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Rayer Bazar Boddhobhumi (Martyred Intellectuals Memorial) is a memorial built in memory of the martyred intellectuals of Bangladesh Liberation War. The Martyred Intellectuals Memorial is situated at Rayer Bazar area of Dhaka. In the history of Bangladesh's Liberation War, this memorial site has special significance. In 1971 considered as a fringe area of the city this area was infamous for its brick manufacturing facilities and the killing grounds within it. Especially at the waning days of the war from December 14-December 16, 1971 this field witnessed the killings of the prominent intellectuals of the nation. The memorial is a massive red brick wall, with jagged edges. This wall has a window within it. The reflection of the red brick jagged wall, falls in to a pool of water in front of it, along with a black square column. The jagged wall is the symbol of the rough brick filed killing ground. The massing open window signifies the nations sigh of loosing the best of her children. The reflection pool and the black column is the reminder to the present generation of the sacrifice the nation had to make to achieve its freedom.
MOVIE Preview of a 1 Kilometer long Space ship of the GFOL
It is difficult to see the size of the ship, until it has been completed with a texture effect (painted). Here are its current dimensions :
Width : 500 m
Height : 200 m
length : 1000 m (he he yes One kilometer long.
This is just a preview the ship is only partially built, it will be having a Star Trek style Bridge and is also yet to be painted and have details added to the exterior.
This model is being created for my movies, The Adventures of OLeg part's 4 + as a fictional dramatisation of what might happen when the GFL arrives, of coarse this ship is not a true representation as the GFL might hold copyright on their own ships lol
Author of this ship is:
Emmanuel Baranger
From the Flightgear Project
helijah.free.fr/flightgear/hangar.htm
The sky is the limit in model creation!
Spaceship Logo Image copyrighted by: Christian Vazquez
Christian has made this wonderful emblem for the October 14th 2008 ET event.
He has also made various t- shirts that have this emblem on it.
October 14th T-Shirts by Christian Vazquez
Emmanuel has modeled many Flightgear Aircraft including:
Hugues H4 Hercules
Dornier Do 335
Lockheed C 130
Messerschmidt Me262
Sikorsky UH 60 BlackHawk
Sikorsky S 58
Lockheed SR 71
Hornet (autogire)
APM20 Lionceau
Payen 100
de Havilland DH 89
Bell-Boeing V22 Osprey
Beechcraft Starship 1
Bleriot XI
Farman IV
Grob G115
Macchi Costaldi MC 72
FK9 Mark 2
Super Frelon
Blohm & Voss BV 141
Alouette II
Arsenal VG 33
Aeroprakt 24 Viking
Ryan NYP "Spirit of St Louis"
Alphajet
Vickers Vimy
X3 Stiletto
Dornier Do X
Bugatti modèle 100
Zlin 50 lx
HondaJet
DHC 3 Otter
Gee Bee
Supermarine S6b
Bernard HV 220
Stampe SV 4
Rutan Quickie 2
Couzinet 70 Arc en Ciel
Carreidas 160 Jet
de Havilland D.H 91
de Havilland DH 88
Hughes H1 Racer
Grob G109
ARADO AR 234
Hughes XF 11
Tupolev ANT 20 "Maxim Gorky"
Robin DR 400
Skyranger
Rutan Long EZ
SM 55
Santos Dumont 14 Bis
Velocity XL
TBM/TBF Avenger
Marseille, Bouches-du-Rhône (France).
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La reflexión: www.santimb.com/2012/03/la-bonne-mere.html
CASTELLANO
Notre-Dame de la Garde, más comúnmente conocida como la Bonne Mère (la buena madre en idioma francés) es una basílica menor dedicada al culto católico en la ciudad francesa de Marsella (departamento de Bocas del Ródano). Situada a 162 metros de altura al sur del Vieux-Port su silueta de estilo neo-bizantino coronada por una efigie dorada de la Virgen María es una de las estampas más características de la ciudad.
El nombre de de la Garde se viene aplicando desde tiempos antiguos a la colina donde hoy se encuentra la basílica y donde históricamente había un puesto de observación. En 1525 para proteger junto con el Castillo de If la entrada al puerto de los ejércitos del emperador Carlos V el rey Francisco I de Francia ordena la construcción de un fuerte. La actual iglesia, realizada por el arquitecto Henri-Jacques Espérandieu a partir 1853 por deseo de monseñor Eugène de Mazenod, se asienta sobre los cimientos de dicho fortín.
Se trata de una obra de estilo románico-bizantino recubierta de mármol y pórfido proveniente de Italia. Destaca, entre otras cosas, por la monumental estatua de 11m de altura de la Virgen que corona su campanario. Esta imagen de bronce, obra del escultor Eugène-Louis Lequesne, fue recubierta de pan de oro en los talleres del orfebre parisino Christofle. Se instaló definitivamente en 1870 y ha sido restaurada en varias ocasiones (1897, 1936, 1963 y 1989).
Desde 1892 puede accederse a ella en un funicular que trepa a la colina de la Garde. Antiguamente la estatua de la Virgen constituía una atracción turística visitable a través de una escalera que hoy en día se encuentra clausurada.
El emplazamiento de la basílica es un lugar de culto para los pescadores marselleses desde siglos atrás. La primera construcción religiosa documentada es una capilla levantada el 1214 por el eremita local maestro Pierre. Otras le fueron sucediendo hasta que en 5 de junio de 1864 se consagra la actual basílica. Llama la atención en su interior la presencia de exvotos de todo tipo, desde los dedicados por marineros agradecidos, a otros para pedir ayuda al equipo de fútbol local (el Olympique de Marsella) e incluso los restos colgados de un coche de bomberos que sobrevivió a un incendio forestal.
Más info: es.wikipedia.org/wiki/Notre-Dame_de_la_Garde
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ENGLISH
Notre-Dame de la Garde is a basilica located in Marseille, France. This ornate Neo-Byzantine church is situated at the highest natural point in Marseille, a 162 m (532 ft) limestone outcrop on the south side of the Old Port. As well as being a major local landmark, it is the site of a popular annual pilgrimage every Assumption Day (August 15). Local inhabitants commonly refer to it as la bonne mère ("the good mother").
A minor basilica of the Catholic church, it is situated on a limestone peak of 149m (490 feet), on the walls and foundations of an old fort. Built by architect Henri-Jacques Espérandieu in the Neo-Byzantine style, the basilica was consecrated on 5 June 1864. It replaced a church of the same name built in 1214 and reconstructed in the 15th century. The basilica was built on the foundations of a 16th-century fort constructed by Francis I of France to resist the 1536 siege of the city by the Emperor Charles V. The basilica is made up of two parts: a lower church, or crypt, dug out of the rock and in the Romanesque style, and an upper church of Neo-Byzantine style decorated with mosaics. A square bell-tower of 41m (135 feet) is surmounted by a belfry of 12.5m (42 feet) which itself supports a monumental, 11.2m (27 feet) tall statue of the Madonna and Child made out of copper gilded with gold leaf.
The stone used for the construction of the basilica, in particular the green limestone originating in the area surrounding Florence, was discovered to be sensitive to atmospheric corrosion. An extensive restoration took place from 2001 to 2008. This included work on the mosaics, damaged by candle smoke, and also by the impact of bullets during the Liberation of France at the end of World War II.
In Marseilles, Notre-Dame de la Garde is traditionally regarded by the population as the guardian and the protectress of the city.
More info: en.wikipedia.org/wiki/Notre-Dame_de_la_Garde
Leicester Pride 2018 Ten Years Parade and Victoria Park Photographs martinbrookes.blogspot.com/2018/09/leicester-pride-2018-t... #pride #leicester #parade #gay #lgbt #leicesterpride
narradordeimagenes.blogspot.com/2012/03/palabras.html
Nuestros Dioses, esos que rigen nuestra existencia, o tal vez nuestras propias incongruencias decidieron hace unas semanas privar a la humanidad de uno de sus rasgos más característicos: la capacidad de comunicarse mediante el habla.
Los primeros días fueron caóticos, el pánico y la frustración hicieron acto de presencia llenando nuestras vidas de desconcierto. El día a día se convirtió en un infierno en el que parecía que, aparte del habla, casi hubiésemos perdido la cordura. Ya no podíamos usar el teléfono, si nuestros bebés lloraban no podíamos escuchar su llanto, la televisión había perdido la mitad de su sentido… y lo mismo sucedía con millones de cosas que antes eran totalmente rutinarias.
La depresión y la incomprensión ante un hecho tan insólito se instalaron entre nosotros, y los días fueron pasando.
Y según transcurrían los soles y las lunas, el potencial que posee el ser humano para superar momentos apocalípticos se fue imponiendo, y poco a poco nos fuimos acomodando a la nueva situación.
Lo que en un principio veíamos claramente como un hándicap fue transformándose en algo altamente beneficioso. Empezamos a darnos cuenta de lo irreflexivamente que usábamos nuestra voz cuando aún disponíamos de ella, empleando las palabras con total ligereza, sin prestarles ninguna atención.
Nuevas formas de comunicación, mucho más íntimas y conectadas, han empezado a surgir desde entonces. Si escribimos para hacernos entender, lo hacemos poniendo plena conciencia en cada una de las palabras que empleamos en el papel. También hemos comenzado a utilizar nuestro cuerpo a un nivel al que nunca habíamos llegado, creando nuevas formas de interacción con nuestros semejantes. La empatía por quienes nos rodean se ha hecho presente con rapidez, ahora somos capaces de mirar fijamente a los ojos y conectar de verdad con la persona que tenemos en frente.
Ya no nos despedimos diciendo adiós, ahora nos abrazamos de verdad.
La desaparición de las palabras sonoras supuso el génesis de la verdadera comunicación.
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Our Gods, those that govern our existence, or maybe our own inconsistencies decided few weeks ago to deprive humanity of one of its strongest features: the ability to communicate through speech.
The first few days were chaotic, panic and frustration made an appearance filling our lives with confusion. Daily life became hell when it seemed that apart from the speech, we had almost lost our minds. We could not use the phone, if our babies cried we could not hear their crying, television had lost half its meaning ... and so did millions of things that were once completely routine.
Depression and incomprehension at an unimaginable event settled between us and the days went by.
And as suns and moons were spent, the potential of the human being to overcome apocalyptic moments was imposed, and step by step we went arranging to the new situation.
What in the beginning we clearly saw as a handicap was transformed into something highly beneficial. We began to realize how thoughtlessly we used our voice when we still had it, using the words with complete lightness, without paying any attention.
New ways of communication, much more intimate and connected, began to emerge. If we write in order to make ourselves understood, we do it putting full awareness in each of the words we use in the paper. We also began to use our body into a level that had never come, creating new forms of interaction with our peers. Empathy for those around us showed up quickly, now we can look straight in the eye and really connect with the person that we have in front of us.
We no longer say goodbye saying goodbye, we hug each other for real now.
The disappearance of audible words meant the genesis of true communication.
Mejor en lightbox
* Prohibido el uso para fines comerciales sin previa autorización escrita. Derechos Reservados
© Juan Carlos Pascual - jcpascual@gmail.com
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* Prohibited the use for commercial purposes without prior written authorization.
© Juan Carlos Pascual - jcpascual@gmail.com
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* Por favor, no use esta imagen en los sitios web, blogs u otros medios de comunicación sin mi permiso explícito.
© Todos los derechos reservados
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* Please don't use this image on websites, blogs or other media without my explicit permission.
