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Remnants from one of the original transit companies that served Tucson before the current SunTran system was implemented in 1975.

Lighted Farm Implement Parade, Sunnyside, Washington.

a handy cleaning implement

An Exmoor Farm. The implement in the middle is an old root chopper, not sure about the others.

(049/365) Nice & cosy last Sunday inside our favourite pub which happens to be called "The Local" although I think "The Churn and Pram" would be a good alternative pub name. It's in a converted stable block in the grounds of Dunbrody Country House Hotel. HWW & HSS!

EF24-105mm f/4L IS USM

Teller Lake Trail, Boulder Colorado.

Since the complete implementation of ETCS on the Luxemburg network, Prima locos of the class 27000 are no longer welcome as long as they're not equiped with the ETCS onboard system.

During their conversion, Fret SNCF hires in a couple of CFL 3000's for the Woippy - Bettembourg (L) leg of the Modalohr piggyback trains from Le Boulou on the Spanish border.

This is a northbound service on 15/09/2021, working its last kilometers to the Luxemburg border.

---- some short stories, collected while walking down the street ... in search of fleeting moments ...(they are photographic shots taken one-two months ago, scenes of daily life obviously captured before the current restrictions, implemented to stem the spread of the now worldwide infection caused by the covid-19) ....

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---- alcune storie minime, raccolte camminando per la strada ... alla ricerca di attimi fugaci-s/fuggenti ... (sono scatti fotografici realizzati uno-due mesi addietro, scene di vita quotidiana catturate ovviamente prima delle attuali restrizioni, attuate per arginare il dilagare della infezione oramai mondiale, causata dal covid-19) ....

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clicca sulla piccola icona per attivare lo slideshow: sulla facciata principale del photostream, in alto a destra c'è un piccolo rettangolo (rappresenta il monitor) con dentro un piccolo triangolo nero;

  

Qi Bo's photos on Fluidr

  

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A view from my backyard. Old John Deer implement bought by my father in 1947. I repaint it every 5 ot 6 years. It offers quite an adrenaline ride, definitely not for the faint hearted.

Not sure what this is used for, it was sitting in the field.

This is a creative commons image, which you may freely use by linking to this page. Please respect the photographer and his work.

 

[This is a series of 10 photos about Red Fox Farm) Approximately 2 miles north of Skipwith, Mecklenburg County, Virginia is Red Fox Farm, part of which is visible from the highway. All images were taken from the shoulder of the road and restricted me to the beautifully maintained tobacco barns. The farm is an excellent example of late 19th and early 20th centuries tobacco farm in Southside Virginia. Robert Jeffreys acquired the property about 1887-1888 and introduced the flue-curing technique of curing tobacco to the region. He focused on growing bright-leaf tobacco, used mainly in cigarettes. The dark-leaf previously grown in the area was used for chewing tobacco. There are five tobacco or curing barns on the property, dates unknown, all are about 18' square with a single opening where tobacco was hung to dry inside. Four barns also have an open shed. Unskinned logs were the building material, approximately 8 inches in diameter. The gaps between the logs were chinked with clay and sticks (see image 6 in this series). The gable roofs have metal roofs. The setting is picturesque with many standing trees contributing to the aesthetics. The farms economic and historical significance and the well-preserved outbuildings typical of the times justified inclusion on the National Register of Historical Places June 10, 1993 with ID #93000508

 

The farm implement is an antique animal-powered cultivator

 

See the National Register nomination form (in pdf format) for an informative discussion of tobacco growing and curing at the Virginia Department of Historic Resources

www.dhr.virginia.gov/VLR_to_transfer/PDFNoms/058-0131_Red...

 

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License

  

The week got away from me so just remembered at 8 last night that I hadn't shot anything for this weeks theme. Rummaged through the kitchen until I came across this handy dandy little gem. A thingamajig to get your olives out of jars and cans.

 

For the group Collective 52 Photo Project "2015".

Moment captured in Franklin, Wisconsin. (USA)

Le pont de Wandre relie, en enjambant la Meuse et le canal Albert, Herstal à Liège. Conçu par le bureau d’études René Greisch, il remplace deux ponts indépendants – un sur chaque voie d’eau – devenus obsolètes suite à la mise au gabarit du canal Albert, dont la largeur est passée de 35 à 85 m. Cet ouvrage, inauguré en 1989, vaudra une distinction au bureau qui l’a imaginé, outre une indéniable reconnaissance internationale.

