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Incense sticks, Phuket, Thailand.

Sengaku-ji Temple houses the graves of the 47 loyal retainers of Lord Asano, whose story was recently 'retold' in the 2013 movie 47 Ronin. The incidents resonate with the Japanese as it epitomises what it meant to be a samurai.

 

Putting aside the absurd embellishments and cultural mishmash of Hollywood's $175 milion flop, the actual Ako incident begins with two young daimyo lords being instructed by an older lord in the correct etiquette for the Tokugawa court. Historical details are not clear, and commercial issues (as the Ako clan held valuable salt fields) may have motivated the insults and the baiting. Using weapons at the Tokugawa court was forbidden, but the upshot was that Lord Asano Naganori, insulted by his older instructor, drew a dagger on Lord Kira Yoshinaka and attacked him. Kira was only slightly hurt but, questioned after the event, Asano's only regret was that he failed to kill Kira, a poor defence as Asano was then required to commit seppuku. The Ako clan and army were disbanded and the samurai, being masterless, became ronin.

 

Kira had an obnoxious personality; and having escaped punishment was expecting a revenge attack. The loyal retainers' strategy was to hide their weapons and pretend to be shattered by the decision. Their leader, Ôishi Kuranosuke, left his wife and began a seeming life of dissipation while planning the attack that was to follow. More than a year later, on 14 December 1702, the 47 attacked Kira's mansion, taking his army by surprise, beheading Kira, and bringing the head to Asano's grave to avenge his death.

 

As the retainers had done what the code of the samurai demanded, the government's decision to order them to commit suicide by seppuku, which they did on 3 February 1703, was unpopular. The story has been kept alive in kabuki plays and films including Chushingura.

 

The graves of the 47 retainers are here. The green roof marks Ôishi's grave, and his son's grave is out of shot on left. Incense sticks can be seen on the graves. Lord Asano's grave is nearby, and there are museums on the grounds which have likenesses of the samurai and their personal effects.

 

In my opinion 47 Ronin is a strange beast because it links in mixed race (Keanu Reeves' character), fantastic monsters, a sorceress and a love story in a Hollywood way which alienates the most interested audience (Japanese) without broadening it. The witchcraft and monsters look more Chinese than Japanese, and the film was a disaster in Japan. On the plus side the story's history comes through (with plenty of added nonsense), the film is well paced, the acting good, and the special effects spectacular (although irrelevant). But what were they thinking..?

A narrow shop showing displaying religious related items in Hong Kong, from incense sticks (bottom) to joss paper (hanging in bags on the ceiling).

 

Learn more about at my travelog.

Diwali (also spelled Devali in certain regions) or Deepavali, popularly known as the "festival of lights", is an important five-day festival in Hinduism, Jainism, and Sikhism, occurring between mid-October and mid-November. For Hindus, Diwali is the most important festival of the year and is celebrated in families by performing traditional activities together in their homes. Deepavali is an official holiday in India, Nepal, Sri Lanka, Myanmar, Mauritius, Guyana, Trinidad & Tobago, Suriname, Malaysia, Singapore, and Fiji.

 

The name Diwali is itself a contraction of the word "Deepavali" (Sanskrit: दीपावली Dīpāvalī), which translates into "row of lamps". Diwali involves the lighting of small clay lamps (diyas, or dīpa in Sanskrit: दीप) filled with oil to signify the triumph of good over evil. During Diwali, all the celebrants wear new clothes and share sweets and snacks with family members and friends. Most Indian business communities begin the financial year on the first day of Diwali.

 

Diwali commemorates the return of Lord Rama along with Sita and Lakshman from his fourteen-year-long exile and vanquishing the demon-king Ravana. In joyous celebration of the return of their king, the people of Ayodhya, the Capital of Rama, illuminated the kingdom with earthen diyas (oil lamps) and burst crackers.

 

In Jainism, Diwali marks the attainment of moksha or nirvana by Mahavira in 527 BC. In Sikhism, Deepavali commemorates the return of Guru Har Gobind Ji to Amritsar after freeing 52 Hindu kings imprisoned in Fort Gwalior by defeating Emperor Jahangir; the people lit candles and diyas to celebrate his return. This is the reason Sikhs also refer to Deepavali as Bandi Chhorh Divas, "the day of release of detainees". Deepavali is widely celebrated in both India and Nepal.

 

The first day of the festival Naraka Chaturdasi marks the vanquishing of the demon Naraka by Lord Krishna and his wife Satyabhama. Amavasya, the second day of Deepawali, marks the worship of Lakshmi, the goddess of wealth in her most benevolent mood, fulfilling the wishes of her devotees. Amavasya also tells the story of Lord Vishnu, who in his dwarf incarnation vanquished the tyrant Bali, and banished him to hell. Bali was allowed to return to earth once a year, to light millions of lamps to dispel the darkness and ignorance, and spread the radiance of love and wisdom. It is on the third day of Deepawali — Kartika Shudda Padyami - that Bali steps out of hell and rules the earth according to the boon given by Lord Vishnu. The fourth day is referred to as Yama Dvitiya (also called Bhai Dooj) and on this day sisters invite

 

In each legend, myth and story of Deepawali lies the significance of the victory of good over evil; and it is with each Deepawali and the lights that illuminate our homes and hearts, that this simple truth finds new reason and hope. From darkness unto light — the light that empowers us to commit ourselves to good deeds, that which brings us closer to divinity. During Diwali, lights illuminate every corner of India and the scent of incense sticks hangs in the air, mingled with the sounds of fire-crackers, joy, togetherness and hope. Diwali is celebrated around the globe. Outside India, it is more than a Hindu festival, it's a celebration of South-Asian identities.

 

While Deepavali is popularly known as the "festival of lights", the most significant spiritual meaning is "the awareness of the inner light". Central to Hindu philosophy is the assertion that there is something beyond the physical body and mind which is pure, infinite, and eternal, called the Atman. The celebration of Deepavali as the "victory of good over evil", refers to the light of higher knowledge dispelling all ignorance, the ignorance that masks one's true nature, not as the body, but as the unchanging, infinite, immanent and transcendent reality. With this awakening comes compassion and the awareness of the oneness of all things (higher knowledge). This brings Ananda (joy or peace). Just as we celebrate the birth of our physical being, Deepavali is the celebration of this Inner Light.

 

While the story behind Deepavali and the manner of celebration varies from region to region (festive fireworks, worship, lights, sharing of sweets), the essence is the same – to rejoice in the Inner Light (Atman) or the underlying Reality of all things (Brahman).

 

Source : en.wikipedia.org/wiki/Diwali

251,941 items / 2,068,496 views

  

From Wikipedia, the free encyclopedia

 

Lakshmi puja is a Hindu ritual performed during Diwali, the festival of lights. According to tradition people would put small oil lamps outside their homes on Diwali and hope Lakshmi will come to bless them.

Goddess Lakshmi is worshipped by those who wish to acquire or to preserve wealth. It is believed that Lakshmi (wealth) goes only to those houses which are clean and where the people are hardworking. She does not visit the places which are unclean/dirty or where the people are lazy.

In the Sri Vaishnava philosophy however, Sri (Lakshmi) is honoured as the "Iswarigm sarva bhootanam" i.e. the Supreme goddess and not just the goddess of wealth. This is an important distinction between Sri Vaishnavism and other materialistic philosophies.

 

The third day of the festival of Diwali is the most important day of Lakshmi-puja and is entirely devoted to the propitiation of Goddess Lakshmi. On this very day sun enters his second course and passes Libra which is represented by the balance or scale. Hence, this design of Libra is believed to have suggested the balancing of account books and their closing. Despite the fact that this day falls on an amavasya day it is regarded as the most auspicious.

The day of Lakshmi-Puja falls on the dark night of Amavasya. The strains of joyous sounds of bells and drums float from the temples as man is invoking Goddess Lakshmi in a wondrous holy "pouring-in" of his heart. All of a sudden that impenetrable darkness is pierced by innumerable rays of light for just a moment and the next moment a blaze of light descends down to earth from heaven as golden-footed Deep-Lakshmi alights on earth in all her celestial glory amidst chantings of Vedic hymns.

A sublime light of knowledge dawns upon humanity and this self enlightenment is expressed through the twinkling lamps that illuminate the palaces of thewealthy as well as the lowly abodes of the poor. It is believed that on this day Lakshmi walks through the green fields and loiters through the bye-lanes and showers her blessings on man for plenty and prosperity.

  

After Lakshmi Puja, lamps are lit all over the house

Lakshmi Puja, or the worship of the goddess of wealth, is the main event on Diwali in North and West India. It is extremely important to keep the house spotlessly clean and pure on Diwali. Goddess Lakshmi likes cleanliness, and she will visit the cleanest house first. This is also the reason why the broom is worshiped on this day with offerings of haldi and kumkum (turmeric and vermilion). Lamps are lit in the evening to welcome the goddess. They are believed to light up Her path.

Lakshmi Puja consists of a combined puja of five deities: Ganesha is worshiped at the beginning of every auspicious act as Vighneshvara; Goddess Lakshmi is worshiped in her three forms - Mahalakshmi (the goddess of wealth and money), Mahasaraswati (the goddess of books and learning), and Mahakali; Kuber (the treasurer of the gods) is also worshiped.

Lakshmi Puja for 2012 falls on Tuesday, 13th November.

 

Initially the house must be cleaned, and a Rangoli is drawn at the doorstep in order to welcome Goddess Lakshmi.

