View allAll Photos Tagged incense_sticks
Shot on Nikon D3300
Edited on Adobe Photoshop and Camera Raw
Incense sticks burning in front of the altars of the deities in my house.
"The ancient light that we may learn:
The Root the Seed of Living Light,
It sinks into Primordial days."
~ Soso Tham, 1873-1940 ~
Today all the vehicles and machines received a puja. The car was garlanded with flowers and a mixture of fruits, coconuts and puffed rice was offered. Incense sticks, scented with sandalwood, made the air fragrant. A coconut was set alight and offered before being smashed hard on the ground. A green coconut was prepared, lit and walked three times around the vehicle. It was then smashed on the road. Lemons were placed under each tyre ... to be squashed as the vehicle moved off.
Diwali (also spelled Devali in certain regions) or Deepavali, popularly known as the "festival of lights", is an important five-day festival in Hinduism, Jainism, and Sikhism, occurring between mid-October and mid-November. For Hindus, Diwali is the most important festival of the year and is celebrated in families by performing traditional activities together in their homes. Deepavali is an official holiday in India, Nepal, Sri Lanka, Myanmar, Mauritius, Guyana, Trinidad & Tobago, Suriname, Malaysia, Singapore, and Fiji.
The name Diwali is itself a contraction of the word "Deepavali" (Sanskrit: दीपावली Dīpāvalī), which translates into "row of lamps". Diwali involves the lighting of small clay lamps (diyas, or dīpa in Sanskrit: दीप) filled with oil to signify the triumph of good over evil. During Diwali, all the celebrants wear new clothes and share sweets and snacks with family members and friends. Most Indian business communities begin the financial year on the first day of Diwali.
Diwali commemorates the return of Lord Rama along with Sita and Lakshman from his fourteen-year-long exile and vanquishing the demon-king Ravana. In joyous celebration of the return of their king, the people of Ayodhya, the Capital of Rama, illuminated the kingdom with earthen diyas (oil lamps) and burst crackers.
In Jainism, Diwali marks the attainment of moksha or nirvana by Mahavira in 527 BC. In Sikhism, Deepavali commemorates the return of Guru Har Gobind Ji to Amritsar after freeing 52 Hindu kings imprisoned in Fort Gwalior by defeating Emperor Jahangir; the people lit candles and diyas to celebrate his return. This is the reason Sikhs also refer to Deepavali as Bandi Chhorh Divas, "the day of release of detainees". Deepavali is widely celebrated in both India and Nepal.
The first day of the festival Naraka Chaturdasi marks the vanquishing of the demon Naraka by Lord Krishna and his wife Satyabhama. Amavasya, the second day of Deepawali, marks the worship of Lakshmi, the goddess of wealth in her most benevolent mood, fulfilling the wishes of her devotees. Amavasya also tells the story of Lord Vishnu, who in his dwarf incarnation vanquished the tyrant Bali, and banished him to hell. Bali was allowed to return to earth once a year, to light millions of lamps to dispel the darkness and ignorance, and spread the radiance of love and wisdom. It is on the third day of Deepawali — Kartika Shudda Padyami - that Bali steps out of hell and rules the earth according to the boon given by Lord Vishnu. The fourth day is referred to as Yama Dvitiya (also called Bhai Dooj) and on this day sisters invite
In each legend, myth and story of Deepawali lies the significance of the victory of good over evil; and it is with each Deepawali and the lights that illuminate our homes and hearts, that this simple truth finds new reason and hope. From darkness unto light — the light that empowers us to commit ourselves to good deeds, that which brings us closer to divinity. During Diwali, lights illuminate every corner of India and the scent of incense sticks hangs in the air, mingled with the sounds of fire-crackers, joy, togetherness and hope. Diwali is celebrated around the globe. Outside India, it is more than a Hindu festival, it's a celebration of South-Asian identities.
While Deepavali is popularly known as the "festival of lights", the most significant spiritual meaning is "the awareness of the inner light". Central to Hindu philosophy is the assertion that there is something beyond the physical body and mind which is pure, infinite, and eternal, called the Atman. The celebration of Deepavali as the "victory of good over evil", refers to the light of higher knowledge dispelling all ignorance, the ignorance that masks one's true nature, not as the body, but as the unchanging, infinite, immanent and transcendent reality. With this awakening comes compassion and the awareness of the oneness of all things (higher knowledge). This brings Ananda (joy or peace). Just as we celebrate the birth of our physical being, Deepavali is the celebration of this Inner Light.
