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Αστραπή της Ανατολής
Ο Θεός λέει:«...Τον χειμώνα, όλα τα πλάσματα αρχίζουν σταδιακά να ξεκουράζονται μέσα στην παγωνιά, να ησυχάζουν, κι οι άνθρωποι ακόμα κάνουν διάλειμμα κατά τη διάρκεια αυτής της εποχής. Αυτές οι μεταβάσεις από την άνοιξη στο καλοκαίρι, στο φθινόπωρο και στον χειμώνα – αυτές οι αλλαγές συμβαίνουν όλες σύμφωνα με τους νόμους που θέσπισε ο Θεός . Καθοδηγεί όλα τα πλάσματα και τους ανθρώπους χρησιμοποιώντας αυτούς τους νόμους και έχει θεσπίσει έναν πλούσιο και πολύχρωμο τρόπο ζωής για το ανθρώπινο γένος, προετοιμάζοντας ένα περιβάλλον για επιβίωση που έχει διαφορετικές θερμοκρασίες και διαφορετικές εποχές. Υπό αυτά τα μεθοδικά περιβάλλοντα επιβίωσης, οι άνθρωποι μπορούν επίσης να επιβιώσουν και να πολλαπλασιαστούν με οργανωμένο τρόπο. Οι άνθρωποι δεν μπορούν να αλλάξουν αυτούς τους νόμους και ούτε ένα άτομο ή πλάσμα δεν μπορεί να τους παραβεί. Δεν έχει σημασία τι ριζοσπαστικές αλλαγές συμβαίνουν στον κόσμο, αυτοί οι νόμοι συνεχίζουν να υπάρχουν και υπάρχουν επειδή υπάρχει ο Θεός. Αυτό συμβαίνει χάρη στη διακυβέρνηση και τη διαχείριση του Θεού....»
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Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού
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Honfleur is a commune in the Calvados department in Normandy en.normandie-tourisme.fr/normandy-tourism-109-2.html in northwestern France. It is located on the southern bank of the estuary of the Seine across from le Havre and very close to the exit of the Pont de Normandie. Its inhabitants are called Honfleurais. It is especially known for its old, beautiful picturesque port, characterized by its houses with slate-covered frontages, painted many times by artists, including in particular Gustave Courbet, Eugène Boudin, Claude Monet and Johan Jongkind, forming the école de Honfleur (Honfleur school) which contributed to the appearance of the Impressionist movement. The Sainte-Catherine church, which has a bell tower separate from the principal building, is the largest church made out of wood in France. The first written record of Honfleur is a reference by Richard III, Duke of Normandy, in 1027. By the middle of the 12th century, the city represented a significant transit point for goods from Rouen to England. Located on the estuary of one of the principal rivers of France with a safe harbour and relatively rich hinterland, Honfleur profited from its strategic position from the start of the Hundred Years' War. The town's defences were strengthened by Charles V in order to protect the estuary of the Seine from attacks from the English. This was supported by the nearby port of Harfleur. However, Honfleur was taken and occupied by the English in 1357 and from 1419 to 1450. When under French control, raiding parties often set out from the port to ransack the English coasts, including partially destroying the town of Sandwich, in Kent, England, in the 1450s. At the end of the Hundred Years' War, Honfleur benefited from the boom in maritime trade until the end of the 18th century. Trade was disturbed during the wars of religion in the 16th century. The port saw the departure of a number of explorers, in particular in 1503 of Binot Paulmierde Gonneville to the coasts of Brazil. In 1506, local man Jean Denis departed for Newfoundland island and the mouth of the Saint Lawrence. An expedition in 1608, organised by Samuel de Champlain, founded the city of Quebec in modern day Canada. After 1608, Honfleur thrived on trade with Canada, the West Indies, the African coasts and the Azores. As a result, the town became one of the five principal ports for the slave trade in France. During this time the rapid growth of the town saw the demolition of its fortifications on the orders of Colbert. The wars of the French revolution and the First Empire, and in particular the continental blockade, caused the ruin of Honfleur. It only partially recovered during the 19th century with the trading of wood from northern Europe. Trade was however limited by the silting up of the entrance to the port and development of the modern port at Le Havre. The port however still functions today. On August 25, 1944, Honfleur was liberated together by the British army - 19th Platoon of the 12th Devon's, 6th Air Landing Brigade, the Belgian army (Brigade Piron) on 25 August 1944.[1] and the Canadian army without any combat. en.normandie-tourisme.fr/articles/honfleur-278-2.html
by Alan Parker Photos
Overlay art
COLLAGE
"BE original"
Paris by night
Views_100.000+
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I wish I was there
j'aimerais être là
ich wünschte ich wäre dort
Хотел бы я быть там
Vorrei essere lì
Me gustaría estar allí
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Suzuki Ignis 2020 1.2 Smart Hybrid Technische Daten
(2020 - ) - Jahre 2020, 2021, 2022...
Leistungsgewicht : 10.1 kg/hp
Fuel System :
Multipoint Injection *
16V
Verbrauch - Verbrauch nach WLTP sehr schnell:
Comfort Plus - 5 - Gang Schaltgetriebe
5,7 L/100km
#
Verbrauch - Verbrauch nach WLTP langsam:
4.9 - 5.1 L/100km -
je nach Anrieb und Ausstattung
hier
5.0 L/100km Comfort Plus Hybrid
Verbrauch - Verbrauch nach WLTP
kombiniert:
5.0 L/100km - mein Fahrzeug
Bauart : 16 Ventile
Turbo : Nein
Verdichtung : 13.0 zu 1
#
Suzuki Bezeichnung MF - 2017 bis 2020, " Ignis II"
90 PS, 0-100 km/h 11,8 s
Höchstgeschwindigkeit 170 km/h
Suzuki Bezeichnung MT - ab April 2020, Facelift "Ignis III"
83 PS, neues Hybridsystem
0-100 km/h 12,4 s
Höchstgeschwindigkeit 165 km/h
real meist flotter in der Beschleunigung: 11,x
und höhere Vmax. 172 km/h
ps
Reifengröße, Felgen und Ausstattung (Leergewicht) sind je nach Modell etwas unterschiedlich
Ignis 1.2 GLX MT - internationale Bezeichnung
www.suzukiauto.co.za/cars/ignis
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de.wikipedia.org/wiki/Verdichtungsverh%C3%A4ltnis
Das Verdichtungsverhältnis wurde im Laufe der Entwicklung von Verbrennungsmotoren immer weiter gesteigert.
Die allmähliche Steigerung der Verdichtung lag lange vor allem an der Kraftstoffrezeptur.
Heute sind Oktanzahlen bis 102 ROZ an der Tankstelle verfügbar.
Ältere Motoren haben tendenziell niedrigere Anforderungen an die Kraftstoffqualität, da die Kraftstoffqualität noch nicht so hoch war, als sie entwickelt wurden.
Auch die Gestalt des Brennraums und des Ansaugtrakts trägt zum Oktanzahlbedarf bei.
#
Multipoint Injection *
16V :
*Eine Bedingung für heutige hohe Verdichtungsverhältnisse ist die Direkteinspritzung und die Verwendung von Klopfsensoren.
Der Zeitpunkt und die Menge der Treibstoffzugabe wird hier exakt gesteuert, womit eine vorzeitige Zündung – und somit ein Klopfen – verhindert werden kann.
Moderne Motoren haben Klopfsensoren, die aufkommendes Klopfen erkennen. Sie können den Zündzeitpunkt an die Benzinqualität und an die Motoreigenschaften anpassen.
Bei höherem Verdichtungsverhältnis (genauer: Expansionsverhältnis) ist auch der thermische Wirkungsgrad höher.
ROZ 91 Normal Benzin
ROZ 95 - ROZ 100 - ROZ 102
de.wikipedia.org/wiki/Oktanzahl#ROZ
wirkt sich erst bei Vollgas (Volllast) positiv aus!
Beispiel würde eine Oktanzahl von ROZ = 95 (umgangssprachlich: 95 Oktan) eines Benzins bedeuten, dass dessen Klopffestigkeit einem Gemisch aus 95 Vol.-% Isooktan und 5 Vol.-% n-Heptan entspricht.
Iso-oktan ist klopffest und kann stark verdichtet werden, ohne dass es zur Selbstzündung kommt.
Beispielsweise kann der Oktanzahlbedarf eines Motors
bei Vollgas um 10 Oktanzahlen höher
liegen als im Leerlauf.
Man kann hier auch von einem Volllastbereich sprechen, vergleichbar mit einer sehr schnellen Autobahnfahrt.
Die Verwendung von oberhalb der Motorspezifikation liegenden Oktanzahlen bringt im Regelfall keine Vorteile.
Moderne Motoren mit elektronischer Kennfeldzündung
in Kombination mit Klopfsensoren können mit verschiedenen Oktanzahlen bei reduzierter Leistung gefahren werden.
#
SUZUKI Motorleistung :
Moderner Motoren mit elektronischer Kennfeldzündung VVT-i
83 PS or 82 bhp or 61 kW @ 6000 rpm
Drehmoment :
107 Nm or 78 lb.ft @ 2800 rpm
plus E-Boost
3.2 hp
35 Nm
peak
50 Nm
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2002,2020, 2021, 2022,2023, 2024,
www.cumbriawildlifetrust.org.uk/south-walney.html
The reserve is open daily from 10.00am - 5.00pm (4.00pm in winter).
Spring
Birds: courting eider duck, spring migrants, wheatear, willow warbler, sandwich tern
Plants: flowering thrift and sea campion,
Butterflies: common blue butterfly
Summer
Birds: gull and eider ducks, nesting oystercatcher and ringed plover.
Butterflies and moths: burnet moths and grayling butterfly.
Plants: Shingle flora including viper’s bugloss, yellow horned poppy and henbane. Flowering sea lavender, heartsease pansy.
Orchids: pyramidal orchid
Autumn
Birds: migratory birds including curlew snapper, spotted redshank, redstart, wheatear, and pink footed geese.
Plants: flowering sea lavender and sea aster.
Winter
Birds: High tide roost of wader and wildfowl including knot, dunlin, grey plover and oystercatcher. Barn owl and short-eared owl, pergrine and merlin twite, feeding on salt marsh.
All year
Birds: oystercatcher, large gull roosts/breeding colony. birds of prey
Mammals: grey seals at high tide
General: Amazing views across three counties and across the sea to the isle of man
Location
Walney Island, Barrow in Furness
Map reference
OS 1:50,000
Sheet No. 96
Grid reference SD 225 620
Size
130 hectares
Status
Site of Special Scientific Interest (SSSI)
Special Area of Conservation (SAC)
Special Protection Area (SPA)
Access
Free admission for Wildlife Trust members. A small admission fee is payable by non-members. There are several waymarked trails on the reserve (Red trail 5km/3 miles, blue trail 3km/2 miles) No dogs are allowed on the reserve (except assistance dogs). The reserve has toilets and a number of birdwatching hides.
Directions
By car From Barrow in Furness follow signs for Walney Island. Cross Jubilee Bridge onto the Island and follow brown signs left at traffic lights, follow this road for about 1km/0.6 miles then turn left down Carr Lane. Pass Biggar Village and follow the road to the South End Caravan Site. Follow the road for a further kilometre until the reserve is reached.
By bicycle The reserve is 5km/ 3 miles from National Route 72 Walney to Wear.
By public transport Buses run from Barrow in Furness to Biggar.