The Puja requires the following elements:

[edit]The Ritual Elements

Silver and Gold coins

Ten Betel Nuts (Supari)

Uncooked Rice

Five Paan or Mango leaves

A Coconut

Water in a small pot (a "Lota")

Red vermillon ("Kumkum") for applying the tilak

Oil Lamps ("Diyas")

Holi-type colored powders

Indian sweets (Mithai)

Camphor

Incense sticks (Agarbatti)

Dry fruits (almonds, cashews)

A Thali

Rose or other flower petals

Raksha Sutra* A new notebook

Panchamrita

A piece of red cloth for putting the puja items

Ghee to light the lamps

Rose water

Water

Icons of:

Ganesha

Saraswati

Lakshmi

Narayana

  

Steps of Lakshmi Puja Spread a new cloth on a raised platform: Place a handful of grains in the center and, on this, place a kalash (pitcher) made of gold, silver, copper, or terracotta. Fill three-fourth of the kalash with water and place a betel nut, a flower, a coin, and some rice grains in it. Arrange five kinds of leaves or mango leaves in the kalash. Place a small dish on the kalash and fill it with rice grains. Draw a lotus with turmeric powder ( haldi ) over the rice grains and place the idol of goddess Lakshmi over it, along with coins.

Place the idol of Ganesha: In front of the kalash, on the right (South-West direction), place the idol of Ganesha. Also place ink and books related to your business or occupation on the platform. Light a lamp and begin the puja by offering haldi, kumkum, and flowers to the platform on which the kalash is placed. Then offer haldi, kumkum, and flowers to the water that is to be used for the puja. Invoke the river goddesses to be part of this water.

Invoke goddess: Lakshmi by reciting the Vedic mantras addressed to her. One can also recite the mantras mentioned in the Puranas or simply take some flowers in your hands, close your eyes, and think of goddess Lakshmi being showered with gold coins by two elephants standing on either side of Her and chant Her name. Then offer the flowers to the idol.

Place the idol of Lakshmi: Place the idol of Lakshmi in a plate and bathe it with water, panchamrit (a mixture of milk, curd, ghee or clarified butter, honey, and sugar) and then with water containing some gold ornament or a pearl. Wipe the idol clean and place it back on the kalash. Alternately, you can just sprinkle water and panchamrit on the idol with a flower.

Offerings: Offer sandal paste, saffron paste, perfume ( itr ), haldi, kumkum, abeer, and gulal to the goddess. Offer a garland of cotton beads to the goddess. Offer flowers, especially the marigold flowers and leaves of Bel (wood apple tree). Light an incense stick and dhoop. Make an offering of sweets, coconut, fruits, and tambul. Make an offering of puffed rice and batasha. Pour some puffed rice, batasha, coriander seeds, and cumin seeds over the idol. Safe where you keep money and jewelry; Worship this safe as a symbol of Lord Kuber.

Aarti: Finally, perform the aarti for goddess Lakshmi. Always remember that She abhors loud noise. So the aarti should be accompanied only by a small bell. Do not clap hands, as is the practice when performing aarti for other gods. A peaceful and sublime atmosphere should prevail during the diwali day pujan. Do not light crackers while the puja is on or immediately after it.

[edit]Offering Prayers to Goddess Lakshmi

[May need English translation] not available

 

Om Jai Laxmi Mata, Maiya Jai Laxmi Mata,

Tumko nis din sevat, Maiya ji ko nis din sevat

Hari Vishnu Data

Om Jai Laxmi Mata (Repeat above verse)

 

Uma Ramaa Brahmaani, Tum hi Jag Mata,Maiya Tum hi Jag Mata,

Surya Chandra Ma dhyaavat, Surya Chandra Ma dhyaavat

Naarad Rishi gaata.

Om Jai Laxmi Mata.

 

Durga Roop Niranjani, Sukh Sampati Data, Maiya Sukh Sampati Data

Jo koyee tumko dhyaavat, Jo koyee tumko dhyaavat

Ridhi Sidhi dhan paataa

Om Jai Laxmi Mata.

 

Tum Pataalani Nivasini, Tum hi Shubh Data, Maiya tum hi Shubh Data

Karma Prabhaav Prakaashini, Karma Prabhaav Prakaashini

Bhuv Niddhi ke praata

Om Jai Laxmi Mata

 

Jis ghar tum rehti teh, sab sath goon aataa, Maiya sab sath goon aataa,

Saab sambhav hojata jataa, Saab sambhav hojata jataa

Man naheen ghabraataa.

Om Jai Laxmi Mata

 

Tum Bin Yaghya na hote, vaastra na ho paata, Maiya vaastra na ho paata,

Khana paan ka vaibhav, Khana paan ka vaibhav

Sab tumse aata

Om Jai Laxmi Mata

 

Shubh Goon Mandir sunder, shero da di jaata, Maiya shero da di jaata

Ratna chaturdashi tum bin, Ratna chaturdashi tum bin

Koi nahi paata

Om Jai Laxmi Mata.

 

Maha Laxmiji ki Aarti, jo koi nar gaata, Maiya jo koi nar gaata,

Pur aananda samata, Pur aananda samata,

Paap utar jaata

Om Jai Laxmi Mata.

 

Om Jai Laxmi Mata, Maiya Jai Laxmi Mata,

Tumko nis din sevat, maiya ji ko nis din sevat

Hari Vishnu Data

Om Jai Laxmi Mata (Repeat above verse)

Incense sticks, a closed room and a flash snoot was what it took. A rebreather is what i wanted by the end of it, it didn't take long to fill with smoke.

incense sticks, flash and less of photoshop this time

Emma lights incense sticks at Shwedagon Pagoda in Yangon on the Buddhist full moon festival of Thadingyut.

On her visit to Myanmar, Emma Thompson met with Nobel laureate Aung San Suu Kyi and a range of community and political leaders against a backdrop of increasing change in the country. Along with her adopted son Tindy and ActionAid International Chief Executive Joanna Kerr, she was in Myanmar to see ActionAid’s innovative development work with young people and to learn about the current political and economic reforms.

 

Commenting on her visit Emma Thompson said: “There are difficulties and a large number of challenges. A tiny percentage of government spending has been spent on health and education for example. There are also ethnic divisions that exacerbate problems. I saw deep, wrenching poverty but felt that there is a genuine dialogue beginning to start between the people and the government. The trip left me feeling hopeful."

 

ActionAid has worked in Myanmar for eleven years supporting local initiatives concentrating on helping women and young people. The anti-poverty agency specifically trains young volunteers to work with some of the poorest communities. The volunteers help people identify their priorities such as new schools, water sources, health services or peace processes and then network with local government and others to help achieve this.

 

In the changing political context of Myanmar, ActionAid has worked hard to encourage investment in education, health, agricultural services and social cohesion that benefits ordinary people and to address the social and economic differences that exist in the country.

 

ActionAid believes that change is coming in Myanmar and that there are strong indications that it is real.

PHOTO: Christopher Davy/ActionAid

www.actionaid.org

 

Johnny wanna be a big star

Get on stage and play the guitar

Make a little money, buy a fancy car

A big old house and an alligator

 

Just to match with them alligator shoes

He's a rich man so he's no longer singing the blues

He's singing songs about material things

And platinum rings and watches that go bling

 

But diamonds don't bling in the dark

He's a star now but he ain't singing it from the heart

Sooner or later he's just gonna fall apart

'Cause his fans can't relate to his newfound art

 

He ain't doing what he did from the start

And that's putting in some feeling and thought

He decided to live his life shallow

Cash in his love for material

 

And it's gone

Gone going gone

Everything gone

Give a damn

Gone be the birds when they don't wanna sing

Gone people all awkward with their things

Gone

 

You see yourself in the mirror and you

Feel safe cuz it looks familiar but you

Are afraid to open up your soul cuz you

Don't really know, don't really know who is

The person that's deep within cuz you

Content with just being the name brand man

 

And you fail to see that it's trivial

Insignificant you addicted to material

I've seen your car before

You're the type that thinks souls are sold in the store

Packaged up with incense sticks

With a vegetarian meal

To you that's righteous

 

You're fiction, like books

You need to go out to life and look

Cuz what happens when I take your material

And you already sold your soul

 

And it's gone

Gone going gone

Everything gone

Give a damn

Gone be the birds when they don't wanna sing

Gone people all awkward with their things

Gone

 

You say that time is money and money is time

So you got your mind on your money and your money on your mind

But what about the crime that you did to get paid

And what about that bid you can't you take it to your grave

 

And what about those shoes you're wearing today

They'll do no good

On the bridges you burnt along the way

 

All that money that you got gonna be gone

And that hair that you got gonna be gone

The house upon the hill gonna be gone

The gold fronts on your grill gonna be gone

The ice on your wrist gonna be gone

That nice little miss gonna be gone

That whip that you roll gonna be gone

And what's worse is your soul's already gone

 

Yeah it's gone

Gone going gone

Everything gone

Give a damn

Gone be the birds when they don't wanna sing

Gone people all awkward with their things

Gone

 

Gone

In the largest camp, Mae La, in northern Thailand, woem participate in the making mosquito repelling incense sticks which are made from natural ingredients. They are widely sold and used throughout the camp.

 

Photo Credit: Mathias Eick EU/ECHO

 

Smoke Photo Art

 

A little psychedelic smoke art work for today. I'm currently working on a more complicated piece. Don't know if it will get done for tomorrow or not, but please stay tuned.

The first thing that struck me as I entered this outer shrine was the zillions of incense sticks kept on a rack for devotees to pick up. In Taoism, they always burn incense sticks in threes. These are supposed to depict the past, present adn the future. Here is the rack chock full of incense sticks. Good encouragement for cottage industries! (Kota Kinabalu, East Malaysia, Nov. 2013)

'Dargah Sharif' or 'Holy Dargah' is one of the most sacred Muslim shrines in the country. Venerated by both Hindus and Muslims, it is the tomb of Khwaja Moin-ud-din Chisti, a Sufi saint who came from Persia and devoted his life to the service and upliftment of the poor and downtrodden. The Dargah has a massive gate with silver doors built in several stages. Revered by the Mughal rulers, it has touches of Humayun to Shah Jahan in its structural architecture. A silver railing and a marble screen surround the actual tomb of the saint, made of marble with a gold plated dome.

