore, located 10 km south of Kozhikode at the mouth of the Chaliyar River, is a famous fishing harbour, port and boat building centre. Beypore has a 1,500 year-tradition of boatbuilding. The skill of the local shipwrights and boat builders are widely sought after. There is a houseboat-building yard at Alumkadavu, in Ashtamudi Kayal near Kollam.
FERRY SERVICES
Regular ferry services connect most locations on both banks of the backwaters. The Kerala State Water Transport Department operates ferries for passengers as well as tourists. It is the cheapest mode of transport through the backwaters.
ECONOMIC SIGNIFICANCE
Connected by artificial canals, the backwaters form an economical means of transport, and a large local trade is carried on by inland navigation. Fishing, along with fish curing is an important industry.
Kerala backwaters have been used for centuries by the local people for transportation, fishing and agriculture. It has supported the efforts of the local people to earn a livelihood. In more recent times, agricultural efforts have been strengthened with reclamation of some backwater lands for rice growing, particularly in the Kuttanad area. Boat making has been a traditional craft, so has been the coir industry.
Kuttanad is crisscrossed with waterways that run alongside extensive paddy fields, as well as fields of cassava, banana and yam. A unique feature of Kuttanad is that many of these fields are below sea level and are surrounded by earthen embankments. The crops are grown on the low-lying ground and irrigated with fresh water from canal and waterways connected to Vembanad lake. The area is similar to the dikes of the Netherlands where land has been reclaimed from the sea and crops are grown.
WIKIPEDIA
Our itinerary today was designed to include many of the lesser known and visited temples of the Angkor archaeological park since we were due to visit the more major ones over the following days. All these sites would be major attractions in their own right anywhere else, but in Angkor there is simply too much for the regular visitor to take in, but since we're not regular visitors we aimed to try our best regardless!
Our third stop was Banteay Samre, one of the more remote of the Angkor temples being situated some distance to the east of the main sites of the archaeological park.
Banteay Samre temple dates from the early 12h century and follows a very concise plan, square in layout with outer and inner enclosure walls. The centrepiece at the heart of the temple is a single tower in the same style as nearby Angkor Wat, with several smaller courts and corridors surrounding it. Like many of the Angkor temples it was originally built for Hindu worship prior to the state religion changing from Hinduism to Buddhism, and as a result there is some minor evidence of iconoclasm in some of the smaller carvingswhere tiny images od deites have been removed (several other sites also betray evidence of this with smaller figures chiselled away).
The temple was well restored in the early 20th century and is more or less structurally complete.
Set includes 4 hand thrown wine cups and a hand thrown wine cooler. Place the cooler in the freezer for a few hours prior to serving your favorite white or rose. To serve add some cold water to the cooler and the ceramic will keep your wine chilled.
Materials include:
::: Sterling Silver
::: Fine Silver
::: Recycled Plastic Computer Key
::: 3mm Stone - Amethyst
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All designs, text and images by Lauren Anabela Beaudoin of Creative Dexterity. No images or text may be copied without written permission.
Includes 50 size 1 diapers, a football & baseball toy, keys, 2 teethers, 3 bibs, booties, 2 pc outfit, white onesie, blue onesie & a sports frame
The Adventure Medical Kit Weekender Kit is the best selling kit in the mountain series! Built with weekend adventurers in mind, this kit includes a variety of medical essentials in an affordable, organized package. Perfect for small groups going on short adventures.
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CATHEDRAL CHURCH OF CHRIST AND ST MARY, COLLEGE STREET, WORCESTER
Heritage Category: Listed Building
Grade: I
List Entry Number: 1389728
National Grid Reference: SO 85002 54520
Details
WORCESTER
SO8554NW COLLEGE STREET 620-1/17/1 Cathedral Church of St Mary 22/05/54 (Formerly Listed as: Cathedral Church of Christ and St Mary)
GV I
Cathedral Church, formerly Benedictine Priory. Crypt from 1084, some remains of same date in W transept and first 2 bays West end of nave. West transept and part of 2 bays at west end of nave c1175. Choir, east transept, Lady Chapel, presbytery, 1224-1250. Nave with aisles 1317-1377; central tower from 1374, and north porch from 1386, substantial restoration 1857-1863, by AE Perkins and GG Scott. Few medieval designers are identified, but include Alexander the Mason c1224-1240 (nave west bays), William Shockerwick, c1317-1324 (nave north arcade), and John Clyve, 1376/77 (nave south arcade and central tower).
MATERIALS: construction mainly in Highly and Alveley sandstones, with some Cotswold oolite, and Purbeck marble, many of the vault panels are in tufa, roof slate, including Penrhyn slate.
PLAN: east end includes substantial remains of the early crypt, formerly with radial chapels and outer ambulatory. Principal church has 9-bay nave and aisles with deep north porch and a single bay chapel also on north side. West transept and east transept, both without aisles, 4-bay choir with aisles, 3-bay Lady Chapel, and 2-bay Chapel of St John, central crossing tower. South of the nave are the cloister, with Chapter House and former frater (now King's School Hall qv)).
EXTERIOR: exterior of the cathedral was very largely refaced during C19 restoration work, and both central tower and eastern arm substantially restructured or refaced - the sandstones used being relatively soft, and subject to reject rapid weatherings. However, original medieval detail remains in most areas. The gables are coped, and parapets are mostly plain, with saddle-back weathered copings and a lower string course, the northwest transept is an exception. The following description will begin at the west end and work to the east.
NAVE - WEST END: central gable over 3 tall rectangular lights and a very large 8-light 'Decorated' window of the C19, flanked by square buttresses surmounted by octagonal turrets with open pinnacles. The big west door, also of C19 but with some remnants of Norman work, has a high gable breaking into the bottom part of the window. To each side the aisle terminations with square corner turrets to octagonal pinnacles, and each with a round-arched light with later tracery above a large 4-light window.
NAVE - NORTH SIDE: first 2-bays of the clerestory have round-arched lights with tracery, in masonry of various dates, remainder are small 3-light with stopped drips in flat 4-centred arches. The aisle, right of the porch, has a 3-light pointed then a 3-light with stepped transoms, and with straight-sided arch. These bays with heavy flying buttresses, supporting a wall of early masonry in small blocks. 2 further bays having simpler 3-light to cusped heads in pointed arches. Bay 5 has the bold square 2-bay porch with almost plain flanks, and rich north front, rebuilt by Scott, and having statues by Redfern. Interior is vaulted, and inner door, flanked by Norman responds, has a narrow Dec cusped head above the C19 doors set in plain masonry to a very flat basket arch. Left of the porch are 2 bays with 3-light Dec windows under small rectangular lights, with deep buttress between, then the single bay projecting chapel with corner buttresses and large 3-light to the North wall. Beyond this is a further aisle bay.
NAVE - SOUTH SIDE: the first 2-bays are similar to those to the North, incorporating older masonry, then 7 clerestory bays with 3-light windows to straight-sided arches and stopped drips, and two flying buttresses. The aisle has two 2-light traceried rectangular windows to each bay, but one 3-light in the arches, set deep with broad casement mould, and with stopped drips. Plain square buttresses divide the bays. At the lower level is the north walk of the cloister (qv).
WEST TRANSEPT - NORTH ARM: the high gabled north wall has 3 small rectangular lights above a prominent horizontal string, then a large C19 Decorated 4-light window to sill string, carried round to the returns. To each side is a square turret with nook shafting, crowned by tall octagonal turrets with pinnacles. The W and E sides have two 4-light in Mannerist panelling including ogee heads and with a crenellated parapet. The east side also has a deep 4-light with transom and 4-centred head.
SOUTH ARM: this differs greatly in detail from the north arm, having an 'Early English' plate tracery window in the south wall, below the high gable with rectangular lights, and to heavy octagonal corner turrets without pinnacles. The west side has a small 4-light in panelling as to the north, then a very long 4-light with 2 transoms, all this set to masonry of widely varied dates. The east side has a high rectangular window in a larger 4-centred opening, and weathered offset at sill level, below are roofs of ancillary buildings. The bold crossing tower rises to 59.7m (169ft), and has 4 identical faces. It is in 2 stages, with a lofty 8-bay Perp blind arcade below two large 2-buttresses with pinnacles rise to tall octagonal main pinnacles, linked by 7-bay traceried parapets to a horizontal coping. Although substantially rebuilt in the C19, the medieval detail has been convincingly retained. The eastern arm externally is mainly C19 work, it has plain coped parapets carried on a continuous corbel-table of tri-lobed arches, and windows are generally formed in pale limestone contrasting with the sandstone walling. The east end has 5 above 5 lancets, the upper row stepped, and a large open trefoil in the gable, all flanked by square buttresses crowned by open octagonal turrets with plain pinnacles, these are repeated on the gable ends of the east transept. The east end has a single bay return with a single lancet at 2 levels, then the ends of the Lady Chapel aisles. The main body has stepped in a containing arch at aisle level, with triple lancets to the 2-bay chapel on the south side. On the north side of the choir is a very large ground level flying buttress below the original flying buttress. The transepts have triple lancets at 2 levels, the upper one stepped, and on the returns a similar configuration in the first bay with a single small lancet above the aisles. Square buttresses with weathered heads have small nook shafts.
INTERIOR: the description begins with the earliest unit - the crypt, then proceeds from east to west. The crypt - the central vessel is in 4 aisles with apsidal end, small monolithic columns with square bases and cushion capitals carry plastered groined vaults with broad transverse arches, with a central and 2 outer rows. This is contained within thick walls with attached half-columns in bedded stone, and arched doorways to outer aisles, also with a central row of columns and responds. Remains of a south side chapel are at the west end, with early stairs to the west transept, and a C20 stair flight gives access at the east end, adjacent to Prince Arthur's Chapel, here also are some excavated remains of a former pentagonal chapel, including some early wall painting. The church is stone vaulted throughout, principally ribbed quadripartite, and neither plastered nor painted except to the East arm. Floors are generally C19 black and white marble. Nave, choir and Lady Chapel are in three storeys, with aisles. The east arm makes extensive use of Purbeck marble, main arcades carry richly moulded arches, those to the choir with some embellishment, and wider than in the Lady Chapel. The triforium above a Purbeck string, is in paired double lights with varied carved spandrel figures, in front of a simpler continuous blind arcade which is carried through in an independent rhythm. The clerestory, also above a Purbeck string, has a triple stepped opening with Purbeck shafts, and wall passage. The vault, with a longitudinal ridge rib, retains the C19 Hardman painted decoration, and is carried on Purbeck shafts taken down to the level of the arcade capitals. The shallow single bay sanctuary to the Lady Chapel has tall lancets at two levels, on three sides. The aisles have simple quadripartite vaulting, and wall arcading in the eastern half and east transept. In the east transept the 3 storey treatment is carried into the first bay, with 2 level lancets in the outer bay and the end walls, all with an inner Purbeck screen and wall passage. The east crossing piers have banded Purbeck shafts to the full height. The main crossing has tall unbroken multi-shaft piers carrying pointed arches in four orders, and crowned by an unusual lierne vault, plastered and painted. West transept reflects continuous growth and alteration from the time of Wulfstan to the C19, with a mix of masonry, and occasional remnants of detail built into the walls. Both arms have ribbed vaults with diagonal and ridge ribs, with some liernes in the south arm, the joints in the severy panels are very prominent. In each arm the east wall retains a bold Norman arch with the 2-bay St John's Chapel, which was part of the great 1224 extension. The upper parts of these walls include rectilinear inner screening to windows. The west walls have much plain masonry, with sharply cut rectilinear blind panelling above the aisle arches. In the NW corner of the north arm is a prominent circular stair turret from early work, but the large window is C19. This arm contains many wall monuments. The south arm has a triple lancet to its south wall. The nave, with a single tierceron rib in addition to the diagonals and ridges also have prominent joints to the panels. Arcade piers are multi-shafted, some of these taken full height on the Sough side, and detail varies slightly between the two arcades, the south being completed some decades later than the north. Triforia have paired double lights, with very varied carved spandrel figures, there is no wall passage in the normal way, but bays are entered from doorways in the roof spaces. The clerestory has a wall passage, and stepped triple inner arcade. In the first bay adjoining the crossing there are prominent flying buttresses carried through clerestory and triforium levels, these inserted to stabilise the central tower. The 2 west bays have a lower arcade, and transitional detail, with paired triple round-arched openings embellished with chevron and rosettes, under pointed arches, and mixed pointed and round arches to the clerestory inner screen, at the pier junction between old and new bays is some two-coloured stonework of Wulfstan's original build. The large west window is richly glazed in small scale biblical stories. The nave north aisle has simple vaulting, but the south is an unusual combination of quadripartite design plus sets of longitudinal and transverse lierne ribs except for the two west bays. The walls are almost filled with monuments, including in the south side some deep recesses. On the north side the single bay Jesus Chapel is enclosed by a decorative stone screen of the late C19. The entrance from the north porch is provided with a large internal draught lobby. Above the south aisle for its full length is the Cathedral Library, with heavy roof timbers adjusted when new shelving was inserted in the C18. Parts of 2 flying buttresses show within the space, and at the west end the floor is lower, over the Norman bays.
