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Alexandre Riulena
there was no use of image manipulation software
or effects other than color correction
-
Canon Marck ll
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Part of an ongoing experiment with image manipulation: The images are the result of a 2 stage process. First, a photo is taken of a moving subject. What results is a blurred image, the distortion magnified by the grain and contrast achieved by overdevelopment of the film in the darkroom. Already the face or body has been transformed by the simple act of movement. Then in the second stage, the photo is printed. Sometimes thick glossy varnish is applied across the whole surface of the image, or alternatively, the photo is simply printed onto glossy paper. This one I crumpled and flattened again. This is when more magic happens. Shining light directly onto the surface of the paper, the image is transformed again. This time the transforming agent is light. The surface of the photograph interacts with what is contained within the image. A final photo is taken.
Oulu, December 2014, Pentax KX, Pentax M 50 mm f1,4, f2,8, 1 second handheld (I did lean on a railing), Agfapan 100, Adonal 1+100 60 minutes 22 Celsius stand development, Reflecta RPS 7200. This is a straght scan, no image manipulation of any kind.
I've ways wanted a photo of me walking away. Especially into the unknown. And that's what "The Journey" represents.
Leaving behind my past and walking into the unknown. An unsolved mystery that's scary, but will be written and solved by me. One that I would look forward too.
The glowing gateways represent those little steps of significance and victories I've had along the path. To be ok to sometime be lost and wander around. Making sure that I don't trip over and fall while walking on rocky roads.
I'm not sure if I'll ever reach its end, but all I know and have been told is that the journey is more important than the end.
Por favor, no use esta imagen en los sitios web, blogs u otros medios de comunicación sin mi permiso explícito - Todos los derechos reservados © ARTISVAL Rodolfo Velasco.
Please don't use this image on websites, blogs or other media without my explicit permission - All Rights Reserved © ARTISVAL Rodolfo Velasco.
Mi web: www.rollcreativo.com/
I've always loved this portrait of Arielle, but the OOTC image from over a year ago, as seen here, is flawed. My image manipulation having improved over the last year, I thought I'd see if I could finally do something about that. NOTE: The first four comments below dealt with this image while it was "under construction". :-)
© Viveca Koh - Please do not use my images without permission.
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Have re-posted this one as it is part of my Panel submission for a Licentiateship distinction with the Royal Photographic Society (see mosaic above), but they got this version that is the correct way up, as opposed to the original which was reversed for extra effect: www.flickr.com/photos/vivecakoh/3905298952/in/set-7215762...
Therefore let your soul exalt your reason to the height of passion
That it may sing and let it direct your passion with reason
That your passion may live through its own daily resurrection
And like a phoenix rise above its own ashes.
~Kahlil Gibran
It was about time I did another circle. I got started archiving a batch of images and got snagged by an image I hadn't yet followed through on my intentions for.. then it 'turned' into a circle image, from a suggestion in the cloud lines.
The inset circle image was made from another similar shot, which was color-shifted using a hue/saturation layer, masked with some of the cloud column for more interplay between the blue/black of the column against the orangey-sunrise colors. Then all was rolled into a circle and moved to this base image., where more cloud masking was done to have it appear behind it. Still another layer was used to create the circle's subtle 'shadow', upper right.
This was a sunSet shot, but with this composition, it serves as a powerful sunrise, in a way.
I found this signed picture of female impersonator George Ellisia on ebay recently. The signature suggests that Ms Ellisia was a member of the cast of the movie "Splinters In The Air" details of which can be found on the British Film Institute (explore.bfi.org.uk/4ce2b6b70d8b1) and seems to have been the last of the films that "The Splinters" ( a troupe formed during WW1 and featured elsewhere on my photostream) made.
It is not clear if Ms Ellisia was with the troup durting The Great War, but there are references to her appearing in other stage productions and pantomimes, if anyone reading this has further information I would be delighted to hear more.
Image manipulation performed: Brush cloning and healing to remove the signature. Auto white balance on the resultant image and personal colour interpretation.
Disclaimer: I am not the copyright owner of the image and my publication on flickr is not intended to infringe any such copyright. I seek to make no financial gain from the reproduction. If you are the original copyright owner and wish the image to be removed, please contact myself.
Still trying to catch up on my photo a day project after a short work trip out of town. Been wanting to go past photography for a while now (not that I don't enjoy it or would stop doing it) and into image manipulation, those are my baby steps so any constructive critique, ideas and suggestions will be welcomed and appreciated :))
P.S Sorry about the creepy images lately... don't mean anything, just happened this way. Btw, I never watch horror movies. I don't like them.
