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www.decorobra.com/jardin-de-interior-vida-en-el-hogar.html
Decorar el interior de su hogar con zonas verdes, le dará a éste un aspecto deslumbrante. Las plantas siempre van a embellecer el espacio tanto interior como exterior. Las opciones para un jardín interno incluyen diferentes plantas disponibles, varios colores, tamaños, formas y flores.
Así como los árboles son fundamentales para la calidad del aire exterior, las plantas pueden ofrecer el mismo servicio para usted dentro de su casa. Al tomar el dióxido de carbono de la respiración humana, las plantas purificarán el ambiente. El embellecimiento de su espacio de vida y el cuidado de las plantas vivas lo llenará de paz y le otorgará notables beneficios a su salud.
Adornar tu hogar con plantas se puede hacer fácilmente con sólo unos pocos brotes que puede colocar en su living, su habitación y hasta en su cuarto de baño. Los costos de contenedores para jardín no tienen por qué ser exorbitantes y se puede aun así mantener el encanto con esta creativa forma de decorar. Incluso puede cultivar hortalizas o hierbas en contenedores para luego usarlos diariamente en sus recetas de cocina.
El error más común es invertir en ollas y recipientes caros para realzar la belleza de las plantas y la zona. Primero debe experimentar con accesorios mas sencillos hasta saber si sus plantas sobrevivirán o no.
Es bien sabido que la jardinería es un pasatiempo extraordinariamente relajante. Tener un jardín interior le dará el beneficio de calidez cuando ya haga demasiado frío afuera. La jardinería en el interior sólo está limitada por la cantidad de espacio que desee dedicar a ella en su casa. Otra ventaja de este recurso decorativo para interior es que usted puede decidir cuánto tiempo usted tiene o quiere dedicar al cuidado de las plantas. Si desea una planta que no le requiera tanto tiempo de regado y otros cuidados puede recurrir a variedades de cactus, o si desea el desafío de persuadir un árbol en flor, podría usted elegir una camelia.
Un jardín interior hace que su hogar sea sano, verde, hermoso y artístico.
Colocar luces interiores de jardinería en este espacio le brindará un aspecto más brillante y llamativo. De hecho, la luz interior de jardinería es una de los principales requerimientos para este tipo de espacios interiores. Así que debe seleccionar el tipo correcto de luces de jardín de acuerdo con lo que sus plantas requieran.
Si el espacio que usted posee es grande puede combinar una gran cantidad de especies así como otros importantes elementos tales como piedras, un farol, una fuente, arena, bancos, peceras y hasta alguna estatua, al más puro estilo zen.
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english.news.cn/20220808/270d026219534be08c65eaa2ecb5d7fd...
Pelosi's provocative Taiwan visit sparks sharp criticism
Videos from around the world criticizing Pelosi's taunting visit to Taiwan, destablizing the region..
thehill.com/homenews/administration/3592512-biden-says-he...
Biden says he’s ‘not worried’ about China’s response to Pelosi visit to Taiwan
President Biden on Monday said he’s “not worried” about China’s aggressive response to Speaker Nancy Pelosi’s (D-Calif.) trip last week to Taiwan, adding that he doesn’t think things will escalate any further between the U.S. and Beijing.
“I’m not worried, but I’m concerned that they’re moving as much as they are. But I don’t think they’re going to do anything more,” Biden told reporters.
When asked if Pelosi’s trip was a mistake, the president said, “That was her decision.”
The Biden administration has condemned Beijing’s live-fire drills in the waters surrounding Taiwan, which included multiple Chinese warships and aircraft crossing the median line of the Taiwan Strait, following Pelosi’s visit.
“They are provocative, irresponsible, and raise the risk of miscalculation, that’s what the president was referring to,” White House press secretary Karine Jean-Pierre said on Monday, referring to China’s response.
“They are also at odd with our longstanding goal of maintaining peace and stability across the Taiwan strait, which is what the world expects,” she added.
Pelosi’s visit to Taipei last week made her the highest-ranking U.S. official to visit the island in 25 years. The Chinese foreign ministry characterized her visit as having a “severe impact on the political foundation of China-U.S. relations.”
Since she landed, the White House has said it respects Pelosi’s decision to visit Taiwan and has pushed back on questions about any drama between the Speaker’s office and the White House surrounding her trip.
Biden told reporters last month that the military “thinks it’s not a good idea” for Pelosi to visit Taiwan amid already rising tensions over the island’s status and the administration urging China not to back Russia’s invasion of Ukraine.
Before landing, White House national security spokesman John Kirby warned China against using the moment to create a “crisis” and then said on Tuesday that Beijing’s actions in response to her visit were “consistent with the playbook we expected them to run.”
www.chinadaily.com.cn/a/202208/09/WS62f19835a310fd2b29e70...
One-China principle clearly violated by trip
It's natural for China to feel angry and oppose the recent visit to Taiwan by United States House Speaker Nancy Pelosi, because the trip openly violates the one-China principle and challenges China's territorial integrity and sovereignty, experts said while explaining China's reaction and the severe countermeasures it has taken.
It's clear that the two sides of the Taiwan Straits are the same country, and the Taiwan question, which is purely China's internal affair, brooks no interference by foreign forces, they said.
Traveling in a military aircraft, Pelosi－second in the line of succession to the US president－last week paid a high-profile "official visit to Taiwan", as her office described it in her arrival statement, and was given full protocol treatment by Taiwan's Democratic Progressive Party authorities, which make no secret of pursuing "independence" in their party platform.
Pelosi's two-day trip included meeting with the island's leader Tsai Ing-wen and some "human rights" advocates, as well as visiting the island's "legislative "authority.
Hundreds of millions of Chinese watched, discussed and were outraged by the provocative trip that was also followed by unprecedented countermeasures by the Chinese government, including canceling three cooperative dialogues or meetings with the defense authorities of the US, suspending climate talks, and conducting live-fire drills surrounding the Taiwan island.
Bao Chengke, assistant director at the Institute for East Asian Studies in Shanghai, said that the visit has trampled on the one-China principle and China's national sovereignty, and was a move that in nature promoted the concept of "one China, one Taiwan".
To the Chinese side, the one-China principle is a bottom line that cannot be crossed. It has been reiterated numerous times by the Chinese government, and is firmly believed by the Chinese people, that the island of Taiwan has been an inseparable part of China's territory for 1,800 years and it's crystal clear that the two sides of the Straits belong to one China.
It was even worse that Pelosi turned a deaf ear to repeated warnings from the Chinese government and still made the trip, Bao said, adding that when something like this happens, it's reasonable for any country to feel angry and take severe countermeasures.
Lin Kuan-ting, a young man from Taiwan who is studying on the mainland, said he opposes the visit and the US should not interfere in the Taiwan question as the island has always been a part of China. Another Taiwan student on main-land, Lin Pei-ying, said the visit seriously hurt the feelings of compatriots on both sides of the Straits, and the contradictions between the two sides are purely our family matters.
Root of the Taiwan question
As Xi Jinping, general secretary of the Communist Party of China Central Committee, has said, the Taiwan question arose out of the weakness and chaos of the nation and will be resolved as national rejuvenation becomes a reality.
In 1894, Japan launched the First Sino-Japanese War to invade China. In the following year, the government of the Qing Dynasty (1644-1911) was forced to cede Taiwan to Japan under the unequal Treaty of Shimonoseki.
In 1945, the Chinese people won the War of Resistance Against Japanese Aggression (1931-1945). Taiwan was thus recovered and returned to the motherland.
In 1943, the leaders of China, the US and Britain issued the Cairo Declaration, which clearly states that all territories Japan stole from the Chinese, including Taiwan, shall be restored to China. The Potsdam Declaration of 1945 affirmed that the terms of the Cairo Declaration would be carried out. Thus, Taiwan's legal status as a part of China was irrefutably confirmed.
It was not long, however, before the two sides of the Straits fell into a special state of protracted political confrontation due to civil war in China and the interference of foreign forces.
In 1949, the Central People's Government of the People's Republic of China was established, replacing the Republic of China government as the sole legal government representing the whole of China. It is logical for the government of the People's Republic of China to exercise sovereignty over China, which includes Taiwan.
In 1971, the United Nations General Assembly adopted Resolution 2758 with an overwhelming majority vote, restoring all rights of the PRC and recognizing the government of the PRC as the sole legitimate representative of China to the United Nations.
The one-China principle is a widely recognized basic norm of international relations. More than 180 countries have to date established diplomatic relations with China on the basis of their recognition of the one-China principle, according to official records.
When China and the US established diplomatic relations in 1979, the US recognized in the joint communique with China that the government of the PRC is the sole legal government of China. Since then, the US has long been committed to not developing official relations with Taiwan.
"The one-China principle is part of the postwar international order and has become a general international consensus. As a country that thinks of itself as a champion of the 'rules-based international order', the United States should naturally abide by the one-China principle," Chinese Ambassador to the US Qin Gang wrote in an article in The Washington Post on Thursday.
"President Biden has said many times that the United States will not change its one-China policy and does not support 'Taiwan independence'. But for the 'Taiwan independence' forces, Pelosi's visit represents an exceptionally strong signal that 'the US is on Taiwan's side'. This goes against the one-China principle, the three Sino-US joint communiques and America's own commitments," the article said.
Wu Yongping, director of the Institute of Taiwan Studies at Tsinghua University, said that US support for "Taiwan independence "separatists is a fundamental reason why the Taiwan question is so difficult to resolve.
The US has tried to obscure and hollow out the one-China principle, Wu said, adding that it has colluded with "Taiwan independence" forces on the island and elevated relations with the island in various ways, including arms sales.
After the DPP came to power in Taiwan, it refused to recognize the 1992 Consensus which embodies the one-China principle, creating an increasingly tense and confrontational atmosphere across the Straits, according to Bao from the Institute for East Asian Studies.
Common will
Despite the complex situation, experts believe that the two sides of the Straits must be reunified in the future, which is also the will of the entire Chinese nation.
The mainland has great patience in dealing with the Taiwan question, and it has been working to promote integrated development and cooperation between people across the Straits in order to gradually overcome the resentment and differences and find the path of future reunification, Bao said.
Wu said the mainland's ability to resolve the Taiwan question has been increasing as well, which could been seen in the recent countermeasures, and no other forces should underestimate such ability and China's determination to safeguard its sovereignty and unity.
willowgrovedaycamp.com/willows.html
We have just finished our third week of camp. The Willows campers have been kept very busy these past three weeks. The days have been flying by way too quickly. It was very exciting to have all our Willows family members join us for an outstanding visiting day. The children were extremely excited to share their activities with their parents, while the parents had fun pretending to be campers. We hope you had as much fun as we did and lunch together was terrific.
The children enjoyed this weeks theme of “I Spy”. They had fun decorating binoculars in Camper Creations. In Ceramics, each child enjoyed making their favorite food out of clay with the help of their parents. Their ceramic projects will be sent home shortly. To end our wonderful week, The Willows campers joined the rest of camp at Waterworld. The children drove
water boats and joined in other great water activities. A terrific time was had by all!
Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on Willow Grove Day Camp and the services they provide please visit: willowgrovedaycamp.com/willows.html
Purchased from Mitchell & Rammelsburg Furniture by Jesse Smith Norton (1826-1887), a Civil War colonel who lived in Toledo, Ohio.
The firm of Mitchell and Rammelsburg was perhaps the best known of the Cincinnati Victorian furniture makers. Robert Mitchell came to Cincinnati in 1829, an Irish immigrant intent on making his mark. After apprenticing himself to established cabinetmakers, he struck out on his own in 1836, eventually forming a partnership that would last until almost the end of the century.
Mitchell's counterpart was Frederick Rammelsburg, one of the thousands of German immigrants who settled in Cincinnati during a great wave of 19th-century settlement.
From their five-story showroom on Columbia Street, Mitchell and Rammelsburg advertised sofas, chairs and cased furniture — sideboards, dressers, desks and elaborate dining and bedroom suites.
Jesse Smith Norton enlisted as the 35 year old Colonel of the 21st Ohio Volunteer Infantry, enlisting on April 27, 1861 and receiving his commission May 15, 1861.
During the summer campaign of 1861, Colonel Norton was seriously wounded in the hip and captured July 17, 1861 at the Battle of Scarey Creek in western Virginia. Detained by the Confederates only briefly, then paroled, he returned home to recover and mustered out with the regiment August 12, 1861.
He was retained as Colonel of the 21st Ohio for three years' service. He led the regiment through the summer of 1862, where in northern Alabama, a number of problems came home to roost for him. In the first place, he had never been formally exchanged since his capture in July 1861, so his leadership of the 21st Ohio was in direct violation of his parole.
In the second instance, his departing divisional commander Brigadier General Ormsby M. Mitchel discovered him at a clambake with well-known Alabama secessionists.
Combined with an accusation of stealing then selling government horses for personal profit, Norton spent the next several months shuttling between his home in Perrysburg, Ohio and the capitals of Columbus and Washington, D.C. trying to clear his name. Meeting indifferent success, he resigned his commission to date December 20, 1862.
CIF CENTRAL SECTION CHAMPIONSHIP
Liberty High School - Wednesday, May 14, 2008
www.andynoise.com/valley08.html
Central Section Grand Masters
At Liberty
Team standings--unavailable.
400 relay--1. Bakersfield (Hunt, Turner, Johnson, Norwood), 42.28; 2. Clovis East (Bourbon, Scott, Smith, Woods), 42.58; 3. Redwood (Stewart, Ray, Root, Coles), 43.07; 4. Central (Newsome, Bigelow, Hammack, Phillips), 43.15. 1,600--1. Chris Schwartz, Foot, 4:15.80; 2. Jonathan Sanchez, Buch, 4:17.48; 3. Eric Battles, CW, 4:20.34; 4. Jesse Arellano, Mad, 4:21.56. 110H--1. Ethan DeJongh, MtW, 14.49; 2. Sean Johnson, Buch, 14.66; 3. Jon Funch, CW, 14.81; 4. Isiah Crunk, Wash, 15.17. 400--1. Maurice Lewis, Ed, 49.08; 2. Isiah Purvis, Lib, 49.13; 3. Daniel Lozano, Stock, 49.35; 4. Jelani Hendrix, Ed, 49.62. 100--1. Brendon Bigelow, Central, 10.62; 2. Emmanuel Turner, Bak, 10.81; 3. Matt Sumlin, Gar, 10.91; 4. Chris Lopez, GW, 10.98. 800--1. Anthony Mitchell, North, 1:54.19; 2. Aric Champagne, MtW, 1:54.97; 3. Andrew Campbell, CW, 1:55.69; 4. Arturo Ramirez, Centennial, 1:55.83. 300H--1. DeJongh, MtW, 37.93; 2. Cody Alves, Sel, 37.94; 3. James Smith, CE, 39.03; 4. Sean Johnson, Buch, 39.28. 200--1. Brendon Bigelow, Central, 21.29; 2. Isiah Purvis, Lib, 21.96; 3. Mario Navarette, Sanger, 22.04; 4. Chris Lopez, GW, 22.29. 3,200--1. Chris Schwartz, Foot, 9:24.19; 2. Jonathan Sanchez, Buch, 9:24.99; 3. Jon Ross, CE, 9:26.42; 4. Danny Vartanien, Buch, 9:26.42. 1,600 relay--1. Edison (Hendrix, Carter, Boughton, Lewis), 3:17.86; 2. Liberty (Hill, Garside, Affentranger, Purvis), 3:18.95; 3. Bakersfield (Miller, Turner, Johnson, Gooden), 3:20.06; 4. Clovis East (Ellis, Defonska, Woods, Smith), 3:22.40. PV--1. Andrew Lohse, Mad, 15-0; 2. Michael Peterson, CE, 15-0J; 3. Jeff Brenner, Cl, 14-6; 4. Frankie Puente, Sel, 14-0. SP--1. Dayshan Ragans, Foot, 60-7; 2. Matt Darr, Fron, 52-8.75; 3. Troy Rush, CW, 52-8.5; 4. Christian Millard, CE, 51-10.5. TJ--1. Johnny Carter, Ridge, 48-3; 2. Tyler Thompson, Shaf, 47-3; 3. Chris Kelly, Ridge, 46-11.5; 4. Jordan Smith, Central, 46-10.5. D--1. Dayshan Ragans, Foot, 199-2; 2. Jacob Budwig, Fowl, 168-8; 3. Niko Gomes, Cl, 164-10; 4. Matt Darr, Fron, 157-7. LJ--1. Kenny Phillips, Central, 23-4; 2. Tyler Thompson, Shaf, 21-11.5; 3. Dillon Root, Red, 21-11; 4. Kevin Norwood, GV, 21-8.75. HJ--1. Kenny Phillips, Central, 6-8; 2. Isiah Griggs, Bak, 6-6; 3. George Robbins, West, 6-4; 4. Jeff Brenner, Cl, 6-4J.
Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.
Girls track
Central Section Grand Masters
At Liberty
Team standings--unavailable.
400 relay--1. Edison (Eng, Scott, Thompson, Sears), 47.16; 2. Bullard (J. Williams, Riddlesprigger, Baisch, L. Williams), 48.17; 3. Tulare Western, 48.73; 4. Bakersfield (Torres, Belt, Brown, Wandick), 48.80. 1,600--1. Saleh Barsarian, Cl, 5:02.98; 2. Meghan Marvin, Cl, 5:03.02; 3. Chloe Allen, CW, 5:04.62; 4. Allison Gonzales, Ex, 5:11.52; 100H--1. Alyssa Monteverde, CW, 14.59; 2. Brianny Williams, Ed, 14.60; 3. Taylor Jackson, Fr, 15.04; 4. Jen Melton, CW, 15.37. 400--1. Breanna Thompson, Ed, 56.64; 2. Dedrea Wyrik, Sun, 57.49; 3. Lasasha Aldredge, Central, 58.12; 4. Taylor Donaldson, Reed, 58.13. 100--1. Megan Del Pino, CW, 11.66; 2. Jenna Prandini, Cl, 11.74; 3. Lynn Williams, Bul, 12.00; 4. Brushay Wandick, Bak, 12.01. 800--1. Allysa Mejia, Reed, 2:17.47; 2. Molly Pahkamaa, ElD, 2:17.73; 3. Katie Fry, Ex, 2:18.74; 4. Ashlee Thomas, Centennial, 2:19.77. 300H--1. Alyssa Monteverde, CW, 43.92; 2. Taylor Jackson, Fron, 44.86; 3. Brianny Williams, Ed, 45.69; 4. Alana Alexander, Centennial, 46.12. 200--1. Megan Del Pino, CW, 23.94; 2. Dominique Whittington, Lem, 24.65; 3. Brushay Wandick, Bak, 24.69; 4. Breanna Thompson, Ed, 24.90. 3,200--1. Jordan Hasay, MP, 10:24.78; 2. Meghan Marvin, Cl, 10:59.96; 3. Chloe Allen, CW, 11:06.19; 4. Corina Mendoza, Mad, 11:32.06. 1,600 relay--1. Edison (Burk, Thompson, Scott, Smith), 3:54.89; 2. Stockdale (Cady, Anderson, Mello, S. Anderson), 3:58.26; 3. Clovis West (Laidley, Capriotti, Del Pino, Monteverde), 3:59.02; 4. Reedley, 3:59.07. D--1. Anna Jelmini, Shaf, 162-5; 2. Alex Collatz, Stock, 148-6; 3. Carey Tuuamalemalo, Taft, 130-9; 4. Janae Coffee, CW, 121-6. LJ--1. Jenna Prandini, Cl, 18-7.25; 2. Lynn Williams, Bul, 18-0.75; 3. Alana Alexander, Centennial, 17-6.75; 4. Ja'Nia Sears, Ed, 17-6.5. HJ--1. Alyssa Monteverde, CW, 5-4; 2. Cristina Muro, GW, 5-2; 3. Katherine Mahr, Buch, 5-2; 4. Marish Riddlesprigger, Bul, 5-2J. SP--1. Anna Jelmini, Shaf, 44-0.75; 2. Destanie Yarbrough, CE, 37-10; 3. Heather Vermillion, Red, 37-9; 4. Tasha Firstone, CW, 36-6.5. TJ--1. Alana Alexander, Centennial, 38-3.75; 2. Jenna Prandini, Cl, 38-3; 3. Goziam Okolie, 36-10.5; 4. Alex Collatz, Stock, 36-2. PV--1. Allison Berryhill, CW, 11-6; 2. Amanda Klinchuch, Lib, 11-6J; 3. Cheree Jones, King, 10-6; 4. Emily Falkenstein, Buch, 10-6J.
Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.
willowgrovedaycamp.com/willows.html
We have just finished our third week of camp. The Willows campers have been kept very busy these past three weeks. The days have been flying by way too quickly. It was very exciting to have all our Willows family members join us for an outstanding visiting day. The children were extremely excited to share their activities with their parents, while the parents had fun pretending to be campers. We hope you had as much fun as we did and lunch together was terrific.
The children enjoyed this weeks theme of “I Spy”. They had fun decorating binoculars in Camper Creations. In Ceramics, each child enjoyed making their favorite food out of clay with the help of their parents. Their ceramic projects will be sent home shortly. To end our wonderful week, The Willows campers joined the rest of camp at Waterworld. The children drove
water boats and joined in other great water activities. A terrific time was had by all!
Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on Willow Grove Day Camp and the services they provide please visit: willowgrovedaycamp.com/willows.html
Geoffroy normally works with art formats like the EMERGENCY ROOM
to stimulate urgent expression by artist about today 's emergencies :
www.emergencyrooms.org/formats.html
www.colonel.dk contact : emergencyrooms@gmail.comThierry Geoffroy/ Colonel will be exhibiting in the museum Kunsthalle Mannheim from october 2018 part of the exhibition Konstruktion der Welt .Kunst und Ökonomie
Constructing the World: Art and Economy 1919-1939 and 2008-2018
10/12/18 to 02/03/19
Ten years after the peak of the global financial crisis in 2008, which profoundly shook the economic systems of America and Europe and had a lasting effect on present-day life, this topical exhibition is the first to illustrate the economy’s dramatic influence on art and to make global comparisons, demonstrating these in an analysis of two separate eras. Economic phenomena in the classical modernism of the 1920s and 30s are not only explored by focusing on art from the German Weimar Republic, the Soviet Union, and the United States, but also juxtaposed with artists of the present day.
Curatorial team: Dr. Eckhart Gillen (Berlin), Dr. Ulrike Lorenz, Dr. Sebastian Baden
Project Lead: Dr. Inge Herold, Assistence: Lisa Valentina Riedel, M. A. mult., Elisabeth Bohnet, M.A.