FITTINGS, MONUMENTS, AND STAINED GLASS: Most internal fittings are of the later C19, many by G G Scott, including the bishop's throne, choir reredos, choir stalls (but incorporating late C14 misericords and choir screens, including main open ironwork screen under the crossing arch, organ cases, and the nave pulpit. The chancel pulpit is an octagonal design of 1642, much restored by Scott. There is a 3-bay repositioned C15 stone screen on the North side of the retrochoir, and two openwork iron screens by Skidmore. The nave lectern with gilt angel is a Hardman design, and the font, at the west end of the nave south aisle, is by G F Bodley. Although fragments of C14 glass remain in some windows of the nave south aisle, most is of the C19, principally by Hardman, including the great window and the main lancets, the large window in the north wall of the west transept is by Lavers and Barraud, as is that in the east bay of the nave North aisle,of 1862, and according to Pevsner 'The best Victorian glass in the cathedral...'. Of special historic interest is a fine memorial 3-light window to Sir Edward Elgar, in the second bay of the nave north aisle (above a C16 monument of the kneeling figure of Lady Abigail, mother to Bishop Goldisburgh). The cathedral is very rich in commemorative monuments, both free-standing and wall-mounted, including work by Nollekens, Robert Adam, Chantrey, and Westmacott Junior. They are too numerous to be detailed here, but Pevsner (op cit) includes many of them in his description. Outstanding is the chantry chapel to Prince Henry, of 1504. This is a very elegant fine stone 'casket' on the south side of the main sanctuary, in lacy open stonework with delicate cresting and pinnacles, it has a complex flat lierne vault with pendants, and very rich stone reredos with many figures and complex canopies: these were defaced and plastered over, but when rescued, much of the detail is seen to remain. On its south side, towards the east transept, the chapel is on two levels, with an intermediate band of shields and other devices in blank panelling, above 2 recesses containing earlier recumbent figures of the Giffard family. Other major monuments include the splendid recumbent effigy to King John, centred below the sanctuary steps, Bishops Walter de Cantelupe and William de Blois in the Lady Chapel sanctuary, the chest tomb to Sir Griffith Ryce, 1523, with very fine in-situ brass top, in the SE transept, Sir John Beauchamp, executed by the 'merciless parliament' in 1388 - a splendid painted chest tomb on a medieval base, and Robert Wylde, 1607/08 (sic), a large multi-coloured chest tomb, these last two in the N and S arcade of the nave, respectively, fourth bay from the crossing. In the eighth bay, near the W end, the large free-standing early Renaissance monuments to Bishop Thornborough, 1641 (N side) and Dean Eades, 1596 (S side) are especially notable. In the N chancel aisle, opposite the Prince Arthur chantry are 2 early monuments, both of early design, with recumbent figures in recesses, of interest since they, with adjacent walling, were left 'unrestored' by Scott, to demonstrate the general state of the building before that action. Among wall monuments some of the more striking are: Bishop Isaac Maddox, 1697-1759, in white and grey marble, with a great urn and weeping supporters over an extended inscription, and Bishop Hough, a Roubiliac design of 1746, in the NW transept and choir aisle, Dean Stillingfleet, 1599, in white marble on a gadrooned base, in the N wall of this transept, Nicholas Billington, 1576, with an esoteric selection of elements, to the right of Jesus Chapel, John Moore, 1615, with his wife Ann and six kneeling figures, with late gothic vaulting over an early Renaissance design (nave, N aisle, to left of porch). The nave S aisle has a whole series of interesting monuments, including Bishop Blandford, 1675, a bold Baroque design, a recessed tomb chest of 1428 to Judge Littleton, and in the next bay to Bishop Henry Parry, 1616 - this under a medieval canopy, with cusping and mouchettes. Of special local interest is the modest white marble tablet on the W wall of the NW transept to Mrs Henry Wood, 1814/1887, author of the Victorian 'best seller' East Lynn.
HISTORY: Worcester in the Middle Ages was an unusually large diocese, including, for instance, both Gloucester and Bristol, it was also unusual in that its Saxon Bishop, Wulfstan, remained in power after the Norman takeover, and it was during his episcopate that the earliest extant parts of the current cathedral - the crypt, nave and W transept - were established. Subsequent Gothic phases were conditioned by the pre-existing work, but the E arm was greatly extended - including a second transept, peculiar to English cathedrals - in the C13, so that the central tower lies almost exactly half-way in the 130m (425ft) length of the structure. Rich in architectural detailing and containing a large number of monuments, both free-standing and as wall tablets, the building has frequently undergone restoration or reconstruction because the soft sandstone used weathers so quickly. Substantial new work, including replacement of window designs, was undertake in the C17 and C18, much damage having been caused also by Parliamentarians, but a major restoration, including replacement of window designs of appropriate type, was effected in the C19. The location is enhanced by its setting by the Severn, but in the C20 the town has been cut off visually and practically by the principal traffic route passing diagonally across the N and E sides of the building. The Pevsner description was written before the later excavation revealed the details of radial chapels to the crypt. (P Barker: A Short Architectural History of Worcester Cathedral: 1994-; MEDIEVAL ART AND ARCHITECTURE AT WORCESTER CATHEDRAL: 1978-; J Harvey: English Mediaeval Architects: 1954-; N Pevsner: The Buildings of England, Worcestershire: 1968-).
Sources
Books and journals
Medieval Art and Architecture at Worcester Cathedral, (1954)
Harvey, J , English Medieval Architects, (1984)
Pevsner, N, The Buildings of England: Worcestershire, (1968)
Barker, P, 'Worcester Cathedral Publications' in A Short Architectural History of Worcester Cathedral, (1994)
historicengland.org.uk/listing/the-list/list-entry/138972...
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Worcester Cathedral
Worcester Cathedral is an Anglican cathedral in Worcester, England, situated on a bank overlooking the River Severn. It is the seat of the Bishop of Worcester. Its official name is the Cathedral Church of Christ and the Blessed Mary the Virgin, of Worcester. The present cathedral church was built between 1084 and 1504, and represents every style of English architecture from Norman to Perpendicular Gothic. It is famous for its Norman crypt and unique chapter house, its unusual Transitional Gothic bays, its fine woodwork, and its "exquisite" central tower,[1] which is of particularly fine proportions.[1][2] The cathedral contains the tombs of King John and Prince Arthur.
More information can be found on the link below:-
This wonderful set includes the patterns for: basket, eggs, chicks and little color eggs.
Measures aprox.
Basket: 14 cm
Eggs and chicks: 7 cm
Little color eggs: 3.5 cm
For more information, please visit www.deliciouscrochet.com/
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Este maravilloso set incluye los patrones de: canasta, huevos, pollitos y huevitos de colores.
Medidas aproximadas:
Canasta: 14 cm
Huevos y pollitos: 7 cm
Huevitos de colores: 3.5 cm
Para más información, por favor visite www.deliciouscrochet.com/
Pattern includes easy to follow instructions.
Materials Needed:
Straight knitting needles, size US 7 (4.5mm)
100% Cotton Medium/Worsted Weight yarn [65 yards]
In any color you choose.
Stitches: knit & purl.
Skill: Beginner
Finished Size: 7.5"W X 8" H
Darning needle needed for finishing.
This pattern will be delivered via email as an attached PDF file to anywhere in the world.
Located @ www.zibbet.com/ezcareknits and www.etsy.com/shop/ezcareknits
The British, Canadian, South African, and ANZAC tradition includes either one or two minutes of silence at the eleventh hour of the eleventh day of the eleventh month (11:00 a.m., 11 November), as that marks the time (in the United Kingdom) when the armistice became effective.
The Service of Remembrance in many Commonwealth countries generally includes the sounding of the "Last Post", followed by the period of silence, followed by the sounding of "The Rouse" (often mistakenly referred to as "Reveille"), and finished by a recitation of the "Ode of Remembrance". The "Flowers of the Forest", "O Valiant Hearts", "I Vow to Thee, My Country" and "Jerusalem" are often played during the service. Services also include wreaths laid to honour the fallen, a blessing, and national anthems.
The central ritual at cenotaphs throughout the Commonwealth is a stylized night vigil. The Last Post was the common bugle call at the close of the military day, and the Rouse was the first call of the morning. For military purposes, the traditional night vigil over the slain was not just to ensure they were indeed dead and not unconscious or in a coma, but also to guard them from being mutilated or despoiled by the enemy, or dragged off by scavengers. This makes the ritual more than just an act of remembrance but also a pledge to guard the honour of war dead. The act is enhanced by the use of dedicated cenotaphs (literally Greek for "empty tomb") and the laying of wreaths—the traditional means of signalling high honours in ancient Greece and Rome.
LIVERPOOL NOVEMBER 11th 2012
Drawing is a form of visual art in which a person uses various drawing instruments to mark paper or another two-dimensional medium. Instruments include graphite pencils, pen and ink, inked brushes, wax color pencils, crayons, charcoal, chalk, pastels, various kinds of erasers, markers, styluses, various metals (such as silverpoint), and electronic drawing.
An artist who practices or works in technical drawing may be called a drafter, draftsman, or draughtsman.[1]
A drawing instrument releases small amount of material onto a surface, leaving a visible mark. The most common support for drawing is paper, although other materials, such as cardboard, plastic, leather, canvas, and board, may be used. Temporary drawings may be made on a blackboard or whiteboard or indeed almost anything. The medium has been a popular and fundamental means of public expression throughout human history. It is one of the simplest and most efficient means of communicating visual ideas.[2] The wide availability of drawing instruments makes drawing one of the most common artistic activities.
Drawing is one of the major forms of expression within the visual arts. It is generally concerned with the marking of lines and areas of tone onto paper, where the accurate representation of the visual world is expressed upon a plane surface.[3] Traditional drawings were monochrome, or at least had little colour,[4] while modern colored-pencil drawings may approach or cross a boundary between drawing and painting. In Western terminology, drawing is distinct from painting, even though similar media often are employed in both tasks. Dry media, normally associated with drawing, such as chalk, may be used in pastel paintings. Drawing may be done with a liquid medium, applied with brushes or pens. Similar supports likewise can serve both: painting generally involves the application of liquid paint onto prepared canvas or panels, but sometimes an underdrawing is drawn first on that same support.
Drawing is often exploratory, with considerable emphasis on observation, problem-solving and composition. Drawing is also regularly used in preparation for a painting, further obfuscating their distinction. Drawings created for these purposes are called studies.
There are several categories of drawing, including figure drawing, cartooning, doodling and shading. There are also many drawing methods, such as line drawing, stippling, shading, the surrealist method of entopic graphomania (in which dots are made at the sites of impurities in a blank sheet of paper, and lines are then made between the dots), and tracing (drawing on a translucent paper, such as tracing paper, around the outline of preexisting shapes that show through the paper).
A quick, unrefined drawing may be called a sketch.
In fields outside art, technical drawings or plans of buildings, machinery, circuitry and other things are often called "drawings" even when they have been transferred to another medium by printing.
Drawing as a Form of Communication Drawing is one of the oldest forms of human expression, with evidence for its existence preceding that of written communication.[5] It is believed that drawing was used as a specialised form of communication before the invent of the written language,[5][6] demonstrated by the production of cave and rock paintings created by Homo sapiens sapiens around 30,000 years ago.[7] These drawings, known as pictograms, depicted objects and abstract concepts.[8] The sketches and paintings produced in prehistoric times were eventually stylised and simplified, leading to the development of the written language as we know it today.
Drawing in the Arts Drawing is used to express one's creativity, and therefore has been prominent in the world of art. Throughout much of history, drawing was regarded as the foundation for artistic practise.[9] Initially, artists used and reused wooden tablets for the production of their drawings.[10] Following the widespread availability of paper in the 14th century, the use of drawing in the arts increased. At this point, drawing was commonly used as a tool for thought and investigation, acting as a study medium whilst artists were preparing for their final pieces of work.[11][12] In a period of artistic flourish, the Renaissance brought about drawings exhibiting realistic representational qualities,[13] where there was a lot of influence from geometry and philosophy.[14]
The invention of the first widely available form of photography led to a shift in the use of drawing in the arts.[15] Photography took over from drawing as a more superior method for accurately representing visual phenomena, and artists began to abandon traditional drawing practises.[16] Modernism in the arts encouraged "imaginative originality"[17] and artists' approach to drawing became more abstract.
