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Host Bruno Giussani interviews speaker Antonio Guterres at TEDGlobal Geneva - December 8, 2015, Bâtiment des Forces Motrices, Geneva, Switzerland. Photo: James Duncan Davidson/TED
It became apparent that the site was well suited for another high-profile memorial since it sat directly south of the White House. By 1901 the Senate Park Commission, better known as the McMillan Commission, had proposed placing a pantheon-like structure on the site hosting "the statues of the illustrious men of the nation, or whether the memory of some individual shall be honored by a monument of the first rank may be left to the future"; no action was ever taken by Congress on this issue.[3]
The completion of the Tidal Basin Inlet Bridge in 1908 helped to facilitate the recreational usage of East and West Potomac Parks. In 1918, large liquid-chlorine dispensers were installed under the bridge to treat the water and make the Tidal Basin (also known as Twining Lake) suitable for swimming. The Tidal Basin Beach, on the site of the future Memorial, opened in May 1918 and operated as a "Whites Only" facility through 1925, when it was permanently closed to avoid the question of racial integration.[5]
A design competition was held for a memorial to Theodore Roosevelt in 1925. The winning design was submitted by John Russell Pope and consisted of a half-circle memorial situated next to a circular basin. The plan was never funded by Congress and was not built.[3]
Jefferson Memorial Side View
The Memorial's chance came in 1934 when President Franklin Roosevelt, an admirer of Jefferson himself, inquired to the Commission of Fine Arts about the possibility of erecting a memorial to Jefferson, including it in the plans for the Federal Triangle project, which was under construction at the time. Later the same year, Congressman John J. Boylan jumped off FDR's starting point and urged Congress to create the Thomas Jefferson Memorial Commission. Boylan was appointed the Commission's first chairman and Congress eventually appropriated $3 million for a memorial to Jefferson.[3]
Jefferson warns that a nation cannot be "ignorant and free."
The Commission chose John Russell Pope as the architect in 1935. Pope was also the architect of the National Archives Building and original (west) building of the National Gallery of Art. He prepared four different plans for the project, each on a different site. One was on the Anacostia River at the end of East Capitol Street; one at Lincoln Park; one on the south side of the National Mall across from the National Archives; and one situated on the Tidal Basin, directly south of the White House. The Commission preferred the site on the Tidal Basin mainly because it was the most prominent site and because it completed the four-point plan called for by the McMillan Commission (Lincoln Memorial to the Capitol; White House to the Tidal Basin site). Pope designed a very large pantheon-like structure, to sit on a square platform, and to be flanked by two smaller, rectangular, colonnaded buildings.[3]
[edit] Construction
Under construction in 1941, as seen from across the Tidal Basin
Construction began on December 15, 1938 and the cornerstone was laid on November 15, 1939, by president Franklin Roosevelt. By this point Pope had died (1937) and his surviving partners, Daniel P. Higgins and Otto R. Eggers, took over construction of the memorial. The design was modified at the request of the Commission of Fine Arts to a more conservative design.
Construction commenced amid significant opposition. The Commission of Fine Arts never actually approved any design for the Memorial and even published a pamphlet in 1939 opposing both the design and site of the Memorial. In addition, many Washingtonians opposed the site because it was not aligned with L'Enfant's original plan. Finally, many well established elm and cherry trees had to be removed for construction. Construction continued amid the opposition.[3]
In 1939, the Memorial Commission hosted a competition to select a sculptor for the planned statue in the center of the Memorial. They received 101 entries and chose six finalists. Of the six, Rudulph Evans was chosen as the main sculptor and Adolph A. Weinman was chosen to sculpt the pediment relief situated above the entrance.[3]
The Jefferson Memorial was officially dedicated by President Roosevelt on April 13, 1943, the 200th anniversary of Jefferson's birthday. At that time, Evans' statue had not yet been finished. Due to material shortages during World War II, the statue that was installed at the time was a plaster cast of Evans' work painted to look like bronze. The finished bronze statue was installed in 1947, having been cast by the Roman Bronze Company of New York.[3]
One of the last American public monuments in the Beaux-Arts tradition,[citation needed] the Memorial was severely criticized even as it was being built, by those who adhered to the modernist argument that dressing 20th century buildings like Greek and Roman ones constituted a "tired architectural lie."[citation needed] More than 60 years ago, Pope responded with silence to critics who dismissed him as part of an enervated architectural elite practicing "styles that are safely dead."[citation needed] As a National Memorial it was administratively listed on the National Register of Historic Places on October 15, 1966.[1][6]
[edit] Description
The monument's marble steps, portico, and circular colonnade of Ionic order columns, and shallow dome.
Composed of circular marble steps, a portico, a circular colonnade of Ionic order columns, and a shallow dome, the building is open to the elements. Pope made references to the Roman Pantheon and Jefferson's own design for the Rotunda at the University of Virginia. It is situated in West Potomac Park, on the shore of the Tidal Basin of the Potomac River. The Jefferson Memorial, and the White House located directly north, form one of the main anchor points in the area of the National Mall in D.C. The Washington Monument, just east of the axis on the national Mall, was intended to be located at the intersection of the White House and the site for the Jefferson Memorial to the south, but soft swampy ground which defied 19th century engineering required it be sited to the east.[citation needed]
[edit] The interior
Rudulph Evans's statue of Thomas Jefferson with excerpts from the Declaration of Independence to the right
The interior of the memorial has a 19-foot (5.8 m) tall, 10,000 lb (4336 kg) bronze statue[7] of Jefferson by sculptor Rudulph Evans[7] showing Jefferson looking out toward the White House. This statue was added four years after the dedication. Most prominent are the words which are inscribed in a frieze below the dome: "I have sworn upon the altar of God eternal hostility against every form of tyranny over the mind of man."[8] This sentence is taken from a September 23, 1800, letter by Jefferson to Dr. Benjamin Rush wherein he defends the constitutional refusal to recognize a state religion.
On the panel of the southwest interior wall are excerpts from the Declaration of Independence, written in 1776:[9]
We hold these truths to be self-evident: that all men are created equal, that they are endowed by their Creator with certain inalienable rights, among these are life, liberty, and the pursuit of happiness, that to secure these rights governments are instituted among men. We...solemnly publish and declare, that these colonies are and of right ought to be free and independent states...And for the support of this declaration, with a firm reliance on the protection of divine providence, we mutually pledge our lives, our fortunes, and our sacred honour.
Note that the inscription uses the word "inalienable", as in Jefferson's draft, rather than "unalienable", as in the published Declaration.[10]
On the panel of the northwest interior wall is an excerpt from "A Bill for Establishing Religious Freedom, 1777", except for the last sentence, which is taken from a letter of August 28, 1789, to James Madison:[9][11]
Almighty God hath created the mind free...All attempts to influence it by temporal punishments or burthens...are a departure from the plan of the Holy Author of our religion...No man shall be compelled to frequent or support any religious worship or ministry or shall otherwise suffer on account of his religious opinions or belief, but all men shall be free to profess and by argument to maintain, their opinions in matters of religion. I know but one code of morality for men whether acting singly or collectively.
