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Big brass camphor lamps with a dramatic snake hood are being cleaned at the ghats for the evening Ganga Aarti.....
Ganga Aarti is a spectacular evening ceremony that takes place everyday at the Dashashwamedh Ghat in Varanasi (India) at the bank of the holy river Ganga. This ceremony is attended by thousands of visitors everyday and considered as one of the most colourful event of India.
A group of young priests dressed up with silky robes conduct this ceremony. The Aarti (puja offerings) starts with the chanting of hymns and prayers in the praise of the Holy River. After that, the priests perform different offerings in choreographed manner from their respective platforms which include - blowing of conch shells, burning of incense sticks and waving them in an elaborate synchronized manner in all the directions with their right hand, while ringing the ceremonial prayer bell with the left hand, circular waving of large multi-tiered oil lamps and a big brass camphor lamp, with a dramatic snake hood in clockwise directions, to and fro in a synchronized manner, and waving of the Peacock’s feather and Yak-tail fan in similar choreographed manner. The priests end the ceremony by pouring a bowl of water into the river. Upon which, the devotees let go of thousands of small oil lamps with flowers on a leaf to float on the river that would look like numerous stars on the water.
The whole ceremony is a spectacle of sound and colour and takes around 45 minutes. The devotional chanting, the pulsating sound of ceremonial bells, gongs and drums, the circular waving of large lamps, the heavy air from the burning incense, the floating floral lamps, all create a magical, enchanted atmosphere that makes for a dramatic sensory experience well worth experiencing.
Images of India
Diwali (also spelled Devali in certain regions) or Deepavali, popularly known as the "festival of lights", is an important five-day festival in Hinduism, Jainism, and Sikhism, occurring between mid-October and mid-November. For Hindus, Diwali is the most important festival of the year and is celebrated in families by performing traditional activities together in their homes. Deepavali is an official holiday in India, Nepal, Sri Lanka, Myanmar, Mauritius, Guyana, Trinidad & Tobago, Suriname, Malaysia, Singapore, and Fiji.
The name Diwali is itself a contraction of the word "Deepavali" (Sanskrit: दीपावली Dīpāvalī), which translates into "row of lamps". Diwali involves the lighting of small clay lamps (diyas, or dīpa in Sanskrit: दीप) filled with oil to signify the triumph of good over evil. During Diwali, all the celebrants wear new clothes and share sweets and snacks with family members and friends. Most Indian business communities begin the financial year on the first day of Diwali.
Diwali commemorates the return of Lord Rama along with Sita and Lakshman from his fourteen-year-long exile and vanquishing the demon-king Ravana. In joyous celebration of the return of their king, the people of Ayodhya, the Capital of Rama, illuminated the kingdom with earthen diyas (oil lamps) and burst crackers.
In Jainism, Diwali marks the attainment of moksha or nirvana by Mahavira in 527 BC. In Sikhism, Deepavali commemorates the return of Guru Har Gobind Ji to Amritsar after freeing 52 Hindu kings imprisoned in Fort Gwalior by defeating Emperor Jahangir; the people lit candles and diyas to celebrate his return. This is the reason Sikhs also refer to Deepavali as Bandi Chhorh Divas, "the day of release of detainees". Deepavali is widely celebrated in both India and Nepal.
The first day of the festival Naraka Chaturdasi marks the vanquishing of the demon Naraka by Lord Krishna and his wife Satyabhama. Amavasya, the second day of Deepawali, marks the worship of Lakshmi, the goddess of wealth in her most benevolent mood, fulfilling the wishes of her devotees. Amavasya also tells the story of Lord Vishnu, who in his dwarf incarnation vanquished the tyrant Bali, and banished him to hell. Bali was allowed to return to earth once a year, to light millions of lamps to dispel the darkness and ignorance, and spread the radiance of love and wisdom. It is on the third day of Deepawali — Kartika Shudda Padyami - that Bali steps out of hell and rules the earth according to the boon given by Lord Vishnu. The fourth day is referred to as Yama Dvitiya (also called Bhai Dooj) and on this day sisters invite
In each legend, myth and story of Deepawali lies the significance of the victory of good over evil; and it is with each Deepawali and the lights that illuminate our homes and hearts, that this simple truth finds new reason and hope. From darkness unto light — the light that empowers us to commit ourselves to good deeds, that which brings us closer to divinity. During Diwali, lights illuminate every corner of India and the scent of incense sticks hangs in the air, mingled with the sounds of fire-crackers, joy, togetherness and hope. Diwali is celebrated around the globe. Outside India, it is more than a Hindu festival, it's a celebration of South-Asian identities.
While Deepavali is popularly known as the "festival of lights", the most significant spiritual meaning is "the awareness of the inner light". Central to Hindu philosophy is the assertion that there is something beyond the physical body and mind which is pure, infinite, and eternal, called the Atman. The celebration of Deepavali as the "victory of good over evil", refers to the light of higher knowledge dispelling all ignorance, the ignorance that masks one's true nature, not as the body, but as the unchanging, infinite, immanent and transcendent reality. With this awakening comes compassion and the awareness of the oneness of all things (higher knowledge). This brings Ananda (joy or peace). Just as we celebrate the birth of our physical being, Deepavali is the celebration of this Inner Light.
While the story behind Deepavali and the manner of celebration varies from region to region (festive fireworks, worship, lights, sharing of sweets), the essence is the same – to rejoice in the Inner Light (Atman) or the underlying Reality of all things (Brahman).
Source : en.wikipedia.org/wiki/Diwali
Diwali (also spelled Devali in certain regions) or Deepavali, popularly known as the "festival of lights", is an important five-day festival in Hinduism, Jainism, and Sikhism, occurring between mid-October and mid-November. For Hindus, Diwali is the most important festival of the year and is celebrated in families by performing traditional activities together in their homes. Deepavali is an official holiday in India, Nepal, Sri Lanka, Myanmar, Mauritius, Guyana, Trinidad & Tobago, Suriname, Malaysia, Singapore, and Fiji.
The name Diwali is itself a contraction of the word "Deepavali" (Sanskrit: दीपावली Dīpāvalī), which translates into "row of lamps". Diwali involves the lighting of small clay lamps (diyas, or dīpa in Sanskrit: दीप) filled with oil to signify the triumph of good over evil. During Diwali, all the celebrants wear new clothes and share sweets and snacks with family members and friends. Most Indian business communities begin the financial year on the first day of Diwali.
Diwali commemorates the return of Lord Rama along with Sita and Lakshman from his fourteen-year-long exile and vanquishing the demon-king Ravana. In joyous celebration of the return of their king, the people of Ayodhya, the Capital of Rama, illuminated the kingdom with earthen diyas (oil lamps) and burst crackers.
In Jainism, Diwali marks the attainment of moksha or nirvana by Mahavira in 527 BC. In Sikhism, Deepavali commemorates the return of Guru Har Gobind Ji to Amritsar after freeing 52 Hindu kings imprisoned in Fort Gwalior by defeating Emperor Jahangir; the people lit candles and diyas to celebrate his return. This is the reason Sikhs also refer to Deepavali as Bandi Chhorh Divas, "the day of release of detainees". Deepavali is widely celebrated in both India and Nepal.
The first day of the festival Naraka Chaturdasi marks the vanquishing of the demon Naraka by Lord Krishna and his wife Satyabhama. Amavasya, the second day of Deepawali, marks the worship of Lakshmi, the goddess of wealth in her most benevolent mood, fulfilling the wishes of her devotees. Amavasya also tells the story of Lord Vishnu, who in his dwarf incarnation vanquished the tyrant Bali, and banished him to hell. Bali was allowed to return to earth once a year, to light millions of lamps to dispel the darkness and ignorance, and spread the radiance of love and wisdom. It is on the third day of Deepawali — Kartika Shudda Padyami - that Bali steps out of hell and rules the earth according to the boon given by Lord Vishnu. The fourth day is referred to as Yama Dvitiya (also called Bhai Dooj) and on this day sisters invite
In each legend, myth and story of Deepawali lies the significance of the victory of good over evil; and it is with each Deepawali and the lights that illuminate our homes and hearts, that this simple truth finds new reason and hope. From darkness unto light — the light that empowers us to commit ourselves to good deeds, that which brings us closer to divinity. During Diwali, lights illuminate every corner of India and the scent of incense sticks hangs in the air, mingled with the sounds of fire-crackers, joy, togetherness and hope. Diwali is celebrated around the globe. Outside India, it is more than a Hindu festival, it's a celebration of South-Asian identities.
While Deepavali is popularly known as the "festival of lights", the most significant spiritual meaning is "the awareness of the inner light". Central to Hindu philosophy is the assertion that there is something beyond the physical body and mind which is pure, infinite, and eternal, called the Atman. The celebration of Deepavali as the "victory of good over evil", refers to the light of higher knowledge dispelling all ignorance, the ignorance that masks one's true nature, not as the body, but as the unchanging, infinite, immanent and transcendent reality. With this awakening comes compassion and the awareness of the oneness of all things (higher knowledge). This brings Ananda (joy or peace). Just as we celebrate the birth of our physical being, Deepavali is the celebration of this Inner Light.
While the story behind Deepavali and the manner of celebration varies from region to region (festive fireworks, worship, lights, sharing of sweets), the essence is the same – to rejoice in the Inner Light (Atman) or the underlying Reality of all things (Brahman).