Long de 524 m, le pont est un ouvrage haubané à pylône central unique d’une hauteur de 102 m, réalisé en béton armé et précontraint. Les travées principales ont une portée de 168 m (Meuse) et 144 m (canal Albert) et sont suspendues au pylône en Y renversé par 19 haubans (entre 73 et 175 m de longueur espacés tous les 6 m au niveau du tablier). La travée d’approche de la rive gauche est désolidarisée du reste et courbe afin de palier d’éventuels tassements dus à la présence d’anciens puits de mine.

La mise en œuvre adoptée a maintenu l’utilisation continue des axes routiers et fluviaux, si bien qu’une grande partie du tablier a été réalisée sur la rive gauche et mise en position par poussage, une technique inédite pour les ponts haubanés. Cette première architecturale mondiale est adéquatement rehaussée par un éclairage de nuit mis en place dès la conception.

Depuis 1993, le pont de Wandre est classé monument du patrimoine historique majeur de Belgique.

 

The Wandre bridge links, by spanning the Meuse and the Albert canal, Herstal to Liège. Designed by the René Greisch design office, it replaces two independent bridges - one on each waterway - which had become obsolete following the upgrading of the Albert Canal, whose width was reduced from 35 to 85 m. This work, inaugurated in 1989, will be worth a distinction to the office which imagined it, in addition to an undeniable international recognition.

The 524 m long bridge is a cable-stayed structure with a single central pylon, 102 m high, made of reinforced and prestressed concrete. The main spans have a span of 168 m (Meuse) and 144 m (Albert canal) and are suspended from the Y pylon overturned by 19 stay cables (between 73 and 175 m in length spaced every 6 m at the level of the deck). The approach span to the left bank is separated from the rest and curved to compensate for any settlements due to the presence of old mine shafts.

The implementation adopted maintained the continuous use of the road and river axes, so much so that a large part of the deck was carried out on the left bank and put into position by pushing, a new technique for cable-stayed bridges. This world architectural first is adequately enhanced by night lighting implemented from the design stage.

Since 1993, the Wandre bridge has been classified as a major historical heritage monument in Belgium.

Implements including the chain used in an attempt to block the Hudson river and artillery from the revolution made with iron from Ringwood, NJ.

English Electric Type 4 No. D314 passes the closed station at Shilton with a down express in the late afternoon of a brilliant 1st June 1963.

 

From the summer of 1959, these locomotives began to replace a variety of British Railways and LMS steam locomotive designs on the west coast route from Euston. They were a stopgap ahead of electrification, which was initially implemented southwards from Manchester then Liverpool to London. London electric services started in November 1965, though the original route to Coventry and on to Stafford was not electrified until March 1967.

 

The omission from this photo essay of any images between Euston and Shilton was a difficult decision. Certainly it wasn't due to lack of material nor lack of interest. Ultimately though I couldn't make the essay 'work' to my satisfaction in the arbitrary 12 images I've allocated.

 

Photograph by an unknown photographer, now part of my collection.

This lovely old building could have been a house in the old days - of the mid 1950's. Upon looking through the window, there were old farm implements and rustic tools left behind.

Darkroom print. Tokyo, one month after the big quake, April, 2011.

 

Three years on and Fukushima remains a timebomb and the government wants to rush its restart of nuclear reactors without implementing the appropriate safeguards. Humans don't deserve some technologies.

So I've been flying around the United States a lot and using the welcomed downtime time to go through some of my old work. I love this series and thought it would be fun to update some of the atmospheric techniques. This is the 2nd of many updates. Im doing this because the guys at esnipe.com have become good friends and their service is amazing.

 

Strobist:

8 foot octobank in front of him

42' umbrella fill.

profoto lighting triggered with pocket wizards.

 

The Robot was done in 3d. Created and implemented by the geniuses at Elevendy.

 

Check out my website: www.RianFlynn.com and tell your friends!

Kitchen Tools #1. © Copyright 2022 G Dan Mitchell.

 

Close up photograph of kitchen implements.

 

Indeed, I made more than one photograph in the kitchen this week. Will this be a new stylistic direction in my photography? Stay tuned and find out! Like yesterday’s photograph, this subject was on the kitchen counter. I needed something to test out a new camera with a macro lenses, no tiny bugs were handy, so here we are.