How does contemporary art reflect the world of work today? The catalogue for the second part of the exhibition Constructing the World at the Kunsthalle Mannheim takes a look at this question. The focus of it is primarily on artistic positions of the past decade that deal with the social, political, and economic effects of the most recent economic crisis after 2008. The works address and interrogate new production conditions and developments on the labor market as well as political conflicts. The accompanying publication provides fascinating insights into the diverse artistic positions.
Artists participating 2008-2018
Maja Bajevic - BBM (Observers of Operators of Machines) - Bureau d'Études - Claire Fontaine - Jacques Coetzer - Abraham Cruzvillegas - Szilárd Cseke - Chto Delat - Jeremy Deller - Simon Denny - Tatjana Doll - Harun Farocki & Antje Ehmann - Thierry Geoffroy - Andreas Gursky - Thomas Hirschhorn - Olaf Holzapfel - Sanja Iveković - Charles Lim Yi Yong - Maha Maamoun - José Antonio Vega Macotela - Tobias Rehberger - Oliver Ressler & Dario Azzellini - Mika Rottenberg - Superflex - Zefrey Throwell - Volume V - Maya Zack - Artur Żmijewski
Artists participating 1919-1939
Berenice Abbott - Gerd Arntz - Lester Thomas Beall - Thomas Hart Benton - George Biddle - John Biggers - Peter Blume - Margaret Bourke-White - Jacob Burck - Clarence Holbrook Carter - Charlie Chaplin - Ottilie Cieluszek - Ralston Crawford - Francis Hyman Criss - Stuart Davis - Alexander A. Deineka - Rudolf Dischinger - Otto Dix - Nikolaj A. Dolgorukow - Arthur Durston - Sergej M. Eisenstein - Fred Ellis - Walker Evans - Philip Evergood - Conrad Felixmüller - Hans Finsler - Max Gebhard - Hugo Gellert - John R. Grabach - Otto Griebel - William Gropper - Carl Grossberg - George Grosz - Hans Grundig - Kurt Günther - O. Louis Guglielmi - John Heartfield - Werner Heldt - Karl Hubbuch - Eric Johansson - Joe Jones - Grethe Jürgens - William Karp - Lewis W. Hine - Hannah Höch - Heinrich Hoerle - Edward Hopper - Hermann Otto Hoyer - Edward McKnight Kauffer - Gerhard Keil - Gustavs Klucis - Käthe Kollwitz - Pawel D. Korin - Valentina N. Kulagina - Wilhelm Lachnit - Fritz Lang - Wladimir W. Lebedew - Jack Levine - El Lissitzky - Arkadi Lobanow - Louis Lozowick - Sergej A. Lutschischkin - Reginald Marsh - Carl Mayer - László Moholy-Nagy - Dimitri Moor - Reinhold Nägele - Otto Nagel - Alice Neel - Oskar Nerlinger -Solomon B. Nikritin - Alice Lex-Nerlinger - Gerta Overbeck - Werner Peiner - Kusma S. Petrow-Wodkin - Juri I. Pimeno w - Natalia Pinus - Michail M. Plaksin - Jackson Pollock - Curt Querner - Climent N. Redko - Albert Renger-Patzsch - Serafima V. Rjangina - Alexander Rodtschenk o - Theodore Roszak - Walter Ruttmann - Leni Riefens tahl - Nikolaus Sagrekov - Alexander N. Samochwalow - Paul Sample - August Sander - Arkadi S. Schaichet - Rudolf Schlichter - Wilhelm Schnarrenberger - Georg Scholz - Franz Wilhelm Seiwert - Ben Shahn - Charles Sheeler - Georgi und Wladimir A. Stenberg - Warwara Stepanowa - Paul Strand - Miklos Suba - Ernst Thoms - Alexander G. Tyschler - Bumpei Usui - Konstantin A. Vialov - Karl Völker - Wladimir A. Wassiljew - Dsiga Wertow - Piotr W. Wiljams - Grant Wood - Gustav Wunderwald - Ekaterina S. Zernova - Heinrich Zille
www.colonel.dk contact : emergencyrooms@gmail.com
#artformats #artformat #formatart #biennale #biennalism #biennalecritic
#ARTIVISM #streetartist #politicalartist #activistartist #Epigrammatists #socialcommentary
#premonitionart #avantgardeart #inadvanceart #urbanartist #InstitutionalCritique
#artintime #onlineart
#toolate
thierry.geoffroy #thierrygeoffroy #artistrole
#biennalist #Biennalism #biennalecritic
#exhibition #contemporaryart #
#artandeconomy #kunsthallemannheim #museum #mannheim#thierrygeoffroycolonel
#kuma #kumamuseum
below from www.brainyquote.com/quotes/authors/a/albert_camus.html
are a few quotes from Albert Camus, French Philosopher
Date of Birth: November 7, 1913
Date of Death: January 4, 1960
A free press can, of course, be good or bad, but, most certainly without freedom, the press will never be anything but bad.
A guilty conscience needs to confess. A work of art is a confession.
A man without ethics is a wild beast loosed upon this world.
A man's work is nothing but this slow trek to rediscover, through the detours of art, those two or three great and simple images in whose presence his heart first opened.
A taste for truth at any cost is a passion which spares nothing.
Abstract Art: A product of the untalented, sold by the unprincipled to the utterly bewildered.
After all manner of professors have done their best for us, the place we are to get knowledge is in books. The true university of these days is a collection of books.
After all, every murderer when he kills runs the risk of the most dreadful of deaths, whereas those who kill him risk nothing except promotion.
Ah, mon cher, for anyone who is alone, without God and without a master, the weight of days is dreadful.
Alas, after a certain age every man is responsible for his face.
All great deeds and all great thoughts have a ridiculous beginning.
All great deeds and all great thoughts have a ridiculous beginning. Great works are often born on a street corner or in a restaurant's revolving door.
All modern revolutions have ended in a reinforcement of the power of the State.
An intellectual is someone whose mind watches itself.
As a remedy to life in society I would suggest the big city. Nowadays, it is the only desert within our means.
At 30 a man should know himself like the palm of his hand, know the exact number of his defects and qualities, know how far he can go, foretell his failures - be what he is. And, above all, accept these things.
At any street corner the feeling of absurdity can strike any man in the face.
we're only days away from odin's 9 month birthday, which means it's time more his regularly scheduled 9 month checkup and his final rsv shot!
now, you might remember that his rsv shots are typically at the beginning of the month, but this one is on the last day of month and not even a full 30 days after his last shot ( it's usually best to separate the shots by almost exactly 30 days ). perhaps a random scheduling error? nope. medicaid will not reimburse for rsv shots given in april because it's the tail end of rsv season and their number crunchers have determined that it's more cost effective to pony up for the hospital bills of the kids that get rsv then it is to get everyone innoculated. so, cleverly, most pediatricians simply schedule an extra shot on the last day of the month.
but in much bigger [ ahem! ] news, you might have noticed that odin has gained almost a pound and a half since his last rsv shot! in less than a month! he's now just shy of 15 pounds.
some readers may be chuckling quietly to themselves, given the degree of hand wringing we engaged in after his developmental assessment when we learned that he might not have gained any weight at all. and we'll now fess up to the fact that after the appointment we started feeding odin a bottle of neosure a day, when we noticed that his diapers weren't as wet as we remembered; of course, we immediately jumped to the conclusion we were starving odin and lousy parents to boot for not noticing sooner that his diapers weren't sopping wet. hence the interim step of replacing one of his meals with formula, at least until we could talk more at length with the pediatrician.
i can only imagine what the pediatrician was thinking as he was forced to listen to us;
"and he hadn't gained any weight in two weeks and the developmental assessor thought he might need to be eating longer to get the "full course" and his diapers aren't sopping wet so surely we must have been starving him so now he's getting a bit of formula. because, well, starving him his not a good thing."
without nearly a hint of the patronizing tone that should have affected his voice, he proceeded to tell us that, in fact, after 3 or 4 months the wetness of a diaper is not a reliable indicator of how much nutrition a child is receiving; and that it's probably important to note that his last developmental assessment was performed by the person in charge of therapy for eating disorder in children born premature so she's constantly surrounded by the worst case scenarios and people tend to leave her assessments concerned about eating issues; and that sometimes kids just don't gain any weight and then they do; and while he didn't think the bottle of formula was doing any harm, he didn't think it was doing much good either, as it certainly wasn't responsible for his weight gain over the month.
pretty much, without actually doing it, he was shaking us by the shoulders, telling us to get ahold of ourselves.
heh.
and no, although it may look like it, odin is not sticking his fingers in his mouth and whistling at the nurse while he's being weighed.
and completely unrelatedly. hello to all you googlers coming to find useful information on rsv. i know that i'm clogging up the search results for rsv shot, but i'm not really sure that i'm the authoritative source to best answer your questions :-)
Neon Pink Cheap Sticks & Stones By Mori Lee 9281 Party Dress
www.dresslikes.com/rhinestone-beaded-nude-sheer-inset-ill...
"Howdy, Girl"
Project Quilting Season 3, Challenge 3: Tools
blogged: dashasel.blogspot.com/2012/02/howdy-girl.html
I was lucky enough to win a little I-spy pack after Challenge 2 and this charm square of this cowboy just stuck in my head. As soon as the challenge was announced, I knew that I wanted to do something about cowboy tools. Aside from a lasso and spur, I wasn't quite sure my range of tool options were. I did some searching and finally decided on the following as my inspiration: lasso, spur, kerchief, and dream sack.
For the lasso, I used perl cotton thread to embroider. I like how the perl cotton is twisted, so it appears rope-like. My inspiration for the cowboy quote comes from all the Ryan Gosling Handmade photos that have been circulating lately. The image of the shirtless cowboy somehow connected with me and if he was to be empathetic to any of my quilting, it would be with quilting large quilts (which I called dream sacks) because I have a tiny-throated machine and often it feels like a wresting match when I need to do anything larger than 50"!
For the spur and kerchief, I framed the cowboy block. I read that the kerchiefs are frequently pretty large with the purpose of providing warmth. To warm up the cowboy, I gave him two framed layers and used a paisley print since I tend to associate that with bandanas and such. Of course, the nice cowboy kerchiefs are frequently made of silk. For the spur, I decided to use a block that looked like a spur.
Finally, for the dream sack (i.e., the blankets that cowboys carry with them to sleep on), I made the background of the quilt like a patchwork blanket and referenced it in the quote.
The colors of the quilt were based on some cowboy photo galleries that I found online-- all earthy colors. For quilting, I just did some simple straight-line quilting that echoed the patchwork.
It was a lot of fun to make this quilt and now I can have my own version of Ryan Gosling cheering me on as I craft! The quilt is 17"x21" and was made in Milwaukee, Wisconsin.
Links het voormalige wijkgebouw van het Groene Kruis (1938), van architect Pieter Mekkes (1887-1968). In 1961 gewijzigd in een dubbel woonhuis aan de Brink ZZ 2-4. Op deze locatie stond de tramremise van de paardentram: www.oudzuidlaren.nl/html/paardetram.html
Naast het voormalige wijkgebouw van het Groene Kruis staat de voormalige boerderij van Dr. H. Hamminga aan de Brink Zuidzijde 4. Hij is een zoon van huisarts Lambertus Hamminga, woonachtig aan de Brink Oostzijde 2, geb. Zuidlaren 4-8-1889, ovl. Zuidlaren 8-12-1957, kleinzoon van Hendrik Hamminga (1860-1935), landbouwer (adres A 204), en Jochemina Hamminga, achterkleinzoon van Lambert Hamminga (1819-1897), landbouwer (adres A 204), en Aaltje Julsing en achterachterkleinzoon van Jan Hamminga, landbouwer, en Hendrikje Schuiling:
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In het midden Huize "Laar End" aan de Brink ZZ 8, oorspronkelijk eenlaags:
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Het Buiten Verblyf van Dr. Wicher Oncko van Swinderen te Zuidlaren werd in 1784 te koop aangeboden ten Huize van de Wed. van Evert Jans aan de Brink in Zuidlaren.
Dr. Wichter Oncko van Swinderen, geb. Groningen 4-1-1766, ovl. Paterswolde (Huis te Paterswolde, ook Huize Nijborg) 3-10-1800, zoon van Abraham Quevellerius van Swinderen en Gesina van Rehden, tr. 1. 15-6-1791 Catharina Mechelina van Coevorden, ovl. 24-4-1794; tr. 2. 23-5-1796 Aletta van Swinderen, geb. Vlagtwedde 20-1-1765, ovl. Paterswolde (Huis te Paterswolde, ook Huize Nijborg) 23-10-1800, dochter van Albert Hindrik van Swinderen en Edzardina Sparringa.
Ommelander Courant van 7-10-1800 en 28-10-1800:
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Groninger Courant van 22-8-1794:
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Zyne Excellentie de Heer Lt. Generaal J.W. de Famars, ovl. 1785, bood op 12-9-1774 ten Huize van de Weduwe van Evert Jans te Zuidlaren bezittingen in Schipborg, Zuidlaren, Midlaren en De Groeve te koop aan. Groninger Courant van 2-9-1774:
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"Geslachtlijst van de familie Van Swinderen. Opgemaakt en met eenige bijlagen vermeerderd", door Th. van Swinderen; Groningen 22 April 1850 (Google Books).
Joan Pieter Servatius, ontvanger belasting, geb. Maastricht
2-1-1752, ovl. Zuidlaren, Laareind, 25-3-1819, zoon van
Matias Servatius en Catharina Willig, tr. Gerardina Fokkelina Engelhard, geb. Bourtange 23-2-1758, ovl. Assen 1-3-1838, dochter van Nicolaas Engelhard en Maria Alting.
Overlijdensbericht van Gerardina Fokkelina Servatius-Engelhard in de Javasche Courant van 4-8-1838:
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Hun zoon Nicolaas Gerard Servatius, ontvanger, geb. Coevorden 21-4-1793, ovl. Assen 15-5-1870, tr. Groningen 4-9-1819 Charlotta Gerardina van Swinderen, geb. Paterswolde 1798, ovl. Leiden (Breedestraat) 26-6-1858, oud 60 jaar, dochter van Wicher Onco van Swinderen en Aletta van Swinderen.
De Wed. van de Heer J.P. Servatius te Assen bood het Buitengoed Laareind aan de Brink ZZ 8 in Zuidlaren in 1835 te koop aan. Mocht het Buitengoed niet naar genoegen worden verkocht, dan zou het op Afbraak worden verkocht. Groninger Courant van 13-10-1835: resolver.kb.nl/resolve?urn=ddd:010772134:mpeg21:a0006
Charlotte Gerardine Servatius-van Swinderen bood het Buitengoed Laareind aan de Brink ZZ 8 in Zuidlaren in 1838 te koop aan.
Huwelijkdatum: 10-11-1748; 1e Proclamatiedatum: 3-11-1748;
Bruidegom: Evert Jans, Jongeman; woonplaats: Gasselte
Bruid: Gesina Ottens Karst, Jongedochter; woonplaats: Zuitlaren. Hun kinderen heten Grietje, Jantje, Jan, Otte en Roelofje.
Gedoopt: Roelofje, geboren te Zuidlaren, gedoopt op 28-10-1759, dochter van Evert Jans en Gesina Ottens Karst.
Huwelijkdatum: 24-4-1808; 1e Proclamatiedatum: 3-4-1808;
Bruidegom: Otto Everts, Jongeman; woonplaats: Zuidlaren
Bruid: Henderkien Lukas, Jongedochter; woonplaats: Zuidlaren.
Op 6-2-1813 werd Evert Everts in Zuidlaren geboren, zoon van Otto Everts, brouwer, tapper, koopman, landbouwer, ovl. Zuidlaren 6-11-1835, oud 71 jaar, en van Hendrikje Lukas Strating, dochter van landbouwer Lucas Jans Strating (1753-1819) en Jantje Jans Tiddens (1750-1834).
Kastelein Otto Everts in Zuidlaren in 1803 en 1808. Ommelander Courant van 27-12-1803 en 1-3-1808:
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Kastelein Otto Everts in Zuidlaren in 1814. Advertentieblad, bekendmakingen en onderscheidene berigten van Groningen
11-1-1814:
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De Erven Otto Everts en Hendrikje Lucas Strating boden op 29-1-1838, ten Huize van Thale Zondag, de Behuizinge en Hof.......aan de Brink te koop aan. Drentsche Courant van 23-1-1838: resolver.kb.nl/resolve?urn=ddd:010785121:mpeg21:a0008
In 1832 was landbouwer Lucas Strating eigenaar van het perceel Kad. G 73 aan de Brink, gelegen naast het perceel G 67 van Willem Jacob graaf van Heiden, Lid van het College van Gedeputeerde Staten, geb. Den Haag 15-11-1778, ovl. Zuidlaren 3-6-1835:
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Oude Staten Archieven (OSA), toegangsnummer 0001, inventarisnummer 868.37, Haardstedengeld Zuidlaren, Zuidlaren, 1784, pagina 5245
Vermelding: De Weduwe van Evert Jans, heeft nering.
Bedrag: 2-00-00.
Oude Staten Archieven (OSA), toegangsnummer 0001, inventarisnummer 868.37, Haardstedengeld Zuidlaren, Zuidlaren, 1794, pagina 5257
Vermelding: De Wed: Evert Jans brouwersche.
Bedrag: 2-00-00.
Van 1838 tot 1870 woonde timmerman en metselaar Willem Sikkens, geb. Zuidlaren 25-1-1795, ovl. Zuidlaren 3-6-1870, zoon van timmerman Jan Alberts Sikkens (1751-1824) en Anniggien Kars Peulinga (1765-1846), aan de Brink ZZ 8 (Kad. Sectie G 655), later Huize "Laar End". Hij was aandeelhouder in de door J.J.A. Ardesch, P.A.G. de Milly, Dr. B.W. van de Sande Slot en Mr. L. graaf van Heiden Reinestein in 1856 opgerichte “Oostermoersche Straatweg-maatschappij”. Alle aandeelhouders worden bij naam genoemd in de Nederlandsche Staatscourant van 8-11-1856. In 1880 heeft de H. Wuffing het huis (Kad. Sectie G 1403) laten verbouwen. Omstreeks 1909 kocht de Jkvr. Nicoline Hobbine Daniële van Andringa de Kempenaer, ovl. Huize "Laer-End" 6-10-1942, oud 67 jaar, het pand Brink ZZ 8 van trambeambte en houthandelaar Jan Jakobs Zondag (1874-1947) en huismeester Jan Beekman (1864-1948), die het in hetzelfde jaar hadden gekocht van Pieter Krul, sigarenfabrikant in Groningen, geb. Bolsward 11-3-1840, ovl. Groningen 18-6-1917. In 1911 is er een verdieping opgebouwd onder architectuur van ir. Gerhardus Knuttel, geb. Delft 8-12-1880, ovl. Rijswijk 22-2-1961; de bouwvergunning is van 30-5-1911. Knuttel was in 1913 de architect van Huize de Kempenaer aan de Rijksstraatweg 240 in Haren, en in 1915 van het landhuis aan de Dr. Nassaulaan 20 in Assen.
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Hij was aandeelhouder in de in 1856 opgerichte “Oostermoersche Straatweg-maatschappij”. Zijn erven boden op 20-1-1871 zijn huis en tuin te koop aan ten huize van Berend Bakker. Mogelijk was hij betrokken bij het ontwerp en de bouw van de tolhuizen in Schuilingsoord, Midlaren en De Groeve. In de advertentie werd gesproken over "eene ruime en nette Behuizinge en Erf, staande op eene aangename stand aan de Brink te Zuidlaren, en een akker Bouwland op de Esch aldaar" (Kad. Sectie G 377). Op 14-1-1871 werd Hooiland en Bouwland van Willem Sikkens in Eelde verkocht. Provinciale Drentsche en Asser Courant van 7-1-1871, 9-1-1871 en 16-1-1871:
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Willems Sikkens had een zoon Hendrik Sikkens, opzigter waterstaat, geb. Zuidlaren 28-6-1840, ovl. De Punt (Vries) 30-7-1866, en twee dochters, nl. Jantien Sikkens, geb. Zuidlaren 14-1-1848 en Geesje Sikkens, geb. Zuidlaren 6-2-1854.
Willem Sikkens had een broer Albert Sikkens, timmerman, geb. Zuidlaren 6-6-1791, ovl. Zuidlaren 22-5-1877, gehuwd met Barbara Leen, en een broer Kars Sikkens, kuiper, timmerman, geb. Zuidlaren ca. 1793, ovl. Zuidlaren 18-9-1847, gehuwd met Geertruid Klaassens Nijland.
Tolhuis Schuilingsoord: www.panoramio.com/photo/103030774
Willem Sikkens was aandeelhouder in de door J.J.A. Ardesch, P.A.G. de Milly, Dr. B.W. van de Sande Slot en Mr. L. graaf van Heiden Reinestein in 1856 opgerichte “Oostermoersche Straatweg-maatschappij”. Alle aandeelhouders worden bij naam genoemd in de Nederlandsche Staatscourant van 8-11-1856:
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Tolhuis Schuilingsoord: www.panoramio.com/photo/103030774
Zie ook de volgende foto's van de Brink:
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Bij Koninklijk Besluit van 19-8-1855 kregen de heren J.J.A. Ardesch, Jhr. mr. P.A.G. de Milly, dr. B.W. van de Sande Slot en mr. L. graaf van Heiden Reinestein, allen uit Zuidlaren, toestemming voor de aanleg van een kunstweg van Zuidlaren over Annen en Eext tot Gieten en daar aansluitende aan de provincialen weg van Assen naar de Hilte, met concessie tot tolheffing aan twee tolboomen. Groninger Courant van 26-8-1855 (resolver.kb.nl/resolve?urn=ddd:010771365:mpeg21:a0022). J.J.A. Ardesch is de gepensioneerd Generaal-Majoor Johan Jacob Anton Ardesch, geb. Veere 31-1-1787, ovl. Zuidlaren 1-11-1857. Op 19-4-1906 werd ten sterfhuize van mevr. Sebastiana Ardesch-de Rooij in Zuidlaren (A nr. 52) ten verzoeke van G. Kniphorst te Stadskanaal een Boeldag gehouden, tot verkoop van Tafels Stoelen, Klok etc. Zij is geb. Den Haag 4-11-1812, ovl. Zuidlaren 20-1-1906. Nieuwsblad van het Noorden van 8-4-1906:
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P.A.G. de Milly is Jhr. Paul Antoine Guillaume de Milly, Burgemeester van Zuidlaren van 1843 tot 1883, geb. Den Bosch 22-11-1807, ovl. Zuidlaren 5-2-1890. Dr. B.W. van de Sande Slot is de arts Bernardus Willem van de Sande Slot, geb. Meppel 27-7-1813, ovl. Zuidlaren 1-5-1873. Mr. L. graaf van Heiden Reinestein is Louis van Heiden Reinestein, Commissaris des Konings in Groningen, Burgemeester van Zuidlaren van 1832 tot 1838, geb. Laarwoud, Zuidlaren, 11-7-1882, ovl. Zuidlaren 2-11-1882.