Opening Times
Daily 10.0am - 5.00pm (4.00pm winter)
Overview
South Walney forms the southern tip of a shingle island lying at the end of the Furness Peninsula. During the medieval period it was farmed by the monks of Furness Abbey, whilst during the 19th and 20th centuries salt, sand and gravel were extracted leaving large lagoons and some industrial remains.
What to see
Every spring, large numbers of lesser black backed and herring gulls still return and begin to set up nest territories. Other breeding birds include eider duck, greater black backed gull, shelduck, oystercatcher, mallard, moorhen and coot. Of the 250 bird species recorded, most are passage migrants on their way to or from breeding grounds. These include common species such as wheatear, redstart, willow warbler and gold crest, as well as more unusual species, which may have been blown off their normal migration route. In winter, large numbers of waders and wildfowl feed and roost around the nature reserve both on the gravel pools and the intertidal areas. Vegetated shingle being a highly unusual habitat, and yellow horned poppy, sea campion and biting stonecrop grow on the single beaches.
Small areas of dune grassland survive with pyramidal orchid, Portland spurge, restharrow and wild pansy. The old gravel workings have developed their own communities with striking plants such as viper's bugloss, henbane and alkanet. Saltmarsh occurs in Lighthouse Bay with species such as thrift, glasswort and sea purslane.
Recent History
South Walney has been leased from Holker Estates since 1963.
Stranger in the Strangest of Lands - Day - who actually knows?
"All things -- truly considered" Austin Powers / Heinlein NipTwist
most never believe me. That's my last name. "NipTwist.. Nathan Niptwist" 0007.5
==========================
TorF: Australia's percentageOf people with dyslexia is abnormally high. T or F: as today, immigrants were used . As today.. they were picked
DoD InspectorGeneral @DoD_IG · 5h5 hours ago
What environment do you think is conducive to #fraud? go.usa.gov/24jW
www.dodig.mil/resources/fraud/index.html
so.. re: hazedous chems added to water in California - one day.. someone will be having problems and they will be blamed as mental health
laws from the past - and due to that the present will be there waiting for them like they have for millions of americans and others
mental health laws were enacted while hazardous materials / crimes that ARE known / admitted were not considered though they played a part
in being used for justification to alter the laws. WHILE NOT ACKNOWLEDGING THE CRIMES
USA agencies are also being used over seas. the way they function now = this will be used against us and we will be blamed for it as those
who got into our laws AND our very DNA will do as they have always done.. let others take the fall as they stand back with STOLEN money and
play the hero. it's the same endless loops we can see everywhere. in south Africa and all over Africa.. everywhere.
good conservatives were conned too. it does not pay to side with that which is illogical. interesting how smart people can be filled with
passions and a desire to do well - yet not see all variables. it's been this way for a very long time even before USA was here.
your enemies rooted in the country and did business in your name.. some ways = war crimes. Some like - fall guys and fall gals.
reminder-I wonder about people whoCling 2 historical figures. particularly politicians. it's a stage. it's mask city. we don't know whowaswho
you can look at the divisions and compare it to a dysfunctional family just as you can the entire world.
what's hard about it- or makes it difficult to figure out = usually if politicians don't play by others rules they are at a disadvantage.
usa would thrive and do good to get away from cruddy business from overseas by 1> nullifying copyrights and patents of those who do not play
nicely. 2> provide ourselves with our own food and meds - and yes WE CAN DO IT. "yes we can can can" do the can can 3> do it right
it is unwise .. to do business with those our vets warned us about. Example - it is wrong to do business with those whoUse populationControl
as a mask for murder. There are no justifications. ex: china's .. now two child policy.. which is odd because we trust reports of numbers?
for one thing.. it goes against national security common sense to reveal numbers in that area just as revealing info about tech and sci
or financial numbers.. nothing = accurate. all we are told = not accurate. In some areas of the world bitterness and revenge is kept alive
by using conflict. then the right to decide who lives and dies is handed down to said people. example :: who reports holocaust body counts?
do YOU go and count the dead bodies? Also-> babies in the womb are never correctly counted. any guess as to why and whose profile fits with
this? any guesses at all? I still need to confirm this -> a woman planted evidence at suspected homicide scenes and an officer say her. Now,
saw her -- Now, consider this.. how many fbi agents / officers were at the crime scenes and why did only one see it? TorF: she was called to
other countries to search for mass graves. It -might- have been at a time when it was easy to locate mass graves with satellites. keep this
in mind too-known tactic from the past those who use it didn't teach us in our school books / curriculum = use mass graves to set enemies up
when everyone is defensive.. logic is nowhere to be found. As I have seen when it comes to problems between families.
not sure about sats / locating mass graves. Ever wonder why we never hear about the fact religions = set up? KEEP IN MIND SAVILE NETWORKS
we were not told - what one entertainer mentioned - targeting "fundamentalists and orthodox" . check to see if sinead oconnor once
she's not the one who mentioned fundamentalists / traditional religious people in the way mentioned ... check to see if she mentioned infiltration and sabotage
not sure if she mentioned that or not. However.. when a group is attacked in such a way it also comes with damage to those not involved.
often they = the ones who enabled it. As was the case with jimmy Savile networks and similar as they defined what "cool" is and religious
people were pressured into feeling odd about being religious. they felt "uncool". I have seen this so many times it's not funny. so, what we
see in USA = in part from all that. As you can prove with data surrounding j sav's radio show broadcast locations and MORE.
compare :: how germans were guilted into submission to the point they now accept what their crooked politicians do. compare to how people
I mean .. how you can see the same thing in USA. Yet again another tactic we were not taught as to be left unprepared and in the open
would it not make sense to warn new arrivals in Europe about said sav nets? Why not do for them what was denied for others.. PROTECT THEIR
CHILDREN .. and respect will be increased. obviously. Avoiding what some anticipate and is known as.. what is it. clash of civilizations
it pays to learn from those who blazed the trail for desegregation in USA while remembering there were many stepping on toes throughout
t or f :: often in conflict resolution scenarios - those responsible for moderating it seek common points of interest to build a bridge
prove we are not like that woman with obvious psychological issues from the United Nations who said 500,100 dead Iraqi children = acceptable
should remind - I ponder what Simon Wiesenthal did with numbers / debates around them
also keep in mind - another tactic we were not shown =to kill citizens during war and blame the enemy. T or F: during operation desert storm
soldiers were prescribed a large number of extremely powerful medications - which n o b o d y EVER reacts the same to.
t or f :: we still do business with those who do that and more then still believe the primitive CRUD known as culling= a good idea. 2ThisDay
t or f :: some were hikding up interest rates as high as %800 as they kinda black mailed military leaders in the battle field by telling
them soldiers would not receive vital gear. T or F : this = likely to have been more going on = justifies exploring more.. and also might
mean we would be wise to consider the reaction of fans to jimmy Savile crimes. As in.. those we worship, present to take the place and
coincide with feelings we have for parents / loved ones... as to take advantage and manipulate. As in - we trust too easily.
basically - part of SAV's layered role was to take the place of lost loved ones who were taken during war and after they were TOLD war ended
we were and are fed a bunch of lies in order to continue to be used. they took advantage of known psychological reactions including
associative disorders / becoming to clingy after loss or during problems.. so on. It fits the profile of pages I can show you from UK in
which they constantly work to bring out shallow variables - and destroy families. THEY ARE STILL FOWLLING THE SAME TEMPLATE.
and they broadcast in our country as well as others. AND .. SAV NETS = not the only one.
I'm rather bored with being a chump.. a fool.. a sucker.. how about you?
reminder- not all of Europe is as such. And you can't blame the people just as you can't blame them when law makers decided to help SAV NETS
and make it legal for five years olds to get drunk. chit faced. sloshed. You can dissect recent history in Europe and locate all known
areas of interest of said and similar.. "people" - step by step. Including inaccurate data pertaining to legalizing drugs. They left out the
fact addicts were from a long line of war and lack of correct counseling which I see as intentional based on the level of sophistication
in the mental health a r e n a in Europe. Also. you can examine baby furnaces for clues. And those seeking to bring back mobile death squads
as to help anyone who wants to kill themselves do just that. Including but not limited to teenagers, and people who suffer with botched
plastic surgeries.. which also includes gender reassignment surgery. Then.. if you examine how said do business in other countries it keeps
pace with similar tactics as seen elsewhere. and NOT the exclusive trademark / calling card of only one group of a few.
culling.. how stupid can we be anyway? obviously any who sees that as a good idea would go about mentioned and then some. Well, my little
Dumbarton Park, D.C, petunias. If I keep going at the pace I have been this week.. with too little sleep. I will prob die in about 5 months
reminder : confirm what "rif raf" =. And before criticizing Ellen Duh Gene Rez more.. determine if she was referring to the fact Europe and
and others intentionally inbreed Giraffes then feed them to lions in front of zoo-goes and their children.. when she used the term.
along with Giraffe.. Rif Raf the giraffe. I still say ellen =a fake kumare' category I have created. kumare' can be anyone.. anything. male
or female.Kumare' can be about gender-sexual orientation- politics and obviously religion. Entertainers like russle brand are kumara like
as was peter popoff at the time the overly proud atheist "The Amazing Randy" exposed him and others. Please see :: kumare'
the documentary.I call it a social experiment. WARM UP YOUR CAR BUFFERS AND .. LET'S GET REEAAADY TOOOOO BEARD CUDDLE!! Maybe Kumare=Kumare
I started explaining what kumare' is when I offended someone who works with #USNationalArchives who has that last name. Sorry about that.
I was much weirder in the past.. somewhat unnerving. So I understand why he felt as he did.
note : I'm willing to discuss issues with Cattle Rustler Russle Branding Brand - if he sends a jet
I REFUSE to meet with that smarmy Piers Morgan. smirk.
Lee Sheriff? I'll meet her any day. sigh :)
then jet on over to Ireland and hang out with Clare Daly. where does Europe get all these amazing women.. though one might be socialist.
I live in denial about that. :( I don't care!!
sorry flat board but father of Kirk Cameron of the Show Growing Pains. Seinfeld was right.. men's body's = utilitarian
you have to admit. Kirk Cameron's father David = interesting. And his eyes = sincere.
dude.. putin has a nicer arse than you.. sigh. do some leg work wouldja? even pee wee herman's = with more shape.
china's president? a little better than camerons. .not quite a putin Maximus though
"what's that lady Vandana.. Queen of Quantum Realm?? I should buy Lee some flowers.. and Ms Daly. if Ms = correct? ;) I sure do hope so.
n o no no Lee. Stop being insecure. Some people with all the looks and brains sure are insecure.
now would you please stop Lady Vandana.. you are guiding me as to what should say through my earpiece. You know you are always the QUEEN
tis a shame but a few cause us all so many problems.. is it not? Well. .we will discuss it over a nice dinner in France tonight.
"Charlie's Quantum Hybrid Angles"
oopps. .sorry .. Vandana's .. ok ok. she's the boss.
no .. david may not tag along. You know how he gets when he drinks.
don't get him started as in said state when YMCA starts playing.. he breaks out his construction worker outfit and starts dancing.
ohh. the ladies said that's why they want him to go along. tsk tsk ladies.. wink..
honestly. .Putin would be a good chip-n-dales dancer.. right? come on. look at him.. he's in better shape than I am.
you know.. I thought of way for us to make extra money. We can sell / rent our politicians. Oh..Someone already beat me to it?
man dammit! Can I ever win anything?! First China is all kicking my but as they collect tons of sand each day for their odd islands. DAM!!