 

Every year Urs is held here for six days in his remembrance. It is said that when he was 114 years old, the saint locked himself in a room for six days to pray and left his mortal body in solitude. Several thousand devotees throng to this place during this time of the year and food is cooked in huge cauldrons and served to the devotees. The surprising part is that the people serve the food while standing inside the scalding hot food in the cauldrons. These cauldrons are said to be offered by Emperor Akbar when the saint blessed him with an heir for the throne.

 

The pilgrims make rich offerings called 'nazrana' at the sacred spot where the saint has been entombed that include rose and jasmine flowers, sandalwood paste, perfumes and incense that put in to the fragrance that floats in the air inside the shrine. Cash offerings are also made. Also offered by devotees are the 'chaadar', 'ghilaph' and 'neema', which are votive offerings for the tomb. Outside the holy place of the Dargah, professional singers called 'qawwals' sit in groups and sing hymns in the praises of the saint in a characteristic high-pitched voice. One can also see 'fakirs' on the main gate begging for alms in the name of the Khwaja. Qawwalis at the shrine and fragrance of the incense sticks together create a divine effect.

Incense coils burning at the Hung Shing temple in the centre of busy Wan Chai (Hong Kong).

 

Incense spirals (also called incense coils) are one of the forms of incense. An incense coil is made entirely of incense, without a bamboo core in the middle as seen with incense sticks. They are called incense spirals because they are shaped into a spiral instead of a straight stick shape. A spiral shape allows for a much larger piece of incense which burns longer while taking up little space. An incense stick can be made in any length, but the longer the stick, the greater the chance of breakage. This limits incense sticks to no more than three feet in length in general practice. Incense coils have been in use for a considerable length of time in the East thanks to their much longer burn times and compact footprint. For temples and monasteries which use a lot of incense, these coils are ideal. The coils can be suspended from the ceiling which allows more floor space to be freed up for worshippers. It is not uncommon to see a temple ceiling which is covered with large hanging incense coils. These coils can burn for days at a time. Incense coils this size are not very practical for use in the home, however.

As I wandered around the streets of Hoi An, I frequently came across the remains of burnt incense sticks, tucked away in nooks and crannies at the front of shops and houses. Occasionally you could smell the aroma of incense burning as you walked along the streets... giving the town a mystical, peaceful and serene atmosphere.

 

Incense (from Latin incendere "to burn") is composed of aromatic biotic materials, which release fragrant smoke when burned. The term incense refers to the substance itself, rather than to the odor that it produces. It is used in religious ceremonies, ritual purification, aromatherapy, meditation, for creating a spiritual atmosphere, and for masking unpleasant odors. The use of incense may have originated in Ancient Egypt, where the (oleo) gum resins of aromatic trees were imported from the Arabian and Somali coasts to be used in religious ceremonies.

21/02/2016 - 7.25pm

 

Two crews from Cambridge were called to an automatic fire alarm sounding in Kings College Spalding Building, Peas Hill, Cambridge.

An automatic fire alarm had sounded and the accommodation had been safely evacuated.

 

Smoke was issuing from a student flat on the second floor and four firefighters wearing breathing apparatus used a hose reel to extinguish the fire in a bedroom area by 8pm. Positive pressure ventilation fans were used to clear smoke.

 

Considerable fire damage was caused to the bed and nearby furniture and smoke damage was caused to the entire room.

 

The crews returned to station by 9.15pm.

 

The cause of the fire was accidental, by person.

 

Station Commander Stuart Smith said: “This fire started when incense sticks were left burning unattended and then fell onto flammable materials in the sleeping area.

 

“In most student halls of residence it is against policy to light candles and incense and it is important those living in this type of accommodation follow these rules.

 

“Anyone living in any type of property, however, should never leave candles or incense burning unattended and should always make sure they are placed on a flat surface anyway from flammable materials like clothing, curtains and bedding.”

Package Design for Aromatika Incense Sticks. This packaging was targeting the premium segment, in India, as well as Europe, US and Gulf

The Shri Hanuman Ji's idol is claimed to be few centuries old and was dug out from a high mud mound. It is presently housed in a roof less room with mud-plastered brick walls having a small low entrance.

 

Legend has it that this idol is from a famous Shri Hanuman Mandir which collapsed due to an earthquake, during the reign of Akbar, the mogul emperor. This event is a historic fact.

 

Though there are walls surrounding the Hanuman Ji’s idol but there is no roof. It is said that traditionally Shri Hanuman Ji is an outdoor god and do not like to be enclosed or encumbered within enclosed space.

 

The small innocuous mandir now attracts a large number of devotees regularly and a full day mela is held on every Tuesday. The simplicity of the process is amazing. Normally no pujari is available and each devotee directly offers a variety of flowers, sugar coated dry sweets and light up few incense sticks. Some devotees bring vegetable oil and light up a diya, normally reusing an available old one. Mostly after reciting the Shri Hanuman Chalisa, the devotees go their way.

 

Contrary to the electrically powered decorations of the urban Hanuman Ji, to see the highly eroded and rough image of the ancient Shri Hanuman Ji, lit up with the bright sun light falling directly on Him, is a rare and an unforgettable experience.

  

Smoke On The Water

 

How did he do that???

 

Equipment Required

 

What do you do with yourself on a Saturday when the weather has defeated your planned outdoor shoot?

 

Easy pop into the loft which is where I have my makeshift editing suite, and I mean makeshift AKA low budget cobbled together bit of man space !!! LOL

 

Once in the no expense spent man space it is time to “build” the studio set up again with no budget available, you guys getting the idea yet? If not what I am trying to show is you don’t need any expensive or major technical equipment to achieve this shot.

 

I used my old portfolio case as the black backdrop.

 

3 Blank DVD cases to stand the incense stick and holder on, getting too old now to lay on the floor!!

 

A few incense sticks, one incense holder and a metal cooking tray out of the microwave(hope the wife doesn’t read this!) to stand the incense stick on, thus hopefully avoiding a major house fire!

 

One box of matches

 

One empty toilet roll holder (cheap snoot) more on that later!

 

1 gorillapod see above re being too old to lay on the floor

 

1 remote shutter release (Hong Kong ebay special) cheap as chips!

 

1 Canon Camera

 

1 50 mm lens

 

2 Canon Flash Guns

 

Process

 

With the lights on, fix the incense stick into the holder and place on the metal tray on top of the 3 dvd cases.

 

Put your black backdrop behind the incense stick, any matt black material/object will do.

 

Fix your camera with attached flash onto the gorillapod, set this flash to master and ensure you turn off it’s ability to flash in the menu, we only want this one to trigger the slave flash.

 

Fix the other flash (slave) to the little supporting foot supplied and turn it on remembering to set this as your slave unit.

 

One point worth mentioning is that this shot can be achieved with just one flash gun providing you can trigger it off camera

 

Put the toilet roll holder (our home made snoot) over the flash head, the light now has to travel down the tube and is contained, preventing it from lighting your black backdrop and from flashing directly into your camera lens.

 

Position this slave flash slightly behind the incense stick to one side and pointing away from the backdrop, but not so much that it flashes into your lens.

 

Turn on your camera, F11 ISO 100 200th second

 

Focus it on the end of the incense stick

 

Light the incense stick and turn out all the lights, you want a dark room setting for this to work!

 

Use your remote shutter release to take the photographs, the remote is not absolutely necessary if you are gentle with your camera when pressing the shutter release.

 

Take loads of shots and have a look on the back of your camera to make any required adjustments to the set up.

 

Remember you want to light the smoke only, not the backdrop our the lens.

 

Load your pictures into your post processing programme and start having fun.

 

This image was duplicated the background layer filled with blue and a bit of jiggery pokery in opacity, blending modes and an unsharp mask applied.

 

Well that filled in half an hour on a boring Saturday.

 

Incense Sticks, Chinese Temple

Diwali (also spelled Devali in certain regions) or Deepavali, popularly known as the "festival of lights", is an important five-day festival in Hinduism, Jainism, and Sikhism, occurring between mid-October and mid-November. For Hindus, Diwali is the most important festival of the year and is celebrated in families by performing traditional activities together in their homes. Deepavali is an official holiday in India, Nepal, Sri Lanka, Myanmar, Mauritius, Guyana, Trinidad & Tobago, Suriname, Malaysia, Singapore, and Fiji.

 

The name Diwali is itself a contraction of the word "Deepavali" (Sanskrit: दीपावली Dīpāvalī), which translates into "row of lamps". Diwali involves the lighting of small clay lamps (diyas, or dīpa in Sanskrit: दीप) filled with oil to signify the triumph of good over evil. During Diwali, all the celebrants wear new clothes and share sweets and snacks with family members and friends. Most Indian business communities begin the financial year on the first day of Diwali.

 

Diwali commemorates the return of Lord Rama along with Sita and Lakshman from his fourteen-year-long exile and vanquishing the demon-king Ravana. In joyous celebration of the return of their king, the people of Ayodhya, the Capital of Rama, illuminated the kingdom with earthen diyas (oil lamps) and burst crackers.

 

In Jainism, Diwali marks the attainment of moksha or nirvana by Mahavira in 527 BC. In Sikhism, Deepavali commemorates the return of Guru Har Gobind Ji to Amritsar after freeing 52 Hindu kings imprisoned in Fort Gwalior by defeating Emperor Jahangir; the people lit candles and diyas to celebrate his return. This is the reason Sikhs also refer to Deepavali as Bandi Chhorh Divas, "the day of release of detainees". Deepavali is widely celebrated in both India and Nepal.