While the story behind Deepavali and the manner of celebration varies from region to region (festive fireworks, worship, lights, sharing of sweets), the essence is the same – to rejoice in the Inner Light (Atman) or the underlying Reality of all things (Brahman).
Source : en.wikipedia.org/wiki/Diwali
Please don't use this image on websites, blogs or other media without my explicit permission.
Merci de ne pas utiliser cette image sur des sites web, blogs ou autre média sans ma permission.
Gracias por no utilizar esta imagen en portales internet, blogs u otros medios.
© Xavier HERNANDEZ - All rights reserved. / Tous droits reservés. / Todos los derechos reservados.
I've been wanting to try photographing smoke for a while. I finally bought some incense sticks and proceeded to smoke-up and stink-up my home office. Graham Jeffery has an excellent blog entry on how to photograph smoke. If you're interested, I'd head over there to see his photos and read about his technique. I'll post some comments on my blog when I get a chance. I colorized some of these images in Photoshop. Those that are more subtlety colored (about half of them) show the natural colors of the smoke itself (with some saturation added in a few cases).
All of my smoke images were created with two light sources. The first was natural light coming through an window on the left. I doubt the natural light contributed much (if anything), because my shutter speed was 1/250 and the f-stop was f/10. To the right of the smoke I placed a Canon Speedlite set to full power. Those setting pretty much nuked any ambient light. To prevent any light from spilling onto the background, and flaring into the lens, I attached a couple of 4" X 8" cardboard "gobos" to the sides of my flash (using Velcro). I wish now that I had taken a setup shot. Oh well, next time.
We spent a day in and around Datong and the highlight was the morning spent at the Yungang Grottoes.
This UNESCO World Heritage Site has "252 grottoes with more than 51,000 Buddha statues and statuettes" according to Wikipedia and we can believe it!
Apparently they were carved between 465 and 525AD. Serious efforts are now underway to slow 1500 years of weathering.
We really came to appreciate the problems China has with dust blowing in from Mongolia during this day. The dust was everywhere. The wind picked up in the middle of the day and the sky had that slight tint of orange I had seen on pictures of Beijing's dust storms. Very cold on Bethan's ankles!
Datong itself is a coal mining town with very little else to merit a visit but it probably shows just how the majority of the Chinese population live.
17th Century Lama Temple or Yonghe Temple/ -Lamasery is a temple and monastery of the Gelug school of Tibetan Buddhism. NE of city centre. The complex is about 400x100 meters. Metro station: Yonghegong Lama Temple (line 2 and 5).
I went there late afternoon to avoid big crowds. I went in 15:45 hour. No line at the ticket counter. Good. Entrance is only 25 yuan (€3). Entrance fee to these attractions cost so little compared to European cities. You gotta love Beijing. From the ticket office to the temple complex is a 150m walk. Included in the price is a packet of incense sticks which is handed out at the entrance of the temple complex.
I was first observing everyone for a couple of minutes to understand how it is done…
You've got to burn the sticks then walk towards the temple and kneel on the leather cushion while holding the sticks above your head with two hands. Than pray for a while (I think). Then bow three times. Stand up, rotate to the right 90 degrees and bow, while standing, three times still holding the sticks above your head. Then throw the sticks in the big black box. Okay, I can do that. So I burned the entire packet of sticks at the first temple. Behind that were many more temples but I was out of sticks. Mmmmnnnnn. Good one Gilbert. Nice. Idiot. At 16:30 hour they were closing the doors of a couple temples and at 16:45 hours we were forced towards the exit. Beautiful looking place though.