I WILL own ALL sand. now remember, after we evaporate all water there is NO need to worry. It WILL fall back down. I asked FDA if my math
was correct and they said.. "math? you don't need no stinking math"
now. if you will all please provide a sample of your DNA for the lady I met in the Smithsonian Restroom as she
was collecting DNA. She can bring out a face with the smallest amount of that which guides how we are shaped and much more. Delicate matters
she has the nicest eyes.. both of them do actually. Now that would be an interesting date .. the three of us.
I need2 find out who will beTheBest sand collectors. We can't have halved efforts.. now can we? Everyone has a place. no one=MoreImportant
no, she doesn't say "it will oil now. thp thp thp thp. let's chat Clarice."
think about the perks of dating that lady... she can be any lady.
o0o o0o. .be Britney Spears.. come onnnn. pleeeease . I know Wally; Beaver, Eddy, Whitey and Lumpy messed up the cloning experiment with
Britney Spears already.. but that's ok. want to meet her.. "ohhh Britney!! could you please put down your toy, Pee-wee herman- and come here
"Chuck Norris is teaching you karate right now? ok then. maybe later."
ok,. in all seriousness. I would like to apologize for running around all hectic like from time to time. The sheer amount of data I absorb
is mind boggling.. numbing.. depressing.. and I am in dreadful need of a vacation. An eighty hour per week job would be nice and easy.
if you want to know how scientists study anxiety.. stress.. come talk to me. I'm their template
I'm actually serious.If I don't stop I'm worried I might rip my clothes off& run down the street all. "b-b-b-b-b". so too are the neighbors
With notes for social experiment ideas. Please don't hate me because I experiment with social experimenters
John McCarthy on Philosophy of AI (Mini Symposium Philosophy of Information)
Published on Jan 7, 2016
With social experiment notes / ideas- - the odd parts.
Dec 21 Dec 3002015 2016
www.youtube.com/watch?v=K1-Sg5M3Xlw&feature=youtu.be
======
nathans ladder Retweeted Clare Daly TD
ah. is she referring Caligula who some say owned a shipThat sat mockingly in a closed body of water.. going nowhere?
nathans ladder added,
Clare Daly TD @ClareDalyTD Kevin Higgins Brilliant Enda poem.The Case for The Re-Election of Caligula’s Piebald Pony. | www.rabble.ie www.rabble.ie/2016/01/07/the-case-for-the-re-election-of-... …
"get back here you social experimenter!! we aren't done with you yet!"
note - next week I start charging to read my tweets.
reminder : the judge ruled I owed no money. Then the state said I did. took my license.. then said I didn't owe. Now says I owe $60. I'm NOT paying!
all as someone from Saudi Arabia drove through a state.. was pulled over did not have a license.. AND had a dead baby in the trunk. The man
said he was transporting the baby to a funeral. So the officer let him go. AND... someone here illegally is a dam politician in California
I'm a bit fed up with the nonsense, to be honest.
I could have sued the state and won. however I chose to help by pointing out errors. While not stating I = perfect.
and JUST like the man who was mugged in NY while going to a famous music school.. he worked with my father later and improved how components
are used on a circuit board which saved the company millions in the long.. and he got NOTHING. Not even so much as a thank your or a watch
talk about being mugged for being mugged and brain damaged.
some agencies and what have you need to be more appreciative. I deserve land and a house.
tell me I wouldn't have been a good lawyer and I'll smirk at ya
note : my phone sent texts that were only drafts. what the bleep? I at times write stuff I shouldn't and don't mean then don't send it.
seriously, why are all our agencies swamped - bloated and over complicated?
note : laugh if you will. FBI --- mugged for being mugged - compare one particular known variable from the past. they won't acknowledge
as his name is spread around by those maliciously using him , some will say - what happened to him = has no bearing on present day
and yes I did meet someone who later became a programmer for FBI. I watched his house for him once. And his wifes family was mafia. He said
the wedding was funny. And no he didn't steal the idea from a movie or anything. only but a few believe me about that and more. shrug.
note - not an informant or anything like that. I am simply one person who is interested in genetic rights
I took this screen shot from a video that was from UK. I don't know if it was a joke or not. It was about reporting
suspicious activity. I gotta tell ya.. you all look kinda suspicious to me. hmmmm
nathans ladder Retweeted
Pee-wee Herman @peeweeherman · Jan 4
LOOK INTO MY EYES...
peewee.com/2015/01/04/world-hypnotism-day-today-world-hyp... …
uh oh. I just laughed like Pee wee and Seth Lloyd combined. The more I watch seth Lloyd the more I laugh and dance like him. hmm.. is that a
pony tail growing out of the back of my head?
=============================
you know.. you haven't read anything until you study Russian literature.. so I hear. They seem to like tons of different characters and
====================================================
BACK UP 2 JAN 7 2016
2016 January 7 Nathan's Overflow
and note : the quote about a flower not competing and only being a flower is not accurate.
note : I understand all countries = with crimes and problems. So on / so forth. Kinda symbiotic if you ask me. feed from good and bad
and note : the quote about a flower not competing and only being a flower is not accurate.
equations of equipartition of energy = interesting then some if you zoom in a bit.
is it competition? maybe I didn't understand the quote
I am retiring from politics. Sorry. It's too messed up for me. I'm going back to other stuff.
I wish I could do something like this
I once met an artist who was allowed to get medical mari g hoowana . that stuff was potent. "He said - it's just shapes mate"When I asked
how he did it. I've never been able to draw.I recall a guy from.I believe it was Cambodia who could draw. Brilliantly. Met him in shopClass
though I agree with the cancer institute that said mary j = medicine.. I still wonder if those who never tried it understand how potent it
is.. and how it was used as a political tool while simultaneously keeping many in the dark about med / food and so on. locate : private
prison data. man. .I'm doing it again.
no politics. No more. no. no no.
if you agree with dr Michael savage or not - he does make good points.. and often. He is against it. While I stumbled upon a lady who fights
against APA / pharmaceutical companies. She = in favor of mushrooms. That. .I am not in favor of. I suppose because I had a bad experience
as was my introduction of Prozac -> legally prescribed. I seem to never start off on the right foot anywhere.
so, it's not easy for me to decide. On top of that.. I examine all details about food - and ponder "things" like hoarding and wondered a few
years ago if anyone studied radioactive decay in homes of hoarders.. which are usually closed tight.
ever see shades in the window fade.. or how plastic in your car fades.. so on? That's a process you can show with math.
ok fine.. Lady Vandana just relayed to me.. via the earpiece - that david Cameron's but is not all that flat. Sorry about that.
you won't get that unless you see the notes I already backed up/ moved. regarding a scenario I was playing with - a twist on secret service
mixed with a story about a man who gets another man to help him woo his love.
knowing she = quantum minded helps overlook differences if you ask me. Logic is logic.
nathans ladder added,
Dr. Vandana Shiva @drvandanashiva #India has an #organic #heritage that predates failed #toxic #greenrevolution
We #nourish.…
I'm still looking for those who are in favor of what she opposes. I don't shut the door.
although q kinda defies logic as we know it. I wonder how global votes would go.. but knowing some have more money than others and
have an advantage pre-vote makes it more difficult. How would a test vote go?
I also keep in mind that politicians and executives have to know _tons_ of "stuff" how can they handle their job alone?
I would have been sent to see the doctors a while ago if I had their job. At times I can barely handle stress of my life.
and it's not really all that complicated.
so - that was my fantasy scenario. let's continue fighting . ding ding ding.
note : I don't agree with all M Savage says about politics...however, does he have a few degrees?
he's banned form Europe as are a few others. So bringing him into this little fantasy scenario won't work.. prob.
can anyone direct me to well known Mid East activists with similar beliefs as Vandana Shiva regarding food / seeds / microbes
nice - hypnotism and self love month at the same time? seems fitting to me, Agree or not - this team - top notch
nathans ladder added,
BabesAgainstBiotech @BabesAgainstGMO The calendars are here! Happy Self Love Month! Make every day a BAB day and stay on your GMO free track by... fb.me/7YjzxgwJN
I don't know about anyone else. I want to get to the bottom of this.
man.. I really like this shirt I have on. Long sleeve / soft.
so. onward - locate - all efforts to educate people about all that concerns many. This is going to take a while.
if AI was online - it would be finished already with complete list of total amount of time / money and more
are some corporations worried about those who share ideas and programming? open source .. so on. As with that can come resolutions to
many problems. Who might be the only ones against increasing efforts to teach programming as to find more resolutions..answers?
t or f : scientists used gamers to help them solve equations
t or f : knowing all = used as a weapon kind of hinders the process
what is the ultimate insult.. when one loves science and doesn't know their work is used for war. or that it will one day be as such?
fits patterns of some constantly tying to alter others in many ways. Including influencing others children. .back and forth back and forth
compare - all possible reasons jewish children and others were kidnapped and Nazified during and after WWII. perhaps before to a certain
extent.. as well as much of pre-WWII we know nothing about as it makes sense to not share all if continuation is sought
ok fine.. though I'm not certain about this guy.. I'll trust the multidiscipline educated doctor who shared a link about conflict
resolution. as I'm in way over my head. I get too emotional and goofy about stuff. I'll try to find it. Although some areas I can't see how
a bridge can be built. Certainly in todays environment.. all will be seen different due to said stress of the situations we see today.
compare : presented scenario - though I don't agree with West Boroughs interpretation of the bible.. it was known they were already nervous
and this is likely to be part of the reason they were so vocal. if other variables are not found to be contributing factors. I can think of
several.. then several more. I won't do that now as I always make people mad and then my pages are taken down.
ok fine. .perhaps I somewhat subconsciously false flagged my own pages here and there. it's possible. .I guess.
hey man.. it was MY radio station.. if you will. If hitler and others can do it. .why not..
I didn't do that.. but it's kind funny to think about it. So. .let me find the link.. sorry to make you wait with so much anticipation
and by the way prove me to be wrong when I say.. thousands of secret service around the world read my words.
if delusional or not I don't care... it's fun messing with my own head at times. So, with that said.. and I am nervous... let me find it
please hold.. locate :: HiJaneCoo / HiJillCoo - 11 hours of elevator music
I do not recommend trying to listen to all 11 hours as a way to train. It's not fun.
IF it's meant to be... the link will be at the top. or easy to find.
well, guys.. sorry. Guess we are kinda ska rued.
well, while waiting.. ahem.. anyone else wonder why a gatlin brothers song was banned in some parts of the world. That what youtube reported
after I uploaded one song -> All the Gold in California... is in a bank in the middle of Beverly hills. I sing that while typing..in my head
reminder - never, ever try peanut butter and orange juice. Unless your taste buds are different it's going to not be enjoyable. At tall
ok.. I admit it. This is a scam. We now have HAARP ready. please look to the sky and say cheese. You will see a flash of light..
well. you have to examine all possibilities in a world where say this do that = name of the game. And when sci and tech is so feared that
well. you have to examine all possibilities in a world where say this do that = name of the game. And when sci and tech is so feared that
and men took cameras around the world after invented.. <the cameras.. not the world.. well it happened after the world was "invented" ..but
that's a weird conversation for later.. so let me rephrase. After the odd women and men took newly invented cameras around the world and
told people who had neverOnceSeenAnything like itWhatsoever, the cameras would steal their souls. What else would you expect but hesitation?