Source : en.wikipedia.org/wiki/Diwali
Incense sticks, a closed room and a flash snoot was what it took. A rebreather is what i wanted by the end of it, it didn't take long to fill with smoke.
Ganga Aarti
Gange aarti is performed daily in the evening by a group of priests at the Dashashwamedh ghat. Through the aarti, Agni Pooja is performed in which a commitment is made to the Lord Shiva, Mata Gange, Surya, Agni (Fire) as well as the whole universe made by the Lord Shiva.
It is performed by the brass lamps which accompanied with the mantra chant in the presence of the huge crowd.
All the priests wear same cloth, the dhoti and kurta which is tightly bind with a long towel. First they make preparation of the Gange aarti by making collection of the five elevated planks, a multi tiered oil lamp, an idol of the Goddess Ganga, flowers, incense sticks, a conch shell, a big and heavy brass lamp having a snake hood at the edge of the River Gange. A group of boats filled with devotees come around the place of aarti at the bank of River.
Varanasi.org.in
Have always wanted to try out smoke photography, so thought I should give it a go.
I used incense sticks for the smoke as they give a decent amount of smoke.
Playing with incense sticks and a flashgun gives some odd results. This one maybe looks like the ghost of ET?
Diwali (also spelled Devali in certain regions) or Deepavali, popularly known as the "festival of lights", is an important five-day festival in Hinduism, Jainism, and Sikhism, occurring between mid-October and mid-November. For Hindus, Diwali is the most important festival of the year and is celebrated in families by performing traditional activities together in their homes. Deepavali is an official holiday in India, Nepal, Sri Lanka, Myanmar, Mauritius, Guyana, Trinidad & Tobago, Suriname, Malaysia, Singapore, and Fiji.
The name Diwali is itself a contraction of the word "Deepavali" (Sanskrit: दीपावली Dīpāvalī), which translates into "row of lamps". Diwali involves the lighting of small clay lamps (diyas, or dīpa in Sanskrit: दीप) filled with oil to signify the triumph of good over evil. During Diwali, all the celebrants wear new clothes and share sweets and snacks with family members and friends. Most Indian business communities begin the financial year on the first day of Diwali.
Diwali commemorates the return of Lord Rama along with Sita and Lakshman from his fourteen-year-long exile and vanquishing the demon-king Ravana. In joyous celebration of the return of their king, the people of Ayodhya, the Capital of Rama, illuminated the kingdom with earthen diyas (oil lamps) and burst crackers.
In Jainism, Diwali marks the attainment of moksha or nirvana by Mahavira in 527 BC. In Sikhism, Deepavali commemorates the return of Guru Har Gobind Ji to Amritsar after freeing 52 Hindu kings imprisoned in Fort Gwalior by defeating Emperor Jahangir; the people lit candles and diyas to celebrate his return. This is the reason Sikhs also refer to Deepavali as Bandi Chhorh Divas, "the day of release of detainees". Deepavali is widely celebrated in both India and Nepal.
The first day of the festival Naraka Chaturdasi marks the vanquishing of the demon Naraka by Lord Krishna and his wife Satyabhama. Amavasya, the second day of Deepawali, marks the worship of Lakshmi, the goddess of wealth in her most benevolent mood, fulfilling the wishes of her devotees. Amavasya also tells the story of Lord Vishnu, who in his dwarf incarnation vanquished the tyrant Bali, and banished him to hell. Bali was allowed to return to earth once a year, to light millions of lamps to dispel the darkness and ignorance, and spread the radiance of love and wisdom. It is on the third day of Deepawali — Kartika Shudda Padyami - that Bali steps out of hell and rules the earth according to the boon given by Lord Vishnu. The fourth day is referred to as Yama Dvitiya (also called Bhai Dooj) and on this day sisters invite
In each legend, myth and story of Deepawali lies the significance of the victory of good over evil; and it is with each Deepawali and the lights that illuminate our homes and hearts, that this simple truth finds new reason and hope. From darkness unto light — the light that empowers us to commit ourselves to good deeds, that which brings us closer to divinity. During Diwali, lights illuminate every corner of India and the scent of incense sticks hangs in the air, mingled with the sounds of fire-crackers, joy, togetherness and hope. Diwali is celebrated around the globe. Outside India, it is more than a Hindu festival, it's a celebration of South-Asian identities.
While Deepavali is popularly known as the "festival of lights", the most significant spiritual meaning is "the awareness of the inner light". Central to Hindu philosophy is the assertion that there is something beyond the physical body and mind which is pure, infinite, and eternal, called the Atman. The celebration of Deepavali as the "victory of good over evil", refers to the light of higher knowledge dispelling all ignorance, the ignorance that masks one's true nature, not as the body, but as the unchanging, infinite, immanent and transcendent reality. With this awakening comes compassion and the awareness of the oneness of all things (higher knowledge). This brings Ananda (joy or peace). Just as we celebrate the birth of our physical being, Deepavali is the celebration of this Inner Light.
While the story behind Deepavali and the manner of celebration varies from region to region (festive fireworks, worship, lights, sharing of sweets), the essence is the same – to rejoice in the Inner Light (Atman) or the underlying Reality of all things (Brahman).
Source : en.wikipedia.org/wiki/Diwali
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There are a few house Ganpatis I shoot every year when I shoot the Ganpati pandals one of them is the Garuds the Pamaks and Farzans house ganpati.
I shoot this simply to show you the hospitality of the house that brings in Lord Ganeshs their faith their love and the sadness when the Lord leaves their house to go back to his own house in the sea.
So I blog and through my blogs take you time and again into a journey of life in a city called Amchi Mumbai.. a city that can make you or break you within seconds.
A city of hopes dreams and disillusionment.
I have blogged Bandra my immediate surroundings the lives the people the cats dogs goats .. the faceless fervor in the nooks crannies I have blogged filth garbage apathy and sometimes the eunuch soul of the people who stay here.
Nothing changes not the filth the garbage openly displayed for all and sundry.
And because a good photographer shoots good things of life as a photo blogger I shoot the underbelly of pain the beggars and misery and more pain.
I shoot crap I shoot shit I am known in colloquial undertones as the Rastachap Photographer of Bandra.
Roadside photographer as compared to street photographer.
With dark clouds looming in the horizon of my own life my blogging too is coming to the end of its shelf life.
And this is a fact, i now realize as my wife says you shoot the same things over and over again dont you get sick and tired.
Actually I shoot because I have a camera that is attuned to a poets soul, I shoot life as it shoots me.
I shoot simple ordinary mundane things things you dont shoot with a Mach 5.
But come what may I could never shoot cinematographic life with a mobile phone.
It just would not fit in on my mobile phone the first phone I have not changed since 4 years.
So I taught Marziya the importance of shooting pictures on my own Nikon D 80 , and as she has been away for over 3 weeks my life has lost its color and mirth.
Marziya will be 3 years old in Nov, and when I give Marziya my camera she will not take it without first pacing the long strap around her neck.
She knows how to hold the camera firmly in her hands as though she is holding the breath of her life , she learnt to feel the camera its contours the buttons as I would blindfold her and than ask her to shoot.. So she ended up teaching me photography.
About Satyanarayan puja from Wikipedia.
The Satyanarayan Puja is a Hindu religious observance. It is a ritual performed by Hindus before/on any major occasion like marriage, house warming ceremony etc. It can also be performed on any day for any reason.It is believed the ceremony originated in Bengal as Satya Pir ritual performed by all communities (Hindu, Muslim and buddhists) and later in 1800s morphed into Satyanarayan puja.[1],[2],[3]
The Satyanarayana Puja is usually done on the Purnima day of every month (the day of the full moon) or a Sankranti. It is also done on special occasions and during times of achievements as an offering of gratitude to the Lord. These occasions include marriage, graduation, new job, and the purchase of a new home to name a few. In addition, it is said that a devotional performance of this puja will bear children to couples trying to start a family.
The puja starts by a prayer to Lord Ganesha, to remove all obstacles that may occur as a result of incorrectly performing the puja. This is done by chanting all the names of Lord Ganesha and offering prasad (a food offering, usually consisting of one of Lord Ganesha's favorite foods - modak, a sugar and coconut mixture, or ladu) and the showering of flower petals.
Another part of the prayer involves a prayer to the Navagraha's - the nine important celestial beings in the universe. They consist of Surya (the Sun), Chandra (the moon), Angaaraka/Chevaai (Mars), Budha (Mercury), Guru aka Bruhaspati (Jupiter), Shukra (Venus), Sani (Saturn), Rahu (the head of the Demon snake), and Ketu (the tail of the Demon snake).
The rest of the puja consists of worship to Satyanarayana, an extremely benevolent form of Lord Vishnu. First "panchamritam" is used to clean the place where the deity is placed. After placing the deity in the correct position, Satyanaraya swami is worshipped. Names of Satyanarayana are chanted along with offering of a variety of prasad (including a mixture of milk, honey, ghee/butter, yogurt, sugar) and flower petals.
Another requirement of the puja is that the story of the puja be heard among all those observing and partaking in the pooja. The story involves the origin of the puja, the benefits of it, and the potential mishaps that may occur with the careless performance of the puja.
The prayer concludes with an Aarti, which consists of revolving a small fire-lit-lamp in the vicinity of an image of the Lord. After the puja is over, participants and observers of the pooja are required to ingest in the prasad that was offered and blessed by the Lord.