 

As I pondered these two kitchen photographs it stuck me that the patterns, especially with all of the soft blur in the images, reminded me of some close-up photograph s I have made of grasses and similar plants.

 

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Steam-Era 2017 - Ontario Steam & Antique Preservers Association (OSAPA) - annual farm and rural heritage country fair and open-air museum

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www.countryheritagepark.com/our-buildings?lightbox=dataIt...

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images.ourontario.ca/Partners/MPL/MPL002500545pf_0871.pdf

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SLR Magic 8mm 1:4 rectilinear ultra-wide-angle manual-focus lens

 

P9021757 Anx2 Q90 1400h

Due to the invasion of southern and eastern European nations by the Warsaw Pact, the EU has sent back their troops to Europe from America to prepare and strategize a retaliation. Due to this soldiers now have a much more common presence in the daily lives of civilians. All forces will be used to create an advantage, even the Leaning Tower of Pisa will be used as a watch tower in Italy. The preparations are almost complete.

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For the Purge Chronicles

 

Doing something very interesting with the leaning tower of pisa was harder than I thought if I wanted it to be pretty accurate, so this is more of a tone scene rather than a detailed one to be more accurate to the area.

Ría de Punta Umbría (Huelva - Andalucía)

 

SIgma 10-20 + Cokin filter : Gradual Neutral Grey ND8 (P121)

 

Larger Version

 

On Black

Folder: Me

Designer: Seth Friedman

Used a 35cm Tant paper.

Took about an hour and a half to fold (Maybe longer).

Folded from his video tutorial.

 

I really like this design! One of the best origami dog models I've seen so far! :) I do like the process and the precreasing. Though unfortunately, I used a single colored paper so the color changes that are implemented on this model isn't shown. Hopefully I can get my hands on paper with white on one side and color on the other.

Hier ist der Regionalrat als Organ der demokratischen Vertretung des venezianischen Volkes zu Hause. Er bestimmt die politische und administrative Richtung der Region und kontrolliert deren Umsetzung. Ebenso übt er die gesetzgebende Gewalt sowie die Regulierungsbefugnisse aus, die nicht einzelnen regionalen Gesetzen der Junta zugeschrieben werden und erfüllt die anderen Funktionen, die ihm die Verfassung, der Staat und die Gesetze übertragen.

 

This is the home of the Regional Council, the authority of the democratic representation of the Venetian people. It determines the political and administrative direction of the region and monitors its implementation. He also exercises the legislative power and regulatory powers not attributed to individual regional laws of the junta, and performs the other functions conferred upon him by the constitution, the state, and the laws.

 

Es la sede del Consejo Regional, órgano que representa democráticamente al pueblo veneciano. Determina la dirección política y administrativa de la región y supervisa su aplicación. También ejerce el poder legislativo y reglamentario no atribuido a las leyes regionales individuales de la junta, y desempeña las otras funciones que le confieren la constitución, el estado y las leyes.

Garden implements neatly arranged at Kumano Jinja (shrine), between Magome-juku and Tsumago-juku, Japan.

 

Sony A7C / ILCE-7C

Sony FE 24-105mm F4 G OSS

24mm; 1/30 sec; f/6.3; ISO 400

Τρόπαιο Λεύκτρων

Lefkta Victory Monument(Trophy)

 

Η Μάχη των Λεύκτρων ήταν μια από τις πλέον περισπούδαστες μάχες της αρχαιότητας, από πλευράς στρατιωτικής τακτικής.

 

Η περίφημη αυτή μάχη, μεταξύ Σπαρτιατών και Θηβαίων, που διεξήχθη το 371 π.Χ. στα Λεύκτρα της Βοιωτίας, στην οποία και νικήθηκαν οι μέχρι τότε θεωρούμενοι αήττητοι Σπαρτιάτες, έδωσε αφενός μεν τέλος στην Πελοποννησιακή Συμμαχία αφετέρου χάρισε στους Θηβαίους την ηγεμονική τους θέση στον τότε ελλαδικό χώρο.