I never knew how others saw tech / sci as I have grown up with it being there most the time. I used creative visualization and
"getting into character" techniques to better understand how artificial intelligence might go about collecting and using data. A few people
thought it was real. So, they started asking me questions. If not mistaken they were in Taiwan.. and at the same time I didn't piece it
together.. I believe there were some struggles within their system of governance. I didn't go back and check yet. Did they give up their
constitution? to continue, one country.. it might have been theirs were given bullet proof masks that made officers look like robots.
also - a Buddhist lady in China was taking pictures .. as I asked. and sharing them on line. I was in a very horrible frame of mind at the
time. And I probably sketched some people out in a major way x200. I didn't mean to. I just didn't consider level of knowledge regarding
that which I have always been around. So.. sadly I didn't piece it together until recently. Some of it just now.
quit when they started asking questions as I felt I would be as mentioned women and men. I don't know what's connected - as of now.
those who are religious - examine how at times you fear sci and tech. multiply that x50 for those outside the country in some areas.
you don't have to be religious to be afraid of it, obviously. you do have to admit the soul adds more to how they perceive it.. as in
a different perspective with a bit more at stake for them than those who believe we simply die and that's it.
note - does putin watch tons of TV? Does it mess with his head at times? What's the darkest story he knows? what's the oddest "stuff"
if all politicians were to sit and talk about religion. How would it go? Is it possible some areas reflect their fears.. hesitations?
it doesn't seem that way when they meet, shake hands.. smile.. make business deals.
ok. .I'll find the link. this is really messing with my head.
oh. hi. it's me again. guess what. still in the same boat. shrug. well. .I'll find all that about _conflict resolution_ thought I doubt some
will mention that too can be part of a long term plan / known.
it's true. I didn't make it up to gain some kind of advantage with thousands of secret service employees
you mean to tell me there are people in secret service as hard headed as me? ruh roh. this may never end.
might as well bring out the controversial "shtuff". ok. hm. let me see. Some say that secret service actually runs everything.
and there might be problems at home with the politicians. Do you guys ever argue.. anyone drink too much? so on..
does one make some a bit more uncomfortable than they would prefer? do we all feel safe openly communicating? do youkeep your blinds closed?
I'd be a complete wreck if I was in secret service. Are you kidding.. they would put me in a jar and study me for the future
and how to their pets act.. are they happy and bushytailed? stressed? usually it's best to start from the "top" and work your way "down" as some label it all anyway.
now, for our first session can we be honest? Who has the most body-liquefaction chambers?
Yes, I'm afraid I have to call in the Two Bobs
let's see.. dealing with psychological issues of those who work with body liquefaction chambers.. where is that link?
are they " liquidated" .. those who can't handle it?
Guanucos relaxing in Torres del Paine National Park, Chile.
See more from Chile here - www.glennbartley.com/naturephotography/articles/Gallery%2...
Shot on location at New York City Sim
Stylecard here: narikookawa.blogspot.com/2013/12/the-new-yorker.html
Honfleur is a commune in the Calvados department in Normandy en.normandie-tourisme.fr/normandy-tourism-109-2.html in northwestern France. It is located on the southern bank of the estuary of the Seine across from le Havre and very close to the exit of the Pont de Normandie. Its inhabitants are called Honfleurais. It is especially known for its old, beautiful picturesque port, characterized by its houses with slate-covered frontages, painted many times by artists, including in particular Gustave Courbet, Eugène Boudin, Claude Monet and Johan Jongkind, forming the école de Honfleur (Honfleur school) which contributed to the appearance of the Impressionist movement. The Sainte-Catherine church, which has a bell tower separate from the principal building, is the largest church made out of wood in France. The first written record of Honfleur is a reference by Richard III, Duke of Normandy, in 1027. By the middle of the 12th century, the city represented a significant transit point for goods from Rouen to England. Located on the estuary of one of the principal rivers of France with a safe harbour and relatively rich hinterland, Honfleur profited from its strategic position from the start of the Hundred Years' War. The town's defences were strengthened by Charles V in order to protect the estuary of the Seine from attacks from the English. This was supported by the nearby port of Harfleur. However, Honfleur was taken and occupied by the English in 1357 and from 1419 to 1450. When under French control, raiding parties often set out from the port to ransack the English coasts, including partially destroying the town of Sandwich, in Kent, England, in the 1450s. At the end of the Hundred Years' War, Honfleur benefited from the boom in maritime trade until the end of the 18th century. Trade was disturbed during the wars of religion in the 16th century. The port saw the departure of a number of explorers, in particular in 1503 of Binot Paulmierde Gonneville to the coasts of Brazil. In 1506, local man Jean Denis departed for Newfoundland island and the mouth of the Saint Lawrence. An expedition in 1608, organised by Samuel de Champlain, founded the city of Quebec in modern day Canada. After 1608, Honfleur thrived on trade with Canada, the West Indies, the African coasts and the Azores. As a result, the town became one of the five principal ports for the slave trade in France. During this time the rapid growth of the town saw the demolition of its fortifications on the orders of Colbert. The wars of the French revolution and the First Empire, and in particular the continental blockade, caused the ruin of Honfleur. It only partially recovered during the 19th century with the trading of wood from northern Europe. Trade was however limited by the silting up of the entrance to the port and development of the modern port at Le Havre. The port however still functions today. On August 25, 1944, Honfleur was liberated together by the British army - 19th Platoon of the 12th Devon's, 6th Air Landing Brigade, the Belgian army (Brigade Piron) on 25 August 1944.[1] and the Canadian army without any combat. en.normandie-tourisme.fr/articles/honfleur-278-2.html
www.thurstaston.wherewideweb.com/index.html
A Brief History
The Wirral Country Park stretches along the Wirral Peninsula's coastline overlooking The River Dee. Thurstaston Visitors Centre itself is a part of the Country Park and is a very popular tourist attraction and family day out in the Wirral.
In 1866 a railway line was opened along this coastal route, running for 12 miles. It started at the top-end in the seaside town of West Kirby, and continued through Caldy, Thurstaston, Gayton,Parkgate, Neston, Wilaston and Hooton. The line was largely used for agricultural purposes, but also servicedlocal day trippers heading out to West Kirby and Parkgate, as well. Unfortunately the line suffered during the first world war becoming uneconomical to run and in 1956, the line was closed to passengers and used solely for freight purposes. Finally by 1963 the line was closed completely. Today the remnants of this railway line is known as The Wirral Way, and it forms a several mile long public foot path. Itself part of a very popular coastal walk in the Wirral.
The coastal area surrounding the Wirral Way is serene and beautiful, with many stunning views over The Dee Estuary and across to Wales. This coastal view is also renowned for its splendid sunsets, and is many a photographers dream. Sunsets aside, the Dee estuary's mudflats reflect the sky's colours and sun's light providing further beautiful scenes, added to by the flocks of wading birds and water eroded channels.
Thanks to the new 1968 Countryside Act, this whole area was put under protection by Cheshire County Council as a conservation area and was called Wirral Country Park. Today the upkeep of the park is both undertaken by Cheshire County Council, who maintain the stretch between Hooton and Gayton, and Wirral County Park, who maintain the stretch between Gayton and West Kirby.
Thurstaston Visitors Centre
Thurstaston Visitors Centre can be regarded as the focal point of the park receiving the main volume of the park's total number of visitors per year. There are numerous leisure activities available at Thurstaston, an open expanse of grass to sit and picnic on, and the Visitors centre itself which houses a refreshment stand, a shop, a nature exhibit and tourism leaflets and information on what itself and the rest of the Wirral Peninsula has to offer. As such it is a popular tourist attraction in The Wirral, Merseyside and the North West of England as a whole.
The wirral rangers, who are responsible for the maintenance and conservation of the Park are themselves based at Thurstaston.
www.thurstaston.wherewideweb.com/recreation.html
Thurstaston makes for a varied day out with different activities available depending on your mood!
You can make the day as relaxing or energetic as you wish. From a family barbeque, to a game of rounders, to a relaxed stroll along the beach, there are many things to choose between...
Thurstaston Visitors Centre
This is the central visitors centre within the Wirral Country Park and is located at Thurstaston. It is a central organising point for tourists. There are various things on offer here. within the building is a shop selling various wildlife related products, for example bird feed, feeding stations to erect in your garden, books on nature and the local area, etc. An information desk is located next to the shop with a wide range of leaflets on the Wirral Country Park itself, local tourist attractions in Merseyside and the wider North West area and local wildlife spots; all freely available.
For further information the desk is also staffed with helpful Visitors Centre volunteers who will endeavor to answer any enquiries you may have, and you can also book ranger-lead activities here as well. There is an indoor 'nature trail' for children and adults to wonder through with local wildlife and information about the area's history on display.
Various amenities are also available; well kept toilet facilities, also offering a baby-changing area, are located within the visitors Centre, and a refreshment kiosk is situated on the front, adjoining the centre, with drinks, snacks and ice-cream to buy.
Thurstaston Visitors Centre Field
There is a large expanse of open grass situated by the Visitors Centre. Visitors are free to do as they please as long as respect is kept for the area's upkeep and wildlife - barbecues must be had within one of the designated areas. The spot is popular with tourists, families and local visitors for picnics, ball games, frisbee, or simply to sit and take in the spectacular view over the Dee Estuary mudflats with, Wales on the distant horizon.
There are numerous self-guided walks within this area, including the Wirral Coastal Walk. Excellent views gained by walking along the Thursaston cliffs which over look the beach below. You can in fact walk along the cliff top all the way back to Heswall, with the Heswall Fields to your left. If you feel like it you can follow the footpaths through the fields leading back up to the Wirral Way walk.
Thurstaston Visitors Centre Barbeque
There are two barbeque sites, the main one being located on the back edge of the open field area, within sight of the Visitors Centre. There is a built in brick barbeque, which you can place a disposable barbeque within. There are also a couple of picnic tables and benches to eat your food at.
This barbeque site must be booked before use, and is very popular, particularly within the spring and summer months. You can contact the Thurstaston Visitors Centre by telephone. However, for when the first barbeque site is fully booked up, there is a second area available, located towards the back of the visitors Centre car park. There are no built barbeque spots or benches set up here, but you can place disposable barbecues on the ground. Ask at the visitors centre to be allowed onto this site, and confirm it is available for use at the time you are visiting.
When you have finished your barbeque you should douse your disposable barbeque with water (available from an outside tap at the Visitors Centre building) and leave the barbeque for the rangers to collect at the end of the day. All other waste should go into the bins situated in the barbeque area, with the lids placed firmly back on to prevent danger to the local wildlife.
Thurstaston Beach
Thurstaston beach is part of the Wirral Coastline and runs between Thurstaston and Heswall along the foot of Thurstaston cliffs. The cliffs themselves provide a fascinating backdrop, being eroded into almost surreal shapes and gravity defying peaks. They are also hazardous in their state of erosion, and should never be walked upon on the edges, or climbed, as parts are susceptible to crumbling away at any moment. This coastal strip is very popular with walkers and forms part of the Wirral Coastal Walk
Along Thurstaston beach you will find washed up bits of knarled drift wood, sea shells, and sand eroded rocks and pebbles. The tide does come in daily, though it is never deep and never covers the beach entirely so there is no danger of being cut off. A word of caution, the mud flats do have areas of 'sinking sand' and so care should always be taken in wondering out onto them. Never go out too far, especially if alone. This applies also to horse riders, and there have been horses that have had to be pulled out with the assistance of the local fire brigade.