© All rights reserved
Kern Invite - 11/01/08
Hart Park - Bakersfield, CA
www.andynoise.com/kernxcinvite08.html
Varsity Boys - 2008 Kern County Cross Country
Championships
School Athlete Time Overall Scoring Team
1. Foothill Chris Schwartz 14:59.76 1 1 1
2. McFarland Alfonso Cisneros 15:33.49 2 2 1
3. McFarland Francisco Nava 15:48.44 3 3 2
4. McFarland Marco Perez 15:48.85 4 4 3
5. Stockdale Curtis Kelly 15:50.33 5 5 1
6. Ridgeview Brian Solis 15:50.81 6 6 1
7. Wasco A. Mendoza 15:51.72 7 7 1
8. Ridgeview Alex Garcia 15:52.70 8 8 2
9. Shafter Chris Handel 15:53.96 9 9 1
10. McFarland Gerardo Alcala 15:54.28 10 10 4
11. Shafter Jesus Villalpondo 16:05.48 11 11 2
12. Highland Colin Lewis 16:06.79 12 12 1
13. Centennial Nathan Vincent 16:08.77 13 13 1
14. Ridgeview Robby Baker 16:13.01 14 14 3
15. McFarland Eduardo Bautista 16:18.69 15 15 5
16. BHS Andrew Ariey 16:21.59 16 16 1
17. Garces Connor O'Malley 16:23.32 17 17 1
18. Stockdale Blair Slaton 16:25.15 18 18 2
19. Ridgeview Jerrio Lewis 16:25.61 19 19 4
20. East Jose Ramirez 16:25.97 20 20 1
21. East Mose Valdez 16:26.30 21 21 2
22. Highland Thomas Turner 16:26.59 22 22 2
23. Golden Valley Daymon Sandles 16:26.91 23 23 1
24. Foothill Jose Lopez 16:27.22 24 24 2
25. Ridgeview Miguel Munoz 16:30.13 25 25 5
26. Wasco G. Linares 16:34.10 26 26 2
27. Shafter Josh Wittenberg 16:34.61 27 27 3
28. Highland Jake Van Zandt 16:36.62 28 28 3
29. East Charlie Zaragoza 16:39.22 29 29 3
30. BHS Andrew Edquist 16:41.12 30 30 2
31. Cesar Chavez Martin Rios 16:45.91 31 31 1
32. Highland Ivan Esquivias 16:47.91 32 32 4
33. BHS Zachary Holt 16:48.98 33 33 3
34. Stockdale Anthony Dao 16:49.30 34 34 3
35. Cesar Chavez Ruben Galaviz 16:49.67 35 35 2
36. Wasco O. Mirando 16:50.04 36 36 3
37. Shafter Alex Moreno 16:51.14 37 37 4
38. Wasco E. Sanchez 16:52.02 38 38 4
39. Wasco E. Ramirez 16:53.29 39 39 5
40. East Camilo Mosqueda 16:53.84 40 40 4
41. East Vincente Herrera 16:54.31 41 41 5
42. Foothill Erick Bautista 16:54.82 42 42 3
43. Arvin Ben Orozco 16:57.57 43 43 1
44. Shafter Hector Montoya 17:01.02 44 44 5
45. Garces Jesus Guzman 17:02.28 45 45 2
46. Garces Michael Bedard 17:02.88 46 46 3
47. Frontier Tanner Urmston 17:03.48 47 47 1
48. BHS John Purcell 17:04.08 48 48 4
49. Centennial Ty Heiter 17:04.73 49 49 2
50. Frontier Richard Peralta 17:05.73 50 50 2
51. Shafter Cristian Barrios 17:07.93 51 51 6
52. Centennial Gehrig Smith 17:08.86 52 52 3
53. BHS Christopher Anderson 17:09.32 53 53 5
54. Highland Justin Burnett 17:10.77 54 54 5
55. Wasco J. DeJulian 17:11.97 55 55 6
56. Stockdale Stephen Burke 17:16.30 56 56 4
57. Arvin Juan Calderon 17:16.89 57 57 2
58. Wasco Cesar Patino 17:19.39 58 58 7
59. Cesar Chavez Tim Yanez 17:21.10 59 59 3
60. Highland Ariel Hurtado 17:23.69 60 60 6
61. North Adam Ralls 17:24.02 61 x 1
62. Ridgeview Michael Anseno 17:24.53 62 61 6
63. Ridgeview Jaime Madrigal 17:31.18 63 62 7
64. Foothill Patrick Manrique 17:32.75 64 63 4
65. Frontier Will Beechinor 17:33.57 65 64 3
66. East Alex Estrada 17:38.64 66 65 6
67. Burroughs Jesse Wigfield 17:38.99 67 66 1
68. Centennial Eric Millan 17:39.50 68 67 4
69. Burroughs Daniel Lathrop 17:39.91 69 68 2
70. Shafter Jacob Vasquez 17:40.47 70 69 7
71. Garces David Freed 17:40.91 71 70 4
72. Centennial Jake Howry 17:42.54 72 71 5
73. Burroughs Andrew Szczpiorski 17:44.05 73 72 3
74. Frontier D. Sclafani 17:47.26 74 73 4
75. Stockdale Max Morales 17:48.38 75 74 5
76. Burroughs Eduardo Carrillo 17:51.64 76 75 4
77. Burroughs Keith Christman 17:57.59 77 76 5
78. Golden Valley Jose Salgado 17:59.82 78 77 2
79. Cesar Chavez Rudy Sandoval 18:00.34 79 78 4
80. Centennial Brad Hinsley 18:04.58 80 79 6
81. Arvin Yessuri Villsenor 18:05.30 81 80 3
82. Burroughs Nathan Cheadle 18:10.33 82 81 6
83. Foothill Javier Garcia 18:11.22 83 82 5
84. Foothill Ernest Marquez 18:11.57 84 83 6
85. BC Kevin Yarian 18:27.47 85 84 1
86. North Chris Emmett 18:29.51 86 x 2
87. Cesar Chavez Andres Rodriguez 18:30.45 87 85 5
88. Tehachapi Corey Torres 18:32.16 88 86 1
89. Frontier Michael Sclafani 18:33.62 89 87 5
90. Garces Patrick Gomez 18:37.52 90 88 5
91. Highland Humberto Ramirez 18:37.98 91 89 7
92. Golden Valley David Gamino 18:40.22 92 90 3
93. Frontier Ricky Gonzales 19:03.13 93 91 6
94. Garces Chris Real 19:06.29 94 92 6
95. Stockdale D. Sherrill 19:08.29 95 93 6
96. Garces Dillon Lyles 19:16.75 96 94 7
97. Tehachapi Christian Torres 19:19.03 97 95 2
98. BC Mark McCutcheon 19:20:78 98 96 2
99. Golden Valley Nick Cruz 19:22.49 99 97 4
100. Golden Valley Daniel Perez 19:25.13 100 98 5
101. Foothill Christian Paredes 19:32.03 101 99 7
102. Arvin Adrian Rodriguez 19:32.67 102 100 4
103. BC Thomas Beard 19:59.04 103 101 3
104. West Michael Branquino 19:59.63 104 x 1
105. BHS Nick Flores 20:04.27 105 102 6
106. Tehachapi Logan Collier 20:07.47 106 103 3
107. Kern Valley C. Woodward 20:22.63 107 x 1
108. Arvin Christian Guerrero 20:31.41 108 104 5
109. Burroughs Daniel Meade 20:41.26 109 105 7
110. Golden Valley Ryan Davis 20:41.26 110 106 6
111. BHS Robby Harris 20:42.01 111 107 7
112. East Hector Fuentes 20:42.57 112 108 7
113. Frontier Alex Blanton 20:56.97 113 109 7
114. Cesar Chavez Joel Hernandez 21:02.22 114 110 6
115. Tehachapi Trent Sherman 21:02.94 115 111 4
116. Tehachapi Shaddi Haddad 21:18.14 116 112 5
117. BC Austin Adee 21:25.45 117 113 4
118. BC Aaron Stephens 21:31.77 118 114 5
119. Kern Valley J. Pistocco 23:15.37 119 x 2
120. Tehachapi Corey Hebron 23:19.78 120 115 6
121. West Kevin Serrano 23:48.05 121 x 2
Dr. ADOLFO VÁSQUEZ ROCCA
Adolfo Vasquez Rocca | Universidad Complutense de Madrid
emui.academia.edu/AdolfoVasquezRocca
CONFERENCIA Dr. Adolfo Vasquez Rocca__Canal Revista Observaciones Filosoficas + ROF
Dr. ADOLFO VÁSQUEZ ROCCA
Adolfo Vasquez Rocca | Universidad Complutense de Madrid
emui.academia.edu/AdolfoVasquezRocca
ESCUELA de PSICOLOGÍA
Arquitectura y Diseño
Dr. Adolfo Vásquez Rocca
www.danoex.net/adolfovasquezrocca.html
PROGRAMA CURSO _ ESTÉTICA Y TEORÍA DEL ARTE _ ESCUELA DE ARQUITECTURA PROF. DR. ADOLFO VÁSQUEZ ROCCA
Etiquetas: Peter Sloterdijk Nietzsche Psicoanálisis Diseño Cine Música Postmodernidad Narrativa Cultura Vanguardias Psicología deconstrucción Estética Teatro Literatura Fotografía Arquitectura Espacio Adolfo Vásquez Rocca Libros Ciudad
Prof. Dr. Adolfo Vásquez Rocca _ ESTÉTICA Arquitectura y Diseño UNAB _ 2011
Bibliografía de Referencia y Consulta:
SLOTERDIJK Peter, El Palacio de Cristal, Conferencia. Centro de Cultura Contemporánea de Barcelona 2004 Conferencia pronunciada en el marco del debate “Traumas urbanos. La ciudad y los desastres”. CCCB. [En Archivo Adjunto PDF]
VÁSQUEZ ROCCA, Adolfo, "El Palacio de Cristal; Sloterdijk y W. Benjamin De Los Pasajes a los invernaderos de la Posmodernidad", en Escáner Cultural, Revista de Arte contemporáneo y nuevas tendencias, Nº 104 – mayo, 2008.
VÁSQUEZ ROCCA, Adolfo, “Sloterdijk; Entre rostros, Esferas y Espacio interfacial. Ensayo de una historia natural de la afabilidad”, En EIKASIA, Revista de Filosofía, Nº 17 - 2008, ISSN 1885-5679 - Oviedo, España, pp. 221-235
www.revistadefilosofia.com/17-05.pdf
VÁSQUEZ ROCCA, Adolfo, "El Hipertexto y las nuevas retóricas de la posmodernidad; textualidad, redes y discurso excéntrico", En PHILOSHOPHICA Nº 27 2004, Revista del Instituto de Filosofía PONTIFICIA UNIVERSIDAD CATÓLICA DE VALPARASO. pp. 331 – 350
www.philosophica.ucv.cl/abs27Vasquez.pdf
VÁSQUEZ ROCCA, Adolfo, "Peter Sloterdijk; Normas y Disturbios en el Parque Humano o la crisis del Humanismo como utopía y escuela de domesticación", En A PARTE REI, Nº 58, Sociedad de Estudios Filosóficos, MADRID, julio, 2008.
serbal.pntic.mec.es/~cmunoz11/vasquez58.pdf
VÁSQUEZ ROCCA, Adolfo, Artículo “El Giro Estético de la Epistemología; La ficción como conocimiento, subjetividad y texto”, En Revista AISTHESIS,
INSTITUTO DE ESTÉTICA DE LA PONTIFICIA UNIVERSIDAD CATÓLICA DE CHILE, PUC, Nº 40, 2006.
www.puc.cl/estetica/html/revista/pdf/Adolfo_Vssquez.pdf
VÁSQUEZ ROCCA, Adolfo, "Peter Sloterdijk; Microesferas íntimas y úteros fantásticos para masas infantilizadas", en NÓMADAS Revista Crítica de Ciencias Sociales y Jurídicas. UNIVERSIDAD COMPLUTENSE DE MADRID, | Nº 15 | Enero-Junio 2007, pp. 193-200
www.ucm.es/info/nomadas/15/avrocca_microesferas.pdf
VÁSQUEZ ROCCA, Adolfo, "Peter Sloterdijk; Experimentos sonoros y ontogenesis de los espacios humanos", en EIKASIA. Revista de Filosofía, Revista de Filosofía, OVIEDO. ESPAÑA. ISSN 1885-5679, año II, Nº 10 (mayo 2007)
www.revistadefilosofia.com/10-1.pdf
VÁSQUEZ ROCCA, Adolfo, Artículo "Peter Sloterdijk: Esferas, flujos, sistemas metafísicos de inmunidad y complejidad extrahumana" En NÓMADAS Revista Crítica de Ciencias Sociales y Jurídicas. UNIVERSIDAD COMPLUTENSE DE MADRID, | Nº 17 | Enero-Junio 2008 | 1º / 1 pp. 145-149
www.ucm.es/info/nomadas/17/avrocca_sloterdijk.pdf
VÁSQUEZ ROCCA, Adolfo, Artículo "Peter Sloterdijk: Espacio tanatológico, duelo esférico y disposición melancólica", En NÓMADAS, Revista Crítica de Ciencias Sociales y Jurídicas - Universidad Complutense de Madrid, | Nº 17 | Enero-Junio 2008 -1º / 1 | pp. 151-158
www.ucm.es/info/nomadas/17/avrocca_sloterdijk2.pdf
VÁSQUEZ ROCCA, Adolfo, Artículo "Peter Sloterdijk: Temblores de aire, atmoterrorismo y crepúsculo de la inmunidad", En NÓMADAS, Revista Crítica de Ciencias Sociales y Jurídicas - Universidad Complutense de Madrid, | Nº 17 | Enero-Junio 2008 -1º / 1 | pp. 159-168
www.ucm.es/info/nomadas/17/avrocca_sloterdijk3.pdf
VÁSQUEZ ROCCA, Adolfo, "Peter Sloterdijk; Espumas, mundo poliesférico y ciencia ampliada de invernaderos" En KONVERGENCIAS, Revista de Filosofía y Culturas en Diálogo, Nº 16 - 2007, Capital Federal, Argentina, pp. 217-228
www.konvergencias.net/vasquezrocca155.pdf
VÁSQUEZ ROCCA, Adolfo, "Individualismo, modernidad líquida y terrorismo hipermoderno; de Bauman a Sloterdijk", En KONVERGENCIAS, Revista de Filosofía y Culturas en Dialogo, Nº 17, 2008 - ADEFYC Asociación de Estudios Filosóficos y Culturales, Ciudad de Buenos Aires, Argentina, pp, 122 - 130
www.konvergencias.net/vasquezrocca168.pdf
Adolfo Vásquez Rocca Ph.D
Dr. Adolfo Vásquez Rocca Publicaciones en EIKASIA
www.revistadefilosofia.com/autvasquezroccaa.htm
PROGRAMA DE ARTE CONTEMPORANEO: CURSO DE FILOSOFIA DEL ARTE
Adolfo Vásquez Rocca Arte y Filosofía
www.danoex.net/adolfovasquezrocca.html
Publicaciones Internacionales Catalogadas en DIALNET Directorio de Publicaciones Científicas Hispanoamericanas
dialnet.unirioja.es/servlet/autor?codigo=1053859
Publications Scientific
de.scientificcommons.org/adolfo_v%C3%A1squez_rocca
Biblioteket og Aarhus Universitet, Denmark | Det Humanistiske Fakultet
BIBLIOTECA UNI>ERSIA – Unesco - CSIC
biblioteca.universia.net/search.do?q=Adolfo+V%C3%A1squez+...
Dr. Adolfo Vásquez Rocca - Eastern Mediterranean University - Academia.edu
emui.academia.edu/AdolfoVasquezRocca
Biblioteca Universidad Complutense de Madrid
Revistas Científicas Complutenses
Directorio de recursos digitales - Ministerio de Cultura, España
Biblioteca Asociación Filosófica UI
www.uruguaypiensa.org.uy/categoria_144_1_1.html
Eastern Mediterranean University - Academia.edu
emui.academia.edu/AdolfoVasquezRocca
Publicaciones Indexadas en la Revista Complutense - Nómadas. Revista Crítica de Ciencias Sociales y Jurídicas UCM+Madrid - Dr. Adolfo Vásquez Rocca
Dr. Adolfo Vásquez Rocca – Filosofía Contemporánea Investigación: Peter Sloterdijk
Philosophy & Art: Pinterests Design
ADOLFO VÁSQUEZ ROCCA PH.D. - CURRICULUM ACADÉMICO ABREVIADO
www.linkedin.com/pub/adolfo-vasquez-rocca/25/502/21a
LIBROS
VÁSQUEZ ROCCA, Adolfo
Libro: Peter Sloterdijk; Esferas, helada cósmica y políticas de climatización, Colección Novatores, Nº 28, Editorial de la Institución Alfons el Magnànim (IAM), Valencia, España, 2008. 221 páginas | I.S.B.N.: 978-84-7822-523-1
Publicaciones Internacionales Catalogadas en DIALNET Directorio de Publicaciones Científicas Hispanoamericanas
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Publications Scientific
de.scientificcommons.org/adolfo_v%C3%A1squez_rocca
Biblioteket og Aarhus Universitet, Denmark | Det Humanistiske Fakultet
BIBLIOTECA UNI>ERSIA – Unesco - CSIC
biblioteca.universia.net/search.do?q=Adolfo+V%C3%A1squez+...
Dr. Adolfo Vásquez Rocca - Eastern Mediterranean University - Academia.edu
emui.academia.edu/AdolfoVasquezRocca
Biblioteca Universidad Complutense de Madrid
Revistas Científicas Complutenses
Directorio de recursos digitales - Ministerio de Cultura, España
Biblioteca Asociación Filosófica UI
www.uruguaypiensa.org.uy/categoria_144_1_1.html
Eastern Mediterranean University - Academia.edu
emui.academia.edu/AdolfoVasquezRocca
Publicaciones Indexadas en la Revista Complutense - Nómadas. Revista Crítica de Ciencias Sociales y Jurídicas UCM+Madrid - Dr. Adolfo Vásquez Rocca
Dr. Adolfo Vásquez Rocca – Filosofía Contemporánea Investigación: Peter Sloterdijk
Philosophy & Art: Pinterests Design
ADOLFO VÁSQUEZ ROCCA PH.D. - CURRICULUM ACADÉMICO ABREVIADO
www.linkedin.com/pub/adolfo-vasquez-rocca/25/502/21a
Dr. ADOLFO VÁSQUEZ ROCCA
Adolfo Vasquez Rocca | Universidad Complutense de Madrid
SCRIBBLE & SCRIPTURE at the Roberts and Tilton Gallery in L.A.
Barry McGee / Phil Frost / Thomas Campbell
February 15th - April 15th, 2003
"The act of scribbling. Arguably the purest form of creative expression and often times the first manifestation of children's art. It is always a talisman of the subconscious, unpredictable, insane and undeniably authentic. Artists such as Twombly, Pollock and Basquiat understood the power of this method for eliciting energy and emotion. Thomas Campbell, Phil Frost and Barry McGee could be considered the torchbearers of this tradition for the current generation. All three are artists whose works have spawned from the culture of the street. Campbell from skateboarding, Frost and McGee from graffiti, all of which are erratic, dangerous and many times illegal acts. By necessity each of these artists has had to learn to act quickly to execute a gesture and achieve a desired effect. When this energy is harnessed and transferred into the context of works for the gallery the effect can become almost spiritual. Although none of these artists would profess to preach any religious dogma in their works, it cannot be denied that each has their own unique mantra. Thomas Campbell's multi-colored and layered canvases are filled with scrawled anecdotes such as "Be Here Now" or "Upchuck and Rejoice", lessons on the benefits of living in the moment and letting go of negative spiritual energies. Phil Frost's works, paintings and assemblages executed in a variety of materials are reminiscent of African and Aboriginal folk art and at times installations have been arranged in the form of alters to super heroes or mythological characters from the artist's mind. Barry McGee's multi media installations, which include everything from wall paintings and framed drawings and photographs to empty liquor bottles, contain iconography that owes much to Mexican and American Indian spiritual practices.
Architectural firm Otto Design Group will provide exhibition design, creating an entire environment including installation spaces and a small store selling inexpensively priced books, magazines, records, and other artists' ephemera. Scribble & Scripture will mark the major gallery debut in Los Angeles for all three artists.