Die Gestaltung des Balinesischen Gartens folgt den auf Bali vorhandenen Vorbildern und soll den Besuchern Geist und symbolischen Inhalt balinesischer Kultur vermitteln. Im Gegensatz zur überwiegend muslimisch geprägten Bevölkerung Indonesiens haben die Balinesen ihre ganz eigene Kultur. Der auf Bali vorherrschende Hinduismus mischt sich mit alten Bräuchen und Sitten, dem Respekt vor der Natur und dem Streben der Balinesen nach Harmonie in allen Lebensbereichen zu einer einzigartigen Glaubens- und Kulturform. Ein Mensch sollte stets im Einklang mit sich selbst, mit seiner Umgebung - das heißt mit der Natur und den anderen Menschen - und mit dem gesamten Universum leben. Dieses dreigeteilte Harmonieprinzip findet sich im Balinesischen Garten immer wieder und ist auch Grundlage für den Namen des Gartens: "Garten der drei Harmonien - TRI HITA KARANA". Der Balinesische Garten ist ein Beispiel für die Anordnung einer Wohnanlage im südlichen Bali. (Quelle: Senatsverwaltung für Umwelt, Verkehr und Klimaschutz, gekürzt)
The Balinese Garden, which opened in 2003 as the Garden of the Three Harmonies or Tri Hita Karana, grew out of town twinning links forged between Berlin and Jakarta. Most of the structural elements in the garden, designed by Indonesian architects I Putu Edy Semara, were pre-fabricated in Bali and assembled in Berlin by Balinese craftsmen.
For the IGA Berlin 2017, this exotic garden was both revamped and rehoused in the new, 14m-high, energy-efficient Tropical Hall which has provided an additional 2000 square metres of tropical planting around the Balinese Garden.
The Balinese Garden reflects man’s struggle for harmony: harmony among people, with the environment and with the universe. A garden planted according to design criteria alone is unknown in traditional Bali, where tropical forest flora merges with the species cultivated by villagers: plants that are used for eating, as remedies or as religious offerings.
In the heart of the garden stands a compound typical of those to be found in southern Bali, surrounded by a wall of whitewashed brick. Visitors enter this private area through a gate called the angkul angkul. It is here that they see the first evidence of the ubiquitous trinity of the Balinese Garden of the Three Harmonies, for the gate comprises a base with steps (representing the foot), a teak door (the body) and a mighty capped roof (the head).
The family temple, or sanggah, inside the compound is enclosed within another wall. In Bali, offerings of flowers, fruit and incense sticks are placed on these high-plinthed shrines every day. The largest building in the compound is the all-purpose bale dangin, a roofed pavilion that serves a number of different functions. It is where offerings are prepared, where the family sleeps, weaves, sews and plays. The paved area in front of the bale dangin marks the centre of the compound and is a place of encounter and exchange.
Just behind the compound starts the ancient tropical forest which contains many species commonly found in Europe as houseplants or in botanical gardens. (Souce: Grün Berlin Group, abbreviated)
Incense sticks, a closed room and a flash snoot was what it took. A rebreather is what i wanted by the end of it, it didn't take long to fill with smoke.
I've been wanting to try photographing smoke for a while. I finally bought some incense sticks and proceeded to smoke-up and stink-up my home office. Graham Jeffery has an excellent blog entry on how to photograph smoke. If you're interested, I'd head over there to see his photos and read about his technique. I'll post some comments on my blog when I get a chance. I colorized some of these images in Photoshop. Those that are more subtlety colored (about half of them) show the natural colors of the smoke itself (with some saturation added in a few cases).
All of my smoke images were created with two light sources. The first was natural light coming through an window on the left. I doubt the natural light contributed much (if anything), because my shutter speed was 1/250 and the f-stop was f/10. To the right of the smoke I placed a Canon Speedlite set to full power. Those setting pretty much nuked any ambient light. To prevent any light from spilling onto the background, and flaring into the lens, I attached a couple of 4" X 8" cardboard "gobos" to the sides of my flash (using Velcro). I wish now that I had taken a setup shot. Oh well, next time.
Beijing, Lama Temple, burning of incense sticks
The Yonghe Temple , also known as the "Palace of Peace and Harmony Lama Temple", the "Yonghe Lamasery", or - popularly - the "Lama Temple" is a temple and monastery of the Geluk School of Tibetan Buddhism located in the northeastern part of Beijing, China. It is one of the largest and most important Tibetan Buddhist monasteries in the world. The building and the artworks of the temple combine Han Chinese and Tibetan styles. Building work on the Yonghegong Temple started in 1694 during the Qing Dynasty.
(From Wikipedia, en.wikipedia.org/wiki/Lama_Temple)
I've been wanting to try photographing smoke for a while. I finally bought some incense sticks and proceeded to smoke-up and stink-up my home office. Graham Jeffery has an excellent blog entry on how to photograph smoke. If you're interested, I'd head over there to see his photos and read about his technique. I'll post some comments on my blog when I get a chance. I colorized some of these images in Photoshop. Those that are more subtlety colored (about half of them) show the natural colors of the smoke itself (with some saturation added in a few cases).