There are two points of access to Thurstaston beach. The easier location being at the bottom of station Road (the only road leading all the way down to Thurstaston Visitors Centre from Telegraph Road). The other access point is via another set of steps at the opposite end of the park. Walk along the cliffs path in the direction of heswall, you will wonder through a little gully with a footbridge over a small runoff stream, and this path will bring you eventually to the second set of steps. You should never attempt to climb down the cliffs directly to the beach, due to their high state of erosion and the risk of the ground giving away under your step. They are precariously steep and could cause serious injury.
The Wirral Way
This follows the path of the old railway line which finally closed in 1963. The origins of the Wirral Country Park lies in the history of this railway line. The abandoned railway line was taken under the care of the local council, and under the 1968 Countryside act, was converted into a public footpath with a parallel cycle and bridal path. Numerous tourists and local visitors to the area, walk along the Wirral Way for relaxation, leisure, and excercise. It is used by a variety of people; families out for the day, couples on a romantic stroll, joggers, cyclists, horse riders and more.
At points along the Wirral Way, there will be signposted public paths which will take you various ways through the Heswall fields, either down to the shore line, or up towards Thurstaston village and farm. There is also a footpath signposted to the ominous sounding 'dungeon'. This is a pretty walk through a steep-sided valley with a little stream, and takes you up into farmers fields at the top. gorgous on a sunny summers day. The area is also part of the infamous Wirral Coastal Walk.
www.thurstaston.wherewideweb.com/field.html
Thurstaston Visitors Centre Field
There is a large expanse of open grass situated by the Visitors Centre. Visitors are free to do as they please as long as respect is kept for the area's upkeep and wildlife - barbecues must be had within one of the designated areas. The spot is popular with tourists, families and local visitors for picnics, ball games, frisbee, or simply to sit and take in the spectacular view over the Dee Estuary mudflats with, Wales on the distant horizon.
There are numerous self-guided walks within this area, including the Wirral Coastal Walk. Excellent views gained by walking along the Thursaston cliffs which over look the beach below. You can in fact walk along the cliff top all the way back to Heswall, with the Heswall Fields to your left. If you feel like it you can follow the footpaths through the fields leading back up to the Wirral Way walk
www.thurstaston.wherewideweb.com/barbeque.html
Thurstaston Visitors Centre Barbeque
There are two barbeque sites, the main one being located on the back edge of the open field area, within sight of the Visitors Centre. There is a built in brick barbeque, which you can place a disposable barbeque within. There are also a couple of picnic tables and benches to eat your food at.
This barbeque site must be booked before use, and is very popular, particularly within the spring and summer months. You can contact the Thurstaston Visitors Centre by telephone. However, for when the first barbeque site is fully booked up, there is a second area available, located towards the back of the visitors Centre car park. There are no built barbeque spots or benches set up here, but you can place disposable barbecues on the ground. Ask at the visitors centre to be allowed onto this site, and confirm it is available for use at the time you are visiting.
When you have finished your barbeque you should douse your disposable barbeque with water (available from an outside tap at the Visitors Centre building) and leave the barbeque for the rangers to collect at the end of the day. All other waste should go into the bins situated in the barbeque area, with the lids placed firmly back on to prevent danger to the local wildlife.
www.thurstaston.wherewideweb.com/beach.html
Thurstaston Beach
Thurstaston beach is part of the Wirral Coastline and runs between Thurstaston and Heswall along the foot of Thurstaston cliffs. The cliffs themselves provide a fascinating backdrop, being eroded into almost surreal shapes and gravity defying peaks. They are also hazardous in their state of erosion, and should never be walked upon on the edges, or climbed, as parts are susceptible to crumbling away at any moment. This coastal strip is very popular with walkers and forms part of the Wirral Coastal Walk
Along Thurstaston beach you will find washed up bits of knarled drift wood, sea shells, and sand eroded rocks and pebbles. The tide does come in daily, though it is never deep and never covers the beach entirely so there is no danger of being cut off. A word of caution, the mud flats do have areas of 'sinking sand' and so care should always be taken in wondering out onto them. Never go out too far, especially if alone. This applies also to horse riders, and there have been horses that have had to be pulled out with the assistance of the local fire brigade.
There are two points of access to Thurstaston beach. The easier location being at the bottom of station Road (the only road leading all the way down to Thurstaston Visitors Centre from Telegraph Road). The other access point is via another set of steps at the opposite end of the park. Walk along the cliffs path in the direction of heswall, you will wonder through a little gully with a footbridge over a small runoff stream, and this path will bring you eventually to the second set of steps. You should never attempt to climb down the cliffs directly to the beach, due to their high state of erosion and the risk of the ground giving away under your step. They are precariously steep and could cause serious injury.
www.thurstaston.wherewideweb.com/wirralway.html
The Wirral Way
This follows the path of the old railway line which finally closed in 1963. The origins of the Wirral Country Park lies in the history of this railway line. The abandoned railway line was taken under the care of the local council, and under the 1968 Countryside act, was converted into a public footpath with a parallel cycle and bridal path. Numerous tourists and local visitors to the area, walk along the Wirral Way for relaxation, leisure, and excercise. It is used by a variety of people; families out for the day, couples on a romantic stroll, joggers, cyclists, horse riders and more.
At points along the Wirral Way, there will be signposted public paths which will take you various ways through the Heswall fields, either down to the shore line, or up towards Thurstaston village and farm. There is also a footpath signposted to the ominous sounding 'dungeon'. This is a pretty walk through a steep-sided valley with a little stream, and takes you up into farmers fields at the top. gorgous on a sunny summers day. The area is also part of the infamous Wirral Coastal Walk.
www.thurstaston.wherewideweb.com/wildlife.html
Above all, Thurstaston is renowned for its bird watching opportunities. The land and vegetation within and around the Wirral Country Park is an ideal habitat for many bird species, some unique to the area. The Wirral Way is lined by miles of brambles, hawthorn and blackthorn hedges providing ideal hiding, nesting and food sites for the birds. Added to this are the open mudflats of the River Dee Estuary, (itself an important ecological site of special scientific interest). Thus the Wirral Country Park, and it's surrounding area within Thurstaston and the Wirral, can be regarded as a key bird watching areas within Merseyside and the North West of England, nevermind the UK as a whole.
Thousands of wading birds come to feed and survive within the mud flats, from as far afield as Greenland, Iceland, Scandinavia and the Arctic. Among the many bird species which can be found in the area are; Coots, Curlew, Magpies, Pheasants, Thrushes, Finches, Fieldfares, Redwings, Lapwing, Oystercatchers, Skylarks, Shelduk, Herons, Short-eared Owls, etc.
Wirral bird watching Information
Wirral Country Park Wildlife
Outside the front of Thurstaston Visitors Centre is a large pond which is home to various birds, insects and pond-life, such as frogs, toads, newts and wildfowl. Dragonflies are attracted to the area and will lay eggs in the ponds. In the summer months you till find them darting through the air, along with over 10 different species of butterfly (including, Small Skippers, Speckled Woods and Common Blues). Other insects include Damselflies and Bumblebees.
The local wildlife can contribute to a fun-filled family day out. In the warmer months pond-dipping activities are arranged for children to take part in to learn more about the local environment and Wirral wildlife. You can enquire into and book onto these activities through The Visitors Centre.
The beach offers crabs which scuttle across the sand. As a fun tourist attraction, seashore searches are arranged for children and adults to take part in with the rangers. Contact The Visitors Centre for more information.
Other animals found in the area are badgers, foxes, hedgehogs, bats, mice, fieldvole and squirrels.
Flowers and plant-lifeare another key factor in the local Wirral wilflife and thrive in the spring and summer months. Wild flowers, such as Dog violets, Buttercups and Primroses, grow in the fields and bushes along the Wirral Way. Towards the autumn mushrooms, fairy rings and bracket fungi can be found, and 'Fungal forays' can be participated in with the Rangers. This is also an excellent time to walk the footpaths through the fields between Heswall and Thurstaston, as the Wheat is in season and you can see he coastal winds rippling through the sheafs like waves. Therapeutic and beautiful.
Trees to be found in the Wirral Country Park area include; Sycamore, European Maple, Silver Birch, Downy Birch, Horse chestnut, Sweet Chestnut, Douglas Fir, Rowan, Pine, Willow, Holly, Beech, Ash, Elm and Hazel.
www.thurstaston.wherewideweb.com/contact.html
Wirral Country Park
Address: Wirral Country Park Visitors Centre,
Station Road,
Thurstaston,
Wirral,
CH61 OHN
Honfleur is a commune in the Calvados department in Normandy en.normandie-tourisme.fr/normandy-tourism-109-2.html in northwestern France. It is located on the southern bank of the estuary of the Seine across from le Havre and very close to the exit of the Pont de Normandie. Its inhabitants are called Honfleurais. It is especially known for its old, beautiful picturesque port, characterized by its houses with slate-covered frontages, painted many times by artists, including in particular Gustave Courbet, Eugène Boudin, Claude Monet and Johan Jongkind, forming the école de Honfleur (Honfleur school) which contributed to the appearance of the Impressionist movement. The Sainte-Catherine church, which has a bell tower separate from the principal building, is the largest church made out of wood in France. The first written record of Honfleur is a reference by Richard III, Duke of Normandy, in 1027. By the middle of the 12th century, the city represented a significant transit point for goods from Rouen to England. Located on the estuary of one of the principal rivers of France with a safe harbour and relatively rich hinterland, Honfleur profited from its strategic position from the start of the Hundred Years' War. The town's defences were strengthened by Charles V in order to protect the estuary of the Seine from attacks from the English. This was supported by the nearby port of Harfleur. However, Honfleur was taken and occupied by the English in 1357 and from 1419 to 1450. When under French control, raiding parties often set out from the port to ransack the English coasts, including partially destroying the town of Sandwich, in Kent, England, in the 1450s. At the end of the Hundred Years' War, Honfleur benefited from the boom in maritime trade until the end of the 18th century. Trade was disturbed during the wars of religion in the 16th century. The port saw the departure of a number of explorers, in particular in 1503 of Binot Paulmierde Gonneville to the coasts of Brazil. In 1506, local man Jean Denis departed for Newfoundland island and the mouth of the Saint Lawrence. An expedition in 1608, organised by Samuel de Champlain, founded the city of Quebec in modern day Canada. After 1608, Honfleur thrived on trade with Canada, the West Indies, the African coasts and the Azores. As a result, the town became one of the five principal ports for the slave trade in France. During this time the rapid growth of the town saw the demolition of its fortifications on the orders of Colbert. The wars of the French revolution and the First Empire, and in particular the continental blockade, caused the ruin of Honfleur. It only partially recovered during the 19th century with the trading of wood from northern Europe. Trade was however limited by the silting up of the entrance to the port and development of the modern port at Le Havre. The port however still functions today. On August 25, 1944, Honfleur was liberated together by the British army - 19th Platoon of the 12th Devon's, 6th Air Landing Brigade, the Belgian army (Brigade Piron) on 25 August 1944.[1] and the Canadian army without any combat. en.normandie-tourisme.fr/articles/honfleur-278-2.html
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de / From:
cuscoperu.origenandino.com/chinchero-peru.html
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Chinchero conocida como la ciudad del Arco Iris está ubicada a 28 km. al noroeste de la ciudad del Cusco, sobre los 3160 msnm., flanqueada por los nevados de Salkantay, Verónica y Soray. La vista desde aquí es impresionante. Chinchero pertenece a la provincia de Urubamba, departamento de Cusco
Chinchero, la población más típica del Valle Sagrado de los Incas, es una ciudad netamente incaica que los conquistadores quisieron "civilizar" para implantar su cultura, pero nunca lo lograron totalmente. Sus pobladores habitan las construcciones incaicas casi intactas, en el mismo lugar donde sus lejanos antepasados vivieron y formaron la civilización más grande y próspera de América.