It is told that Satyanarayan Katha is in REVA volume of Skanda Purana. But this volume is devoted to pilgrimages on the valley of river REVA. In Satyanarayana there is no Reva river. In original Skanda Purana there is nothing like Satyanarayana. Recent Skanda Puranas added it with clear note of its new addition in Skanda.
The Satyanarayan Puja is performed in reverence to the Narayan form of Lord Vishnu. The Lord in this form is considered an embodiment of truth. This puja is conducted to ensure abundance in ones life. Many people carry out this puja immediately after or along with an auspicious occasion like a marriage or moving into a new house or any other success in life. It is believed the ceremony originated in Bengal as Satya Pir and was later adapted into Satyanarayan puja.
The Satyanarayan puja can be performed on any day. It is not a puja confined to any festivities. But Poornima (full moon day) or Sankranti are considered to be most auspicious day for this puja.
Performing this puja in the evening is considered more appropriate. However one can do it in the morning as well. On the day of the puja, the devotee has to fast. After bathing the person can begin the puja.
* 'Sinni': A special type of food offering, which is prepared by mixing unboiled milk, flour, sugar, smashed bananas, and other flavours like cinnamon etc., or optional garnishing like groundnuts, cashews, cherries, crushed coconuts/fruits etc.
* Kumkum powder, turmeric powder, rangoli
* Incense sticks, camphor.
* Thirty betel leaves, thirty betel nuts, two coconuts.
* Five almonds,
* Flowers to offer
* One thousand tulsi leaves; banana tree as a canopy[2]
* One square shaped wooden platform
* Two copper jars, two plates.
* One shawl
* A mixture of milk, curd, honey, sugar, ghee to make the panchamrita, Sandal paste.
* Akshat (rice grains) with kumkum powder.
* Attar, Indian perfume.
* Two flower garlands, conch shell, bell, a cloth, a ghee lamp and an oil lamp.
Gow muthra(Cow Urine)
A lot of folks who've seen these shots have asked how they were done so I'll attempt to explain...
There's probably a few variations on the theme but firstly here's what I used to do it
1. Canon 100mm macro lens (probably don't need a 'macro' lens as I found the best results were obtained from about 60 cm's ish)
2. What really makes a difference is an off camera flash. I was lucky enough to get a 580EX as a present with an off camera flash cord. This is important because with standard front facing flashes you run the risk of lighting up the background. This makes it harder to isolate the smoke form the background later in photoshop if it hasn't stayed completely black - you with me? If you have remote release for the flash gun even better - no cables!
3. A dark background. I initally used a black jumper but anything black is good. Preferably of a good size too so you have a bit of freedom of movement with the camera whilst still keeping the background in the frame.
4. Incense sticks and holder. Simple!
5. Tripod for the camera.
Basically set your background up and put your incense sticks about 1or more metres in front so the background will be blurred.
Set the camera up about 60cm away from the incense sticks. Pre focus the camera and use an aperture of f8 - f14 so you get a decent DOF. Experiment here.
Check the viewfinder for position making sure it's filled with black backdrop.
Set the flash ready. Vary the angles of flash if you can - I found a 45 degree angle to the smoke pointing 45 degrees up is ok. With the 580EX on 1/4 power about 6 inch distance is good for even light. Just experiment with this. If like me you just have a flash on the stand and no tripod an assistant can be handy to hold the flash.
Light the incense sticks, wait for pretty patterns and shoot away!
The best way I found of getting plenty of swirls is using two incense sticks burning simultaneously. Have the burning tips near each other and one will induce turbulence in the other stream. Otherwise with one stick burning you wait an age for anything interesting.
Download photos and tinker till your little heart's content in photoshop or whatever you use!
Incense sticks, a closed room and a flash snoot was what it took. A rebreather is what i wanted by the end of it, it didn't take long to fill with smoke.
The first Buddhist monks did not build monasteries. Instead, they were homeless mendicants who begged for all their food. Their only possessions were their robe and begging bowl.
Today, in many predominately Theravada countries like Thailand, monks still rely on receiving alms for most of their food. The monks leave the monasteries early in the morning. They walk single file, oldest first, carrying their alms bowls in front of them. Laypeople wait for them, sometimes kneeling, and place food, flowers or incense sticks in the bowls. Women must be careful not to touch the monks.
I was inspired by a friend's recent photo to try my hand at some smoke pictures. I went to the dollar store and bought a packet of the least offensive smelling joss sticks. In fact they were little cones. Purportedly "French Linen". Smelt a bit like old matches and spent fireworks to my mind, but who am I to say?
I set up my fancy new flash gun on my son's tripod and my 100mm on my camera on my own tripod. I used a second slave flash hand-held at different positions whilst I steadily took over 100 shots. Some were quite pleasing, but on balance I think the smoke was too close to the black felt I was using as a background. The lens was crisp enough to pick up texture in the felt, even with side lighting.
This shot caught my eye because I fancied I saw the outline of a pregnant woman in a scooped-neck satin gown. Her hair is blown forward over her face, but her voluptuous curves are clear through the gown.
Can you see her too, or should I stop sniffing the incense sticks so much?
Hemis Monastery is a Tibetan Buddhist monastery (gompa) of the Drukpa Lineage, located in Hemis, Ladakh, India. Situated 45 km from Leh, in the state of Jammu and Kashmir. Hemis Monastery existed before the 11th century and was re-established in 1672 by the Ladakhi king Sengge Namgyal. The annual Hemis festival honoring Padmasambhava is held here in early June.
Terma and tertöns : The essence of Tebetan Buddhism.
Padmasambhava (lit. "Lotus-Born"), also known as Guru Rinpoche, is a literary character of terma (Terma or "hidden treasure"- are key Tibetan Buddhist teaching, which the tradition holds were originally esoterically hidden by various adepts such as Padmasambhava and his consorts, in the 8th century for future discovery at auspicious times by other adepts, known as tertöns. As such, they represent a tradition of continuous revelation in Tibetan Buddhism. Termas are a part of Tantric Literature. Tradition holds that terma may be a physical object such as a text or ritual implement that is buried in the ground (or earth), hidden in a rock or crystal, secreted in a herb, or a tree, hidden in a lake (or water), or hidden in the sky (space). Though a literal understanding of terma is "hidden treasure", and sometimes objects are hidden away, the teachings associated should be understood as being “concealed within the mind of the guru”, that is, the true place of concealment is in the tertön's mindstream. If the concealed or encoded teaching or object is a text, it is often written in dakini script: a non-human type of code or writing).
Terma is an emanation of Amitabha (Amitābha or Amideva, is a celestial buddha described in the scriptures of the Mahāyāna school of Buddhism. Amitābha is the principal buddha in the Pure Land sect, a branch of Buddhism practiced mainly in East Asia, while in Vajrayana Amitābha is known for his longevity attribute, magnetising red fire element, the aggregate of discernment, pure perception and the deep awareness of emptiness of phenomena. According to these scriptures, Amitābha possesses infinite merits resulting from good deeds over countless past lives as a bodhisattva named Dharmakāra. "Amitābha" is translatable as "Infinite Light," hence Amitābha is also called "The Buddha of Immeasurable Life and Light" ).
Terma that is said to appear to tertons (A tertön is a discoverer of ancient texts or terma in Tibetan Buddhism) in visionary encounters and a focus of Tibetan Buddhist practice (Tibetan Buddhism is the body of Buddhist religious doctrine and institutions characteristic of Tibet, Mongolia, Tuva, Bhutan, Kalmykia and certain regions of the Himalayas, including northern Nepal, and India (particularly in Arunachal Pradesh, Ladakh, Dharamsala, Lahaul and Spiti district in Himachal Pradesh and Sikkim. It is also practiced in Northeast China. Religious texts and commentaries are contained in the Tibetan Buddhist canon such that Tibetan is a spiritual language of these areas. The Tibetan diaspora has spread Tibetan Buddhism to many Western countries, where the tradition has gained popularity. Among its prominent exponents is the 14th Dalai Lama of Tibet. The number of its adherents is estimated to be between ten and twenty million).
History
Hemis Monastery existed before the 11th century. Naropa, the pupil of the yogi Tilopa, and teacher of the translator Marpa is connected with this monastery. A translation was made by A. Grünwedel (Nӑro und Tilo,: Festschrift Ernst Kuhn, München 1916) of Naropa's biography that was found in Hemis monastery.
In this manuscript Naropa (or Naro) meets the "dark blue" (Skr.: nila: dark blue or black) Tilopa (or Tillo), a tantric master, who gives Naropa 12 "great" and 12 "small" tasks to do in order to enlighten him to the inherent emptiness/illusoriness of all things. Naropa is depicted as the "abbott of Nalanda" (F. Wilhelm, Prüfung und Initiation im Buche Pausya und in der Biographie des Naropa, Wiesbaden 1965, p. 70), the university-monastery in today's Bihar, India, that flourished until the sacking by Turkish and Afghan Muslim forces. This sacking must have been the driving force behind Naropa's peregrination in the direction of Hemis. After Naropa and Tilopa met in Hemis they travelled back in the direction of a certain monastery in the now no longer existing kingdom of Maghada, called Otantra which has been identified as today's Otantapuri. Naropa is consered the founding father of the Kagyu-lineage of the Himalayan esoteric Buddhism. Hence Hemis is the main seat of the Kagyu lineage of Buddhism.