Curated by Aaron Rose"
Description of exhibit taken from the Roberts & Tilton Gallery website
more photos of the Scribble & Scripture show can be found: HERE
After the wealthy stockbroker John H. Harbeck died at the Plaza Hotel after a short illness in 1910, his wife, Kate, set about to build the most expensive and impressive mausoleum at Woodlawn Cemetery. The architect Thomas E. Blake designed a 90-foot-tall marble octagon with a steeple, heavy bronze doors, Tiffany windows and a pipe organ. The mausoleum was built by Guastavino in 1918. Kate was buried in the mausoleum in 1930 after dying in freakish revolving door accident on New Year's Eve at the Plaza Hotel.
A few other miscellaneous items:
• John and Kate were apparently doting pet owners who were ridiculed by their neighbors in Boulder, Colorado (where they had a summer home) for "holding expensive and elaborate funerals" for their dogs.
• After meeting Kate, John went through some messy divorce proceedings with his wife, Caroline, that centered around determining whether Caroline was, in fact, his wife, legally speaking. The NY Times covered the trial pretty heavily, but also evinced some disdain for those captivated by the scandalous affair: "A great number of persons with nothing else to do crowded the court-room . . . yesterday morning, and many more stood in a line for hours waiting for an opportunity to enter".
• In researching the Harbecks, I stumbled upon yet another example of how much better journalism was a hundred years ago. From a 1906 report in the NY Times: "LOST — A CEMENT BARREL. It Had a High Old Time Before It Invaded the Subway". The piece goes on to offer the reader some sage, hard-earned words of wisdom: "an old barrel that is out for a good time and does not care a hoop, any way, is a difficult thing to tackle in a stiff breeze."
• While we're on the subject, you should also read this great NY Times article from 1882 that I discovered a few weeks ago:
Some Italian lunatic residing in Turin has for months past been indulging in the monomania of writing and sending enormous quantities of letters to persons residing in this City . . . The recipients, regarding the matter as an oversight on the part of some foreign or traveling friend, pay the postage and open the letters only to find them filled with balderdash and senseless twaddle in Italian, with a faulty English translation appended, the nonsense being usually addressed "to the noble and illustrious reader," and the writer subscribing himself as "The Emperor of the World, Monarch of the Universe," &c.
Our Lady of Lourdes & St Joseph, Leigh on Sea, Essex
I passed OLoL&SJ (apologies for the acronym) on my way to St Clement and had to stop. This RC church had fallen off my radar and would have been missed had it not been so arresting.
Built in the 1920's to the design of the parish priest, Fr FW Gilbert, it stands as his personal testament to God. Full of good period glass, a very Catholic reredos, lectern and rood; unusually a SE tower but, to my mind, the most exceptional feature is the Lady Chapel which is a scaled replica of Lourdes.
A rich priest's homage to Gothic architecture with a distinct Catholic twist - I wish this was my parish church!
Neither Pevsner nor Mee covered it (inherent anti Catholicism at work?) so Taking Stock instead:
An idiosyncratic Gothic church of the 1920s, very much a personal work by the parish priest Fr F. W. Gilbert, but closely following the design of Charles Nicholson’s church of St Alban at Westcliff-on-Sea. The church was sympathetically extended in the 1960s. The interior is rich in fittings, some designed by Fr Gilbert.
The original church (now the parish hall) began life as a timber-framed, corrugated iron drill hall, originally built for the Essex Volunteers in 1900 under the supervision of Major Burles and purchased in 1913. The site of the present church was purchased by the Rev. F.W. Gilbert in 1924, using donations and his private money. It appears that Fr Gilbert acted as his own architect, his design borrowing heavily from that of the Anglican church of St Alban the Martyr at Westcliff-on-Sea, built in 1898-1908 from designs by Nicholson & Corlette. The Gilbert family promised £2,000 once building work commenced. The contract price was £12,234. The builders were Messrs Marshall & Smith of Grays but Fr Gilbert acted as his own clerk of works, using local labour, including unemployed men from Grays. The foundation stone was laid on 7 October 1924 and the church opened in September 1925. The presbytery was built in 1925.
The church was sympathetically extended in 1965-66 by Burles, Newton & Partners, in the same style and materials; the west wall was moved twenty feet further out to create a choir gallery, west door and porch and a baptistery with organ chamber above. Proposals to replace the old hall with a new and larger building were prepared in 2007 but have not yet been implemented.
The church is a large and handsome structure in a free Gothic style. The walls are faced with random rubble with stone dressings. Apparently much of the stone was quarried near Glasgow and was originally used as ballast in lighters intended for the Gallipoli campaign, which were later bought by a local ship owner, who donated the stone for the building of the church. The roof is covered in plain tiles. On plan the church comprises a long nave and sanctuary under a continuous roof swept down over north and south aisles, southwest porch, northwest organ chamber, southeast double transept and southeast tower. The gabled west end is Burles & Newton’s work of the 1960s and has a broad straight-headed doorway flanked by small trefoiled windows with a large six-light traceried window above. On the north side is a tall transeptal organ chamber and then the low side wall of the north aisle with three pairs of small trefoiled windows. On the south side is a small projecting porch and then the low side wall of the south aisle, a double transept with three-light traceried windows in the gabled ends and then the bold square south east tower. The tower is of three stages with a traceried two-light window on the south side of the lowest stage and pairs of small openings in the two stages above. The tower has a single large diagonal buttress at the southeast corner, crenellated flint-faced parapets and a tiled spirelet. The east end wall of the sanctuary is articulated with three round-headed blind arches. This wall fronts the garden of the large presbytery which is attached to the northeast corner of the church, and the church and presbytery together form a strong architectural composition.
The interior walls are all plastered and painted with plain flooring of timber. There is a west gallery in the 1960s extension and nave arcades of four bays of simple pointed chamfered arches on square chamfered concrete piers. Above each pier the nave is spanned by the tie beams of the roof and above them is a five-sided timbered ceiling. The aisles have lean-to roofs and are also timbered. The east bay on the south side is a small transept. There is no chancel arch in the usual sense, but the division between nave and sanctuary is marked by pilaster strips on the walls with a rood beam at half- height and a timber rib spanning the roof between them. The sanctuary has a single large open arch on each side and is richly furnished. The east wall in particular is lined to full-height with carved decoration. The floor is black and white marble. On the south side of the sanctuary is a second transept divided from the first by a double arch resting on dwarf double columns with ornamental Gothic capitals. In the east wall of this transept a chamfered pointed arch leads to the base of the tower which contains a Lourdes grotto.
The church is rich in fittings. These include the carved timber reredos filling the whole east wall, the extraordinary pulpit with figures of evangelists supported by cherubs, apparently designed by Fr Gilbert, who also designed the figures of the rood beam, the elaborate oak stalls in the sanctuary and the font at the west end of the nave given in memory of Col. Knight (d.1891) with its stone bowl on clustered columns and a surrounding floor of Cosmati work.
There is some stained glass in the church including the west window by Whitefriars and other windows by Goddard & Gibbs. The scale model of the Lourdes grotto was built by Cyril Psaila (d. 1931).
Profil dilatatie pentru perete si tavane sunt ideale pentru spatiile rezidentiale, cladiri de birouri si administrative.
"Play It By Trust" 1966/1999
by Yoko Ono
White pieces on white board
www.francisnaumann.com/EXHIBITIONS/DuchampChess/index.html
“Marcel Duchamp: The Art of Chess” is the first exhibition devoted to exploring the influence of Duchamp’s activities as a chess player on his artistic production. It debuted at the St. Louis University Museum of Art (May 6 – August 16, 2009), and the present gallery exhibition is an expanded version of that show. It will open at Francis M. Naumann Fine Art on September 10, 2009 (and run through October 31, 2009).
The exhibition features the magnificent early cubist drawing Study for Portrait of Chess Players (1911), which renders Duchamp’s two brothers—Raymond Duchamp-Villon and Jacques Villon—intently engaged in a game of chess; a large central “X” in the center of the composition represents the precise point where their minds meet, a cerebral focus common to much of Duchamp’s subsequent production. Among the highlights of the show will be an example of the readymade Trébuchet (1917/64), the coat rack that visitors to Duchamp’s studio were expected to trip over (the chess equivalent of a gambit offered in the opening of a game); the Nice chess poster (1925); regular and deluxe examples of his book on endgame strategy (1932); the Pocket Chess Set (1943); and Cupid (1943), a recently discovered original drawing for the announcement of a show at the Julien Levy Gallery (in which Duchamp seems to have embedded a hidden message). A number of photographs of Duchamp either playing chess or seated before a chessboard will also be displayed. A signed, limited edition photograph by Arnold Rosenberg of Marcel Duchamp moving chess pieces behind glass (1958) was issued to commemorate this exhibition.
Also included in the show will be works by a number of Duchamp’s contemporaries—Man Ray, Georges de Zayas, Max Ernst, Salvador Dalí, Leon Kelly, Beatrice Wood, Arman and Sarah Austin—that relate to Duchamp’s involvement with the game of chess, as well as a selection of works by contemporary artists—Charles Juhàsz Alvardo, Mike Bidlo, Donald Bradford, Russell Connor, Ingrid Evans, Mark Kostabi, Sophie Matisse, Daniel Meirom, James Meyer, Trong Gia Nguyen, Yoko Ono, Jennifer Shahade, Diana Thater, Douglas Vogel—some of whom have made works specially for inclusion in this show.
Accompanying the exhibition will be Marcel Duchamp: The Art of Chess, a book featuring essays by Francis M. Naumann and Bradley Bailey, both of which demonstrate that Duchamp’s identity as a chess player is so thoroughly interfused with his work as an artist that the two activities are aesthetically and conceptually inseparable. The book also includes the analyses of fifteen Duchamp games by Jennifer Shahade (two-time American Women’s Chess Champion). These games will be reenacted in the exhibition on a video monitor, on which visitors will be able to view the movement of the pieces, all laid out in the format of Duchamp’s Pocket Chess Set of 1943.
FRANCIS M. NAUMANN FINE ART
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www.newscientist.com/article/mg21028126.400-sailbots-head...
Sailbots head for the high seas
17 May 2011 by Jacob Aron
Magazine issue 2812. Subscribe and save
PEOPLE have been sailing the world for centuries, but ask a robot to do the same and it quickly falls down.
Last year Mark Neal, a computer scientist at the University of Aberystwyth, UK, oversaw the launch of Pinta, a robotic sailing boat that set off from the west coast of Ireland in an attempt to be the first automaton to cross the Atlantic Ocean. His team lost communication with the boat just over two days later. The voyage was still an achievement: "Forty-nine hours is the longest period of unattended autonomous sailing that has happened," says Neal.
When uncrewed aircraft can master flight so readily, it might seem strange that it is so hard for a robot to sail a boat. In fact, the challenges are very different. "Some of the longest unmanned aerial vehicle (UAV) flights are a day or two. If something stays up for 24 hours, that's a pretty outstanding achievement," says Neal. In contrast, a useful robo-boat needs to run for months using only sails and solar power (see "Why build a robot sailor?"). During that time the solar panels could get caked with salt, the craft could be damaged, and barnacles and weed could grow on the rudder.
What's more, while UAVs have to cope with weather changes, the conditions they operate in are fairly stable compared with those of the ocean, Neal says. "The boat needs to deal flexibly with an unpredictable environment," says Roland Stelzer of the Austrian Society for Innovative Computer Sciences in Vienna. Stelzer is in charge of Roboat, an automated 3.75-metre-long boat that has won the World Robotic Sailing Championship for the past three years by successfully completing tasks including a 24-hour endurance race and navigation between tightly spaced buoys.
Stelzer puts Roboat's success down to its computer "brain", which mimics two human sailing abilities. One system plots the best route by calculating the heading that takes best advantage of wind speed and direction in relation to the destination.
The other keeps the boat on the desired course. It does this by considering factors like how far the boat is heeling and whether waves have pushed it off course, and then adjusting the rudder position to make both small corrections and sudden turns.
However, each competition took place within 4 kilometres of the shore. "We had to monitor the boat all the time either from shore or on a chasing boat," Stelzer says.
The Pinta is smaller and less sophisticated, in case the boat is lost at sea. Stelzer's craft might be robust enough to cross the Atlantic, but he is reluctant to try - losing such an expensive rig would be a huge setback.
Instead, the first robotic sailors to spend long periods at sea may come from the Protei project, which aims to build autonomous craft for cleaning up oil spills. Conceived by designer Cesar Harada, who also leads the project, the boats have a unique articulated design that allows the hull to flex in order to best use the wind while turning.
The hardware is open source, meaning that anyone can work on or modify the design and help solve problems. "It's a collaboration with people worldwide contributing their best knowledge and enthusiasm," says Peim Wirtz, who manages the project from the V2 centre in Rotterdam, the Netherlands. The concepts behind Protei have undergone small-scale tests, and the team will now build a full-scale prototype after raising nearly $35,000 on the crowd-funding website Kickstarter last month. "We have over 300 backers that thought the initiative was worth sponsoring," says Wirtz.
So will we see robots sail the seas any time soon? Wirtz hopes to complete the Protei prototype by September and Pinta will be making another transatlantic attempt at the same time. "If we didn't think it was possible, we wouldn't be trying," Neal says. "Someone will do it, and I'd like that to be us."
Why build a robot sailor?
A boat that sails itself would be a nice bit of tech, but what are the practical benefits? A craft using only sails and solar power would be ideal for long-term missions, says Roland Stelzer of the Austrian Society for Innovative Computer Sciences.
"In the future, autonomous sailing boats will be used for tasks such as maritime monitoring, reconnaissance and surveillance, and carbon dioxide-neutral transportation of goods," he says. Robotic sailboats could also operate in swarms, allowing them to tackle large-scale problems like gathering meteorological data in remote stretches of ocean or measuring water pollution. They could even be used to rescue refugees.
willowgrovedaycamp.com/willows.html
The Willows at Willow Grove Day Camp is a camp for 3 and 4 year old children. This unique camp experience offers your child an early opportunity to learn and socialize with children their own age.
During the first week of camp, lots of fun was had as the children and counselors got to know each other. “Sun and Surf” was our first week theme. The children really enjoyed decorating their bucket and shovel memo pads during Arts and Crafts. Along with this activity, the Polar Bears and Penguins enthusiastically participated in Nature, Gymnastics, Dance, Tennis and Soccer. We are looking forward to the next seven weeks of fun-filled activities.
Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on the Willows and Willow Grove Day Camp please visit: willowgrovedaycamp.com/willows.html
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Nhac Rap :p
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có phải trong suy nghĩ của e lúc này a là 1 thằng khốn nạn đúng kg??
đúng. . . a chính là 1 thằng khốn nạn. e cứ trách a đi...cứ trách a đi. . .
e cứ trách a đi. . .