Rechts de boerderij aan de Brink Zuidzijde 10, al zeer lang in bezit van de familie Karsens.
In 1832 was de wed. Roelof Karsten de eigenaar van het perceel aan de Brink ZZ, Kad. G 298 art. 159.
Zij is Lammigje Sissingh, ovl. Zuidlaren 29-9-1854, oud 62 jaar, weduwe van Roelof Karsten, geb. Zuidlaren 2-3-1777, ovl. Zuidlaren 12-11-1819, zoon van Willem Carsten ovl. Zuidlaren 24-2-1816, oud 75 jaar, en van Hendrikje Tamming (ook Tammink), kleinzoon van Otte Carsten en Grietje Roelfs.
In 1896 was vermoedelijk Reinder Karsens de eigenaar, geb. Zuidlaren 24-9-1850, ovl. Zuidlaren 10-8-1923, gehuwd met Harmtien Hamminga, zoon van Roelof Karsens, geb. Zuidlaren 18-4-1823, ovl. 20-2-1876, en van Elisabet Kluiving, kleinzoon van Tijs Kars(s)ens (1793-1865) en Adriaantje Wuffing, achterkleinzoon van Kars Lammers Karssens en Geesje Klaasens. Op deze afbeelding staat de poststempoel van 1918.
Op 11-7-1802 zijn 32 huizen en schuren in Zuidlaren afgebrand. De brand begon in het huis van olieslager en koopman Jan Hessels.
Het Hoge-Huis "voor aan de Straat te Zuidlaren", van de Geertruit Karsten-Bavinge, weduwe van Roelof Ottens Karsten (ook Carsten), brandde volledig af. Zij overleed in Zuidlaren op 20-11-1803.
Op 29-7-1803 hielden H. Tammink en W. Sissink een aanbesteding ten huize van Adde Jans van het "Optimmeren van hun Behuizingen en Schuuren". Groninger Courant van 22-7-1803: resolver.kb.nl/resolve?urn=ddd:010159455:mpeg21:a0014
H. Tammink is vermoedelijk Harmen Tammink, landbouwer, geb. Zuidlaren 7-10-1742, ovl. Zuidlaren 16-9-1817, zoon van Jan Roelofs Tammink en Grietje Harms Hemsing, tr. Zuidlaren 28-11-1769 Alberdina Hoenderken, jongedochter van Noordlaren. Zijn overlijden werd aangegeven door zijn buurmannen Harm Freriks Bakker (52 jr), bakker, en Derk Jacobs Hagedoorn (41 jr), landbouwer, kastelein.
In 1832 was landbouwer Roelof Tammink de eigenaar van het pand Kad. G 148, art. 310, gelegen aan wat later de Kleine Brink werd genoemd, op de hoek met de Brinkstraat. Hij is ged. Zuidlaren 3-3-1776, ovl. Zuidlaren 10-7-1846, zoon van Harmen Tammink en Alberdina Hoenderkens, echtgenoot van Jantien Pelinck, geb. Norg 7-3-1782, ovl. Zuidlaren 8-4-1857, De weduwe Derk Jacobs Hagedoorn was in 1832 eigenaar van het huis Kad. G 132, art. 103, ongeveer waar later "De Koppelpaarden" is gebouwd: www.flickr.com/photos/148859204@N07/32795101964/in/photolist
W. Sissink is vermoedelijk Willem Sissing(h), ged. Zuidlaren 9-9-1753, ovl. Zuidlaren 8-1-1808, zoon van Lukas Sissing en Aaltje Willem Dekkers, tr. 1. Zuidlaren 18-6-1790 Hillegonda Homans, jongedochter van Vries, begr. Zuidlaren 25-1-1801; tr. 2. Zuidlaren 7-6-1801 Ida Bavingh, jongedochter van Tarelo, geb. Vries 1-8-1762, ovl. Taarlo 23-2-1831, dochter van Willem Baving en Aaltien Harders.
Willem Sissing(h) en Hillegonda Homans hadden twee zonen: Lucas, geb. Zuidlaren 16-5-1791, ovl. Zuidlaren 8-8-1802, en Fredrik, geb. Zuidlaren 21-8-1793.
In 1832 was Hendrik Sissing in Noordlaren de eigenaar van het huis Kad. G 91, art. 286, aan de Brink ZZ in Zuidlaren. Hendrik Sissing, geb. Zuidlaren, ovl. Noordlaren 26-1-1845, oud 86 jaar, zoon van Harm Sissing en Jantien Baving, was gehuwd met Dorothea Ottens, ovl. Noordlaren 20-2-1844, oud 82 jaar.
Harm Sissing was in 1832 eigenaar van het huis Kad. G 301, art. 283 aan de Brink ZZ, naast Huize Laareind van de wed. Joan Pieter Servatius. Harm Sissing, geb. Zuidlaren 9-12-1788, ovl. Zuidlaren 13-8-1837, zoon van Egbert Harms Sissing (ook Sissink en Sissingh) en Grietjen Hendriks Wuffing (ook Wuffen), tr. Grietjen Wuffing (ook Wuffen), ovl. Zuidlaren 5-4-1847, oud 53 jaar, dochter van Willem Egberts Wuffing en Wemelina Egberts. Egbert Harms Sissing (ook Sissink en Sissingh), geb. Vries 22-3-1756, ovl. ten huize van de wed. Roelof Carsten in Zuidlaren 22-3-1824, oud 68 jaar, is een zoon van Harm Sissingh en Jantien Baving. Egbert's overlijden werd aangegeven door de buurmannen Roelof Jans Strating, oud 31 jaar, landbouwer, en Jeen Reenks de Boer, oud 31 jaar, commies.
Jan Hessels is Jan Hessel Hessels, geb. Wittelte/Diever 1760, ovl. Zuidlaren (huis nr. 88) 1-8-1813, oud 53 jaar. Zijn overlijden werd aangegeven door de buurmannen Otte Everts en Willem Bos. Otte Everts, landbouwer, tapper, overleed in Zuidlaren op 6-11-1835, oud 71 jaar, echtgenoot van Hendrikje Lucas Strating; zijn overlijden werd aangegeven door de buurmannen Albert Bazuin (60 jr), landbouwer, en Folkert Gabriel Bolt (41 jr), tuinier. Albert Bazuin was gevestigd aan de Brink OZ, Kad. G 74, art. 14, naast Lucas Strating, Kad. G 73, art. 305. Lucas Strating was weer de buurman van Willem Jacob graaf van Heiden, Schout en Lid van het College van Gedeputeerde Staten van Drenthe, Kad. G 67, art. 111:
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Jan Hessels is een zoon van wijlen Hessel Jans en Hilligje Jans Boldinghe, woonachtig in Wittelte, echtgenoot van Margien Koops, geb. Peize 13-4-1730, ovl. Peize 16-9-1817. Zij zijn de ouders van Hessel Jan Hessels, gemeenteontvanger, geb. Smilde 25-12-1790, ovl. Zuidlaren 18-11-1874, echtgenoot van Tjaatje Bosscher (ook Bosker), geb. Winschoten 25-12-1788, ovl. Zuidlaren 10-7-1877.
Op 26-8-1803 werd een collecte gehouden door de Commissie tot de Directie over de gecollecteerde Penningen om de getroffenen te helpen.
Bataafsche Leeuwarder Courant van 16-7-1803:
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Groninger Courant van 12-8-1803, 16-8-1803, 26-8-1803:
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Ommelander Courant van 19-8-1803 en 14-10-1803:
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"De Erfgenamen van Wylen de Wedw. R. Carsten zyn voornemens door het Gericht van Zuidlaren publyk te laten verkopen: Een Huisplaatse voor aan de Straat te Zuidlaren, met de van de Brand overgebleeven Materialen daarop staande, van ouds het Hoge-Huis genaamt; benevens om de 7 Mudden Bouwland, en Weideland en 2 Matten Hooyland, het Knypstuk genaamt, gelegen aan het Drentsche Diep, tegen over het Foxholster Meer. Deze Verkopinge zal zyn op eerstkende Donderdag de 29 December 1803, ten Huize van Otte Everts te Zuidlaren". Ommelander Courant van 27-12-1803: resolver.kb.nl/resolve?urn=ddd:010215689:mpeg21:a0013
Geertruit Bavinge, jongedochter van Zuitlaren, tr. Zuidlaren 11-5-1749 Roelof Ottens Karst, jongeman van Zuitlaren.
Op 2-5-1751 werd Otte Kars, zoon van Roelof Ottens Karst en Geertruit Bavinge, in Zuidlaren gedoopt.
Op 17-11-1754 werd Grietje Karst, dochter van Roelof Karst en Geertruit Baving, in Zuidlaren gedoopt.
Op 27-11-1757 werd Jan Karst, zoon van Roelof Ottens Karst en Geertruit Bavinge, in Zuidlaren gedoopt.
Geertruida Bavingh overleed in Zuidlaren op 20-11-1803, gehuwd geweest met R. Carst. De weduwe van Roelf Cars(t) was keutersche en had in 1764 en 1774 een winkel:
Oude Staten Archieven (OSA), toegangsnummer 0001, inventarisnummer 868.37, Haardstedengeld Zuidlaren, Zuidlaren, 1764, pagina 5208
Oude Staten Archieven (OSA), toegangsnummer 0001, inventarisnummer 868.37, Haardstedengeld Zuidlaren, Zuidlaren, 1774, pagina 5225.
In 1832 was de weduwe Jan Sikkens de eigenaar van een huis aan de Brink ZZ, Kad. G 294 art. 278, nabij Laar-End op nr. 8.
Op 19-11-1835 werd Laar-Eind te koop aangeboden. Groninger Courant van 17-11-1835: resolver.kb.nl/resolve?urn=ddd:010772145:mpeg21:a0019
Lit.: "Landbouwers in Zuidlaren in 1896", door Hans Fidder, in "De Zeven Brinken", uitgave van de Historische Vereniging Zuidlaren, jaargang 20, nr. 1, maart 2013. "De Drentsche Scheper", door Henk Brink, in het tijdschrift "De Zeven Brinken" van de Historische Vereniging Zuidlren, Jaargang 21 nummer 2, juni 2014 (een scheper is een schaapsherder).
"Laar End" werd bewoond door Jonkvrouwe Nicoline Hobbine Daniële van Andringa de Kempenaer (1875-1942), ovl. Huize "Laer-End" 6-10-1942, oud 67 jaar. Nieuwsblad van het Noorden van 7-10-1942 (resolver.kb.nl/resolve?urn=ddd:010330388:mpeg21:a0079). Haar broer Willem Regnerus Livius van Andringa de Kempenaer trouwde in Zuidlaren op 9-6-1909 met Marie Anne Wilhelmine Louise de Millij van Heiden Reinestein, dochter van Louis Albert Sigismond Jacques de Milly van Heiden Reinestein, geb. in Zuidlaren in 1847 en burgemeester van Zuidlaren van 1888-1893. Na Nicoline Hobbine Daniële van Andringa de Kempenaer (1875-1942) werd Laar-End bewoond door Arnold Regenerus Marie Dorhout Mees, geb. Winschoten 27-12-1908, ovl. Zuidlaren 7-10-1945, en echtgenote Ingrid Vivi Dorhout Mees-Wallin. Arnold Regenerus Marie Dorhout Mees is een zoon van Arnoldus Regnerus Dorhout Mees, substituut griffier, en Maria van Andringa de Kempenaer. "Restauratie van landhuis Laar End te Zuidlaren" in het Nieuwsblad van het Noorden van 18-6-1963:
resolver.kb.nl/resolve?urn=ddd:010678855:mpeg21:a0142
De nabijgelegen synagoge is zeer waarschijnlijk ontworpen door architect Geert Stel, geb. Assen 30-12-1847, ovl. Assen 8-1-1910. De synagoge is op 28-5-1884 ingewijd:
www.drentsarchief.nl/beeldbank/d16dfa7e-3dd9-42ae-b66c-61...
www.drentsarchief.nl/beeldbank/1c61baa0-ff31-4014-9582-f6...
Provinciale Drentsche en Asser Courant van 21-5-1884:
resolver.kb.nl/resolve?urn=MMDA03:000098577:mpeg21:p003
De synagoge in Beilen is in 1884 ontworpen door architect Geert Stel te Assen:
www.drentsarchief.nl/beeldbank/6fe839ef-3d7b-48a1-83d3-36...
www.drentsarchief.nl/beeldbank/0b618f03-35f5-4596-b407-d7...
Provinciale Drentsche en Asser Courant van 16-10-1884:
resolver.kb.nl/resolve?urn=MMDA03:000098729:mpeg21:a0005
In 1890 werd de bouw van een nieuw Raadhuis door B&W van de Gemeente Gasselte toevertrouwd aan architect G. Stel. Algemeen Handelsblad van 5-2-1890 (resolver.kb.nl/resolve?urn=ddd:010142692:mpeg21:a0014).
Dit Raadhuis, gelegen aan de Vaart 11 in Gasselternijveen, is een Rijksmonument met nr. 508692 (monumentenregister.cultureelerfgoed.nl).
In 1895 was Stel de architect van een school en onderwijzerswoning te Nieuwediep en van de verbouw van scholen in Gieterveen en Gieten. Nieuwsblad van het Noorden van 31-7-1895 (resolver.kb.nl/resolve?urn=ddd:010885642:mpeg21:a0059).
Geert Stel was in 1891 en 1895 de architect van Villa "Anna" (vanaf 1911 Villa "Maloja") aan de Hoofdweg 276 in Paterswolde, en in 1895 ook van de verbouw van Villa "Vosbergen" in Paterswolde.
web.archive.org/web/20161030190924/http://www.panoramio.c...
www.flickr.com/photos/148859204@N07/34366844952/in/datepo...
www.flickr.com/photos/148859204@N07/34530454975/in/datepo...
www.flickr.com/photos/148859204@N07/33716918203/in/datepo...
Architect G. Stel werd op 26-10-1897 door de Gemeenteraad van Assen benoemd tot leraar aan de Gemeentelijke Teekenschool. De Telegraaf van 27-10-1897 (resolver.kb.nl/resolve?urn=ddd:110541039:mpeg21:a0023).
In 1897 was architect Stel verantwoordelijk voor het verbouwen van scholen in Hooghalen, Hijken en Wijster in de Gemeente Beilen. Nieuwsblad van het Noorden van 14-9-1897 (resolver.kb.nl/resolve?urn=ddd:010885128:mpeg21:a0031).
In 1898 was hij de architect van een Drukkerij met bureaux voor Gratema in Assen. Nieuwsblad van het Noorden van 29-12-1898 (resolver.kb.nl/resolve?urn=ddd:010887490:mpeg21:a0027).
"Te Zuidlaren is vanwege de Vereeniging ter bevordering van het Ambachtsonderwijs in Drenthe een teekencursus geopend welke onder leiding staat van den Heer G. Stel, architect te Assen". Het nieuws van den dag : kleine courant van 2-12-1898 (resolver.kb.nl/resolve?urn=ddd:010126087:mpeg21:a0094).
G. Stel was in 1899 de architect van een dubbel huis aan de Molenstraat in Assen i.o.v. de wed. Zwiers. Nieuwsblad van het Noorden van 28-10-1899 (resolver.kb.nl/resolve?urn=ddd:010886458:mpeg21:a0029).
In 1900 was Stel de architect van een onderwijzerswoning te Wittelte, Gemeente Diever. Leeuwarder Courant 3-4-1900 (resolver.kb.nl/resolve?urn=ddd:010595736:mpeg21:a0049).
In 1901 werd Stel benoemd tot onderwijzer "aan den teekencursus te Beilen". Het nieuws van den dag : kleine courant 15-01-1901 (resolver.kb.nl/resolve?urn=ddd:010128091:mpeg21:a0143).
In 1902 was G. Stel de architect van een dubbele woning met pakhuis in de Schoolstraat in Assen voor G. H. Klapdoor. Nieuwsblad van het Noorden van 5-3-1902 (resolver.kb.nl/resolve?urn=ddd:010890529:mpeg21:a0081).
In 1906 was G. Stel de architect van een dubbel woonhuis aan de Zuidersingel in Assen voor mej. H. Zuidweg. Nieuwsblad van het Noorden van 16-10-1906 (resolver.kb.nl/resolve?urn=ddd:010894831:mpeg21:a0045).
In 1906 was G. Stel de architect van een boschhuisje op "De Eerste Steen" in Assen voor Hendrik Jan Oosting (1842-1915). Dit huis is een Rijksmonument met nummer 469371:
www.flickr.com/photos/148859204@N07/34369655702/
"De Eerste Steen" was het landgoed van zijn voorvader Jan Haak Oosting (1749-1828). Nieuwsblad van het Noorden van 16-12-1906 (resolver.kb.nl/resolve?urn=ddd:010894884:mpeg21:a0037).
In 1907 werd een Heerenhuis aan de Oostersingel in Assen te koop aangeboden. Inlichtingen konden worden ingewonnen bij architect G. Stel. Nieuwsblad van het Noorden van 13-10-1907 (resolver.kb.nl/resolve?urn=ddd:010890200:mpeg21:a0110).
el.kingdomsalvation.org/age-of-kingdom-age-of-word.html
Ο Θεός λέει:«Στην Εποχή της Βασιλείας, ο Θεός χρησιμοποιεί τον λόγο για να αναγγείλει μια νέα εποχή, να αλλάξει τα μέσα του έργου Του και να επιτελέσει το έργο όλης της εποχής. Αυτή είναι η θεμελιώδης αρχή, σύμφωνα με την οποία ο Θεός εργάζεται στην Εποχή του Λόγου. Ενσαρκώθηκε για να μιλήσει από διαφορετικές οπτικές γωνίες, επιτρέποντας στον άνθρωπο να δει αληθινά τον Θεό, ο οποίος είναι ο Λόγος που εμφανίζεται στη σάρκα, και η σοφία και το θαύμα Του. Αυτό το έργο επιτελείται ώστε να επιτύχει πιο καλύτερα τους στόχους της κατάκτησης του ανθρώπου, της τελείωσης του ανθρώπου και της εξόντωσης του ανθρώπου. Αυτό είναι το πραγματικό νόημα της χρήσης του λόγου για την επιτέλεση του έργου στην Εποχή του Λόγου. Μέσω του λόγου, ο άνθρωπος καταφέρνει να γνωρίσει το έργο του Θεού, τη διάθεση του Θεού, την ουσία του ανθρώπου και σε τι οφείλει να εισέλθει ο άνθρωπος. Μέσω του λόγου, ολοκληρώνεται το σύνολο του έργου που ο Θεός επιθυμεί να επιτελέσει στην Εποχή του Λόγου. Μέσω του λόγου, ο άνθρωπος αποκαλύπτεται, αποκλείεται και δοκιμάζεται. Ο άνθρωπος έχει δει τον λόγο, έχει ακούσει τον λόγο και έχει επίγνωση της ύπαρξης του λόγου. Ως αποτέλεσμα, ο άνθρωπος πιστεύει στην ύπαρξη του Θεού. Ο άνθρωπος πιστεύει στην παντοδυναμία και τη σοφία του Θεού, καθώς και στην καρδιά του Θεού που είναι γεμάτη αγάπη για τον άνθρωπο, και στην επιθυμία Του να σώσει τον άνθρωπο. Μολονότι η λέξη «λόγος» είναι απλή και συνηθισμένη, ο λόγος που προέρχεται από το στόμα του ενσαρκωμένου Θεού συγκλονίζει ολόκληρο το σύμπαν. Ο λόγος Του μεταμορφώνει την καρδιά του ανθρώπου, τις αντιλήψεις και την παλαιά διάθεση του ανθρώπου, καθώς και την παλαιά εμφάνιση ολόκληρου του κόσμου. Μέσα από τις διάφορες εποχές, μόνο ο Θεός της σημερινής εποχής εργάζεται κατ’ αυτόν τον τρόπο, και μόνο Αυτός μιλά και σώζει τον άνθρωπο κατ’ αυτόν τον τρόπο. Εφεξής, ο άνθρωπος ζει υπό την καθοδήγηση του λόγου, ποιμαίνεται και εφοδιάζεται από τον λόγο. Ζει στον κόσμο του λόγου, ζει μέσα στο ανάθεμα και τις ευλογίες του λόγου του Θεού και υπάρχουν ακόμα περισσότεροι άνθρωποι που ζουν υπό την κρίση και την παίδευση του λόγου. Αυτός ο λόγος και αυτό το έργο είναι όλα χάριν της σωτηρίας του ανθρώπου, την επίτευξη του θελήματος του Θεού και την αλλαγή της αρχικής εμφάνισης του κόσμου της παλαιάς δημιουργίας. Ο Θεός δημιούργησε τον κόσμο με τον λόγο, οδηγεί τους ανθρώπους σε όλο το σύμπαν με τον λόγο, κατακτά και τους σώζει με τον λόγο. Εν τέλει, θα χρησιμοποιήσει τον λόγο για να θέσει τέλος σε ολόκληρο τον παλαιό κόσμο. Μόνο τότε θα ολοκληρωθεί πλήρως το σχέδιο διαχείρισης. Καθ’ όλη τη διάρκεια της Εποχής της Βασιλείας, ο Θεός χρησιμοποιεί τον λόγο για να επιτελέσει το έργο Του και να επιτύχει τα αποτελέσματα του έργου Του. Δεν κάνει τερατουργίες ούτε κάνει θαύματα. Απλώς επιτελεί το έργο Του μέσω του λόγου. Εξαιτίας του λόγου, ο άνθρωπος τρέφεται και εφοδιάζεται. Εξαιτίας του λόγου, ο άνθρωπος κερδίζει τη γνώση και την αληθινή εμπειρία. Ο άνθρωπος στην Εποχή του Λόγου έχει πράγματι λάβει εξαιρετικές ευλογίες. Ο άνθρωπος δεν υποφέρει από πόνους της σάρκας και απλώς απολαμβάνει την πλούσια προσφορά του λόγου του Θεού. Δεν χρειάζεται να αναζητήσει ή να ταξιδέψει, και βλέπει με άνεση την εμφάνιση του Θεού, Τον ακούει να μιλάει προσωπικά, λαμβάνει την προσφορά Του και να Τον βλέπει προσωπικά να επιτελεί το έργο Του. Ο άνθρωπος στο παρελθόν δεν ήταν σε θέση να τα απολαύσει αυτά, και δεν θα μπορούσε ποτέ να λάβει αυτές τις ευλογίες....»