In 1894 Russian journalist Nicolas Notovitch claimed Hemis as the origin of an otherwise unknown gospel, the Life of Saint Issa, Best of the Sons of Men, in which Jesus is said to have traveled to India during his "lost years." According to Notovitch, the work had been preserved in the Hemis library, and was shown to him by the monks there while he was recuperating from a broken leg. But once his story had been re-examined by historians, Notovitch confessed to having fabricated the evidence. Bart D. Ehrman states that "Today there is not a single recognized scholar on the planet who has any doubts about the matter. The entire story was invented by Notovitch, who earned a good deal of money and a substantial amount of notoriety for his hoax". However, the Indian Pandit Swami Abhedananda also claims to have read the same manuscript, and published his account of viewing it after his visit to Hemis in 1921. Abhedananda claims on the book jacket that it was translated for him with the help of a "local Lama interpreter." In the same vein, Notovich did not initially translate the manuscript, but reported his Sherpa guide did so as Notovitch could not read the original text. Notovich's version of the manuscript was translated from Tibetan to Russian to French to English. According to Swami Abhedananda's account, his Lama's translation was equivalent to the one published by Notovich. The Gutenberg Project has published the entire manuscript as a free ebook.
Hemis Festival
The Hemis Festival is dedicated to Lord Padmasambhava (Guru Rimpoche) venerated as the Dance Performance at Hemis Monastery representative reincarnate of Buddha. He is believed to have been born on the 10th day of the fifth month of the Monkey year as predicted by the Buddha Shakyamuni. It is also believed that his life mission was, and remains, to improve the spiritual condition of all living beings. And so on this day, which comes once in a cycle of 12 years, Hemis observes a major extravaganza in his memory. The observance of these sacred rituals is believed to give spiritual strength and good health. The Hemis festival takes place in the rectangular courtyard in front of the main door of the monastery. The space is wide and open save two raised square platforms, three feet high with a sacred pole in the center. A raised dias with a richly cushioned seat with a finely painted small Tibetan table is placed with the ceremonial items - cups full of holy water, uncooked rice, tormas made of dough and butter and incense sticks. A number of musicians play the traditional music with four pairs of cymbals, large-pan drums, small trumpets and large size wind instruments. Next to them, a small space is assigned for the lamas to sit.
The ceremonies begin with an early morning ritual atop the Gompa where, to the beat of drums and the resounding clash of cymbals and the spiritual wail of pipes, the portrait of "Dadmokarpo" or "Rygyalsras Rimpoche" is then ceremoniously put on display for all to admire and worship.
The most esoteric of festivities are the mystic mask dances. The Mask Dances of Ladakh are referred collectively as chams Performance. Chams performance is essentially a part of Tantric tradition, performed only in those gompas which follow the Tantric Vajrayana teachings and the monks perform tantric worship.
Source: Wikipedia and others.
Incense sticks, a closed room and a flash snoot was what it took. A rebreather is what i wanted by the end of it, it didn't take long to fill with smoke.
Die Gestaltung des Balinesischen Gartens folgt den auf Bali vorhandenen Vorbildern und soll den Besuchern Geist und symbolischen Inhalt balinesischer Kultur vermitteln. Im Gegensatz zur überwiegend muslimisch geprägten Bevölkerung Indonesiens haben die Balinesen ihre ganz eigene Kultur. Der auf Bali vorherrschende Hinduismus mischt sich mit alten Bräuchen und Sitten, dem Respekt vor der Natur und dem Streben der Balinesen nach Harmonie in allen Lebensbereichen zu einer einzigartigen Glaubens- und Kulturform. Ein Mensch sollte stets im Einklang mit sich selbst, mit seiner Umgebung - das heißt mit der Natur und den anderen Menschen - und mit dem gesamten Universum leben. Dieses dreigeteilte Harmonieprinzip findet sich im Balinesischen Garten immer wieder und ist auch Grundlage für den Namen des Gartens: "Garten der drei Harmonien - TRI HITA KARANA". Der Balinesische Garten ist ein Beispiel für die Anordnung einer Wohnanlage im südlichen Bali. (Quelle: Senatsverwaltung für Umwelt, Verkehr und Klimaschutz, gekürzt)
The Balinese Garden, which opened in 2003 as the Garden of the Three Harmonies or Tri Hita Karana, grew out of town twinning links forged between Berlin and Jakarta. Most of the structural elements in the garden, designed by Indonesian architects I Putu Edy Semara, were pre-fabricated in Bali and assembled in Berlin by Balinese craftsmen.
For the IGA Berlin 2017, this exotic garden was both revamped and rehoused in the new, 14m-high, energy-efficient Tropical Hall which has provided an additional 2000 square metres of tropical planting around the Balinese Garden.
The Balinese Garden reflects man’s struggle for harmony: harmony among people, with the environment and with the universe. A garden planted according to design criteria alone is unknown in traditional Bali, where tropical forest flora merges with the species cultivated by villagers: plants that are used for eating, as remedies or as religious offerings.
In the heart of the garden stands a compound typical of those to be found in southern Bali, surrounded by a wall of whitewashed brick. Visitors enter this private area through a gate called the angkul angkul. It is here that they see the first evidence of the ubiquitous trinity of the Balinese Garden of the Three Harmonies, for the gate comprises a base with steps (representing the foot), a teak door (the body) and a mighty capped roof (the head).
The family temple, or sanggah, inside the compound is enclosed within another wall. In Bali, offerings of flowers, fruit and incense sticks are placed on these high-plinthed shrines every day. The largest building in the compound is the all-purpose bale dangin, a roofed pavilion that serves a number of different functions. It is where offerings are prepared, where the family sleeps, weaves, sews and plays. The paved area in front of the bale dangin marks the centre of the compound and is a place of encounter and exchange.
Just behind the compound starts the ancient tropical forest which contains many species commonly found in Europe as houseplants or in botanical gardens. (Souce: Grün Berlin Group, abbreviated)
This is a unique combination of storage box and holder for incense sticks, made from a solid chunk of reclaimed red oak. Inside, there's plenty of room for a couple dozen incense sticks which are easily accessed by means of a sliding lid made of highly figured black walnut.
But wait - this box does double duty! There's a cleverly hidden hole in the back of the box for setting up incense sticks to burn. And when the lid is slid back into place, there's an ash trough carved right down the middle of it to keep things neat.
But wait - there's still more! (Haha!) When the lid is slid aaallll the way back, one will discover a spot deep in the back of the box to hide whatever somebody may hold dear (a silver dollar, a piece of candy, whatever!).
It's all been planed and sanded down very flat and very smooth, and the lid slides smoothly in the carved slots in the box. I've provided a finger depression to make it easier to get at those combustibles, too. The box and lid have been finished with a mixture of mineral oil with beeswax and carnauba wax for an organic look and highly polished feel.
This incense box (and several others) are available through my online shop (www.smilemoon.etsy.com). Thank you for checking it out!
Merrit making inside Wat Sothon Wararam Worawihan (it houses one of the most revered Buddha images in Thailand known as "Luang Por Sothon" which means the "venerable father of Sothon"), Paet Rio, Chachoengsao Province, Eastern Thailand
X-E2 & XF35/1.4
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-A MB Photography Studio artwork-
© Copyright | All rights reserved
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-->Comments that are not text only will be REMOVED. Thanks for your understanding! (looking for quality not quantity ;-) --
Doing a second set of smoke abstracts on incense sticks instead of the uncontrollable candle smoke from last time. It's actually quite interesting to watch how they flow differently... :)
Diwali (also spelled Devali in certain regions) or Deepavali, popularly known as the "festival of lights", is an important five-day festival in Hinduism, Jainism, and Sikhism, occurring between mid-October and mid-November. For Hindus, Diwali is the most important festival of the year and is celebrated in families by performing traditional activities together in their homes. Deepavali is an official holiday in India, Nepal, Sri Lanka, Myanmar, Mauritius, Guyana, Trinidad & Tobago, Suriname, Malaysia, Singapore, and Fiji.
The name Diwali is itself a contraction of the word "Deepavali" (Sanskrit: दीपावली Dīpāvalī), which translates into "row of lamps". Diwali involves the lighting of small clay lamps (diyas, or dīpa in Sanskrit: दीप) filled with oil to signify the triumph of good over evil. During Diwali, all the celebrants wear new clothes and share sweets and snacks with family members and friends. Most Indian business communities begin the financial year on the first day of Diwali.
Diwali commemorates the return of Lord Rama along with Sita and Lakshman from his fourteen-year-long exile and vanquishing the demon-king Ravana. In joyous celebration of the return of their king, the people of Ayodhya, the Capital of Rama, illuminated the kingdom with earthen diyas (oil lamps) and burst crackers.
In Jainism, Diwali marks the attainment of moksha or nirvana by Mahavira in 527 BC. In Sikhism, Deepavali commemorates the return of Guru Har Gobind Ji to Amritsar after freeing 52 Hindu kings imprisoned in Fort Gwalior by defeating Emperor Jahangir; the people lit candles and diyas to celebrate his return. This is the reason Sikhs also refer to Deepavali as Bandi Chhorh Divas, "the day of release of detainees". Deepavali is widely celebrated in both India and Nepal.