All of my smoke images were created with two light sources. The first was natural light coming through an window on the left. I doubt the natural light contributed much (if anything), because my shutter speed was 1/250 and the f-stop was f/10. To the right of the smoke I placed a Canon Speedlite set to full power. Those setting pretty much nuked any ambient light. To prevent any light from spilling onto the background, and flaring into the lens, I attached a couple of 4" X 8" cardboard "gobos" to the sides of my flash (using Velcro). I wish now that I had taken a setup shot. Oh well, next time.
created with incense sticks, a long exposure while firing a flash in hand - then mirroring the image
Apparently this temple was first established in 1636. Its name Temple of Celebratory Clouds was probably so named because it sits high on a hill and the ancient mythology that the God of Heaven (or Sky) has control over all weather conditions and the movement of the sun, cloud, rain and wind.
The temple is a massive structure built on the hillside of Dinghu Mountain, containing over 100 inter-connected rooms or halls over five terraces.
xxxx
My mother had a very difficult childhood. China in the 1940s and 1950s was in social, political and economic turmoil. When my mother was only 11, her parents had no choice but to send her off alone to Hong Kong to live with her aunt. My mother hence started working at age 11 even though she really wanted to go to school instead. Imagine a girl without the care and love of her parents, and she was able to go back to China to visit her parents once a year, and only for a few days each time.
In any case, when she was still small, she remembered her uncle telling her about Dinghu Mountain, which is a scenic mountain park with an old temple. Ever since her teens, she had wanted to visit this Dinghu Mountain. But life was tough in those days. She dreamt of going, but never could. Fast forward 60 years, we're now determined to taker her there.
The original plan was, I was to accompany her to see it too. But then my brother also wanted to go and he could only go BEFORE my arrival in China (my mother left Toronto for China a week before me). So? They all went to Dinghu Mountain before I could get to China.
But the main thing is my mother finally got to see it. Perhaps one day I will too!
Incense sticks, a closed room and a flash snoot was what it took. A rebreather is what i wanted by the end of it, it didn't take long to fill with smoke.
smoke picture, taken with incense sticks, on my balcony. use flash and superdark background, open air and vast space works the best for it!
Die Gestaltung des Balinesischen Gartens folgt den auf Bali vorhandenen Vorbildern und soll den Besuchern Geist und symbolischen Inhalt balinesischer Kultur vermitteln. Im Gegensatz zur überwiegend muslimisch geprägten Bevölkerung Indonesiens haben die Balinesen ihre ganz eigene Kultur. Der auf Bali vorherrschende Hinduismus mischt sich mit alten Bräuchen und Sitten, dem Respekt vor der Natur und dem Streben der Balinesen nach Harmonie in allen Lebensbereichen zu einer einzigartigen Glaubens- und Kulturform. Ein Mensch sollte stets im Einklang mit sich selbst, mit seiner Umgebung - das heißt mit der Natur und den anderen Menschen - und mit dem gesamten Universum leben. Dieses dreigeteilte Harmonieprinzip findet sich im Balinesischen Garten immer wieder und ist auch Grundlage für den Namen des Gartens: "Garten der drei Harmonien - TRI HITA KARANA". Der Balinesische Garten ist ein Beispiel für die Anordnung einer Wohnanlage im südlichen Bali. (Quelle: Senatsverwaltung für Umwelt, Verkehr und Klimaschutz, gekürzt)
The Balinese Garden, which opened in 2003 as the Garden of the Three Harmonies or Tri Hita Karana, grew out of town twinning links forged between Berlin and Jakarta. Most of the structural elements in the garden, designed by Indonesian architects I Putu Edy Semara, were pre-fabricated in Bali and assembled in Berlin by Balinese craftsmen.
For the IGA Berlin 2017, this exotic garden was both revamped and rehoused in the new, 14m-high, energy-efficient Tropical Hall which has provided an additional 2000 square metres of tropical planting around the Balinese Garden.
The Balinese Garden reflects man’s struggle for harmony: harmony among people, with the environment and with the universe. A garden planted according to design criteria alone is unknown in traditional Bali, where tropical forest flora merges with the species cultivated by villagers: plants that are used for eating, as remedies or as religious offerings.