από το βιβλίο «Ο Λόγος Ενσαρκώνεται»
Εισαγωγή
σύσταση：Αγία Γραφή
Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού
Όροι Χρήσης： el.kingdomsalvation.org/disclaimer.html
Mandarin Duck (Aix galericulata)
Woody duck
Kowloon Park
Hong-Kong
Located in the central zone of Tsim Sha Tsui in Hong Kong, Kowloon Park is one of the largest parks in Kowloon, covering an area of about 13.5 hectares (about 33 acres). It is said to be the 'green lung' at the centre of city.
The park was opened by the then Governor, Sir David Trench on June 24th. In 1989, it was rebuilt, funded by the former Royal Hong Kong Jockey Club at a cost of about HK$300 million.
The park was built in a classical Chinese style, and is visited by many tourists. Flowers and trees are plenty in the park. There is an attractive variety of rarely-seen beautiful birds and flowers.
The park boasts an abundance of scenic spots and enough establishments for tourists to enjoy themselves. The scenic spots mainly include the Maze Garden, Color Garden, Chinese Garden, Roof Gardens, Banyan Court and Bird Lake. And the establishments comprise a mini soccer pitch, the Fitness Trail, Children's Playground, Discovery Playground, Sculpture Walk & Sculpture Garden, a piazza, an aviary, a swimming pool and a sports center. The swimming pool is one of the best equipped in Hong Kong and can hold 1,500 people.
From 07:30 to 09:30 on Fridays, the park provides the activity of watching birds for tourists free of charge. The gathering point is at the arcade of the park. And from 14:30 to 16:30 on Sundays, there are free performances on the Sculpture Walk, including lion/dragon dance and different disciplines of martial arts. Additionally, from 13:00 to 19:00 on Sundays and public holidays, at the loggia of the park exit, there are many stalls selling Chinese traditional handworks, calligraphy and many other souvenirs.
Next to the park is the Park Lane Shopper's Boulevard which imitates the American style. The shops there mainly sell the clothes from the native or abroad, which are very popular with the young people. After shopping, you can go to the park and find a comfortable place for a rest.
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Here's the story back in January...
jermalism.b...ephs-hospital.html
Here's the story a few nights ago, a whole different place...
It was the middle of the night and we had already been inside and up top for hours on end by the time we made it down to the morgue. That's when we heard the footsteps and voices coming towards us, my brother and i, trapped in the morgue.
It doesn't even resemble the hospital it was in January. EVERYTHING has either been stolen or destroyed. Furniture is smashed outside below broken windows. Some window frames are even bent up from the furniture smashing through. Drywall has been torn into all over the place and the scrappers have clearly been very busy. The wheelchairs and beds and everything else are either destroyed or flipped or thrown outside or gone. No sign of the microscope, of course. The lab, which had been virtually untouched in my first visits, looks like a war zone. The boiler room has been dismantled by scrappers and the asbestos that wrapped the pipes covers the floor that was already covered with a half inch of pigeon shit. All of the tools and doo-dads from the boiler room are also gone, there are signs that this area has been continually re-sealed and broken into, they tried to protect it to no avail. In the back of the boiler room a pigeon flew directly into my face in the pitch blackness and ricocheted out the open doorway. Nasty. As we wandered down to the morgue to cap off our visit, I told my brother how sad it made me that the hospital that i was born in was in such a sad state. We were silent for another minute until we got to the morgue, that's when we heard the voices and footsteps approaching. Then we saw the flashlights. We didn't even look around, we knew we had nowhere to go, we were trapped in the morgue.
"We're not the cops man, who are you?" are the only words we could make out of a maze of mumbling echoing voices as they came around the corner. Four of them, not just scrappers, but hardcore addicts, it was in their crazy eyes. Methheads. A quick awkward introduction got more awkward quickly as one of them decided to blurt out something like we're robbing the place blind, brass, been doing it for months. To which the others turned on him, telling him to shut up. We pulled out cigarettes, knowing that they would want some, and we offered to them all, while lighting up and announcing that we were gonna hit the roof. Told them to have a good night and good luck. They were visibly not happy to leave things like this in the morgue, but we turned our backs and walked away. On the next floor we booked it down the hall and into the staircase. As we went down the stairs again, we could hear them arguing and approaching the same exit, the only exit, behind us. The alpha dog was barking that dude fucked up and that they gotta get out and those fucking guys fucked us and then one of them says "We should just rob them, they had cameras." Word for fucking word, i'll never forget the way that sentence sounded, i was genuinely scared. Fighting addicts that likely have diseases is something i try to avoid at all costs, call me crazy. When we got to the exit we realized that they had tethered it shut behind them with a thin plastic tube so that no one else could enter. Or exit. As my brother quickly untied some sort of knot i'd never seen the door opened a flight or two up and their perspective robbery conversation got so much louder and more real. Their footsteps and flashlights were getting so close. My brother untied that thing with no time to spare. It was like a movie when that door opened and we ran outside and turned off our flashlights and booked it into the pitch blackness. They were mad at this point, exiting behind us scanning with their flashlights, yelling. They made a ridiculous scene and then re-entered. We watched the cops follow them back in just minutes later with a K9 unit. Needless to say, we didn't stick around to find out how the story ends. But as of this morning, Joey is sealed tight.
Art for the Soul by Richard Lazzara
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Link:
www.torontomasons.com/york_rite_freemason.htm
www.torontomasons.com/york_rite_freemason.htm
www.knightstemplar.ca/links.html
Ontario Districts.
Cookstown: Phoenix Chapter No. 34. District 9.
York Rite of Masonry - Oldest Freemason Branch
The symbolic degrees of Entered Apprentice, Fellowcraft, and Master Mason, as conferred in Canada, are degrees of the York Rite.
York Masonry is the oldest and best known of all Masonic Rites.
It takes its name from York, England, where the earliest known record of Masonry exists, dating from about A.D. 923.
Masonry´s first written record is centered around York, the seat of the Ancient York Grand Lodge. In 1813, this Grand Lodge merged with another group called the Modern Grand Lodge, to form the United Grand Lodge of England. This is the basis upon which our present system of Symbolic Lodge Masonry is built.
You, as a Master Mason, have received the first three degrees of the York Rite. Having begun your Masonic work in the York Rite, it is natural that you should want to continue with it.
According to Masonic legend, every man raised to the sublime degree of a Master Mason received “substitute secrets”, as the “true secrets” were lost. It may prove a surprise to the average man, believing his work is completed, to be told that the secrets pertaining to the ceremony will not be given to him! This is unfortunate, but the veil is lifted in the degree of the Royal Arch, and in that degree only. Hence, no man actually becomes a Master Mason until he is exalted to that holy order.
Some would have the newly raised Master Mason believe that he can receive the secrets and word in a degree other than the Royal Arch. This is not true, historically or otherwise. The mother Grand Lodge of England was so emphatic regarding the necessity of the Royal Arch degree that many years ago, it set forth this as Paragraph One (1) of its Laws and Regulations:
“By the solemn act of the union between the two Grand Lodges of Freemasons of England in December, 1813, it was declared and pronounced that Pure Ancient Masonry consists of three degrees and no more, viz: those of the Entered Apprentice, the Fellowcraft, and the Master Mason, INCLUDING THE SUPREME ORDER OF THE HOLY ROYAL ARCH.”
On the North American Continent, there are additional degrees in the system, supplementing the work of the Lodge, Chapter, and Council, and the Orders conferred in the Commandery have been arranged into a system or Rite referred to as the American, Canadian, or York Rite of Freemasonry. It is American in structure, as it is a democratic organization in which every member has a voice and a right to be heard.
2. ROYAL ARCH MASONRY
The various local Chapters operate under the jurisdiction of the “Grand Chapter” of Province - Royal Arch Masons of Canada in the Province of Ontario. There is also the General Grand Chapter of Royal Arch Masons International. The General Grand Chapter constitutes the largest Masonic Body in the world though it is not recognized by the Province.
The Chapter confers four degrees (Capitular Degrees), giving a complete story of Masonic symbolism, in the following order:
bullet
Mark Master
bullet
Past Master (Virtual) (International not Ontarian)
bullet
Most Excellent Master
bullet
Royal Arch
The Mark Master degree is perhaps the oldest Masonic degree, and is one of the most highly respected. It teaches practical lessons for everyday living. This degree supplements the Fellowcraft Degree.
The Past Master degree teaches the candidate the important duties and responsibilities of the Oriental Chair, and is qualification for advancement.
It is commonly known that the symbolism of Freemasonry surrounds the building of the Temple. In symbolic Free-Masonry, the Temple is never completed. In the Most Excellent Master degree, we are taught the lessons of the completion and dedication of the Temple.
In the degree of the Royal Arch, the epitome of Masonic symbolism is found. It has been said “the Royal Arch is the root, heart and marrow of Masonry, without knowledge of which the Masonic character cannot be complete”.
The Royal Arch degree is the completion of the whole system of Freemasonry. Having begun regular advancement through the Symbolic Lodge, it is the duty of each Master Mason to complete the degree series. He who has sought further Masonic education should return to the Symbolic Lodge, retrace his steps and advance through the Rite until he can receive the climax of Masonic symbolism, as taught in the Royal Arch.
Only those who have attained the Royal Arch may be said to have completed their Masonic Work.
3. CRYPTIC MASONRY
The Councils of Cryptic Masons operate under the jurisdiction of the Grand Council of Cryptic Masons of each state and most Grand Councils operate under the General Grand Council of the United States. They confer the following three degrees:
bullet
Royal Master
bullet
Select Master
bullet
Super Excellent Master
Without the Royal and Select Master degrees, neither the Master Mason degree nor the Royal Arch degree is complete. These two degrees account for the concealment and preservation of the treasures revealed in the Royal Arch.
The Super Excellent Master is an honorary degree, qualifications for which are fulfilled by virtue of being in good standing in a Council. This degree is the most dramatic and spectacular of all Masonic systems.
4. KNIGHT TEMPLAR MASONRY
Local Commanderies are governed by the Grand Commandery of each jurisdiction.
In the Commandery, the Chivalric Orders of Christian Knighthood are conferred as follows:
bullet
The Illustrious Order of the Red Cross
bullet
The Order of Knight of Malta
bullet
The Order of the Temple
The Illustrious Order of the Red Cross is founded upon Truth – a divine attribute, the foundation of every virtue.
Knights of Malta. First called Knights Hospitallers of St. John of Jerusalem are known to have been in existence as early as 1099 A.D. It was the first organized body whose avowed purpose was the aid and care of those injured on a battlefield. The teaching of Christian applications of Masonic precepts begins with this Order.
The Order of the Temple is the crowning glory of York Rite Masonry. It is widely regarded as the most solemn and impressive experience in Masonry. Here the aspirant progresses in the footsteps of Jesus of Nazareth. At the empty tomb grows a sprig of acacia, teaching that we shall dwell forever in the realms of life and light eternal.
Freemasonry demands only a belief in a monotheistic God, where Hindu, Muslim, Jew and Gentile may together worship around its alters. The Christian Freemason alone has at his disposal a branch of the fraternity where he is free to interpret the teachings of the Symbolic Lodge according to his religious belief. The Masonic Orders of Christian Knighthood are the logical outcome of the Christian Mason´s belief in Christ as the Lion of the Tribe of Judah. That Mason believes Christ´s hand will raise the dead to life, and in His Holy Name the True Word is found and restored at last. “In the beginning was the Word, and the Word was with God, and the Word was God”.
WHAT DOES YORK RITE MASONRY OFFER?
The noble heritage of York Masonry is yours to take. The regular meetings of the various grades are conducive to firmer relationships and a closer spirit of brotherly love. Being a York Rite Mason does not mean you are elevated to a “higher rank´. It is an educational tool to help you realize the Fatherhood of God and Brotherhood of Man in your own life. We trust the foregoing has increased your interest in the York Rite.
York Rite of Masonry - Oldest Freemason Branch
The symbolic degrees of Entered Apprentice, Fellowcraft, and Master Mason, as conferred in Canada, are degrees of the York Rite.
York Masonry is the oldest and best known of all Masonic Rites.
It takes its name from York, England, where the earliest known record of Masonry exists, dating from about A.D. 923.
Masonry´s first written record is centered around York, the seat of the Ancient York Grand Lodge. In 1813, this Grand Lodge merged with another group called the Modern Grand Lodge, to form the United Grand Lodge of England. This is the basis upon which our present system of Symbolic Lodge Masonry is built.
You, as a Master Mason, have received the first three degrees of the York Rite. Having begun your Masonic work in the York Rite, it is natural that you should want to continue with it.
According to Masonic legend, every man raised to the sublime degree of a Master Mason received “substitute secrets”, as the “true secrets” were lost. It may prove a surprise to the average man, believing his work is completed, to be told that the secrets pertaining to the ceremony will not be given to him! This is unfortunate, but the veil is lifted in the degree of the Royal Arch, and in that degree only. Hence, no man actually becomes a Master Mason until he is exalted to that holy order.
Some would have the newly raised Master Mason believe that he can receive the secrets and word in a degree other than the Royal Arch. This is not true, historically or otherwise. The mother Grand Lodge of England was so emphatic regarding the necessity of the Royal Arch degree that many years ago, it set forth this as Paragraph One (1) of its Laws and Regulations:
“By the solemn act of the union between the two Grand Lodges of Freemasons of England in December, 1813, it was declared and pronounced that Pure Ancient Masonry consists of three degrees and no more, viz: those of the Entered Apprentice, the Fellowcraft, and the Master Mason, INCLUDING THE SUPREME ORDER OF THE HOLY ROYAL ARCH.”
On the North American Continent, there are additional degrees in the system, supplementing the work of the Lodge, Chapter, and Council, and the Orders conferred in the Commandery have been arranged into a system or Rite referred to as the American, Canadian, or York Rite of Freemasonry. It is American in structure, as it is a democratic organization in which every member has a voice and a right to be heard.
Sanctioned by Grand Lodge
The Grand Lodge of York, in 1780, gave its sanction to the working of five separated degrees or orders:
bullet
The Entered Apprentice.
bullet
The Fellowcraft.
bullet
The Master Mason.
bullet
The Royal Arch.
bullet
The Knight Templar.
The United Grand Lodge of England, the Mother of regular and legitimate Freemasonry in the world, set forth at the time of the Union the following: "It is declared and pronounced that pure and Ancient Craft Masonry consists of three degrees and no more, namely, those of Entered Apprentice, Fellow Craft and Master Mason, including the Holy Royal Arch.
And that the Grand Lodge might not create any misconstruction of their declaration, it was added:
"This article is not intended to prevent any Lodge or Chapter from holding meetings in any of the degrees of Chivalry, according to the Constitution of said Order."
Thus, the Order of the Temple was given an official place and standing in the structure of Masonry.
During the early and unwritten history of the Masonic Fraternity, there was a strong tone of Christianity which ran throughout the Symbolic structure, but by the time Anderson published his Constitutions, Christianity was virtually taken out of the ritual and Constitutions, because of a great desire to make the fraternity such as might be acceptable to men of any religion who subscribe to a belief in a Supreme Being.
Removal of Christian Symbolism
This was truly unfortunate for those who interpreted the Lodge symbols as Christian doctrines. To deprive Freemasonry of the Ancient Craft of its Christian symbolism in an attempt to make it more universal, was, to them, unmasonic, and characterized as being compared to "removing a Masterpiece of Art from a gallery, or depriving a Crown of its Most Precious Jewel.
And the Christian Freemason sought out an Order which interpreted his Freemasonry in the Light of the New Dispensation.
He ended his search when he entered any asylum of Knights Templar.
It was Dr. William F. Kuhn, the great Masonic thinker, who said: "Freemasonry is not a series of degrees to give those who have the money to purchase them, certain titles and decorations, for even in Freemasonry 'a fool may be a belted Knight', and an Entered Apprentice may have a clearer conception of God and man's relation to Him, than he who wears the insignia of the highest rank. Moral conception does not exist merely in believing but in believing and doing. The Stoics of Rome persuaded themselves to believe that they were of Divine Essence and elaborated a finely spun system of philosophy, but they permitted the poor to lie starving at their doors."
Templars believe in practice; their charities may not be proclaimed from the house tops, but the records of the smallest preceptor of Knights Templar should prove that Charity and Hospitality are yet the grand characteristics of this great Christian Order. Templary realizes that it is hypocritical to profess and teach great platitudes without making an honest effort to practice what is professed. Our governing body (Sovereign Great Priory) administers a substantial fund known as The Knights Templar Charitable Foundation, contributed to by all members and administered without ostentation. This fund originally designed for orphans of deceased Knights Templar is also used for many deserving welfare cases and education of deserving students, including those for the ministry.
What are the Chivalric Orders?
We have referred to the Orders conferred by a Preceptory. In Canada the work of the Preceptory is divided into three parts:
bullet
The Order of the Red Cross.
bullet
The Orders of Mediterranean Pass and Malta.
bullet
The Orders of the Temple.
The Red Cross Order is not, strictly speaking, a Christian Order. Its value in the Templar system is its bridging of the gap between the Royal Arch degree and the Order of the Temple. It is a story founded upon an important period in Hebrew history and stresses Faith in God, the importance of Truth, and the value of Liberty and Justice.
The Order of Malta brings to the novitiate the story of another of the great Chivalric Orders, whose deeds of heroism fill the pages of history, and whose Christian character forms a bright page in religious history.
The most striking degree or Order in Masonry in the opinion of most expert ritualists is the Order of Consecration as set out in the Canadian Work. It is rightly described as the "ne plus ultra" of the Masonic system and is especially appreciated by all Christian Freemasons. We cannot describe its beauty or the impressions which are created in the mind of the Candidate. It must be seen to be appreciated.
Rise up, 0 Men of God
Have done with lesser things
Give Heart and Soul and Mind and Strength
To serve the King of Kings.
Lift high the Cross of Christ
Tread where His feet have trod
As brothers of the Son of Man
Rise up, O Men of God.
To Royal Arch Masonry has been given the WORD. To Knights Templar is given the INTERPRETATION.
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¿Cómo enamorar a una mujer? ¿Quieres hacer que la chica que te guste se enamore de ti? Aquí se te dará consejos efectivos para lograrlo.
Cómo enamorar a una mujer: 10 consejos para lograrlo
10 Consejos de cómo enamorar a una mujer
A muchos hombres se les hace difícil enamorar a una mujer, hablarles, invitarlas a salir y lograr que sean sus novias. Generalmente pasa por el desconocimiento de qué les gusta a las mujeres de un hombre. A continuación les enseñaremos cómo enamorar a una mujer.
#1 Hombre seguro
Despójate de los nervios y trata de estar seguro de ti mismo, demuestra tu carácter, sé un hombre que respeta y que se hace respetar. Tenlo por seguro que ellas preferirán mil veces un hombre con quien sentirse en confianza que tener al frente suyo unos músculos bien definidos.
#2 No mentir nunca
Para una mujer la sinceridad es la cualidad más valiosa que admiran de un hombre. Tampoco debes fingir algo que no eres realmente, muéstrate tal cual. Las mujeres tiene un agudizimo olfato para identificar cuándo un hombre les miente.
#3 Invítala a salir
Toda mujer quedará maravillada si la sorprendes invitándola a salir a un sitio que tú haz escogido, sobre todo si tu tomas el mando de la situación. Llévala a lugares especiales y diferentes así le demostraras con tu esfuerzo lo interesado que estas en ella.
#4 Limpio y bien vestido
Toda mujer se fija hasta en el más mínimo detalle, es importante vestir adecuadamente con una camisa y unos buenos zapatos, además del peinado y la limpieza corporal. Ellas se derriten cuando ven a un chico en camisa.
#5 Hombre de proyectos
Comparte con ella a qué te dedicas y sobre todo qué proyectos tienes para el futuro. Qué aspiraciones tienes tienes en la vida, ello la hará saber que no eres una persona sin metas mi ideales.
#6 No piropos
No caigas en las siempre repetidas frases de amor que se usan comúnmente. No caigas en lo vulgar, si vas a decirle palabras bonitas que salgan corazón, estas deben ser románticas y sutiles. ¡Las tendrás en tus manos!.
#7 Hazla reír
Evita los temas aburridos, hablen de cualquier cosa e identifica qué es lo que le hace reír. Si vez que ella no para de reír, vas por muy buen camino y aunque no lo crees estarás haciendo que ella se enamore de ti.
Cómo enamorar a una mujer: Hazla reír siempre.
#8 Detalles sorpresa
Debes saber que a las mujeres no esperan el regalo más costoso, esperan un detalle hecho por ti mismo en el que hayas invertido tu tiempo y tu cariño en hacerlo. Si es el caso que el presente no es hecho por ti, procura dé en el clavo con lo que a ella le guste, que recuerdes las cosas que le gustan y que dedique tiempo en buscar el adecuado bastará para conquistarla.
#9 Dile lo que sientes
A los hombres por lo general les cuesta decir lo que sienten un “te quiero”, “te amo” o “te extraño”. Dile lo que sientes por ella poco a poco, con tus propias palabras, si te apresuras mucho parecerás desesperado y no queremos eso.
#10 No sexo
Si hay algo que espanta a las mujeres es que en las primeras citas demuestres que quieres tener intimidad con ellas. Pensaran que sólo buscas sexo, las mujeres son muy sensibles respecto a ese tema y opinan que se da en una etapa más avanzada de la relación. ¡Ten mucho cuidado!
Con estos 10 consejos de cómo enamorar a una mujer estas más que preparado para conquistar a cualquier mujer ¡Suerte!
El post ¿Cómo enamorar a una mujer? 10 Consejos para enamorarlas aparece primero en Imágenes de Amor.
¿Cómo enamorar a una mujer? 10 Consejos para enamorarlas | Consejos de Amor, Enamorar
A nice little surprise from ForeverYoung101 , they are all so cute! Which one is your favourite?
worldofdollsandotherthings.blogspot.com/2018/07/a-nice-su...
willowgrovedaycamp.com/willows.html
The Willows at Willow Grove Day Camp is a camp for 3 and 4 year old children. This unique camp experience offers your child an early opportunity to learn and socialize with children their own age.
During the first week of camp, lots of fun was had as the children and counselors got to know each other. “Sun and Surf” was our first week theme. The children really enjoyed decorating their bucket and shovel memo pads during Arts and Crafts. Along with this activity, the Polar Bears and Penguins enthusiastically participated in Nature, Gymnastics, Dance, Tennis and Soccer. We are looking forward to the next seven weeks of fun-filled activities.
Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on the Willows and Willow Grove Day Camp please visit: willowgrovedaycamp.com/willows.html
MAAM = Museo dell’Altro e dell’Altrove di Metropoliz_città meticcia.