The first day of the festival Naraka Chaturdasi marks the vanquishing of the demon Naraka by Lord Krishna and his wife Satyabhama. Amavasya, the second day of Deepawali, marks the worship of Lakshmi, the goddess of wealth in her most benevolent mood, fulfilling the wishes of her devotees. Amavasya also tells the story of Lord Vishnu, who in his dwarf incarnation vanquished the tyrant Bali, and banished him to hell. Bali was allowed to return to earth once a year, to light millions of lamps to dispel the darkness and ignorance, and spread the radiance of love and wisdom. It is on the third day of Deepawali — Kartika Shudda Padyami - that Bali steps out of hell and rules the earth according to the boon given by Lord Vishnu. The fourth day is referred to as Yama Dvitiya (also called Bhai Dooj) and on this day sisters invite
In each legend, myth and story of Deepawali lies the significance of the victory of good over evil; and it is with each Deepawali and the lights that illuminate our homes and hearts, that this simple truth finds new reason and hope. From darkness unto light — the light that empowers us to commit ourselves to good deeds, that which brings us closer to divinity. During Diwali, lights illuminate every corner of India and the scent of incense sticks hangs in the air, mingled with the sounds of fire-crackers, joy, togetherness and hope. Diwali is celebrated around the globe. Outside India, it is more than a Hindu festival, it's a celebration of South-Asian identities.
While Deepavali is popularly known as the "festival of lights", the most significant spiritual meaning is "the awareness of the inner light". Central to Hindu philosophy is the assertion that there is something beyond the physical body and mind which is pure, infinite, and eternal, called the Atman. The celebration of Deepavali as the "victory of good over evil", refers to the light of higher knowledge dispelling all ignorance, the ignorance that masks one's true nature, not as the body, but as the unchanging, infinite, immanent and transcendent reality. With this awakening comes compassion and the awareness of the oneness of all things (higher knowledge). This brings Ananda (joy or peace). Just as we celebrate the birth of our physical being, Deepavali is the celebration of this Inner Light.
While the story behind Deepavali and the manner of celebration varies from region to region (festive fireworks, worship, lights, sharing of sweets), the essence is the same – to rejoice in the Inner Light (Atman) or the underlying Reality of all things (Brahman).
Source : en.wikipedia.org/wiki/Diwali
Ganga Aarti
Gange aarti is performed daily in the evening by a group of priests at the Dashashwamedh ghat. Through the aarti, Agni Pooja is performed in which a commitment is made to the Lord Shiva, Mata Gange, Surya, Agni (Fire) as well as the whole universe made by the Lord Shiva.
It is performed by the brass lamps which accompanied with the mantra chant in the presence of the huge crowd.
All the priests wear same cloth, the dhoti and kurta which is tightly bind with a long towel. First they make preparation of the Gange aarti by making collection of the five elevated planks, a multi tiered oil lamp, an idol of the Goddess Ganga, flowers, incense sticks, a conch shell, a big and heavy brass lamp having a snake hood at the edge of the River Gange. A group of boats filled with devotees come around the place of aarti at the bank of River.
Varanasi.org.in
I've been wanting to try photographing smoke for a while. I finally bought some incense sticks and proceeded to smoke-up and stink-up my home office. Graham Jeffery has an excellent blog entry on how to photograph smoke. If you're interested, I'd head over there to see his photos and read about his technique. I'll post some comments on my blog when I get a chance. I colorized some of these images in Photoshop. Those that are more subtlety colored (about half of them) show the natural colors of the smoke itself (with some saturation added in a few cases).
All of my smoke images were created with two light sources. The first was natural light coming through an window on the left. I doubt the natural light contributed much (if anything), because my shutter speed was 1/250 and the f-stop was f/10. To the right of the smoke I placed a Canon Speedlite set to full power. Those setting pretty much nuked any ambient light. To prevent any light from spilling onto the background, and flaring into the lens, I attached a couple of 4" X 8" cardboard "gobos" to the sides of my flash (using Velcro). I wish now that I had taken a setup shot. Oh well, next time.
© 2013 Eric Adeleye Photography. All rights reserved. (Press "L" for a larger view of the photograph)
I was experimenting with photographing smoke trails using incense sticks. This is a composite of 3 smoke trails. Photograph 1, 2, and 3: Aperture: f/6.3, Shutter: 1/60 sec, ISO: 100, SU-800 Commander, SB-910 @ 1/16 pwr, SB-700 @ 1/32 pwr, Manfrotto 055 XPROB tripod,Yongnuo RF-603 trigger, 2 x Large Rouge Flashbenders, 1 burning incense stick. Post processing done using Adobe Bridge CS6, Adobe Camera Raw 7.4, Adobe Photoshop CS6, Silver Efex Pro 2.
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Lanterns of Visak Bochea (Buddhist Day)!
Photo by: Mardy Suong Photography
Date: 13rd, May, 2014.
Place of photo: Udong Mountain, Kandal Province, Kingdom of Cambodia.
Website: www.500px.com/Mardy
www.flickr.com/photos/mardysuongphotography
Visak day falls on the 15th day of the waxing moon in the 6th lunar month, which is usually May in the Gregorian calendar. A candle procession is taken out in evening on the occassion. Those who have glittering sight are never able to forget it.
People visit temples early in the day for offering food and sweets to the monks. People listen attentively to the preaching of the religious persons.
A lovely candle or torchlight procession is taken out at dusk and the main shrine is circumambulated three times
Persons in the luminous procession carry flowers and glowing incense sticks to pray silent rest to Buddha. Mothers practice meditation following the preachings of Lord Buddha.
Some of their sons become priest during ( Visak Bochea ) which mean, that they can repay their parents and their ancestor too.
(Source from: www.visit-angkor.org/blog/2012/06/02/history-of-visak-boc...)
Hemis Monastery is a Tibetan Buddhist monastery (gompa) of the Drukpa Lineage, located in Hemis, Ladakh, India. Situated 45 km from Leh, in the state of Jammu and Kashmir. Hemis Monastery existed before the 11th century and was re-established in 1672 by the Ladakhi king Sengge Namgyal. The annual Hemis festival honoring Padmasambhava is held here in early June.
Terma and tertöns : The essence of Tebetan Buddhism.
Padmasambhava (lit. "Lotus-Born"), also known as Guru Rinpoche, is a literary character of terma (Terma or "hidden treasure"- are key Tibetan Buddhist teaching, which the tradition holds were originally esoterically hidden by various adepts such as Padmasambhava and his consorts, in the 8th century for future discovery at auspicious times by other adepts, known as tertöns. As such, they represent a tradition of continuous revelation in Tibetan Buddhism. Termas are a part of Tantric Literature. Tradition holds that terma may be a physical object such as a text or ritual implement that is buried in the ground (or earth), hidden in a rock or crystal, secreted in a herb, or a tree, hidden in a lake (or water), or hidden in the sky (space). Though a literal understanding of terma is "hidden treasure", and sometimes objects are hidden away, the teachings associated should be understood as being “concealed within the mind of the guru”, that is, the true place of concealment is in the tertön's mindstream. If the concealed or encoded teaching or object is a text, it is often written in dakini script: a non-human type of code or writing).
Terma is an emanation of Amitabha (Amitābha or Amideva, is a celestial buddha described in the scriptures of the Mahāyāna school of Buddhism. Amitābha is the principal buddha in the Pure Land sect, a branch of Buddhism practiced mainly in East Asia, while in Vajrayana Amitābha is known for his longevity attribute, magnetising red fire element, the aggregate of discernment, pure perception and the deep awareness of emptiness of phenomena. According to these scriptures, Amitābha possesses infinite merits resulting from good deeds over countless past lives as a bodhisattva named Dharmakāra. "Amitābha" is translatable as "Infinite Light," hence Amitābha is also called "The Buddha of Immeasurable Life and Light" ).
Terma that is said to appear to tertons (A tertön is a discoverer of ancient texts or terma in Tibetan Buddhism) in visionary encounters and a focus of Tibetan Buddhist practice (Tibetan Buddhism is the body of Buddhist religious doctrine and institutions characteristic of Tibet, Mongolia, Tuva, Bhutan, Kalmykia and certain regions of the Himalayas, including northern Nepal, and India (particularly in Arunachal Pradesh, Ladakh, Dharamsala, Lahaul and Spiti district in Himachal Pradesh and Sikkim. It is also practiced in Northeast China. Religious texts and commentaries are contained in the Tibetan Buddhist canon such that Tibetan is a spiritual language of these areas. The Tibetan diaspora has spread Tibetan Buddhism to many Western countries, where the tradition has gained popularity. Among its prominent exponents is the 14th Dalai Lama of Tibet. The number of its adherents is estimated to be between ten and twenty million).
History
Hemis Monastery existed before the 11th century. Naropa, the pupil of the yogi Tilopa, and teacher of the translator Marpa is connected with this monastery. A translation was made by A. Grünwedel (Nӑro und Tilo,: Festschrift Ernst Kuhn, München 1916) of Naropa's biography that was found in Hemis monastery.
In this manuscript Naropa (or Naro) meets the "dark blue" (Skr.: nila: dark blue or black) Tilopa (or Tillo), a tantric master, who gives Naropa 12 "great" and 12 "small" tasks to do in order to enlighten him to the inherent emptiness/illusoriness of all things. Naropa is depicted as the "abbott of Nalanda" (F. Wilhelm, Prüfung und Initiation im Buche Pausya und in der Biographie des Naropa, Wiesbaden 1965, p. 70), the university-monastery in today's Bihar, India, that flourished until the sacking by Turkish and Afghan Muslim forces. This sacking must have been the driving force behind Naropa's peregrination in the direction of Hemis. After Naropa and Tilopa met in Hemis they travelled back in the direction of a certain monastery in the now no longer existing kingdom of Maghada, called Otantra which has been identified as today's Otantapuri. Naropa is consered the founding father of the Kagyu-lineage of the Himalayan esoteric Buddhism. Hence Hemis is the main seat of the Kagyu lineage of Buddhism.