Detail of the statue
The quotes from the panel of the northeast interior wall are from multiple sources. The first sentence, beginning "God who gave...", is from "A Summary View of the Rights of British America".[12] The second, third and fourth sentences are from Notes on the State of Virginia.[13] The fifth sentence, beginning "Nothing is more...", is from Jefferson's autobiography.[14] The sixth sentence, beginning "Establish the law...", is from an August 13, 1790, letter to George Wythe.[15] The final sentence is from a letter of January 4, 1786, to George Washington[16]:[9]
God who gave us life gave us liberty. Can the liberties of a nation be secure when we have removed a conviction that these liberties are the gift of God? Indeed I tremble for my country when I reflect that God is just, that his justice cannot sleep forever. Commerce between master and slave is despotism. Nothing is more certainly written in the book of fate than these people are to be free. Establish the law for educating the common people. This it is the business of the state to effect and on a general plan.
The inscription on the panel of the southeast interior wall is redacted and excerpted from a letter July 12, 1816, to Samuel Kercheval:[17][9]
I am not an advocate for frequent changes in laws and constitutions. But laws and institutions must go hand in hand with the progress of the human mind. As that becomes more developed, more enlightened, as new discoveries are made, new truths discovered and manners and opinions change, with the change of circumstances, institutions must advance also to keep pace with the times. We might as well require a man to wear still the coat which fitted him when a boy as civilized society to remain ever under the regimen of their barbarous ancestors.
[edit] Criticism
Cato Institute Fellow and University of Alberta history professor emeritus Ronald Hamowy has called the inscriptions "[p]erhaps the most egregious examples of invoking Jefferson for purely transient political purposes." Hamowy argues that:
Planned and built during the administration of Franklin D. Roosevelt, the walls of the memorial are adorned with quotations from Jefferson’s writings, many of which suggest that Jefferson advocated positions consistent with the aims of the New Deal—with which he would, in fact, have had little sympathy. Thus, Jefferson’s admonition that an educated electorate was essential if liberty were to be preserved is transmuted into a call for universal public education. And his caution that man, as he advances in his understanding of the world, must accompany his greater enlightenment with changes in his social institutions becomes a justification for a new theory of government in keeping with the social-democratic principles that animated the New Deal.[18]
The excerpts chosen from the Declaration have been criticized because the first half alters Jefferson's prose (for the sake of saving space) and eliminates the right of revolution passage that Jefferson believed was the point of the Declaration, while much of the second half (from "solemnly publish" to "divine providence") was not written by Jefferson.[19]
The fifth sentence quoted on the northeast interior wall ("Nothing is more certainly written in the book of fate than these people are to be free.") has been called "misleadingly truncated" by historian Garry Wills, because Jefferson's sentence continued with: "Nor is it less certain that the two races, equally free, cannot live in the same government."[20]
[edit] Location
Jefferson Memorial, with Potomac River in the background. Photographed from the top of the Washington Monument, January 1967
The site of the monument is in Washington D.C. West Potomac Park, on the shore of the Potomac River Tidal Basin, is enhanced with the massed planting of Japanese cherry trees, a gift from the people of Japan in 1912.[21]
The monument is not as prominent in popular culture as other Washington, D.C. buildings and monuments, possibly due to its location well removed from the National Mall and the Washington Metro. The Jefferson Memorial hosts many events and ceremonies each year, including memorial exercises, the Easter Sunrise Service, and the annual National Cherry Blossom Festival.[21]
The monument is open 24 hours a day but park rangers are there only until 11:30 p.m.;however, the monument is only a few hundred yards from the National Park Police D.C. Headquarters in East Potomac Park. (0330 UTC)[22]
Art Gallery FIPGC Host Fiera Milano 2015.
Galleria d'Arte dei Membri della Federazione Internazionale Pasticceria Gelateria Cioccolateria.
Web Site: www.federazionepasticceri.it
Radiohead's Talk Show Host is one of my favorite songs EVER EVER EVER. I first heard it, of course, on the soundtrack to Romeo + Juliet, which came out my senior year of high school. Clare and Leo were good in that movie, but, just like in the Zefferelli version (which is amazing), and, heck, the actual play, I really loved Tybalt, not Romeo. Sigh. John Leguizamo is ridiculously good (and so is Harold Perrineau as Mercutio - love - I think that is a really hard part and he just blows my mind). And Paul Rudd is a supremely cute but dorky Paris! I kind of need to watch this movie again (and yeah - I totally have it on DVD - I love it! Jacob got me the whole Red Curtain Baz Luhrmann trilogy as a gift).
The whole soundtrack to this movie, like Trainspotting (another senior year flick) was one of those play it over and over and over and over again CDs for me. For my jukebox picture, I had to put myself in that beautiful scene from the ball in which Juliet and Romeo first see each other through a fish tank.
Mercedes-Benz Fashion Week; Cruise Bar hosts famous fashion event; MBFWA business wheels in motion
Cruise Bar Hosts Fashion Week...
When it comes to style the Cruise Bar and Restaurant is a perfect host partner for the prestigious Mercedes-Benz Australian Fashion Week.
For the first time in many years, Cruise Restaurant is open to the public everyday of fashion week for lunch and dinner.
Fashion Week is Sydney’s premier fashion and lifestyle event showcasing some of our most talented and contemporary designers.
The beautiful waterfront location of Cruise Bar in Circular Quay is an ideal location to enjoy gourmet food, decadent wines and delicious cocktails while enjoying the cultural surrounds that is Fashion week.
For more information visit their official website.
Mercedes-Benz Fashion Week: Business, fashion, beauty, deals and gossip...
Sydney will be enjoying a bevy of catwalk shows and party like events as Mercedes-Benz Fashion Week Australia commences tomorrow. But unlike the increasing number of fashion festivals across the country where people can buy tickets to events, MBFWA is invitation only.
Today was media registration day, which was quite an event in its own right.
Over five days, fashion designers show their latest collections to media reps, celebrities and retail buyers, and the response can be paramount to the bottom line.
This year happens to mark Mercedes-Benz’s return to Fashion Week as the title sponsor, which many media and fashion commentators have welcomed.
“The strong link between Mercedes-Benz and fashion was initiated in Australia with the launch of Mercedes-Benz Fashion Week in 1995, so it’s come full circle,” advised Mercedes-Benz senior manager of corporate communications David McCarthy.
The car maker’s Fashion Week events have spread around the world to places such as New York and Berlin, and to Swim Fashion Week in Miami.
The Mercedes-Benz’s sponsorship deal was not exactly a secret last year as Rosemount’s (wine) five-year run came to an end. The new deal is understood to be valued at $1 million over three years but McCarthy says the details are confidential.
MBFWA comes with a many change. A key change from the festival organisers is that IMG Fashion have reduced the price of on-site venue fees. A trend over the past few years.
This year, it set back exhibitors $14,250 to use the newly returned Tent at the Overseas Passenger Terminal as a catwalk venue, $6000 to be a part of Fashion Week but show off-site and between $3000 and $8000 to showcase collections at The Rocks Pop-Up suites.