Da streetartattack.blogspot.it/2013/10/district-913-roma.html:
Nato nel 2012, al termine del cantiere cinematografico e d’arte “Space Metropoliz”, il MAAM è un progetto di Giorgio de Finis. Contro-dipositivo situazionista e relazionale, si pone accanto e in concorrenza con le grandi istituzioni museali italiane e della capitale (il MAXXI e il MACRO), facendo della sua perifericità, della sua totale assenza di fondi, della sua non asetticità (il MAAM è un museo abitato) il suo punto di forza. Avviando un nuovo virtuoso rapporto tra arte e città e tra arte e vita, il Metropoliz si sta dotando, grazie al MAAM, di una pelle preziosa e di una collezione che l’aiuteranno a proteggersi dalla minaccia sempre incombente dello sgombero coatto. Il MAAM si prefigge di trasformare l’intera fabbrica occupata in un oggetto e in un soggetto d’arte collettiva. Gli artisti sono invitati a dare il loro contributo gratuitamente, interagendo con lo spazio e con gli abitanti. E non si può dire che non lo stiano facendo.
Oltre i “relitti” di Space Metropoliz (il telescopio di Gian Maria Tosatti, i muri dipinti di Sten & Lex, Lucamaleonte, Mr. Klevra, Hogre, la bandiera di Paolo Assenza, l’orto lunare di Fabio Pennacchia, il grande razzo costruito dagli abitanti della fabbrica occupata con l’aiuto di Stalker), la Pinacoteca Domestica Diffusa, oltre venti opere di arte contemporanea collocate nelle case degli abitanti di Metropoliz e fotografata da Carlo Gianferro, la “Stanza dei Giochi” (intervento site specific per la ludoteca di Metropoliz ad opera di Veronica Montanino e Alice Pasquini), la “Cattedralehouse_room#2” (opere di Cristiano Petrucci, Gianni Asdrubali, Veronica Montanino), il 5 ottobre il MAAM presenterà le nuove acquisizioni e i lavori realizzati nel corso dell’estate.
Le due nuove stanze d’artista, “Windows M” di Maddalena Mauri e ”Where are the flowers gone” di Micaela Lattanzio. L’intervento murario, tutto in polvere di grafite, che Maddalena Mauri realizza per il nuovo spazio galleria di Metropoliz, moltiplica le finestre della grande stanza dove un tempo stagionavano i salami della Fiorucci, invitando il mondo ad entrare. Un auspicio, per la fabbrica occupata, che coincide con il programma di eventi settimanali del nuovo spazio espositivo, uno dei dispositivi che il MAAM ha deciso di attivare per aprire con regolarità il cancello del 913 al quartiere e alla città, riducendo l’effetto enclave che pregiudizio e necessità di difendersi dallo sgombero rischiano di innescare. La porta “a saloon” della galleria che propone un enorme cuore diviso in due è un’opera di Paolo Angelosanto. La stanza di Micaela Lattanzio è invece uno spazio intimo, un invito alla “meditazione”, un’oasi di pace per chi, come il Chaplin di “Tempi moderni”, si trova incastrato ogni giorno nei meccanismi della metropoli (i suoi fiori di carta, oltre seimila, si liberano dagli ingranaggi e volano via…). Un luogo, questa preziosa stanza “fiorita”, che sembra condividere lo spirito delle stanze de Les Nymphéas di Monet all’Orangerie.
“District 913” tira via il telo anche sulla nuova “piazza” realizzata da Massimo Di Giovanni con L.U.N.A. una enorme sfera di ferro e legno che l’artista incastra tra le travi di un tetto crollato, che lo stesso Di Giovanni ha restaurato e messo in sicurezza). L’opera ha voluto rendere un omaggio all’idea della migrazione esoplanetaria alla conquista della luna narrata dalla favola contemporanea “Space Metropoliz” e all’idea che, lavorando tutti insieme, l’Altrove lo si possa alla fine portare sulla Terra. Altre grandi sfere saranno disseminate nella fabbrica da EPVS, a rendere il percorso difficile e claustrofobico (EPVS_ Bubbling 4 you #913# by EPVS).
Molto rilevanti anche i nuovi interventi di street art realizzati a Metropoliz. Dal grande muro d’ingresso sulla via Prenstina, firmato Borondo, e realizzato in collaborazione con la 999 Contemporary, alla meridiana di Rub Kendy (.R.E.V.O.L.U.T.I.O.N.), allo stencil di Lucamaleonte che riproduce, sulla facciata dell’ex-salumificio che guarda ai recenti scavi archeologici del lotto di fronte, il bassorilievo dei Musei Capitolini raffigurante la caccia al cinghiale. E ancora Alice Pasquini, Solo (con “Plan D, last level”), Diamond (con la porta “Welcome to Metropoliz”), Opiemme (“Questo muro ha un nuovo messaggio”). E ancora Giulio Vesprini, Gio Pistone, Cancelletto, omino71.
Tra le nuove opere acquisite dal MAAM segnaliamo quelle di Pablo Echaurren (“Suburbano disumano”), a cura di ARIA [rivista d’artista], Massimo Attardi (“Lang”, un omaggio all’autore di “Metropolis” che strizza l’occhio anche al gioco “facce di luna” di “Space Metropoliz”), Guendalina Salini (che ripropone in collezione permanente l’installazione “Dove comincia il lontano”), gli interventi murari di Marco Tamburro, Seboo Migone, Paolo Assenza, l’opera di Germano Serafini ”Composizione M”, quella di Michela de Mattei “Metropolitz. Pianoterra / piano, Terra” (a cura di Silvia Litardi), il lightbox di Salvatore Mauro “Pianeta dei Naufraghi”, i nuovi interventi di Santino Drago (”Sangue versato in mostra” e “Asilo politico”).
как обшить сайдингом дом sotdel.ru/obshivka-doma-sajdingom.html Советы по строительству дома, #сайдинг #sotdel Обшивка дома сайдингом – ответственный и интересный процесс. С каждой новой панелью облик вашего дома будет быстро меняться. Обшивка дома сайдингом – ответственный и интересный процесс. С каждой новой панелью облик вашего дома будет быстро меняться. Впервые отправляясь в магазин, чтобы выбрать сайдинг для обшивки дома, многие покупатели теряются в выборе. Помимо богатой палитры цветов, их вниманию предлагаются и различные варианты фактур – здесь и «корабельный брус», и «ёлочка», и «блок хаус», и «вертикальный сайдинг». Как выбрать сайдинг? Сайдинг производится из компаунда, основу которого составляет виниловая масса с добавленными в нее пластификаторами, красителями, стабилизаторами цвета и прочими присадками. Рецептура компаунда для внешнего и внутреннего слоя сайдинговой панели различается, поскольку они решают разные задачи. Внешняя сторона панели противостоит выгоранию цвета, шелушению и короблению поверхности, внутренняя отвечает за жесткость материала, устойчивость к перепадам температуры и механическим воздействиям. Две массы компаунда, приготовленные по разным рецептурам, сплавляются методом коэкструзии, таким образом, формируется целостная панель с улучшенными качественными характеристиками внешнего и внутреннего слоя. Если же внутренняя сторона сайдинга светлее наружной – это значит, что производитель в состав компаунда для сайдинга добавил меньше пигмента. Такой сайдинг относится к категории более бюджетных, но при этом может обладать вполне приемлемыми эксплуатационными характеристиками. А вот если панель сайдинга окрашена неравномерно – есть разводы, пятна, отличия в оттенке панелей в рамках одной партии – это однозначно свидетельствует о не самом качественном материале. Чтобы выполнить монтаж блок хауса или других видов сайдинга своими руками, мы рекомендуем внимательно ознакомиться с инструкцией по монтажу, которую вы получите при покупке, а также с видео инструкцией. Следуйте показанным на видео принципам монтажа сайдинга любого вида, включая блок хаус. Если обшиваем сайдингом стены дома или только цоколь или фронтон, то в любом случае придерживаемся основных правил по монтажу этого строительного материала. Существуют различные виды сайдинга, и их монтаж также имеет свои отличия. как обшить сайдингом дом www.sotdel.ru/obshivka-doma-sajdingom.html www.facebook.com/110372909302943/photos/a.228565947483638...
Продажа стройматериалов для внешней и внутренней отделки. Прайс-листы. Возможность онлайн-заказа продукции. Сведения о скидках и акциях.
Сухие смеси для ремонта www.sotdel.ru/suhie-stroitelnye-smesi/
Кухонный фартук www.sotdel.ru/fartuk-dlya-kuhni.html
Пиломатериалы для дома www.sotdel.ru/fartuk-dlya-kuhni.html
Кровельные материалы www.sotdel.ru/krovelnye_materialy.html
Москва ул. Верхние Поля, 48а
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Believed to be in Public Domain From Library of Congress, Prints and Photographs Collections. More on copyright: What does "no known restrictions" mean?
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Public Domain. Suggested credit: Grabill/Library of Congress via pingnews. Additional information from source:
TITLE: "Hostile Indian camp"
CALL NUMBER: LOT 3076-2, no. 3636 [P&P]
Check for an online group record (may link to related items)
REPRODUCTION NUMBER: LC-DIG-ppmsc-02512 (digital file from original print)
LC-USZ62-532 (b&w film copy neg.)
No known restrictions on reproduction.
SUMMARY: Bird's-eye view of a large Lakota camp of tipis, horses, and wagons--probably on or near Pine Ridge Indian Reservation.
MEDIUM: 1 photographic print.
CREATED/PUBLISHED: 1891.
CREATOR:
Grabill, John C. H., photographer.
NOTES:
Copyright deposit.
Title transcribed from item.
Forms part of the John C. H. Grabill Collection.
SUBJECTS:
Indian encampments--South Dakota--1890-1900.
Tipis--South Dakota--1890-1900.
Plains--South Dakota--1890-1900.
Indians of North America--Structures--South Dakota--1890-1900.
Teton Indians--Structures--1890-1900.
Pine Ridge Indian Reservation (S.D.)--1890-1900.
FORMAT:
Photographic prints 1890-1900.
Aerial views 1890-1900.
REPOSITORY: Library of Congress Prints and Photographs Division Washington, D.C. 20540
DIGITAL ID: (digital file from original print) ppmsc 02512 hdl.loc.gov/loc.pnp/ppmsc.02512
(scan of b&w film copy neg.) cph 3a04461 hdl.loc.gov/loc.pnp/cph.3a04461
CARD #: 99613796
Picking a Winner: How to Make the U.S. a Leader in the Clean Energy Economy
To watch the video, click here: www.americanprogress.org/events/2010/03/apollo.html
Thursday, March 4, 2010
In his State of the Union speech, President Obama said, "I do not accept second place for the United States of America." But the truth is that when it comes to the clean energy economy, the United States isn’t even coming in second. Amidst growing concerns about clean-energy jobs going overseas, this conference will discuss what it will take for the U.S. to regain its competitiveness in the global clean energy economy.
The Apollo Alliance and Center for American Progress will bring together policymakers, academics, business and labor leaders, and other experts to discuss what policies will support the United States in becoming not only a consumer of clean-energy technologies but also a leading producer of them.
9:00 - 10:00 a.m.: Opening Remarks:
Phil Angelides, Chairman, Apollo Alliance
John Podesta, President and Chief Executive Officer, Center for American Progress
For a transcript click here.
10:00 - 11:15 a.m.: The American Clean Energy Economy in 2020: What Should It Look Like and How Can We Get There?
Rob Atkinson, President, Information Technology and Innovation Foundation
Bob Borosage, President, Institute for America's Future
Peter Brehm, Vice President of Business Development and Government Relations, Infinia Corporation
Kathleen McGinty, Former Secretary, Pennsylvania Department of Environmental Protection
Moderated by:
Susan McGinnis, Managing Editor and Anchor, Clean Skies News
For a transcript click here.
11:30 - 12:15 p.m.: Keynote Speeches: Perspectives from House and Senate Champions on How to Grow a Thriving and Globally Competitive Clean Energy Economy
Senator Debbie Stabenow (D-MI)
For a transcript click here.
Congressman Jay Inslee (D-WA)
For a transcript click here.
Introduced by:
Cathy Calfo, Executive Director, Apollo Alliance
1:00 - 2:30 p.m.: The U.S. and the World: What Are Other Countries Doing and What Could the U.S. Do?
Thea Lee, Deputy Chief of Staff, AFL-CIO
Leo Hindery, Chair of the U.S. Economy/Smart Globalization Initiative, New America Foundation
Julian Wong, Senior Policy Analyst, Center for American Progress
Joan Fitzgerald, author of Emerald Cities: Urban Sustainability and Economic Development
Moderated by:
Bracken Hendricks, Senior Fellow, Center for American Progress
For a transcript click here.
2:45 - 4:15 p.m.: Educating the Clean Energy Workforce of the Future
Keynote speach:
William Spriggs, Assistent Secretary for Policy, US Department of Labor
For a transcript click here.
Andy Levin, Chief Workforce Officer, State of Michigan
Louis Soares, Director of the Postsecondary Education Program, Center for American Progress
Van Jones, Senior Fellow, Center for American Progress; Founder, Green For All
Joel Rogers, Director, Center on Wisconsin Strategy
Moderated by:
Kate Gordon, Vice President for Energy Policy, Center for American Progress
For a transcript click here.
4:15 - 5:00 p.m.: Making America A Winner in the Clean Energy Economy
Jared Bernstein, Chief Economist and Economic Policy Advisor to Vice President Joseph Biden
Phil Angelides, Chairman, Apollo Alliance
For a transcript click here.
Collaboration beetween Biennalist and Ultracontemporay
Art Format
www.emergencyrooms.org/formats.html
en.wikipedia.org/wiki/Thierry_Geoffroy
Documenta From Wikipedia,
The Fridericianum during documenta (13)
documenta is an exhibition of contemporary art which takes place every five years in Kassel, Germany. It was founded by artist, teacher and curator Arnold Bode in 1955 as part of the Bundesgartenschau (Federal Horticultural Show) which took place in Kassel at that time.[1] It was an attempt to bring Germany up to speed with modern art, both banishing and repressing the cultural darkness of Nazism.[2] This first documenta featured many artists who are generally considered to have had a significant influence on modern art (such as Picasso and Kandinsky). The more recent documentas feature art from all continents; nonetheless most of it is site-specific.
Every documenta is limited to 100 days of exhibition, which is why it is often referred to as the "museum of 100 days".[3] Documenta is not a selling exhibition. It rarely coincides with the three other major art world events: the Venice Biennale, Art Basel and Skulptur Projekte Münster, but in 2017, all four were open simultaneously.
Etymology of documenta
The name of the exhibition is an invented word. The term is supposed to demonstrate the intention of every exhibition (in particular of the first documenta in 1955) to be a documentation of modern art which was not available for the German public during the Nazi era. Rumour spread from those close to Arnold Bode that it was relevant for the coinage of the term that the Latin word documentum could be separated into docere (Latin for teach) and mens (Latin for intellect) and therefore thought it to be a good word to describe the intention and the demand of the documenta.[4]
Each edition of documenta has commissioned its own visual identity, most of which have conformed to the typographic style of solely using lowercase letters, which originated at the Bauhaus.[5]
History
Stadtverwaldung by Joseph Beuys, oaktree in front of the museum Fridericianum, documenta 7
Art professor and designer Arnold Bode from Kassel was the initiator of the first documenta. Originally planned as a secondary event to accompany the Bundesgartenschau, this attracted more than 130,000 visitors in 1955. The exhibition centred less on "contemporary art“, that is art made after 1945: instead, Bode wanted to show the public works which had been known as "Entartete Kunst" in Germany during the Nazi era: Fauvism, Expressionism, Cubism, Blauer Reiter, Futurism and Pittura Metafisica. Therefore, abstract art, in particular the abstract paintings of the 1920s and 1930s, was the focus of interest in this exhibition.
Over time, the focus shifted to contemporary art. At first, the show was limited to works from Europe, but soon covered works by artists from the Americas, Africa and Asia. 4. documenta, the first ever to turn a profit, featured a selection of Pop Art, Minimal Art, and Kinetic Art.[6] Adopting the theme of Questioning Reality – Pictorial Worlds Today, the 1972 documenta radically redefined what could be considered art by featuring minimal and conceptual art, marking a turning point in the public acceptance of those styles.[7] Also, it devoted a large section to the work of Adolf Wolfli, the great Swiss outsider, then unknown. Joseph Beuys performed repeatedly under the auspices of his utopian Organization for Direct Democracy.[8] Additionally, the 1987 documenta show signaled another important shift with the elevation of design to the realm of art – showing an openness to postmodern design.[9] Certain key political dates for wide-reaching social and cultural upheavals, such as 1945, 1968 or 1976/77, became chronological markers of documenta X (1997), along which art's political, social, cultural and aesthetic exploratory functions were traced.[10] Documenta11 was organized around themes like migration, urbanization and the post-colonial experience,[11] with documentary photography, film and video as well as works from far-flung locales holding the spotlight.[7] In 2012, documenta (13) was described as "[a]rdently feminist, global and multimedia in approach and including works by dead artists and selected bits of ancient art".[12]
Criticism
documenta typically gives its artists at least two years to conceive and produce their projects, so the works are often elaborate and intellectually complex.[13] However, the participants are often not publicised before the very opening of the exhibition. At documenta (13), the official list of artists was not released until the day the show opened.[14] Even though curators have often claimed to have gone outside the art market in their selection, participants have always included established artists. In the documenta (13), for example, art critic Jerry Saltz identified more than a third of the artists represented by the renowned Marian Goodman Gallery in the show.[14]
Directors
The first four documentas, organized by Arnold Bode, established the exhibition's international credentials. Since the fifth documenta (1972), a new artistic director has been named for each documenta exhibition by a committee of experts. Documenta 8 was put together in two years instead of the usual five. The original directors, Edy de Wilde and Harald Szeemann, were unable to get along and stepped down. They were replaced by Manfred Schneckenburger, Edward F. Fry, Wulf Herzogenrath, Armin Zweite, and Vittorio Fagone.[15] Coosje van Bruggen helped select artists for documenta 7, the 1982 edition. documenta IX's team of curators consisted of Jan Hoet, Piero Luigi Tazzi, Denys Zacharopoulos, and Bart de Baere.[16] For documenta X Catherine David was chosen as the first woman and the first non-German speaker to hold the post. It is also the first and unique time that its website Documenta x was conceived by a curator (swiss curator Simon Lamunière) as a part of the exhibition. The first non-European director was Okwui Enwezor for Documenta11.[17]
TitleDateDirectorExhibitorsExhibitsVisitors
documenta16 July – 18 September 1955Arnold Bode148670130,000
II. documenta11 July – 11 October 1959Arnold Bode, Werner Haftmann3381770134,000
documenta III27 June – 5 October 1964Arnold Bode, Werner Haftmann3611450200,000
4. documenta27 June – 6 October 196824-strong documenta council1511000220,000
documenta 530 June – 8 October 1972Harald Szeemann218820228,621
documenta 624 June – 2 October 1977Manfred Schneckenburger6222700343,410
documenta 719 June – 28 September 1982Rudi Fuchs1821000378,691
documenta 812 June – 20 September 1987Manfred Schneckenburger150600474,417
documenta IX12 June – 20 September 1992Jan Hoet1891000603,456
documenta X21 June – 28 September 1997Catherine David120700628,776
documenta118 June – 15 September 2002Okwui Enwezor118450650,924
documenta 1216 June – 23 September 2007Roger M. Buergel/Ruth Noack[19]114over 500754,301
documenta (13)9 June – 16 September 2012Carolyn Christov-Bakargiev187[20]904,992[21]
documenta 148 April – 16 July 2017 in Athens, Greece;
10 June – 17 September 2017 in KasselAdam Szymczykmore than 1601500339.000 in Athens
891.500 in Kassel
documenta fifteen18 June 2022 – 25 September 2022 in Kasselruangrupa[22]
2012's edition was organized around a central node, the trans-Atlantic melding of two distinct individuals who first encountered each other in the "money-soaked deserts of the United Arab Emirates". As an organizing principle it is simultaneously a commentary on the romantic potentials of globalization and also a critique of how digital platforms can complicate or interrogate the nature of such relationships. Curatorial agents refer to the concept as possessing a "fricative potential for productive awkwardness," wherein a twosome is formed for the purposes of future exploration.[23]
Venues
documenta is held in different venues in Kassel. Since 1955, the fixed venue has been the Fridericianum. The documenta-Halle was built in 1992 for documenta IX and now houses some of the exhibitions. Other venues used for documenta have included the Karlsaue park, Schloss Wilhelmshöhe, the Neue Galerie, the Ottoneum, and the Kulturzentrum Schlachthof. Though Okwui Enezor notably tried to subvert the euro-centric approach documenta had taken, he instigated a series of five platforms before the Documenta11 in Vienna, Berlin, New Delhi, St Lucia, and Lagos, in an attempt to take documenta into a new post-colonial, borderless space, from which experimental cultures could emerge. documenta 12 occupied five locations, including the Fridericianum, the Wilhelmshöhe castle park and the specially constructed "Aue-Pavillon", or meadow pavilion, designed by French firm Lacaton et Vassal.[24] At documenta (13) (2012), about a fifth of the works were unveiled in places like Kabul, Afghanistan, and Banff, Canada.[13]
There are also a number of works that are usually presented outside, most notably in Friedrichsplatz, in front of the Fridericianum, and the Karlsaue park. To handle the number of artworks at documenta IX, five connected temporary "trailers" in glass and corrugated metal were built in the Karlsaue.[25] For documenta (13), French architects Anne Lacaton and Jean-Philippe Vassal constructed the temporary "Aue-Pavillon" in the park.
Rahmenbau (1977) by Haus Rucker und Co.
A few of the works exhibited at various documentas remained as purchases in Kassel museums. They include 7000 Eichen by Joseph Beuys; Rahmenbau (1977) by Haus-Rucker-Co; Laserscape Kassel (1977) by Horst H. Baumann; Traumschiff Tante Olga (1977) by Anatol Herzfeld; Vertikaler Erdkilometer by Walter De Maria; Spitzhacke (1982) by Claes Oldenburg; Man walking to the sky (1992) by Jonathan Borofsky; and Fremde by Thomas Schütte (one part of the sculptures are installed on Rotes Palais at Friedrichsplatz, the other on the roof of the Concert Hall in Lübeck).
documenta archive
The extensive volume of material that is regularly generated on the occasion of this exhibition prompted Arnold Bode to create an archive in 1961. The heart of the archive’s collection comes from the files and materials of the documenta organization. A continually expanding video and image archive is also part of the collection as are the independently organized bequests of Arnold Bode and artist Harry Kramer.
Management
Visitors
In 1992, on the occasion of documenta IX, for the first time in the history of the documenta, more than half a million people traveled to Kassel.[26] The 2002 edition of documenta attracted 650,000 visitors, more than triple Kassel's population.[27] In 2007, documenta 12 drew 754,000 paying visitors, with more than one-third of the visitors coming from abroad and guests from neighboring Netherlands, France, Belgium and Austria among the most numerous.[28] In 2012, documenta (13) had 904,992 visitors.[21]
References
Adrian Searle (June 11, 2012), "Documenta 13: Mysteries in the mountain of mud", The Guardian.