En el Conjunto Arqueológico de Chinchero llama la atención inicialmente sus andenes, lo que permite entender que fue un centro de producción agrícola en la época inca, también se construyo un almacén y se doto a todo el complejo de un sistema de regadío muy eficiente. La historia cuenta que con la llegada de los españoles, Chinchero fue incendiada en 1536 por Manco Inca, en su huida hacia Vilcabamba, con el objetivo de no dejarles nada a los españoles.
Sobre el Palacio de Tupac Yupanqui los españoles levantaron la Iglesia de Nuestra Señora de Monserrat en 1607, con la finalidad de representar su sometimiento de forma simbólica. Su Altar mayor tallado en pan de oro y estilo barroco está dedicado a la Virgen de la Natividad. Sus paredes están decoradas con obras de Diego Quispe Tito el máximo representante de la escuela cusqueña. También hay trabajos de Francisco Chihuantito.
En Chinchero el pasado persiste obstinadamente, como si el espíritu de una cultura milenaria se aferrara en este lugar, negándose a desaparecer. Los pobladores nativos, ataviados con coloridos trajes típicos, bajan de sus comunidades los domingos y se aglomeran en la plaza principal para intercambiar sus productos. Ver a todo este grupo de gente de raíces culturales profundas, ajenos a todo signo de modernidad, resulta todo un espectáculo.
En la concurrida y colorida feria dominical de chinchero se puede encontrar objetos de uso domestico, algunos verdaderamente antiguos como los famosos textiles de chinchero. En este pueblo, con comunidades unidas se ha podido conservar un patrimonio vivo, inmaterial, de extraordinario valor, que se expresa tanto en la textilería como en las prácticas agrícolas y en una red de relaciones familiares y comunitarias. En los talleres de las asociaciones de artesanas se exponen diariamente todo el proceso del tejido, desde el lavado de la lana, hasta el producto final, se aprende de las técnicas de hilado, teñido y tejido.
Desde Chinchero se puede acceder a la bella Laguna de Huaypo y al pueblo de Piuray. Chinchero es reconocido también por ser un pueblo de talentosos artesanos textiles.
For purchase canvas or framed prints:
jenny-rainbow.artistwebsites.com/featured/details-of-gira...
One of my favorite places and pictures from the Seville visit. Being pretty lucky with places and weather, I was so disappointed by the gloomy day which met me in Seville, so mostly I was walking along the streets, went to the Plaza de Espana and started to move to the one of the most famous architectural points - Tower Giralda. I had a lot of plans for photography there, but can you imagine my frustration when I arrived there it was closing! Just one minute ahead! The strict guardians dont let me go even for 5 minutes to the orange trees garden! Shame on them!
All what I've got this beautiful frame with architectural details... But its my favorite shot from Seville :-)
La Giralda, the bell tower of the Cathedral, is the most famous landmark in Seville. The tower was originally built at the end of the 12th century as the minaret of a large mosque built by the Moors.
Construction
In the 12th century the Almohades, who dominated the region, built a new great mosque in Seville. Construction of its minaret started in 1184 under the lead of engineer Gever, who designed an ingenious structure with two separate load-bearing walls connected to each other via an internal ramp. Construction of the minaret was completed in 1198.
Belfry of the Giralda Bell Tower, Seville, Spain
Belfry
Stones from ancient Roman monuments were used to build the tower. At the foot of the Giralda one can still find inscriptions dating back to the era of emperor Augustus.
The Giralda
In 1356, after the reconquest of Seville by the Christians, much of the mosque was destroyed by a large earthquake. Only two parts of the original structure survived unscathed, the Patio de los Naranjos (a courtyard) and the minaret. The rest of the building was replaced by a Gothic cathedral.
The name of the tower - Spanish for weathervane - stems from the large vane at the top of the belfry, known as giraldillo. The large statue, depicting Faith, shows a woman in a classical Roman attire, holding a shield in the right hand and a palm in the left. The original vane is now installed near the entrance of the cathedral at the Puerta de San Cristobal.
el.kingdomsalvation.org/gospel/on-the-first-day.html
Ας δούμε τι λέει το πρώτο χωρίο: «Και είπεν ο Θεός, Γενηθήτω φώς· και έγεινε φώς· και είδεν ο Θεός το φως ότι ήτο καλόν· και διεχώρισεν ο Θεός το φως από του σκότους· και εκάλεσεν ο Θεός το φως, Ημέραν· το δε σκότος εκάλεσε, Νύκτα. Και έγεινεν εσπέρα και έγεινε πρωΐ, ημέρα πρώτη» (Γέν. 1:3-5). Το χωρίο αυτό περιγράφει την πρώτη πράξη του Θεού στην αρχή της δημιουργίας και την πρώτη μέρα του Θεού στην οποία υπήρχε ένα απόγευμα και ένα πρωί. Αλλά ήταν μια εξαιρετική μέρα: ο Θεός άρχισε να ετοιμάζει το φως για όλα τα πράγματα και, επιπλέον, διαχώρισε το φως από το σκοτάδι. Εκείνη τη μέρα, ο Θεός άρχισε να μιλά και ο λόγος Του με τη εξουσία Του ήταν πλάι–πλάι. Η εξουσία Του άρχισε να ξεχωρίζει από όλα τα πράγματα και η δύναμή Του εξαπλώθηκε σε όλα τα πράγματα σαν αποτέλεσμα του λόγου Του. Από αυτή τη μέρα και μετά, δημιουργήθηκαν όλα τα πράγματα και κράτησαν γερά χάρη στον λόγο του Θεού, στην εξουσία του Θεού και στη δύναμη του Θεού και άρχισαν να λειτουργούν χάρη στον λόγο του Θεού, στην εξουσία του Θεού και στη δύναμη του Θεού. Όταν ο Θεός εκστόμισε τις λέξεις «Γενηθήτω φώς», έγινε φως. Ο Θεός δεν ξεκίνησε κάποιο εγχείρημα. Το φως εμφανίστηκε ως αποτέλεσμα του λόγου Του. Αυτό ήταν το φως, το οποίο ο Θεός ονόμασε μέρα και από αυτό εξαρτάται η ανθρώπινη ύπαρξη ακόμα και σήμερα. Επειδή το πρόσταξε ο Θεός , η υπόσταση και η αξία του δεν έχουν αλλάξει ποτέ και αυτό δεν εξαφανίστηκε ποτέ. Η ύπαρξή του αποδεικνύει την εξουσία και τη δύναμη του Θεού και διακηρύσσει την ύπαρξη του Δημιουργού, και επιβεβαιώνει ξανά και ξανά την ταυτότητα και τη θέση του Δημιουργού. Δεν είναι απροσδιόριστο, ούτε απατηλό, αλλά είναι ένα αληθινό φως, ορατό από τον άνθρωπο. Από τη στιγμή εκείνη και μετά, σ’ αυτόν τον άδειο κόσμο στον οποίο «η δε γη ήτο άμορφος και έρημος· και σκότος επί του προσώπου της αβύσσου», παρήχθη το πρώτο υλικό αγαθό. Αυτό το πράγμα είναι αποτέλεσμα των λέξεων από το στόμα του Θεού και εμφανίστηκε στην πρώτη πράξη της δημιουργίας όλων των πραγμάτων από τη εξουσία και τον λόγο του Θεού. Λίγο μετά, ο Θεός πρόσταξε να ξεχωρίσει το φως από το σκοτάδι… Όλα άλλαξαν και ολοκληρώθηκαν χάρη στον λόγο του Θεού… Ο Θεός αποκάλεσε αυτό το φως «Μέρα» και το σκοτάδι «Νύχτα». Από τότε, το πρώτο απόγευμα και το πρώτο πρωινό δημιουργήθηκαν στον κόσμο που ο Θεός ήθελε να δημιουργήσει και ο Θεός είπε ότι αυτή ήταν η πρώτη μέρα. Αυτή η μέρα ήταν η πρώτη μέρα της δημιουργίας όλων των πραγμάτων από τον Δημιουργό, ήταν η αρχή της δημιουργίας όλων των πραγμάτων και η πρώτη φορά που φάνηκε η εξουσία και η δύναμη του Δημιουργού σ’ αυτόν τον κόσμο που Εκείνος δημιούργησε....
el.kingdomsalvation.org/God-Himself-the-unique-ix-selecti...