 

The first day of the festival Naraka Chaturdasi marks the vanquishing of the demon Naraka by Lord Krishna and his wife Satyabhama. Amavasya, the second day of Deepawali, marks the worship of Lakshmi, the goddess of wealth in her most benevolent mood, fulfilling the wishes of her devotees. Amavasya also tells the story of Lord Vishnu, who in his dwarf incarnation vanquished the tyrant Bali, and banished him to hell. Bali was allowed to return to earth once a year, to light millions of lamps to dispel the darkness and ignorance, and spread the radiance of love and wisdom. It is on the third day of Deepawali — Kartika Shudda Padyami - that Bali steps out of hell and rules the earth according to the boon given by Lord Vishnu. The fourth day is referred to as Yama Dvitiya (also called Bhai Dooj) and on this day sisters invite

 

In each legend, myth and story of Deepawali lies the significance of the victory of good over evil; and it is with each Deepawali and the lights that illuminate our homes and hearts, that this simple truth finds new reason and hope. From darkness unto light — the light that empowers us to commit ourselves to good deeds, that which brings us closer to divinity. During Diwali, lights illuminate every corner of India and the scent of incense sticks hangs in the air, mingled with the sounds of fire-crackers, joy, togetherness and hope. Diwali is celebrated around the globe. Outside India, it is more than a Hindu festival, it's a celebration of South-Asian identities.

 

While Deepavali is popularly known as the "festival of lights", the most significant spiritual meaning is "the awareness of the inner light". Central to Hindu philosophy is the assertion that there is something beyond the physical body and mind which is pure, infinite, and eternal, called the Atman. The celebration of Deepavali as the "victory of good over evil", refers to the light of higher knowledge dispelling all ignorance, the ignorance that masks one's true nature, not as the body, but as the unchanging, infinite, immanent and transcendent reality. With this awakening comes compassion and the awareness of the oneness of all things (higher knowledge). This brings Ananda (joy or peace). Just as we celebrate the birth of our physical being, Deepavali is the celebration of this Inner Light.

 

While the story behind Deepavali and the manner of celebration varies from region to region (festive fireworks, worship, lights, sharing of sweets), the essence is the same – to rejoice in the Inner Light (Atman) or the underlying Reality of all things (Brahman).

 

Source : en.wikipedia.org/wiki/Diwali

Offering placed in the

Japanese Air Command Building

Tinian, Northern Mariana Islands

(CNMI), Micronesia

 

A bottle of green tea, three incense sticks and headband (Hachimaki , 鉢巻) with the inscription 'Nippon' (日本)

  

Image taken with the NikΩmega TTV 910 .—See here for a magazine feature on my TTV work.

 

© Dirk HR Spennemann 2011, All Rights Reserved

 

Big brass camphor lamps with a dramatic snake hood are being cleaned at the ghats for the evening Ganga Aarti.....

 

Ganga Aarti is a spectacular evening ceremony that takes place everyday at the Dashashwamedh Ghat in Varanasi (India) at the bank of the holy river Ganga. This ceremony is attended by thousands of visitors everyday and considered as one of the most colourful event of India.

 

A group of young priests dressed up with silky robes conduct this ceremony. The Aarti (puja offerings) starts with the chanting of hymns and prayers in the praise of the Holy River. After that, the priests perform different offerings in choreographed manner from their respective platforms which include - blowing of conch shells, burning of incense sticks and waving them in an elaborate synchronized manner in all the directions with their right hand, while ringing the ceremonial prayer bell with the left hand, circular waving of large multi-tiered oil lamps and a big brass camphor lamp, with a dramatic snake hood in clockwise directions, to and fro in a synchronized manner, and waving of the Peacock’s feather and Yak-tail fan in similar choreographed manner. The priests end the ceremony by pouring a bowl of water into the river. Upon which, the devotees let go of thousands of small oil lamps with flowers on a leaf to float on the river that would look like numerous stars on the water.

 

The whole ceremony is a spectacle of sound and colour and takes around 45 minutes. The devotional chanting, the pulsating sound of ceremonial bells, gongs and drums, the circular waving of large lamps, the heavy air from the burning incense, the floating floral lamps, all create a magical, enchanted atmosphere that makes for a dramatic sensory experience well worth experiencing.

 

Images of India

   

Diwali (also spelled Devali in certain regions) or Deepavali, popularly known as the "festival of lights", is an important five-day festival in Hinduism, Jainism, and Sikhism, occurring between mid-October and mid-November. For Hindus, Diwali is the most important festival of the year and is celebrated in families by performing traditional activities together in their homes. Deepavali is an official holiday in India, Nepal, Sri Lanka, Myanmar, Mauritius, Guyana, Trinidad & Tobago, Suriname, Malaysia, Singapore, and Fiji.

 

The name Diwali is itself a contraction of the word "Deepavali" (Sanskrit: दीपावली Dīpāvalī), which translates into "row of lamps". Diwali involves the lighting of small clay lamps (diyas, or dīpa in Sanskrit: दीप) filled with oil to signify the triumph of good over evil. During Diwali, all the celebrants wear new clothes and share sweets and snacks with family members and friends. Most Indian business communities begin the financial year on the first day of Diwali.

 

Diwali commemorates the return of Lord Rama along with Sita and Lakshman from his fourteen-year-long exile and vanquishing the demon-king Ravana. In joyous celebration of the return of their king, the people of Ayodhya, the Capital of Rama, illuminated the kingdom with earthen diyas (oil lamps) and burst crackers.

 

In Jainism, Diwali marks the attainment of moksha or nirvana by Mahavira in 527 BC. In Sikhism, Deepavali commemorates the return of Guru Har Gobind Ji to Amritsar after freeing 52 Hindu kings imprisoned in Fort Gwalior by defeating Emperor Jahangir; the people lit candles and diyas to celebrate his return. This is the reason Sikhs also refer to Deepavali as Bandi Chhorh Divas, "the day of release of detainees". Deepavali is widely celebrated in both India and Nepal.

 

The first day of the festival Naraka Chaturdasi marks the vanquishing of the demon Naraka by Lord Krishna and his wife Satyabhama. Amavasya, the second day of Deepawali, marks the worship of Lakshmi, the goddess of wealth in her most benevolent mood, fulfilling the wishes of her devotees. Amavasya also tells the story of Lord Vishnu, who in his dwarf incarnation vanquished the tyrant Bali, and banished him to hell. Bali was allowed to return to earth once a year, to light millions of lamps to dispel the darkness and ignorance, and spread the radiance of love and wisdom. It is on the third day of Deepawali — Kartika Shudda Padyami - that Bali steps out of hell and rules the earth according to the boon given by Lord Vishnu. The fourth day is referred to as Yama Dvitiya (also called Bhai Dooj) and on this day sisters invite

 

In each legend, myth and story of Deepawali lies the significance of the victory of good over evil; and it is with each Deepawali and the lights that illuminate our homes and hearts, that this simple truth finds new reason and hope. From darkness unto light — the light that empowers us to commit ourselves to good deeds, that which brings us closer to divinity. During Diwali, lights illuminate every corner of India and the scent of incense sticks hangs in the air, mingled with the sounds of fire-crackers, joy, togetherness and hope. Diwali is celebrated around the globe. Outside India, it is more than a Hindu festival, it's a celebration of South-Asian identities.

 

While Deepavali is popularly known as the "festival of lights", the most significant spiritual meaning is "the awareness of the inner light". Central to Hindu philosophy is the assertion that there is something beyond the physical body and mind which is pure, infinite, and eternal, called the Atman. The celebration of Deepavali as the "victory of good over evil", refers to the light of higher knowledge dispelling all ignorance, the ignorance that masks one's true nature, not as the body, but as the unchanging, infinite, immanent and transcendent reality. With this awakening comes compassion and the awareness of the oneness of all things (higher knowledge). This brings Ananda (joy or peace). Just as we celebrate the birth of our physical being, Deepavali is the celebration of this Inner Light.

 

While the story behind Deepavali and the manner of celebration varies from region to region (festive fireworks, worship, lights, sharing of sweets), the essence is the same – to rejoice in the Inner Light (Atman) or the underlying Reality of all things (Brahman).

 

Source : en.wikipedia.org/wiki/Diwali

Diwali (also spelled Devali in certain regions) or Deepavali, popularly known as the "festival of lights", is an important five-day festival in Hinduism, Jainism, and Sikhism, occurring between mid-October and mid-November. For Hindus, Diwali is the most important festival of the year and is celebrated in families by performing traditional activities together in their homes. Deepavali is an official holiday in India, Nepal, Sri Lanka, Myanmar, Mauritius, Guyana, Trinidad & Tobago, Suriname, Malaysia, Singapore, and Fiji.

 

The name Diwali is itself a contraction of the word "Deepavali" (Sanskrit: दीपावली Dīpāvalī), which translates into "row of lamps". Diwali involves the lighting of small clay lamps (diyas, or dīpa in Sanskrit: दीप) filled with oil to signify the triumph of good over evil. During Diwali, all the celebrants wear new clothes and share sweets and snacks with family members and friends. Most Indian business communities begin the financial year on the first day of Diwali.

 

Diwali commemorates the return of Lord Rama along with Sita and Lakshman from his fourteen-year-long exile and vanquishing the demon-king Ravana. In joyous celebration of the return of their king, the people of Ayodhya, the Capital of Rama, illuminated the kingdom with earthen diyas (oil lamps) and burst crackers.

 

In Jainism, Diwali marks the attainment of moksha or nirvana by Mahavira in 527 BC. In Sikhism, Deepavali commemorates the return of Guru Har Gobind Ji to Amritsar after freeing 52 Hindu kings imprisoned in Fort Gwalior by defeating Emperor Jahangir; the people lit candles and diyas to celebrate his return. This is the reason Sikhs also refer to Deepavali as Bandi Chhorh Divas, "the day of release of detainees". Deepavali is widely celebrated in both India and Nepal.