Two of the festival’s biggest names, Josh Goot and Dion Lee, pulled out a fortnight before their respective shows. The designers who have fallen by the wayside in the lead-up to the five-day event have either opted to concentrate on upcoming overseas shows (Lee), to focus on getting collections out to coincide with northern hemisphere seasons (Goot) or have chosen to disregard Fashion Week from the get-go, with Fairfax Media pointing to Alex Perry as the example.
For Melbourne Business School associate professor of marketing Mark Ritson, having Australian designers drop out is a “tricky” scenario.
“On the one hand, you have to respect any Australian designer focused on building their reputation overseas,” he says. “We are perilously under-represented in Paris and Milan.
“But at the same time, a designer has to be careful of burning branding bridges back home. That said, if Goot or Lee make it in Europe they’ll be welcomed back home in 2013 with open arms.”
Fashion Week is serious business. Alongside Mercedes-Benz, sponsors that have signed on this year include DHL, EYE, HP, Maybelline NY, Redken, Shangri-La Hotel Sydney, Pentax, Keystone Hospitality and Getty Images.
The NSW government, Destination NSW and Austrade are also supporting the event.
In addition, designers are obtaining their own sponsorships. Jayson Brunsdon’s show, for instance, is being presented by Myer and sponsored by Qantas, Woolmark, TRESemme, MAC Cosmetics and Joh Bailey.
Couture designer Johanna Johnson is the virgin Australian designer to showcase her collection at the prestigious Mercedes-Benz Presents show, which has previously featured big fashion names such as Herve Leger by Max Azria, Carolina Herrera and Badgley Mischka.
“To do [the Presents show] during our first year back was a priority,” McCarthy says.
Johnson recently found international success, with Hollywood actresses Christina Hendricks and Maya Rudolph wearing her feminine creations on the red carpet.
The show will have the same feel – glamour, lots of hand-beading and detailed finishes.
“I hadn’t really considered doing it and was focusing more on overseas expansion this year,” Johnson says.
“But we’re having so much feedback from Australians wanting to know more now, it will be really good to showcase our luxury lifestyle line and red carpet ready-to-wear.”
She initially signed on to show in the smallest of the three catwalk venues, the Box, but had to move the show to the Tent (the biggest) as the number of outfits she wanted to parade expanded.
“It’s our debut show so we want it done as well as it possibly can be,” she says.
Australian accessories giant Oroton is launching its first ready-to-wear collection. But for creative director Ana Maria Escobar, the clothes are there to show off the accessories – be they handbags, jewellery or shoes.
“The biggest thing is when I walked into the stores, I saw they needed something soft to highlight the accessories,” she says.
Customers can expect “understated quality” from the new Oroton clothing range.
“To me, functionality is important,” Escobar says.
“So are the materials . . . it can be a simple singlet but made out of really beautiful silk or customised fabrics. There’s a tone of heritage as well.”
While Oroton views Fashion Week as important, Escobar says there is also “life beyond those 15 minutes on the catwalk”.
For the retailer, it’s about reminding people of the brand.
“We want to talk a little louder about the product we design,” she says. “Fashion Week gives us that space without having to scream.”
This year, a great spread of overseas buyers will be in attendance, many from online retailers such as Net-A-Porter, My Wardrobe, Shopbop, Moda Operandi and ASOS. Department store Harvey Nichols and Hong Kong-based Joyce will also have buyers present.
The retail picture in Australia is not particularly strong, and IBISWorld analysts are predicting growth for the local rag trade over the coming financial year will be flat at just 0.5 per cent.
IBISWorld general manager Karen Dobie says the high Australian dollar is a double-edged sword for retailers, as local vendors can buy overseas at a favourable rate, but increasingly tech-savvy competition is straining profit margins.
New to MBFWA: Dylan Cooper; Flowers for a Vagabond; Toi et Moi Sydney; By Johnny; Oroton; Watson x Watson; An Ode to No One; Jenny Kee; Aje; Roppa Pemmaraju; Bless’d Are The Meek and Nana Judy
Not present this year: Dion Lee; Josh Goot; Alex Perry; Arnsdorf; Morrison; Friend of Mine; Flannel; Karla Spetic; Lover; Therese Rawsthorne; Ms Couture; Rachel Gilbert; Little Joe Woman (voluntary administration); Nookie; Amber & Thomas; Marnie Skillings; Kate Sylvester; Shakuhachi; Bianca Spender; Dhini; Camilla & Marc; White Suede; Yeojin Bae; Lisa Blue; Limedrop; Stolen Girlfriends Club; Alistair Trung; Saint Augustine Academy (which shut up shop late last year)
Returning to the show: Romance Was Born; Camilla; Aurelio Costarella; Ksubi; Jayson Brunsdon; Akira
Camilla...
Since launching her label eight years ago, Camilla Franks continues to receive global recognition as an Australian designer who has a unique approach to creating colorful, playful and luxurious lifestyle fashion.
Her unique ready-to-wear and resort wear designs are becoming highly sought after products, capturing the attentions of celebrities and fashionistas alike. Camilla’s global fan club (which includes the likes of Beyonce Knowles, Miranda Kerr, Kate Hudson, Lily Allen and Gwen Stefani) reached new heights 2 years ago when the queen of television, Oprah Winfrey, glowed in one of her designs while taping her ‘down under’ series. The general public and the fashion world gushed and stock sold out overnight. Camilla is definitely a brand on the move.
So, how did Camilla Franks become one of Australia’s most iconic fashion designers? This iconic brand came to be whilst Camilla was exploring her passions for theatrical artistry. Here, she embraced her inner creative spirit to craft beautiful elaborate costumes for the various characters in her productions. It wasn’t long before the Australian fashion market caught eye of these imaginative, easy-to-wear designs and catapulted Camilla on this amazing journey.
Today, Camilla has evolved from beach and resort fashion into ready-to-wear clothes that cater to all her client’s needs. Globally, Camilla has begun weaving into the various fashion niches, resulting in a kaleidoscope of high-end editorial and extending an already growing customer database.
Over eight years, Camilla has produced nine collections: these include the highly anticipated 2011/12’s Spring Summer Collection, Labyrinth; which has received significant media attention and 2012’s Autumn Winter Collection Caravanserai, Camilla’s second winter season. The success of her brand is derived from Camilla’s philosophy that “all women have the right to look and feel beautiful no matter their age, colour, size or origin”, this is also a testament to the company’s popularity and growing awareness.
Camilla is a brand that celebrates women, self-expression, beauty and individuality. The signature ‘Camilla’ piece is a statement of brilliant colour, graphics and material rhythm. It is a celebration of shapes that can be tailored to individual styles and that follow global trends.
Mercedes-Benz Fashion Week Australia Announces Preliminary Line-up...
Mercedes-Benz Fashion Week Australia Announces Preliminary Line-upfor Spring/Summer 2012/13 Collections
Sydney, Australia (February 29, 2012) Mercedes-Benz Fashion Week Australia is excited to announce cult label Ksubi, celebrity favourite Camilla, Zimmermann, Lisa Ho, Toni Maticevski, Aurelio Costarella, Jayson Brunsdon, Ellery, and Carl Kapp will be amongst the line-up of designers showcasing their Spring/Summer 2012/13 Collections at Sydney’s Overseas Passenger Terminal, April 30 to May 4, 2012.