In the heart of the garden stands a compound typical of those to be found in southern Bali, surrounded by a wall of whitewashed brick. Visitors enter this private area through a gate called the angkul angkul. It is here that they see the first evidence of the ubiquitous trinity of the Balinese Garden of the Three Harmonies, for the gate comprises a base with steps (representing the foot), a teak door (the body) and a mighty capped roof (the head).
The family temple, or sanggah, inside the compound is enclosed within another wall. In Bali, offerings of flowers, fruit and incense sticks are placed on these high-plinthed shrines every day. The largest building in the compound is the all-purpose bale dangin, a roofed pavilion that serves a number of different functions. It is where offerings are prepared, where the family sleeps, weaves, sews and plays. The paved area in front of the bale dangin marks the centre of the compound and is a place of encounter and exchange.
Just behind the compound starts the ancient tropical forest which contains many species commonly found in Europe as houseplants or in botanical gardens. (Souce: Grün Berlin Group, abbreviated)
February 28: When all else fails, there's always a macro shot. This is a glass full of incense sticks. Which I am going to start using as soon as I get my act together for Tricycle's "Big Sit." Ninety days of meditation, which started on Monday--though the guidelines insist that one can start whenever one is ready. I guess I haven't been ready yet. Maybe today, huh? To go with this picture?
When logic and proportion
Have fallen sloppy dead
And the White Knight is talking backwards
And the Red Queen's "off with her head!"
Remember what the dormouse said;
"Keep your head" (*)
My first hippy experiments with smoke photography :)
I had only one small bit of incense stick and it's quite hard to adjust the lighting in order to capture the smoke trails.
I've managed to capture one good smoke trail, but focus and overall composition was awful.
This is why I've used the last smelly inch of incense with the flash slightly pointed towards the lens to get some nice bokeh.
I'll go on experimenting as soon as I find better smelling incense sticks and a better way to direct the light away from both lens and background :D
(*) "White Rabbit" by Jefferson Airplane
Happy Deepavali to all our Hindu friends!
Every year during Deepavali, Little India transforms into an exotic treat for the senses, with thousands of coloured lights and dozens of special stalls set up, selling anything from beautiful brightly-coloured silk saris, shining jewellery, aromatic spices, scented jasmine garlands, incense sticks, and statues of Indian deities and much more.
Die Gestaltung des Balinesischen Gartens folgt den auf Bali vorhandenen Vorbildern und soll den Besuchern Geist und symbolischen Inhalt balinesischer Kultur vermitteln. Im Gegensatz zur überwiegend muslimisch geprägten Bevölkerung Indonesiens haben die Balinesen ihre ganz eigene Kultur. Der auf Bali vorherrschende Hinduismus mischt sich mit alten Bräuchen und Sitten, dem Respekt vor der Natur und dem Streben der Balinesen nach Harmonie in allen Lebensbereichen zu einer einzigartigen Glaubens- und Kulturform. Ein Mensch sollte stets im Einklang mit sich selbst, mit seiner Umgebung - das heißt mit der Natur und den anderen Menschen - und mit dem gesamten Universum leben. Dieses dreigeteilte Harmonieprinzip findet sich im Balinesischen Garten immer wieder und ist auch Grundlage für den Namen des Gartens: "Garten der drei Harmonien - TRI HITA KARANA". Der Balinesische Garten ist ein Beispiel für die Anordnung einer Wohnanlage im südlichen Bali. (Quelle: Senatsverwaltung für Umwelt, Verkehr und Klimaschutz, gekürzt)
The Balinese Garden, which opened in 2003 as the Garden of the Three Harmonies or Tri Hita Karana, grew out of town twinning links forged between Berlin and Jakarta. Most of the structural elements in the garden, designed by Indonesian architects I Putu Edy Semara, were pre-fabricated in Bali and assembled in Berlin by Balinese craftsmen.
For the IGA Berlin 2017, this exotic garden was both revamped and rehoused in the new, 14m-high, energy-efficient Tropical Hall which has provided an additional 2000 square metres of tropical planting around the Balinese Garden.
The Balinese Garden reflects man’s struggle for harmony: harmony among people, with the environment and with the universe. A garden planted according to design criteria alone is unknown in traditional Bali, where tropical forest flora merges with the species cultivated by villagers: plants that are used for eating, as remedies or as religious offerings.