 

The first day of the festival Naraka Chaturdasi marks the vanquishing of the demon Naraka by Lord Krishna and his wife Satyabhama. Amavasya, the second day of Deepawali, marks the worship of Lakshmi, the goddess of wealth in her most benevolent mood, fulfilling the wishes of her devotees. Amavasya also tells the story of Lord Vishnu, who in his dwarf incarnation vanquished the tyrant Bali, and banished him to hell. Bali was allowed to return to earth once a year, to light millions of lamps to dispel the darkness and ignorance, and spread the radiance of love and wisdom. It is on the third day of Deepawali — Kartika Shudda Padyami - that Bali steps out of hell and rules the earth according to the boon given by Lord Vishnu. The fourth day is referred to as Yama Dvitiya (also called Bhai Dooj) and on this day sisters invite

 

In each legend, myth and story of Deepawali lies the significance of the victory of good over evil; and it is with each Deepawali and the lights that illuminate our homes and hearts, that this simple truth finds new reason and hope. From darkness unto light — the light that empowers us to commit ourselves to good deeds, that which brings us closer to divinity. During Diwali, lights illuminate every corner of India and the scent of incense sticks hangs in the air, mingled with the sounds of fire-crackers, joy, togetherness and hope. Diwali is celebrated around the globe. Outside India, it is more than a Hindu festival, it's a celebration of South-Asian identities.

 

While Deepavali is popularly known as the "festival of lights", the most significant spiritual meaning is "the awareness of the inner light". Central to Hindu philosophy is the assertion that there is something beyond the physical body and mind which is pure, infinite, and eternal, called the Atman. The celebration of Deepavali as the "victory of good over evil", refers to the light of higher knowledge dispelling all ignorance, the ignorance that masks one's true nature, not as the body, but as the unchanging, infinite, immanent and transcendent reality. With this awakening comes compassion and the awareness of the oneness of all things (higher knowledge). This brings Ananda (joy or peace). Just as we celebrate the birth of our physical being, Deepavali is the celebration of this Inner Light.

 

While the story behind Deepavali and the manner of celebration varies from region to region (festive fireworks, worship, lights, sharing of sweets), the essence is the same – to rejoice in the Inner Light (Atman) or the underlying Reality of all things (Brahman).

 

Source : en.wikipedia.org/wiki/Diwali

Ganga Aarti

 

Gange aarti is performed daily in the evening by a group of priests at the Dashashwamedh ghat. Through the aarti, Agni Pooja is performed in which a commitment is made to the Lord Shiva, Mata Gange, Surya, Agni (Fire) as well as the whole universe made by the Lord Shiva.

 

It is performed by the brass lamps which accompanied with the mantra chant in the presence of the huge crowd.

 

All the priests wear same cloth, the dhoti and kurta which is tightly bind with a long towel. First they make preparation of the Gange aarti by making collection of the five elevated planks, a multi tiered oil lamp, an idol of the Goddess Ganga, flowers, incense sticks, a conch shell, a big and heavy brass lamp having a snake hood at the edge of the River Gange. A group of boats filled with devotees come around the place of aarti at the bank of River.

Varanasi.org.in

Incense sticks, a closed room and a flash snoot was what it took. A rebreather is what i wanted by the end of it, it didn't take long to fill with smoke.

Have always wanted to try out smoke photography, so thought I should give it a go.

I used incense sticks for the smoke as they give a decent amount of smoke.

Playing with incense sticks and a flashgun gives some odd results. This one maybe looks like the ghost of ET?

incense sticks fatter than my arm and much, much taller too!

Diwali (also spelled Devali in certain regions) or Deepavali, popularly known as the "festival of lights", is an important five-day festival in Hinduism, Jainism, and Sikhism, occurring between mid-October and mid-November. For Hindus, Diwali is the most important festival of the year and is celebrated in families by performing traditional activities together in their homes. Deepavali is an official holiday in India, Nepal, Sri Lanka, Myanmar, Mauritius, Guyana, Trinidad & Tobago, Suriname, Malaysia, Singapore, and Fiji.

 

The name Diwali is itself a contraction of the word "Deepavali" (Sanskrit: दीपावली Dīpāvalī), which translates into "row of lamps". Diwali involves the lighting of small clay lamps (diyas, or dīpa in Sanskrit: दीप) filled with oil to signify the triumph of good over evil. During Diwali, all the celebrants wear new clothes and share sweets and snacks with family members and friends. Most Indian business communities begin the financial year on the first day of Diwali.

 

Diwali commemorates the return of Lord Rama along with Sita and Lakshman from his fourteen-year-long exile and vanquishing the demon-king Ravana. In joyous celebration of the return of their king, the people of Ayodhya, the Capital of Rama, illuminated the kingdom with earthen diyas (oil lamps) and burst crackers.

 

In Jainism, Diwali marks the attainment of moksha or nirvana by Mahavira in 527 BC. In Sikhism, Deepavali commemorates the return of Guru Har Gobind Ji to Amritsar after freeing 52 Hindu kings imprisoned in Fort Gwalior by defeating Emperor Jahangir; the people lit candles and diyas to celebrate his return. This is the reason Sikhs also refer to Deepavali as Bandi Chhorh Divas, "the day of release of detainees". Deepavali is widely celebrated in both India and Nepal.

 

The first day of the festival Naraka Chaturdasi marks the vanquishing of the demon Naraka by Lord Krishna and his wife Satyabhama. Amavasya, the second day of Deepawali, marks the worship of Lakshmi, the goddess of wealth in her most benevolent mood, fulfilling the wishes of her devotees. Amavasya also tells the story of Lord Vishnu, who in his dwarf incarnation vanquished the tyrant Bali, and banished him to hell. Bali was allowed to return to earth once a year, to light millions of lamps to dispel the darkness and ignorance, and spread the radiance of love and wisdom. It is on the third day of Deepawali — Kartika Shudda Padyami - that Bali steps out of hell and rules the earth according to the boon given by Lord Vishnu. The fourth day is referred to as Yama Dvitiya (also called Bhai Dooj) and on this day sisters invite

 

In each legend, myth and story of Deepawali lies the significance of the victory of good over evil; and it is with each Deepawali and the lights that illuminate our homes and hearts, that this simple truth finds new reason and hope. From darkness unto light — the light that empowers us to commit ourselves to good deeds, that which brings us closer to divinity. During Diwali, lights illuminate every corner of India and the scent of incense sticks hangs in the air, mingled with the sounds of fire-crackers, joy, togetherness and hope. Diwali is celebrated around the globe. Outside India, it is more than a Hindu festival, it's a celebration of South-Asian identities.

 

While Deepavali is popularly known as the "festival of lights", the most significant spiritual meaning is "the awareness of the inner light". Central to Hindu philosophy is the assertion that there is something beyond the physical body and mind which is pure, infinite, and eternal, called the Atman. The celebration of Deepavali as the "victory of good over evil", refers to the light of higher knowledge dispelling all ignorance, the ignorance that masks one's true nature, not as the body, but as the unchanging, infinite, immanent and transcendent reality. With this awakening comes compassion and the awareness of the oneness of all things (higher knowledge). This brings Ananda (joy or peace). Just as we celebrate the birth of our physical being, Deepavali is the celebration of this Inner Light.

 

While the story behind Deepavali and the manner of celebration varies from region to region (festive fireworks, worship, lights, sharing of sweets), the essence is the same – to rejoice in the Inner Light (Atman) or the underlying Reality of all things (Brahman).

 

Source : en.wikipedia.org/wiki/Diwali

Website

Facebook Page

 

Trying a smoke experiment with incense sticks.

The first Buddhist monks did not build monasteries. Instead, they were homeless mendicants who begged for all their food. Their only possessions were their robe and begging bowl.

 

Today, in many predominately Theravada countries like Thailand, monks still rely on receiving alms for most of their food. The monks leave the monasteries early in the morning. They walk single file, oldest first, carrying their alms bowls in front of them. Laypeople wait for them, sometimes kneeling, and place food, flowers or incense sticks in the bowls. Women must be careful not to touch the monks.

I was inspired by a friend's recent photo to try my hand at some smoke pictures. I went to the dollar store and bought a packet of the least offensive smelling joss sticks. In fact they were little cones. Purportedly "French Linen". Smelt a bit like old matches and spent fireworks to my mind, but who am I to say?

I set up my fancy new flash gun on my son's tripod and my 100mm on my camera on my own tripod. I used a second slave flash hand-held at different positions whilst I steadily took over 100 shots. Some were quite pleasing, but on balance I think the smoke was too close to the black felt I was using as a background. The lens was crisp enough to pick up texture in the felt, even with side lighting.

 

This shot caught my eye because I fancied I saw the outline of a pregnant woman in a scooped-neck satin gown. Her hair is blown forward over her face, but her voluptuous curves are clear through the gown.

 

Can you see her too, or should I stop sniffing the incense sticks so much?

Hemis Monastery is a Tibetan Buddhist monastery (gompa) of the Drukpa Lineage, located in Hemis, Ladakh, India. Situated 45 km from Leh, in the state of Jammu and Kashmir. Hemis Monastery existed before the 11th century and was re-established in 1672 by the Ladakhi king Sengge Namgyal. The annual Hemis festival honoring Padmasambhava is held here in early June.

  

Terma and tertöns : The essence of Tebetan Buddhism.

Padmasambhava (lit. "Lotus-Born"), also known as Guru Rinpoche, is a literary character of terma (Terma or "hidden treasure"- are key Tibetan Buddhist teaching, which the tradition holds were originally esoterically hidden by various adepts such as Padmasambhava and his consorts, in the 8th century for future discovery at auspicious times by other adepts, known as tertöns. As such, they represent a tradition of continuous revelation in Tibetan Buddhism. Termas are a part of Tantric Literature. Tradition holds that terma may be a physical object such as a text or ritual implement that is buried in the ground (or earth), hidden in a rock or crystal, secreted in a herb, or a tree, hidden in a lake (or water), or hidden in the sky (space). Though a literal understanding of terma is "hidden treasure", and sometimes objects are hidden away, the teachings associated should be understood as being “concealed within the mind of the guru”, that is, the true place of concealment is in the tertön's mindstream. If the concealed or encoded teaching or object is a text, it is often written in dakini script: a non-human type of code or writing).