Drawing Outside of the Arts Although the use of drawing is extensive in the arts, its practice is not confined purely to this field. Before the widespread availability of paper, 12th century monks in European monasteries used intricate drawings to prepare illustrated, illuminated manuscripts on vellum and parchment. Drawing has also been used extensively in the field of science, as a method of discovery, understanding and explanation. In 1616, astronomer Galileo Galilei explained the changing phases of the moon through his observational telescopic drawings.[16] Additionally, in 1924, geophysicist Alfred Wegener used illustrations to visually demonstrate the origin of the continents.[16]
Notable draftsmen[edit]
Since the 14th century, each century has produced artists who have created great drawings.
Notable draftsmen of the 14th, 15th and 16th centuries include Leonardo da Vinci, Albrecht Dürer, Michelangelo and Raphael.
Notable draftsmen of the 17th century include Claude, Nicolas Poussin, Rembrandt, Guercino, and Peter Paul Rubens.
Notable draftsmen of the 18th century include Jean-Honoré Fragonard, Giovanni Battista Tiepolo, and Antoine Watteau.
Notable draftsmen of the 19th century include Paul Cézanne, Aubrey Beardsley, Jacques-Louis David, Pierre-Paul Prud'hon, Edgar Degas, Théodore Géricault, Francisco Goya, Jean Ingres, Odilon Redon, Henri de Toulouse-Lautrec, Honoré Daumier, and Vincent van Gogh.
Notable draftsmen of the 20th century include Käthe Kollwitz, Max Beckmann, Jean Dubuffet, George Grosz, Egon Schiele, Arshile Gorky, Paul Klee, Oscar Kokoschka, Alphonse Mucha, M. C. Escher, André Masson, Jules Pascin, and Pablo Picasso.
The medium is the means by which ink, pigment or color are delivered onto the drawing surface. Most drawing media are either dry (e.g. graphite, charcoal, pastels, Conté, silverpoint), or use a fluid solvent or carrier (marker, pen and ink). Watercolor pencils can be used dry like ordinary pencils, then moistened with a wet brush to get various painterly effects. Very rarely, artists have drawn with (usually decoded) invisible ink. Metalpoint drawing usually employs either of two metals: silver or lead.[18] More rarely used are gold, platinum, copper, brass, bronze, and tinpoint.
Paper comes in a variety of different sizes and qualities, ranging from newspaper grade up to high quality and relatively expensive paper sold as individual sheets.[19] Papers can vary in texture, hue, acidity, and strength when wet. Smooth paper is good for rendering fine detail, but a more "toothy" paper holds the drawing material better. Thus a coarser material is useful for producing deeper contrast.
Newsprint and typing paper may be useful for practice and rough sketches. Tracing paper is used to experiment over a half-finished drawing, and to transfer a design from one sheet to another. Cartridge paper is the basic type of drawing paper sold in pads. Bristol board and even heavier acid-free boards, frequently with smooth finishes, are used for drawing fine detail and do not distort when wet media (ink, washes) are applied. Vellum is extremely smooth and suitable for very fine detail. Coldpressed watercolor paper may be favored for ink drawing due to its texture.
Acid-free, archival quality paper keeps its color and texture far longer than wood pulp based paper such as newsprint, which turns yellow and become brittle much sooner.
The basic tools are a drawing board or table, pencil sharpener and eraser, and for ink drawing, blotting paper. Other tools used are circle compass, ruler, and set square. Fixative is used to prevent pencil and crayon marks from smudging. Drafting tape is used to secure paper to drawing surface, and also to mask an area to keep it free of accidental marks sprayed or spattered materials and washes. An easel or slanted table is used to keep the drawing surface in a suitable position, which is generally more horizontal than the position used in painting.
Almost all draftsmen use their hands and fingers to apply the media, with the exception of some handicapped individuals who draw with their mouth or feet.[20]
Prior to working on an image, the artist typically explores how various media work. They may try different drawing implements on practice sheets to determine value and texture, and how to apply the implement to produce various effects.
The artist's choice of drawing strokes affects the appearance of the image. Pen and ink drawings often use hatching—groups of parallel lines.[21] Cross-hatching uses hatching in two or more different directions to create a darker tone. Broken hatching, or lines with intermittent breaks, form lighter tones—and controlling the density of the breaks achieves a gradation of tone. Stippling, uses dots to produce tone, texture or shade. Different textures can be achieved depending on the method used to build tone.[22]
Drawings in dry media often use similar techniques, though pencils and drawing sticks can achieve continuous variations in tone. Typically a drawing is filled in based on which hand the artist favors. A right-handed artist draws from left to right to avoid smearing the image. Erasers can remove unwanted lines, lighten tones, and clean up stray marks. In a sketch or outline drawing, lines drawn often follow the contour of the subject, creating depth by looking like shadows cast from a light in the artist's position.
Sometimes the artist leaves a section of the image untouched while filling in the remainder. The shape of the area to preserve can be painted with masking fluid or cut out of a frisket and applied to the drawing surface, protecting the surface from stray marks until the mask is removed.
Another method to preserve a section of the image is to apply a spray-on fixative to the surface. This holds loose material more firmly to the sheet and prevents it from smearing. However the fixative spray typically uses chemicals that can harm the respiratory system, so it should be employed in a well-ventilated area such as outdoors.
Another technique is subtractive drawing in which the drawing surface is covered with graphite or charcoal and then erased to make the image.[23]
Shading is the technique of varying the tonal values on the paper to represent the shade of the material as well as the placement of the shadows. Careful attention to reflected light, shadows and highlights can result in a very realistic rendition of the image.
Blending uses an implement to soften or spread the original drawing strokes. Blending is most easily done with a medium that does not immediately fix itself, such as graphite, chalk, or charcoal, although freshly applied ink can be smudged, wet or dry, for some effects. For shading and blending, the artist can use a blending stump, tissue, a kneaded eraser, a fingertip, or any combination of them. A piece of chamois is useful for creating smooth textures, and for removing material to lighten the tone. Continuous tone can be achieved with graphite on a smooth surface without blending, but the technique is laborious, involving small circular or oval strokes with a somewhat blunt point.
Shading techniques that also introduce texture to the drawing include hatching and stippling. A number of other methods produce texture. In addition to the choice of paper, drawing material and technique affect texture. Texture can be made to appear more realistic when it is drawn next to a contrasting texture; a coarse texture is more obvious when placed next to a smoothly blended area. A similar effect can be achieved by drawing different tones close together. A light edge next to a dark background stands out to the eye, and almost appears to float above the surface.
Form and proportion[edit]Measuring the dimensions of a subject while blocking in the drawing is an important step in producing a realistic rendition of the subject. Tools such as a compass can be used to measure the angles of different sides. These angles can be reproduced on the drawing surface and then rechecked to make sure they are accurate. Another form of measurement is to compare the relative sizes of different parts of the subject with each other. A finger placed at a point along the drawing implement can be used to compare that dimension with other parts of the image. A ruler can be used both as a straightedge and a device to compute proportions.
When attempting to draw a complicated shape such as a human figure, it is helpful at first to represent the form with a set of primitive shapes. Almost any form can be represented by some combination of the cube, sphere, cylinder, and cone. Once these basic shapes have been assembled into a likeness, then the drawing can be refined into a more accurate and polished form. The lines of the primitive shapes are removed and replaced by the final likeness. Drawing the underlying construction is a fundamental skill for representational art, and is taught in many books and schools. Its correct application resolves most uncertainties about smaller details, and makes the final image look consistent.[24]
A more refined art of figure drawing relies upon the artist possessing a deep understanding of anatomy and the human proportions. A trained artist is familiar with the skeleton structure, joint location, muscle placement, tendon movement, and how the different parts work together during movement. This allows the artist to render more natural poses that do not appear artificially stiff. The artist is also familiar with how the proportions vary depending on the age of the subject, particularly when drawing a portrait.
Perspective[edit]
Linear perspective is a method of portraying objects on a flat surface so that the dimensions shrink with distance. Each set of parallel, straight edges of any object, whether a building or a table, follows lines that eventually converge at a vanishing point. Typically this convergence point is somewhere along the horizon, as buildings are built level with the flat surface. When multiple structures are aligned with each other, such as buildings along a street, the horizontal tops and bottoms of the structures typically converge at a vanishing point.When both the fronts and sides of a building are drawn, then the parallel lines forming a side converge at a second point along the horizon (which may be off the drawing paper.) This is a two-point perspective.[25] Converging the vertical lines to a third point above or below the horizon then produces a three-point perspective.
Depth can also be portrayed by several techniques in addition to the perspective approach above. Objects of similar size should appear ever smaller the further they are from the viewer. Thus the back wheel of a cart appears slightly smaller than the front wheel. Depth can be portrayed through the use of texture. As the texture of an object gets further away it becomes more compressed and busy, taking on an entirely different character than if it was close. Depth can also be portrayed by reducing the contrast in more distant objects, and by making their colors less saturated. This reproduces the effect of atmospheric haze, and cause the eye to focus primarily on objects drawn in the foreground.
My small tape collection, which includes sessions by Joy division, New Order, several by Echo and the Bunnymen, Billy Bragg, The Farmers Boys, Altered Images The Poptitions, The Wake and so on, as well as two completer Festive Fifty top tens, from 1983 and 1985.
1983:
1. New Order - Blue Monday
2. Smiths - This Charming Man
3. New Order - Age Of Consent
4. This Mortal Coil - Song To The Siren
5. Cocteau Twins - Musette and Drums
6. Smiths - Reel Around The Fountain
7. Billy Bragg - A New England
8. The Fall - Eat Y'self Fitter
9. Smiths - Hand In Glove
10. Naturalites and the Mystics - Picture On The Wall
1985:
1. Jesus and Mary Chain - Never Understand
2. Jesus and Mary Chain - Just Like Honey
3. The Fall - Cruiser's Creek
4. Cult - She sells sanctuary
5. Cocteau Twins - Aikea-Guinea
6. Chumbawamba - Revolution
7. Felt - Primitive Painters
8. Smiths - The boy with the thorn in his side
9. New Order - Perfect Kiss
10. Housemartins - Flag Day
I set off on a road trip that would include driving Shafer Trail and Potash Road through Canyonlands National Park. When I made it back to pavement I raced over to the southern entrance to take in the Needles District and go to the end of the road, with a quick stop at Newspaper Rock.
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Canyonlands National Park is an American national park located in southeastern Utah near the town of Moab. The park preserves a colorful landscape eroded into numerous canyons, mesas, and buttes by the Colorado River, the Green River, and their respective tributaries. Legislation creating the park was signed into law by President Lyndon Johnson on September 12, 1964.
The park is divided into four districts: the Island in the Sky, the Needles, the Maze, and the combined rivers—the Green and Colorado—which carved two large canyons into the Colorado Plateau. While these areas share a primitive desert atmosphere, each retains its own character. Author Edward Abbey, a frequent visitor, described the Canyonlands as "the most weird, wonderful, magical place on earth—there is nothing else like it anywhere."
Source: Wikipedia
Each prescribed fire starts with a morning briefing. Topics include safety, objectives for the day, group assignments, weather, communication channels and other relevant topics.
Kyle Sullivan, BLM
On Thursday, April 27, 2023, the BLM Medford District conducted a 90-acre prescribed fire. Prescribed fire is a planned and carefully managed fire deliberately set under controlled conditions to reduce the buildup of flammable material, restore or maintain natural ecosystems, and improve wildlife habitat.
Prescribed fire can also help to reduce the severity and spread of wildfires by creating firebreaks and reducing the amount of fuel available to a potential wildfire. By reducing the amount of dead vegetation, prescribed fires can reduce the intensity of a wildfire, making it easier for firefighters to control.
The prescribed fire is part of the Upper Applegate Watershed project. The BLM was supported by Grayback Forestry and Oregon Department of Forestry. The UAW project is a collaborative approach to landscape-scale forest restoration and hazardous fuels reduction, coordinated by the Rogue Forest Partners. The project area is 52,000 acres in the Applegate Valley between Ruch and Applegate Lake, covering federal and private lands in which 18,000 acres are identified as priority treatments.
This unit had previous treatments to prepare for prescribed fire. In 2002, the unit was treated with mastication and then underburned in 2008. The most recent underburn will reduce fuel loading and moderate the intensity of future fires.
Fire managers perform a delicate balancing act ensuring the fuel is dry enough to burn, but not too dry to create a higher severity burn. This leaves a short window for performing underburning activities. The goal of the underburn is to reduce dead and down fuel loading, improve forest resilience to future climatic stress, re-create an uneven age class, and maintain past timber and fuel treatment area in open condition.
We have expanded the color range of PRECIOSA Rocailles for you to include new natural colors!
We offer you the PRECIOSA Traditional Czech Beads™ rocaille range in newly developed and unique shades of light lilac and pink. This involves an exceptional change in our standard extensive color range after many years.