 

Αφορμή στον μεταξύ Σπάρτης και Θηβών αυτόν πόλεμο έδωσε η στάση του θηβαίου στρατηγού Επαμεινώνδα στο συνέδριο των ελληνικών πόλεων-κρατών που είχε συνέλθει στη Σπάρτη μετά την Ανταλκίδειο ειρήνη. Αυτός τότε επέμενε στο συνέδριο ν' αναγνωρισθεί ως αντιπρόσωπος όλων των Βοιωτικών πόλεων και όχι μόνο της Θήβας. Οι αντιπρόσωποι των άλλων πόλεων όχι μονο δεν το δέχθηκαν, αλλά απέκλεισαν τους Θηβαίους από το συνέδριο. Τότε οι Έφοροι της Σπάρτης διέταξαν επιπρόσθετα, προκειμένου να πτοήσουν τους Θηβαίους, τον ευρισκόμενο στη Φωκίδα και κοντά στη περιοχή, Σπαρτιάτη βασιλέα Κλεόμβροτο να εισβάλει στη Βοιωτία. Οι Σπαρτιάτες αριθμούμενοι σε 11.000 έφθασαν στην περιοχή και στρατοπέδευσαν στη κοιλάδα των Λεύκτρων, ανατολικά του Ελικώνα. Οι Θηβαίοι ανερχόμενοι σε 6.000 έφθασαν στη περιοχή από βόρεια και στην αρχή δείλιασαν. Ο στρατηγός τους Επαμεινώνδας τους ενθάρρυνε και εφήρμοσε για πρώτη φορά στην ιστορία των μέχρι τότε πολέμων μια νέα στρατιωτική τακτική η οποία και τον ανέδειξε σε έναν από τους ευφυέστερους στρατηγούς όλων των εποχών.

 

Αντί της τακτικής τής ενιαίας γραμμής μετώπου που ακολουθείτο μέχρι τότε, χώρισε τη φάλαγγά του σε δύο τμήματα εκ των οποίων το ένα διενεργούσε επίθεση και το άλλο άμυνα. Η παράταξη αυτή κλήθηκε από τον εφευρέτη της λοξή φάλαγγα, ο δε τρόπος λειτουργίας αυτής ήταν ο εξής: Την κύρια δράση είχε η αριστερή πτέρυγα της επίθεσης, που προηγείτο της γραμμής μετώπου. Στηριζόμενη στο ενισχυμένο βάθος της εκ 50 ανδρών, είχε ως κύριο σκοπό τη διάσπαση της εχθρικής παράταξης. Η ολιγότερο ισχυρή δεξιά αμυντική πτέρυγα παρέμενε καθηλωμένη σε αναμονή του αποτελέσματος, προκειμένου να επέμβει και να προκαλέσει σύγχυση στην πληττόμενη και πλευροκοπούμενη σπαρτιατική φάλαγγα. Έτσι, αν το απέναντι σπαρτιατικό τμήμα επιχειρούσε αντεπίθεση δεξιά της θηβαϊκής πτέρυγας επίθεσης, η θηβαϊκή πτέρυγα άμυνας προχωρούσε σε περικυκλωτική επίθεση. Αν συνέβαινε το αντίθετο, αν δηλαδή το σπαρτιατικό τμήμα προέβαινε σε επίθεση στα αριστερά της θηβαϊκής πτέρυγας επίθεσης, τότε η θηβαϊκή πτέρυγα άμυνας έστρεφε και πλευροκοπούσε τον εχθρό. Η όλη αυτή εφαρμογή τακτικής ομοιάζει με την εικόνα του δεξιόστροφου ή αριστερόστροφου πτερωτού κοχλία. Εν προκειμένω στη μάχη των Λεύκτρων η όλη διάταξη κινήθηκε δεξιόστροφα.

 

Στην αρχή ο Επαμεινώνδας εξαπέλυσε το ιππικό του κατά των προμαχούντων Σπαρτιατών ιππέων οι οποίοι βλέποντας να μην υποχωρεί η εχθρική γραμμή, κάμφθηκαν. Οι Θηβαίοι ιππείς της πτέρυγας επίθεσης στράφηκαν τότε κατά του κέντρου και του αριστερού εχθρικού τμήματος, ενώ ο Επαμεινώνδας με την αριστερή πτέρυγα της πεζής παράταξής του και ο Πελοπίδας με τον Ιερό Λόχο επιτέθηκαν με θυελλώδη ορμή κατά των Σπαρτιατών των οποίων η σθεναρή παράταξη διασπάσθηκε. Οι σύμμαχοι των Σπαρτιατών που είχαν παραταχθεί στο κέντρο και την αριστερή πτέρυγα, βλέποντας ότι οι Σπαρτιάτες ήταν ανίκανοι να συνεχίσουν τη μάχη, αποφάσισαν να υποχωρήσουν καταδιωκόμενοι από το θηβαϊκό ιππικό.