Sesión: La fábrica.
Modelo: Ángel.
Estilismo: Ángel.
Por favor, no use esta imagen en los sitios web, blogs u otros medios de comunicación sin mi permiso explícito - Todos los derechos reservados © ARTISVAL Rodolfo Velasco.
Please don't use this image on websites, blogs or other media without my explicit permission - All Rights Reserved © ARTISVAL Rodolfo Velasco.
Mi web: www.rollcreativo.com/
Clearly an image manipulation, in large format and framed in Gold. The "Royal Albert Memorial" a dissected element of the extremely large and complex memorial, Royal Hyde Park, Kensington Gardens, United Kingdom.
Commission for CK Studios
My profile at Deviantart: gerbren.deviantart.com/
Please view large! View On Black
This is a photo/image manipulation using Photoshop elements/CS3, Corel paint shop pro X2 and Photofiltre.
I used a modelshot and stock to create this.
Credits go to the photographers/artists who made the pictures I used.
Photographer of original model~ CK Studios: www.modelmayhem.com/CKStudios
Model~ Passion: Mayhem #22651
Make-up artist~ Marisol MaK3uP N HaIR: www.modelmayhem.com/mizzmakeup209
Resources: Bought at Renderosity and Folkvangar store.
Some elements painted and lots of retouching.
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Copyright © 2010 ~ Gerbren/Brenda M. /Brenvisions and CK Studios
All rights reserved: All the materials/work contained in my gallery may not be reproduced, copied, tubed, edited, published, transmitted or uploaded in any way.
I created this composite for the Weekly Photoshop Competition. The target image (see below) was provided to the group to manipulate by Oddsock. The dog belongs to our son.
Created for the WPC Week 169
(BEST VIEWED APOCALYPTICALLY LARGE)
WINE ENOUGH AT LAST......
Billionaire Industrialist/Inventor Tony Stark had been jolted awake on the morning of the Last Day by the shrill alarm of his private Orbital Satellite Surveillance System.
Cutting right through his hangover the never-before-heard siren instantly shocked him stone cold sober.
There was no time to feel the absolute horror of watching the multiple launch tracks of nuclear tipped ballistic and cruise missiles arcing across the monitor....
No time!
No time to warn anyone....
No time to play the hero one final time....
Only time to leap inside and button up the experimental specialist armour he'd designed and built as an exercise, never really believing he'd ever have to use it.
Time to see how truly Invincible Iron Man really was as the atomic mushrooms sprouted all around him....
As the glowing death winds roared and the fallout shrouded the world Stark screamed within the confines of his Self-Contained Cataclysmic Protection Environment Module.
Armoured against Doomsday itself.
Even with the suit's overpowered shielding it was days before he deemed it safe enough to dig himself out of the collapsed ruins of the Stark International Tower....
Doomsday plus ten.
The Doomsday Armour was more bulldozer than suit. Fit to cut through the rubble of a civilization in search of...
Survivours?
No.
Nothing human at least.
He was the Last Man on Earth.
The Last Iron Man.
And then he'd found....the Last Bottle.
Protected by a fallen building. Covered by pulverised concrete. Unbroken.
For the second wonder, his Giger Counters told him it wasn't 'hot'.
Last call for drinks then.
But....
The Doomsday Armour was radiation-proof, blast-proof, toxin-resistant, and capable of near indefinite self-contained life-support thanks to advanced molecular nanotech recyclers that would have netted him another fortune if there'd been anyone left to file a patent with and sell it to...
All that mind-boggling technology and it had never occurred to him that he might want to simply take a drink from something he'd find lying around.
There was no way to do so without cracking open his helmet and exposing himself to nuclear hell.
There was no one left to hear but he kicked in his external speakers anyway.
"THAT'S NOT FAIR!! THERE WAS WINE ENOUGH AT LAST !!
THERE WAS WINE ENOUGH...AT LAST...."
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Many years ago in the Iron Man Comics they ran a series of whimiscal 'gag' armour designs that Tony Stark scribbled in the wee hours of the morning. A bloke called "The Collector" posted them at the Advanced Iron fan website recently, here:
www.themaxx.pwp.blueyonder.co.uk/pics/im2.jpg
I remembered thinking the Doomsday Armour was pretty silly when I first saw it but running into it again now, while I'm playing with scratchbuilding I.M figures, thought it too good to pass up.
So, here we go!