Don't miss the opportunity to get your hands on the seed beads in these delicate tones. They are excellent in children's costume jewelry collections, hair decorations or various tassels. The time of brides is also fast approaching. Decorate and adorn your unforgettable day with seed beads in the new glass colors!
The shades of delicate pink and lilac in opaque colors and transparent lilac can also be beautified with the sfinx and rainbow surface finishes. See for yourself.
You will love the unique extended color range of these glass seed beads!
TECHNICAL DATA:
PRECIOSA Rocailles
Article number: 311 19 001
Size: 1/0, 6/0, 8/0, 10/0, 11/0 (opaque pink 73420 and opaque lilac 23420)
Size: 1/0, 6/0, 8/0 (transparent lilac 20420)
Article number: 331 19 001
Size: 6/0 (the sfinx and rainbow finishes)
The Sfinx Finish
78420 (on opaque pink)
28420 (on opaque lilac)
28420 (on opaque lilac)
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Visit our website for more information about the PRECIOSA New Seed Beads Colors
Geologists call the area that roughly includes the Coachella and Imperial Valleys of
southern California, and the western half of the Mexicali Valley and the Colorado River
delta in Mexico, the Salton Trough. This region of southern California and northwestern
Mexico is an area of intense geological activity. The Salton Trough is a complex transition
zone between the right-lateral motion of the San Andreas transform fault system, and the
northwestward progressing spreading ridge complex of the Gulf of California segment of
the Eastern Pacific Rise.
The East Pacific Rise is a tectonic spreading center between the Pacific and North
American plates that has jumped inland from the Pacific coast and captured a portion of the
North American plate. This captured sliver of land includes all of central and southern
California west of the San Andreas fault, and all of the Baja Peninsula including the
northern portion of Baja California east to the delta of the Colorado River. As the East
Pacific Rise separated this land mass from the North American plate it formed the Gulf of
California. Spreading faster at its southern end, it has formed a long narrow wedge between
the mainland of Mexico and the Baja Peninsula. The northern tip of this tectonic wedge ends
on dry land at San Gorgonio Pass near Palm Springs, California. The northern portion of the
wedge from the pass southeast to the mouth of the Colorado River is the Salton Trough.
This region, at least as far north as Indio, California, 87 miles from the Mexican
border, would be part of the Gulf of California today, had it not been for the sediments
carried to the Salton Trough over millions of years by the Colorado River. But damming of
the Colorado over the last 80 years has all but eliminated the flow of sediments to the gulf,
radically changing the geologic balance between deposition and erosion in the delta of the
Colorado River.
The Gulf of California, itself, is an oblique rift system with short spreading segments
connected by long transform faults. Rifting in the gulf began ~12–15 million years ago
when subduction ended west of the Baja California peninsula. As the East Pacific Rise
approached the palaeo-trench, the subducting Farallon plate broke into a number of
microplates; as subduction stalled, those microplates and the Baja California peninsula
coupled to the Pacific plate, resulting in the onset of rifting. The peninsula now moves
nearly completely with the Pacific plate, with ~ 48 mm/yr of spreading across the Gulf of
California representing ~ 92% of Pacific–North America relative motion. (Lizarralde, et al.,
2007)
3
3-D Visualization of the Gulf of California and Salton Trough
Approximately five million of years ago the East Pacific Rise, finally, split the Baja
Peninsula from the mainland of Mexico. The waters of the Pacific then poured into the rift
valley creating the Gulf of California. Since then, like a giant door swinging open, plate
tectonic activity along the East Pacific Rise has moved the Baja Peninsula 162 miles (260
km) westward from the mainland at the southern end of the gulf. The northern “hinge” point
of this tectonic system is in the Salton Trough.
(3-D map by Dave Miller)
Magnis is the location of the Magnis is the location of the Roman Army Museum run by the Vindolanda Trust. Like the museum at Vindolanda, the Roman Army Museum was modernised and reopened in 2011. The museum illustrates frontier life on the northern edge of the Roman Empire. The museum displays genuine Roman artifacts including weapons and tools; life-size replicas; a 3D film showing Hadrian's Wall past and present, and a large timeline of Hadrian's Wall. There is a gallery devoted to the emperor Hadrian himself. A large gallery describes daily life in the Roman army as seen through the eyes of a team of eight auxiliary soldiers, complete with a film showing their activities. Notable exhibits include a rare surviving helmet crest. run by the Vindolanda Trust. Like the museum at Vindolanda, the Roman Army Museum was modernised and reopened in 2011. The museum illustrates frontier life on the northern edge of the Roman Empire. The museum displays genuine Roman artifacts including weapons and tools; life-size replicas; a 3D film showing Hadrian's Wall past and present, and a large timeline of Hadrian's Wall. There is a gallery devoted to the emperor Hadrian himself. A large gallery describes daily life in the Roman army as seen through the eyes of a team of eight auxiliary soldiers, complete with a film showing their activities. Notable exhibits include a rare surviving helmet crest.
Roman Britain was the territory that became the Roman province of Britannia after the Roman conquest of Britain, consisting of a large part of the island of Great Britain. The occupation lasted from AD 43 to AD 410.
Julius Caesar invaded Britain in 55 and 54 BC as part of his Gallic Wars. According to Caesar, the Britons had been overrun or culturally assimilated by the Belgae during the British Iron Age and had been aiding Caesar's enemies. The Belgae were the only Celtic tribe to cross the sea into Britain, for to all other Celtic tribes this land was unknown. He received tribute, installed the friendly king Mandubracius over the Trinovantes, and returned to Gaul. Planned invasions under Augustus were called off in 34, 27, and 25 BC. In 40 AD, Caligula assembled 200,000 men at the Channel on the continent, only to have them gather seashells (musculi) according to Suetonius, perhaps as a symbolic gesture to proclaim Caligula's victory over the sea. Three years later, Claudius directed four legions to invade Britain and restore the exiled king Verica over the Atrebates. The Romans defeated the Catuvellauni, and then organized their conquests as the province of Britain. By 47 AD, the Romans held the lands southeast of the Fosse Way. Control over Wales was delayed by reverses and the effects of Boudica's uprising, but the Romans expanded steadily northward.
The conquest of Britain continued under command of Gnaeus Julius Agricola (77–84), who expanded the Roman Empire as far as Caledonia. In mid-84 AD, Agricola faced the armies of the Caledonians, led by Calgacus, at the Battle of Mons Graupius. Battle casualties were estimated by Tacitus to be upwards of 10,000 on the Caledonian side and about 360 on the Roman side. The bloodbath at Mons Graupius concluded the forty-year conquest of Britain, a period that possibly saw between 100,000 and 250,000 Britons killed. In the context of pre-industrial warfare and of a total population of Britain of c. 2 million, these are very high figures.
Under the 2nd-century emperors Hadrian and Antoninus Pius, two walls were built to defend the Roman province from the Caledonians, whose realms in the Scottish Highlands were never controlled. Around 197 AD, the Severan Reforms divided Britain into two provinces: Britannia Superior and Britannia Inferior. During the Diocletian Reforms, at the end of the 3rd century, Britannia was divided into four provinces under the direction of a vicarius, who administered the Diocese of the Britains. A fifth province, Valentia, is attested in the later 4th century. For much of the later period of the Roman occupation, Britannia was subject to barbarian invasions and often came under the control of imperial usurpers and imperial pretenders. The final Roman withdrawal from Britain occurred around 410; the native kingdoms are considered to have formed Sub-Roman Britain after that.
Following the conquest of the Britons, a distinctive Romano-British culture emerged as the Romans introduced improved agriculture, urban planning, industrial production, and architecture. The Roman goddess Britannia became the female personification of Britain. After the initial invasions, Roman historians generally only mention Britain in passing. Thus, most present knowledge derives from archaeological investigations and occasional epigraphic evidence lauding the Britannic achievements of an emperor. Roman citizens settled in Britain from many parts of the Empire.
History
Britain was known to the Classical world. The Greeks, the Phoenicians and the Carthaginians traded for Cornish tin in the 4th century BC. The Greeks referred to the Cassiterides, or "tin islands", and placed them near the west coast of Europe. The Carthaginian sailor Himilco is said to have visited the island in the 6th or 5th century BC and the Greek explorer Pytheas in the 4th. It was regarded as a place of mystery, with some writers refusing to believe it existed.
The first direct Roman contact was when Julius Caesar undertook two expeditions in 55 and 54 BC, as part of his conquest of Gaul, believing the Britons were helping the Gallic resistance. The first expedition was more a reconnaissance than a full invasion and gained a foothold on the coast of Kent but was unable to advance further because of storm damage to the ships and a lack of cavalry. Despite the military failure, it was a political success, with the Roman Senate declaring a 20-day public holiday in Rome to honour the unprecedented achievement of obtaining hostages from Britain and defeating Belgic tribes on returning to the continent.
The second invasion involved a substantially larger force and Caesar coerced or invited many of the native Celtic tribes to pay tribute and give hostages in return for peace. A friendly local king, Mandubracius, was installed, and his rival, Cassivellaunus, was brought to terms. Hostages were taken, but historians disagree over whether any tribute was paid after Caesar returned to Gaul.
Caesar conquered no territory and left no troops behind, but he established clients and brought Britain into Rome's sphere of influence. Augustus planned invasions in 34, 27 and 25 BC, but circumstances were never favourable, and the relationship between Britain and Rome settled into one of diplomacy and trade. Strabo, writing late in Augustus's reign, claimed that taxes on trade brought in more annual revenue than any conquest could. Archaeology shows that there was an increase in imported luxury goods in southeastern Britain. Strabo also mentions British kings who sent embassies to Augustus, and Augustus's own Res Gestae refers to two British kings he received as refugees. When some of Tiberius's ships were carried to Britain in a storm during his campaigns in Germany in 16 AD, they came back with tales of monsters.
Rome appears to have encouraged a balance of power in southern Britain, supporting two powerful kingdoms: the Catuvellauni, ruled by the descendants of Tasciovanus, and the Atrebates, ruled by the descendants of Commius. This policy was followed until 39 or 40 AD, when Caligula received an exiled member of the Catuvellaunian dynasty and planned an invasion of Britain that collapsed in farcical circumstances before it left Gaul. When Claudius successfully invaded in 43 AD, it was in aid of another fugitive British ruler, Verica of the Atrebates.
Roman invasion
The invasion force in 43 AD was led by Aulus Plautius,[26] but it is unclear how many legions were sent. The Legio II Augusta, commanded by future emperor Vespasian, was the only one directly attested to have taken part. The Legio IX Hispana, the XIV Gemina (later styled Martia Victrix) and the XX (later styled Valeria Victrix) are known to have served during the Boudican Revolt of 60/61, and were probably there since the initial invasion. This is not certain because the Roman army was flexible, with units being moved around whenever necessary. The IX Hispana may have been permanently stationed, with records showing it at Eboracum (York) in 71 and on a building inscription there dated 108, before being destroyed in the east of the Empire, possibly during the Bar Kokhba revolt.
The invasion was delayed by a troop mutiny until an imperial freedman persuaded them to overcome their fear of crossing the Ocean and campaigning beyond the limits of the known world. They sailed in three divisions, and probably landed at Richborough in Kent; at least part of the force may have landed near Fishbourne, West Sussex.
The Catuvellauni and their allies were defeated in two battles: the first, assuming a Richborough landing, on the river Medway, the second on the river Thames. One of their leaders, Togodumnus, was killed, but his brother Caratacus survived to continue resistance elsewhere. Plautius halted at the Thames and sent for Claudius, who arrived with reinforcements, including artillery and elephants, for the final march to the Catuvellaunian capital, Camulodunum (Colchester). Vespasian subdued the southwest, Cogidubnus was set up as a friendly king of several territories, and treaties were made with tribes outside direct Roman control.
Establishment of Roman rule
After capturing the south of the island, the Romans turned their attention to what is now Wales. The Silures, Ordovices and Deceangli remained implacably opposed to the invaders and for the first few decades were the focus of Roman military attention, despite occasional minor revolts among Roman allies like the Brigantes and the Iceni. The Silures were led by Caratacus, and he carried out an effective guerrilla campaign against Governor Publius Ostorius Scapula. Finally, in 51, Ostorius lured Caratacus into a set-piece battle and defeated him. The British leader sought refuge among the Brigantes, but their queen, Cartimandua, proved her loyalty by surrendering him to the Romans. He was brought as a captive to Rome, where a dignified speech he made during Claudius's triumph persuaded the emperor to spare his life. The Silures were still not pacified, and Cartimandua's ex-husband Venutius replaced Caratacus as the most prominent leader of British resistance.