  

Terma is an emanation of Amitabha (Amitābha or Amideva, is a celestial buddha described in the scriptures of the Mahāyāna school of Buddhism. Amitābha is the principal buddha in the Pure Land sect, a branch of Buddhism practiced mainly in East Asia, while in Vajrayana Amitābha is known for his longevity attribute, magnetising red fire element, the aggregate of discernment, pure perception and the deep awareness of emptiness of phenomena. According to these scriptures, Amitābha possesses infinite merits resulting from good deeds over countless past lives as a bodhisattva named Dharmakāra. "Amitābha" is translatable as "Infinite Light," hence Amitābha is also called "The Buddha of Immeasurable Life and Light" ).

Terma that is said to appear to tertons (A tertön is a discoverer of ancient texts or terma in Tibetan Buddhism) in visionary encounters and a focus of Tibetan Buddhist practice (Tibetan Buddhism is the body of Buddhist religious doctrine and institutions characteristic of Tibet, Mongolia, Tuva, Bhutan, Kalmykia and certain regions of the Himalayas, including northern Nepal, and India (particularly in Arunachal Pradesh, Ladakh, Dharamsala, Lahaul and Spiti district in Himachal Pradesh and Sikkim. It is also practiced in Northeast China. Religious texts and commentaries are contained in the Tibetan Buddhist canon such that Tibetan is a spiritual language of these areas. The Tibetan diaspora has spread Tibetan Buddhism to many Western countries, where the tradition has gained popularity. Among its prominent exponents is the 14th Dalai Lama of Tibet. The number of its adherents is estimated to be between ten and twenty million).

  

History

Hemis Monastery existed before the 11th century. Naropa, the pupil of the yogi Tilopa, and teacher of the translator Marpa is connected with this monastery. A translation was made by A. Grünwedel (Nӑro und Tilo,: Festschrift Ernst Kuhn, München 1916) of Naropa's biography that was found in Hemis monastery.

In this manuscript Naropa (or Naro) meets the "dark blue" (Skr.: nila: dark blue or black) Tilopa (or Tillo), a tantric master, who gives Naropa 12 "great" and 12 "small" tasks to do in order to enlighten him to the inherent emptiness/illusoriness of all things. Naropa is depicted as the "abbott of Nalanda" (F. Wilhelm, Prüfung und Initiation im Buche Pausya und in der Biographie des Naropa, Wiesbaden 1965, p. 70), the university-monastery in today's Bihar, India, that flourished until the sacking by Turkish and Afghan Muslim forces. This sacking must have been the driving force behind Naropa's peregrination in the direction of Hemis. After Naropa and Tilopa met in Hemis they travelled back in the direction of a certain monastery in the now no longer existing kingdom of Maghada, called Otantra which has been identified as today's Otantapuri. Naropa is consered the founding father of the Kagyu-lineage of the Himalayan esoteric Buddhism. Hence Hemis is the main seat of the Kagyu lineage of Buddhism.

In 1894 Russian journalist Nicolas Notovitch claimed Hemis as the origin of an otherwise unknown gospel, the Life of Saint Issa, Best of the Sons of Men, in which Jesus is said to have traveled to India during his "lost years." According to Notovitch, the work had been preserved in the Hemis library, and was shown to him by the monks there while he was recuperating from a broken leg. But once his story had been re-examined by historians, Notovitch confessed to having fabricated the evidence. Bart D. Ehrman states that "Today there is not a single recognized scholar on the planet who has any doubts about the matter. The entire story was invented by Notovitch, who earned a good deal of money and a substantial amount of notoriety for his hoax". However, the Indian Pandit Swami Abhedananda also claims to have read the same manuscript, and published his account of viewing it after his visit to Hemis in 1921. Abhedananda claims on the book jacket that it was translated for him with the help of a "local Lama interpreter." In the same vein, Notovich did not initially translate the manuscript, but reported his Sherpa guide did so as Notovitch could not read the original text. Notovich's version of the manuscript was translated from Tibetan to Russian to French to English. According to Swami Abhedananda's account, his Lama's translation was equivalent to the one published by Notovich. The Gutenberg Project has published the entire manuscript as a free ebook.

  

Hemis Festival

The Hemis Festival is dedicated to Lord Padmasambhava (Guru Rimpoche) venerated as the Dance Performance at Hemis Monastery representative reincarnate of Buddha. He is believed to have been born on the 10th day of the fifth month of the Monkey year as predicted by the Buddha Shakyamuni. It is also believed that his life mission was, and remains, to improve the spiritual condition of all living beings. And so on this day, which comes once in a cycle of 12 years, Hemis observes a major extravaganza in his memory. The observance of these sacred rituals is believed to give spiritual strength and good health. The Hemis festival takes place in the rectangular courtyard in front of the main door of the monastery. The space is wide and open save two raised square platforms, three feet high with a sacred pole in the center. A raised dias with a richly cushioned seat with a finely painted small Tibetan table is placed with the ceremonial items - cups full of holy water, uncooked rice, tormas made of dough and butter and incense sticks. A number of musicians play the traditional music with four pairs of cymbals, large-pan drums, small trumpets and large size wind instruments. Next to them, a small space is assigned for the lamas to sit.

The ceremonies begin with an early morning ritual atop the Gompa where, to the beat of drums and the resounding clash of cymbals and the spiritual wail of pipes, the portrait of "Dadmokarpo" or "Rygyalsras Rimpoche" is then ceremoniously put on display for all to admire and worship.

  

The most esoteric of festivities are the mystic mask dances. The Mask Dances of Ladakh are referred collectively as chams Performance. Chams performance is essentially a part of Tantric tradition, performed only in those gompas which follow the Tantric Vajrayana teachings and the monks perform tantric worship.

Source: Wikipedia and others.

 

Incense sticks, a closed room and a flash snoot was what it took. A rebreather is what i wanted by the end of it, it didn't take long to fill with smoke.

Die Gestaltung des Balinesischen Gartens folgt den auf Bali vorhandenen Vorbildern und soll den Besuchern Geist und symbolischen Inhalt balinesischer Kultur vermitteln. Im Gegensatz zur überwiegend muslimisch geprägten Bevölkerung Indonesiens haben die Balinesen ihre ganz eigene Kultur. Der auf Bali vorherrschende Hinduismus mischt sich mit alten Bräuchen und Sitten, dem Respekt vor der Natur und dem Streben der Balinesen nach Harmonie in allen Lebensbereichen zu einer einzigartigen Glaubens- und Kulturform. Ein Mensch sollte stets im Einklang mit sich selbst, mit seiner Umgebung - das heißt mit der Natur und den anderen Menschen - und mit dem gesamten Universum leben. Dieses dreigeteilte Harmonieprinzip findet sich im Balinesischen Garten immer wieder und ist auch Grundlage für den Namen des Gartens: "Garten der drei Harmonien - TRI HITA KARANA". Der Balinesische Garten ist ein Beispiel für die Anordnung einer Wohnanlage im südlichen Bali. (Quelle: Senatsverwaltung für Umwelt, Verkehr und Klimaschutz, gekürzt)

 

The Balinese Garden, which opened in 2003 as the Garden of the Three Harmonies or Tri Hita Karana, grew out of town twinning links forged between Berlin and Jakarta. Most of the structural elements in the garden, designed by Indonesian architects I Putu Edy Semara, were pre-fabricated in Bali and assembled in Berlin by Balinese craftsmen.

For the IGA Berlin 2017, this exotic garden was both revamped and rehoused in the new, 14m-high, energy-efficient Tropical Hall which has provided an additional 2000 square metres of tropical planting around the Balinese Garden.

The Balinese Garden reflects man’s struggle for harmony: harmony among people, with the environment and with the universe. A garden planted according to design criteria alone is unknown in traditional Bali, where tropical forest flora merges with the species cultivated by villagers: plants that are used for eating, as remedies or as religious offerings.

In the heart of the garden stands a compound typical of those to be found in southern Bali, surrounded by a wall of whitewashed brick. Visitors enter this private area through a gate called the angkul angkul. It is here that they see the first evidence of the ubiquitous trinity of the Balinese Garden of the Three Harmonies, for the gate comprises a base with steps (representing the foot), a teak door (the body) and a mighty capped roof (the head).

The family temple, or sanggah, inside the compound is enclosed within another wall. In Bali, offerings of flowers, fruit and incense sticks are placed on these high-plinthed shrines every day. The largest building in the compound is the all-purpose bale dangin, a roofed pavilion that serves a number of different functions. It is where offerings are prepared, where the family sleeps, weaves, sews and plays. The paved area in front of the bale dangin marks the centre of the compound and is a place of encounter and exchange.

Just behind the compound starts the ancient tropical forest which contains many species commonly found in Europe as houseplants or in botanical gardens. (Souce: Grün Berlin Group, abbreviated)

This is a unique combination of storage box and holder for incense sticks, made from a solid chunk of reclaimed red oak. Inside, there's plenty of room for a couple dozen incense sticks which are easily accessed by means of a sliding lid made of highly figured black walnut.

 

But wait - this box does double duty! There's a cleverly hidden hole in the back of the box for setting up incense sticks to burn. And when the lid is slid back into place, there's an ash trough carved right down the middle of it to keep things neat.

 

But wait - there's still more! (Haha!) When the lid is slid aaallll the way back, one will discover a spot deep in the back of the box to hide whatever somebody may hold dear (a silver dollar, a piece of candy, whatever!).

 

It's all been planed and sanded down very flat and very smooth, and the lid slides smoothly in the carved slots in the box. I've provided a finger depression to make it easier to get at those combustibles, too. The box and lid have been finished with a mixture of mineral oil with beeswax and carnauba wax for an organic look and highly polished feel.