"MBFWA is a fantastic opportunity for emerging Australian designers to join already well established designers in showcasing their creations not just in venues that people expect but in venues and spaces that will reflect the diversity and vibrancy of the Australian fashion scene. The shows, presentations and locations demonstrate that MBFWA has a flavour and style that can more than hold its own around the world" says Gavin Allen, General Marketing, Mercedes-Benz Australia/Pacific.
A stand out on the 2012 schedule is expected to be Romance was Born. The label is showcasing their polished ready to wear collection combining art and wearable fashion in a sophisticated Spring Summer range. Johanna Johnson will also attract hype as she hosts an intimate salon show for her debut at MBFWA. Mixing old Hollywood charm and modern simplicity, Johnson is renowned for her recent Oscar’s role dressing starlets in her eponymous label.
Iconic Australian brand, Oroton will also debut on the runway at MBFWA for the first time demonstrating the brand is as skilled at creating Ready to Wear women’s wear as well as their well known luxury accessories.
Joining this incredible line up of iconic designers are Magdalena Velevska, Alice McCall, Lisa Maree, Gary Bigeni, Bec and Bridge, Miss Unkon, Bowie, Kooey Australia, Michael Lo Sordo, Kirrily Johnston and Talulah.
New talent showcasing for the first time, Watson x Watson are sure to excite international buyers and media with their collections, providing new ‘ones to watch’ for our global audience. Watson x Watson focus on everyday luxury and easy glamour, with a relaxed, sexy appeal that has become synonymous with Australian fashion.
Other newcomers joining the MBFWA family: We are Handsome, Aje, Elliot Ward Fear, Roopa Pemmaraju, Flowers for a Vagabond, Suboo, An Ode to No One and Project Runway Australia winner Dylan Cooper and alumni by Johnny. Designers involved in the 2012 New Generation, Fashion Design Studio and Raffles emerging talent shows will be announced shortly.
“We’re extremely excited by the response from designers and brands and are looking forward to showcasing the new seasons Spring Summer Collections in our world class facilities on site as well as sharing more of the city of Sydney’s wonderfully unique locations with our expanded off site program of shows and presentations’” says Jarrad Clark, Global Production Director, IMG Fashion.
Leveraging our global network, Mercedes-Benz Fashion Week Australia is introducing new showroom spaces, exciting venue upgrades and unique presentation spaces to ensure our line up of designers have innovative way to communicate their artistic vision for 2012.
For the first time on Australian soil, many designers will showcase their collections via a studio style presentation space known as The Box. Having established itself at MBFW in NY and Berlin, designers are redefining how they showcase their collections using this blank canvas. Australian designer Dion Lee recently used a presentation style space to showcase his collection at London Fashion Week and wowed crowds with his use of lighting to create drama and engagement around his collection without the confines of the runway.
2012 will also see the much anticipated return of The Tent. Synonymous with international fashion events, the sheer scale of The Tent showroom set on the Sydney harbour foreshore will create an incredible billboard for MBFWA and the Australian Fashion Industry for our attending local and international guests.
Key buyers will have the opportunity to get up close with designer collections during the week via a unique offering of Designer Showrooms via The Rocks Pop-Up Suites, utilising retail spaces within The Rocks historical precinct, designers will be able to house their collections off runway, and meet buyers and media in one on one appointments. It is here that designers are encouraged to create consumer offerings around the Fashion Week schedule to create more retail opportunities for our participating designer brands.
MBFWA hosts the world’s most influential buyers, media and industry players during the 5 day event and bring Sydney city to life with Fashion Week fever. With the support of our official partners, and showcasing designers, the 2012 season will be a standout year showcasing the creative energy and raw talent that Australia has to offer.
Title sponsor Mercedes-Benz is proudly supported by Government partners Destination NSW and Austrade, Maybelline New York, DHL, HP/Intel, Redken 5th Avenue NYC and EYE and as well as media outlet Getty Images. Mercedes-Benz Fashion Week Australia is an IMG event.
The Spring Summer 2012/13 Collections will take place April 30 to May 4, 2012, Press and Industry Registration opens March 1, 2012.
For more information please visit us online at mbfashionweek.com
Follow us on Twitter @MBFWA and on the Mercedes-Benz Fashion Week Facebook
Websites
Mercedes-Benz Fashion Week (Australia)
IMG Worldwide
Cruise Bar
Eva Rinaldi Photography Flickr
www.flickr.com/evarinaldiphotography
Eva Rinaldi Photography
This was a 16th century hospice to cater for the downtrodden and pilgrims and was founded by Ferdinand and Isabella, the Catholic Kings, in 1499. It is now a Parador, an upmarket hotel in this prime spot. This is considered the oldest hotel in the world. It is one of the four buildings surrounding the Praza do Obradoiro; the other three being the Cathedral, the Rajoy Palace and San Jeronimo College.
Fundado em 1499 pelos Reis Católicos, Fernando e Isabel, como Hospital Real, para alojar peregrinos é hoje um Parador, hotel de luxo nesta localização espetacular. Este é considerado o hotel mais antigo do mundo. É um dos quatro edifícios que cercam a Praza do Obradoiro; os outros são a Catedral, Palácio de Rajoy e o Colégio de São Jeronimo.
Wintrade Women In Trade Week London 2017 Hosted by RBS with Gina Miller True and Fair Foundation en.wikipedia.org/wiki/Gina_Miller
The Star Casino hosts Renae Ayris - Miss Universe Sydney, Australia
Echo Entertainment is apparently more about entertainment than gambling these days, casino tie in or not, and tonight its party time at The Star. This is most assuredly worth taking a gamble on. There's a strong chance that by the time you stop parting you would have had an absolute blast.
They have hosted countless international acts and acted as home to the Hollywood and Las Vegas stars where they come down under to Sin City Sydney.
Seems a nature that the new Miss Universe Australia, Renae Ayris, and friends should be in the celebrity mix to show their faces on a Friday night at The Star.
They continue to push the celebrity card, and then there's the nightclubs, bars, slots, games and The Darling - the 5 star hotel. It's all there for the taking. Work hard and play and party harder.
Promo...
News on Miss Universe Australia...
Danver and photography lover from Perth has been crowned Miss Universe Australia.
Renae Ayris has been voted the nation's most beautiful woman and presented with a $30,000 Temelli Jewellery crown at a black tie event in Melbourne (9th June 2012).
She narrowly edged out Melbourne woman Mary Vitinaros, who was named runner-up.
The night saw some of Australia's most beautiful women take to the stage in swimwear and evening gowns before judges declared a winner.
Melbourne's hopes of a local winner were buoyed when two of the final five included Melbourne woman Mary Vitinaros and Victorian Julia Perrott-Clarke.
Ms Perrott-Clarke won the crowd over after facing a controversial question from former news presenter Naomi Robson about her views on gay marriage.
"I believe that everyone should have equal rights whether it be marriage or any other factor," she responded.