Roberta Smith (June 14, 2012), Art Show as Unruly Organism The New York Times.
Arnold Bode coined this phrase for the first time in the prologue of the first volume of the catalogue: documenta III. Internationale Ausstellung; Catalogue: Volume 1: Painting and Sculpture; Volume 2: Sketches; Volume 3: Industrial Design, Print; Kassel/Köln 1964; p. XIX
Kimpel, Harald: documenta, Mythos und Wirklichkeit. Köln 1997, ISBN 3-7701-4182-2
Alice Rawsthorn (June 3, 2012), A Symbol Is Born The New York Times.
The documenta IV Exhibition in Kassel (1968) German History in Documents and Images (GHDI).
Helen Chang (June 22, 2007), "Catching the Next Wave In Art at Documenta", The Wall Street Journal.
Roberta Smith (September 7, 2007), "Documenta 5" The New York Times.
Gimeno-Martinez, Javier; Verlinden, Jasmijn (2010). "From Museum of Decorative Arts to Design Museum: The Case of the Design museum Gent". Design and Culture. 2 (3).
dX 1997 Archived 2013-06-14 at the Wayback Machine, documenta XII.
Stephan Valentin (June 12, 2007), An art show in Kassel, Germany, rivals Venice Biennale The New York Times.
Roberta Smith (June 14, 2012), Art Show as Unruly Organism The New York Times.
Kelly Crow (June 8, 2012), A Party, Every Five Years, for 750,000 Guests The Wall Street Journal.
Jerry Saltz (June 15, 2012), Jerry Saltz: "Eleven Things That Struck, Irked, or Awed Me at Documenta 13" New York Magazine.
Michael Brenson (June 15, 1987), "Documenta 8, Exhibition In West Germany", The New York Times.
Michael Kimmelman (July 5, 1992) "At Documenta, It's Survival Of the Loudest", The New York Times.
Jackie Wullschlager (May 19, 2012) Vertiginous doubt Financial Times.
Julia Halperin, Gareth Harris (July 18, 2014) How much are curators really paid? Archived July 20, 2014, at the Wayback Machine The Art Newspaper.
Holland Cotter (22 June 2007). "Asking Serious Questions in a Very Quiet Voice". The New York Times. Retrieved 2014-08-29.
Ulrike Knöfel (8 June 2012). "What the 13th Documenta Wants You to See". Der Spiegel.
"904,992 people visit documenta (13) in Kassel". documenta und Museum Fridericianum Veranstaltungs-GmbH. 16 September 2012. Archived from the original on 25 February 2014. Retrieved 8 August 2013.
Russeth, Andrew (2019-02-22). "Ruangrupa Artist Collective Picked to Curate Documenta 15". ARTnews.com. Retrieved 2020-01-05.
"In Germany, Disguising Documentary As Art". The Huffington Post. Retrieved 2015-09-28.
Stephan Valentin (June 12, 2007), An art show in Kassel, Germany, rivals Venice Biennale International Herald Tribune.
Roberta Smith (June 22, 1992), A Small Show Within an Enormous One The New York Times.
d9 1992 Archived 2014-02-22 at the Wayback Machine, documenta XII.
Adrian Searle (June 19, 2007), 100 days of ineptitude The Guardian.
Catherine Hickley (September 24, 2007), "Documenta Contemporary Art Show Draws Record 754,000 to Kassel", Bloomberg.
Carly Berwick (May 17, 2007), "Documenta 'Mystery' Artists Are Revealed; Buzz Strategy Fizzles", Bloomberg.
Rachel Donado (April 5, 2017), German Art Exhibition Documenta Expands Into Athens, The New York Times.
Catherine Hickley (November 27, 2017), Documenta manager to leave post after budget overruns The Art Newspaper.
Further reading
Hickley, Catherine (2021-06-18). "This Show Sets the Direction of Art. Its Past Mirrored a Changing World". The New York Times.
Nancy Marmer, "Documenta 8: The Social Dimension?" Art in America, vol. 75, September 1987, pp. 128–138, 197–199.
other biennales :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale
Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art
lumbung
Short concept by ruangrupa for documenta 15
"We want to create a globally oriented, cooperative, interdisciplinary art and culture platform that will remain effective beyond the 100 days of documenta fifteen. Our curatorial approach aims at a different kind of collaborative model of resource use—economically, but also in terms of ideas, knowledge, programs, and innovation."
ruangrupa’s central curatorial approach for documenta fifteen is based on the principles of collectivity, resource building, and equal sharing. They aim to appeal not just to an art audience but to a variety of communities, and to promote local commitment and participation. Their approach is based on an international network of local, community-based organizations from the art and other cultural contexts and can be outlined by the Indonesian term lumbung. lumbung, directly translatable as “rice barn,” is a collective pot or accumulation system used in rural areas of Indonesia, where crops produced by a community are stored as a future shared common resource and distributed according to jointly determind criteria. Using lumbung as a model, documenta fifteen is a collective resource pot, operating under the logics of the commons. It is an agglomeration of ideas, stories, (wo)manpower, time, and other shareable resources. At the center of lumbung is the imagination and the building of these collective, shared resources into new models of sustainable ideas and cultural practices. This will be fostered by residencies, assemblies, public activities, and the development of tools.
Interdisciplinarity is key in this process. It is where art meets activism, management, and networking to gather support, understand environments, and identify local resources. These elements then create actions and spaces, intertwine social relations and transactions; they slowly grow and organically find a public form. This is a strategy “to live in and with society.” It imagines the relations an art institution has with its community by being an active constituent of it. Strategies are then developed based on proximity and shared desires.
The main principles of the process are:
• Providing space to gather and explore ideas
• Collective decision making
• Non-centralization
• Playing between formalities and informalities
• Practicing assembly and meeting points
• Architectural awareness
• Being spatially active to promote conversation
• A melting pot for and from everyone’s thoughts, energies, and ideas
#documentakassel
#documenta
#documenta15
#artformat
#formatart
#rundebate
#thierrygeoffroy
#Colonel
#CriticalRun
#venicebiennale
#documentafifteen
#formatart
#documentacritic
#biennalist
#ultracontemporary art
#protestart
I have not invited Katrina personally for Jackpot's premiere, says Kaizad Gustad! - www.bolegaindia.com/gossips/I_have_not_invited_Katrina_pe...
MAY DAY IN WHITSTABLE
From my blog: rangefinderchronicles.blogspot.co.uk/2014/08/may-day-in-w...
Plaubel Makina 67
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Believed to be in Public Domain. From Library of Congress, Prints and Photographs Collections. More on copyright: What does "no known restrictions" mean?
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Public Domain. Additional source description and credit info from the Library of Congress:
TITLE: Hennessy Leroyle's Other people's money from Hoyt's Theater, New York : by E.O. Towne.
CALL NUMBER: POS - TH - 1900 .O85, no. 1 (C size) [P&P]
REPRODUCTION NUMBER: _ _ _ _ _
RIGHTS INFORMATION: No known restrictions on publication.
MEDIUM: 1 print (poster) : lithograph, b&w ; 70 x 106 cm.
CREATED/PUBLISHED: Cincinnati ; New York : U.S. Printing Co., c1900.
CREATOR:
U.S. Printing Co.
RELATED NAMES:
Leroyle, Hennessy.
Towne, E. O. (Edward Owings), b. 1869.
Russell-Morgan Print.
NOTES:
Created and "copyright, 1900, by The U.S. Printing Co, Russell-Morgan Print, Cincinnati & New York."
Caption: Excitement on the "Board of Trade" "Hopper" proclaimed "King of the Wheat Pit."
No. 3290.
SUBJECTS:
Stock exchanges.
Commodity exchanges.
Crowds.
Excitement.
Comedies.
FORMAT:
Theatrical posters American.
Lithographs.
OTHER TITLE:
Other people's money.
PART OF: Theatrical Poster Collection (Library of Congress)
REPOSITORY: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA
DIGITAL ID: (digital file from intermediary roll copy film) var 1343 hdl.loc.gov/loc.pnp/var.1343
CONTROL #: var1994001355/PP
MAAM = Museo dell’Altro e dell’Altrove di Metropoliz_città meticcia.
Da streetartattack.blogspot.it/2013/10/district-913-roma.html:
Nato nel 2012, al termine del cantiere cinematografico e d’arte “Space Metropoliz”, il MAAM è un progetto di Giorgio de Finis. Contro-dipositivo situazionista e relazionale, si pone accanto e in concorrenza con le grandi istituzioni museali italiane e della capitale (il MAXXI e il MACRO), facendo della sua perifericità, della sua totale assenza di fondi, della sua non asetticità (il MAAM è un museo abitato) il suo punto di forza. Avviando un nuovo virtuoso rapporto tra arte e città e tra arte e vita, il Metropoliz si sta dotando, grazie al MAAM, di una pelle preziosa e di una collezione che l’aiuteranno a proteggersi dalla minaccia sempre incombente dello sgombero coatto. Il MAAM si prefigge di trasformare l’intera fabbrica occupata in un oggetto e in un soggetto d’arte collettiva. Gli artisti sono invitati a dare il loro contributo gratuitamente, interagendo con lo spazio e con gli abitanti. E non si può dire che non lo stiano facendo.
Oltre i “relitti” di Space Metropoliz (il telescopio di Gian Maria Tosatti, i muri dipinti di Sten & Lex, Lucamaleonte, Mr. Klevra, Hogre, la bandiera di Paolo Assenza, l’orto lunare di Fabio Pennacchia, il grande razzo costruito dagli abitanti della fabbrica occupata con l’aiuto di Stalker), la Pinacoteca Domestica Diffusa, oltre venti opere di arte contemporanea collocate nelle case degli abitanti di Metropoliz e fotografata da Carlo Gianferro, la “Stanza dei Giochi” (intervento site specific per la ludoteca di Metropoliz ad opera di Veronica Montanino e Alice Pasquini), la “Cattedralehouse_room#2” (opere di Cristiano Petrucci, Gianni Asdrubali, Veronica Montanino), il 5 ottobre il MAAM presenterà le nuove acquisizioni e i lavori realizzati nel corso dell’estate.
Le due nuove stanze d’artista, “Windows M” di Maddalena Mauri e ”Where are the flowers gone” di Micaela Lattanzio. L’intervento murario, tutto in polvere di grafite, che Maddalena Mauri realizza per il nuovo spazio galleria di Metropoliz, moltiplica le finestre della grande stanza dove un tempo stagionavano i salami della Fiorucci, invitando il mondo ad entrare. Un auspicio, per la fabbrica occupata, che coincide con il programma di eventi settimanali del nuovo spazio espositivo, uno dei dispositivi che il MAAM ha deciso di attivare per aprire con regolarità il cancello del 913 al quartiere e alla città, riducendo l’effetto enclave che pregiudizio e necessità di difendersi dallo sgombero rischiano di innescare. La porta “a saloon” della galleria che propone un enorme cuore diviso in due è un’opera di Paolo Angelosanto. La stanza di Micaela Lattanzio è invece uno spazio intimo, un invito alla “meditazione”, un’oasi di pace per chi, come il Chaplin di “Tempi moderni”, si trova incastrato ogni giorno nei meccanismi della metropoli (i suoi fiori di carta, oltre seimila, si liberano dagli ingranaggi e volano via…). Un luogo, questa preziosa stanza “fiorita”, che sembra condividere lo spirito delle stanze de Les Nymphéas di Monet all’Orangerie.
“District 913” tira via il telo anche sulla nuova “piazza” realizzata da Massimo Di Giovanni con L.U.N.A. una enorme sfera di ferro e legno che l’artista incastra tra le travi di un tetto crollato, che lo stesso Di Giovanni ha restaurato e messo in sicurezza). L’opera ha voluto rendere un omaggio all’idea della migrazione esoplanetaria alla conquista della luna narrata dalla favola contemporanea “Space Metropoliz” e all’idea che, lavorando tutti insieme, l’Altrove lo si possa alla fine portare sulla Terra. Altre grandi sfere saranno disseminate nella fabbrica da EPVS, a rendere il percorso difficile e claustrofobico (EPVS_ Bubbling 4 you #913# by EPVS).
Molto rilevanti anche i nuovi interventi di street art realizzati a Metropoliz. Dal grande muro d’ingresso sulla via Prenstina, firmato Borondo, e realizzato in collaborazione con la 999 Contemporary, alla meridiana di Rub Kendy (.R.E.V.O.L.U.T.I.O.N.), allo stencil di Lucamaleonte che riproduce, sulla facciata dell’ex-salumificio che guarda ai recenti scavi archeologici del lotto di fronte, il bassorilievo dei Musei Capitolini raffigurante la caccia al cinghiale. E ancora Alice Pasquini, Solo (con “Plan D, last level”), Diamond (con la porta “Welcome to Metropoliz”), Opiemme (“Questo muro ha un nuovo messaggio”). E ancora Giulio Vesprini, Gio Pistone, Cancelletto, omino71.
Tra le nuove opere acquisite dal MAAM segnaliamo quelle di Pablo Echaurren (“Suburbano disumano”), a cura di ARIA [rivista d’artista], Massimo Attardi (“Lang”, un omaggio all’autore di “Metropolis” che strizza l’occhio anche al gioco “facce di luna” di “Space Metropoliz”), Guendalina Salini (che ripropone in collezione permanente l’installazione “Dove comincia il lontano”), gli interventi murari di Marco Tamburro, Seboo Migone, Paolo Assenza, l’opera di Germano Serafini ”Composizione M”, quella di Michela de Mattei “Metropolitz. Pianoterra / piano, Terra” (a cura di Silvia Litardi), il lightbox di Salvatore Mauro “Pianeta dei Naufraghi”, i nuovi interventi di Santino Drago (”Sangue versato in mostra” e “Asilo politico”).
Our Lady & The English Martyrs, Cambridge
stepneyrobarts.blogspot.co.uk/2013/02/our-lady-english-ma...
Yesterday I revisited St Peter for internals and finished of Cambridge, visiting seven Victorian built churches only one of which, Our Lady & The English Martyrs, is worth writing up.
At first sight I wrote OLEM off as a Victorian Gothic monstrosity but as I wandered around the exterior I was struck by the quality of the building and the interior stunned me with lots of rather good glass and impressive architecture (oh and apart from three revisits, Babraham, Guilden Morden and Stow cum Quy, that finished the north west quadrant).
The Church of Our Lady and the English Martyrs, or OLEM, is situated in the heart of the city of Cambridge. An imposing example of the 19th Century Gothic Revival, it was built to the designs of Dunn & Hansom of Newcastle between 1885 and 1890, and founded solely by Mrs Yolande Marie Louise Lyne-Stephens, a former ballet dancer at the Paris Opera and Drury Lane, London, and widow of a wealthy banker. She promised to build the church on the feast of Our Lady of the Assumption, and Monsignor Christopher Scott - the first Rector - also wished to commemorate the Catholic Martyrs who died between 1535 and 1681, over thirty of whom had been in residence at the University.
Designed by architects Dunn and Hansom of Newcastle and built by the Cambridge firm of Rattee and Kett, OLEM is constructed in Casterton, Ancaster and Combe Down Stone. The church is a traditional cruciform structure in the early-decorated style with a large tower at the crossing, a polygonal apse and a west bell tower with a 65-metre spire, visible for miles around Cambridge. Quite often, it is quoted by visitors and local residents as a location point. The approximate internal dimensions of the church are: length 48 meters [156 ft] width across the aisles 16 meters [51 ft] width at the transepts 22 meters [71 ft], the height of the nave 15 meters [71ft].
Inside and over the west door stands the figure of Our Lady of the Assumption crowned with lilies and standing on the crescent moon with the vanquished serpent beneath. The west window shows the English Martyrs arranged in two principal groups, the clergy on the south side with St John Fisher in their midst and the laity on the north grouped round St Thomas More.
Beside the South aisle is an ancient statue of Our Lady with the Child Jesus. This statue is understood to be a gift in 1850 from Emmanuel College, which was built on the site of a Dominican Priory dating back to 1274. The Church of the Black Friars of Cambridge contained a statue of Our Blessed Lady to which much pilgrimage was had. Although unconfirmed this could be that statue.
The Chapel of the Holy Souls with the book of Remembrance is located at the west end of the south aisle. The sculpture above the altar depicts the solace and relief of the Holy Souls in Purgatory through the intercession of Our Lady and the angel who comforted Our Lord in Gethsemane. The Chapel is now appropriately used at the two great Christian celebrations: at Easter for the Empty Tomb indicating the Risen Lord, and at Christmas for the Crib.
The aisle windows were almost completely destroyed when the church was struck by a bomb on 1941, but were subsequently replaced in their original form. They epitomise the various sufferings of the English Martyrs, their being brought before the Council, racked, hung, drawn and quartered in the sight and sympathy of the faithful. The windows of the north aisle portray Carthusians, St Thomas Moore, B. Margaret Pole and others, while the south aisle is made a “Fisher Aisle”, devoted to scenes from the life of St John, Cardinal Bishop of Rochester, who in so many important ways is identified with Cambridge.
The best general impression of the interior is obtained from the gateway in the iron screen dividing the nave from the ante-chapel. The heads of the four great preachers of Our Lady’s Graces are carved in the four corners of the nave. The windows along the nave represent saints connected with the Church in Britain, arranged approximately in chronological order from east to west with a few additional figures in the eastern windows.
The Rood which is between the nave and the sanctuary is of the type known as “Majestas”; the figure of Our Lord, with glorified wounds, robed in alb, stole and pallium [as High Priest] and crowned [as King “reigning from the Tree”]. This was the earliest type of crucifix; the realistic figure, now almost universal, did not come into general use until the beginning of the thirteenth century. The cross, inspired by that at Nuremberg, is about 6 metres high, carved in oak; the figures of Christ and of Our Lady and of Saint John are of Kauri pine. They were carved locally by Mr. B. Maclean Leach and completed and blessed in 1914.
Beyond the present, modern altar is the High Altar with the relics of Saints Felix and Constantia, martyrs of the early Church. The tabernacle and ornaments of the altar are of exquisite French workmanship from Lyons. The baldacchino which covers the High Altar is similar to that over the tomb of Robert the Wise (1275-1343) at Santa Chiara, Naples. It is one of the earliest forms of adornment of a Christian altar. At the top is the figure of Our Lord in glory supported on each side by angels in act of adoration.
The design and the re-ordering of the sanctuary was done by Mr. Gerard Goalen of Harlow after the Second Vatican Council. On 7th April, 1973, Bishop Charles Grant consecrated the present central. The original High Altar has subsequently been used mainly for reservation of the Blessed Sacrament.
CIF CENTRAL SECTION CHAMPIONSHIP
Liberty High School - Wednesday, May 14, 2008
www.andynoise.com/valley08.html
Central Section Grand Masters
At Liberty
Team standings--unavailable.
400 relay--1. Bakersfield (Hunt, Turner, Johnson, Norwood), 42.28; 2. Clovis East (Bourbon, Scott, Smith, Woods), 42.58; 3. Redwood (Stewart, Ray, Root, Coles), 43.07; 4. Central (Newsome, Bigelow, Hammack, Phillips), 43.15. 1,600--1. Chris Schwartz, Foot, 4:15.80; 2. Jonathan Sanchez, Buch, 4:17.48; 3. Eric Battles, CW, 4:20.34; 4. Jesse Arellano, Mad, 4:21.56. 110H--1. Ethan DeJongh, MtW, 14.49; 2. Sean Johnson, Buch, 14.66; 3. Jon Funch, CW, 14.81; 4. Isiah Crunk, Wash, 15.17. 400--1. Maurice Lewis, Ed, 49.08; 2. Isiah Purvis, Lib, 49.13; 3. Daniel Lozano, Stock, 49.35; 4. Jelani Hendrix, Ed, 49.62. 100--1. Brendon Bigelow, Central, 10.62; 2. Emmanuel Turner, Bak, 10.81; 3. Matt Sumlin, Gar, 10.91; 4. Chris Lopez, GW, 10.98. 800--1. Anthony Mitchell, North, 1:54.19; 2. Aric Champagne, MtW, 1:54.97; 3. Andrew Campbell, CW, 1:55.69; 4. Arturo Ramirez, Centennial, 1:55.83. 300H--1. DeJongh, MtW, 37.93; 2. Cody Alves, Sel, 37.94; 3. James Smith, CE, 39.03; 4. Sean Johnson, Buch, 39.28. 200--1. Brendon Bigelow, Central, 21.29; 2. Isiah Purvis, Lib, 21.96; 3. Mario Navarette, Sanger, 22.04; 4. Chris Lopez, GW, 22.29. 3,200--1. Chris Schwartz, Foot, 9:24.19; 2. Jonathan Sanchez, Buch, 9:24.99; 3. Jon Ross, CE, 9:26.42; 4. Danny Vartanien, Buch, 9:26.42. 1,600 relay--1. Edison (Hendrix, Carter, Boughton, Lewis), 3:17.86; 2. Liberty (Hill, Garside, Affentranger, Purvis), 3:18.95; 3. Bakersfield (Miller, Turner, Johnson, Gooden), 3:20.06; 4. Clovis East (Ellis, Defonska, Woods, Smith), 3:22.40. PV--1. Andrew Lohse, Mad, 15-0; 2. Michael Peterson, CE, 15-0J; 3. Jeff Brenner, Cl, 14-6; 4. Frankie Puente, Sel, 14-0. SP--1. Dayshan Ragans, Foot, 60-7; 2. Matt Darr, Fron, 52-8.75; 3. Troy Rush, CW, 52-8.5; 4. Christian Millard, CE, 51-10.5. TJ--1. Johnny Carter, Ridge, 48-3; 2. Tyler Thompson, Shaf, 47-3; 3. Chris Kelly, Ridge, 46-11.5; 4. Jordan Smith, Central, 46-10.5. D--1. Dayshan Ragans, Foot, 199-2; 2. Jacob Budwig, Fowl, 168-8; 3. Niko Gomes, Cl, 164-10; 4. Matt Darr, Fron, 157-7. LJ--1. Kenny Phillips, Central, 23-4; 2. Tyler Thompson, Shaf, 21-11.5; 3. Dillon Root, Red, 21-11; 4. Kevin Norwood, GV, 21-8.75. HJ--1. Kenny Phillips, Central, 6-8; 2. Isiah Griggs, Bak, 6-6; 3. George Robbins, West, 6-4; 4. Jeff Brenner, Cl, 6-4J.
Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.
Girls track
Central Section Grand Masters
At Liberty
Team standings--unavailable.