The figure is made from FIMO and Supersculpey oven fireable polymer modelling clay, with limited articulation built into the arms and head. The 'bulldozer' section has wheels in the base.
The post-atomic landscape is built from styrofoam with assorted bits of rubble from my spare parts store plus some old rabbit bones and...the skull from the D.C Comics hero, Deadman.
Yes, those are Henry Bemis' broken glasses from the famous Twilight Zone episode Time Enough At Last....and as for the green sign, well, you may know Burt Gummer from the Tremors series of movies.
I decided to weather the armour, especially the 'dozer skirts, quite heavily, for obvious reasons!
Sesión: La fábrica.
Modelo: Ángel.
Estilismo: Ángel.
Por favor, no use esta imagen en los sitios web, blogs u otros medios de comunicación sin mi permiso explícito - Todos los derechos reservados © ARTISVAL Rodolfo Velasco.
Please don't use this image on websites, blogs or other media without my explicit permission - All Rights Reserved © ARTISVAL Rodolfo Velasco.
Mi web: www.rollcreativo.com/
TF work for model: Pyretta Blaze.
My profile at Deviantart: www.gerbren.deviantart.com
This is a photo/image manipulation using Photoshop elements/CS3, Corel paint shop pro X2 and Photofiltre.
I used a few stock images and a modelphoto to create this.
Credits go to the photographers/artists who made the pictures I used.
Background: Renderosity
Model: Pyretta Blaze ~ www.modelmayhem.com/pyrettablaze and: www.purestorm.com/profile.aspx?id=PyrettaBlaze
Photographer of model: GC Images~ www.modelmayhem.com/GCImages
Make-up artist: Laura Bills ~ www.modelmayhem.com/laurabills
Hair: Renderosity and wacomtablet.
* A Big thank you to all the people who support my work frequently. You know who you are! ;-)
I will thank you personally once I have more time.
Xxx.
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Copyright © 2009 ~ Gerbren/Brenda M. / GCImages and Pyretta Blaze
All rights reserved: All the materials/work contained in my gallery may not be reproduced, copied, tubed, edited, published, transmitted or uploaded in any way.
Alexandre Riulena
there was no use of image manipulation software
or effects other than color correction
Canon Marck ll
week nine: you in the mirror
this is a fairly accurate representation of one aspect of my inner turmoil right now. here you go.
i got to learn a little bit about the process of cloning and i hope to do more of it in the future.
Featured In Explore:
Feb 27, 2008
#101
Don't even think about it. It never exist.
pp: Image manipulation of 3 images. Not a HDR. Montage, increase hue saturation and erasing here and there to fix dark & blown off areas. The sculpture image from OCBC foyer, Steps from Riverside Point and the lights from Xmas at Orchard.
Best to view on BLACK
Zoe Duchesne - Poupée @ Arsenal Art Gallery Montreal
Arsenal Art Gallery Montreal
arsenalmontreal.com/en/zoé-duchesne-poupée
www.facebook.com/pages/Zoé-Duchesne/878103258895227?fref...
Video of Live Performance...
www.facebook.com/video.php?v=10152608982176199&ref_ne...
My Tumblr Entry for Zoe Duchesne - Poupée - Arsenal Montreal
davidwong888.tumblr.com/post/116363529222/zoe-duchesnes-p...
Flickr Album - Zoe Duchesne - Poupée - Arsenal Montreal
www.flickr.com/photos/davidcwong/sets/72157649319924164/
Zoé Duchesne is a Canadian artist who has worked as a model on the international stage for the last 15 years. She has traveled the world representing the most prestigious brands, and now shares her time between Montreal and Paris.
In her late 20s, Duschesne’s love for the camera led her to acting. Before long, she recognized that aspiring actresses are treated much like models, relying on whoever wants to film them. She realized that creating was crucial to her development and so Poupée was born; a moving and crude character poetically embodying the artist’s emotional and psychological experiences.
Poupée is a broad self-portrait of short films and photographs. This standalone project can also be incorporated in live performance art. Borrowing elements from silent film, theatre of the grotesque and visual arts, the works in this series are a symbolic representation of humans’ existential crisis and inevitable loss of innocence. Together, these films and photographs constitute a powerful exhibit echoing phenomena from our consumerist society, such as the reign of image, body worship and hypersexualization. Intimate, witty and touching, Duchesne explores the anxiety stemming from these phenomena and tells of the inevitable path leading to her own rebirth.
A self-taught artist, Duchesne produces her work in a traditional manner. She does not use any artifices or image manipulation techniques typically found in the fashion photography world.