 

Οι απώλειες των θηβαϊκών δυνάμεων έφθασαν τους 300 άνδρες ενώ οι Σπαρτιάτες έχασαν γύρω στους 1.000 άνδρες, μεταξύ των οποίων και τον βασιλιά Κλεόμβροτο.

ΒΙΚΙΠΑΙΔΕΙΑ

 

Lefktron Trophy

Lefktra Victory Monument(Trophy)

 

The Battle of Lefktra was one of the most studied battles of antiquity, in terms of military tactics.

 

This famous battle, between Spartans and Thebans, which took place in 371 BC. at Leuctra in Boeotia, in which the Spartans, considered invincible until then, were defeated, on the one hand it put an end to the Peloponnesian Alliance and on the other hand it gave the Thebans their hegemonic position in the then Greek area.

 

This war between Sparta and Thebes was caused by the attitude of the Theban general Epaminondas at the conference of the Greek city-states that had convened in Sparta after the Andalkidian peace. He then insisted at the conference to be recognized as the representative of all the Boeotian cities and not only Thebes. The representatives of the other cities not only did not accept it, but excluded the Thebans from the conference. Then the Prefects of Sparta additionally ordered, in order to deter the Thebans, the Spartan king Cleombrotos, who was in Phocis and nearby, to invade Boeotia. The Spartans numbering 11,000 arrived in the area and camped in the valley of Lefktra, east of Helikon. The Thebans numbering 6,000 arrived in the area from the north and at first were timid. Their general Epaminondas encouraged them and implemented for the first time in the history of the wars up to that time a new military tactic which made him one of the most intelligent generals of all time.

 

Instead of the tactic of the single front line followed until then, he divided his phalanx into two divisions, one of which carried out the attack and the other the defense. This formation was called by the inventor of the oblique phalanx, and its mode of operation was as follows: The main action was the left wing of the attack, which preceded the front line. Relying on its reinforced depth of 50 men, its main objective was to break up the enemy line. The less powerful right defensive wing remained pinned down to await the result, in order to intervene and cause confusion in the battered and flanked Spartan phalanx. Thus, if the opposing Spartan division attempted a counterattack to the right of the Theban attack wing, the Theban defense wing would advance in an encircling attack. If the opposite happened, that is, if the Spartan division attacked to the left of the Theban attack wing, then the Theban defense wing would turn and flank the enemy. This whole tactic application resembles the image of the clockwise or counter-clockwise propeller. In this case, in the battle of Lefktra, the whole arrangement moved clockwise.

 

At first Epaminondas unleashed his cavalry against the advancing Spartan horsemen who, seeing that the enemy line did not retreat, retreated. The Theban horsemen of the attacking wing then turned against the center and left of the enemy, while Epaminondas with the left wing of his infantry and Pelopidas with the Sacred Company charged with a storm against the Spartans, whose strong line was broken. The Spartan allies who had lined up in the center and left wing, seeing that the Spartans were unable to continue the battle, decided to retreat pursued by the Theban cavalry.

 

The losses of the Theban forces reached 300 men while the Spartans lost around 1,000 men, including King Cleombrotos.

WIKIPEDIA

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All of my photographs are under copyright ©. None of these photographs may be reproduced and/or used in any way without my permission.

 

© VanveenJF Photography

 

Abandoned farm implements. Free State Province, South Africa.

It is imperative that we implement a system of ecolonomic homeostasis to fight against the current anthropotechnogenic economic, social and environmental crises. Recent global economic and political instability has revealed the shortcomings of our current capitalist system. It further confirms the necessity for an ultramodern paradigm shift. On account of the deleterious impact of the financialization of the economic ecosystem, we must introduce an oligopolistic system that can be sustainably managed. The Social and Solidarity Economy (SSE) is what is needed to fulfill our sustainable development goals. Environmental awareness must be the center of our ethos as we work to reduce our anthroposphere periphery in pursuit of global co-immunity. Not only must we manipulate living organisms through science and engineering to create commodities, we must also manipulate the Anthropos through cryptoeconomic engineering.

