View allAll Photos Tagged hyperrealism
FR : "The girl" Œuvre de Ron Mueck (2006)
Exposition Ron Mueck
Fondation Cartier pour l’art contemporain
Paris
Le maître australien incontesté de l'hyperréalisme nous gratifie d’une nouvelle-née brute d’accouchement, mais déjà de cinq mètres de long…
Les parents font la g… en pensant au coût du lit Ikea… Le record de Rabelais est largement battu, et Gargamelle, qui a enfanté Gargantua, mais dont le fils ne mesurait que neuf mètres à l’âge adulte, peut aller se rhabiller !
EN: "The Girl" Artwork by Ron Mueck (2006)
Ron Mueck Exhibition
Cartier Foundation for Contemporary Art
Paris
The undisputed Australian master of hyperrealism gives us a raw newborn baby, but already five meters long…
The work of Swedish artist Hilma af Klint is very inspiring. I regularly refer to her style in my image generation. On the Screenpunk website an article on Af Klint.
📷 - 383
Prompts: the friendly green giant reading a bedtime story to a room of children, highly detailed, detailed facial features, vivid colors, hyperrealism, realistic features.
Made with #midjourney
oil on hardboard 15 x 20cm
Preparatory étude by the same modules as on www.flickr.com/photos/yu_ra/4148482270/in/set-72157621856... (Self Portrait #4144. 1986)
📷 - 371
2 of 4 - Prompts: a humanoid fish lady in the artistic style, pixar art , fully body, VFX, highly intricate, highly detailed, detailed facial features, vivid colors, hyperrealism, hyperdetailed, realistic features, scales, fish and flowers, octane render, unreal engine render.
Made with #midjourney
#RT #fromrussiawithpain #russkayatoska
Story about Russia, Time and untranslatable mentality
readymag.com/LN/russkayatoska/
#эстетикагородскихокраин #russianemptiness #национальнаяидентичность
Toska - untranslatable russian word....
"No single word in English renders all the shades of toska. At its deepest and most painful, it is a sensation of great spiritual anguish, often without any specific cause. At less morbid levels it is a dull ache of the soul, a longing with nothing to long for, a sick pining, a vague restlessness, mental throes, yearning. In particular cases it may be the desire for somebody of something specific, nostalgia, love-sickness. At the lowest level it grades into ennui, boredom."
Project by Lisa Nikolajeva
Ph.: Polina Sokolova
Lo: Dno, Russia (lit. - bottom)
2016-2018
All rights reserved
______
About, more, details - check project link and follow the hashtags:
#гиперреальность #транссентиментализм
#метамодернизм
#darkbeauty #darkfashion #metamodernism #postrussia
#постсоцарт
#эстетикаебеней #россиясегодня
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Subject: Tree against a park woodland background.
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Locale: Estabrook Park - Milwaukee, Wisconsin, USA.
Sub-Locale: Wooded area in vicinity of Multi-Use Practice Area No. 2 in north section of park.
Year & Season: 2018 ; Mid fall
Time of Day: Afternoon
Global Ambient: Gray overcast
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Camera: Olympus OM-D E-M5 Mark II Mirrorless
Camera Set-points:
> Picture Mode = Natural (color)
> Sharpness = 0
> Contrast = +1
> Saturation = 0
> Gradation = normal
Sensor: Micro 4/3
IBIS: ON ; OIS: ON
Support: Hand-held
Lens: Olympus M.Zuiko Digital ED 12-100mm f/4.0
Filter: Hoya RA54 Red Enhancer/Color Intensifier - enhances reddish-orange color of tree leaves (in original, unprocessed color image).
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Exposure Program: Aperture priority
Metering Mode: Spot (metered on grass)
Drive/Focus Mode: Single-shot/Auto focus
Focus Area: Spot (tree trunk)
Exposure Quality: Raw (Lightroom DNG)
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Processing: Lightroom 6.12 (CR 9.12)
Lightroom Presets: (none) ; Processing Plug-Ins: (none)
Original File Aspect & Size: 4:3 ; 15.9MP (4608 x 3456)
Cropped Aspect & **Size: 6:7 ; 13.9MP (4035 x 3456)
**Size is prior to downsizing and JPG conversion using Lightroom.
JPG Size: 3.59MP (2048 x 1754)
File ID: TonalStdy3 Deep(3Tone,Lin)V01R00 Milw.Prk.Estabrk 20181027-0104 SShJ80.jpg
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Processing Note 1: Color-to-B&W conversion done using Lightroom B&W function, with further manipulations using Lightroom Black and White Mix functions.
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Processing Note 2: Applied Lightroom Split Toning (entire image) to produce the two base tints, as follows:
> Highlights: Hue = 60 (yellow); Saturation = 33
> Shadows: Hue = 240 (blue); Saturation = 7
> Balance = +33
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Processing Note 3: Applied a third tint (Hue = 180 (cyan), Saturation = 7) to selected areas of the image using graduated and radial filters. This "touch-up" tint enhances the yellow-greenish glow in the tree and ground.