 

This incense box (and several others) are available through my online shop (www.smilemoon.etsy.com). Thank you for checking it out!

Merrit making inside Wat Sothon Wararam Worawihan (it houses one of the most revered Buddha images in Thailand known as "Luang Por Sothon" which means the "venerable father of Sothon"), Paet Rio, Chachoengsao Province, Eastern Thailand

  

X-E2 & XF35/1.4

 

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Doing a second set of smoke abstracts on incense sticks instead of the uncontrollable candle smoke from last time. It's actually quite interesting to watch how they flow differently... :)

Diwali (also spelled Devali in certain regions) or Deepavali, popularly known as the "festival of lights", is an important five-day festival in Hinduism, Jainism, and Sikhism, occurring between mid-October and mid-November. For Hindus, Diwali is the most important festival of the year and is celebrated in families by performing traditional activities together in their homes. Deepavali is an official holiday in India, Nepal, Sri Lanka, Myanmar, Mauritius, Guyana, Trinidad & Tobago, Suriname, Malaysia, Singapore, and Fiji.

 

The name Diwali is itself a contraction of the word "Deepavali" (Sanskrit: दीपावली Dīpāvalī), which translates into "row of lamps". Diwali involves the lighting of small clay lamps (diyas, or dīpa in Sanskrit: दीप) filled with oil to signify the triumph of good over evil. During Diwali, all the celebrants wear new clothes and share sweets and snacks with family members and friends. Most Indian business communities begin the financial year on the first day of Diwali.

 

Diwali commemorates the return of Lord Rama along with Sita and Lakshman from his fourteen-year-long exile and vanquishing the demon-king Ravana. In joyous celebration of the return of their king, the people of Ayodhya, the Capital of Rama, illuminated the kingdom with earthen diyas (oil lamps) and burst crackers.

 

In Jainism, Diwali marks the attainment of moksha or nirvana by Mahavira in 527 BC. In Sikhism, Deepavali commemorates the return of Guru Har Gobind Ji to Amritsar after freeing 52 Hindu kings imprisoned in Fort Gwalior by defeating Emperor Jahangir; the people lit candles and diyas to celebrate his return. This is the reason Sikhs also refer to Deepavali as Bandi Chhorh Divas, "the day of release of detainees". Deepavali is widely celebrated in both India and Nepal.

 

The first day of the festival Naraka Chaturdasi marks the vanquishing of the demon Naraka by Lord Krishna and his wife Satyabhama. Amavasya, the second day of Deepawali, marks the worship of Lakshmi, the goddess of wealth in her most benevolent mood, fulfilling the wishes of her devotees. Amavasya also tells the story of Lord Vishnu, who in his dwarf incarnation vanquished the tyrant Bali, and banished him to hell. Bali was allowed to return to earth once a year, to light millions of lamps to dispel the darkness and ignorance, and spread the radiance of love and wisdom. It is on the third day of Deepawali — Kartika Shudda Padyami - that Bali steps out of hell and rules the earth according to the boon given by Lord Vishnu. The fourth day is referred to as Yama Dvitiya (also called Bhai Dooj) and on this day sisters invite

 

In each legend, myth and story of Deepawali lies the significance of the victory of good over evil; and it is with each Deepawali and the lights that illuminate our homes and hearts, that this simple truth finds new reason and hope. From darkness unto light — the light that empowers us to commit ourselves to good deeds, that which brings us closer to divinity. During Diwali, lights illuminate every corner of India and the scent of incense sticks hangs in the air, mingled with the sounds of fire-crackers, joy, togetherness and hope. Diwali is celebrated around the globe. Outside India, it is more than a Hindu festival, it's a celebration of South-Asian identities.

 

While Deepavali is popularly known as the "festival of lights", the most significant spiritual meaning is "the awareness of the inner light". Central to Hindu philosophy is the assertion that there is something beyond the physical body and mind which is pure, infinite, and eternal, called the Atman. The celebration of Deepavali as the "victory of good over evil", refers to the light of higher knowledge dispelling all ignorance, the ignorance that masks one's true nature, not as the body, but as the unchanging, infinite, immanent and transcendent reality. With this awakening comes compassion and the awareness of the oneness of all things (higher knowledge). This brings Ananda (joy or peace). Just as we celebrate the birth of our physical being, Deepavali is the celebration of this Inner Light.

 

While the story behind Deepavali and the manner of celebration varies from region to region (festive fireworks, worship, lights, sharing of sweets), the essence is the same – to rejoice in the Inner Light (Atman) or the underlying Reality of all things (Brahman).

 

Source : en.wikipedia.org/wiki/Diwali

I've been wanting to try photographing smoke for a while. I finally bought some incense sticks and proceeded to smoke-up and stink-up my home office. Graham Jeffery has an excellent blog entry on how to photograph smoke. If you're interested, I'd head over there to see his photos and read about his technique. I'll post some comments on my blog when I get a chance. I colorized some of these images in Photoshop. Those that are more subtlety colored (about half of them) show the natural colors of the smoke itself (with some saturation added in a few cases).

 

All of my smoke images were created with two light sources. The first was natural light coming through an window on the left. I doubt the natural light contributed much (if anything), because my shutter speed was 1/250 and the f-stop was f/10. To the right of the smoke I placed a Canon Speedlite set to full power. Those setting pretty much nuked any ambient light. To prevent any light from spilling onto the background, and flaring into the lens, I attached a couple of 4" X 8" cardboard "gobos" to the sides of my flash (using Velcro). I wish now that I had taken a setup shot. Oh well, next time.

In Quang Phu Cau, about 30 km south of Hanoi

© 2013 Eric Adeleye Photography. All rights reserved. (Press "L" for a larger view of the photograph)

 

I was experimenting with photographing smoke trails using incense sticks. This is a composite of 3 smoke trails. Photograph 1, 2, and 3: Aperture: f/6.3, Shutter: 1/60 sec, ISO: 100, SU-800 Commander, SB-910 @ 1/16 pwr, SB-700 @ 1/32 pwr, Manfrotto 055 XPROB tripod,Yongnuo RF-603 trigger, 2 x Large Rouge Flashbenders, 1 burning incense stick. Post processing done using Adobe Bridge CS6, Adobe Camera Raw 7.4, Adobe Photoshop CS6, Silver Efex Pro 2.

 

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Come discover a wide selection of South Asian products ranging from Incense, Singing Bowls, Statues, Om symbols, Tibetan Flags and Malas; Clothing, Scarves and Handbags; to Bedsheets, Wall hangings and Posters; Jewelry, Bindis and a full Beading section; to Instruments, Books and Music.

 

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Lanterns of Visak Bochea (Buddhist Day)!

 

Photo by: Mardy Suong Photography

Date: 13rd, May, 2014.

Place of photo: Udong Mountain, Kandal Province, Kingdom of Cambodia.

Website: www.500px.com/Mardy

www.flickr.com/photos/mardysuongphotography

 

Visak day falls on the 15th day of the waxing moon in the 6th lunar month, which is usually May in the Gregorian calendar. A candle procession is taken out in evening on the occassion. Those who have glittering sight are never able to forget it.

 

People visit temples early in the day for offering food and sweets to the monks. People listen attentively to the preaching of the religious persons.

 

A lovely candle or torchlight procession is taken out at dusk and the main shrine is circumambulated three times

 

Persons in the luminous procession carry flowers and glowing incense sticks to pray silent rest to Buddha. Mothers practice meditation following the preachings of Lord Buddha.

 

Some of their sons become priest during ( Visak Bochea ) which mean, that they can repay their parents and their ancestor too.

 

(Source from: www.visit-angkor.org/blog/2012/06/02/history-of-visak-boc...)

 

Hemis Monastery is a Tibetan Buddhist monastery (gompa) of the Drukpa Lineage, located in Hemis, Ladakh, India. Situated 45 km from Leh, in the state of Jammu and Kashmir. Hemis Monastery existed before the 11th century and was re-established in 1672 by the Ladakhi king Sengge Namgyal. The annual Hemis festival honoring Padmasambhava is held here in early June.

 

Terma and tertöns : The essence of Tebetan Buddhism.

Padmasambhava (lit. "Lotus-Born"), also known as Guru Rinpoche, is a literary character of terma (Terma or "hidden treasure"- are key Tibetan Buddhist teaching, which the tradition holds were originally esoterically hidden by various adepts such as Padmasambhava and his consorts, in the 8th century for future discovery at auspicious times by other adepts, known as tertöns. As such, they represent a tradition of continuous revelation in Tibetan Buddhism. Termas are a part of Tantric Literature. Tradition holds that terma may be a physical object such as a text or ritual implement that is buried in the ground (or earth), hidden in a rock or crystal, secreted in a herb, or a tree, hidden in a lake (or water), or hidden in the sky (space). Though a literal understanding of terma is "hidden treasure", and sometimes objects are hidden away, the teachings associated should be understood as being “concealed within the mind of the guru”, that is, the true place of concealment is in the tertön's mindstream. If the concealed or encoded teaching or object is a text, it is often written in dakini script: a non-human type of code or writing).

  

Terma is an emanation of Amitabha (Amitābha or Amideva, is a celestial buddha described in the scriptures of the Mahāyāna school of Buddhism. Amitābha is the principal buddha in the Pure Land sect, a branch of Buddhism practiced mainly in East Asia, while in Vajrayana Amitābha is known for his longevity attribute, magnetising red fire element, the aggregate of discernment, pure perception and the deep awareness of emptiness of phenomena. According to these scriptures, Amitābha possesses infinite merits resulting from good deeds over countless past lives as a bodhisattva named Dharmakāra. "Amitābha" is translatable as "Infinite Light," hence Amitābha is also called "The Buddha of Immeasurable Life and Light" ).