In 1894 Russian journalist Nicolas Notovitch claimed Hemis as the origin of an otherwise unknown gospel, the Life of Saint Issa, Best of the Sons of Men, in which Jesus is said to have traveled to India during his "lost years." According to Notovitch, the work had been preserved in the Hemis library, and was shown to him by the monks there while he was recuperating from a broken leg. But once his story had been re-examined by historians, Notovitch confessed to having fabricated the evidence. Bart D. Ehrman states that "Today there is not a single recognized scholar on the planet who has any doubts about the matter. The entire story was invented by Notovitch, who earned a good deal of money and a substantial amount of notoriety for his hoax". However, the Indian Pandit Swami Abhedananda also claims to have read the same manuscript, and published his account of viewing it after his visit to Hemis in 1921. Abhedananda claims on the book jacket that it was translated for him with the help of a "local Lama interpreter." In the same vein, Notovich did not initially translate the manuscript, but reported his Sherpa guide did so as Notovitch could not read the original text. Notovich's version of the manuscript was translated from Tibetan to Russian to French to English. According to Swami Abhedananda's account, his Lama's translation was equivalent to the one published by Notovich. The Gutenberg Project has published the entire manuscript as a free ebook.
Hemis Festival
The Hemis Festival is dedicated to Lord Padmasambhava (Guru Rimpoche) venerated as the Dance Performance at Hemis Monastery representative reincarnate of Buddha. He is believed to have been born on the 10th day of the fifth month of the Monkey year as predicted by the Buddha Shakyamuni. It is also believed that his life mission was, and remains, to improve the spiritual condition of all living beings. And so on this day, which comes once in a cycle of 12 years, Hemis observes a major extravaganza in his memory. The observance of these sacred rituals is believed to give spiritual strength and good health. The Hemis festival takes place in the rectangular courtyard in front of the main door of the monastery. The space is wide and open save two raised square platforms, three feet high with a sacred pole in the center. A raised dias with a richly cushioned seat with a finely painted small Tibetan table is placed with the ceremonial items - cups full of holy water, uncooked rice, tormas made of dough and butter and incense sticks. A number of musicians play the traditional music with four pairs of cymbals, large-pan drums, small trumpets and large size wind instruments. Next to them, a small space is assigned for the lamas to sit.
The ceremonies begin with an early morning ritual atop the Gompa where, to the beat of drums and the resounding clash of cymbals and the spiritual wail of pipes, the portrait of "Dadmokarpo" or "Rygyalsras Rimpoche" is then ceremoniously put on display for all to admire and worship.
The most esoteric of festivities are the mystic mask dances. The Mask Dances of Ladakh are referred collectively as chams Performance. Chams performance is essentially a part of Tantric tradition, performed only in those gompas which follow the Tantric Vajrayana teachings and the monks perform tantric worship.
Source: Wikipedia and others.
Inside the market hall you can buy coffee, tea and scones and bacon sandwiches, celebrated cheeses and sausages, greetings cards, toy trains and buses, jig-saws and paperbacks, crystals, incense sticks, knitting wool and buttons, jewels and watches, hardware, paintings and prints, and lots of other goodies! On the right is the town museum and the 'Staircase House', and behind the camera is Saint Mary's Church. A nice place to pass a couple of hours....Stockport!
Ganga Aarti
Gange aarti is performed daily in the evening by a group of priests at the Dashashwamedh ghat. Through the aarti, Agni Pooja is performed in which a commitment is made to the Lord Shiva, Mata Gange, Surya, Agni (Fire) as well as the whole universe made by the Lord Shiva.
It is performed by the brass lamps which accompanied with the mantra chant in the presence of the huge crowd.
All the priests wear same cloth, the dhoti and kurta which is tightly bind with a long towel. First they make preparation of the Gange aarti by making collection of the five elevated planks, a multi tiered oil lamp, an idol of the Goddess Ganga, flowers, incense sticks, a conch shell, a big and heavy brass lamp having a snake hood at the edge of the River Gange. A group of boats filled with devotees come around the place of aarti at the bank of River.
Varanasi.org.in
Diwali (also spelled Devali in certain regions) or Deepavali, popularly known as the "festival of lights", is an important five-day festival in Hinduism, Jainism, and Sikhism, occurring between mid-October and mid-November. For Hindus, Diwali is the most important festival of the year and is celebrated in families by performing traditional activities together in their homes. Deepavali is an official holiday in India, Nepal, Sri Lanka, Myanmar, Mauritius, Guyana, Trinidad & Tobago, Suriname, Malaysia, Singapore, and Fiji.
The name Diwali is itself a contraction of the word "Deepavali" (Sanskrit: दीपावली Dīpāvalī), which translates into "row of lamps". Diwali involves the lighting of small clay lamps (diyas, or dīpa in Sanskrit: दीप) filled with oil to signify the triumph of good over evil. During Diwali, all the celebrants wear new clothes and share sweets and snacks with family members and friends. Most Indian business communities begin the financial year on the first day of Diwali.
Diwali commemorates the return of Lord Rama along with Sita and Lakshman from his fourteen-year-long exile and vanquishing the demon-king Ravana. In joyous celebration of the return of their king, the people of Ayodhya, the Capital of Rama, illuminated the kingdom with earthen diyas (oil lamps) and burst crackers.
In Jainism, Diwali marks the attainment of moksha or nirvana by Mahavira in 527 BC. In Sikhism, Deepavali commemorates the return of Guru Har Gobind Ji to Amritsar after freeing 52 Hindu kings imprisoned in Fort Gwalior by defeating Emperor Jahangir; the people lit candles and diyas to celebrate his return. This is the reason Sikhs also refer to Deepavali as Bandi Chhorh Divas, "the day of release of detainees". Deepavali is widely celebrated in both India and Nepal.
The first day of the festival Naraka Chaturdasi marks the vanquishing of the demon Naraka by Lord Krishna and his wife Satyabhama. Amavasya, the second day of Deepawali, marks the worship of Lakshmi, the goddess of wealth in her most benevolent mood, fulfilling the wishes of her devotees. Amavasya also tells the story of Lord Vishnu, who in his dwarf incarnation vanquished the tyrant Bali, and banished him to hell. Bali was allowed to return to earth once a year, to light millions of lamps to dispel the darkness and ignorance, and spread the radiance of love and wisdom. It is on the third day of Deepawali — Kartika Shudda Padyami - that Bali steps out of hell and rules the earth according to the boon given by Lord Vishnu. The fourth day is referred to as Yama Dvitiya (also called Bhai Dooj) and on this day sisters invite
In each legend, myth and story of Deepawali lies the significance of the victory of good over evil; and it is with each Deepawali and the lights that illuminate our homes and hearts, that this simple truth finds new reason and hope. From darkness unto light — the light that empowers us to commit ourselves to good deeds, that which brings us closer to divinity. During Diwali, lights illuminate every corner of India and the scent of incense sticks hangs in the air, mingled with the sounds of fire-crackers, joy, togetherness and hope. Diwali is celebrated around the globe. Outside India, it is more than a Hindu festival, it's a celebration of South-Asian identities.
While Deepavali is popularly known as the "festival of lights", the most significant spiritual meaning is "the awareness of the inner light". Central to Hindu philosophy is the assertion that there is something beyond the physical body and mind which is pure, infinite, and eternal, called the Atman. The celebration of Deepavali as the "victory of good over evil", refers to the light of higher knowledge dispelling all ignorance, the ignorance that masks one's true nature, not as the body, but as the unchanging, infinite, immanent and transcendent reality. With this awakening comes compassion and the awareness of the oneness of all things (higher knowledge). This brings Ananda (joy or peace). Just as we celebrate the birth of our physical being, Deepavali is the celebration of this Inner Light.
While the story behind Deepavali and the manner of celebration varies from region to region (festive fireworks, worship, lights, sharing of sweets), the essence is the same – to rejoice in the Inner Light (Atman) or the underlying Reality of all things (Brahman).
Source : en.wikipedia.org/wiki/Diwali
Die Gestaltung des Balinesischen Gartens folgt den auf Bali vorhandenen Vorbildern und soll den Besuchern Geist und symbolischen Inhalt balinesischer Kultur vermitteln. Im Gegensatz zur überwiegend muslimisch geprägten Bevölkerung Indonesiens haben die Balinesen ihre ganz eigene Kultur. Der auf Bali vorherrschende Hinduismus mischt sich mit alten Bräuchen und Sitten, dem Respekt vor der Natur und dem Streben der Balinesen nach Harmonie in allen Lebensbereichen zu einer einzigartigen Glaubens- und Kulturform. Ein Mensch sollte stets im Einklang mit sich selbst, mit seiner Umgebung - das heißt mit der Natur und den anderen Menschen - und mit dem gesamten Universum leben. Dieses dreigeteilte Harmonieprinzip findet sich im Balinesischen Garten immer wieder und ist auch Grundlage für den Namen des Gartens: "Garten der drei Harmonien - TRI HITA KARANA". Der Balinesische Garten ist ein Beispiel für die Anordnung einer Wohnanlage im südlichen Bali. (Quelle: Senatsverwaltung für Umwelt, Verkehr und Klimaschutz, gekürzt)
The Balinese Garden, which opened in 2003 as the Garden of the Three Harmonies or Tri Hita Karana, grew out of town twinning links forged between Berlin and Jakarta. Most of the structural elements in the garden, designed by Indonesian architects I Putu Edy Semara, were pre-fabricated in Bali and assembled in Berlin by Balinese craftsmen.