In the heart of the garden stands a compound typical of those to be found in southern Bali, surrounded by a wall of whitewashed brick. Visitors enter this private area through a gate called the angkul angkul. It is here that they see the first evidence of the ubiquitous trinity of the Balinese Garden of the Three Harmonies, for the gate comprises a base with steps (representing the foot), a teak door (the body) and a mighty capped roof (the head).
The family temple, or sanggah, inside the compound is enclosed within another wall. In Bali, offerings of flowers, fruit and incense sticks are placed on these high-plinthed shrines every day. The largest building in the compound is the all-purpose bale dangin, a roofed pavilion that serves a number of different functions. It is where offerings are prepared, where the family sleeps, weaves, sews and plays. The paved area in front of the bale dangin marks the centre of the compound and is a place of encounter and exchange.
Just behind the compound starts the ancient tropical forest which contains many species commonly found in Europe as houseplants or in botanical gardens. (Souce: Grün Berlin Group, abbreviated)
Day 254 Incense sticks #365pic #365days #365photo #365project #365photochallenge #365photoproject #365photos #365photoaday #365challenge #365 #photo #photoaday #photoofday #photography #photoaday365 #photoadaychallenge #photooftheday #photochallenge #project365
The Varanasi Ganga Aarti is one of the most beautiful religious ceremonies in the world. It takes place every sunset at holy Dashaswamedh Ghat, near Kashi Vishwanath Temple. This divine ritual is a highly choreographed ceremony. The extravaganza is amazing and you will certainly will be wanting more of it. The aarti is performed on a stage on the river banks. A group of young pandits, all draped in saffron colored robes raise huge brass lamps in honor of the River Goddess.
The ceremony commences with the blowing of a conch shell, which is believed to eliminate all negative energy and heighten your senses. The waving of incense sticks in elaborate patterns and circling of large flaming lamps follows. The movement of the lamps are synchronized to the rhythmic chants of hymns and music of cymbals. The heady scent of sandalwood thickly permeates the air. The aarti is not just a ritual it is a display of complete devotion to the River Ganga.
Smoke from Kayuragi Japanese Incense sticks. They do not produce a lot of smoke and it took a while to capture the picture, but the wisps are nice and thin.
Lighting: SB-700 from side, manual mode @ 1/32.
大坑舞火龍為香港中秋節期間一項大型傳統活動，一連三天舉行，以保大坑居民合境平安。火龍龍身全長220呎(67米)，分成32節，先以粗麻繩紮成龍骨，再用稻草紮成(現改用珍珠草)龍身。龍頭由藤條屈曲為骨架；龍牙以鋸齒的鐵片造成；雙眼是手電筒；舌頭是漆紅的木片，而帶引舞龍的珠球是個插滿線香的沙田柚，一共兩個，而全條龍身均插上逾萬支火紅的長壽香，在夜間生龍舞動。
大坑舞火龍於2011年列入第三批國家級非遺代表性項目名錄。
Mid-autumn Festival 中秋節：Ｖillagers have performed the three-day fire dragon dance every year to pray for peace in Tai Hang. Fire Dragon is altogether 220 feet long with its body divided into 32 segments, all of which are stuffed with straw and stuck full of incense sticks, estimate made with several tens of thousands glowing incense sticks winds through the streets down to Tin Hau.
Tai Hang fire dragon dance was inscribed onto the third national list of ICH in 2011.
香港大坑浣紗街
Wun Sha Street, Tai Hang, Hong Kong.
Die Gestaltung des Balinesischen Gartens folgt den auf Bali vorhandenen Vorbildern und soll den Besuchern Geist und symbolischen Inhalt balinesischer Kultur vermitteln. Im Gegensatz zur überwiegend muslimisch geprägten Bevölkerung Indonesiens haben die Balinesen ihre ganz eigene Kultur. Der auf Bali vorherrschende Hinduismus mischt sich mit alten Bräuchen und Sitten, dem Respekt vor der Natur und dem Streben der Balinesen nach Harmonie in allen Lebensbereichen zu einer einzigartigen Glaubens- und Kulturform. Ein Mensch sollte stets im Einklang mit sich selbst, mit seiner Umgebung - das heißt mit der Natur und den anderen Menschen - und mit dem gesamten Universum leben. Dieses dreigeteilte Harmonieprinzip findet sich im Balinesischen Garten immer wieder und ist auch Grundlage für den Namen des Gartens: "Garten der drei Harmonien - TRI HITA KARANA". Der Balinesische Garten ist ein Beispiel für die Anordnung einer Wohnanlage im südlichen Bali. (Quelle: Senatsverwaltung für Umwelt, Verkehr und Klimaschutz, gekürzt)
The Balinese Garden, which opened in 2003 as the Garden of the Three Harmonies or Tri Hita Karana, grew out of town twinning links forged between Berlin and Jakarta. Most of the structural elements in the garden, designed by Indonesian architects I Putu Edy Semara, were pre-fabricated in Bali and assembled in Berlin by Balinese craftsmen.