"Everyone has their own opinion and if it doesn't infringe on anyone else's rights then I think it's a great thing."
Shouting her final reply she ended by saying.
"If they are in love, then they should celebrate that love and if that means marriage, then they should get married because it's amazing."
The response saw her named 4th runner-up.
Strutting their stuff in evening gowns in front of a crowd in the hundreds in the Melbourne Sofitel's Grand Ballroom the finalists wowed the room.
The panel responsible for naming the winner included actress and model Annalise Braakensiek, actor Vince Collosimo and fashion designer Wayne Cooper.
The West Australian girl will now represent Australia at the international Miss Universe competition.
Thirty-three national finalists battled it out for the title, with the winner to go on to compete in the international Miss Universe pageant in December.
More news...
Everything is a blur - Miss Universe...
When Miss Universe Australia 2012 Renae Ayris received her tiara at Melbourne's Sofitel on Friday night she had the added thrill of accepting the title from her friend - 2011 Miss Universe Australia Scherri-Lee Biggs.
Ms Ayris said it was watching Scherri's experience as Australia's Miss Universe that inspired her to enter the pageant this year.
"I've always watched but last year I followed it really closely because Scherri was in it, she's actually a friend of mine," Ms Ayris said.
"I was so excited for her to hand me over the crown."
Dressed in a navy and silver cocktail dress by Perth designer Ruth Tarvydas, the 21-year-old blonde looked bright and fresh on Saturday despite having not slept a wink the night before.
The life-altering announcement still hadn't sunk in when she fronted the media for her first official press call as Miss Universe Australia.
"I'm so overwhelmed still, everything is just a blur from last night," Ms Ayris gushed.
"I'm going to wake up one morning and say,"Wow I'm Miss Universe Australia'."
The Miss Universe competition was the model's first time in a beauty pageant, but she has taken a shot at fame before.
She is an avid dancer who auditioned for a role in Baz Luhrmann's Academy Award-winning film Moulin Rouge!.
"I got down to the very last cut but I was too young," she said.
Being crowned Miss Universe Australia will open up other avenues to Ms Ayris.
As part of her duties she will be acting as the charity ambassador for Operation Smile, a children's medical charity dedicated to improving the lives of children in developing countries born with facial deformities.
Another official responsibility will be to represent Australia in the international Miss Universe pageant in December.
"I'll try my best to do Australia proud," Ms Ayris said.
There have been two Miss Universe title-holders from Australia, with Kerry-Ann Wells claiming the title in 1972 and Jennifer Hawkins in 2004.
Wrap Up...
The Star's tag line is 'There will be stories', and its a sure bet Star will keep living up to that if tonight was any indication. A casino matched with Miss Universe Australia, a media pack with snappers all trying to get the models attention, so you can just imagine.
Websites
The Star
Echo Entertainment
Miss Universe Australia
www.missuniverseaustralia.com.au
Music News Australia
Eva Rinaldi Photography
Eva Rinaldi Photography Flickr
African Achievers Awards at the House of Lords Westminster London Hosted by Diane Abbott MP Member of Parliament British Labour Party politician who was appointed Shadow Home Secretary
Imagen capturada desde cierta altura en la avenida de Navarra y centrada en el moderno hostal y garaje Oroel, ubicados en el nº 50 de la avenida, cuando los accesos, la acera y la calzada aún no habían sido urbanizadas convenientemente. A la izquierda, vista parcial del moderno Mercado de Pescados. A la derecha, el vecino y también novísimo inmueble edilicio del nº 40 de la avenida.
Fuente visual: www.delcampe.net
Proyecto GAZA ("Gran Archivo Zaragoza Antigua") es un compendio de imágenes de la antigua Zaragoza (España), acompañadas de textos creados por José María Ballestín Miguel
y la colaboración de Antonio Tausiet.
Finding the invisible ⚫
New Webb data suggests that black holes in the early Universe are growing faster than we expected in early galaxies - and also growing faster than the galaxies that host them.
Researchers confirmed an actively growing supermassive black hole within a small, distant galaxy just 570 million years after the Big Bang. You might remember the Little Red Dots (LRDs) that Webb discovered, objects that seemed too big to exist in the early universe and remain a mystery to astronomers. One of these LRDs is called CANUCS-LRD-z8.6 and is the host of this supermassive black hole. Webb’s NIRSpec enabled researchers to observe the faint light from this distant galaxy and detect key spectral features that point to the presence of an accreting black hole.
While relatively small compared to younger galaxies, CANUCS-LRD-z8.6 is the most massive host galaxy known at such an early time, yet its central black hole is even more massive than we would expect. This suggests that black holes may have formed and started growing at an accelerated pace in the early universe, even in relatively small galaxies.
This image: This image shows the location of galaxy CANUCS-LRD-z8.6 in galaxy cluster MACS J1149.5+2223, as seen by Webb’s Near-Infrared Camera (NIRCam). CANUCS-LRD-z8.6 is part of a class of small, very distant and strikingly red galaxies called Little Red Dots (LRDs), which have been spotted in increasing numbers by Webb’s surveys of the early Universe. It is located in the constellation Leo (the Lion), and is seen by Webb just 570 million years after the Big Bang.
Read more: esawebb.org/news/weic2522/
Image credit: ESA/Webb, NASA & CSA, G. Rihtaršič (University of Ljubljana, FMF), R. Tripodi (University of Ljubljana, FMF)
[Image description: The left side of this visual shows an image of many glowing galaxies in various shapes and colours, including spiral and elliptical galaxies, on a black background. A small box near the top of this image highlights a small collection of galaxies. This box is pulled out to the right side, showing the same area zoomed in to reveal its details up close. This region shows a small circular red galaxy in the centre, which is labelled “CANUCS-LRD-z8.6”.]
Mingle Media TV and Red Carpet Report hosts, Linda Antwi, Ashley Bornancin and Erin White were on the hottest red carpet out there, Oscars Red Carpet at the Dolby Theatre on Sunday after a busy time attending events, getting interviews and photos and bringing you the story from the events we covered. Be sure to watch out for our special magazine for Awards season 2013 coming next week.
Get the Story from the Red Carpet Report Team, follow us on Twitter and Facebook at:
•www.facebook.com/RedCarpetReportTV
Here are the 2013 Oscar Winners by Studio:
•20th Century Fox - 4 Oscars
•Sony - 3 Oscars
•Universal - 3 Oscars
•Warner Bros - 3 Oscars
•Weinstein Co - 3 Oscars
•Disney - 2 Oscars
•DreamWorks - 2 Oscars
•MGM - 2 Oscars
•Sony Pictures Classics - 2 Oscars
•Focus Features - 1 Oscars
For more of Mingle Media TV’s Red Carpet Report coverage, please visit our website and follow us on Twitter and Facebook here:
•www.facebook.com/minglemediatvnetwork
•www.facebook.com/RedCarpetReportTV
•www.youtube.com/MingleMediaTVNetwork
•www.flickr.com/MingleMediaTVNetwork
•www.twitter.com/minglemediatv
Follow our host, Linda at https://twitter.com/LindaIsSoGirlie
Follow our host, Ashley at https://twitter.com/AshleyBInspired
ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is the world's preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards–in which the members vote to select the nominees and winners-the Academy presents a diverse year-round slate of public programs, exhibitions and events; provides financial support to a wide range of other movie-related organizations and endeavors; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history. Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies.