400 relay--1. Edison (Eng, Scott, Thompson, Sears), 47.16; 2. Bullard (J. Williams, Riddlesprigger, Baisch, L. Williams), 48.17; 3. Tulare Western, 48.73; 4. Bakersfield (Torres, Belt, Brown, Wandick), 48.80. 1,600--1. Saleh Barsarian, Cl, 5:02.98; 2. Meghan Marvin, Cl, 5:03.02; 3. Chloe Allen, CW, 5:04.62; 4. Allison Gonzales, Ex, 5:11.52; 100H--1. Alyssa Monteverde, CW, 14.59; 2. Brianny Williams, Ed, 14.60; 3. Taylor Jackson, Fr, 15.04; 4. Jen Melton, CW, 15.37. 400--1. Breanna Thompson, Ed, 56.64; 2. Dedrea Wyrik, Sun, 57.49; 3. Lasasha Aldredge, Central, 58.12; 4. Taylor Donaldson, Reed, 58.13. 100--1. Megan Del Pino, CW, 11.66; 2. Jenna Prandini, Cl, 11.74; 3. Lynn Williams, Bul, 12.00; 4. Brushay Wandick, Bak, 12.01. 800--1. Allysa Mejia, Reed, 2:17.47; 2. Molly Pahkamaa, ElD, 2:17.73; 3. Katie Fry, Ex, 2:18.74; 4. Ashlee Thomas, Centennial, 2:19.77. 300H--1. Alyssa Monteverde, CW, 43.92; 2. Taylor Jackson, Fron, 44.86; 3. Brianny Williams, Ed, 45.69; 4. Alana Alexander, Centennial, 46.12. 200--1. Megan Del Pino, CW, 23.94; 2. Dominique Whittington, Lem, 24.65; 3. Brushay Wandick, Bak, 24.69; 4. Breanna Thompson, Ed, 24.90. 3,200--1. Jordan Hasay, MP, 10:24.78; 2. Meghan Marvin, Cl, 10:59.96; 3. Chloe Allen, CW, 11:06.19; 4. Corina Mendoza, Mad, 11:32.06. 1,600 relay--1. Edison (Burk, Thompson, Scott, Smith), 3:54.89; 2. Stockdale (Cady, Anderson, Mello, S. Anderson), 3:58.26; 3. Clovis West (Laidley, Capriotti, Del Pino, Monteverde), 3:59.02; 4. Reedley, 3:59.07. D--1. Anna Jelmini, Shaf, 162-5; 2. Alex Collatz, Stock, 148-6; 3. Carey Tuuamalemalo, Taft, 130-9; 4. Janae Coffee, CW, 121-6. LJ--1. Jenna Prandini, Cl, 18-7.25; 2. Lynn Williams, Bul, 18-0.75; 3. Alana Alexander, Centennial, 17-6.75; 4. Ja'Nia Sears, Ed, 17-6.5. HJ--1. Alyssa Monteverde, CW, 5-4; 2. Cristina Muro, GW, 5-2; 3. Katherine Mahr, Buch, 5-2; 4. Marish Riddlesprigger, Bul, 5-2J. SP--1. Anna Jelmini, Shaf, 44-0.75; 2. Destanie Yarbrough, CE, 37-10; 3. Heather Vermillion, Red, 37-9; 4. Tasha Firstone, CW, 36-6.5. TJ--1. Alana Alexander, Centennial, 38-3.75; 2. Jenna Prandini, Cl, 38-3; 3. Goziam Okolie, 36-10.5; 4. Alex Collatz, Stock, 36-2. PV--1. Allison Berryhill, CW, 11-6; 2. Amanda Klinchuch, Lib, 11-6J; 3. Cheree Jones, King, 10-6; 4. Emily Falkenstein, Buch, 10-6J.
Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.
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Berlaku untuk Siswa, Mahasiswa, Guru, Dosen, dan praktisi pendidikan serta pendamping siswa
CATATAN:
mahasiswa diwajibkan untuk mengenakan jas almamater atau memperlihatkan ID /KTM yang masih berlaku.
Gathering guru /dosen melampirkan Srt Keterangan dari pihak instansi.
HTM Rp. 145.000,-/orang (min. 100 pax/group) Berlaku di weekdays
Sudah termasuk :
Tiket masuk Trans Studio Bandung
1 (satu) Paket Edutainment (hanya untuk group min. 100 pax)
Sertifikat per group (berdasarkan modul yg diambil)
Bermain di semua wahana
Meals (1 nasi putih + 1 fried chicken + 1 mineral cup)
Pilihan Modul Edutainment : Fun with Science – Get into Broadcast – How to build a Spectaculer Show (Behind The Stage) – Go with My Team (Team Building) – What will I be (various professions in the theme park)
*)Fun Science Report (bagi yang mengambil modul Science) dapat dibeli seharga Rp. 10.000,00 /buku
Pilihan Ekskursi (Bidang) : Information Technology – Theme Park Business Management – Marketing Communication – HSE (Health Safety Environment) – Engineering (Rides Maintenance)
HTM Dan PROMO TRANS STUDIO BANDUNG Terbaru 2016
tahun 2016 Trans Studio Bandung :
HTM Publish Weekdays (Senin-Jumat)
Rp. 170.000,-
HTM Publish Weekends (Sabtu – Minggu & Public Holiday Long Weekend)
Rp. 270.000,-
HTM Rp. 270.000,-/orang (min. 100 pax/group) Berlaku di weekend /holiday season
Sudah termasuk :
Tiket masuk Trans Studio Bandung
Bermain di semua wahana
Meals (1 nasi putih + 1 fried chicken + 1 mineral cup)
Serang, Banten 19. Samarinda, Kalimantan Timur 18. Denpasar, Bali 17. Padang, Sumatera Barat 16. Malang, Jawa Timur 15. Bandar Lampung, Lampung 14. Pekanbaru, Riau 13. Batam, Kepulauan Riau 12. Bogor, Jawa Barat 11. Tangerang Selatan, Banten 10. Makassar, Sulawesi Selatan 9. Palembang, Sumatera Selatan 8. Semarang, Jawa Tengah 7. Depok, Jawa Barat 6. Tangerang, Banten 5. Medan, Sumatera Utara 4. Bekasi, Jawa Barat 3. Bandung, Jawa Barat 2. Surabaya, Jawa Timur 1. Jakarta, DKI JakartaS
Alamat dan Tiket Masuk Trans Studio Bandung – Sudah tahu tentang Trans Studio Bandung dan apakah anda sedang berencana pergi kesini dalam waktu dekat ? Apakah anda merasa kesulitan dalam mencari informasi dan mengetikannya di google ‘Trans Studio bandung alamat ‘ ? Buat anda yang masih ragu daripada kesasar menuju trans studio bandung lebih baik anda menggunakan jasa Lembang Tour yang memberikan berbagai paket wisata murah, selain itu anda juga akan diceritakan mengenai sejarah dan asal usul seputar trans studio bandung oleh guide.
Hal itu sangat mudah dan tidak perlu lagi susah payah mencarinya di berbagai sumber. Dimanakah tempat TRANS STUDIO BANDUNG ini ? dan berapa harga tiket masuk Trans Studio Bandung ? Serahkan semua urusan anda kepada Lembang Tour dan duduklah dengan rapih. Jika sekarang anda sedang berada di luar Bandung, segera beranjaklah dan pesan tiket masuk ke TRANS STUDIO BANDUNG melalui Lembang Tour sekarang juga dan berbelanjalah dengan puas disana. Jangan sampai anda kehabisan tiket dan kecewa dengan rencana yang sudah anda siapkan
Paket Wisata Ke Trans Studio Bandung – Tak salah lagi memang Bandung merupakan kota yang difavoritkan banyak keluarga untuk menghabiskan liburan karena Bandung mempunyai banyak tempat asik untuk dijadikan sarana pelepas penat dan stress yang melanda. Salah satu tempat wisata menarik untuk dikunjungi adalah wisata ke trans studio bandung yang tentunya sudah dikenal masyarakat Indonesia secara luas. Untuk anda yang ingin praktis dan tak perlu repot merencakan liburan ke Trans Studio Bandung maka ada baiknya anda menghubungi Lembang Tour untuk dibuatkan paket wisata trans studio bandung, terutama bagi anda yang berasal dari luar kota maka Lembang Tour dapat mengatur segala fasilitas yang anda butuhkan selama berlibur di Bandung mulai dari penginapan, tempat makan, dll.
Yang tentu saja bisa disesuaikan dengan keinginan anda. Tahukah anda bahwa Trans Studio Bandung menyajikan banyak wahana spektakuler dan menantang, berani ?. Wahana permainan disini patut anda coba, terutama untuk anak-anak sangat senang bila diajak kesini. Segera luangkan waktu anda untuk pergi ke wisata trans studio bandung. Banyak yang bisa dilakukan disini, selain bermain, keluargapun bisa belajar dari segala apapun yang ada di tempat wisata ini. jadi segeralah ajak keluarga anda untuk bermain dan belajar disana.
Lembang Tour. Merupakan layanan reservasi online paket wisata di TRANS STUDIO BANDUNG. Menyediakan paket wisata TRANS STUDIO BANDUNG, Paket Wisata Kota BANDUNG ,Paket Wisata BANDUNG ATAU TRANS STUDIO BANDUNG, Wisata Kawah PUTIH, Wisata BANDUNG, Paket Arung Jeram Rafting BANDUNG, wisata Pulau BATU CINTA, wisata alam, wisata pendidikan, wisata sejarah, trekking Adventure, wisata out bond BANDUNG, eco tourism, event organizer, paket meeting dan sebagainya.
Wisata TRANS STUDIO BANDUNG telah di dukung dengan Staf yang profesional dan berpengalaman di bidangnya. Keramahan dan rasa kekeluargaan kami junjung tinggi dan Lembang Tour utamakan dalam melayani setiap client kami. Maka Lembang Tour dengan percaya diri bisa memberikan pelayanan yang memuaskan dan terbaik untuk liburan wisata anda di TRANS STUDIO BANDUNG
Wisata TRANS STUDIO BANDUNG, merupakan layanan informasi dan penginapan sekitar Kota BANDUNG, Hotel di BANDUNG, Hotel di LEMBANG, BANDUNG Hotel, Hotel DI BANDUNG. Lembang Tour juga melayani reservasi booking Hotel di atas dan menyediakan voucher kamar Hotel sesuai permintaan anda.
Selain melayani Paket wisata BANDUNG dan Jawa BARAT Wisata BANDUNG UTARA BANDUNG SELATAN juga menyediakan sewa berbagai macam jenis kendaraan mobil, Elf dan Bus wisata serta transportasi lainnya untuk kenyamanan perjalanan wisata Anda.Dan tentunya dengan transportasi terbaru, aman dan terawat.
TRANS STUDIO BANDUNG Indoor Theme Park adalah yang terbesar kedua di Indonesia setelah Makassar. TRANS STUDIO BANDUNG lebih spektakuler dan lebih kuat daripada yang ada Trans Studio Makassar membuat TRANS STUDIO BANDUNG, tidak hanya di Indonesia tetapi juga di dunia.
TRANS STUDIO BANDUNG beroperasi 20 pertandingan hiburan dan berbagai bentuk hiburan yang tersedia di 3 daerah dengan tema yang berbeda dan unik. Para pengunjung dapat merasakan bagaimana menjadi seorang bintang di depan kamera serta orang – orang di belakang layar dari acara – TRANS acara TV favorit dan TRANS 7, seperti yang lain, Roaming. Si Bolang, dan banyak wahana seru lainnya.
Bandung TRANS STUDIO BANDUNG Theme Park
Selamat datang di dunia penuh keajaiban yang khusus diciptakan untuk Anda. Membawa impian Anda menjadi kenyataan, dan Anda bias untuk bertemu langsung dengan karakter idola. Nikmati 20 wahana permainan menawarkan hiburan menantang dan menarik dengan gaya Broadway yang terkenal.
Studio Central
Hollywood terkenal! Kawasan Hollywood di depan mata Anda. Pergi melalui daerah dan tanah liat ini artis yang di Walk of Fame? Anda akan dimanjakan dengan gaya Hollywood arsitektur 60-an. Anda sebagai negara melangkah di pusat hiburan. Cari bintang favorit Anda juga seperti Merlyn Monroe, Elvis Presley, Michael Jackson, dll
Lost City
Mempersiapkan diri untuk sebuah petualangan! Di daerah ini Anda akan bepergian besar. Simpan kru Trans TV di ekspedisi, memasuki safari jejak hutan. Semua petualangan menarik menjadi bagian dari eksplorasi Anda. Jelajahi Lost City!
Magic Corner
Wonders dimulai dari sini. Sentuhan magis yang akan memukau perjalanan Anda. Anda akan hanyut dalam arti sihir di zona ini. Suasana magis akan mempesona Anda segera dan membuat Anda begitu yakin hal-hal ajaib yang terjadi di sini. Satu – satunya tempat yang penuh keajaiban dan petualangan menarik dan menakjubkan
Mémoire2cité il existe de nos jours, de nombreux photographes qui privilégient la qualité artistique de leurs travaux cartophiles. A vous de découvrir ces artistes inconnus aujourd’hui, mais qui seront peut-être les grands noms de demain. archipostcard.blogspot.com/search?updated-max=2009-02-13T... - museedelacartepostale.fr/periode-semi-moderne/ - archipostalecarte.blogspot.com/ - museedelacartepostale.fr/blog/ - museedelacartepostale.fr/exposition-permanente/ - www.queenslandplaces.com.au/category/headwords/brisbane-c... - collection-jfm.fr/t/cartes-postales-anciennes/france#.XGe... - www.cparama.com/forum/la-collection-de-cpa-f1.html - www.dauphinomaniac.org/Cartespostales/Francaises/Cartes_F... - furtho.tumblr.com/archive
le Logement Collectif* 50,60,70's, dans tous ses états..Histoire & Mémoire d'H.L.M. de Copropriété Renouvellement Urbain-Réha-NPNRU., twitter.com/Memoire2cite tout içi sig.ville.gouv.fr/atlas/ZUS/ - media/InaEdu01827/la-creatio" rel="noreferrer nofollow">fresques.ina.fr/jalons/fiche-media/InaEdu01827/la-creatio Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,
www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije
Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.
Lieux géographiques : la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye
www.dailymotion.com/playlist/x34ije_territoiresgouv_cinem... - mémoire2cité - le monde de l'Architecture locative collective et bien plus encore - mémoire2cité - Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,
Le Joli Mai (Restauré) - Les grands ensembles BOBIGNY l Abreuvoir www.youtube.com/watch?v=eUY9XzjvWHE … et la www.youtube.com/watch?v=hK26k72xIkU … www.youtube.com/watch?v=xCKF0HEsWWo …
Genève Le Grand Saconnex & la Bulle Pirate - architecte Marçel Lachat -
Un film de Julien Donada içi www.youtube.com/watch?time_continue=1&v=4E723uQcpnU … … .Genève en 1970. pic.twitter.com/1dbtkAooLM è St-Etienne - La muraille de Chine, en 1973 ce grand immeuble du quartier de Montchovet, existait encore photos la Tribune/Progres.
www.youtube.com/watch?v=AJAylpe8G48 …, - la tour 80 HLM située au 1 rue Proudhon à Valentigney dans le quartier des Buis Cette tour emblématique du quartier avec ces 15 étages a été abattu par FERRARI DEMOLITION (68). VALENTIGNEY (25700) 1961 - Ville nouvelle-les Buis 3,11 mn www.youtube.com/watch?v=C_GvwSpQUMY … - Au nord-Est de St-Etienne, aux confins de la ville, se dresse une colline Montreynaud la ZUP de Raymond Martin l'architecte & Alexandre Chemetoff pour les paysages de St-Saens.. la vidéo içi * Réalisation : Dominique Bauguil www.youtube.com/watch?v=Sqfb27hXMDo … … - www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije
Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.
la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye 1975 Réalisateur : Sydney Jézéquel, Karenty
la construction des Autoroutes en France - Les liaisons moins dangereuses 1972 www.dailymotion.com/video/xxi0ae?playlist=x34ije - Ministère de l'Équipement et de l'Aménagement du Territoire - Dotation par la France d'autoroutes modernes "nécessité vitale" pour palier à l'inadaptation du réseau routier de l'époque voué à la paralysie : le reportage nous montre des images d'embouteillages. Le ministre de l'Équipement et de l'Aménagement du Territoire dans les deux gouvernements de Pierre Messmer, de 1972 à 1974, Olivier Guichard explique les ambitions du programme de construction qui doit atteindre 800 km par ans en 1978. L'ouverture de section nouvelles va bon train : Nancy / Metz par exemple. Le reportage nous montre l'intérieur des bureaux d'études qui conçoivent ces autoroute dont la conception est assistée par ordinateurs dont le projet d'ensemble en 3D est visualisé sur un écran. La voix off nous informe sur le financement de ces équipements. Puis on peut voir des images de la construction du pont sur la Seine à Saint Cloud reliant l'autoroute de Normandie au périphérique, de l'échangeur de Palaiseau sur 4 niveau : record d'Europe précise le commentaire. Le reportage nous informe que des sociétés d'économies mixtes ont étés crées pour les tronçons : Paris / Lille, Paris / Marseille, Paris / Normandie. Pour accélérer la construction l’État a eu recours à des concessions privées par exemple pour le tronçon Paris / Chartres. "Les autoroutes changent le visage de la France : artères économiques favorisant le développement industriel elles permettent de revitaliser des régions en perte de vitesse et de l'intégrer dans le mouvement général de l'expansion" Sur le plan européen elles vont combler le retard de la France et réaliser son insertion. Images de l'inauguration de l'autoroute entre Paris et Bruxelles par le président Georges Pompidou. Le reportage rappel que l'autre fonction capitale des autoroute est de favoriser la sécurité. La question de la limitation de vitesse est posée au ministre de l’Équipement, qui n'y est favorable que sur certains tronçons. Un des facteur de sécurité selon le commentaire est l'humanisation des autoroutes : aires de repos, restaurants, signalisation touristiques... "Rien n'est impossible aux techniques modernes" nous apprend la voix off qui prend comme exemple le déplacement sur rail de 65 mètres d'un château classé afin de faire passer l'autoroute Lille / Dunkerque.Durée : 4 minutes 30 secondes
Sur les routes de France les ponts renaissent 1945 reconstruction de la France après la Seconde Guerre mondiale www.dailymotion.com/video/xuxrii?playlist=x34ije , Quelques mois après la fin de la Seconde Guerre mondiale, un triste constat s'impose : 5 944 passages sont coupés, soit plus de 110 km de brèches ; de nombreuses villes se trouvent isolées.Les chantiers s'activent dans toute la France pour "gagner la bataille des communications routières". Mais outre la pénurie de main d’œuvre, il faut faire face au manque de matériaux (béton, métal) et donc déployer des trésors d'imagination pour reconstruire les ponts détruits. Si le savoir faire des tailleurs de pierre est exploité, le plus spectaculaire est le relevage des ponts, comme le pont de Galliéni à Lyon, où 7 à 800 tonnes d'acier sont sorti de l'eau avec des moyens de l'époque. En avril 1945, il reste 5 700 ponts à reconstruire soit 200 000 tonnes d'acier, 600 000 tonnes de ciment, 250 000 m3 de bois, 10 millions de journées d'ouvrier, prix de l'effort de reconstruction.1945
Auteurs / réalisateurs : images : G.Delaunay, A.Pol, son : C.Gauguier Production : Direction Technique des Services des Ponts et Chaussées / Ministère des Travaux Publics et des Transports Support original : 16 mm noir et blanc Durée : 14 min Thèmes principaux : infrastructures-ouvrages d'art Mot clés : chantier, pont, Reconstruction, restauration, béton précontraint, ministère des travaux publics et des transportsLieux : Lyon, Tournon, Caen - Le Bosquel, un village renait 1947 l'album cinématographique de la reconstruction, réalisation Paul de Roubaix production ministère de la Reconstruction et de l'Urbanisme, village prototype, architecte Paul Dufournet, www.dailymotion.com/video/xx5tx8?playlist=x34ije - Demain Paris 1959 dessin animé présentant l'aménagement de la capitale dans les années 60, Animation, dessin animé à vocation pédagogique visant à promouvoir la politique d’aménagement suivie dans les années 60 à Paris. Un raccourci historique sur l’extension de Paris du Moyen Âge au XIXe siècle (Lutèce, œuvres de Turgot, Napoléon, Haussmann), ce dessin animé retrace la naissance de la banlieue et de ses avatars au XXe siècle. Il annonce les grands principes d’aménagement des villes nouvelles et la restructuration du centre de Paris (référence implicite à la charte d’Athènes). Le texte est travaillé en rimes et vers. Une chanson du vieux Paris conclut poétiquement cette vision du futur. Thèmes principaux : Aménagement urbain / planification-aménagement régional Mots-clés : Banlieue, extension spatiale, histoire, quartier, ville, ville nouvelle Lieu géographique : Paris 75 Architectes ou personnalités : Eugène Haussmann, Napoléon, Turgot Réalisateurs : André Martin, Michel Boschet Production : les films Roger Leenhardt
www.dailymotion.com/video/xw6lak?playlist=x34ije - Rue neuve 1956 la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, villes, villages, grands ensembles réalisation : Jack Pinoteau , Panorama de la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, ce film de commande évoque les villes et villages français détruits puis reconstruits dans un style respectant la tradition : Saint-Malo, Gien, Thionville, Ammerschwihr, etc. ainsi que la reconstruction en rupture avec l'architecture traditionnelle à Châtenay-Malabry, Arles, Saint Étienne, Évreux, Chambéry, Villeneuve-Saint-Georges, Abbeville, Le Havre, Marseille, Boulogne-sur-Mer, Dunkerque. Le documentaire explique par exemple la manière dont a été réalisée la reconstruction de Saint-Malo à l'intérieur des rempart de la vieille ville : "c'est la fidélité à l'histoire et la force du souvenir qui a guidé l'architecte". Dans le même esprit à Gien, au trois quart détruite en 1940, seul le château construit en 1494 pour Anne de Beaujeu, fille aînée de Louis XI, fut épargné par les bombardements. La ville fut reconstruite dans le style des rares immeubles restant. Gien est relevé de ses ruines et le nouvel ensemble harmonieux est appelé « Joyau de la Reconstruction française ». Dans un deuxième temps est abordé le chapitre de la construction des cités et des grands ensembles, de l’architecture du renouveau qualifiée de "grandiose incontestablement". S’il est précisé "on peut aimer ou de ne pas aimer ce style", l’emporte au final l’argument suivant : les grands ensembles, c'est la campagne à la ville, un urbanisme plus aéré, plus vert." les films caravelles 1956, Réalisateur : Jack Pinoteau (connu pour être le metteur en scène du film Le Triporteur 1957 qui fit découvrir Darry Cowl) www.dailymotion.com/video/xuz3o8?playlist=x34ije , Film d'archive actualités de 1952 Reconstruction de la France sept ans après la fin de la seconde guerre mondiale état des lieux de la crise du logement , Actualités de 1952. Sept ans après la fin de la seconde guerre Mondiale état des lieux de la reconstruction de la France et de la crise du logement à l’œuvre, pénurie de logement, logements insalubres. Les actualités montrent des images d'archives de la destruction de la France, les Chars de la division Leclerc qui défilent sur les Champs Elysees. Le commentaire dénonce la lenteur de la reconstruction et notamment des manifestations qui ont eu lieue à Royan afin d''accélérer la reconstruction de la ville détruite.Le film montre à Strasbourg, Mulhouse, des réalisation moderne de grands ensembles et des images d'archive de la reconstruction du Havre de Saint Nazaire.Le film se termine à Marseille sur les réalisation nouvelles autour du vieux port puis on assiste à l'inauguration de la Cité Radieuse par le ministre de la Reconstruction et de l'Urbanisme Eugène Claudius-Petit en présence de son architecte Le Corbusier à qui le ministre remet la cravate de commandeur de la légion d'honneur. www.dailymotion.com/video/xk1g5j?playlist=x34ije Brigitte Gros - Urbanisme - Filmer les grands ensembles 2016 - par Camille Canteux chercheuse au CHS -Centre d'Histoire Sociale - Jeanne Menjoulet - Ce film du CHS daté de 2014 www.youtube.com/watch?v=VDUBwVPNh0s … L'UNION SOCIALE POUR L'HABITAT le Musée des H.L.M. musee-hlm.fr/ union-habitat.org/ - EXPOSITION :LES 50 ANS DE LA RESIDENCe SALMSON POINT-Du JOUR www.salmsonlepointdujour.fr/pdf/Exposition_50_ans.pdf - Sotteville Construction de l’Anjou, le premier immeuble de la Zone Verte sottevilleaufildutemps.fr/2017/05/04/construction-de-limm... - www.20minutes.fr/paris/diaporama-7346-photo-854066-100-an... - www.ladepeche.fr/article/2010/11/02/940025-140-ans-en-arc... dreux-par-pierlouim.over-blog.com/article-chamards-1962-9... missionphoto.datar.gouv.fr/fr/photographe/7639/serie/7695...