 

This new cryptospheric ecotechnic cybernetic system will revolve around a cyber-physical environmental intelligence. This transhuman technosphere of 15 minute city ecoregions will adopt a sustainable economic welfare system that will revolve around harvesting the body’s energy. You will be a collective of communities, a multitude of capital. We will combine biomimetics and thermoeconomics to economically rebalance the core-periphery dynamic. Xenocommodification: all money creation must have biophysical embedding—666. This thermalisation of thermoeconomics will be globally self-replicated.

 

In short: take the Mark of the Beast and become transhuman—embrace the techno-Beast system, because techno-animism is the way of the future!

 

These nerds want an economic system that revolves around the environment—a Social Credit Score System that will be linked to your Carbon Footprint and to the United Nations 17 goals of Sustainable Development. The ultimate goal is to tie this eco-economic system together with transhumanism—the merging of man and microchip…data capitalism (data totalitarianism).

 

Warning: “Constantly be on your guard so that your hearts will not be loaded down with self-indulgence, drunkenness, and the worries of this life, or that day will take you by surprise like a trap, because it will come on everyone who lives on the face of the earth. So be alert at all times, praying that you may have strength to escape all these things that are going to take place and to take your stand in the presence of the Son of Man.” (Luke 21:34-36)

 

We were invited to participate in a local farm implement dealerships 2025 calendar. Little did we know we would make the cover! I'm the guy on the old Farmall tractor with the Culver's shirt on....and no,unfortunately the old '67 Firebird is not mine! LOL

 

My Dad is 88,and has farmed his whole life. He grew up in the drylands of Nebraska and was forced out during the drought years of the 1950's. He had relatives in Sterling that helped him get started and met my mother soon after. We moved to this farmstead 60 years ago and have slowly built it over the years to over 1000 acres. My daughters are pictured next to me,they are proud owners of a Culver's franchise and help out when they can. My beautiful wife is the lady with the other Culver's shirt. My brother(proud owner of the Firebird) and his wife are on the right. It takes all hands on deck to keep this operation on track and we have been fortunate to be successful at it...

Pink farm implement in Montgomery City, Missouri by Notley Hawkins. Taken with a Canon EOS R5 camera with a Canon EF24-105mm f/4L IS USM lens at ƒ/8.0 with a 1/125-second exposure at ISO 100. Processed with Adobe Lightroom CC.

 

Follow me on Twitter, Facebook, Instagram

 

www.notleyhawkins.com/

 

©Notley Hawkins. All rights reserved.

Trees on a windy day.

 

Well this was a fun playtime for Sliders Sunday.

 

The idea and the implementation were relatively simple, but by the time I explain it, you won't be convinced. That will be my fault though in trying to document what I ended up doing :(

 

And the whole reason for explaining things is to try and encourage other folk to have fun too. Kind of shooting myself with my own rifle...

 

The idea: trees in woods move a surprising amount on windy days. It's scary looking up and seeing a big beech swaying by ten or twenty feet above your head. Take a series of shots looking up and stack them as a kind of multiple-exposure just to show what goes on.

 

The implementation: point camera up and hold the shutter in continuous burst mode. This is nine images stacked thuswise.

 

First mistake: the burst just took over a second according to the camera metadata so not much movement (a tree swaying takes several seconds) - but enough! You can see that the higher thinner branches move more so their patterns are more spread out giving a brushlike effect.

 

Stacked in Affinity Photo which is really easy. You could also do it in Photoshop.

 

I actually stacked it five different ways using different mathematical operators (I was just thinking: try them all and pick the ones with pretty colours - AP gives you a preview just mousing over the operator list).

 

Second mistake: to be honest, that’s overkill. Most of the individual stacking operators produced intriguing results by themselves. I was just trying to make the fun last longer :)

 

Blended the layers together using different blend modes. Again just keep adding the different stack versions and go for a blend mode that looks pretty or interesting. The Minimum version of the stack gave you nine images of each branch like a rake brush effect which I liked so I emphasised that.

 

So that got us the basic result. The rest was just finishing.

 

There seemed to be a problem with the end product - there was a quite a lot of grainy pixelation (inherent in some of the blend modes). So I used a Maximum Blur filter at a low resolution to clump up the pixels a bit. More painterly that way, or so the thinking went...

 

Then a Curves adjustment in LAB mode to brighten the image and increase the contrast, enhance the colours (the basic strange colours came out of some of the stacking variants, but stacking tends to reduce contrast and saturation too so I tried to counter that).

 

Then two tweaks I feel naked without: sharpening (with Unsharp Mask) and a vignette (slight dark one here).