For the IGA Berlin 2017, this exotic garden was both revamped and rehoused in the new, 14m-high, energy-efficient Tropical Hall which has provided an additional 2000 square metres of tropical planting around the Balinese Garden.
The Balinese Garden reflects man’s struggle for harmony: harmony among people, with the environment and with the universe. A garden planted according to design criteria alone is unknown in traditional Bali, where tropical forest flora merges with the species cultivated by villagers: plants that are used for eating, as remedies or as religious offerings.
In the heart of the garden stands a compound typical of those to be found in southern Bali, surrounded by a wall of whitewashed brick. Visitors enter this private area through a gate called the angkul angkul. It is here that they see the first evidence of the ubiquitous trinity of the Balinese Garden of the Three Harmonies, for the gate comprises a base with steps (representing the foot), a teak door (the body) and a mighty capped roof (the head).
The family temple, or sanggah, inside the compound is enclosed within another wall. In Bali, offerings of flowers, fruit and incense sticks are placed on these high-plinthed shrines every day. The largest building in the compound is the all-purpose bale dangin, a roofed pavilion that serves a number of different functions. It is where offerings are prepared, where the family sleeps, weaves, sews and plays. The paved area in front of the bale dangin marks the centre of the compound and is a place of encounter and exchange.
Just behind the compound starts the ancient tropical forest which contains many species commonly found in Europe as houseplants or in botanical gardens. (Souce: Grün Berlin Group, abbreviated)
This is the weirdest shot I took from my first time shooting smoke photography. Am I crazy or does this look just like a humanoid walking from camera left to camera right across the frame?
Three speedlights used: camera left with blue gel, camera right with red gel, and one bare light below and behind subject aimed upward. Smoke created with incense sticks against a black backdrop.
Shot on Nikon D3300
Edited on Adobe Photoshop and Camera Raw
Incense sticks burning in front of the altars of the deities in my house.
Huế (Vietnamese: [hwě] is a city in central Vietnam that was the seat of Nguyen Dynasty emperors and the national capital from 1802–1945. A major attraction is its vast, 19th-century Citadel, surrounded by a moat and thick stone walls. It encompasses the Imperial City, with palaces and shrines; the Forbidden Purple City, once the emperor's home; and a replica of the Royal Theater.
HISTORY
Huế originally rose to prominence as the capital of the Nguyễn lords, a feudal dynasty that dominated much of southern Vietnam from the 17th to the 19th century. In 1775 when Trịnh lord Trịnh Sâm captured it, it was known as Phú Xuân.
In 1802, Nguyễn Phúc Ánh (later Emperor Gia Long) succeeded in establishing his control over the whole of Vietnam, thereby making Huế the national capital.[1]
Minh Mạng (r. 1820-40) was the second emperor of the Nguyễn Dynasty, reigning from 14 February 1820 (his 29th birthday) until his death, on 20 January 1841. He was a younger son of Emperor Gia Long, whose eldest son, Crown Prince Cảnh, had died in 1801. Minh was well known for his opposition to French involvement in Vietnam, and for his rigid Confucian orthodoxy.
During the French colonial period, Huế was located in the protectorate of Annam. It remained the seat of the Imperial Palace until 1945, when Emperor Bảo Đại abdicated and a communist DRV government was established with its capital at Hà Nội (Hanoi), in the north.
While Bảo Đại was proclaimed "Head of the State of Vietnam" with the help of the returning French colonialists in 1949 (although not with recognition from the communists or the full acceptance of the Vietnamese people), his new capital was Sài Gòn (Saigon), in the south.
During the Republic of Vietnam, Huế's central location very near the border between the North and South put it in a vulnerable position in the Vietnam War. In the Tết Offensive of 1968, during the Battle of Huế, the city suffered considerable damage not only to its physical features, but its reputation as well, due to a combination of the American military bombing of historic buildings held by the North Vietnamese, and the massacre at Huế committed by the communist forces.
After the war's conclusion, many of the historic features of Huế were neglected because they were seen by the victorious communist regime and some other Vietnamese as "relics from the feudal regime"; the Vietnamese Communist Party doctrine officially described the Nguyễn Dynasty as "feudal" and "reactionary." There has since been a change of policy, however, and many historical areas of the city are currently being restored.
GEOGRAPHY
The city is located in central Vietnam on the banks of the Perfume River, just a few miles inland from the East Sea. It is about 700 km south of Hanoi and about 1,100 km north of Hồ Chí Minh City.
CLIMATE
Huế features a Tropical monsoon climate under the Köppen climate classification. The dry season is from March to August, with high temperatures of 35 to 40 °C. The rainy season is from August to January, with a flood season from October, onwards. The average rainy season temperature is 20 °C, sometimes as low as 9 °C. Spring lasts from January to late February.
CULTURE
Located in the center of Vietnam, Huế was the capital city of Vietnam for approximately 150 years during feudal time (1802–1945), and the royal lifestyle and customs have had a significant impact on the characteristics of the people of Huế. That impact can still be felt today.
NAME GIVING
Historically, the qualities valued by the royal family were reflected in its name-giving customs, which came to be adopted by society at large.[citation needed] As a rule, royal family members were named after a poem written by Minh Mạng, the second king of Nguyễn Dynasty. The poem, Đế hệ thi", has been set as a standard frame to name every generation of the royal family, through which people can know the family order as well as the relationship between royal members. More importantly, the names reflect the essential personality traits that the royal regime would like their offspring to uphold. This name-giving tradition is proudly kept alive and nowadays people from Huế royal family branches (normally considered 'pure' Huế) still have their names taken from the words in the poem.
CLOTHING
The design of the modern-day áo dài, a Vietnamese national costume, evolved from an outfit worn at the court of the Nguyễn Lords at Huế in the 18th century. A court historian of the time described the rules of dress as follows:
Thường phục thì đàn ông, đàn bà dùng áo cổ đứng ngắn tay, cửa ống tay rộng hoặc hẹp tùy tiện. Áo thì hai bên nách trở xuống phải khâu kín liền, không được xẻ mở. Duy đàn ông không muốn mặc áo cổ tròn ống tay hẹp cho tiện khi làm việc thì được phép.
Outside court, men and women wear gowns with straight collars and short sleeves. The sleeves are large or small depending on the weather. There are seams on both sides running down from the sleeve, so the gown is not open anywhere. Men may wear a round collar and a short sleeve for more convenience.
— Đại Nam thực lục
This outfit evolved into the áo ngũ thân, a five-paneled aristocratic gown worn in the 19th and early 20th centuries. Inspired by Paris fashions, Nguyễn Cát Tường and other artists associated with Hanoi University redesigned the ngũ thân as a modern dress in the 1920s and 1930s.[12] While the áo dài and nón lá are generally seen as a symbol of Vietnam as a whole, the combination is seen by Vietnamese as being particularly evocative of Huế. Violet-coloured áo dài are especially common in Huế, the color having a special connection to the city's heritage as a former capital.
CUISINE
The cuisine of Huế forms the heart of Central Vietnamese cuisine, but one of the most striking differences is the prominence of vegetarianism in the city. Several all-vegetarian restaurants are scattered in various corners of the city to serve the locals who have a strong tradition of eating vegetarian twice a month, as part of their Buddhist beliefs. Another feature of Huế dishes that sets them apart from other regional cuisines in Vietnam is the relatively small serving size with refined presentation, a vestige of its royal cuisine. Finally, another feature of Huế cuisine is that it is often very spicy.
In Hue cuisine, it has both luxurious and rustic popular dishes. All are cooked with talent skills of the Hue people, creating special flavor of Hue food. With such a rich history, Hue's royal cuisine (foods served for the King) is the combination between taste and aesthetic. It consists of several distinctive dishes from small and delicated creations which originally created to please the appetites of Nguyen feudal lords, emperors and their hundreds of concubines and wives. Furthermore, there is another thing making "amazing cuisine" of Hue is traditional foods. Hue's traditional cuisine is so distinctive from other regions in the country, which is considered as the best in Vietnam.
RELIGION
The imperial court practiced various religions such as Buddhism, Taoism and Confucianism. The most important altar was the Esplanade of Sacrifice to the Heaven and Earth, where the monarch would offer each year prayers to the Heaven and Earth.
In Huế, Buddhism enjoyed stronger support than elsewhere in Vietnam, with more monasteries than anywhere else and the nation's most famous monks.
Famously in 1963, Thích Quảng Đức drove to Saigon to protest anti-Buddhist policies of the South Vietnamese government and set himself on fire on a Saigon street.
Thich Nhat Hanh, world-famous Zen master now living in France, originates from Huế.