FOLLOW THE ACADEMY
www.oscars.org
www.facebook.com/TheAcademy
www.youtube.com/Oscars
www.twitter.com/TheAcademy
Ashley's Look -
Ring by LuciousS - www.LuciousS.com
Erin's Look -
Dress by Emil Couture www.emildesign.com/ courtesy of The Ross Group http://www.thereelrossgroup.com/
Hair by Maeven Marie Ramirez salon-eleven.com/
Make Up by Veronica Matiar salon-eleven.com/
Linda's Look -
Dress by Shekhar Rahate - www.ShekharRahate.com
Necklace by Erin Fader Jewelry Design - www.ErinFader.com
BEST PICTURE
• "Amour" Margaret Menegoz, Stefan Arndt, Veit Heiduschka and Michael Katz, Producers
• "Argo" Grant Heslov, Ben Affleck and George Clooney, Producers - WINNER
• "Beasts of the Southern Wild" Dan Janvey, Josh Penn and Michael Gottwald, Producers
• "Django Unchained" Stacey Sher, Reginald Hudlin and Pilar Savone, Producers
• "Les Misérables" Tim Bevan, Eric Fellner, Debra Hayward and Cameron Mackintosh, Producers
• "Life of Pi" Gil Netter, Ang Lee and David Womark, Producers
• "Lincoln" Steven Spielberg and Kathleen Kennedy, Producers
• "Silver Linings Playbook" Donna Gigliotti, Bruce Cohen and Jonathan Gordon, Producers
• "Zero Dark Thirty" Mark Boal, Kathryn Bigelow and Megan Ellison, Producers
BEST FOREIGN FILM
Amour, Austria – WINNER
Kon-Tiki, Norway
No, Chile
A Royal Affair, Denmark
War Witch, Canada
BEST ANIMATED FEATURE FILM
Brave - WINNER
Frankenweenie
ParaNorman
The Pirates! Band of Misfits
Wreck-It Ralph
BEST ANIMATED SHORT FILM
Adam and Dog, Minkyu Lee
Fresh Guacamole, PES
Head over Heels, Timothy Reckart and Fodhla Cronin O’Reilly
Maggie Simpson in The Longest Daycare, David Silverman
Paperman, John Kahrs – WINNER
BEST LIVE ACTION SHORT FILM
Asad, Bryan Buckley and Mino Jarjoura
Buzkashi Boys, Sam French and Ariel Nasr
Curfew, Shawn Christensen - WINNER
Death of a Shadow (Dood van een Schaduw), Tom Van Avermaet and Ellen De Waele
Henry, Yan England
BEST DOCUMENTARY FEATURE
5 Broken Cameras
The Gatekeepers
How to Survive a Plague
The Invisible War
Searching for Sugar Man – WINNER
BEST DOCUMENTARY SHORT SUBJECT
Inocente, Sean Fine and Andrea Nix Fine – WINNER
Kings Point, Sari Gilman and Jedd Wider
Mondays at Racine, Cynthia Wade and Robin Honan
Open Heart, Kief Davidson and Cori Shepherd Stern
Redemption, Jon Alpert and Matthew O’Neill
BEST ACTOR
Bradley Cooper, Silver Linings Playbook
Daniel Day-Lewis, Lincoln – WINNER
Hugh Jackman, Les Miserables
Joaquin Phoenix, The Master
Denzel Washington, Flight
BEST ACTRESS
Jessica Chastain, Zero Dark Thirty
Jennifer Lawrence, Silver Linings Playbook – WINNER
Emmanuelle Riva, Amour
Naomi Watts, The Impossible
Quvenzhané Wallis, Beasts of the Southern Wild
BEST SUPPORTING ACTOR
Alan Arkin, Argo
Robert De Niro, Silver Linings Playbook
Philip Seymour Hoffman, The Master
Tommy Lee Jones, Lincoln
Christoph Waltz, Django Unchained – WINNER
BEST SUPPORTING ACTRESS
Amy Adams, The Master
Sally Field, Lincoln
Anne Hathaway, Les Miserables – WINNER
Helen Hunt, The Sessions
Jacki Weaver, Silver Linings Playbook
BEST DIRECTOR
Michael Haneke, Amour
Ang Lee, Life of Pi – WINNER
David O. Russell, Silver Linings Playbook
Steven Spielberg, Lincoln
Benh Zeitlin, Beasts of the Southern Wild
BEST ORIGINAL SCREENPLAY
Wes Anderson and Roman Coppola, Moonrise Kingdom
Mark Boal, Zero Dark Thirty
John Gatins, Flight
Michael Haneke, Amour
Quentin Tarantino, Django Unchained – WINNER
BEST ADAPTED SCREENPLAY
Lucy Alibar and Benh Zeitlin, Beasts of the Southern Wild
Tony Kushner, Lincoln
David Magee, Life of Pi
David O. Russell, Silver Linings Playbook
Chris Terrio, Argo – WINNER
BEST CINEMATOGRAPHY
Anna Karenina, Seamus McGarvey
Django Unchained, Robert Richardson
Life of Pi, Claudio Miranda – WINNER
Lincoln, Janusz Kaminski
Skyfall, Roger Deakins
BEST ORIGINAL SCORE
Anna Karenina, Dario Marianelli
Argo, Alexandre Desplat
Life of Pi, Mychael Danna – WINNER
Lincoln, John Williams
Skyfall, Thomas Newman
BEST ORIGINAL SONG
“Before My Time” from Chasing Ice, Music and Lyric by J. Ralph
“Everybody Needs A Best Friend” from Ted, Music by Walter Murphy; Lyric by Seth MacFarlane
“Pi’s Lullaby” from Life of Pi, Music by Mychael Danna; Lyric by Bombay Jayashri
“Skyfall” from Skyfall, Music and Lyric by Adele Adkins and Paul Epworth – WINNER
“Suddenly” from Les Misérables, Music by Claude-Michel Schönberg; Lyric by Herbert Kretzmer and Alain Boublil
BEST COSTUME DESIGN
Anna Karenina, Jacqueline Durran – WINNER
Les Misérables, Paco Delgado
Lincoln, Joanna Johnston
Mirror Mirror, Eiko Ishioka
Snow White and the Huntsman, Colleen Atwood
BEST FILM EDITING
Argo, William Goldenberg – WINNER
Life of Pi, Tim Squyres
Lincoln, Michael Kahn
Silver Linings Playbook, Jay Cassidy and Crispin Struthers
Zero Dark Thirty, Dylan Tichenor and William Goldenberg
BEST MAKEUP AND HAIRSTYLING
Hitchcock, Howard Berger, Peter Montagna and Martin Samuel
The Hobbit: An Unexpected Journey, Peter Swords King, Rick Findlater and Tami Lane
Les Misérables, Lisa Westcott and Julie Dartnell – WINNER
BEST PRODUCTION DESIGN
Anna Karenina, Production Design: Sarah Greenwood; Set Decoration: Katie Spencer
The Hobbit: An Unexpected Journey, Production Design: Dan Hennah; Set Decoration: Ra Vincent and Simon Bright
Les Misérables, Production Design: Eve Stewart; Set Decoration: Anna Lynch-Robinson
Life of Pi, Production Design: David Gropman; Set Decoration: Anna Pinnock
Lincoln, Production Design: Rick Carter; Set Decoration: Jim Erickson – WINNER
BEST SOUND EDITING - TIE
Argo, Erik Aadahl and Ethan Van der Ryn
Django Unchained, Wylie Stateman
Life of Pi, Eugene Gearty and Philip Stockton
Skyfall, Per Hallberg and Karen Baker Landers – WINNER
Zero Dark Thirty, Paul N.J. Ottosson - WINNER
BEST SOUND MIXING
Argo, John Reitz, Gregg Rudloff and Jose Antonio Garcia
Les Misérables, Andy Nelson, Mark Paterson and Simon Hayes – WINNER
Life of Pi, Ron Bartlett, D.M. Hemphill and Drew Kunin
Lincoln, Andy Nelson, Gary Rydstrom and Ronald Judkins
Skyfall, Scott Millan, Greg P. Russell and Stuart Wilson
BEST VISUAL EFFECTS
The Hobbit: An Unexpected Journey, Joe Letteri, Eric Saindon, David Clayton and R. Christopher White
Life of Pi, Bill Westenhofer, Guillaume Rocheron, Erik-Jan De Boer and Donald R. Elliott –WINNER
Marvel’s The Avengers, Janek Sirrs, Jeff White, Guy Williams and Dan Sudick
Prometheus, Richard Stammers, Trevor Wood, Charley Henley and Martin Hill
Snow White and the Huntsman, Cedric Nicolas-Troyan, Philip Brennan, Neil Corbould and Michael Dawson.