 

And we are done. And I have had fun. And you are exhausted :(

 

As usual for this group I shall post a link to one of the in-camera originals that were stacked, in the first comment.

 

Thank you for taking time to look. Especially at one of these Sliders Sundays strange manifestations of captured imagery…

I hope you enjoy it! Happy Sliders Sunday :)

 

[For what it's worth here are the details of the blended layers, all at 100% opacity.

Base layer: Range operator (Normal);

Next layer: Median operator, Difference blend;

Next: Outlier operator, Negation blend;

Next: Maximum operator, Negation blend;

Top: Minimum operator, Luminosity blend. This was the one with that most emphasised all the stripey branches :)

]

Antique John Deere Green Hay Loader on display at Elmer's Hideout in Taylor Township in Black River Matheson in Northeastern Ontario Canada

Vessel of Mother and Child:

 

Paccha, a ritual implement for pouring chicha on the earth. The analysis of residue has confirmed the presence of corn inside an Inka-style vessel similar to this one.

  

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For the time being, the Incas will use this artifact to water *chicha la tierra, thus offering it to Pachamama and ensuring abundance of water.

  

*Chicha is a fermented (alcoholic) or non-fermented beverage of Latin America, emerging from the Andes and Amazonia regions. In both the pre- and post-Spanish conquest periods, corn beer (chicha de jora) made from a variety of maize landraces has been the most common form of chicha. However, chicha is also made from a variety of other cultigens and wild plants, including, among others, quinoa (Chenopodium quinia), kañiwa (Chenopodium pallidicaule), peanut, manioc (also called yuca or cassava), palm fruit, potato, oca (Oxalis tuberosa), and chañar (Geoffroea decorticans). There are many regional variations of chicha. In the Inca Empire, chicha had ceremonial and ritual uses.

  

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The Carchi Pasto culture was located in northern Ecuador in the province of Carchi, in the inter-Andean region between the Mira and Chota rivers. It extended as far as the Nariño Department of Colombia. Most of the population settled in the territories of Ipiales, Túquerres (Colombia) and Carchi (Ecuador).

 

It was characterized as being a peaceful, sedentary trading culture. The Carchi Pasto traded Spondylus mollusc shells, coca leaves, salt and jade with other coastal and Amazonian peoples. They were expert hunters of deer, which had a strong symbolic value.

 

This culture is renowned for its pottery and metallurgy. Many of their pieces feature “coqueros” – human figures in a sitting position with a bulge in their cheeks representing the rite of chewing coca leaves—along with interpretations of sacred animals such as jaguars and monkeys. They specialized in the negative painting technique to decorate their pottery, which was a dark red color. They also made use of positive-space painting, modelling, stone carving and gold-copper alloys. They also used Spondylus shells as beads and collars, which they obtained through trade with other regions.

the implements I prepared so as to facilitate giving Sonya water when she becomes weak as she can't drink by herself. But I didn't use that, because she had drunk water by herself until just before her death for luckily and fortunately. Sonya passed away by cardiomyopathy on the morning of October 6th, 2025. She was 7 and a half years-old.

Jimmy Carter Boyhood Home, Plains, GA

A statue in the fountains in the City Garden, in front of the Ivan Vazov National Theatre, Sofia, Bulgaria.

 

The City Garden in Sofiais the oldest and most central public garden, in existence since 1872. The fountain in the garden was built in 1976.

 

The City Garden is not only a popular retreat for the residents of the capital, but also a favoured place for amateur chess players, who can be regularly seen in the small garden in front of the National Theatre.

 

The Ivan Vazov National Theatre is Bulgaria's national theatre, as well as the oldest and most authoritative theatre in the country and one of the important landmarks of Sofia, the capital of Bulgaria.

 

Founded in 1904 by the artists from the Salza i Smyah company, it was initially called simply the National Theatre, but before being named after the prominent writer Ivan Vazov it also bore the name of Krastyu Sarafov between 1952 and 1962. The theatre's Neoclassical building, designed by famous Viennese theatre architects Hermann Helmer and Ferdinand Fellner, was finished in 1906 and opened on 3 January 1907. The building was extensively damaged by a fire in 1923 during an anniversary celebration, but was reconstructed in 1929. The bombing of Sofia in World War II caused considerable damage to the building, but it was reconstructed in 1945. Another reconstruction followed in 1971–1975, and a €100,000 restoration project was implemented in 2006.

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