For the IGA Berlin 2017, this exotic garden was both revamped and rehoused in the new, 14m-high, energy-efficient Tropical Hall which has provided an additional 2000 square metres of tropical planting around the Balinese Garden.
The Balinese Garden reflects man’s struggle for harmony: harmony among people, with the environment and with the universe. A garden planted according to design criteria alone is unknown in traditional Bali, where tropical forest flora merges with the species cultivated by villagers: plants that are used for eating, as remedies or as religious offerings.
In the heart of the garden stands a compound typical of those to be found in southern Bali, surrounded by a wall of whitewashed brick. Visitors enter this private area through a gate called the angkul angkul. It is here that they see the first evidence of the ubiquitous trinity of the Balinese Garden of the Three Harmonies, for the gate comprises a base with steps (representing the foot), a teak door (the body) and a mighty capped roof (the head).
The family temple, or sanggah, inside the compound is enclosed within another wall. In Bali, offerings of flowers, fruit and incense sticks are placed on these high-plinthed shrines every day. The largest building in the compound is the all-purpose bale dangin, a roofed pavilion that serves a number of different functions. It is where offerings are prepared, where the family sleeps, weaves, sews and plays. The paved area in front of the bale dangin marks the centre of the compound and is a place of encounter and exchange.
Just behind the compound starts the ancient tropical forest which contains many species commonly found in Europe as houseplants or in botanical gardens. (Souce: Grün Berlin Group, abbreviated)
These incense sticks had Chinese good luck wishes written on them.
This photograph appears in a NowPublic news story:Incense Gives You Cancer.
Loi Krathong takes place on the evening of the full moon of the 12th month in the traditional Thai lunar calendar. In the western calendar this usually falls in November.
Loi literally means 'to float,' while krathong refers to the lotus-shaped receptacle which can float on the water. Originally, the krathong was made of banana leaves or the layers of the trunk of a banana tree or a spider lily plant. A krathong contains food, betel nuts, flowers, joss sticks, candle and coins. Modern krathongs are more often made of bread or styrofoam. A bread krathong will disintegrate in a few a days and be eaten by fish and other animals. The traditional banana stalk krathongs are also biodegradable, but styrofoam krathongs are frowned on, since they are polluting and may take years to disappear. Regardless of the composition, a krathong will be decorated with elaborately-folded banana leaves, flowers, candles and incense sticks. A low value coin is sometimes included as an offering to the river spirits. During the night of the full moon, Thais will float their krathong on a river, canal or a pond lake. The festival is believed to originate in an ancient practice of paying respect to the spirit of the waters. Today it is simply a time to have fun.
Source: Wikipedia
Myanmar Images : A young lady works making incense sticks at a factory in Pakokku, Myanmar. During the week, she would live at the factory, returning to her village in the North only on weekends to support her mother with her weekly pay of $17.00
I've been wanting to try photographing smoke for a while. I finally bought some incense sticks and proceeded to smoke-up and stink-up my home office. Graham Jeffery has an excellent blog entry on how to photograph smoke. If you're interested, I'd head over there to see his photos and read about his technique. I'll post some comments on my blog when I get a chance. I colorized some of these images in Photoshop. Those that are more subtlety colored (about half of them) show the natural colors of the smoke itself (with some saturation added in a few cases).
All of my smoke images were created with two light sources. The first was natural light coming through an window on the left. I doubt the natural light contributed much (if anything), because my shutter speed was 1/250 and the f-stop was f/10. To the right of the smoke I placed a Canon Speedlite set to full power. Those setting pretty much nuked any ambient light. To prevent any light from spilling onto the background, and flaring into the lens, I attached a couple of 4" X 8" cardboard "gobos" to the sides of my flash (using Velcro). I wish now that I had taken a setup shot. Oh well, next time.