Rap :
cám ơn vì những ngày qua e đã bên a
nhưng thực thì a đã kg xứng đáng với những gì e đã dành cho a
cảnh vật kg thay đổi chỉ có con tim a đổi thay
đừng yêu a nữa vì a kg thể mang lại hạnh phúc cho e nên đành để vụt bay
khi đối diện với a thì e cứ việc xem a như người lạ
hãy cứ để a đi thật xa - hãy để a kg suy nghĩ về e như vậy có khó quá
bên a - thì e sẽ kg dc hạnh phúc đâu - hãy đễ nổi đau mình a nhận lấy
nơi mà ta từng thuộc về nhau kia chìm sâu
a kg biết thời gian bao lâu để a quên dc e
nước mắt e đã nhìu lần phải rơi ướt hoen đôi bờ mi
vì a nghèo - vì hoàn cảnh ép buộc nên a đành phải thay đổi những suy nghĩ
a chỉ xin e 1 điều -là khi nghe dc những lời này từ anh thì mong e hãy hiểu
những giọt nước mắt dành cho 1 con người như anh thật sự kg đáng đâu e
a kg biết quan tâm - a đâu biết ân cần những khi e cần a
a chỉ biết nghĩ đến bản thân - a xin lỗi vì từ trước cho tới bây giờ trái tim a đã quá nhìu ngăn
e hờn e trách e giận e cứ để mặc a vậy đi
LV - GC - với a thật sự đó là những món đồ xa xỉ
cuộc sống sinh viên nghèo khổ lo dc cho e thì nó chỉ xuất hiện ở trong suy nghĩ
và e cũng biết tình cảm a trao đến e nhìu biết bao nhiêu
a có thể chứng minh điều đó qua những bài nhạc mỗi đêm a thường feel
và thì bây giờ đâu còn những lần gọi điện hay nt hỏi thăm a
và bây giờ chỉ còn mình a đêm đêm bờ vai bờ vai giá lạnh
đừng có khóc hay đừng trách móc vì những gì a làm là đều nghĩ cho e
hãy nghe a nói - thời gian sẽ trôi - rồi e sẽ quên a nhanh thôi
hãy đi tìm hạnh phúc nơi khác rồi những cố gắng nổ lực sẽ trả lời
sẽ cho e hạnh phúc thật sự và nơi đó sẽ kg còn bóng dáng a
hạnh phúc màu hồng con đường đầy hoa cuộc đời của e là thảm xanh
e sẽ kg buồn - nụ cười sẽ ở lại trên môi thật lâu
còn a sẽ cố tập quên - ký ức lãng mạng về e sẽ trôi.....sẽ trôi về nơi đâu
a kg biết - là nó sẽ trôi về nơi đâu
a chỉ biết lúc này là a đành phải chấp nhận chấp nhận trong tim 1 nỗi đau
sống kg có nghĩa chỉ nghĩ vì bản thân - a kg ích kỷ để rồi sau này chính a là người phải ân hận
mặc dù kg muốn nhìn e tay trong tay với người ta
e tưỡng a ngốc đến nỗi 2 tay dâng e cho người lạ
đóa hoa như e a kg muốn theo a để rồi cả đời e phải khổ
2 thế giới quá khác biệt nhau - a kg muốn theo a cả đời e thua lỗ
kg thể quay lại dc đâu e àh - a đã quyết định như vậy rồi e àh
nước mắt e có rơi đi chăng nữa - thì ngày mai nó cũng cạn mà
và đây sẽ là những lời xuất phát từ trong tim a
hãy bỏ đi quá khứ để cho tương lai e thêm xanh
2 từ xin lỗi và rời xa cuộc đời e là điều bây giờ mà a có thể làm
a chấp nhận - mặc dù a biết từ nay sẽ kg còn có những lời hỏi han
quan tâm - hay trò chuyện - nhưng a cảm thấy trong tim mình có điều gì đó bình thản
____________
khong pts or metu :D
khong bk ghi desc s :d
cm vs fav cho minh nh :xx
REVISTA DE FILOSOFIA: REVISTA DE FILOSOFÍA CONTEMPORANEA
REVISTA OBSERVACIONES FILOSÓFICAS
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Dr. Adolfo Vasquez Rocca _ Director
www.danoex.net/adolfovasquezrocca.html
Revista de Filosofía Contemporánea
www.observacionesfilosoficas.net/indexcategorias.htm
Adolfo Vásquez Rocca PH.D.
www.danoex.net/adolfovasquezroccainvestigacion.html
Dr. Adolfo Vasquez Rocca | Universidad Complutense de Madrid
www.danoex.net/adolfovasquezrocca.html
Adolfo Vasquez Rocca, Academic staff at Universidad Andrés Bello UNAB
emui.academia.edu/AdolfoVasquezRocca
ADOLFO VÁSQUEZ ROCCA PH.D.
Pontificia Universidad Católica de Valparaíso
Universidad Andrés Bello UNAB
Escuela Matríztica
Universidad Complutense de Madrid
Eastern Mediterranean University - Academia.edu
E-mail: adolfovrocca@gmail.com
ADOLFO VÁSQUEZ ROCCA PH.D.
Web personal:
www.danoex.net/adolfovasquezrocca.html
Publicaciones Internacionales Catalogadas en DIALNET Directorio de Publicaciones Científicas Hispanoamericanas
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Pontificia Universidad Católica de Valparaíso
Universidad Andrés Bello UNAB
Universidad Complutense de Madrid
E-mail: adolfovrocca@gmail.com
PROFESOR DR. ADOLFO VÁSQUEZ ROCCA
Profesor Adjunto Escuela de Psicología y de la Facultad de Arquitectura UNAB Miembro del Consejo Editorial Internacional de la 'Fundación Ética Mundial'. Director del Consejo Consultivo Internacional de 'Konvergencias', Revista de Filosofía, Bs. Aires; Miembro del Consejo Editorial Internacional de Revista Praxis – Facultad de Filosofía y Letras, Universidad Nacional. Miembro del Conselho Editorial da Humanidades em Revista, Universidade Regional do Noroeste do Estado do Rio Grande do Sul, Brasil y de Sophia –Revista de Filosofía de la Pontificia Universidad Católica del Ecuador–. –Secretario Ejecutivo de Revista Philosophica PUCV. – Director de Revista Observaciones Filosóficas. Profesor visitante en la Maestría en Filosofía de la Benemérita Universidad Autónoma de Puebla. – Profesor visitante Florida Christian University USA y Profesor Asociado al Grupo Theoria –Proyecto europeo de Investigaciones de Postgrado– UCM. Académico Investigador de la Vicerrectoría de Investigación y Postgrado, Universidad Andrés Bello. Ha publicado entre otros el Libro: Peter Sloterdijk; Esferas, helada cósmica y políticas de climatización, Colección Novatores, Nº 28, Editorial de la Institución Alfons el Magnànim (IAM), Valencia, España, 2008. Invitado especial a la International Conference de la Trienal de Arquitectura de Lisboa | Lisbon Architecture Triennale 2011
Prof. Adjunto Escuela de Psicología y de la Facultad de Arquitectura UNAB Director del Consejo Consultivo Internacional de Revista 'Konvergencias'; Miembro del Consejo Editorial Internacional de Revista Praxis – Facultad de Filosofía y Letras, UNA. Miembro del Conselho Editorial da Humanidades em Revista, Universidade do Noroeste do Estado do Rio Grande Brasil. –Secretario Ejecutivo Revista Philosophica PUCV. – Director de Revista Observaciones Filosóficas.
VÁSQUEZ ROCCA, Adolfo, "SLOTERDIJK: SECRETOS BIZARROS DE FREUD, DISCRETAS OBSESIONES TELECOMUNICATIVAS Y PRIMERAS FORMACIONES DE PSICOLOGÍA PROFUNDA EUROPEAS" 1 , En NÓMADAS, Revista Crítica de Ciencias Sociales y Jurídicas - Universidad Complutense de Madrid, NÓMADAS. 31 - (I) 31 | Julio-Diciembre 2011, pp. 339-368.
Referencia indexación Universidad Complutense:
Revistas Científicas Complutenses +Madrid
usuarios.universia.net/verActividad.action?loginUsuario=a...
VÁSQUEZ ROCCA, Adolfo, "NIETZSCHE Y DERRIDA: DE LA VOLUNTAD DE ILUSIÓN A LA MITOLOGÍA BLANCA", En CUENTA Y RAZÓN DEL PENSAMIENTO ACTUAL Nº 145 – 2008 - Revista de la Fundación de Estudios Sociológicos de Madrid, (FUNDES) Nº 145 – 2008, pp. 45 a 64 - ISSN : 0211-1381
www.cuentayrazon.org/revista/pdf/145/Num145_006.pdf
- VÁSQUEZ ROCCA, Adolfo, "SLOTERDIJK 'NORMAS PARA EL PARQUE HUMANO'; DE LA CARTA SOBRE EL HUMANISMO A LAS ANTROPOTECNIAS Y EL DISCURSO DEL POS-THUMANISMO", En
Revista Observaciones Filosóficas - Nº 5 / 2007 | ISSN 0718-3712
www.observacionesfilosoficas.net/petersloterdijkdelasnorm...
- VÁSQUEZ ROCCA, Adolfo, PETER SLOTERDIJK; DEL PESIMISMO METODOLÓGICO AL CINISMO DIFUSO DE NUESTRAS SOCIEDADES EXHAUSTAS, En Konvergencias: Revista de Filosofía y Culturas en Diálogo, ISSN 1669-9092, Nº. 15, 2007 , págs. 84-92
VÁSQUEZ ROCCA, Adolfo, “PETER SLOTERDIJK: EXTRAÑAMIENTO DEL MUNDO; ABSTINENCIA, DROGAS Y RITUAL”, Konvergencias, Filosofía y Culturas en Diálogo - ISSN 1669-9092, Número 11 Año III Enero 2006.
“¡Ay! quién nos contara la historia completa de los narcóticos! Ella es punto menos que la historia de la 'formación', de lo que suele llamarse civilización”.
F. NIETZSCHE , Die fröhliche Wissenschaft, 86
VÁSQUEZ ROCCA, Adolfo, "PETER SLOTERDIJK: 'EXTRAÑAMIENTO DEL MUNDO'. ABSTINENCIA, DROGAS Y RITUAL" En Gazeta de Antropología, Nº 22, 2006
Texto 22-12. | UNIVERSIDAD DE GRANADA, ESPAÑA, UE. ISSN 0214-7564
y CUADERNO DE MATERIALES, Nº22 Enero 2006, UNIVERSIDAD COMPLUTENSE DE MADRID. ISSN: 1138-7734
VÁSQUEZ ROCCA, Adolfo, "PETER SLOTERDIJK; EXTRAÑAMIENTO DEL MUNDO; ABSTINENCIA, DROGAS Y RITUAL", Revista ZONA MOEBIUS, Año 4 / enero, 2006.
- VÁSQUEZ ROCCA, Adolfo, “PETER SLOTERDIJK; LA MÚSICA DE LAS ESFERAS Y LA ERA ANTROPOTÉCNICA”. Konvergencias, Filosofía y Culturas en Diálogo. ISSN 1669-9092
Número 12 Año III Mayo 2006, www.konvergencias.net/musicaps01.htm
Peter Sloterdijk ¿dónde estamos, cuando escuchamos música? Número 12 Año III Mayo 2006
Konvergencias, Filosofía y Culturas en Diálogo. www.konvergencias.net/musicaps.htm
Periodista y escritor. Profesor de Sociología en la Staatliche Hochschule für Gestaltung de Karlsruhe.
Director periodístico de ZDF, alemania. www.peter-voss.eu/
Sloterdijk y Canetti; el detonante iconográfico y operístico de la política de masas ; Konvergencias: Revista de Filosofía y Culturas en Diálogo, ISSN 1669-9092, Nº. 13, 2006, www.konvergencias.net/vasquezrocca115.htm
VÁSQUEZ ROCCA, Adolfo, "SLOTERDIJK: SECRETOS BIZARROS DE FREUD, DISCRETAS OBSESIONES TELECOMUNICATIVAS Y PRIMERAS FORMACIONES DE PSICOLOGÍA PROFUNDA EUROPEAS" 2 , En NÓMADAS, Revista Crítica de Ciencias Sociales y Jurídicas - Universidad Complutense de Madrid, NÓMADAS. 31 - (I) 31 | Julio-Diciembre 2011, pp. 339-368.
Referencia indexación Universidad Complutense:
Revistas Científicas Complutenses +Madrid
usuarios.universia.net/verActividad.action?loginUsuario=a...
VÁSQUEZ ROCCA, Adolfo, "NIETZSCHE Y DERRIDA: DE LA VOLUNTAD DE ILUSIÓN A LA MITOLOGÍA BLANCA", En CUENTA Y RAZÓN DEL PENSAMIENTO ACTUAL Nº 145 – 2008 - Revista de la Fundación de Estudios Sociológicos de Madrid, (FUNDES) Nº 145 – 2008, pp. 45 a 64 - ISSN : 0211-1381
www.cuentayrazon.org/revista/pdf/145/Num145_006.pdf
VÁSQUEZ ROCCA, Adolfo, "EDWARD HOPPER Y EL OCASO DEL SUEÑO AMERICANO", En HOMINES –Arte y Cultura– MA-739-2004, 2009, Málaga, 2005.
www.homines.com/arte_xx/hopper_ocaso_americano/index.htm
Peter Sloterdijk; temblores de aire, atmoterrorismo y crepúsculo de la inmunidad
Konvergencias: Revista de Filosofía y Culturas en Diálogo, ISSN-e 1669-9092, Nº. 16, 2007 , 196-216
dialnet.unirioja.es/servlet/articulo?codigo=2377373&o...
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Peter Sloterdijk; espumas, mundo poliesférico y ciencia ampliada de invernaderos
Autores: Adolfo Vásquez Rocca
Localización: Konvergencias: Revista de Filosofía y Culturas en Diálogo, ISSN-e 1669-9092, Nº. 16, 2007 , págs. 217-228
dialnet.unirioja.es/servlet/articulo?codigo=2377372&o...
KONVERGENCIAS Filosofía y Culturas en Diálogo
ISSN 1669-9092
Año V, No 16 Tercer Cuatrimestre 2007
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- Vásquez Rocca, Adolfo, Peter Sloterdijk; del pesimismo metodológico al cinismo difuso de nuestras sociedades exhaustas, En Konvergencias: Revista de Filosofía y Culturas en Diálogo, ISSN 1669-9092, Nº. 15, 2007 , págs. 84-92
PETER SLOTERDIJK; DEL PESIMISMO METODOLÓGICO AL CINISMO DIFUSO DE NUESTRAS SOCIEDADES EXHAUSTAS Dr. ADOLFO VÁSQUEZ ROCCA
dialnet.unirioja.es/servlet/articulo?codigo=2310343&o...
ISSN 1669-9092
- VÁSQUEZ ROCCA, Adolfo, “PETER SLOTERDIJK: EXTRAÑAMIENTO DEL MUNDO; ABSTINENCIA, DROGAS Y RITUAL”, Konvergencias, Filosofía y Culturas en Diálogo - ISSN 1669-9092, Número 11 Año III Enero 2006.
“¡Ay! quién nos contara la historia completa de los narcóticos! Ella es punto menos que la historia de la 'formación', de lo que suele llamarse civilización”.
F. NIETZSCHE , Die fröhliche Wissenschaft, 86 /
- VÁSQUEZ ROCCA, Adolfo, "PETER SLOTERDIJK: 'EXTRAÑAMIENTO DEL MUNDO'. ABSTINENCIA, DROGAS Y RITUAL" En Gazeta de Antropología, Nº 22, 2006
Texto 22-12. | UNIVERSIDAD DE GRANADA, ESPAÑA, UE. ISSN 0214-7564
y CUADERNO DE MATERIALES, Nº22 Enero 2006, UNIVERSIDAD COMPLUTENSE DE MADRID. ISSN: 1138-7734
/
- VÁSQUEZ ROCCA, Adolfo, "PETER SLOTERDIJK; EXTRAÑAMIENTO DEL MUNDO; ABSTINENCIA, DROGAS Y RITUAL", Revista ZONA MOEBIUS, Año 4 / enero, 2006.
2.-
"Conjeturas sobre el animal que topa consigo, se propone lo grande, a menudo no avanza un paso y, a veces, esta harto de todo”.
P. Sloterdijk
VÁSQUEZ ROCCA, Adolfo, “GEORG TRAKL Y JORGE TEILLIER; PARA HABLAR CON LOS MUERTOS”, En Revista Almiar, MARGEN CERO © Madrid, 2007
www.margencero.com/articulos/articulos3/trakl.htm
VÁSQUEZ ROCCA, Adolfo, "PETER SLOTERDIJK; EL HOMBRE COMO EXPERIMENTO SONORO Y METAFÍSICO ANIMAL DE LA AUSENCIA", PHILOSOPHICA, Instituto de Filosofía PONTIFICIA UNIVERSIDAD CATÓLICA DE VALPARAÍSO, Nº 31, Sem. I, 2007, ISSN 076 - 1913, pp. 89-105.
NORTH HOLLYWOOD - A fire early Saturday morning displaced 21 residents and led to one firefighter injury, when flames from a pallet yard viciously spread to a nearby Rescue Mission.