TOURISM
Huế is well known for its historic monuments, which have earned it a place in UNESCO's World Heritage Sites. The seat of the Nguyễn emperors was the Imperial City, which occupies a large, walled area on the north side of the Perfume River. Inside the citadel was a forbidden city where only the emperors, concubines, and those close enough to them were granted access; the punishment for trespassing was death. Today, little of the forbidden city remains, though reconstruction efforts are in progress to maintain it as a historic tourist attraction.
Roughly along the Perfume River from Huế lie myriad other monuments, including the tombs of several emperors, including Minh Mạng, Khải Định, and Tự Đức. Also notable is the Thiên Mụ Pagoda, the largest pagoda in Huế and the official symbol of the city.
A number of French-style buildings lie along the south bank of the Perfume River. Among them are Quốc Học High School, the oldest high school in Vietnam, and Hai Ba Trung High School.
The Huế Museum of Royal Fine Arts on 3 Le Truc Street also maintains a collection of various artifacts from the city.
In addition to the various touristic attractions in Hué itself, the city also offers day-trips to the Demilitarized Zone lying approximately 70 km north, showing various war settings like The Rockpile, Khe Sanh Combat Base or the Vinh Moc tunnels.
The first 11 months of 2012, Huế received 2.4 million visitors, an increase of 24.6% from the same period of 2011. 803,000 of those 2.4 million visitors were foreign guests, an increase of 25.7%.
Although tourism plays a key role in the city's socioeconomic development, it also has negative impacts on the environment and natural resource base. For example, services associated with tourism, such as travel, the development of infrastructure and its operation, and the production and consumption of goods, are all energy-intensive.
Research by the Climate and Development Knowledge Network has identified traditional ‘garden houses’ as having the potential to increase tourist traffic and revenue. Apart from the environmental, economic and cultural benefits provided by garden houses, their promotion could pave the way for other low carbon development initiatives.
IN POPULAR CULTURE
The second half of Stanley Kubrick's Full Metal Jacket takes place primarily in and around the bombed-out ruins of the city of Huế. The scenes were filmed in the disused Beckton Gas Works a few miles from central London.
The 6th Campaign mission in Call of Duty: Black Ops, takes place in Hue City.
vietcong 2 from 2005 is set in hue. The player assumes the role of an American MACV soldier and young Vietcong recruit fighting before and during the Tet Offensive.
INFRASTRUCTURE
HEALTH
The Huế Central Hospital, established in 1894, was the first Western hospital in Vietnam. The hospital, providing 2078 beds and occupying 120,000 square meters, is one of three largest in the country along with Bạch Mai Hospital in Hanoi and Chợ Rẫy Hospital in Ho Chi Minh City, and is managed by the Ministry of Health.
TRANSPORTATION
Huế has a railway station with connections to all major Vietnamese cities. Phu Bai International Airport is located just south of the city centre.
WIKIPEDIA
"The ancient light that we may learn:
The Root the Seed of Living Light,
It sinks into Primordial days."
~ Soso Tham, 1873-1940 ~
Today all the vehicles and machines received a puja. The car was garlanded with flowers and a mixture of fruits, coconuts and puffed rice was offered. Incense sticks, scented with sandalwood, made the air fragrant. A coconut was set alight and offered before being smashed hard on the ground. A green coconut was prepared, lit and walked three times around the vehicle. It was then smashed on the road. Lemons were placed under each tyre ... to be squashed as the vehicle moved off.
Diwali (also spelled Devali in certain regions) or Deepavali, popularly known as the "festival of lights", is an important five-day festival in Hinduism, Jainism, and Sikhism, occurring between mid-October and mid-November. For Hindus, Diwali is the most important festival of the year and is celebrated in families by performing traditional activities together in their homes. Deepavali is an official holiday in India, Nepal, Sri Lanka, Myanmar, Mauritius, Guyana, Trinidad & Tobago, Suriname, Malaysia, Singapore, and Fiji.
The name Diwali is itself a contraction of the word "Deepavali" (Sanskrit: दीपावली Dīpāvalī), which translates into "row of lamps". Diwali involves the lighting of small clay lamps (diyas, or dīpa in Sanskrit: दीप) filled with oil to signify the triumph of good over evil. During Diwali, all the celebrants wear new clothes and share sweets and snacks with family members and friends. Most Indian business communities begin the financial year on the first day of Diwali.
Diwali commemorates the return of Lord Rama along with Sita and Lakshman from his fourteen-year-long exile and vanquishing the demon-king Ravana. In joyous celebration of the return of their king, the people of Ayodhya, the Capital of Rama, illuminated the kingdom with earthen diyas (oil lamps) and burst crackers.
In Jainism, Diwali marks the attainment of moksha or nirvana by Mahavira in 527 BC. In Sikhism, Deepavali commemorates the return of Guru Har Gobind Ji to Amritsar after freeing 52 Hindu kings imprisoned in Fort Gwalior by defeating Emperor Jahangir; the people lit candles and diyas to celebrate his return. This is the reason Sikhs also refer to Deepavali as Bandi Chhorh Divas, "the day of release of detainees". Deepavali is widely celebrated in both India and Nepal.
The first day of the festival Naraka Chaturdasi marks the vanquishing of the demon Naraka by Lord Krishna and his wife Satyabhama. Amavasya, the second day of Deepawali, marks the worship of Lakshmi, the goddess of wealth in her most benevolent mood, fulfilling the wishes of her devotees. Amavasya also tells the story of Lord Vishnu, who in his dwarf incarnation vanquished the tyrant Bali, and banished him to hell. Bali was allowed to return to earth once a year, to light millions of lamps to dispel the darkness and ignorance, and spread the radiance of love and wisdom. It is on the third day of Deepawali — Kartika Shudda Padyami - that Bali steps out of hell and rules the earth according to the boon given by Lord Vishnu. The fourth day is referred to as Yama Dvitiya (also called Bhai Dooj) and on this day sisters invite
In each legend, myth and story of Deepawali lies the significance of the victory of good over evil; and it is with each Deepawali and the lights that illuminate our homes and hearts, that this simple truth finds new reason and hope. From darkness unto light — the light that empowers us to commit ourselves to good deeds, that which brings us closer to divinity. During Diwali, lights illuminate every corner of India and the scent of incense sticks hangs in the air, mingled with the sounds of fire-crackers, joy, togetherness and hope. Diwali is celebrated around the globe. Outside India, it is more than a Hindu festival, it's a celebration of South-Asian identities.
While Deepavali is popularly known as the "festival of lights", the most significant spiritual meaning is "the awareness of the inner light". Central to Hindu philosophy is the assertion that there is something beyond the physical body and mind which is pure, infinite, and eternal, called the Atman. The celebration of Deepavali as the "victory of good over evil", refers to the light of higher knowledge dispelling all ignorance, the ignorance that masks one's true nature, not as the body, but as the unchanging, infinite, immanent and transcendent reality. With this awakening comes compassion and the awareness of the oneness of all things (higher knowledge). This brings Ananda (joy or peace). Just as we celebrate the birth of our physical being, Deepavali is the celebration of this Inner Light.
While the story behind Deepavali and the manner of celebration varies from region to region (festive fireworks, worship, lights, sharing of sweets), the essence is the same – to rejoice in the Inner Light (Atman) or the underlying Reality of all things (Brahman).
Source : en.wikipedia.org/wiki/Diwali
At a rave, with all sorts of hipster kids from Moscow & St. Pete, this tard is wearing flip-flops, cheezy board shorts and a flag cape: "Cap'n Russia Comin' Thru!"
He was waving jasmine-scented incense sticks... you go, girl!
Please don't use this image on websites, blogs or other media without my explicit permission.
Merci de ne pas utiliser cette image sur des sites web, blogs ou autre média sans ma permission.
Gracias por no utilizar esta imagen en portales internet, blogs u otros medios.
© Xavier HERNANDEZ - All rights reserved. / Tous droits reservés. / Todos los derechos reservados.
I've been wanting to try photographing smoke for a while. I finally bought some incense sticks and proceeded to smoke-up and stink-up my home office. Graham Jeffery has an excellent blog entry on how to photograph smoke. If you're interested, I'd head over there to see his photos and read about his technique. I'll post some comments on my blog when I get a chance. I colorized some of these images in Photoshop. Those that are more subtlety colored (about half of them) show the natural colors of the smoke itself (with some saturation added in a few cases).
All of my smoke images were created with two light sources. The first was natural light coming through an window on the left. I doubt the natural light contributed much (if anything), because my shutter speed was 1/250 and the f-stop was f/10. To the right of the smoke I placed a Canon Speedlite set to full power. Those setting pretty much nuked any ambient light. To prevent any light from spilling onto the background, and flaring into the lens, I attached a couple of 4" X 8" cardboard "gobos" to the sides of my flash (using Velcro). I wish now that I had taken a setup shot. Oh well, next time.
We spent a day in and around Datong and the highlight was the morning spent at the Yungang Grottoes.
This UNESCO World Heritage Site has "252 grottoes with more than 51,000 Buddha statues and statuettes" according to Wikipedia and we can believe it!
Apparently they were carved between 465 and 525AD. Serious efforts are now underway to slow 1500 years of weathering.
We really came to appreciate the problems China has with dust blowing in from Mongolia during this day. The dust was everywhere. The wind picked up in the middle of the day and the sky had that slight tint of orange I had seen on pictures of Beijing's dust storms. Very cold on Bethan's ankles!
Datong itself is a coal mining town with very little else to merit a visit but it probably shows just how the majority of the Chinese population live.