Mingle Media TV and Red Carpet Report hosts, Linda Antwi, Ashley Bornancin and Erin White were on the hottest red carpet out there, Oscars Red Carpet at the Dolby Theatre on Sunday after a busy time attending events, getting interviews and photos and bringing you the story from the events we covered. Be sure to watch out for our special magazine for Awards season 2013 coming next week.
Get the Story from the Red Carpet Report Team, follow us on Twitter and Facebook at:
•www.facebook.com/RedCarpetReportTV
Here are the 2013 Oscar Winners by Studio:
•20th Century Fox - 4 Oscars
•Sony - 3 Oscars
•Universal - 3 Oscars
•Warner Bros - 3 Oscars
•Weinstein Co - 3 Oscars
•Disney - 2 Oscars
•DreamWorks - 2 Oscars
•MGM - 2 Oscars
•Sony Pictures Classics - 2 Oscars
•Focus Features - 1 Oscars
For more of Mingle Media TV’s Red Carpet Report coverage, please visit our website and follow us on Twitter and Facebook here:
•www.facebook.com/minglemediatvnetwork
•www.facebook.com/RedCarpetReportTV
•www.youtube.com/MingleMediaTVNetwork
•www.flickr.com/MingleMediaTVNetwork
•www.twitter.com/minglemediatv
Follow our host, Linda at https://twitter.com/LindaIsSoGirlie
Follow our host, Ashley at https://twitter.com/AshleyBInspired
ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is the world's preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards–in which the members vote to select the nominees and winners-the Academy presents a diverse year-round slate of public programs, exhibitions and events; provides financial support to a wide range of other movie-related organizations and endeavors; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history. Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies.
FOLLOW THE ACADEMY
www.oscars.org
www.facebook.com/TheAcademy
www.youtube.com/Oscars
www.twitter.com/TheAcademy
Ashley's Look -
Ring by LuciousS - www.LuciousS.com
Erin's Look -
Dress by Emil Couture www.emildesign.com/ courtesy of The Ross Group http://www.thereelrossgroup.com/
Hair by Maeven Marie Ramirez salon-eleven.com/
Make Up by Veronica Matiar salon-eleven.com/
Linda's Look -
Dress by Shekhar Rahate - www.ShekharRahate.com
Necklace by Erin Fader Jewelry Design - www.ErinFader.com
BEST PICTURE
• "Amour" Margaret Menegoz, Stefan Arndt, Veit Heiduschka and Michael Katz, Producers
• "Argo" Grant Heslov, Ben Affleck and George Clooney, Producers - WINNER
• "Beasts of the Southern Wild" Dan Janvey, Josh Penn and Michael Gottwald, Producers
• "Django Unchained" Stacey Sher, Reginald Hudlin and Pilar Savone, Producers
• "Les Misérables" Tim Bevan, Eric Fellner, Debra Hayward and Cameron Mackintosh, Producers
• "Life of Pi" Gil Netter, Ang Lee and David Womark, Producers
• "Lincoln" Steven Spielberg and Kathleen Kennedy, Producers
• "Silver Linings Playbook" Donna Gigliotti, Bruce Cohen and Jonathan Gordon, Producers
• "Zero Dark Thirty" Mark Boal, Kathryn Bigelow and Megan Ellison, Producers
BEST FOREIGN FILM
Amour, Austria – WINNER
Kon-Tiki, Norway
No, Chile
A Royal Affair, Denmark
War Witch, Canada
BEST ANIMATED FEATURE FILM
Brave - WINNER
Frankenweenie
ParaNorman
The Pirates! Band of Misfits
Wreck-It Ralph
BEST ANIMATED SHORT FILM
Adam and Dog, Minkyu Lee
Fresh Guacamole, PES
Head over Heels, Timothy Reckart and Fodhla Cronin O’Reilly
Maggie Simpson in The Longest Daycare, David Silverman
Paperman, John Kahrs – WINNER
BEST LIVE ACTION SHORT FILM
Asad, Bryan Buckley and Mino Jarjoura
Buzkashi Boys, Sam French and Ariel Nasr
Curfew, Shawn Christensen - WINNER
Death of a Shadow (Dood van een Schaduw), Tom Van Avermaet and Ellen De Waele
Henry, Yan England
BEST DOCUMENTARY FEATURE
5 Broken Cameras
The Gatekeepers
How to Survive a Plague
The Invisible War
Searching for Sugar Man – WINNER
BEST DOCUMENTARY SHORT SUBJECT
Inocente, Sean Fine and Andrea Nix Fine – WINNER
Kings Point, Sari Gilman and Jedd Wider
Mondays at Racine, Cynthia Wade and Robin Honan
Open Heart, Kief Davidson and Cori Shepherd Stern
Redemption, Jon Alpert and Matthew O’Neill
BEST ACTOR
Bradley Cooper, Silver Linings Playbook
Daniel Day-Lewis, Lincoln – WINNER
Hugh Jackman, Les Miserables
Joaquin Phoenix, The Master
Denzel Washington, Flight
BEST ACTRESS
Jessica Chastain, Zero Dark Thirty
Jennifer Lawrence, Silver Linings Playbook – WINNER
Emmanuelle Riva, Amour
Naomi Watts, The Impossible
Quvenzhané Wallis, Beasts of the Southern Wild
BEST SUPPORTING ACTOR
Alan Arkin, Argo
Robert De Niro, Silver Linings Playbook
Philip Seymour Hoffman, The Master
Tommy Lee Jones, Lincoln
Christoph Waltz, Django Unchained – WINNER
BEST SUPPORTING ACTRESS
Amy Adams, The Master
Sally Field, Lincoln
Anne Hathaway, Les Miserables – WINNER
Helen Hunt, The Sessions
Jacki Weaver, Silver Linings Playbook
BEST DIRECTOR
Michael Haneke, Amour
Ang Lee, Life of Pi – WINNER
David O. Russell, Silver Linings Playbook
Steven Spielberg, Lincoln
Benh Zeitlin, Beasts of the Southern Wild
BEST ORIGINAL SCREENPLAY
Wes Anderson and Roman Coppola, Moonrise Kingdom
Mark Boal, Zero Dark Thirty
John Gatins, Flight
Michael Haneke, Amour
Quentin Tarantino, Django Unchained – WINNER
BEST ADAPTED SCREENPLAY
Lucy Alibar and Benh Zeitlin, Beasts of the Southern Wild
Tony Kushner, Lincoln
David Magee, Life of Pi