The Los Angeles Fire Department was summoned at 12:25 AM on May 3, 2014, to 13412 Saticoy Street in North Hollywood, where firefighters arrived quickly to find heavy fire showing from a 300' x 300' pallet yard. In the middle of the Okote Pallet yard was a metal corrugated building well involved in flames. The nearby San Fernando Valley Rescue Mission, a 75' x 100' structure, was engulfed in flames within a few minutes after firefighters arrived. The Rescue Mission's residents were immediately evacuated to a nearby church for safety.
A total of 137 firefighters had the flames under control in less than 90 minutes.
© Photo by Juan Guerra
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Bartlett Tower, which stands 71 feet high and was built between 1885 and 1895, was originally created to replace the Lone Pine. The inside is marked by more than a century's worth of etchings by students. (Photo by Eli Burakian ’00)
Stay connected to Dartmouth:
15 60" prints
lacda.com/exhibits/Stephen_Mingle.html
Go West, Young Man, the Cradle of Civilization, the Promised Land, the False Hope of the Horizon, Wide Open Spaces, Freedom, Liberty, Independence, the Land of Milk and Honey, the Lure of the West. In his latest exhibition, Stephen R. Mingle takes his brand of imagery on a wild, freewheelin’ ride via the signs, symbols, and icons that run wild in the great expanses of the Western Digital World. Mingle jams digital fragments from various times and places into a colloquial language that speaks of current state of modern life.
Mashed together, collapsed upon, thrown together, juxtaposed, collaged, and interwoven, the images mix and mingle, embrace and repel, horrify and amuse. From Greek gods to Klaatu, from the Black Knight to Mr. Robato, the digital West finds a space for all to thrive. Yet for one idea to flourish, others must be quashed, defeated, displaced, or destroyed. Within Mingle’s pieces, different cultures, civilizations, subgroups, and stereotypes spar for relevance, superiority, and in so doing call the viewer to question the complexities of our lives. Mingle’s goal is for the work to have a visceral impact, “for the viewer to know what it felt like to be alive at the time the piece was was made.”
The works include large-scale archival pigment prints, composed and formulated in several generations of Adobe Photoshop. The imagery originated from digital photography, screen grabs, video capture, re-photography, and other free-flowing detail media. His art making process is closer to that of a deejay, scratching and mixing, chasing a beat, than with traditional art-making methods.
Mingle has been working in photography, photojournalism, and art since the 1980s, and working with digital art, photography, and illustration since the mid-90s. He holds a Bachelor’s of Fine Arts in Photo/Video from the Kansas City Art Institute. He grew up in small-town Kansas, migrated to Kansas City, San Fransisco, Ventura, east to Washington D.C., and then ultimately to the desert southwest of Arizona.
www.wellington271.com/district_meetings.html
Ramage installed as Master of Mercer Lodge
FERGUS
Morgan Ram-age, of Fergus, has just been installed as Master of Mercer Masonic Lodge No. 347, Fer-gus.
Adrian De Vries was In-stalling Master, assisted by many members.
A large number of visitors was present from Lodges in Elora, Guelph, Toronto, Pick-ering, Erin, Georgetown, Dray-ton, and Grand Valley.
Special guest was C. Allin Brown, District Deputy Grand Lodge of Canada in the Province of Ontario. Also John Green, member of the board of Grand Lodge, and Les Wardlaw, Grand Steward of Grand Lodge, and many Past Grand Lodge members.
Other officers invested were Immediate Past Master Robert Wilson, Senior Warden Mich-ael Pearse, Junior Warden Rob-ert Meiklejohn, Secretary John Campbell, Assistant Secretary Adam Shortreed, Treasurer Keith Roszell, Senior Deacon Jamie MacGillivary, Junior Deacon William McCaw, Sen-ior Steward Drew Croll, Junior Steward Jeff McClennan, Director of Ceremonies Ray-mond Pearse, Tyler William Snowe, Inner Guard Keith Beattie, Historian John Carter, Chaplain Sean Mulligan, and Organist Adrian DeVries.
Mercer Masonic Lodge is 132 years old and meets on the fourth Wednesday of the month at 310 St. Andrews Street East in Fergus.
Vol 41 Issue 50
Over 120 years of combined service to local Masonic Lodge
by Chris Daponte
FERGUS
Many people, influenced by historical half-truths and recent pop culture references like Dan Brown’s novel The Lost Symbol, still view Freemasonry as a mystical, secretive sect with odd customs.
But two long-time members of Fergus’ Mercer Lodge (#347) say most Masonic stories have been blown out of proportion and the organization is known more today for offering fellowship and community service.
“It’s really not a secret,” said David Beattie, a member of the Mercer Lodge for over 60 years.
He smiled and continued, “I was once told, ‘If it was a secret organization, you wouldn’t know who its members were’.”
John Carter, who was recently named the Mercer Lodge’s historian, agreed and said much has changed since he first joined the Fergus lodge over 50 years ago.
“There’s a lot less secrets now than when I joined,” Carter said.
At that time, he explained, Freemasons did not even want photographs taken of their members or the lodge, and women were strictly forbidden from entering Masonic Lodges.
Freemason events and ceremonies now often appear in local newspapers. And women are regularly welcomed in the buildings today, particularly as part of the affiliated group Order of the Eastern Star (although Freemasons have retained the men-only membership requirements).
The Mercer Lodge in Fergus today boasts around 80 members. In Ontario, there are approximately 64,000 Masons belonging to some 630 lodges in 46 districts, governed by a Grand Lodge in Hamilton.
According to the Grand Lodge’s website, Masonry is “the world’s oldest and largest fraternal organization.” Worldwide, there are more than four million Masons, about half of whom call North America home.
The website states the “singular purpose” of Freemasonry is “to make good men better” and to teach members “each person has an obligation to make a difference for good.”
One of the main strengths of Freemasonry is helping others. Masonic Lodges in Ontario donate in excess of $3-million annually.
The exact origin of Freemasonry is unclear, though the earliest Masonic text has been dated to the year 1390 and the first Grand Lodge was established in England in 1717.
The Mercer Lodge officially opened in April 1876, with the help of members at the Irvine Lodge in Elora, which was founded in 1868.
Named after William Mercer, a renowned past Grand Master, the Fergus lodge originally met in the Odd Fellows hall in town. In 1879, the Fergus group began renting the upstairs of the former town office, and in 1900 it moved to the third floor of the Argo Block at the corner of St. Andrews and St. David Streets. It remained there until 1961, when the current building on St. Andrew Street East was opened.
A lodge is the basic organizational unit of Freemasonry. Each lodge must hold monthly meetings and elect, initiate and promote members and officers.
“Every member is encouraged to attend the meetings,” said Carter.
Like any organization, Masonic Lodges have formal business, including annual general meetings and committees, charity funds and other reports, including those dealing with financial and membership details.
“I found out a few things I didn’t know about the activities,” Beattie said of his early days as a Freemason.
Many are unaware that the number and type of activities is individual to each lodge, and each can develop and observe its own traditions.
Carter said the Mercer Lodge in Fergus has been particularly active with local charities. It is a regular contributor to various fundraisers for the Groves Memorial Hospital, including the most recent CT scanner campaign, and the lodge has also sponsored blood donor clinics in town, he explained.
This year, the lodge is raising funds specifically for prostate cancer research, Carter said, adding it will also continue its annual support of The Hospital for Sick Children in Toronto, as well as the Child Identification Program (CHIP).
The latter is a charitable initiative by North American Masonic Lodges to aid in the identification and recovery of missing children. The program is supported monetarily at the Grand Lodge level, and staffed by volunteers from subordinate lodges, as well as law enforcement and dental professionals.
The CHIP program allows parents to create a free kit of identifying materials for their children, including a physical description, fingerprints, video, dental imprint and DNA sample.
The purpose of the program, which has been lauded by various groups and organizations, is to provide critical information to the public and to law enforcement officials in the event the child goes missing.
In recent years the CHIP program has become somewhat synonymous with Freemasons, but it is certainly not the only charitable endeavour of the organization.
In fact, Carter said, many men join nowadays specifically as another way to become more active in their own community. In that respect, not a lot has changed for the Freemasons, he added - they have always prided themselves on helping others.
Another aspect that has remained relatively unchanged is becoming a Freemason is a little more difficult than joining other organizations.
Contrary to common misconception, becoming a member is not by invitation only. A man must express his interest in joining and then must be sponsored by two current members.
Then, a small committee of Freemasons conducts an investigation of sorts to ensure the prospective member is of good character. He must also meet other criteria, which can change depending on the jurisdiction but generally includes:
- joining of his own free will;
- the belief in “a Supreme Being” (the form of which is left to interpretation by the candidate), though officials are quick to point out Freemasonry is neither a religion nor a substitute for one;
- being at least the minimum age (usually from 18 to 25 years old) although in some places the son of a Mason may join earlier than others;
- be of good morals and of good reputation;
- be of sound mind and body; and
- be able to provide character references.
Once selected for initiation, prospective members then face a secret ballot election, using white and black marbles. Depending on the jurisdiction, the number of adverse votes needed to “black ball” someone can range from one to three.
There are three general degrees Freemasons can obtain:
- Entered Apprentice, which members receive upon initiation;
- Fellow Craft, an intermediate degree, involved with learning; and
- Master Mason, also known as the “third degree” and a necessity for participation in most aspects of Masonry.
The degrees represent stages of personal development and are decided by a number of factors and requirements that can differ for each individual.
There are further degrees - for example, in either the Scottish or York Rites - names with higher numbers that are considered supplements to the Master Mason degree.
Carter himself obtained a standing of 32 degrees (out of 33) in the Scottish Rite.
“Outstanding” members can also be elected or appointed to the Grand Lodge of Ontario, he explained.
Beattie, who turns 97 on Christmas Eve, still vividly recalls when he joined the Mercer Lodge.
“It was April 7, 1944,” he said with a smile.
At the time, he farmed land in old Nichol Township just south of Ennotville and also served as clerk at various farm auction sales.
“It was kind of interesting work,” said Beattie, who was friends with several Freemasons.
“I knew quite a few people that belonged,” he said, noting he joined mostly for the fellowship.
He held several positions at the club, including almost two decades as treasurer, and he also served as district secretary for the Freemasons. He was also Master of the Mercer Lodge in 1955, when Carter became a member.
Carter, born in the Toronto area in 1922, was also a farmer for many years in former West Garafraxa Township. He served seven years on council there, including one as reeve, and later served two terms on Fergus council, prior to amalgamation in 1999.
Carter, who also worked as a property assessor for 23 years, was interested in Freemasonry at a young age, after his father expressed interest in joining.
“He encouraged me,” said Carter, who also had several friends at the lodge.
“I thought it was an interesting organization. I had heard a little about it.”
Looking back on over 120 years of combined membership as Freemasons, both men cite the opening of the new Mercer Lodge on St. Andrew Street in Fergus as a major accomplishment.
“You could hardly get in the lodge,” Carter said of the 1961 official opening.
Almost 270 attended that ceremony, which included the dedication of the hall by past Grand Master Harry Martin.
Carter, who was Master of the Mercer Lodge the year of the opening, said rising rent and three flights of stairs at the lodge’s previous home (above a hardware store at the corner of St. Andrew and St. David Streets) necessitated the purchase of a new home.
Much of the work on the new building was completed by local Freemasons, including one contractor who helped in excavation and laying the foundation. Thanks to the help of members, the total cost for the lodge was a modest $22,000, said Carter.
He and Beattie shared several laughs as they recalled the good times they’ve had through Freemasonry over the years.
The pair, who first met on a softball field as youths, have a remarkable amount in common. Both were one of two children (with one sister), both grew up close to Fergus, and both were farmers and never married.
And, not surprisingly, both highly recommend joining Freemasonry to any local men with an interest in doing so.
“I was never sorry [I joined],” said Beattie.
Carter agreed. “That was a common phrase - ‘you’ll never be sorry’.”
For more information on Freemasonry in Ontario visit grandlodge.on.ca.
Vol 44 Issue 49
December 9, 2011
“Evangelio”significa “las buenas noticias”. Como dice Isaías capítulo 61 versículo 1: “EL espíritu del Señor Jehová es sobre mí, porque me ungió Jehová; hame enviado á predicar buenas nuevas á los abatidos, á vendar á los quebrantados de corazón, á publicar libertad á los cautivos, y á los presos abertura de la cárcel;” (Isaías 61:1).
Cuando menciona el Evangelio, podemos recordar 2 Corintios capítulo 1 versículo 10: “El cual nos libró y libra de tanta muerte; en el cual esperamos que aun nos librará;”(2 Corintios 1:10). De esta escritura, podemos ver que Dios ha salvado a la humanidad de la muerte tres veces. El Antiguo Testamento de la Biblia tiene registrado que la humanidad se enfrentó a la muerte después de ser corrompido por Satanás desde que Adán y Eva comieron el fruto del árbol del conocimiento del bien y del mal. Entonces Dios comenzó a hacer una obra para salvar a la humanidad, fue traído por Dios Jehová, la primera salvación para la humanidad. En aquel momento, los israelitas sólo podían hacerse cargo de las necesidades básicas de la vida, no sabían el conocimiento básico para la vida ni tampoco sabían qué clase de Dios era Jehová, y mucho menos cómo debían adorar a Dios. Si Dios no guiaba a la humanidad y todo el hombre habría adorado ídolos pero no adoraba a Dios y habria vivido en la promiscuidad y la corrupción pero no entendía la vida de la humanidad normal, así pues habría sido pisoteada por Satanás y castigado por Dios y toda la humanidad habría regresado a la nada. Así que después de que Dios usó a Moisés para guiar a los israelitas saliendo de Egipto, había promulgado Sus mandamientos y leyes a través de Moisés para guiar a la recién nacida raza humana viviendo en la tierra. Exigiendo que el hombre obedeciera estrictamente la ley y aprendiera cómo adorar y exaltar a Dios. Si Dios no hubiese promulgado Sus leyes y los mandamientos, el hombre no habría entendido cómo vivir. Los que obedecían la ley de Jehová tenían la bendición acompañada de Dios, si alguien violó a Dios, lo apedreaban a muerte y el fuego de Jehová lo golpeaba a uno. Por lo tanto, bajo la ley de los israelitas cumplieron estrictamente la ley y el santificado era el nombre de Jehová. Así que recibieron la bendición de Dios Jehová. Los israelitas también predicaron el evangelio de Dios Jehová a todas las naciones fuera de Israel, los que aceptaban el evangelio recibirán las bendiciones de Dios Jehová y los demás que no reciben el evangelio no las recibirán.
…
Fuente del artículo : https : / / www.jesucristo-es.org/sabes-que-es-el-evangelio.html
Recomendación :Caminando con Jesucristo
Public Domain. Credit: NASA. For more information Visit NASA's Multimedia Gallery You may wish to consult NASA's
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Germany’s largest city and capital, Berlin has appeared in historical records since the 14th century, and has been a capital city of the surrounding kingdom, empire, or nation since the beginning of the 18th century. Like many capital cities, Berlin has seen its share of strife. Shortly after World War II bombings devastated the city, Cold War superpowers divided it into East and West Berlin. Between August 1961 and November 1989, a wall running though the city reinforced the political divide. After a reduction in tensions between East and West allowed Berliners to cross the wall, it was torn eventually down.
This image, acquired by the Advanced Spaceborne Thermal Emission and Reflection Radiometer (ASTER) on NASA’s Terra satellite on October 15, 2005, shows a portion of the city where the Berlin Wall once divided it. The remains of the wall can be discerned most easily near the eastern edge of Tiergarten as a fuzzy gray line. This park was largely deforested for firewood after World War II, but today is lush and green compared to its urbanized surroundings. Just east of the park is Brandenburg Gate. Built near the end of the 18th century, this gate once served as a formal entrance to the city of Berlin, but the Berlin Wall temporarily forced its closure. Gray or brown colors, straight lines, and sharp angles provide the characteristic indications of urban settings. Pockets of trees or other vegetation make a green checkerboard among streets and buildings. Among the city’s interesting buildings is the Reichstag, the building that houses the German parliament. North of the park, the Spree River meanders through the heart of Berlin. Canals stretch northward in an arc from the river.