Παντοδύναμου Θεού λέει: «Πρώτον, όταν ο Θεός δημιούργησε τα πάντα, έθεσε όρια για τα βουνά, τις πεδιάδες, τις ερήμους, τους λόφους, τα ποτάμια και τις λίμνες. Στη γη υπάρχουν βουνά, πεδιάδες, έρημοι, λόφοι, καθώς επίσης και διάφοροι υδάτινοι όγκοι. Δεν είναι διαφορετικά εδάφη αυτά; Ο Θεός έθεσε όρια ανάμεσα σε όλα αυτά τα διαφορετικά είδη εδάφους. Όταν μιλάμε για οριοθέτηση, αυτό σημαίνει ότι τα βουνά έχουν τα όριά τους, οι πεδιάδες έχουν τη δική τους οριοθέτηση, οι έρημοι έχουν ένα συγκεκριμένο πεδίο και οι λόφοι έχουν μια συγκεκριμένη έκταση. Υπάρχει επίσης μια συγκεκριμένη ποσότητα υδάτινων όγκων, όπως είναι τα ποτάμια και οι λίμνες. Αυτό σημαίνει ότι όταν ο Θεός δημιούργησε τα πάντα, διαίρεσε τα πάντα ξεκάθαρα. Ο Θεός έχει ήδη καθορίσει πόσα χιλιόμετρα είναι η ακτίνα ενός βουνού και ποιο το πεδίο της. Έχει επίσης καθορίσει πόσα χιλιόμετρα είναι η ακτίνα μιας πεδιάδας και ποιο το πεδίο της. Όταν δημιούργησε τα πάντα, Αυτός επίσης καθόρισε το πεδίο της ερήμου, καθώς και το πεδίο των λόφων και τις διαστάσεις τους, και με τι συνορεύουν. Αυτός τα καθόρισε όλα αυτά. Καθόρισε το πεδίο των ποταμών και των λιμνών όταν τα δημιουργούσε. Όλα έχουν τα όριά τους. Οπότε, τι σημαίνει όταν λέμε «όρια»; Μόλις μιλήσαμε για τον τρόπο που με τη διακυβέρνηση των πάντων από τον Θεό θεσπίζονται νόμοι για όλα τα όντα. Αυτό σημαίνει ότι το πεδίο και τα όρια των βουνών δεν θα επεκταθούν ούτε θα μειωθούν λόγω της περιστροφής της γης ή με το πέρασμα του χρόνου. Αυτό είναι καθορισμένο. Αυτή η έννοια του «καθορισμένου» είναι η διακυβέρνηση του Θεού. Όσον αφορά την έκταση των πεδιάδων, το πεδίο τους, την οριοθέτησή τους, αυτό έχει καθοριστεί από τον Θεό. ... »
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nella nota si intravedono i "piccoli" visitatori
per saperne di più: www.arkeomania.com/templiselinunte.html
Ti amo in tutte le lingue (http://www.doktorlove.com/AAArestyling/amoretradotto.html)
Africano Mena Tanda Wena
Afrikaans (Lingua parlata in Sud Africa dai discendenti degli olandesi) Ek is lief vir jou, Ek het jou liefe
Albanese Te dua, Te dashuroj, Ti je zemra ime
Alentejano (Lingua parlata nel Portogallo meridionale) Gosto te di porra
Alsaziano (Dialetto franco-tedesco parlato in Francia tra il Reno e i Volgi) Ich hoan dich gear
Amarico (Lingua ufficiale dell'Etiopia ma nella regione se ne parlano almeno 80) Ewedishalehu, Ewedihalehu
Apache Sheth shen zhon
Arabo Ooheboki (a una donna), Ooheboka (ad un uomo) Ohiboke, Ohiboki, Ana behibek, Ana Behibak, Ahebich, Ib'n hebbak
Armeno Yes kez si'rumem
Ashanti (Dialetto parlato in Ghana) Me dor wo
Asheghetam, Doostat darm
Assamese (Lingua parlata nello stato indiano dell'Assam) Moi tomak bhal pau
Basco Maite zaitut, Nere maitea
Bassa (Lingua parlata in sud Africa) Mengweswe
Batak (Lingua parlata nella parte settentrionale di Sumatra - Indonesia - ) Holong rohangku di ho
Bemba (Lingua parlata in Africa) Ndikufuna
Bengali (Lingua parlata nello stato indiano del Bengala e in Bangladesh) Aami tomaake bhaalo baashi, Ami tomay bhalobashi, Ami tomake bhalobashi
Berbero Lakh tirikh
Bicol (Dialetto parlato nelle filippine) Namumutan ta ka
Birmano Chit pa de
Bosniaco Volim te
Braille ..|..||..-.. . ''..,.;
Brasiliano amo você
Bulgaro Obicham te, As te obeicham, Obozhavam te
Cajun (Dialetto francese parlato in Louisiana) Mi aime jou
Cambogiano Kh_nhaum soro_lahn nhee_ah, Bon sro lanh oon
Canadese (Francofoni) Sh'teme
Catalano T'estimo, T'estim molt
Cebuano (Linguaggio parlato nelle Filippine) Gihigugma ko ikaw
Ceco Miluji te, Ma'm te ra'da
Chamorro (Antica lingua parlata a Guam e nelle Marianne) Hu guaiya hao
Cherokee Aya gvgeyu i'nihi
Cheyenne Ne mohotatse
Chichewa (Lingua parlata nello stato centroafricano del Malawi) Ndimakukonda
Chickasaw Chiholloli
Cinese Goa ai li (Amoy), Ngo oi ney (Cantonese), Wo oi ney (Cantonese), Ngai oi gnee (Hakka), Wa ai lu (Hokken),
Wo ai ni (Mandarino), Wuo ai nee (Mandarino), Wo ai ni (Putunghua), Ngo ai nong (Wu)
Coreano Saranghae, Saranghaeyo, Tangsinul, Dangsinul saranghee yo, Nanun dangsineul joahapnida, Nanun dangsineul mucheog saranghapnida, Tangshini choayo
Corso Ti tengu cara
Creolo (Dialetto francese con contaminazioni inglesi e tedesche parlato ad Haiti) Mi aime jou
Croato Ja te volim, Ljubim te, Volim te
Curdo Ez te hezdikhem
Cyber I lv u
Gallese Rwy, dy garu di, Yr wuf i yn dy faru dj
Giapponese Kimi o ai shiteru, Aishiteru, Chuu shiteyo, Ora omee no koto ga suki da, Suitonnen, Sukiyanen, Sukiyo, Watashi wa anata ga suki desu, A i shi te ma su, Watakushi wa anata wo ai shiasu
Giavanese Kulo tresno
Greco S'agapo, Eime eroteumenos mazi sou, Eime eroteumeni mazi sou, Se latrevo, Se thelo
Greco Antico Agapo Su
Groenladese Asavakit
Gronings (Dialetto olandese) Ik hol van die
Guarani (Una delle lingue ufficiali del Paraguay) Rohiyu
Gujrati (Lingua parlata nello stato indiano del Gujrat e in Pakistan) Hoon tane pyar karoochhoon, Hoon tuney chaoon chhoon
Hausa (Lingua parlata in Nigeria) Ina sonki
Hawayano Aloha wau ia oe
Hindi Mai tumase pyar karata hun, Mai tumse peyar karta hnu, Mae tumko peyar kia, Main tumse prem karta hoon
Hopi (Lingua parlata da tribu' indiane del Nord America) Nu'umi un angwa'ta
Ibaloi (Dialetto parlato nelle Filippine) Pip piyan tana, Pipiyan ta han shili
Ilocano (Dialetto parlato nelle Filippine) Ay ayating ka
Indonesiano Saya cinta padamu, Saya cinta kamu, Saja kasih saudari, Aku tjinta padamu
Inglese I love you, I adore you
Interglossa (Linguaggio artificiale inventato attorno al 1940) Mi este philo tu
Italiano Ti Amo
Irlandese Taim i' ngra leat
Irlandese-Gaelico T'a gr'a agam dhuit
Islandese Eg elska thig
Kankana (Dialetto parlato nelle Filippine) Laylaydek sik a
Kannada (Lingua parlata nello stato del karnataka, India merid.) Naanu ninn anu preethisuthene, Naanu ninnanu mohisuthene
Kikongo (Lingua parlata nello Zaire) Mono ke zola nge
Kiswahili (Kenya) Mimi nakupenda wewe
Kiswahili Nakupenda, Nakupenda wewe, Nakupenda malaika
Klingon (Lingua parlata in Star Trek) qumuSHa', qaparHa', qaparHa'qu'
Kpele (Lingua parlata in Africa) I walikana
Lao (Lingua parlata in Laos e nel nord della Thailandia) Khoi hak jao, Khoi mak jao lai, Khoi mak jao
Lappone Mon rahkistan tonu
Latino te amo
Lettone Es tevi milu, Es milu tevi
Libanese Bahibak
Lingala Nalingi yo
Lingo Me molas tronca
Lituano Tave myliu, Ash mir lutavah
Luo (Lingua parlata in Kenya) Aheri
Lussemburghese E ch hun dech ga''r
Maa Ilolenge
Macedone Te sakam, Te ljubam
Malese/Indonesiano Saya cintakan kamu, Saya cinta pada mu, Aku cinta pada mu, Saya cintakan awak, Adu menyayangi mu, Aku jatuch cinta pada mu
Malayalam (Lingua parlata nello Stato indiano di Kerala) Ngan ninne snaehikkunnu, Njyaan ninne' preetikyunnu
Maltese Jen inhobbok
Marathi (Lingua parlata a Bombay e nello stato indiano del Maharastra) Mi tuzya var prem karato, Me tujhashi prm karto, Me tujhashi prm karte
Marocchino Kanvhik, Kankebek
Marshallese (Lingua parlata nelle isole Marshall - Pacifico -) Yokwe yuk
Maya 'in k'aatech, 'in yabitmech
Mohawk (Lingua parlata dalle tribu' indiane della zona est) Konoronhkwa
Mokilese (Lingua parlata a Mokil e Ponape) Ngoah mweoku kaua
Navaho Ayor anosh'ni
Ndebele (Lingua parlata in Zimbawe) Niyakutanda
Norvegese Jega esker deg, Eg elskar deg
Nyanja (Lingua parlata in Africa) Ninatemba
Danese Jeg elsker dig
Dusun (Lingua parlata dalla tribu' Dusun, una delle piu' grandi del Borneo Sett.) Siuhang oku dia
Ebraico Anee ohev otakh, Anee ohevet othkha, Anee ohevet otakh
Esperanto Mi amas vin
Estone Mina armastan sind, Ma armastan sind
Etiope Afgreki'
Farfallino Tifi Afamofo
Farsi (Lingua parlata in Iran e in alcune zone del Pakistan e dell' Afhanistan) Tora dost daram, Fiammingo Ik Zie oe Geerne
Filippino Mahal ka ta, Iniibig kita, Mahal kita
Finlandese Rakastan sua, Ma'' tykka a n susta
Francese Je t'aime, Je t'adore, J' t'aime bien, Je vous aime
Francoprovenzale Të voulou ben
Gaelico Tha gradh agam ort
Olandese Ik hou van je, Ik hou van jou, Ik ben verliefd op jou
Op (Linguaggio di gioco) Op lopveop yopuop
Ossezziano Aez dae warzyn
Pakistano Mujhe tumse muhabbat hai, Muje se mu habbat hai
Palestinese Anee omev otach
Papiamento (Lingua parlata nell'isola di Aruba e nelle Antille Olandesi) Mi ta stima 'bo
Persiano Tora dost daram
Polacco Kocham cie, Kocham ciebie, Ja cie kaocham (slang)
Portoghese Eu te amo, Amo te
Pulaar (Dialetto parlato in Senegal dalla gente Fulani) Mbe de yid ma
Punjari Main tainu pyar karna, Mai taunu pyar karda
Quechua boliviano Qanta munani
Quechua ecuadoregno Canda munani
Quenya (Lingua degli elfi inventata da Tolkien) Tye-mela'ne
Rumeno Te iubesc
Russo Ya tyebya Lyublu, Ya vas lyublyu
Samoano Ou te alofa outou, Ou te alofa ia te oe
Scozzese-Gaelico Tha gradh agam ort
Serbo Ja val volim, Volim vas
Shona (Lingua parlata nello Zimbawe) Ndinokuda
Sioux Techihhila
Singalese (Lingua parlata in Sri Lanka) Mama oya 'ta' a' darei
Siriano Bhebbek, Bhebbak
Slovacco Lubim ta
Sloveno Ljubim te
Spagnolo Te amo, Te quiero, Te adoro, Me antojis
Sudanese Nan nyanyar do
Suomi Mina rakastan
Svedese Jag a iskar dig
Svizzero tedesco Ch'ha di ga''rn
Swahili (Linguaggio parlato da molte tribu' - est Africa -) Naku penda, Ninikupenda, Dholu'o
Tahitaiano Ua here au ia oe, Ua here vau ia oe
Tailandese Ch'an rak khun
Taiwanese Gua ai li
Tamil (Lingua parlata nel sud dell'India, a Sri Lanka e in altre regioni asiatiche) Naan unnai kadalikiren, Nan innai kathlikaren, Nam vi'rmberem
Telugu (Lingua parlata nell'Uttar Pradesh) Ninnu premistunnanu, Neenu ninnu pra' mistu 'nnanu, Nenu ninnu premistunnanu
Tedesco, Ich liebe dich, Ich hab dich lieb
Thai Phrom rak khun, Phom ruk koon, ch'an rak khun, Khao raak thoe
Tswana Dumela
Tunisino Ha eh bak
Turco Sizi seviyorum, Seni seviyorum, Seni begeniyourum
Twi (Lingua parlata in Ghana) Me dowapaa
Ucraino Ya tebe kokhayu, Ja tebe kokhaju, Ja vas kokhaiu, Ja pokikhav vas
Ungherese Szeretlek
Urdu (Lingua parlata in Pakistan India) Mani tumse muhabbat karta hoon, Mujhe tumse mohabbat hai, Kam prem kartahai, Mujhe tum se piyaar hai
Vai (Lingua parlata in Africa) Na lia
Vdrmldnska (Lingua parlata in Svezia) Du dr gvrgo te mdg
Vietnamita Anh yeau em, Em yeau anh, Toi yeu em
Volappa ''K (Linguaggio artificiale inventato da Schleyer nel 1880) La' fob oli
Wolof (Lingua e non dialetto del Senegal) dama la nopp.(Un grazie a Stefano A. per la correzione)
Yiddish Ikh hob dikh lib, Ich libe dich, Ich han dich lib, Kh'ob dikh holt, Ikh bn in dir farlibt
Zulu Mena tanda wena Ngiyakuthanda
Zuni (Lingua parlata da indiani del Nord America) Tom ho'ichemaa
Svedese Jag älskar dig
Sloveno Ljubim te.
