View allAll Photos Tagged image_manipulation,

Created with fd's Flickr Toys.

 

Sorry for those who commented on the original image - I made the image public before I realized I needed to make the 4 images square!

 

Just having some fun with Cola and MS Photodraw! Lost some of the clarity but I'll have to work on that!

 

I changed the title thanks to getthebubbles!

© Viveca Koh FRPS - Please do not use my images without permission.

 

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I was awake pretty early this morning ( 4:45 AM ) and today's weather was very warm for the 22nd of December (11 degrees Celsius ) so i decided to head out and take some pictures, i set out to do some portraits with night bokeh in the back ground but that did not work out very well so i wondered around for an hour or two before finally snapping this beautiful sunrise with a hint of moon.

 

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To view this picture large just press L on your keyboard.

 

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**** Disclaimer ****

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I love long exposures, everything to do with night time, the dark, sunrise and sunset.

 

I like to take pictures mainly at night , sometimes during the day and in dull and fading light and I will sometimes display the time and date the picture was taken too.

 

I tend to take pictures of Light trails, Motorway traffic, Street lights, Buildings, Landscapes, Bokeh, Night bokeh and Hexagonal Night Bokeh in and around the North East of England.

 

All of my pictures are 100% natural and untouched in every way without ever been Photo shopped or altered or messed about with in anyway whatsoever, No multi layered photography, No HDR's and No image manipulation of any kind, all of my pictures look just the way they did when I saw them at the time of taking and I'm VERY PROUD of that.

 

I don't do any photo processing at all, I don't even own any photo software.

 

All of my starbursts are all 100% natural without using any filters or anything else, as is all my bokeh, night bokeh and hexagonal night bokeh, its all natural, no funny gimmicks at all.

 

I don't do anything with my pictures apart from take them and then upload them , 99.99999% of my pictures don't even get cropped , they are all 100% natural and untouched and then uploaded.

 

All of my pictures are copy right, © All rights reserved, you MAY NOT use any of my pictures without my written consent, you also MAY NOT change, alter, adjust or rearrange my pictures in anyway what so ever.

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© All rights reserved.

© Viveca Koh FRPS - Please do not use my images without permission.

 

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Image manipulation, composed of 6 different polaroid pictures ( 6 different ppl too). Each photo was ripped from emulsion and scratched for different effects.

© Viveca Koh - Please do not use my images without permission.

 

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turned on pandora yesterday & lady in red was the first song that came on. it instantly made me think of this image. the original color of the corset was black velvet.

 

...just about, yesterday was the best day so far this season and as you can tell, these two were basking in the sunshine. let's hope it continues to get better, brighter and warmer real soon. let the sunshine!

© Viveca Koh FRPS - Please do not use my images without permission.

 

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© Viveca Koh - Please do not use my images without permission.

 

Website | Blog | Twitter | G+ | Facebook

Thank You Photoshop and Deep Dream Generator (AI software)

The caribou is a symbol of Canadian wilderness. It appears on our 25-cent piece. Sadly, the caribou is disappearing and was declared a threatened species in 2000.

Abstract with newsprint. Photo collage of images with effects processed and created using PaintShop Pro and Picasa3.

Alvaro at his best !!!! (No Image Manipulation has been made !!!)

 

© All Rights Reserved

© Viveca Koh FRPS - Please do not use my images without permission.

 

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Its a creation for a friend of mine called "Y." for a very popular racing game "Trackmania Forever", as a screenie for his new track "Paradise Lost".

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if you like music too (as I do), please listen to my jazz compositions

at my soundcloud.com site Paper Plane Factory

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and/or listen to my doughter's talented voice

at her site Sophfire Alphafrau

© Viveca Koh FRPS - Please do not use my images without permission.

 

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Just for fun ... messing around with the idea of compositing images today in view of the rainy weather outside. Eggs selfie! Thanks for viewing.

Rippled image manipulation from a sunny day in Seattle's International District.

Finally stepped outside my comfort zone and decided to do some image manipulation... tips and critiques are appreciated.

Alexandre Riulena

 

there was no use of image manipulation software

or effects other than color correction

 

Canon Marck ll

Henley Beach Jetty.

 

In the spirit of all of the "No Photoshop" groups on flickr, this pic has absolutely no photoshopping or out-of-camera image manipulation at all. Not even a sly little crop (if I had cropped, I surely would have cropped the edge of my filter holder from the right hand edge of the pic!). Only a resize to 1024 x 683 pixels.

 

I find it a good discipline to take pics in light of not photoshopping them. It really makes you think of what is in front of you as you take the pic.

 

Amended (non-sooc) shot here: www.flickr.com/photos/dinsy2/6974984651/

The entire roll was shot at the wrong ISO setting. Some image manipulation was needed to get usable photos.

self portrait 1992 `~ image manipulation 2011

Found a new free editing suite online and this was my first creation using the plate in the previous image. Encouraged by my previous abstract images in albums I was browsing the other day.

© Viveca Koh FRPS - Please do not use my images without permission.

 

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Daniel Barter Photography on Facebook

 

My Website

  

I have not attempted any image manipulations for nearly a month. I thought it was time to get back to it!

© Viveca Koh FRPS - Please do not use my images without permission.

 

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A CGI portrait study that seemed to benefit from a black and white conversion :D

A little bit of image manipulation to pass the time whilst off ill: here is a reconstruction of the altarpiece painted by Simone Martini in 1326 for the Palazzo del Capitano in Siena, then moved in 1405 to the chapel of the Palazzo Pubblico. Originally portable (the equally-sized panels could be folded up to look like slabs of porphyry) it was incorporated into a larger structure in 1448, and later sawn-up and dispersed in 1686. It's now in three museums: St Ansano (the Met), St Peter (the Thyssen-Bornemisza - he'd lost his frame so I've cloned one), the Virgin & Child (the Met), St Andrew (the Met), St Luke (the Getty).

Thank you dear friends, this image made it to Explore #181.

45016 enters Totnes station on 30-10-80. The working is the morning Bristol to Plymouth and is timed as being taken at 09.55 and it is a Thursday!

The quay branch left the mainline to the right.

Many of my slides of Peaks from this period suffered from an awful fungal attack and resulted in many being thrown out [well before digital image manipulation!]. This is a replacement and part of the Tom Derrington Collection.

In truth I never took a picture of a train entering Totnes station from such a wide angle. With the benefit of being older now I have learned from experience how much better at spying out opportunities other than just a platform shot.

© Viveca Koh FRPS - Please do not use my images without permission.

 

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Alexandre Riulena

 

there was no use of image manipulation software

or effects other than color correction

 

Canon Marck ll

A lot of folks have heard of the

Marfa, Texas lights. (Yes I have

seen them myself.) Well these

are Santa Fe, New Mexico lights.

:-)

© Viveca Koh FRPS - Please do not use my images without permission.

 

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After Lydia's comment.. subtitled: The Truth is In There!

 

another 'amazing circle' transformation, inserting the circle derived from the base image back into the image

 

I followed the procedure, first, as outlined here: brilliantdays.com/archives/2005/10/how_to_create_a.php ,

  

and in the flickr Amazing Circles group: www.flickr.com/groups/amazingcircles/discuss/116859/

 

I Am using the basic wondrous polar coordinates transformations as beautiful in and of themselves, but also as starting points for grounding them in their origins and/or creating new relationships for them.

© Viveca Koh FRPS - Please do not use my images without permission.

 

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