© Álbum 2487
By Catedrales e Iglesias
Arquidiócesis Primada de México
Parroquia de Nuestra Señora de Guadalupe
Sitio Oficial de la Parroquia
www.laguadalupita.org.mx/menu.html
Párroco: P. Ricardo Junius Sander
Vicaría: II Decanato; 3
Joaquín García No. 39
Col. San Rafael
Del. Cuauhtémoc
Tel. 5546-6974 y
Tel. 55359788
La Guadalupita,un templo que respira vida
Escrito por Mauricio Carmona R.
Parroquia de Nuestra Señora de Guadalupe
La Guadalupita, un templo que respira vida
La mancha urbana ocultó el templo, pero no el ánimo de los fieles.
El testimonio de los sacerdotes hace que la feligresía tenga “hambre de Dios”.
Mauricio Carmona R.
Entre las calles de la Colonia San Rafael, plagada de teatros y centros nocturnos, subsiste la iglesia de la “Guadalupita”, como lo llaman los vecinos. Y a pesar de que pareciera una zona cerrada a la Palabra de Dios, los sacerdotes y la comunidad han hecho ver lo contrario.
El templo
Image
Narra la historia que donde hoy se levanta el Palacio de Bellas Artes, vivió la familia Aguilar Reyes, católicos nobles y buenos, cuya vivienda desapareció luego de un terrible incendio. La madre había quedado atrapada en el interior de la casa, por lo que se encomendó a una imagen de la Guadalupana que se hallaba en la recámara; a cambio de salir con vida de esa catástrofe, le prometió a la Virgen un oratorio.
La Reina de los Cielos escuchó las súplicas, pues pronto un vecino tendió una escalera y otros más le ayudaron a descender hasta quedar a salvo. El fuego consumió todo, excepto el cuadro milagroso de la Santísima Virgen de Guadalupe.
Pasados algunos meses, la familia se dio a la tarea de construir una capilla a la Morenita en una propiedad de la naciente Colonia San Rafael. Viendo la devoción que los vecinos tenían a la imagen, pidieron permiso a la Sagrada Mitra para celebrar Misa todos los domingos en el pequeño recinto.
El Arzobispo de México, entonces Mons. Luis María Martínez, viendo la cantidad de fieles que acudían, decretó que la capilla fuera elevada a rango de parroquia, delegando el cuidado pastoral a los sacerdotes Misioneros Oblatos de María Inmaculada. Con grandes esfuerzos, el amplio y hermoso templo fue concluido y dedicado el 12 de octubre de 1954, con el nombre de “Iglesia de la Guadalupita”, convirtiéndose además en la casa madre de la orden.
La comunidad
A pesar del gran tamaño del templo, tanto en profundidad como en altura, la mancha urbana no cedió terreno y dejó casi invisible el recinto. Ni los enormes puentes del Circuito Interior ni los numerosos teatros y locales de la zona dejan ver con facilidad la iglesia.
Pese a ello, la comunidad no cede ante cualquier dificultad, y en verdad que las tiene. Las distintas calles que rodean el templo se han visto plagadas por centros nocturnos y pequeños “antros”, que han hecho de aquellos parajes una zona roja; incluso, parecía retador el hecho de que justo a las puertas de la parroquia se encontrara uno de estos bares. La comunión y solidaridad de los vecinos de la Guadalupita no se hizo esperar para resolver la situación y, después de largos acuerdos, se logró el cierre del establecimiento. El P. Ricardo Junius, párroco del lugar, nos comenta la satisfacción que siente por encontrarse en medio de una comunidad actuante.
“Pienso que somos una comunidad muy unida y con ganas de compartir nuestra fe”, explicó el sacerdote de origen estadounidense. “Estamos ansiosos de propagar con más devoción el Evangelio, sobre todo con los vecinos que llegan a los nuevos departamentos que han construido”. Y es que en los últimos años, la zona ha quedado repleta de condominios, generando con ello, más dificultades para transmitir el mensaje de Cristo.
La Pastoral
La iglesia de la Guadalupita ha quedado oculta por la mancha urbana, pero no ha sucedido lo mismo con el espíritu de trabajo de los fieles, el cual deja entrever el esfuerzo que han hecho los padres Oblatos en la actividad pastoral que se destaca.
“Muchas personas se han mudado a otras partes de la ciudad y algo que nos entusiasma es ver sus rostros cada domingo en Misa o en nuestros grupos parroquiales. Vienen desde lejos a su parroquia”, confesó el P. Ricardo.
El trabajo que han realizado los sacerdotes ha hecho eco en la comunidad. “Nos llena mucho ver a los padres trabajar desde muy temprano y hasta avanzada hora la noche”, comentó la señora Felicita, quien además explicó que “los sacerdotes nos han hecho sentir hambre de Dios y de Su Palabra ¿Y cómo no sentirlo al ver el testimonio y ejemplo de nuestros padres?”
Por ello, y a solicitud de la comunidad, iniciará un Curso de Evangelización a partir del 5 de febrero, fiesta de san Felipe de Jesús. “Será un curso muy completo donde se descubrirá a Cristo, paz y alegría permanente, y que logrará nuestro objetivo principal que es ser representantes vivos del Evangelio”.
Entre los proyectos de esta comunidad, cabe destacar también la creación de nuevos grupos parroquiales como son los ministros extraordinarios, equipo litúrgico, renovación carismática y un foro de debates sobre temas fuertes de interés para la Iglesia Católica”.
Finalmente, los fieles, como don Ramiro, no pierden la esperanza de que este hermoso templo pueda llegar a ser una basílica menor, puesto que el número de asistentes es grande y “tal vez a nuestra Madre le gustaría que esta casita suya también se considerara santuario de oración”
[PUBLICADO EN ACADEMIA CAJANDER]
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Publicado en el Defensor Diario de Newark - Newark Daily Advocate
25 de Marzo de 1893
Predicciones para dentro de 100 años (1993)
(...) Cada persona con una mínima educación y mente inquieta escribe un libro. Por lo general es un libro superficial, pero crece en volumen e indica la excitación cerebral que está intentando expresarse por si misma. Hemos llegado a un estado en el que se imprimen más libros de los que el mundo pueda leer. Esto es cierto no solo para libros que no merecen ser leídos, sino también para aquellos que lo son.
Interpreto todo esto como el resultado de una nueva emancipación intelectual, y de la diseminación del conocimiento en lugar de una concentración de la cultura.
Todo el mundo quiere decir algo. Pero lentamente se va aceptando que no todo el mundo tiene algo que decir. Por ello uno puede incluso en este momento detectar las causas que producirán reacción.
En 100 años no se imprimirán tantos libros, pero se dirán muchas más cosas. Eso me parece inevitable.
Ciertamente, esta dirección de desarrollo intelectual implica que el ser humano, si continua progresando, alcanza un estado, tanto individual como social, en el que está menos preocupado por hablar que por hacer. (...)
----------------------------------------------------------------------------------------------------------------
Este sorprendente texto es un extracto de un artículo publicado hace hoy 116 años dos meses y 16 días en un periódico de Newark (Ohio) en el que se preguntaba a varios "brillantes periodistas" (sic) sobre como sería la sociedad un siglo después.
Asombrosamente estos párrafos de A.C. Wheeler (apodado Nym Crinkle) bien pudieran pertenecer a algún artículo contemporáneo sobre la denominada blogosfera, blogocosa, bitácoras...
Todo el artículo en general es muy interesante, como son las cosas vistas con la perspectiva que da el tiempo. Aw modo de simple muestra, rescato alguna de las perlas de los otros tres autores:
George Alfred Townsend
* Europa nos está influenciando fuertemente y ello durará muhco tiempo probablemente para nuestro bien. ¿Que podremos aprender de Carolina del Norte o Indiana que sea mejor que las relaciones sexuales Europeas
* No hubiera sido una mejor interpretación del Gobierno que el nuestro hubiera comprado el telefono al principio por un millón de dólares en lugar de gravar a los clientes durante dos generaciones cincuenta dólares al año?
* El hogar debería ser libre, el poder civil, y no el eclesiático, debería celebrar todos los casamientos.
Kate Field
* Todo depende de nuestras mujeres. Si se casan por amor y no por conveniencia; si cultivan el interior de su cabeza de la misma manera que ahora se interesan por la moda.; si "encajan" en los cuerpos sanos que la madre naturaleza pretendió que las madres de la raza humana poseyeran; si enseñan a sus hijos a respetarse ellos mismos y a respetar la autoridad, los americanos de 1993 recordarán a sus ancestros de 1893 poco menos que como vulgares e ignorantes paganos"
John Swanton
*Presumo que antes del próximo siglo acabe las funciones y poderes de nuestro gobierno aumentarán grandemente; que los ferrocarriles, telégrafos y muchas otras cosas, actualmente poseídas como explotaciones privadas serán propiedad pública; que la Ley, Medicina y Teología serán más razonables que lo son ahora; que las invenciones y descubrimientos serán mayores que los que nunca tuvimos y que el bienestar de la humanidad será mayor que lo es ahora, en esta era de confusión".
Visto en: Un post del magnífico blog Paleo-Future (el futuro que nunca fue) al que llevo enganchado más de dos años y donde podéis leer el artículo original escaneado.
Fotografía: Interior de oficina en el Parque Skansen de Estocolmo... si, si, ya se que prometí un día hablar de él...
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CIF CENTRAL SECTION CHAMPIONSHIP
Liberty High School - Wednesday, May 14, 2008
www.andynoise.com/valley08.html
Central Section Grand Masters
At Liberty
Team standings--unavailable.
400 relay--1. Bakersfield (Hunt, Turner, Johnson, Norwood), 42.28; 2. Clovis East (Bourbon, Scott, Smith, Woods), 42.58; 3. Redwood (Stewart, Ray, Root, Coles), 43.07; 4. Central (Newsome, Bigelow, Hammack, Phillips), 43.15. 1,600--1. Chris Schwartz, Foot, 4:15.80; 2. Jonathan Sanchez, Buch, 4:17.48; 3. Eric Battles, CW, 4:20.34; 4. Jesse Arellano, Mad, 4:21.56. 110H--1. Ethan DeJongh, MtW, 14.49; 2. Sean Johnson, Buch, 14.66; 3. Jon Funch, CW, 14.81; 4. Isiah Crunk, Wash, 15.17. 400--1. Maurice Lewis, Ed, 49.08; 2. Isiah Purvis, Lib, 49.13; 3. Daniel Lozano, Stock, 49.35; 4. Jelani Hendrix, Ed, 49.62. 100--1. Brendon Bigelow, Central, 10.62; 2. Emmanuel Turner, Bak, 10.81; 3. Matt Sumlin, Gar, 10.91; 4. Chris Lopez, GW, 10.98. 800--1. Anthony Mitchell, North, 1:54.19; 2. Aric Champagne, MtW, 1:54.97; 3. Andrew Campbell, CW, 1:55.69; 4. Arturo Ramirez, Centennial, 1:55.83. 300H--1. DeJongh, MtW, 37.93; 2. Cody Alves, Sel, 37.94; 3. James Smith, CE, 39.03; 4. Sean Johnson, Buch, 39.28. 200--1. Brendon Bigelow, Central, 21.29; 2. Isiah Purvis, Lib, 21.96; 3. Mario Navarette, Sanger, 22.04; 4. Chris Lopez, GW, 22.29. 3,200--1. Chris Schwartz, Foot, 9:24.19; 2. Jonathan Sanchez, Buch, 9:24.99; 3. Jon Ross, CE, 9:26.42; 4. Danny Vartanien, Buch, 9:26.42. 1,600 relay--1. Edison (Hendrix, Carter, Boughton, Lewis), 3:17.86; 2. Liberty (Hill, Garside, Affentranger, Purvis), 3:18.95; 3. Bakersfield (Miller, Turner, Johnson, Gooden), 3:20.06; 4. Clovis East (Ellis, Defonska, Woods, Smith), 3:22.40. PV--1. Andrew Lohse, Mad, 15-0; 2. Michael Peterson, CE, 15-0J; 3. Jeff Brenner, Cl, 14-6; 4. Frankie Puente, Sel, 14-0. SP--1. Dayshan Ragans, Foot, 60-7; 2. Matt Darr, Fron, 52-8.75; 3. Troy Rush, CW, 52-8.5; 4. Christian Millard, CE, 51-10.5. TJ--1. Johnny Carter, Ridge, 48-3; 2. Tyler Thompson, Shaf, 47-3; 3. Chris Kelly, Ridge, 46-11.5; 4. Jordan Smith, Central, 46-10.5. D--1. Dayshan Ragans, Foot, 199-2; 2. Jacob Budwig, Fowl, 168-8; 3. Niko Gomes, Cl, 164-10; 4. Matt Darr, Fron, 157-7. LJ--1. Kenny Phillips, Central, 23-4; 2. Tyler Thompson, Shaf, 21-11.5; 3. Dillon Root, Red, 21-11; 4. Kevin Norwood, GV, 21-8.75. HJ--1. Kenny Phillips, Central, 6-8; 2. Isiah Griggs, Bak, 6-6; 3. George Robbins, West, 6-4; 4. Jeff Brenner, Cl, 6-4J.
Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.
Girls track
Central Section Grand Masters
At Liberty
Team standings--unavailable.
400 relay--1. Edison (Eng, Scott, Thompson, Sears), 47.16; 2. Bullard (J. Williams, Riddlesprigger, Baisch, L. Williams), 48.17; 3. Tulare Western, 48.73; 4. Bakersfield (Torres, Belt, Brown, Wandick), 48.80. 1,600--1. Saleh Barsarian, Cl, 5:02.98; 2. Meghan Marvin, Cl, 5:03.02; 3. Chloe Allen, CW, 5:04.62; 4. Allison Gonzales, Ex, 5:11.52; 100H--1. Alyssa Monteverde, CW, 14.59; 2. Brianny Williams, Ed, 14.60; 3. Taylor Jackson, Fr, 15.04; 4. Jen Melton, CW, 15.37. 400--1. Breanna Thompson, Ed, 56.64; 2. Dedrea Wyrik, Sun, 57.49; 3. Lasasha Aldredge, Central, 58.12; 4. Taylor Donaldson, Reed, 58.13. 100--1. Megan Del Pino, CW, 11.66; 2. Jenna Prandini, Cl, 11.74; 3. Lynn Williams, Bul, 12.00; 4. Brushay Wandick, Bak, 12.01. 800--1. Allysa Mejia, Reed, 2:17.47; 2. Molly Pahkamaa, ElD, 2:17.73; 3. Katie Fry, Ex, 2:18.74; 4. Ashlee Thomas, Centennial, 2:19.77. 300H--1. Alyssa Monteverde, CW, 43.92; 2. Taylor Jackson, Fron, 44.86; 3. Brianny Williams, Ed, 45.69; 4. Alana Alexander, Centennial, 46.12. 200--1. Megan Del Pino, CW, 23.94; 2. Dominique Whittington, Lem, 24.65; 3. Brushay Wandick, Bak, 24.69; 4. Breanna Thompson, Ed, 24.90. 3,200--1. Jordan Hasay, MP, 10:24.78; 2. Meghan Marvin, Cl, 10:59.96; 3. Chloe Allen, CW, 11:06.19; 4. Corina Mendoza, Mad, 11:32.06. 1,600 relay--1. Edison (Burk, Thompson, Scott, Smith), 3:54.89; 2. Stockdale (Cady, Anderson, Mello, S. Anderson), 3:58.26; 3. Clovis West (Laidley, Capriotti, Del Pino, Monteverde), 3:59.02; 4. Reedley, 3:59.07. D--1. Anna Jelmini, Shaf, 162-5; 2. Alex Collatz, Stock, 148-6; 3. Carey Tuuamalemalo, Taft, 130-9; 4. Janae Coffee, CW, 121-6. LJ--1. Jenna Prandini, Cl, 18-7.25; 2. Lynn Williams, Bul, 18-0.75; 3. Alana Alexander, Centennial, 17-6.75; 4. Ja'Nia Sears, Ed, 17-6.5. HJ--1. Alyssa Monteverde, CW, 5-4; 2. Cristina Muro, GW, 5-2; 3. Katherine Mahr, Buch, 5-2; 4. Marish Riddlesprigger, Bul, 5-2J. SP--1. Anna Jelmini, Shaf, 44-0.75; 2. Destanie Yarbrough, CE, 37-10; 3. Heather Vermillion, Red, 37-9; 4. Tasha Firstone, CW, 36-6.5. TJ--1. Alana Alexander, Centennial, 38-3.75; 2. Jenna Prandini, Cl, 38-3; 3. Goziam Okolie, 36-10.5; 4. Alex Collatz, Stock, 36-2. PV--1. Allison Berryhill, CW, 11-6; 2. Amanda Klinchuch, Lib, 11-6J; 3. Cheree Jones, King, 10-6; 4. Emily Falkenstein, Buch, 10-6J.
Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.
willowgrovedaycamp.com/willows.html
We have just finished our third week of camp. The Willows campers have been kept very busy these past three weeks. The days have been flying by way too quickly. It was very exciting to have all our Willows family members join us for an outstanding visiting day. The children were extremely excited to share their activities with their parents, while the parents had fun pretending to be campers. We hope you had as much fun as we did and lunch together was terrific.
The children enjoyed this weeks theme of “I Spy”. They had fun decorating binoculars in Camper Creations. In Ceramics, each child enjoyed making their favorite food out of clay with the help of their parents. Their ceramic projects will be sent home shortly. To end our wonderful week, The Willows campers joined the rest of camp at Waterworld. The children drove
water boats and joined in other great water activities. A terrific time was had by all!
Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on Willow Grove Day Camp and the services they provide please visit: willowgrovedaycamp.com/willows.html
willowgrovedaycamp.com/willows.html
We have just finished our third week of camp. The Willows campers have been kept very busy these past three weeks. The days have been flying by way too quickly. It was very exciting to have all our Willows family members join us for an outstanding visiting day. The children were extremely excited to share their activities with their parents, while the parents had fun pretending to be campers. We hope you had as much fun as we did and lunch together was terrific.
The children enjoyed this weeks theme of “I Spy”. They had fun decorating binoculars in Camper Creations. In Ceramics, each child enjoyed making their favorite food out of clay with the help of their parents. Their ceramic projects will be sent home shortly. To end our wonderful week, The Willows campers joined the rest of camp at Waterworld. The children drove
water boats and joined in other great water activities. A terrific time was had by all!
Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on Willow Grove Day Camp and the services they provide please visit: willowgrovedaycamp.com/willows.html
www.decorobra.com/jardin-de-interior-vida-en-el-hogar.html
Decorar el interior de su hogar con zonas verdes, le dará a éste un aspecto deslumbrante. Las plantas siempre van a embellecer el espacio tanto interior como exterior. Las opciones para un jardín interno incluyen diferentes plantas disponibles, varios colores, tamaños, formas y flores.
Así como los árboles son fundamentales para la calidad del aire exterior, las plantas pueden ofrecer el mismo servicio para usted dentro de su casa. Al tomar el dióxido de carbono de la respiración humana, las plantas purificarán el ambiente. El embellecimiento de su espacio de vida y el cuidado de las plantas vivas lo llenará de paz y le otorgará notables beneficios a su salud.
Adornar tu hogar con plantas se puede hacer fácilmente con sólo unos pocos brotes que puede colocar en su living, su habitación y hasta en su cuarto de baño. Los costos de contenedores para jardín no tienen por qué ser exorbitantes y se puede aun así mantener el encanto con esta creativa forma de decorar. Incluso puede cultivar hortalizas o hierbas en contenedores para luego usarlos diariamente en sus recetas de cocina.
El error más común es invertir en ollas y recipientes caros para realzar la belleza de las plantas y la zona. Primero debe experimentar con accesorios mas sencillos hasta saber si sus plantas sobrevivirán o no.
Es bien sabido que la jardinería es un pasatiempo extraordinariamente relajante. Tener un jardín interior le dará el beneficio de calidez cuando ya haga demasiado frío afuera. La jardinería en el interior sólo está limitada por la cantidad de espacio que desee dedicar a ella en su casa. Otra ventaja de este recurso decorativo para interior es que usted puede decidir cuánto tiempo usted tiene o quiere dedicar al cuidado de las plantas. Si desea una planta que no le requiera tanto tiempo de regado y otros cuidados puede recurrir a variedades de cactus, o si desea el desafío de persuadir un árbol en flor, podría usted elegir una camelia.
Un jardín interior hace que su hogar sea sano, verde, hermoso y artístico.
Colocar luces interiores de jardinería en este espacio le brindará un aspecto más brillante y llamativo. De hecho, la luz interior de jardinería es una de los principales requerimientos para este tipo de espacios interiores. Así que debe seleccionar el tipo correcto de luces de jardín de acuerdo con lo que sus plantas requieran.
Si el espacio que usted posee es grande puede combinar una gran cantidad de especies así como otros importantes elementos tales como piedras, un farol, una fuente, arena, bancos, peceras y hasta alguna estatua, al más puro estilo zen.
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27 June 2014
Imago Anatopism
LEA10
Second Life
lindenarts.blogspot.com/2014/05/transitt-imago-anatopism....
Mimesis Monday
(Heidi Dahlsveen)
historieforteller.wordpress.com/tag/imago-anatopism/
Alpha Auer
(Elif Ayiter)
www.flickr.com/photos/alpha_auer/sets/72157644047392579
zikiquesti.blogspot.com/2014/05/transitt-imago-anatopism....
From the notecards:
“”
About Imago Anatopism:
The project tells the tale of Volund, a nordic, elf, a symbol following Joseph Campbell's "Hero with a Thousand Faces." Volund undergoes many persona changes during his travels in which he encounters several others that shape and transform him.
Stage 1: At the start of the tale Volund, a Norsk elf who is probably born on the edge of the world between Midgaard – the home of humans, and Utgaard – the home home of giants, is still a young boy who is taken by his father to a mountian where a tribe of dwarfs are to teach him the craft of blacksmithing.
At this early stage all Volund gets are the basics: Skin, shape, eyes and a pair of shoes.
Stage 2: This is the stage in which Volund is refuses the call to the adventure. He is still a timid boy who does not hear, or misinterprets the call or may even misuse the call since he is not yet mature enough to make his own decisions and only follows the decisions of others. All this leads to the murder of his father which makes Volund realise life's dangers and the magnitude of his task.
Symbolizing this blindness, at stage 2 Volund only gets a mask as an attachment.
Stage 3: Setting out on his adventure, Volund goes back to the mountain in order to learn further secrets of forging and the creation of magic tools from the dwarf. Such supernatural aids are both good and bad and once Volund puts on his magic belt and helmet he realizes that it is the dwarfs that killed his father. This makes them his enemy and he has a narrow escape as he leaves the mountain.
Thus, at stage 3 Volund gets a magic belt and helmet as two new attachments.
Stage 4: The idea of the entering another world is often symbolized by the belly of the whale. Volund is no different in this regard, and he throws himself into the ocean to float away to the unknown.
Thus, at stage 4 Volund gets a harpoon as a new attachment.
Stage 5: It is at this stage that Volund starts discovering his strength and power. He now has the ability to forge magic objects, such as life-like statues and wonderful weapons. It is at this stage that Volund meets a valkyrie (in this instance, a symbol for the concept of "goddess"), whom he first sees as a swan who is taking off her feathers in order to bathe in lake. Volund hides her feathers and makes her his first wife. However she leaves him at the end of 7 years when she finally finds her feathers and flees away.
"She is the mother, sister, mistress, bride," Campbell writes of the goddess. But she is also the death of of everything that dies. Campbell continues: "Woman, in the picture language of mythology, represents the totality of what can be known. The hero is the one who comes to know."
At stage 5 Volund gets a big present that he gives to the goddess as an offering as a new attachment.
Stage 6: Volund gets 9 rings from the valkyrie, which is a symbol of union. However these ring are also things that he can measure his own forging up against.
Stage 7: Volund is now supposed to start his journey back home, with newly gained wisdom. However, he faces yet another obstacle through the king who tries to hinder Volund from leaving by crippling him.
Thus, unsurprisingly, at this stage Volund gets a cane. There are several versions of this with different poses.
Stage 8: Volund gets his revenge upon the king by raping his daughter.
To quote Campbell again: "And always, after the first thrills of getting under way, the adventure develops into a journey of darkness, horror, disgust and phantasmagoric fears."
And so, at this stage Volund gets a caged bird with which he can seduce the king's daughter.
Stage 9: Volund has now made the king's daughter pregnant. However, in order to ensure that his own son inherits the throne, Volund also takes the precaution of killing the king's two sons.
Thus, at this stage the new attachment that Volund gets is a sword.
Stage 10: We are now nearing the end of the story and Volund sits bird-like on a roof, and tells the king what has happend and what the future will be.
Stage 11: While Volund started his journey in the ocean his return home is through the sky. He forges himself a huge pair of wings with which he flies back home.
Stage 12: We have come to the end of the tale and Volund has finally returned home as a wiser, older man who now deserves to put on the shiled and mantle of the hero.
Campbell writes: ”The hero is the champion of things becoming, not of things become, because he is.” And later ”Having died to his personal ego, he arose again established in the Self”.
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Purchased from Mitchell & Rammelsburg Furniture by Jesse Smith Norton (1826-1887), a Civil War colonel who lived in Toledo, Ohio.
The firm of Mitchell and Rammelsburg was perhaps the best known of the Cincinnati Victorian furniture makers. Robert Mitchell came to Cincinnati in 1829, an Irish immigrant intent on making his mark. After apprenticing himself to established cabinetmakers, he struck out on his own in 1836, eventually forming a partnership that would last until almost the end of the century.
Mitchell's counterpart was Frederick Rammelsburg, one of the thousands of German immigrants who settled in Cincinnati during a great wave of 19th-century settlement.
From their five-story showroom on Columbia Street, Mitchell and Rammelsburg advertised sofas, chairs and cased furniture — sideboards, dressers, desks and elaborate dining and bedroom suites.
Jesse Smith Norton enlisted as the 35 year old Colonel of the 21st Ohio Volunteer Infantry, enlisting on April 27, 1861 and receiving his commission May 15, 1861.
During the summer campaign of 1861, Colonel Norton was seriously wounded in the hip and captured July 17, 1861 at the Battle of Scarey Creek in western Virginia. Detained by the Confederates only briefly, then paroled, he returned home to recover and mustered out with the regiment August 12, 1861.
He was retained as Colonel of the 21st Ohio for three years' service. He led the regiment through the summer of 1862, where in northern Alabama, a number of problems came home to roost for him. In the first place, he had never been formally exchanged since his capture in July 1861, so his leadership of the 21st Ohio was in direct violation of his parole.
In the second instance, his departing divisional commander Brigadier General Ormsby M. Mitchel discovered him at a clambake with well-known Alabama secessionists.
Combined with an accusation of stealing then selling government horses for personal profit, Norton spent the next several months shuttling between his home in Perrysburg, Ohio and the capitals of Columbus and Washington, D.C. trying to clear his name. Meeting indifferent success, he resigned his commission to date December 20, 1862.
Wolf Pack Invite 09/27/08
River Walk Park - Bakersfield, CA, Wednesday, September 27, 2008
www.andynoise.com/wolfpack08.html
Chris Schwartz (Foothill) won the varsity boys race in 16:18. McFarland took the team title. McFarland also won the boys frosh/soph and jv team races. medals were given out to the top 15 runners.
Varsity Boys Team Results
1 MCFA McFarland 25
2 PADA Palmdale 95
3 RIDG Ridgeview 118
4 SHAF Shafter 130
5 BAEA East Bakersfield 142
6 BAKE Bakersfield 174
7 WASC Wasco 176
8 STOC Stockdale 210
9 FTHL Foothill 233
10 GARC Garces Memorial 254
11 ARVI Arvin 321
12 NORT North 324
13 Fron Frontier 345
14 SOUT South 404
15 BACH Bakersfield Christian 423
16 WSTB West Bakersfield 461
TFCC Taft INC
1. 16:18 179 179 Chris Schwartz Sr M FTHL 1
2. 16:29 292 292 Cisneros Alfonso Sr M MCFA 2
3. 16:38 450 450 Robby Baker Jr M RIDG 3
4. 16:44 297 297 Marco Perez So M MCFA 4
5. 16:48 293 293 Eduardo Bautista Jr M MCFA 5
6. 16:51 294 294 Marco Camargo Jr M MCFA 6
7. 16:54 451 451 Alex Garcia Jr M RIDG 7
8. 16:56 291 291 Gerardo Alcala Sr M MCFA 8
9. 16:58 295 295 Eddie Garcia Sr M MCFA 9
10. 17:04 296 296 Francisco Nava So M MCFA 10
11. 17:05 483 483 Joshua Wittenberg Sr M SHAF 11
12. 17:10 402 402 Adrian Ramos Jr M PADA 12
13. 17:16 400 400 Victor Hernandez Sr M PADA 13
14. 17:19 72 72 Andrew Ariey Sr M BAKE 14
15. 17:20 403 403 Daniel Ramos Jr M PADA 15
Elizabeth Wittenberg (Shafter) won the girls varsity race in 20:10. The Ridgeview varsity girls won the team title. Palmdale won the jv race and McFarland won the frosh/soph team title.