On Nero's accession, Roman Britain extended as far north as Lindum. Gaius Suetonius Paulinus, the conqueror of Mauretania (modern day Algeria and Morocco), then became governor of Britain, and in 60 and 61 he moved against Mona (Anglesey) to settle accounts with Druidism once and for all. Paulinus led his army across the Menai Strait and massacred the Druids and burnt their sacred groves.
While Paulinus was campaigning in Mona, the southeast of Britain rose in revolt under the leadership of Boudica. She was the widow of the recently deceased king of the Iceni, Prasutagus. The Roman historian Tacitus reports that Prasutagus had left a will leaving half his kingdom to Nero in the hope that the remainder would be left untouched. He was wrong. When his will was enforced, Rome[clarification needed] responded by violently seizing the tribe's lands in full. Boudica protested. In consequence, Rome[clarification needed] punished her and her daughters by flogging and rape. In response, the Iceni, joined by the Trinovantes, destroyed the Roman colony at Camulodunum (Colchester) and routed the part of the IXth Legion that was sent to relieve it. Paulinus rode to London (then called Londinium), the rebels' next target, but concluded it could not be defended. Abandoned, it was destroyed, as was Verulamium (St. Albans). Between seventy and eighty thousand people are said to have been killed in the three cities. But Paulinus regrouped with two of the three legions still available to him, chose a battlefield, and, despite being outnumbered by more than twenty to one, defeated the rebels in the Battle of Watling Street. Boudica died not long afterwards, by self-administered poison or by illness. During this time, the Emperor Nero considered withdrawing Roman forces from Britain altogether.
There was further turmoil in 69, the "Year of the Four Emperors". As civil war raged in Rome, weak governors were unable to control the legions in Britain, and Venutius of the Brigantes seized his chance. The Romans had previously defended Cartimandua against him, but this time were unable to do so. Cartimandua was evacuated, and Venutius was left in control of the north of the country. After Vespasian secured the empire, his first two appointments as governor, Quintus Petillius Cerialis and Sextus Julius Frontinus, took on the task of subduing the Brigantes and Silures respectively.[38] Frontinus extended Roman rule to all of South Wales, and initiated exploitation of the mineral resources, such as the gold mines at Dolaucothi.
In the following years, the Romans conquered more of the island, increasing the size of Roman Britain. Governor Gnaeus Julius Agricola, father-in-law to the historian Tacitus, conquered the Ordovices in 78. With the XX Valeria Victrix legion, Agricola defeated the Caledonians in 84 at the Battle of Mons Graupius, in north-east Scotland. This was the high-water mark of Roman territory in Britain: shortly after his victory, Agricola was recalled from Britain back to Rome, and the Romans initially retired to a more defensible line along the Forth–Clyde isthmus, freeing soldiers badly needed along other frontiers.
For much of the history of Roman Britain, a large number of soldiers were garrisoned on the island. This required that the emperor station a trusted senior man as governor of the province. As a result, many future emperors served as governors or legates in this province, including Vespasian, Pertinax, and Gordian I.
Roman military organisation in the north
In 84 AD
In 84 AD
In 155 AD
In 155 AD
Hadrian's Wall, and Antonine Wall
There is no historical source describing the decades that followed Agricola's recall. Even the name of his replacement is unknown. Archaeology has shown that some Roman forts south of the Forth–Clyde isthmus were rebuilt and enlarged; others appear to have been abandoned. By 87 the frontier had been consolidated on the Stanegate. Roman coins and pottery have been found circulating at native settlement sites in the Scottish Lowlands in the years before 100, indicating growing Romanisation. Some of the most important sources for this era are the writing tablets from the fort at Vindolanda in Northumberland, mostly dating to 90–110. These tablets provide evidence for the operation of a Roman fort at the edge of the Roman Empire, where officers' wives maintained polite society while merchants, hauliers and military personnel kept the fort operational and supplied.
Around 105 there appears to have been a serious setback at the hands of the tribes of the Picts: several Roman forts were destroyed by fire, with human remains and damaged armour at Trimontium (at modern Newstead, in SE Scotland) indicating hostilities at least at that site.[citation needed] There is also circumstantial evidence that auxiliary reinforcements were sent from Germany, and an unnamed British war of the period is mentioned on the gravestone of a tribune of Cyrene. Trajan's Dacian Wars may have led to troop reductions in the area or even total withdrawal followed by slighting of the forts by the Picts rather than an unrecorded military defeat. The Romans were also in the habit of destroying their own forts during an orderly withdrawal, in order to deny resources to an enemy. In either case, the frontier probably moved south to the line of the Stanegate at the Solway–Tyne isthmus around this time.
A new crisis occurred at the beginning of Hadrian's reign): a rising in the north which was suppressed by Quintus Pompeius Falco. When Hadrian reached Britannia on his famous tour of the Roman provinces around 120, he directed an extensive defensive wall, known to posterity as Hadrian's Wall, to be built close to the line of the Stanegate frontier. Hadrian appointed Aulus Platorius Nepos as governor to undertake this work who brought the Legio VI Victrix legion with him from Germania Inferior. This replaced the famous Legio IX Hispana, whose disappearance has been much discussed. Archaeology indicates considerable political instability in Scotland during the first half of the 2nd century, and the shifting frontier at this time should be seen in this context.
In the reign of Antoninus Pius (138–161) the Hadrianic border was briefly extended north to the Forth–Clyde isthmus, where the Antonine Wall was built around 142 following the military reoccupation of the Scottish lowlands by a new governor, Quintus Lollius Urbicus.
The first Antonine occupation of Scotland ended as a result of a further crisis in 155–157, when the Brigantes revolted. With limited options to despatch reinforcements, the Romans moved their troops south, and this rising was suppressed by Governor Gnaeus Julius Verus. Within a year the Antonine Wall was recaptured, but by 163 or 164 it was abandoned. The second occupation was probably connected with Antoninus's undertakings to protect the Votadini or his pride in enlarging the empire, since the retreat to the Hadrianic frontier occurred not long after his death when a more objective strategic assessment of the benefits of the Antonine Wall could be made. The Romans did not entirely withdraw from Scotland at this time: the large fort at Newstead was maintained along with seven smaller outposts until at least 180.
During the twenty-year period following the reversion of the frontier to Hadrian's Wall in 163/4, Rome was concerned with continental issues, primarily problems in the Danubian provinces. Increasing numbers of hoards of buried coins in Britain at this time indicate that peace was not entirely achieved. Sufficient Roman silver has been found in Scotland to suggest more than ordinary trade, and it is likely that the Romans were reinforcing treaty agreements by paying tribute to their implacable enemies, the Picts.
In 175, a large force of Sarmatian cavalry, consisting of 5,500 men, arrived in Britannia, probably to reinforce troops fighting unrecorded uprisings. In 180, Hadrian's Wall was breached by the Picts and the commanding officer or governor was killed there in what Cassius Dio described as the most serious war of the reign of Commodus. Ulpius Marcellus was sent as replacement governor and by 184 he had won a new peace, only to be faced with a mutiny from his own troops. Unhappy with Marcellus's strictness, they tried to elect a legate named Priscus as usurper governor; he refused, but Marcellus was lucky to leave the province alive. The Roman army in Britannia continued its insubordination: they sent a delegation of 1,500 to Rome to demand the execution of Tigidius Perennis, a Praetorian prefect who they felt had earlier wronged them by posting lowly equites to legate ranks in Britannia. Commodus met the party outside Rome and agreed to have Perennis killed, but this only made them feel more secure in their mutiny.
The future emperor Pertinax (lived 126–193) was sent to Britannia to quell the mutiny and was initially successful in regaining control, but a riot broke out among the troops. Pertinax was attacked and left for dead, and asked to be recalled to Rome, where he briefly succeeded Commodus as emperor in 192.
3rd century
The death of Commodus put into motion a series of events which eventually led to civil war. Following the short reign of Pertinax, several rivals for the emperorship emerged, including Septimius Severus and Clodius Albinus. The latter was the new governor of Britannia, and had seemingly won the natives over after their earlier rebellions; he also controlled three legions, making him a potentially significant claimant. His sometime rival Severus promised him the title of Caesar in return for Albinus's support against Pescennius Niger in the east. Once Niger was neutralised, Severus turned on his ally in Britannia; it is likely that Albinus saw he would be the next target and was already preparing for war.
Albinus crossed to Gaul in 195, where the provinces were also sympathetic to him, and set up at Lugdunum. Severus arrived in February 196, and the ensuing battle was decisive. Albinus came close to victory, but Severus's reinforcements won the day, and the British governor committed suicide. Severus soon purged Albinus's sympathisers and perhaps confiscated large tracts of land in Britain as punishment. Albinus had demonstrated the major problem posed by Roman Britain. In order to maintain security, the province required the presence of three legions, but command of these forces provided an ideal power base for ambitious rivals. Deploying those legions elsewhere would strip the island of its garrison, leaving the province defenceless against uprisings by the native Celtic tribes and against invasion by the Picts and Scots.
The traditional view is that northern Britain descended into anarchy during Albinus's absence. Cassius Dio records that the new Governor, Virius Lupus, was obliged to buy peace from a fractious northern tribe known as the Maeatae. The succession of militarily distinguished governors who were subsequently appointed suggests that enemies of Rome were posing a difficult challenge, and Lucius Alfenus Senecio's report to Rome in 207 describes barbarians "rebelling, over-running the land, taking loot and creating destruction". In order to rebel, of course, one must be a subject – the Maeatae clearly did not consider themselves such. Senecio requested either reinforcements or an Imperial expedition, and Severus chose the latter, despite being 62 years old. Archaeological evidence shows that Senecio had been rebuilding the defences of Hadrian's Wall and the forts beyond it, and Severus's arrival in Britain prompted the enemy tribes to sue for peace immediately. The emperor had not come all that way to leave without a victory, and it is likely that he wished to provide his teenage sons Caracalla and Geta with first-hand experience of controlling a hostile barbarian land.
Northern campaigns, 208–211
An invasion of Caledonia led by Severus and probably numbering around 20,000 troops moved north in 208 or 209, crossing the Wall and passing through eastern Scotland on a route similar to that used by Agricola. Harried by punishing guerrilla raids by the northern tribes and slowed by an unforgiving terrain, Severus was unable to meet the Caledonians on a battlefield. The emperor's forces pushed north as far as the River Tay, but little appears to have been achieved by the invasion, as peace treaties were signed with the Caledonians. By 210 Severus had returned to York, and the frontier had once again become Hadrian's Wall. He assumed the title Britannicus but the title meant little with regard to the unconquered north, which clearly remained outside the authority of the Empire. Almost immediately, another northern tribe, the Maeatae, went to war. Caracalla left with a punitive expedition, but by the following year his ailing father had died and he and his brother left the province to press their claim to the throne.
As one of his last acts, Severus tried to solve the problem of powerful and rebellious governors in Britain by dividing the province into Britannia Superior and Britannia Inferior. This kept the potential for rebellion in check for almost a century. Historical sources provide little information on the following decades, a period known as the Long Peace. Even so, the number of buried hoards found from this period rises, suggesting continuing unrest. A string of forts were built along the coast of southern Britain to control piracy; and over the following hundred years they increased in number, becoming the Saxon Shore Forts.
During the middle of the 3rd century, the Roman Empire was convulsed by barbarian invasions, rebellions and new imperial pretenders. Britannia apparently avoided these troubles, but increasing inflation had its economic effect. In 259 a so-called Gallic Empire was established when Postumus rebelled against Gallienus. Britannia was part of this until 274 when Aurelian reunited the empire.
Around the year 280, a half-British officer named Bonosus was in command of the Roman's Rhenish fleet when the Germans managed to burn it at anchor. To avoid punishment, he proclaimed himself emperor at Colonia Agrippina (Cologne) but was crushed by Marcus Aurelius Probus. Soon afterwards, an unnamed governor of one of the British provinces also attempted an uprising. Probus put it down by sending irregular troops of Vandals and Burgundians across the Channel.
The Carausian Revolt led to a short-lived Britannic Empire from 286 to 296. Carausius was a Menapian naval commander of the Britannic fleet; he revolted upon learning of a death sentence ordered by the emperor Maximian on charges of having abetted Frankish and Saxon pirates and having embezzled recovered treasure. He consolidated control over all the provinces of Britain and some of northern Gaul while Maximian dealt with other uprisings. An invasion in 288 failed to unseat him and an uneasy peace ensued, with Carausius issuing coins and inviting official recognition. In 293, the junior emperor Constantius Chlorus launched a second offensive, besieging the rebel port of Gesoriacum (Boulogne-sur-Mer) by land and sea. After it fell, Constantius attacked Carausius's other Gallic holdings and Frankish allies and Carausius was usurped by his treasurer, Allectus. Julius Asclepiodotus landed an invasion fleet near Southampton and defeated Allectus in a land battle.