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www.decorobra.com/teoria-del-color-en-diseno-de-interiore...
El color tiene un efecto psicológico en tu estado de ánimo, dependiendo de ello las tonalidades y la intensidad de los colores. Si deseas alcanzar un estado de ánimo y una sensación especial para tu habitación, deja que la teoría del color que sea tu guía al elegir el diseño de tus ambientes.
El rojo simboliza el fuego, se asocia con la pasión y la fuerza o actividad. Este color estimula la conversación en una habitación, que es ideal para una sala de estar o comedor. Si deseas crear un ambiente un poco más romántico en el dormitorio, coloca algún accesorio rojo al lugar. Eso sí, sin ir demasiado al extremo con este color en la habitación, ya que será difícil relajarse y dormir.
El azul es apacible y tranquilo, es perfecto para un dormitorio o cuarto de baño. Los estudios demuestran que el color azul en realidad reduce la presión arterial y disminuye la frecuencia cardíaca.
Para dinamizar y elevar el estado de ánimo, añade un toque de amarillo a tu habitación. Amarillo brillante simboliza alegría, felicidad, energía y optimismo. Sin embargo, se aconseja no hacer del amarillo el color dominante, porque en demasía, este color puede tener el efecto contrario, de la pereza y o extrema cautela.
El naranja, alegre y divertido, sin duda agrega el entusiasmo a cualquier habitación. Estimula la naturaleza infantil o juvenil vivaz y entusiasta, se convierte en el color ideal para salas de juegos, habitaciones familiares, cocinas y espacios creativos.
El verde es el color de la vida, la naturaleza y la armonía. Este color tiende a tener cualidades curativas y relajantes, ideal para baños y dormitorios. El verde simboliza abundancia y la prosperidad de modo que no viene mal añadir algo de vegetación alrededor de su casa, especialmente en una oficina.
El púrpura es el color del lujo, riqueza y sofisticación. Los tonos claros, apagados, generan un estado de ánimo suave, relajado, perfecto para dormitorio principal. Tonos brillantes de púrpura, con una chispa de creatividad, puede ser ideal para las habitaciones de los niños, salas de arte, y oficinas.
Sí, el negro también es un color. Representa potencia, sofisticación y elegancia. El negro está mejor utilizado para estudios, bibliotecas, oficinas, salas de estar, dormitorio principal y comedor.
El blanco es símbolo de pureza, inocencia y tranquilidad. Agregar color blanco a un dormitorio, salón, cocina o crea una sensación de limpieza y suave elegancia.
Mémoire2cité il existe de nos jours, de nombreux photographes qui privilégient la qualité artistique de leurs travaux cartophiles. A vous de découvrir ces artistes inconnus aujourd’hui, mais qui seront peut-être les grands noms de demain. archipostcard.blogspot.com/search?updated-max=2009-02-13T... - museedelacartepostale.fr/periode-semi-moderne/ - archipostalecarte.blogspot.com/ - museedelacartepostale.fr/blog/ - museedelacartepostale.fr/exposition-permanente/ - www.queenslandplaces.com.au/category/headwords/brisbane-c... - collection-jfm.fr/t/cartes-postales-anciennes/france#.XGe... - www.cparama.com/forum/la-collection-de-cpa-f1.html - www.dauphinomaniac.org/Cartespostales/Francaises/Cartes_F... - furtho.tumblr.com/archive
le Logement Collectif* 50,60,70's, dans tous ses états..Histoire & Mémoire d'H.L.M. de Copropriété Renouvellement Urbain-Réha-NPNRU., twitter.com/Memoire2cite tout içi sig.ville.gouv.fr/atlas/ZUS/ - media/InaEdu01827/la-creatio" rel="noreferrer nofollow">fresques.ina.fr/jalons/fiche-media/InaEdu01827/la-creatio Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,
www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije
Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.
Lieux géographiques : la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye
www.dailymotion.com/playlist/x34ije_territoiresgouv_cinem... - mémoire2cité - le monde de l'Architecture locative collective et bien plus encore - mémoire2cité - Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,
Le Joli Mai (Restauré) - Les grands ensembles BOBIGNY l Abreuvoir www.youtube.com/watch?v=eUY9XzjvWHE … et la www.youtube.com/watch?v=hK26k72xIkU … www.youtube.com/watch?v=xCKF0HEsWWo …
Genève Le Grand Saconnex & la Bulle Pirate - architecte Marçel Lachat -
Un film de Julien Donada içi www.youtube.com/watch?time_continue=1&v=4E723uQcpnU … … .Genève en 1970. pic.twitter.com/1dbtkAooLM è St-Etienne - La muraille de Chine, en 1973 ce grand immeuble du quartier de Montchovet, existait encore photos la Tribune/Progres.
www.youtube.com/watch?v=AJAylpe8G48 …, - la tour 80 HLM située au 1 rue Proudhon à Valentigney dans le quartier des Buis Cette tour emblématique du quartier avec ces 15 étages a été abattu par FERRARI DEMOLITION (68). VALENTIGNEY (25700) 1961 - Ville nouvelle-les Buis 3,11 mn www.youtube.com/watch?v=C_GvwSpQUMY … - Au nord-Est de St-Etienne, aux confins de la ville, se dresse une colline Montreynaud la ZUP de Raymond Martin l'architecte & Alexandre Chemetoff pour les paysages de St-Saens.. la vidéo içi * Réalisation : Dominique Bauguil www.youtube.com/watch?v=Sqfb27hXMDo … … - www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije
Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.
la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye 1975 Réalisateur : Sydney Jézéquel, Karenty
la construction des Autoroutes en France - Les liaisons moins dangereuses 1972 www.dailymotion.com/video/xxi0ae?playlist=x34ije - Ministère de l'Équipement et de l'Aménagement du Territoire - Dotation par la France d'autoroutes modernes "nécessité vitale" pour palier à l'inadaptation du réseau routier de l'époque voué à la paralysie : le reportage nous montre des images d'embouteillages. Le ministre de l'Équipement et de l'Aménagement du Territoire dans les deux gouvernements de Pierre Messmer, de 1972 à 1974, Olivier Guichard explique les ambitions du programme de construction qui doit atteindre 800 km par ans en 1978. L'ouverture de section nouvelles va bon train : Nancy / Metz par exemple. Le reportage nous montre l'intérieur des bureaux d'études qui conçoivent ces autoroute dont la conception est assistée par ordinateurs dont le projet d'ensemble en 3D est visualisé sur un écran. La voix off nous informe sur le financement de ces équipements. Puis on peut voir des images de la construction du pont sur la Seine à Saint Cloud reliant l'autoroute de Normandie au périphérique, de l'échangeur de Palaiseau sur 4 niveau : record d'Europe précise le commentaire. Le reportage nous informe que des sociétés d'économies mixtes ont étés crées pour les tronçons : Paris / Lille, Paris / Marseille, Paris / Normandie. Pour accélérer la construction l’État a eu recours à des concessions privées par exemple pour le tronçon Paris / Chartres. "Les autoroutes changent le visage de la France : artères économiques favorisant le développement industriel elles permettent de revitaliser des régions en perte de vitesse et de l'intégrer dans le mouvement général de l'expansion" Sur le plan européen elles vont combler le retard de la France et réaliser son insertion. Images de l'inauguration de l'autoroute entre Paris et Bruxelles par le président Georges Pompidou. Le reportage rappel que l'autre fonction capitale des autoroute est de favoriser la sécurité. La question de la limitation de vitesse est posée au ministre de l’Équipement, qui n'y est favorable que sur certains tronçons. Un des facteur de sécurité selon le commentaire est l'humanisation des autoroutes : aires de repos, restaurants, signalisation touristiques... "Rien n'est impossible aux techniques modernes" nous apprend la voix off qui prend comme exemple le déplacement sur rail de 65 mètres d'un château classé afin de faire passer l'autoroute Lille / Dunkerque.Durée : 4 minutes 30 secondes
Sur les routes de France les ponts renaissent 1945 reconstruction de la France après la Seconde Guerre mondiale www.dailymotion.com/video/xuxrii?playlist=x34ije , Quelques mois après la fin de la Seconde Guerre mondiale, un triste constat s'impose : 5 944 passages sont coupés, soit plus de 110 km de brèches ; de nombreuses villes se trouvent isolées.Les chantiers s'activent dans toute la France pour "gagner la bataille des communications routières". Mais outre la pénurie de main d’œuvre, il faut faire face au manque de matériaux (béton, métal) et donc déployer des trésors d'imagination pour reconstruire les ponts détruits. Si le savoir faire des tailleurs de pierre est exploité, le plus spectaculaire est le relevage des ponts, comme le pont de Galliéni à Lyon, où 7 à 800 tonnes d'acier sont sorti de l'eau avec des moyens de l'époque. En avril 1945, il reste 5 700 ponts à reconstruire soit 200 000 tonnes d'acier, 600 000 tonnes de ciment, 250 000 m3 de bois, 10 millions de journées d'ouvrier, prix de l'effort de reconstruction.1945
Auteurs / réalisateurs : images : G.Delaunay, A.Pol, son : C.Gauguier Production : Direction Technique des Services des Ponts et Chaussées / Ministère des Travaux Publics et des Transports Support original : 16 mm noir et blanc Durée : 14 min Thèmes principaux : infrastructures-ouvrages d'art Mot clés : chantier, pont, Reconstruction, restauration, béton précontraint, ministère des travaux publics et des transportsLieux : Lyon, Tournon, Caen - Le Bosquel, un village renait 1947 l'album cinématographique de la reconstruction, réalisation Paul de Roubaix production ministère de la Reconstruction et de l'Urbanisme, village prototype, architecte Paul Dufournet, www.dailymotion.com/video/xx5tx8?playlist=x34ije - Demain Paris 1959 dessin animé présentant l'aménagement de la capitale dans les années 60, Animation, dessin animé à vocation pédagogique visant à promouvoir la politique d’aménagement suivie dans les années 60 à Paris. Un raccourci historique sur l’extension de Paris du Moyen Âge au XIXe siècle (Lutèce, œuvres de Turgot, Napoléon, Haussmann), ce dessin animé retrace la naissance de la banlieue et de ses avatars au XXe siècle. Il annonce les grands principes d’aménagement des villes nouvelles et la restructuration du centre de Paris (référence implicite à la charte d’Athènes). Le texte est travaillé en rimes et vers. Une chanson du vieux Paris conclut poétiquement cette vision du futur. Thèmes principaux : Aménagement urbain / planification-aménagement régional Mots-clés : Banlieue, extension spatiale, histoire, quartier, ville, ville nouvelle Lieu géographique : Paris 75 Architectes ou personnalités : Eugène Haussmann, Napoléon, Turgot Réalisateurs : André Martin, Michel Boschet Production : les films Roger Leenhardt
www.dailymotion.com/video/xw6lak?playlist=x34ije - Rue neuve 1956 la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, villes, villages, grands ensembles réalisation : Jack Pinoteau , Panorama de la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, ce film de commande évoque les villes et villages français détruits puis reconstruits dans un style respectant la tradition : Saint-Malo, Gien, Thionville, Ammerschwihr, etc. ainsi que la reconstruction en rupture avec l'architecture traditionnelle à Châtenay-Malabry, Arles, Saint Étienne, Évreux, Chambéry, Villeneuve-Saint-Georges, Abbeville, Le Havre, Marseille, Boulogne-sur-Mer, Dunkerque. Le documentaire explique par exemple la manière dont a été réalisée la reconstruction de Saint-Malo à l'intérieur des rempart de la vieille ville : "c'est la fidélité à l'histoire et la force du souvenir qui a guidé l'architecte". Dans le même esprit à Gien, au trois quart détruite en 1940, seul le château construit en 1494 pour Anne de Beaujeu, fille aînée de Louis XI, fut épargné par les bombardements. La ville fut reconstruite dans le style des rares immeubles restant. Gien est relevé de ses ruines et le nouvel ensemble harmonieux est appelé « Joyau de la Reconstruction française ». Dans un deuxième temps est abordé le chapitre de la construction des cités et des grands ensembles, de l’architecture du renouveau qualifiée de "grandiose incontestablement". S’il est précisé "on peut aimer ou de ne pas aimer ce style", l’emporte au final l’argument suivant : les grands ensembles, c'est la campagne à la ville, un urbanisme plus aéré, plus vert." les films caravelles 1956, Réalisateur : Jack Pinoteau (connu pour être le metteur en scène du film Le Triporteur 1957 qui fit découvrir Darry Cowl) www.dailymotion.com/video/xuz3o8?playlist=x34ije , Film d'archive actualités de 1952 Reconstruction de la France sept ans après la fin de la seconde guerre mondiale état des lieux de la crise du logement , Actualités de 1952. Sept ans après la fin de la seconde guerre Mondiale état des lieux de la reconstruction de la France et de la crise du logement à l’œuvre, pénurie de logement, logements insalubres. Les actualités montrent des images d'archives de la destruction de la France, les Chars de la division Leclerc qui défilent sur les Champs Elysees. Le commentaire dénonce la lenteur de la reconstruction et notamment des manifestations qui ont eu lieue à Royan afin d''accélérer la reconstruction de la ville détruite.Le film montre à Strasbourg, Mulhouse, des réalisation moderne de grands ensembles et des images d'archive de la reconstruction du Havre de Saint Nazaire.Le film se termine à Marseille sur les réalisation nouvelles autour du vieux port puis on assiste à l'inauguration de la Cité Radieuse par le ministre de la Reconstruction et de l'Urbanisme Eugène Claudius-Petit en présence de son architecte Le Corbusier à qui le ministre remet la cravate de commandeur de la légion d'honneur. www.dailymotion.com/video/xk1g5j?playlist=x34ije Brigitte Gros - Urbanisme - Filmer les grands ensembles 2016 - par Camille Canteux chercheuse au CHS -Centre d'Histoire Sociale - Jeanne Menjoulet - Ce film du CHS daté de 2014 www.youtube.com/watch?v=VDUBwVPNh0s … L'UNION SOCIALE POUR L'HABITAT le Musée des H.L.M. musee-hlm.fr/ union-habitat.org/ - EXPOSITION :LES 50 ANS DE LA RESIDENCe SALMSON POINT-Du JOUR www.salmsonlepointdujour.fr/pdf/Exposition_50_ans.pdf - Sotteville Construction de l’Anjou, le premier immeuble de la Zone Verte sottevilleaufildutemps.fr/2017/05/04/construction-de-limm... - www.20minutes.fr/paris/diaporama-7346-photo-854066-100-an... - www.ladepeche.fr/article/2010/11/02/940025-140-ans-en-arc... dreux-par-pierlouim.over-blog.com/article-chamards-1962-9... missionphoto.datar.gouv.fr/fr/photographe/7639/serie/7695...
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We have just finished our third week of camp. The Willows campers have been kept very busy these past three weeks. The days have been flying by way too quickly. It was very exciting to have all our Willows family members join us for an outstanding visiting day. The children were extremely excited to share their activities with their parents, while the parents had fun pretending to be campers. We hope you had as much fun as we did and lunch together was terrific.
The children enjoyed this weeks theme of “I Spy”. They had fun decorating binoculars in Camper Creations. In Ceramics, each child enjoyed making their favorite food out of clay with the help of their parents. Their ceramic projects will be sent home shortly. To end our wonderful week, The Willows campers joined the rest of camp at Waterworld. The children drove
water boats and joined in other great water activities. A terrific time was had by all!
Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on Willow Grove Day Camp and the services they provide please visit: willowgrovedaycamp.com/willows.html
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This is the cover photo of my set Spring Celebration 2011 [বসন্ত উথসব ২০১১(Bashanto Uthsob) ]
This Photo was taken on 13th Feb 2011 / 01 Falgun 1417 Bangoli Calender Yr at 4:30 pm , from Rabindro Sorobor [ A open air Cultural Venue ] Dhaka BANGLADESH . All the photos are Candid and with less treatment, The Spring Celebration here in BANGLADESH is Commonly known as Bashanto Uthsob,[ Bashanto is :
A name of Color
A name of most soothing weather
A name of flowery days
and Most Interesting season here in Bangladesh ]
This is the 1st Day of Falgun[ Falgun is a Bangoli Calendar Month ] Every Bangoli Calendar Year on 13th February comes as Our celebration day, Same As Valentine day on 14th Feb , We Follow both the day as our Valentine day, 13th Feb as for Bangoli and 14th Feb as FOR western culture,
The First day of Falgun is memorable for its colorful celebration. People from all age and categories celebrate this day with joy amd Festivities to welcome the spring season . They celebrate this day with folk dances , music, recitations and rallies throughout the country to commemorate the Bashanta Uthsob. Girls ware Yellow sarees and Boys wear Yellow Panjabees to celebrate the day, Most of the youth and children’s Painted their faces to make the day more colorful . At the same time , people hope that the coming days will be full of light and Joy,
The Spring [BASHANTO ] Comes to Bangladesh is the end state of Winter and the beginning of Summer, with new leafs in the branches of trees ,
Beds are full with Flowers in the garden and The Bird [KOKIL] Twitted are all the Happening in Spring [Bashanto ]
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Persecución Religiosa: Interrogatorio en clase
Era un día soleado, y en el aula resonó la voz alta de la docente china. Boqian y sus compañeros de clase escuchaban a la maestra con atención. De repente, se abrió la puerta y entró el subdirector de la sección educativa. Le susurró algo al maestro chino, luego el profesor chino dejó de dar una conferencia y se hizo a un lado. El subdirector tomó el puntero, golpeó dos veces en la pizarra y luego preguntó con voz severa: "¡Todos! ¿Hay algún creyente de Dios en tu familia"? Los estudiantes negaron con la cabeza y respondieron: "No". Boqian, que se estaba sentado en el medio de la tercera fila, comentó ligeramente, que sus padres eran creyentes en Dios. Recordó que su madre una vez le había dicho, "China es un estado autoritario sin libertad religiosa. El PCCh no permite que las personas adoren al Dios verdadero, sino que se resisten fanáticamente a Él y a Su obra. Los creyentes en China corren el peligro de ser arrestados en cualquier momento o lugar y sufrir la cruel persecución del PCCh". Boqian sabía que nunca les diría a los maestros que él y sus padres creían en Dios, de lo contrario las consecuencias serían inimaginables.
El subdirector parecía insatisfecho con las respuestas de los estudiantes, y luego sacó del bolsillo un reproductor MP5 negro, lo levantó y les dijo a los estudiantes: "¿Quién ha visto alguna vez a un jugador así? ¿De quién es la familia que tiene ese jugador"? Muchos estudiantes se miraron el uno al otro y no sabían qué tenía que ver el reproductor del MP5 con la investigación de si había algún creyente en sus familias. Pero Boqian sabía claramente en su corazón que los hermanos y hermanas de la iglesia, incluyendo a sus padres, solían usar este tipo de reproductor para leer la palabra de Dios, escuchar himnos y ver películas del evangelio, pero no se atrevió a decir una palabra. Temió que le daría algo a la maestra. Luego, el subdirector miró a cada estudiante y dijo con dureza: "Quien sea que hable es un buen estudiante y será citado. Si descubro que alguien sabía algo y no lo dice, será disciplinado y nunca podrá graduarse sin problemas". Después de escuchar eso, Boqian se sintió nervioso nuevamente. Una vez más, pensó en las palabras de su madre: "El gobierno del PCCh está lleno de astutos trucos. Instalan cámaras en las calles para monitorear a los creyentes; además, van de puerta en puerta realizando inspecciones para buscar a los creyentes a fin de verificar las tarjetas de residencia, y también utilizan unidades de trabajo y escuelas para investigar si hay algún creyente en la familia de alguien. Una vez que encuentran a un creyente de Dios, lo arrestarán y perseguirán, y sus incrédulos miembros de la familia se verán implicados y perderán sus trabajos, y sus hijos perderán las oportunidades de seguir estudiando. El gobierno del PCCh realiza investigaciones tan fanáticamente solo por el deseo delirante de capturar a todos los cristianos y establecer un país sin Dios en China". Boqian sabía que la razón por la que el líder de la escuela actuó de esa manera ese día fue porque ellos eran dirigidos por el PCCh. Para encontrar a los creyentes de Dios, obligaron a los estudiantes a hablar sobre si había creyentes en sus familias a través de engaños y amenazas. El PCCh fue de hecho demasiado insidioso y malvado. Pensando en eso, Boqian se dio cuenta de que el truco de Satanás se escondía detrás de este acontecimiento. Si él era tímido y temeroso, los maestros verían los agujeros, lo que pondría en peligro a su familia y a los hermanos y hermanas. Decidió que, en cualquier caso, no vendería a sus hermanos y hermanas, y mucho menos traicionaría a Dios, y que oraría a Dios y confiaría en Él para vencer la tentación repentina de Satanás.
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Leer más：Reflexiones Cristianas