Varsity Girls Team Results
1 RIDG Ridgeview 45
2 SHAF Shafter 73
3 PADA Palmdale 94
4 NORT North 95
5 STOC Stockdale 124
6 FTHL Foothill 142
7 BAKE Bakersfield 142
8 GARC Garces Memorial 189
9 Fron Frontier 243
10 SOUT South 278
BAEA East Bakersfield INC
ARVI Arvin INC
WASC Wasco INC
TFCC Taft INC
WSTB West Bakersfield INC
BACH Bakersfield Christian INC
1. 20:10 464 464 Elizabeth Wittenberg Sr F SHAF
2. 21:04 430 430 Tijerra Lynch So F RIDG
3. 21:07 369 369 Merino Jennifer Sr F PADA
4. 21:10 428 428 Jessica Huizar Jr F RIDG
5. 21:12 89 89 Lucia Garcia Jr F BAEA
6. 21:17 208 208 Monica Guzman Jr F GARC
7. 21:23 330 330 Cecilia Lopez Sr F NORT
8. 21:33 90 90 Sophia Garcia So F BAEA
9. 21:35 136 136 Natalie Fernandez So F FTHL
10. 21:46 2 2 Tonya Hernandez Jr F ARVI
11. 21:53 624 624 Alejandra Gutierrez Sr F WASC
12. 21:55 372 372 Anaiz Ortiz Sr F PADA
13. 21:56 426 426 Ashley Duran Sr F RIDG
14. 22:05 459 459 Lindsee Handel So F SHAF
15. 22:12 45 45 Gabrielle Lerma So F BAKE
JV Boys Results
1 MCFA McFarland 29
2 RIDG Ridgeview 72
3 BAEA East Bakersfield 105
4 PADA Palmdale 118
5 SOUT South 150
6 Fron Frontier 160
7 WASC Wasco 161
8 STOC Stockdale 169
9 FTHL Foothill 237
10 GARC Garces Memorial 246
11 MiMo Mira Monte 278
12 BAKE Bakersfield 341
SHAF Shafter INC
TFCC Taft INC
ARVI Arvin INC
NORT North INC
1. 11:06 284 284 Bryan Calvo Sr M MCFA
2. 11:23 290 290 Pedro Sanchez Jr M MCFA
3. 11:34 661 661 Eric Sanchez Jr M WASC
4. 11:34 100 100 felix Trevino So M BAEA
5. 11:36 277 277 Bernardo Garcia Fr M MCFA
6. 11:39 440 440 Ernesto Castillo Jr M RIDG
7. 11:45 476 476 Matt Yanez Jr M SHAF
8. 11:46 439 439 Michael Anseno Sr M RIDG
9. 11:47 98 98 Marc Sotello Jr M BAEA
10. 11:47 474 474 Elias Picazo Sr M SHAF
11. 11:49 288 288 Adam Marquez Fr M MCFA
12. 11:50 394 394 Ramirez Miguel Jr M PADA
13. 11:50 393 393 Nicholas Mayo Jr M PADA
14. 11:53 276 276 Ismael Bautista Fr M MCFA
15. 12:00 101 101 Esteban Vargas Sr M BAEA
JV Girls Results
1 PADA Palmdale 27
2 STOC Stockdale 51
3 RIDG Ridgeview 66
4 MiMo Mira Monte 100
SOUT South INC
BAKE Bakersfield INC
FTHL Foothill INC
NORT North INC
GARC Garces Memorial INC
1. 14:45 494 494 Claudia Cuevas Sr F SOUT
2. 15:05 420 420 Natalia Motta Sr F RIDG
3. 15:12 528 528 Amber Crabtree Sr F STOC
4. 15:28 351 351 Amy Diaz Sr F PADA
5. 15:33 360 360 Lizet Onofre Jr F PADA
6. 15:41 364 364 Crystal Schachter Jr F PADA
7. 15:48 531 531 Shelby Pinkham Jr F STOC
8. 15:51 41 41 Felisa Torres Sr F BAKE
9. 15:52 118 118 Lucia Garcia Jr F FTHL
10. 15:54 362 362 Karina Ortega Jr F PADA
11. 15:54 328 328 Aubree Mossburg Jr F NORT
12. 16:04 365 365 Michelle Silva Jr F PADA
13. 16:06 367 367 Zaria Zambrano Jr F PADA
14. 16:07 525 525 Justine Benavidez Sr F STOC
15. 16:19 128 128 Nancy Tenorio Sr F FTHL
Frosh/Soph Boys
1 MCFA McFarland 25
2 WASC Wasco 66
3 FTHL Foothill 95
4 STOC Stockdale 114
5 RIDG Ridgeview 121
6 PADA Palmdale 139
7 SHAF Shafter 174
8 Inde Independence 183
9 TFCC Taft 254
10 BAKE Bakersfield 287
11 RFKH RFKH 312
12 GARC Garces Memorial 313
13 ARVI Arvin 337
14 MiMo Mira Monte 383
SOUT South INC
Error 2042 #N/A INC
1. 10:53 666 666 Jorge Zuniga Fr M WASC
2. 10:55 282 282 Chavez Ryan Fr M MCFA
3. 11:12 275 275 Sergio Avelar Fr M MCFA
4. 11:25 638 638 Eddie Aguilar So M WASC
5. 11:26 280 280 Leo Perez Fr M MCFA
6. 11:26 278 278 Jose Monrreal Fr M MCFA
7. 11:36 177 177 Genaro Quintanar Fr M FTHL
8. 11:38 541 541 Alex Eckley Fr M STOC
9. 11:39 279 279 Gonzalo Mulato Fr M MCFA
10. 11:40 252 252 Dwayne Facho So M Inde
11. 11:41 434 434 Brandon Magno Fr M RIDG
12. 11:42 383 383 Corey Nieto Fr M PADA
13. 11:48 543 543 Abraham Mayorga So M STOC
14. 11:49 467 467 Pablo Mendez Fr M SHAF
15. 11:50 650 650 Asencion Mendoza Sr M WASC
Frosh/Soph Girls
1 MCFA McFarland 43
2 Inde Independence 51
3 STOC Stockdale 73
4 FTHL Foothill 101
5 TFCC Taft 121
6 RIDG Ridgeview 139
7 RFKH RFKH 173
8 WASC Wasco 180
SOUT South INC
BAEA East Bakersfield INC
NORT North INC
BAKE Bakersfield INC
GARC Garces Memorial INC
1. 14:02 267 267 Corina Garcia So F MCFA
2. 14:02.6 270 270 Kathy Torres Fr F MCFA
3. 14:09 266 266 Olivia Ayon Fr F MCFA
4. 14:09 586 586 Daisy Guitron Fr F TFCC
5. 14:16 522 522 Madison Schutzner Fr F STOC
6. 14:23 484 484 Natalie Espinoza So F SOUT
7. 14:37 248 248 Sara Sullivan Fr F Inde
8. 14:37 110 110 Erica Castro So F FTHL
9. 14:44 237 237 Natalie Ambriz So F Inde
10. 14:46 93 93 Mayra Ponce So F BAEA
11. 14:50 244 244 Acacia Ingram So F Inde
12. 14:58 523 523 Victoria Valos So F STOC
13. 15:00 268 268 Liset Perezchica Fr F MCFA
14. 15:03 249 249 Katelynn Webb Fr F Inde
15. 15:20 135 135 Mari Escuedero So F FTHL
el.kingdomsalvation.org/gospel/balances-relationships-bet...
Ο Θεός λέει:«... Από την κυριολεκτική σημασία της φράσης «ο Θεός ισορροπεί τα πάντα», είναι ένα πολύ ευρύ θέμα. Πρώτα σου παρέχει την έννοια ώστε να ξέρεις ότι η εξισορρόπηση όλων των πραγμάτων είναι η αριστοτεχνία του Θεού επί όλων των πραγμάτων. Τι σημαίνει η λέξη «ισορροπία»; Πρώτον, η «ισορροπία» αναφέρεται στο να μην αφήνεις κάτι να είναι ανισόρροπο. Όλοι γνωρίζουν τη ζυγαριά. Όταν χρησιμοποιούμε ζυγαριά για να ζυγίσουμε κάτι, βάζουμε στη μία πλευρά το αντικείμενο και στην άλλη τα ζύγια. Το σύνολο των ζυγιών καθορίζει το βάρος του αντικειμένου – αυτό ονομάζεται εξισορρόπηση. Προκειμένου να υπάρξει ισορροπία, το βάρος των δύο πλευρών πρέπει να είναι το ίδιο. Ο Θεός δημιούργησε πολλά πράγματα ανάμεσα στο όλον – δημιούργησε πράγματα σταθερά, πράγματα που κινούνται, πράγματα ζωντανά και πράγματα που αναπνέουν καθώς και πράγματα που δεν αναπνέουν. Είναι εύκολο όλα αυτά τα πράγματα να επιτύχουν μια σχέση αλληλεξάρτησης, αμοιβαίας υποστήριξης και περιορισμού, αλληλοσύνδεσης; Σίγουρα υπάρχει μια βασική αρχή σε όλα αυτά. Παρόλο που είναι πολύ περίπλοκο, δεν είναι δύσκολο για τον Θεό. Ωστόσο, για τους ανθρώπους, είναι πολύ δύσκολο να το διερευνήσουν. Είναι μια πολύ απλή λέξη – ισορροπία. Παρόλα αυτά, εάν οι άνθρωποι την διερευνούσαν, αν οι άνθρωποι χρειαζόταν να δημιουργήσουν ισορροπία, τότε ακόμα κι αν όλοι οι ακαδημαϊκοί δούλευαν πάνω σ’ αυτό – βιολόγοι, αστρονόμοι, φυσικοί, χημικοί ακόμα και ιστορικοί – ποιο θα ήταν το τελικό αποτέλεσμα της έρευνας; Το αποτέλεσμα θα ήταν μηδενικό. Αυτό οφείλεται στο ότι η δημιουργία των πάντων από τον Θεό είναι εντελώς απίστευτη και το ανθρώπινο γένος ποτέ δεν θα ξεκλειδώσει τα μυστικά της. Όταν ο Θεός δημιούργησε τα πάντα, καθιέρωσε βασικές αρχές μεταξύ τους, καθιέρωσε διάφορους τρόπους επιβίωσης για αμοιβαίο περιορισμό, συμπληρωματικότητα και τροφοδοσία. Αυτές οι διάφορες μέθοδοι είναι ιδιαίτερα πολύπλοκες.... »
από το βιβλίο «Ο Λόγος Ενσαρκώνεται»
Ενσάρκωση
«Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού»
Όροι Χρήσης： el.kingdomsalvation.org/disclaimer.html
Old Crow Tattoo and Gallery presents Stand Tall Pt.II: No Ceilings !
New Heights in Urban Contemporary Art
2 OPENING RECEPTIONS, 2 VENUES, 2 DAYS
Alot's happened since the last "Stand Tall" and as we move closer to 2012. We wanted to do it again, one last time....
Sooo here it is on March 4th and 5th, bigger and better with 60 of our favorite artists, covering a wide range of mediums and disciplines.
"Stand Tall" and in essence, is a conceptual installation show, where each artist has a 3ft x 9ft of wall space to exhibit whatever however they see fit. This show is meant to give each artist full liberty to create within a confined area. The concept allows for a visceral gallery presentation and also individual grace and focus from artist to artist.
Stand Tall Pt.II promises all the visual beauty of last years show but this time we'll be working with Photographer's, Skate Artists, Street Artists of all types, Visionary artists and of course Tattooists as well as accomplished fine artists to create a more dynamic event for everyone involved. We really cant say enough about the group of artists participating in this show. If you not familiar with any of they're work follow the links and get familiar.
JAPANTHER will be headlining the event and performing on Friday night @ Addis Habana. This will be a very special performance as they are also exhibiting in the show. This will be a rare time to see the artwork of JAPANTHER along with the music.
Mortar and Pestle will be playing @ Old Crow Tattoo and Gallery on Friday along with other surprises.
Daniel Yasmin w/ special guests will be playing live on Saturday evening.
Hosted by Philip Milic in the house he created.
We really hope you can attend this show, bring yourself and your friends both nights. This is a good one.
2 Venues, 2 Nights, Stand Tall Pt.II
Artist List
John Felix Arnold III / David Young V
felixthethirdrock.com/
ATWA
www.asiaartnow.com/EXHIBITIONS/2010-09-10/94.html
BDS (Terms, Deadeyes, Safety 1st, Ash Rose)
blackdiamondsshining.tumblr.com/
Lupo Avanti / Salem
Krescent Carasso
John Casey / Nathaniel Parsons / Obi Kaufmann / Dave Higgins
bunnywax.wordpress.com/
obikaufmann.wordpress.com/
dwhiggins.com/
nathanielparsons.com/
Chez
goldenwesttattoo.com/gallery/brush
Ken Davis
Deuce 7
www.flickr.com/groups/422469@N20/
Max Ehrman
maxehrman.carbonmade.com/
ESK
Oliver Fader / Ken Goto
1amsf.com/2010/02/24/the-city-artist-spotlight-oliver-fader/
Kristin Farr / Jeff Meadows
theclumsymonkey.com/
Gaia
gaiastreetart.com/
KenyG / AKO
akotheemptyobjects.blogspot.com/
Hyde
www.flickr.com/photos/hydester/
Ian and Matt from Japanther
japanther.com/
Jae54
Kathyrn Ka June
Junre / Abno / Dr.Sex
blog.ironlak.com/2011/01/video-jurne-dement-twigs-enron-m...
Koleo
Lango
Andre Malcolm
Jet Martinez / Kelly Ording
www.jetromartinez.com/index.htm
Philip Milic
Optimist
Ootheca / Marin Camille
www.thrivingink.com/blog/new-art-ootheca-shop
www.marincamille.com/statements.html
Parskid
Ian Ross
Satyr / Robert Bowen
Kola Shobo
kaysjay.zenfolio.com/
Siloette
Snowmonkey
www.flickr.com/photos/46463607@N04/4418735381/in/set-7215...
Swype
humblebeginningstattoo.com/artists.html
Smuggler
Smear
theartofsmear.com/home.html
Weirdo
Xavi
Kid Yellow / Henry Gunderson
kidyellow.com/
Vulcan
If you missed last year and wanna see what this year might be like check this link...
oaktownart.com/2010/04/12/the-stylistic-confides-of-lowbr...
Old Crow Tattoo and Gallery
362 Grand Ave.
Addis Habana
366 Grand Ave.
Believed to be in Public Domain From Library of Congress, Prints and Photographs Collections. More on copyright: www.loc.gov/rr/print/res/rights.html
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LIBRARY OF CONGRESS INFORMATION
Title: [Interior of Coliseum, Rome, Italy]
Date Created/Published: [between ca. 1890 and ca. 1900].
Medium: 1 photomechanical print : photochrom, color.
Reproduction Number: LC-DIG-ppmsc-06600 (digital file from original)
Rights Advisory: No known restrictions on reproduction.
Call Number: LOT 13434, no. 172 [item]
c-P&P
Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA hdl.loc.gov/loc.pnp/pp.print
Notes:
Title from the Detroit Publishing Co., Catalogue J foreign section, Detroit, Mich. : Detroit Publishing Company, 1905.
Print no. "8575".
More information about the Photochrom Print Collection is available at hdl.loc.gov/loc.pnp/pp.pgz
Forms part of: Views of architecture and other sites in Italy in the Photochrom print collection.
Subjects:
Italy--Rome.
Format:
Photochrom prints--Color--1890-1900.
Collections:
Photochrom Prints
Part of: Views of architecture and other sites in Italy
Bookmark This Record:
www.loc.gov/pictures/item/2001700940/
View the MARC Record for this item.
Rights assessment is your responsibility.
we're only days away from odin's 9 month birthday, which means it's time more his regularly scheduled 9 month checkup and his final rsv shot!
now, you might remember that his rsv shots are typically at the beginning of the month, but this one is on the last day of month and not even a full 30 days after his last shot ( it's usually best to separate the shots by almost exactly 30 days ). perhaps a random scheduling error? nope. medicaid will not reimburse for rsv shots given in april because it's the tail end of rsv season and their number crunchers have determined that it's more cost effective to pony up for the hospital bills of the kids that get rsv then it is to get everyone innoculated. so, cleverly, most pediatricians simply schedule an extra shot on the last day of the month.
but in much bigger [ ahem! ] news, you might have noticed that odin has gained almost a pound and a half since his last rsv shot! in less than a month! he's now just shy of 15 pounds.
some readers may be chuckling quietly to themselves, given the degree of hand wringing we engaged in after his developmental assessment when we learned that he might not have gained any weight at all. and we'll now fess up to the fact that after the appointment we started feeding odin a bottle of neosure a day, when we noticed that his diapers weren't as wet as we remembered; of course, we immediately jumped to the conclusion we were starving odin and lousy parents to boot for not noticing sooner that his diapers weren't sopping wet. hence the interim step of replacing one of his meals with formula, at least until we could talk more at length with the pediatrician.
i can only imagine what the pediatrician was thinking as he was forced to listen to us;
"and he hadn't gained any weight in two weeks and the developmental assessor thought he might need to be eating longer to get the "full course" and his diapers aren't sopping wet so surely we must have been starving him so now he's getting a bit of formula. because, well, starving him his not a good thing."
without nearly a hint of the patronizing tone that should have affected his voice, he proceeded to tell us that, in fact, after 3 or 4 months the wetness of a diaper is not a reliable indicator of how much nutrition a child is receiving; and that it's probably important to note that his last developmental assessment was performed by the person in charge of therapy for eating disorder in children born premature so she's constantly surrounded by the worst case scenarios and people tend to leave her assessments concerned about eating issues; and that sometimes kids just don't gain any weight and then they do; and while he didn't think the bottle of formula was doing any harm, he didn't think it was doing much good either, as it certainly wasn't responsible for his weight gain over the month.
pretty much, without actually doing it, he was shaking us by the shoulders, telling us to get ahold of ourselves.
heh.
and no, although it may look like it, odin is not sticking his fingers in his mouth and whistling at the nurse while he's being weighed.
and completely unrelatedly. hello to all you googlers coming to find useful information on rsv. i know that i'm clogging up the search results for rsv shot, but i'm not really sure that i'm the authoritative source to best answer your questions :-)