Diocletian's reforms
As part of Diocletian's reforms, the provinces of Roman Britain were organized as a diocese governed by a vicarius under a praetorian prefect who, from 318 to 331, was Junius Bassus who was based at Augusta Treverorum (Trier).
The vicarius was based at Londinium as the principal city of the diocese. Londinium and Eboracum continued as provincial capitals and the territory was divided up into smaller provinces for administrative efficiency.
Civilian and military authority of a province was no longer exercised by one official and the governor was stripped of military command which was handed over to the Dux Britanniarum by 314. The governor of a province assumed more financial duties (the procurators of the Treasury ministry were slowly phased out in the first three decades of the 4th century). The Dux was commander of the troops of the Northern Region, primarily along Hadrian's Wall and his responsibilities included protection of the frontier. He had significant autonomy due in part to the distance from his superiors.
The tasks of the vicarius were to control and coordinate the activities of governors; monitor but not interfere with the daily functioning of the Treasury and Crown Estates, which had their own administrative infrastructure; and act as the regional quartermaster-general of the armed forces. In short, as the sole civilian official with superior authority, he had general oversight of the administration, as well as direct control, while not absolute, over governors who were part of the prefecture; the other two fiscal departments were not.
The early-4th-century Verona List, the late-4th-century work of Sextus Rufus, and the early-5th-century List of Offices and work of Polemius Silvius all list four provinces by some variation of the names Britannia I, Britannia II, Maxima Caesariensis, and Flavia Caesariensis; all of these seem to have initially been directed by a governor (praeses) of equestrian rank. The 5th-century sources list a fifth province named Valentia and give its governor and Maxima's a consular rank. Ammianus mentions Valentia as well, describing its creation by Count Theodosius in 369 after the quelling of the Great Conspiracy. Ammianus considered it a re-creation of a formerly lost province, leading some to think there had been an earlier fifth province under another name (may be the enigmatic "Vespasiana"), and leading others to place Valentia beyond Hadrian's Wall, in the territory abandoned south of the Antonine Wall.
Reconstructions of the provinces and provincial capitals during this period partially rely on ecclesiastical records. On the assumption that the early bishoprics mimicked the imperial hierarchy, scholars use the list of bishops for the 314 Council of Arles. The list is patently corrupt: the British delegation is given as including a Bishop "Eborius" of Eboracum and two bishops "from Londinium" (one de civitate Londinensi and the other de civitate colonia Londinensium). The error is variously emended: Bishop Ussher proposed Colonia, Selden Col. or Colon. Camalodun., and Spelman Colonia Cameloduni (all various names of Colchester); Gale and Bingham offered colonia Lindi and Henry Colonia Lindum (both Lincoln); and Bishop Stillingfleet and Francis Thackeray read it as a scribal error of Civ. Col. Londin. for an original Civ. Col. Leg. II (Caerleon). On the basis of the Verona List, the priest and deacon who accompanied the bishops in some manuscripts are ascribed to the fourth province.
In the 12th century, Gerald of Wales described the supposedly metropolitan sees of the early British church established by the legendary SS Fagan and "Duvian". He placed Britannia Prima in Wales and western England with its capital at "Urbs Legionum" (Caerleon); Britannia Secunda in Kent and southern England with its capital at "Dorobernia" (Canterbury); Flavia in Mercia and central England with its capital at "Lundonia" (London); "Maximia" in northern England with its capital at Eboracum (York); and Valentia in "Albania which is now Scotland" with its capital at St Andrews. Modern scholars generally dispute the last: some place Valentia at or beyond Hadrian's Wall but St Andrews is beyond even the Antonine Wall and Gerald seems to have simply been supporting the antiquity of its church for political reasons.
A common modern reconstruction places the consular province of Maxima at Londinium, on the basis of its status as the seat of the diocesan vicarius; places Prima in the west according to Gerald's traditional account but moves its capital to Corinium of the Dobunni (Cirencester) on the basis of an artifact recovered there referring to Lucius Septimius, a provincial rector; places Flavia north of Maxima, with its capital placed at Lindum Colonia (Lincoln) to match one emendation of the bishops list from Arles;[d] and places Secunda in the north with its capital at Eboracum (York). Valentia is placed variously in northern Wales around Deva (Chester); beside Hadrian's Wall around Luguvalium (Carlisle); and between the walls along Dere Street.
4th century
Emperor Constantius returned to Britain in 306, despite his poor health, with an army aiming to invade northern Britain, the provincial defences having been rebuilt in the preceding years. Little is known of his campaigns with scant archaeological evidence, but fragmentary historical sources suggest he reached the far north of Britain and won a major battle in early summer before returning south. His son Constantine (later Constantine the Great) spent a year in northern Britain at his father's side, campaigning against the Picts beyond Hadrian's Wall in the summer and autumn. Constantius died in York in July 306 with his son at his side. Constantine then successfully used Britain as the starting point of his march to the imperial throne, unlike the earlier usurper, Albinus.
In the middle of the century, the province was loyal for a few years to the usurper Magnentius, who succeeded Constans following the latter's death. After the defeat and death of Magnentius in the Battle of Mons Seleucus in 353, Constantius II dispatched his chief imperial notary Paulus Catena to Britain to hunt down Magnentius's supporters. The investigation deteriorated into a witch-hunt, which forced the vicarius Flavius Martinus to intervene. When Paulus retaliated by accusing Martinus of treason, the vicarius attacked Paulus with a sword, with the aim of assassinating him, but in the end he committed suicide.
As the 4th century progressed, there were increasing attacks from the Saxons in the east and the Scoti (Irish) in the west. A series of forts had been built, starting around 280, to defend the coasts, but these preparations were not enough when, in 367, a general assault of Saxons, Picts, Scoti and Attacotti, combined with apparent dissension in the garrison on Hadrian's Wall, left Roman Britain prostrate. The invaders overwhelmed the entire western and northern regions of Britannia and the cities were sacked. This crisis, sometimes called the Barbarian Conspiracy or the Great Conspiracy, was settled by Count Theodosius from 368 with a string of military and civil reforms. Theodosius crossed from Bononia (Boulogne-sur-Mer) and marched on Londinium where he began to deal with the invaders and made his base.[ An amnesty was promised to deserters which enabled Theodosius to regarrison abandoned forts. By the end of the year Hadrian's Wall was retaken and order returned. Considerable reorganization was undertaken in Britain, including the creation of a new province named Valentia, probably to better address the state of the far north. A new Dux Britanniarum was appointed, Dulcitius, with Civilis to head a new civilian administration.
Another imperial usurper, Magnus Maximus, raised the standard of revolt at Segontium (Caernarfon) in north Wales in 383, and crossed the English Channel. Maximus held much of the western empire, and fought a successful campaign against the Picts and Scots around 384. His continental exploits required troops from Britain, and it appears that forts at Chester and elsewhere were abandoned in this period, triggering raids and settlement in north Wales by the Irish. His rule was ended in 388, but not all the British troops may have returned: the Empire's military resources were stretched to the limit along the Rhine and Danube. Around 396 there were more barbarian incursions into Britain. Stilicho led a punitive expedition. It seems peace was restored by 399, and it is likely that no further garrisoning was ordered; by 401 more troops were withdrawn, to assist in the war against Alaric I.
End of Roman rule
The traditional view of historians, informed by the work of Michael Rostovtzeff, was of a widespread economic decline at the beginning of the 5th century. Consistent archaeological evidence has told another story, and the accepted view is undergoing re-evaluation. Some features are agreed: more opulent but fewer urban houses, an end to new public building and some abandonment of existing ones, with the exception of defensive structures, and the widespread formation of "dark earth" deposits indicating increased horticulture within urban precincts. Turning over the basilica at Silchester to industrial uses in the late 3rd century, doubtless officially condoned, marks an early stage in the de-urbanisation of Roman Britain.
The abandonment of some sites is now believed to be later than had been thought. Many buildings changed use but were not destroyed. There was a growing number of barbarian attacks, but these targeted vulnerable rural settlements rather than towns. Some villas such as Chedworth, Great Casterton in Rutland and Hucclecote in Gloucestershire had new mosaic floors laid around this time, suggesting that economic problems may have been limited and patchy. Many suffered some decay before being abandoned in the 5th century; the story of Saint Patrick indicates that villas were still occupied until at least 430. Exceptionally, new buildings were still going up in this period in Verulamium and Cirencester. Some urban centres, for example Canterbury, Cirencester, Wroxeter, Winchester and Gloucester, remained active during the 5th and 6th centuries, surrounded by large farming estates.
Urban life had generally grown less intense by the fourth quarter of the 4th century, and coins minted between 378 and 388 are very rare, indicating a likely combination of economic decline, diminishing numbers of troops, problems with the payment of soldiers and officials or with unstable conditions during the usurpation of Magnus Maximus 383–87. Coinage circulation increased during the 390s, but never attained the levels of earlier decades. Copper coins are very rare after 402, though minted silver and gold coins from hoards indicate they were still present in the province even if they were not being spent. By 407 there were very few new Roman coins going into circulation, and by 430 it is likely that coinage as a medium of exchange had been abandoned. Mass-produced wheel thrown pottery ended at approximately the same time; the rich continued to use metal and glass vessels, while the poor made do with humble "grey ware" or resorted to leather or wooden containers.
Sub-Roman Britain
Towards the end of the 4th century Roman rule in Britain came under increasing pressure from barbarian attacks. Apparently, there were not enough troops to mount an effective defence. After elevating two disappointing usurpers, the army chose a soldier, Constantine III, to become emperor in 407. He crossed to Gaul but was defeated by Honorius; it is unclear how many troops remained or ever returned, or whether a commander-in-chief in Britain was ever reappointed. A Saxon incursion in 408 was apparently repelled by the Britons, and in 409 Zosimus records that the natives expelled the Roman civilian administration. Zosimus may be referring to the Bacaudic rebellion of the Breton inhabitants of Armorica since he describes how, in the aftermath of the revolt, all of Armorica and the rest of Gaul followed the example of the Brettaniai. A letter from Emperor Honorius in 410 has traditionally been seen as rejecting a British appeal for help, but it may have been addressed to Bruttium or Bologna. With the imperial layers of the military and civil government gone, administration and justice fell to municipal authorities, and local warlords gradually emerged all over Britain, still utilizing Romano-British ideals and conventions. Historian Stuart Laycock has investigated this process and emphasised elements of continuity from the British tribes in the pre-Roman and Roman periods, through to the native post-Roman kingdoms.
In British tradition, pagan Saxons were invited by Vortigern to assist in fighting the Picts, Scoti, and Déisi. (Germanic migration into Roman Britannia may have begun much earlier. There is recorded evidence, for example, of Germanic auxiliaries supporting the legions in Britain in the 1st and 2nd centuries.) The new arrivals rebelled, plunging the country into a series of wars that eventually led to the Saxon occupation of Lowland Britain by 600. Around this time, many Britons fled to Brittany (hence its name), Galicia and probably Ireland. A significant date in sub-Roman Britain is the Groans of the Britons, an unanswered appeal to Aetius, leading general of the western Empire, for assistance against Saxon invasion in 446. Another is the Battle of Deorham in 577, after which the significant cities of Bath, Cirencester and Gloucester fell and the Saxons reached the western sea.
Historians generally reject the historicity of King Arthur, who is supposed to have resisted the Anglo-Saxon conquest according to later medieval legends.
Trade
During the Roman period Britain's continental trade was principally directed across the Southern North Sea and Eastern Channel, focusing on the narrow Strait of Dover, with more limited links via the Atlantic seaways. The most important British ports were London and Richborough, whilst the continental ports most heavily engaged in trade with Britain were Boulogne and the sites of Domburg and Colijnsplaat at the mouth of the river Scheldt. During the Late Roman period it is likely that the shore forts played some role in continental trade alongside their defensive functions.
Exports to Britain included: coin; pottery, particularly red-gloss terra sigillata (samian ware) from southern, central and eastern Gaul, as well as various other wares from Gaul and the Rhine provinces; olive oil from southern Spain in amphorae; wine from Gaul in amphorae and barrels; salted fish products from the western Mediterranean and Brittany in barrels and amphorae; preserved olives from southern Spain in amphorae; lava quern-stones from Mayen on the middle Rhine; glass; and some agricultural products. Britain's exports are harder to detect archaeologically, but will have included metals, such as silver and gold and some lead, iron and copper. Other exports probably included agricultural products, oysters and salt, whilst large quantities of coin would have been re-exported back to the continent as well.
These products moved as a result of private trade and also through payments and contracts established by the Roman state to support its military forces and officials on the island, as well as through state taxation and extraction of resources. Up until the mid-3rd century, the Roman state's payments appear to have been unbalanced, with far more products sent to Britain, to support its large military force (which had reached c. 53,000 by the mid-2nd century), than were extracted from the island.