Little bored this afternoon. Needed to play with my camera.
Strobist: Small softbox camera left triggered by cybersyncs. Three incense sticks, black back ground, a little post, and voila - Art (?).
My wife said it was a shame (very tongue in cheek) that tobacco companies are in such disfavor. A series of these would look great in their lobby....
This was taken on a Chinese ship. I was struck by the fact that it seemed to be an active shrine in the sense that there were a lot of incense sticks in the offering bowl. A lot of ships have a small shrine or something for luck. Japanese ships have a similar shrine to this with jars for sake and bowl for rice offerings. Greek ships usually have an icon behind the helmsman. Turkish ships have a portrait of Ataturk somewhere on the rear bulkhead.
This ship could use some good luck. I guess appeasing the spirits in this case was cheaper than building her with a decently sized rudder.
On a very wet day outside I decided that I would need to resort to taking photos of my wife's ornaments, yes I was that bored! Anyway, this is one of her favourite pieces with some red filter on the flash. The smoke is from some incense sticks.
A Ladakhi woman turns some of the many prayer wheels at the Hemis Monastery Summer Festival 2011, Ladakh.
(The bottle she is holding is called Mazza - mango juice)
The Hemis festival is dedicated to Lord Padmasambhava (Guru Rimpoche) venerated as the Dance Performance at Hemis Monastery representative reincarnate of Buddha. He is believed to have been born on the 10th day of the fifth month of the Monkey year as predicted by the Buddha Shakyamuni. It is also believed that his life mission was, and remains, to improve the spiritual condition of all living beings. And so on this day, which comes once in a cycle of 12 years, Hemis observes a major extravaganza in his memory. The observance of these sacred rituals is believed to give spiritual strength and good health. The Hemis festival takes place in the rectangular courtyard in front of the main door of the monastery. The space is wide and open save two raised square platforms, three feet high with a sacred pole in the center. A raised dias with a richly cushioned seat with a finely painted small Tibetan table is placed with the ceremonial items - cups full of holy water, uncooked rice, tormas made of dough and butter and incense sticks. A number of musicians play the traditional music with four pairs of cymbals, large-pan drums, small trumpets and large size wind instruments. Next to them, a small space is assigned for the lamas to sit. (Wikipedia)
Not only is it a pincushion, it's a box, and it's filled with great things!
Jean, from California, sent 2 packs of clover pins, a pack of glass head pins in lovely bright colours and some incense sticks which (according to the packet) will help me more concentrated. Perfect for me - let's see if they work!
I have it sat on my desk, in pride of place. Thank you, Jean. I adore it!
Mermaid Incense Back Burner B1122
€7.87 Ali (€20.71@62% off)
Ordered: 14-02-2018
Arriver: 26-03-2018
40 days from order date to arrival.
Not sent in foam packing as shown in advert. The base was put on top and it had the poly bag packing next to it but not around it.
Comes with 10 incense sticks of varying colours and I assume stink.
I got this as a USB Stick holder but it seems to be smaller than I had thought it would be.
Might paint it and have it anyway to annoy the sad people here.
Ladakhi woman wearing traditional costume at the Hemis Monastery Summer Festival 2011.
The Hemis festival is dedicated to Lord Padmasambhava (Guru Rimpoche) venerated as the Dance Performance at Hemis Monastery representative reincarnate of Buddha. He is believed to have been born on the 10th day of the fifth month of the Monkey year as predicted by the Buddha Shakyamuni. It is also believed that his life mission was, and remains, to improve the spiritual condition of all living beings. And so on this day, which comes once in a cycle of 12 years, Hemis observes a major extravaganza in his memory. The observance of these sacred rituals is believed to give spiritual strength and good health. The Hemis festival takes place in the rectangular courtyard in front of the main door of the monastery. The space is wide and open save two raised square platforms, three feet high with a sacred pole in the center. A raised dias with a richly cushioned seat with a finely painted small Tibetan table is placed with the ceremonial items - cups full of holy water, uncooked rice, tormas made of dough and butter and incense sticks. A number of musicians play the traditional music with four pairs of cymbals, large-pan drums, small trumpets and large size wind instruments. Next to them, a small space is assigned for the lamas to sit. (Wikipedia)