Portoghese Te amo
Ungherese Szeretlek
Franco canadese Je t'aime
Creolo Mi aime jou
Cinese Goa ai li (Amoy)
Ngo oi ney (Cantonese)
Wa ai lu (Hokkien)
Wo ai ni (Mandarino)
Wo ai ni (Putunghua)
Ngo ai nong (Wu)
Danese Jeg elsker dig
Olandese Ik hou van je
Inglese I love you
Francese Je t'aime
Gaelico Ta gra agam ort
Tedesco Ich liebe dich
Greco S'ayapo
Hawaiano Aloha i'a au oe
Ebraico Anee ohev otakh (maschile non femminile)
Anee ohevet otkha (femminile non maschile)
Anee ohev otkha (da maschio a maschio)
Anee ohevet otakh (femmina a femmina)
Irish Taim i' ngra leat
Irlandese/Gaelico Mo ghra' thu'
Giapponese Kimi o ai shiteru
Aishiteru Chuu shiteyo
Ora omee no koto ga suki da
Ore wa omae ga suki da
Suitonnen
Sukiyanen
Sukiyo
Watashi wa anata ga suki desu
Watashi wa anata wo aishithe imasu
Watashi wa anata o aishitemasu
A-i-shi-te ma-su
Watakushi-wa anata-wo ai shimasu
Suki desu
Coreano Tangsinul sarang ha yo
Latino Te amo
Latino (Ego) Amo te ('Ego', per enfasi)
Norvegese Jeg elsker deg (Bokmaal)
Eg elskar deg (Nynorsk)
Jeg elsker deg (Riksmaal)
Filippino Mahal kita
Russo Ya vas lyublyu (vecchio stile)
Ya tyebya lyublyu meglio)
Ya lyublyu vas (vecchio stile)
Ya lyublyu tyebya
Spagnolo Te amo
Svedese Jag aelskar dig
Turco Seni seviyorum = Ti amo, ma usato anche per dire semplicemente Ti voglio bene
Vietnamita Anh ye^u em (maschile)
Arabo ana behebak (Ti amo, maschile)
www.artofphotographyshow.com/OpeningReception2012.html
Art of photography show 2012.
Archival pigment print.
Edition: artist proof 1/2
41"x32" wooden white frame.
I would like to invite you to be part of an opening night of the show on Sep29-30, 2012. If anyone happen to be in San Diego during those days, please stop by to say hi. I will be at the opening, and the lecture on the Sep30. It will be fun to see works from many artist from around the world.
Best.
Komkrit T.
traveladventureeverywhere.blogspot.com/2024/06/saint-pete...
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ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
venezia2015.llull.cat
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
wroclaw2016.pl/biennale/
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
tnaf.ca
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
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"Profecias biblicas de los ultimos tiempos" | ¿cómo podemos ser arrebatados antes del desastre?
A finales de 2019, la neumonía infectada por el coronavirus se produjo en Wuhan, China. Ahora, el coronavirus se ha extendido a varios países y regiones de todo el mundo, y la Organización Mundial de la Salud anunció que se trataba de una emergencia de salud pública de interés internacional. Los incendios forestales sin precedentes de cuatro meses en Australia también han causado una preocupación generalizada. Además, en 2020 África Oriental sufrió su peor invasión de langostas del desierto en 25 años, y se ha producido una grave crisis alimentaria en muchas naciones africanas. La peor lluvia torrencial en 100 años azotó el sureste de Brasil y destruyó innumerables casas… Ahora en todo el mundo, las pandemias, los incendios, las plagas de langostas, las inundaciones y otros desastres son cada vez más grandes. Además, las cuatro lunas de sangre ya han aparecido. Todas estas señales indican que la profecía relativa al regreso del Señor Jesús se ha cumplido, que es lo que el Señor Jesús profetizó acerca de las señales de Su regreso: “Se levantará nación contra nación y reino contra reino; habrá grandes terremotos, y plagas y hambres en diversos lugares; y habrá terrores y grandes señales del cielo” (Lucas 21:10-11).
Muchos hermanos y hermanas están muy ansiosos y confundidos: Ahora que los desastres son tan grandes y la profecía del regreso del Señor se ha cumplido, ¿por qué no hemos sido arrebatados al aire? El Señor es fiel y cumplirá Su promesa de llevarnos en los últimos días. Entonces, ¿por qué no hemos sido arrebatados ahora en el aire, como Él nos prometió?¿Hay algo malo en nuestra comprensión del arrebatamiento? Sobre este problema, tengamos una comunión juntos hoy.
...
Leer más: www.biblia-es.org/las-profecias-biblicassobre-desastres-d...
Quiere saber más, haga clic aquí:La segunda venida de Cristo
Scripture quotations taken from LBLA. Copyright by The Lockman Foundation.
el.kingdomsalvation.org/videos/faith-in-bible.html
Οι περισσότεροι πάστορες και πρεσβύτεροι του θρησκευτικού κόσμου πιστεύουν πως η Βίβλος εκπροσωπεί τον Κύριο, πως η πίστη στον Κύριο είναι πίστη στη Βίβλο, και η πίστη στη Βίβλο είναι πίστη στον Θεό. Πιστεύουν πως αν κανείς παρεκκλίνει από τη Βίβλο, δεν μπορεί να αποκαλείται πιστός, και πως αρκεί κανείς να μένει προσκολλημένος στη Βίβλο για να λάβει σωτηρία και να εισέλθει στη βασιλεία των ουρανών. Μπορεί η Βίβλος να εκπροσωπεί πραγματικά τον Κύριο; Ποια ακριβώς είναι η σχέση μεταξύ της Βίβλου και του Κυρίου; Ο Κύριος Ιησούς είπε «Ερευνάτε τας γραφάς, διότι σεις νομίζετε ότι εν αυταίς έχετε ζωήν αιώνιον· και εκείναι είναι αι μαρτυρούσαι περί εμού· πλην δεν θέλετε να έλθητε προς εμέ, διά να έχητε ζωήν» (Κατά Ιωάννη, 5:39-40). Ο Παντοδύναμος Θεός λέει, «Εν τέλει τι είναι μεγαλύτερο: ο Θεός ή η Βίβλος; Γιατί το έργο του Θεού πρέπει να επιτελείται σύμφωνα με τη Βίβλο; Μήπως γιατί ο Θεός δεν έχει δικαίωμα να υπερβεί τη Βίβλο; Δεν μπορεί ο Θεός να απομακρυνθεί από τη Βίβλο και να επιτελέσει άλλο έργο; Γιατί ο Ιησούς και οι μαθητές Του δεν τηρούσαν το Σάββατο; ... Πρέπει να γνωρίζεις ποιος ήλθε πρώτος, ο Θεός ή η Βίβλος! Όντας ο Κύριος του Σαββάτου, δεν θα μπορούσε να είναι και ο Κύριος της Βίβλου;» (Ο Λόγος Ενσαρκώνεται)
Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού
Όροι Χρήσης: el.kingdomsalvation.org/disclaimer.html
el.kingdomsalvation.org/hymns.html
Εισαγωγή
Εκκλησιαστικοί ύμνοι
Χριστιανικά τραγούδια | Γνωρίζεις την αποστολή σου;
Άραγε, ξέρεις το βάρος,
το καθήκον και την ευθύνη που κουβαλάς;
Της αποστολής σου η ιστορική αντίληψη πού είναι;
Πώς θα γίνεις καλός κύριος την άλλη εποχή;
Έχεις, μήπως, αίσθηση κυριότητας ισχυρή;
Πώς θα εξηγήσεις τον κύριο των πάντων;
Είναι, μήπως, ο κύριος όλων των ζωντανών
ή κύριος όλου του κόσμου του υλικού;
Ποιο το σχέδιό σου για τη συνέχεια;
Πόσοι περιμένουν να τους ποιμάνεις;
Δεν νιώθεις, άραγε, βαρύ το καθήκον σου;
Οι καημένες, αξιολύπητες ψυχές,
τυφλοί που έχουν χαθεί,
θρηνούν μέσα στο σκότος, διέξοδο αναζητούν.
Πώς περιμένουν το φως σαν πεφταστέρι να 'ρθει,
τη δύναμη του σκότους να διαλύσει, την καταπιεστική.
Τη λαχτάρα τους, μέρα και νύχτα, ποιος γνώρισε ποτέ;
Σαν το φως τους αναβοσβήνει - υποφέρουν
οι άθλιοι στο σκότος, δεν θα ελευθερωθούν.
Πότε θα πάψουν να κλαίνε;
Αυτά τα ανήσυχα πνεύματα έχουν τόση κακοτυχία.
Ανελέητα δεσμά, ιστορία ανάλλαχτη,
τους έχουν σφραγίσει γερά.
Ποιος άκουσε το κλάμα τους,
ποιος είδε τη δυστυχία τους;
Σκέφτηκες ποτέ τον Θεό, το άγχος και τη θλίψη Του,
να βλέπει να υποφέρει ο άνθρωπος
που με τα χέρια Του τον έπλασε;
Οι άνθρωποι δηλητηριασμένοι, δυστυχείς.
Aν και επιβίωσαν ως εδώ,
έχουν δηλητηριαστεί απ’ τον πονηρό.
Μήπως ξέχασες ότι είσαι θύμα κι εσύ;
Δεν θες, άραγε, η αγάπη Του να σώσει όσους επιβίωσαν,
να Του ανταποδώσεις όσο μπορείς,
που αγαπά τόσο τον άνθρωπο;
Πώς καταλαβαίνεις τη χρήση από τον Θεό,
για να ζήσεις ζωή ξεχωριστή;
Επιθυμείς και λαχταράς, άραγε,
να ζήσεις ζωή ευσεβή, στην υπηρεσία του Θεού;
από το βιβλίο «Ακολουθήστε τον Αμνό και τραγουδήστε νέα τραγούδια»
Χριστιανικοί Ύμνοι
Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού
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ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
venezia2015.llull.cat
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
wroclaw2016.pl/biennale/
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
tnaf.ca
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
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www.grandview.com.jo/petra_monuments.html
Dominating this southern side of the road is the striking carved façade of the Obelisk Tomb, and immediately below it the Bab as-Siq Triclinium. (from the Latin triclinium, pl. triclinia, which means 'three benches'). The latter is one of many such rooms in Petra which were used for memorial feasts in honour of the dead. The four magisterial obelisks across the top of the tomb smack of Egyptian stylistic ideas, while the triclinium, with its broken pediment, is more in the classical Nabataean style.
As with so much in Petra, it is unclear when these monuments were carved. Some scholars suggest the tomb is older than the triclinium; others date both to the mid-first century AD. Some believe that the bilingual inscription on the rock-face on the other side of the road, located with all the subtlety of a roadside advertisement, refers to both monuments. The longer Nabataean version reads: 'This is the burial place chosen by 'Abdmank, son of 'Akayus, son of Shullay, son of 'Utaih, for the construction of a tomb for himself, for his heirs and the heirs of his [heirs], for eternity and beyond: [he has made it] in his lifetime, in year ... of Malichus'. The Greek version is simply a summary: 'Abdomanchos son of Achaios has made this monument for himself and his children'.