It has been argued that Roman Britain's continental trade peaked in the late 1st century AD and thereafter declined as a result of an increasing reliance on local products by the population of Britain, caused by economic development on the island and by the Roman state's desire to save money by shifting away from expensive long-distance imports. Evidence has been outlined that suggests that the principal decline in Roman Britain's continental trade may have occurred in the late 2nd century AD, from c. 165 AD onwards. This has been linked to the economic impact of contemporary Empire-wide crises: the Antonine Plague and the Marcomannic Wars.
From the mid-3rd century onwards, Britain no longer received such a wide range and extensive quantity of foreign imports as it did during the earlier part of the Roman period; vast quantities of coin from continental mints reached the island, whilst there is historical evidence for the export of large amounts of British grain to the continent during the mid-4th century. During the latter part of the Roman period British agricultural products, paid for by both the Roman state and by private consumers, clearly played an important role in supporting the military garrisons and urban centres of the northwestern continental Empire. This came about as a result of the rapid decline in the size of the British garrison from the mid-3rd century onwards (thus freeing up more goods for export), and because of 'Germanic' incursions across the Rhine, which appear to have reduced rural settlement and agricultural output in northern Gaul.
Economy
Mineral extraction sites such as the Dolaucothi gold mine were probably first worked by the Roman army from c. 75, and at some later stage passed to civilian operators. The mine developed as a series of opencast workings, mainly by the use of hydraulic mining methods. They are described by Pliny the Elder in his Natural History in great detail. Essentially, water supplied by aqueducts was used to prospect for ore veins by stripping away soil to reveal the bedrock. If veins were present, they were attacked using fire-setting and the ore removed for comminution. The dust was washed in a small stream of water and the heavy gold dust and gold nuggets collected in riffles. The diagram at right shows how Dolaucothi developed from c. 75 through to the 1st century. When opencast work was no longer feasible, tunnels were driven to follow the veins. The evidence from the site shows advanced technology probably under the control of army engineers.
The Wealden ironworking zone, the lead and silver mines of the Mendip Hills and the tin mines of Cornwall seem to have been private enterprises leased from the government for a fee. Mining had long been practised in Britain (see Grimes Graves), but the Romans introduced new technical knowledge and large-scale industrial production to revolutionise the industry. It included hydraulic mining to prospect for ore by removing overburden as well as work alluvial deposits. The water needed for such large-scale operations was supplied by one or more aqueducts, those surviving at Dolaucothi being especially impressive. Many prospecting areas were in dangerous, upland country, and, although mineral exploitation was presumably one of the main reasons for the Roman invasion, it had to wait until these areas were subdued.
By the 3rd and 4th centuries, small towns could often be found near villas. In these towns, villa owners and small-scale farmers could obtain specialist tools. Lowland Britain in the 4th century was agriculturally prosperous enough to export grain to the continent. This prosperity lay behind the blossoming of villa building and decoration that occurred between AD 300 and 350.
Britain's cities also consumed Roman-style pottery and other goods, and were centres through which goods could be distributed elsewhere. At Wroxeter in Shropshire, stock smashed into a gutter during a 2nd-century fire reveals that Gaulish samian ware was being sold alongside mixing bowls from the Mancetter-Hartshill industry of the West Midlands. Roman designs were most popular, but rural craftsmen still produced items derived from the Iron Age La Tène artistic traditions. Britain was home to much gold, which attracted Roman invaders. By the 3rd century, Britain's economy was diverse and well established, with commerce extending into the non-Romanised north.
Government
Further information: Governors of Roman Britain, Roman client kingdoms in Britain, and Roman auxiliaries in Britain
Under the Roman Empire, administration of peaceful provinces was ultimately the remit of the Senate, but those, like Britain, that required permanent garrisons, were placed under the Emperor's control. In practice imperial provinces were run by resident governors who were members of the Senate and had held the consulship. These men were carefully selected, often having strong records of military success and administrative ability. In Britain, a governor's role was primarily military, but numerous other tasks were also his responsibility, such as maintaining diplomatic relations with local client kings, building roads, ensuring the public courier system functioned, supervising the civitates and acting as a judge in important legal cases. When not campaigning, he would travel the province hearing complaints and recruiting new troops.
To assist him in legal matters he had an adviser, the legatus juridicus, and those in Britain appear to have been distinguished lawyers perhaps because of the challenge of incorporating tribes into the imperial system and devising a workable method of taxing them. Financial administration was dealt with by a procurator with junior posts for each tax-raising power. Each legion in Britain had a commander who answered to the governor and, in time of war, probably directly ruled troublesome districts. Each of these commands carried a tour of duty of two to three years in different provinces. Below these posts was a network of administrative managers covering intelligence gathering, sending reports to Rome, organising military supplies and dealing with prisoners. A staff of seconded soldiers provided clerical services.
Colchester was probably the earliest capital of Roman Britain, but it was soon eclipsed by London with its strong mercantile connections. The different forms of municipal organisation in Britannia were known as civitas (which were subdivided, amongst other forms, into colonies such as York, Colchester, Gloucester and Lincoln and municipalities such as Verulamium), and were each governed by a senate of local landowners, whether Brythonic or Roman, who elected magistrates concerning judicial and civic affairs. The various civitates sent representatives to a yearly provincial council in order to profess loyalty to the Roman state, to send direct petitions to the Emperor in times of extraordinary need, and to worship the imperial cult.
Demographics
Roman Britain had an estimated population between 2.8 million and 3 million people at the end of the second century. At the end of the fourth century, it had an estimated population of 3.6 million people, of whom 125,000 consisted of the Roman army and their families and dependents.[80] The urban population of Roman Britain was about 240,000 people at the end of the fourth century. The capital city of Londinium is estimated to have had a population of about 60,000 people. Londinium was an ethnically diverse city with inhabitants from the Roman Empire, including natives of Britannia, continental Europe, the Middle East, and North Africa. There was also cultural diversity in other Roman-British towns, which were sustained by considerable migration, from Britannia and other Roman territories, including continental Europe, Roman Syria, the Eastern Mediterranean and North Africa. In a study conducted in 2012, around 45 percent of sites investigated dating from the Roman period had at least one individual of North African origin.
Town and country
During their occupation of Britain the Romans founded a number of important settlements, many of which survive. The towns suffered attrition in the later 4th century, when public building ceased and some were abandoned to private uses. Place names survived the deurbanised Sub-Roman and early Anglo-Saxon periods, and historiography has been at pains to signal the expected survivals, but archaeology shows that a bare handful of Roman towns were continuously occupied. According to S.T. Loseby, the very idea of a town as a centre of power and administration was reintroduced to England by the Roman Christianising mission to Canterbury, and its urban revival was delayed to the 10th century.
Roman towns can be broadly grouped in two categories. Civitates, "public towns" were formally laid out on a grid plan, and their role in imperial administration occasioned the construction of public buildings. The much more numerous category of vici, "small towns" grew on informal plans, often round a camp or at a ford or crossroads; some were not small, others were scarcely urban, some not even defended by a wall, the characteristic feature of a place of any importance.
Cities and towns which have Roman origins, or were extensively developed by them are listed with their Latin names in brackets; civitates are marked C
Alcester (Alauna)
Alchester
Aldborough, North Yorkshire (Isurium Brigantum) C
Bath (Aquae Sulis) C
Brough (Petuaria) C
Buxton (Aquae Arnemetiae)
Caerleon (Isca Augusta) C
Caernarfon (Segontium) C
Caerwent (Venta Silurum) C
Caister-on-Sea C
Canterbury (Durovernum Cantiacorum) C
Carlisle (Luguvalium) C
Carmarthen (Moridunum) C
Chelmsford (Caesaromagus)
Chester (Deva Victrix) C
Chester-le-Street (Concangis)
Chichester (Noviomagus Reginorum) C
Cirencester (Corinium) C
Colchester (Camulodunum) C
Corbridge (Coria) C
Dorchester (Durnovaria) C
Dover (Portus Dubris)
Exeter (Isca Dumnoniorum) C
Gloucester (Glevum) C
Great Chesterford (the name of this vicus is unknown)
Ilchester (Lindinis) C
Leicester (Ratae Corieltauvorum) C
Lincoln (Lindum Colonia) C
London (Londinium) C
Manchester (Mamucium) C
Newcastle upon Tyne (Pons Aelius)
Northwich (Condate)
St Albans (Verulamium) C
Silchester (Calleva Atrebatum) C
Towcester (Lactodurum)
Whitchurch (Mediolanum) C
Winchester (Venta Belgarum) C
Wroxeter (Viroconium Cornoviorum) C
York (Eboracum) C
Religion
The druids, the Celtic priestly caste who were believed to originate in Britain, were outlawed by Claudius, and in 61 they vainly defended their sacred groves from destruction by the Romans on the island of Mona (Anglesey). Under Roman rule the Britons continued to worship native Celtic deities, such as Ancasta, but often conflated with their Roman equivalents, like Mars Rigonemetos at Nettleham.
The degree to which earlier native beliefs survived is difficult to gauge precisely. Certain European ritual traits such as the significance of the number 3, the importance of the head and of water sources such as springs remain in the archaeological record, but the differences in the votive offerings made at the baths at Bath, Somerset, before and after the Roman conquest suggest that continuity was only partial. Worship of the Roman emperor is widely recorded, especially at military sites. The founding of a Roman temple to Claudius at Camulodunum was one of the impositions that led to the revolt of Boudica. By the 3rd century, Pagans Hill Roman Temple in Somerset was able to exist peaceably and it did so into the 5th century.
Pagan religious practices were supported by priests, represented in Britain by votive deposits of priestly regalia such as chain crowns from West Stow and Willingham Fen.
Eastern cults such as Mithraism also grew in popularity towards the end of the occupation. The London Mithraeum is one example of the popularity of mystery religions among the soldiery. Temples to Mithras also exist in military contexts at Vindobala on Hadrian's Wall (the Rudchester Mithraeum) and at Segontium in Roman Wales (the Caernarfon Mithraeum).
Christianity
It is not clear when or how Christianity came to Britain. A 2nd-century "word square" has been discovered in Mamucium, the Roman settlement of Manchester. It consists of an anagram of PATER NOSTER carved on a piece of amphora. There has been discussion by academics whether the "word square" is a Christian artefact, but if it is, it is one of the earliest examples of early Christianity in Britain. The earliest confirmed written evidence for Christianity in Britain is a statement by Tertullian, c. 200 AD, in which he described "all the limits of the Spains, and the diverse nations of the Gauls, and the haunts of the Britons, inaccessible to the Romans, but subjugated to Christ". Archaeological evidence for Christian communities begins to appear in the 3rd and 4th centuries. Small timber churches are suggested at Lincoln and Silchester and baptismal fonts have been found at Icklingham and the Saxon Shore Fort at Richborough. The Icklingham font is made of lead, and visible in the British Museum. A Roman Christian graveyard exists at the same site in Icklingham. A possible Roman 4th-century church and associated burial ground was also discovered at Butt Road on the south-west outskirts of Colchester during the construction of the new police station there, overlying an earlier pagan cemetery. The Water Newton Treasure is a hoard of Christian silver church plate from the early 4th century and the Roman villas at Lullingstone and Hinton St Mary contained Christian wall paintings and mosaics respectively. A large 4th-century cemetery at Poundbury with its east–west oriented burials and lack of grave goods has been interpreted as an early Christian burial ground, although such burial rites were also becoming increasingly common in pagan contexts during the period.
The Church in Britain seems to have developed the customary diocesan system, as evidenced from the records of the Council of Arles in Gaul in 314: represented at the council were bishops from thirty-five sees from Europe and North Africa, including three bishops from Britain, Eborius of York, Restitutus of London, and Adelphius, possibly a bishop of Lincoln. No other early sees are documented, and the material remains of early church structures are far to seek. The existence of a church in the forum courtyard of Lincoln and the martyrium of Saint Alban on the outskirts of Roman Verulamium are exceptional. Alban, the first British Christian martyr and by far the most prominent, is believed to have died in the early 4th century (some date him in the middle 3rd century), followed by Saints Julius and Aaron of Isca Augusta. Christianity was legalised in the Roman Empire by Constantine I in 313. Theodosius I made Christianity the state religion of the empire in 391, and by the 5th century it was well established. One belief labelled a heresy by the church authorities — Pelagianism — was originated by a British monk teaching in Rome: Pelagius lived c. 354 to c. 420/440.
A letter found on a lead tablet in Bath, Somerset, datable to c. 363, had been widely publicised as documentary evidence regarding the state of Christianity in Britain during Roman times. According to its first translator, it was written in Wroxeter by a Christian man called Vinisius to a Christian woman called Nigra, and was claimed as the first epigraphic record of Christianity in Britain. This translation of the letter was apparently based on grave paleographical errors, and the text has nothing to do with Christianity, and in fact relates to pagan rituals.