Terma that is said to appear to tertons (A tertön is a discoverer of ancient texts or terma in Tibetan Buddhism) in visionary encounters and a focus of Tibetan Buddhist practice (Tibetan Buddhism is the body of Buddhist religious doctrine and institutions characteristic of Tibet, Mongolia, Tuva, Bhutan, Kalmykia and certain regions of the Himalayas, including northern Nepal, and India (particularly in Arunachal Pradesh, Ladakh, Dharamsala, Lahaul and Spiti district in Himachal Pradesh and Sikkim. It is also practiced in Northeast China. Religious texts and commentaries are contained in the Tibetan Buddhist canon such that Tibetan is a spiritual language of these areas. The Tibetan diaspora has spread Tibetan Buddhism to many Western countries, where the tradition has gained popularity. Among its prominent exponents is the 14th Dalai Lama of Tibet. The number of its adherents is estimated to be between ten and twenty million).

 

History

Hemis Monastery existed before the 11th century. Naropa, the pupil of the yogi Tilopa, and teacher of the translator Marpa is connected with this monastery. A translation was made by A. Grünwedel (Nӑro und Tilo,: Festschrift Ernst Kuhn, München 1916) of Naropa's biography that was found in Hemis monastery.

In this manuscript Naropa (or Naro) meets the "dark blue" (Skr.: nila: dark blue or black) Tilopa (or Tillo), a tantric master, who gives Naropa 12 "great" and 12 "small" tasks to do in order to enlighten him to the inherent emptiness/illusoriness of all things. Naropa is depicted as the "abbott of Nalanda" (F. Wilhelm, Prüfung und Initiation im Buche Pausya und in der Biographie des Naropa, Wiesbaden 1965, p. 70), the university-monastery in today's Bihar, India, that flourished until the sacking by Turkish and Afghan Muslim forces. This sacking must have been the driving force behind Naropa's peregrination in the direction of Hemis. After Naropa and Tilopa met in Hemis they travelled back in the direction of a certain monastery in the now no longer existing kingdom of Maghada, called Otantra which has been identified as today's Otantapuri. Naropa is consered the founding father of the Kagyu-lineage of the Himalayan esoteric Buddhism. Hence Hemis is the main seat of the Kagyu lineage of Buddhism.

In 1894 Russian journalist Nicolas Notovitch claimed Hemis as the origin of an otherwise unknown gospel, the Life of Saint Issa, Best of the Sons of Men, in which Jesus is said to have traveled to India during his "lost years." According to Notovitch, the work had been preserved in the Hemis library, and was shown to him by the monks there while he was recuperating from a broken leg. But once his story had been re-examined by historians, Notovitch confessed to having fabricated the evidence. Bart D. Ehrman states that "Today there is not a single recognized scholar on the planet who has any doubts about the matter. The entire story was invented by Notovitch, who earned a good deal of money and a substantial amount of notoriety for his hoax". However, the Indian Pandit Swami Abhedananda also claims to have read the same manuscript, and published his account of viewing it after his visit to Hemis in 1921. Abhedananda claims on the book jacket that it was translated for him with the help of a "local Lama interpreter." In the same vein, Notovich did not initially translate the manuscript, but reported his Sherpa guide did so as Notovitch could not read the original text. Notovich's version of the manuscript was translated from Tibetan to Russian to French to English. According to Swami Abhedananda's account, his Lama's translation was equivalent to the one published by Notovich. The Gutenberg Project has published the entire manuscript as a free ebook.

 

Hemis Festival

The Hemis Festival is dedicated to Lord Padmasambhava (Guru Rimpoche) venerated as the Dance Performance at Hemis Monastery representative reincarnate of Buddha. He is believed to have been born on the 10th day of the fifth month of the Monkey year as predicted by the Buddha Shakyamuni. It is also believed that his life mission was, and remains, to improve the spiritual condition of all living beings. And so on this day, which comes once in a cycle of 12 years, Hemis observes a major extravaganza in his memory. The observance of these sacred rituals is believed to give spiritual strength and good health. The Hemis festival takes place in the rectangular courtyard in front of the main door of the monastery. The space is wide and open save two raised square platforms, three feet high with a sacred pole in the center. A raised dias with a richly cushioned seat with a finely painted small Tibetan table is placed with the ceremonial items - cups full of holy water, uncooked rice, tormas made of dough and butter and incense sticks. A number of musicians play the traditional music with four pairs of cymbals, large-pan drums, small trumpets and large size wind instruments. Next to them, a small space is assigned for the lamas to sit.

The ceremonies begin with an early morning ritual atop the Gompa where, to the beat of drums and the resounding clash of cymbals and the spiritual wail of pipes, the portrait of "Dadmokarpo" or "Rygyalsras Rimpoche" is then ceremoniously put on display for all to admire and worship.

 

The most esoteric of festivities are the mystic mask dances. The Mask Dances of Ladakh are referred collectively as chams Performance. Chams performance is essentially a part of Tantric tradition, performed only in those gompas which follow the Tantric Vajrayana teachings and the monks perform tantric worship.

Source: Wikipedia and others.

 

Ganga Aarti

 

Gange aarti is performed daily in the evening by a group of priests at the Dashashwamedh ghat. Through the aarti, Agni Pooja is performed in which a commitment is made to the Lord Shiva, Mata Gange, Surya, Agni (Fire) as well as the whole universe made by the Lord Shiva.

 

It is performed by the brass lamps which accompanied with the mantra chant in the presence of the huge crowd.

 

All the priests wear same cloth, the dhoti and kurta which is tightly bind with a long towel. First they make preparation of the Gange aarti by making collection of the five elevated planks, a multi tiered oil lamp, an idol of the Goddess Ganga, flowers, incense sticks, a conch shell, a big and heavy brass lamp having a snake hood at the edge of the River Gange. A group of boats filled with devotees come around the place of aarti at the bank of River.

Varanasi.org.in

Diwali (also spelled Devali in certain regions) or Deepavali, popularly known as the "festival of lights", is an important five-day festival in Hinduism, Jainism, and Sikhism, occurring between mid-October and mid-November. For Hindus, Diwali is the most important festival of the year and is celebrated in families by performing traditional activities together in their homes. Deepavali is an official holiday in India, Nepal, Sri Lanka, Myanmar, Mauritius, Guyana, Trinidad & Tobago, Suriname, Malaysia, Singapore, and Fiji.

 

The name Diwali is itself a contraction of the word "Deepavali" (Sanskrit: दीपावली Dīpāvalī), which translates into "row of lamps". Diwali involves the lighting of small clay lamps (diyas, or dīpa in Sanskrit: दीप) filled with oil to signify the triumph of good over evil. During Diwali, all the celebrants wear new clothes and share sweets and snacks with family members and friends. Most Indian business communities begin the financial year on the first day of Diwali.

 

Diwali commemorates the return of Lord Rama along with Sita and Lakshman from his fourteen-year-long exile and vanquishing the demon-king Ravana. In joyous celebration of the return of their king, the people of Ayodhya, the Capital of Rama, illuminated the kingdom with earthen diyas (oil lamps) and burst crackers.

 

In Jainism, Diwali marks the attainment of moksha or nirvana by Mahavira in 527 BC. In Sikhism, Deepavali commemorates the return of Guru Har Gobind Ji to Amritsar after freeing 52 Hindu kings imprisoned in Fort Gwalior by defeating Emperor Jahangir; the people lit candles and diyas to celebrate his return. This is the reason Sikhs also refer to Deepavali as Bandi Chhorh Divas, "the day of release of detainees". Deepavali is widely celebrated in both India and Nepal.

 

The first day of the festival Naraka Chaturdasi marks the vanquishing of the demon Naraka by Lord Krishna and his wife Satyabhama. Amavasya, the second day of Deepawali, marks the worship of Lakshmi, the goddess of wealth in her most benevolent mood, fulfilling the wishes of her devotees. Amavasya also tells the story of Lord Vishnu, who in his dwarf incarnation vanquished the tyrant Bali, and banished him to hell. Bali was allowed to return to earth once a year, to light millions of lamps to dispel the darkness and ignorance, and spread the radiance of love and wisdom. It is on the third day of Deepawali — Kartika Shudda Padyami - that Bali steps out of hell and rules the earth according to the boon given by Lord Vishnu. The fourth day is referred to as Yama Dvitiya (also called Bhai Dooj) and on this day sisters invite

 

In each legend, myth and story of Deepawali lies the significance of the victory of good over evil; and it is with each Deepawali and the lights that illuminate our homes and hearts, that this simple truth finds new reason and hope. From darkness unto light — the light that empowers us to commit ourselves to good deeds, that which brings us closer to divinity. During Diwali, lights illuminate every corner of India and the scent of incense sticks hangs in the air, mingled with the sounds of fire-crackers, joy, togetherness and hope. Diwali is celebrated around the globe. Outside India, it is more than a Hindu festival, it's a celebration of South-Asian identities.

 

While Deepavali is popularly known as the "festival of lights", the most significant spiritual meaning is "the awareness of the inner light". Central to Hindu philosophy is the assertion that there is something beyond the physical body and mind which is pure, infinite, and eternal, called the Atman. The celebration of Deepavali as the "victory of good over evil", refers to the light of higher knowledge dispelling all ignorance, the ignorance that masks one's true nature, not as the body, but as the unchanging, infinite, immanent and transcendent reality. With this awakening comes compassion and the awareness of the oneness of all things (higher knowledge). This brings Ananda (joy or peace). Just as we celebrate the birth of our physical being, Deepavali is the celebration of this Inner Light.

 

While the story behind Deepavali and the manner of celebration varies from region to region (festive fireworks, worship, lights, sharing of sweets), the essence is the same – to rejoice in the Inner Light (Atman) or the underlying Reality of all things (Brahman).

 

Source : en.wikipedia.org/wiki/Diwali

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