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Rvw'd 190724
created in NIGHTCAFE - Stable Diffusion
the prompt included Giger, Arcimboldo
warming up some older stuff as seed image with some more recent prompts.
PROMPT:
"Post apocalyptic wonderland in heaven everything is fine by lady in the radiator and brothers quay stopmotion cinema photograph by H.R. Giger by Giuseppe Arcimboldo Art Nouveau intricately detailed hyperrealism fantasy imperial colors"
Silicone, pigment, resin, fabric, human hair.
I hope that with these three contemporary sculptures today you can see why I have arranged them thus. We move from an elderly woman (grandmother?) with a baby, to an elderly woman (mother?) and a grown man, and finally to what appears to be a man (son?) holding the body of an elderly man (father?). The question marks are valid, since Sam Jinks deliberately leaves it up to us to create the meaning of these human interactions.
It strikes me that this sculptural tableaux takes us back to the story of The Prodigal Son (Luke 15:11-32) who has returned from his visit to a far country a broken and powerless figure. Hence the title, Deposition ("an act of removing from a position of authority: an act of deposing").
Aquarelle originale - Paris. J'ai aime peindre cette découverte magique, ensoleillée, des dômes du Sacré Cœur, au bout de cette ruelle sombre. Format : 27 cm x 37 cm. Prix sur demande. Size : 10,6 in x 14,6 in. Price on request.
AI created on Nightcafe
PROMPT:
Aquirre The Cryptid Taxidermy Hideout set in the Amazon Jungle, in post apocalyptic wonderland, in heaven everything is fine by lady in the radiator and brothers quay, stopmotion cinema photograph by Werner Herzog, by Giuseppe Arcimboldo, Hieronymus Bosch, Art Nouveau, intricately detailed, hyperrealism, fantasy, imperial colors; Bogomils Universe
Cyclposes are extremely hard to generate in Midjourney. Heads come with two eyes, instead of one or three, which makes sense to some extend. Thanks Paige Guido for helping out.
#RT #fromrussiawithpain #russkayatoska
Story about Russia, Time and untranslatable mentality
readymag.com/LN/russkayatoska/
#эстетикагородскихокраин #russianemptiness #национальнаяидентичность
Toska - untranslatable russian word....
"No single word in English renders all the shades of toska. At its deepest and most painful, it is a sensation of great spiritual anguish, often without any specific cause. At less morbid levels it is a dull ache of the soul, a longing with nothing to long for, a sick pining, a vague restlessness, mental throes, yearning. In particular cases it may be the desire for somebody of something specific, nostalgia, love-sickness. At the lowest level it grades into ennui, boredom."
Project by Lisa Nikolajeva
Ph.: Polina Sokolova
Lo: Dno, Russia (lit. - bottom)
2016-2018
All rights reserved
______
About, more, details - check project link and follow the hashtags:
#гиперреальность #транссентиментализм
#метамодернизм
#darkbeauty #darkfashion #metamodernism #postrussia
#постсоцарт
#эстетикаебеней #россиясегодня
Julien BERTHIER
Né en 1975 à Besançon. Vit et travaille à Paris
Diplômé de l’École des Beaux-Arts de Paris, Julien Berthier débute sa carrière de plasticien au début des années 2000.
« Ne pas laisser le monde aux mains des spécialistes. » Julien Berthier reste fidèle à cette déclaration : tout en employant des médiums aussi variés que la sculpture, le dessin, la vidéo ou la photographie, l’artiste crée des objets - à la fois hyperréalistes et néanmoins fictionnels - qu’il confronte à l’espace public.
L’œuvre pour Paris La Défense
Les pigeons, nuisibles citadins, font partie de ce que nous feignons de ne pas remarquer dans le paysage urbain, par flemme ou par désintérêt sans doute. S’ils sont nombreux en ville, leurs occurrences dans la sculpture des places publiques sont bien inférieures à leur démographie sur les sites concernés.
Avec « Pigeonner », l’artiste remet ces volatiles à l’honneur.
L’animal est traité en bronze, matériau noble par excellence de la sculpture animalière du XIXe siècle. Ces sculptures hyperréalistes de pigeon viennent alors se greffer sur d’autres sculptures publiques existantes de même patine, leur offrant un surplus temporaire de réalisme.
Ces sculptures volontairement discrètes et parasites sont dans le champ de réflexion sur la statuaire ce que le « plus-produit » est au domaine du marketing (analogie qui ne saurait faire l’impasse sur l’acception familière du verbe « pigeonner »).
« Une partie importante de mon travail se place dans un angle mort, là où personne ne regarde vraiment. (…) Il doit prendre les traits du réel pour s’y insérer, mais avec un léger décalage pour que les œuvres soient à la fois intégrées (c’est à dire identifiables et capables d’être entendues) et dissonantes (c’est à dire étrangement différentes et dont le propos vient mettre en débat l’opinion dominante). »
PIGEONNER, 2014-2020
Bronze, pigeon échelle 1:1
Pièce unique
Courtesy Galerie Georges-Philippe et Nathalie Vallois, Paris