Environmental changes
The Romans introduced a number of species to Britain, including possibly the now-rare Roman nettle (Urtica pilulifera), said to have been used by soldiers to warm their arms and legs, and the edible snail Helix pomatia. There is also some evidence they may have introduced rabbits, but of the smaller southern mediterranean type. The European rabbit (Oryctolagus cuniculus) prevalent in modern Britain is assumed to have been introduced from the continent after the Norman invasion of 1066. Box (Buxus sempervirens) is rarely recorded before the Roman period, but becomes a common find in towns and villas
Legacy
During their occupation of Britain the Romans built an extensive network of roads which continued to be used in later centuries and many are still followed today. The Romans also built water supply, sanitation and wastewater systems. Many of Britain's major cities, such as London (Londinium), Manchester (Mamucium) and York (Eboracum), were founded by the Romans, but the original Roman settlements were abandoned not long after the Romans left.
Unlike many other areas of the Western Roman Empire, the current majority language is not a Romance language, or a language descended from the pre-Roman inhabitants. The British language at the time of the invasion was Common Brittonic, and remained so after the Romans withdrew. It later split into regional languages, notably Cumbric, Cornish, Breton and Welsh. Examination of these languages suggests some 800 Latin words were incorporated into Common Brittonic (see Brittonic languages). The current majority language, English, is based on the languages of the Germanic tribes who migrated to the island from continental Europe
Hagerstown, Indiana (September 10, 2012) The new Model T Ford Museum is slated to hold its grand opening during Richmond’s Octoberfest on September 28 at 6 p.m. The museum which was previously located in Centerville, Indiana near the Warm Glow Candle Factory for 5 years moved just a few miles east to Richmond, Indiana’s Historical Depot District this past spring.
Since the move to Richmond volunteers have been steadily preparing the museum’s new home, displays and vehicles for the event.
Today, a photo shoot for the Model T Museum’s newly acquired 1930 Pietenpol Sky Scout was held at the Hagerstown Airport.
The plan arrived at the airport around 10:00 a.m. this morning and was assembled by Model T enthusiasts and many of them brought their own Model Ts to use during the photo shoot.
One of the people there today was Mr. Jay Klehfoth who is the CEO and publisher of the Vintage Ford Magazine.
Jay is a walking encyclopedia when it comes to all things Model T. I was to learn he’s pretty knowledgeable in a lot of areas too. During our walk around of the plane Jay pointed out one of the parts for the engine had been made by a former factory in Richmond of all places. And there are many other special things about this airplane I’m sure he’ll be writing about in the next issue of the the Vintage Ford Magazine. He not only knew a lot about the Pietenpol Sky Scout plane that was being photographed for the magazine cover. He’s pretty sharp when it comes to airports too. He said that the Hagerstown airport were today’s photo shoot was done has the longest grass landing strip in the United States which to me made it the perfect place for today’s event.
This Pietenpol that will be on display at the museum is powered by a 20 HP Model T engine which was modified to include dual-ignition which is used in aviation. According to an article in the AntiqueAirfield.com website from September 10, 2012 there was only one original Pietenpol Sky Scout built by Bernard Pietenpol himself, and just two replicas. The article also said that all 3 were still flying.
The new Model T Ford Museum is going to be an exciting addition to what is one of Indiana’s grandest historical areas and a must in this part of the Midwest.
Richmond is a perfect place for any day trip. But, if you want to see all that Richmond has to offer you’ll need to plan on staying several days.
The Model T Ford Museum is located in Richmond’s Historic Depot District at 309 N 8th St, Richmond, IN 47374 - 765-488-0026.
Model T Ford Museum website: www.mtfca.com/clubpages/museum.htm
Additional Information:
The Model T Ford Club of America has nearly 8,000 families worldwide. Members are from all 50 states and 41 other countries.
The Vintage Ford Magazine is published bimonthly by the Model T Ford Club of America, 119 W. Main Street, Centerville, Indiana and is mailed to all members. Subscription rates are $35.00 per year (six issues) in the United States ($42.00 Canada and $44.00 elsewhere) and include member ship in the club.
All correspondence should be ad dressed to:
THE MODEL T FORD CLUB
OF AMERICA
P.O. Box 126
Centerville, IN 47330-0126
765-855-5248 fax 765-855-3428
e-mail: admin@mtfca.com
Raw Video: Prepping Pietenpol Sky Scout For Photo Shoot youtu.be/7_JnszAF8GA
Video: Pietenpol Sky Scout Photo Shoot youtu.be/h3m6ZWgNJMg
Video: Model T Ford Museum Grand Opening Set youtu.be/OwIiE5O1UQk
An extremely winding but well maintained road leads up the mountain. The summit area includes Haleakalā Crater, the summit of the volcano, and the area surrounding the summit. This part of the park is accessed by Hawaii state road 378. There is a visitor center, with parking and restrooms, near the summit. At the summit itself is another parking lot and a simple observatory without facilities.
The main feature of this part of the park is undoubtedly the famous Haleakalā Crater. It is huge: 6.99 miles (11.25 km) across, 2.0 mi (3.2 km) wide, and some 2,600 ft (790 m) deep. The interior of the crater is dotted by numerous volcanic features, including large cinder cones. Two main trails lead into the crater from the summit area: the Halemau'u and Sliding Sands trails. Hikers in the crater can stay in one of three cabins (which need to be reserved through the park first).
Each morning, visitors come to the summit of the volcano to watch the spectacular sunrise. More visitors come each afternoon to watch the equally amazing sunset. In either case conditions can be extremely cold. One attraction of the park is Hosmer's Grove, a unique forest of alien trees including deodar (Cedrus deodara) from the Himalayas, sugi (Cryptomeria japonica) from Japan, eucalyptus from Australia, and several species from North America (pine, spruce, cypress, fir, and others). Native plants and trees are also present in the forest but are not very common due to the little light available (because of the taller alien trees).
The park is known for its unique volcanic features, its long scenic drive with numerous overlooks, and the unusually clear views of the night sky available. Haleakalā is one of the best places in the United States for amateur astronomy, and binoculars and telescopes are available for rent from many local merchants. Nēnē (Hawaiian geese, Branta sandvicensis) can also be seen in their natural habitat in Haleakalā Crater. Although nēnē died out entirely in the park, in 1946 they were re-introduced with the help of the Boy Scouts, who carried young birds into the crater in their backpacks.
Shot with a Nikon D750 and the 24-85 3.5-4.5G
Lumbinī (Nepali and Sanskrit: लुम्बिनी, "the lovely") is a Buddhist pilgrimage site in the Rupandehi District of Nepal. It is the place where, according to Buddhist tradition, Queen Mayadevi gave birth to Siddhartha Gautama in 623 BCE. Gautama, who achieved Enlightenment some time around 588 BCE, became the Gautama Buddha and founded Buddhism. Lumbini is one of many magnets for pilgrimage that sprang up in places pivotal to the life of Gautama Buddha; other notable pilgrimage sites include Kushinagar, Bodh Gaya and Sarnath.
Lumbini has a number of temples, including the Mayadevi Temple and several others which are still under construction. Many monuments, monasteries and a museum — the Lumbini International Research Institute — are also located within the holy site. Also located there is the Puskarini or Holy Pond where the Buddha's mother took the ritual dip prior to his birth and where he, too, had his first bath. At other sites near Lumbini, earlier Buddhas were, according to tradition, born, achieved ultimate Enlightenment and finally relinquished their earthly forms.
Lumbini was granted World Heritage status by UNESCO in 1997.
IN BUDDHA´S TIME
In the Buddha's time, Lumbini was situated between Kapilavastu and Devadaha (both in Nepal). It was there, that the Buddha was born. A pillar now marks the spot of Ashoka's visit to Lumbiní. According to an inscription on the pillar, it was placed there by the people then in charge of the park to commemorate Ashoka's visit and gifts. The park was previously known as Rummindei, 3.2 km north of Bhagavanpura.
In the Sutta Nipáta (vs. 683) it is stated that the Buddha was born in a village of the Sákyans in the Lumbineyya Janapada. The Buddha stayed in Lumbinívana during his visit to Devadaha and there preached the Devadaha Sutta.
REDISCOVERY
In 1896, Nepalese archaeologists (led by Khadga Samsher Rana and assisted by Alois Anton Führer) discovered a great stone pillar at Lumbini. Führer postulated that the pillar was placed at the site by Ashoka (emperor of the Maurya Empire) circa 245 BCE. Records made by the Chinese pilgrim Faxian in the early fifth century CE were also used in the process of identifying this religiously acclaimed site.
Recent excavations beneath existing brick structures at the Mayadevi Temple at Lumbini have uncovered evidence for an older timber structure beneath the walls of the newer brick Buddhist shrine, which was constructed during the Ashokan era. The layout of the Ashokan shrine closely follows that of the earlier timber structure, which suggests a continuity of worship at the site. The pre-Mauryan timber structure appears to be an ancient bodhigara (tree shrine), consisting of postholes and a wooden railing surrounding a clay floor containing mineralized tree roots that appears to have been worn smooth by visitors. Radiocarbon dating of charcoal from the wooden postholes and optically stimulated luminescence dating of elements in the soil suggests human activity (possibly pre-Buddhist tree worship) began at the site around 1000 BCE, followed by the development of a Buddhist monastery-like community by approximately 550 BCE.
PRESENT-DAY
The present-day Lumbini historic site is 4.8 km in length and 1.6 km in width. The holy site of Lumbini is bordered by a large monastic zone in which only monasteries can be built, no shops, hotels or restaurants. It is separated into an eastern and western monastic zone, the eastern having the Theravadin monasteries, the western having Mahayana and Vajrayana monasteries.
The holy site of Lumbini has ruins of ancient monasteries, a sacred Bodhi tree, an ancient bathing pond, the Ashokan pillar and the Mayadevi Temple, where the supposed place of birth of Buddha is located. From early morning to early evening, pilgrims from various countries perform chanting and meditation at the site.
A non-governmental organization named Samriddhi Foundation started in 2013 working extensively in the field of education and health specially in government schools of the area where underprivileged children study. A non-governmental organisation called "Asia Pacific Exchange and Cooperation Foundation" (APECF) backed by chairman of the Unified Communist Party of Nepal (Maoist) and then Prime Minister Prachanda, the Chinese government and a UN group called "United Nations Industrial Development Organization" (UNIDO) signed a deal to develop Lumbini into a "special development zone" with funds worth $3 billion. The venture was a China-UN joint project. A broader 'Lumbini Development National Director Committee' under the leadership of Pushpa Kamal Dahal was formed on 17 October 2011. The six-member committee included Communist Party of Nepal (Unified Marxist-Leninist) leader Mangal Siddhi Manandhar, Nepali Congress leader Minendra Rijal, Forest Minister Mohammad Wakil Musalman, among other leaders. The committee was given the authority to "draft a master plan to develop Lumbini as a peaceful and tourism area and table the proposal" and the responsibility to gather international support for the same.
Nipponzan Myohoji decided to build a Peace Pagoda in the park in 2001, which is visited by many different cultures and religions every day.
Hindus regard the Buddha as an incarnation of Vishnu and thousands of Hindu pilgrims go there on the full moon of the Nepali month of Baisakh (April–May) to worship Queen Mayadevi as Rupa Devi, the mother goddess of Lumbini.
Lumbini was granted World Heritage status by UNESCO in 1997.
ON THE NEPALI RUPEE
Nepal's central bank has introduced a 100-rupee Nepali note featuring Lumbini, the birthplace of Buddha. The Nepal Rastra Bank said the new note would be accessible only during the Dashain, Nepal's major festival in October 2013. It displays the portrait of Mayadevi, Gautam Buddha's mother in silver metallic on the front. The note also has a black dot which would help the blind recognise the note. The name of the central bank in Latin script would be printed on the note along with the date of printing in both the Christian Era and the Bikram Era. The new note is being issued following a cabinet decision 27 August.
TRANSPORT
Lumbini is a 9-hour drive from Kathmandu and a 30-minute drive from Bhairahawa. The closest airport is Gautam Buddha Airport at Bhairahawa, with flights to and from Kathmandu.
WIKIPEDIA
View also includes Brooklyn, Williamsburg Bridge, Brooklyn Bridge, East River, Verrazano-Narrows Bridge, Metropolitan Life Insurance Tower (Met Life Tower), Staten Island, Statue of Liberty, Ellis Island, and Hudson River.
Taken from the Top of the Rock observation deck at the top of the GE Building. The views are awesome and much better than those from the Empire State Building.
PC120064
Scenes include the Pulaski Theater Marquee, the Historic County Courthouse clock tower and a Norfolk Southern Caboose. It is located on S. Washington Ave. (US11)
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