David O. Russell, Silver Linings Playbook
Chris Terrio, Argo – WINNER
BEST CINEMATOGRAPHY
Anna Karenina, Seamus McGarvey
Django Unchained, Robert Richardson
Life of Pi, Claudio Miranda – WINNER
Lincoln, Janusz Kaminski
Skyfall, Roger Deakins
BEST ORIGINAL SCORE
Anna Karenina, Dario Marianelli
Argo, Alexandre Desplat
Life of Pi, Mychael Danna – WINNER
Lincoln, John Williams
Skyfall, Thomas Newman
BEST ORIGINAL SONG
“Before My Time” from Chasing Ice, Music and Lyric by J. Ralph
“Everybody Needs A Best Friend” from Ted, Music by Walter Murphy; Lyric by Seth MacFarlane
“Pi’s Lullaby” from Life of Pi, Music by Mychael Danna; Lyric by Bombay Jayashri
“Skyfall” from Skyfall, Music and Lyric by Adele Adkins and Paul Epworth – WINNER
“Suddenly” from Les Misérables, Music by Claude-Michel Schönberg; Lyric by Herbert Kretzmer and Alain Boublil
BEST COSTUME DESIGN
Anna Karenina, Jacqueline Durran – WINNER
Les Misérables, Paco Delgado
Lincoln, Joanna Johnston
Mirror Mirror, Eiko Ishioka
Snow White and the Huntsman, Colleen Atwood
BEST FILM EDITING
Argo, William Goldenberg – WINNER
Life of Pi, Tim Squyres
Lincoln, Michael Kahn
Silver Linings Playbook, Jay Cassidy and Crispin Struthers
Zero Dark Thirty, Dylan Tichenor and William Goldenberg
BEST MAKEUP AND HAIRSTYLING
Hitchcock, Howard Berger, Peter Montagna and Martin Samuel
The Hobbit: An Unexpected Journey, Peter Swords King, Rick Findlater and Tami Lane
Les Misérables, Lisa Westcott and Julie Dartnell – WINNER
BEST PRODUCTION DESIGN
Anna Karenina, Production Design: Sarah Greenwood; Set Decoration: Katie Spencer
The Hobbit: An Unexpected Journey, Production Design: Dan Hennah; Set Decoration: Ra Vincent and Simon Bright
Les Misérables, Production Design: Eve Stewart; Set Decoration: Anna Lynch-Robinson
Life of Pi, Production Design: David Gropman; Set Decoration: Anna Pinnock
Lincoln, Production Design: Rick Carter; Set Decoration: Jim Erickson – WINNER
BEST SOUND EDITING - TIE
Argo, Erik Aadahl and Ethan Van der Ryn
Django Unchained, Wylie Stateman
Life of Pi, Eugene Gearty and Philip Stockton
Skyfall, Per Hallberg and Karen Baker Landers – WINNER
Zero Dark Thirty, Paul N.J. Ottosson - WINNER
BEST SOUND MIXING
Argo, John Reitz, Gregg Rudloff and Jose Antonio Garcia
Les Misérables, Andy Nelson, Mark Paterson and Simon Hayes – WINNER
Life of Pi, Ron Bartlett, D.M. Hemphill and Drew Kunin
Lincoln, Andy Nelson, Gary Rydstrom and Ronald Judkins
Skyfall, Scott Millan, Greg P. Russell and Stuart Wilson
BEST VISUAL EFFECTS
The Hobbit: An Unexpected Journey, Joe Letteri, Eric Saindon, David Clayton and R. Christopher White
Life of Pi, Bill Westenhofer, Guillaume Rocheron, Erik-Jan De Boer and Donald R. Elliott –WINNER
Marvel’s The Avengers, Janek Sirrs, Jeff White, Guy Williams and Dan Sudick
Prometheus, Richard Stammers, Trevor Wood, Charley Henley and Martin Hill
Snow White and the Huntsman, Cedric Nicolas-Troyan, Philip Brennan, Neil Corbould and Michael Dawson.
Identity system.
We set Hosted Solution apart from the competition by developing a complete brand Identity system, positioning strategy, marketing collateral, direct mail and a fresh new dynamic web site that communicates swift, agile, dependable and state of the art. FA also created a set of corporate guidelines that would allow marketing personnel to refer to the correct usage of the new Hosted Solution logo along with typographic guidelines for newsletters and other marketing materials was set in place for them. FA researched, designed, and implemented the company into the market space in four short months, which was before schedule. Since the rebrand, Hosted Solutions has grown into a $200 million company servicing some of the biggest fortune 500 companies such as Bank of America and Skanska North America.
President Peres hosted a traditional ceremony at the President’s Residence today to welcome the Christian leadership in Israel. The President offered his blessings to hundreds of Christian leaders, wishing them a “Happy New Year and a Merry Christmas.” The President also stressed Israel’s fundamental commitment to freedom of religion, in Jerusalem and the holy sites. Christian leaders in attendance included Greek Patriarch of Jerusalem Theophilos III, Latin Patriarch of Jerusalem Fuad Twal, representative of the Armenian Patriarch Archbishop Aris Shirvanian, Custos of the Holy Land, Friar Pier Battista, and Greek-Catholic Melkite Archbishop Elias Shakur.
The President addressed the Christian leaders: “It is Israel’s responsibility to make sure every believer can pray to his or her Lord without interruption. Israel is deeply committed to protecting the holy sites for every religion. We will not tolerate any offense toward any church, mosque, or synagogue. “
The President commented on the political situation in the Middle East stating that “I pray that we may form peace on the basis of two states for two people, living side by side, as good neighbors, in full respect and trust.” The President added that Israel is willing to begin peace negotiations with all its neighbors including Syria and Lebanon.
The President appealed to the Christian leaders stating that “I know that there are some differences between us, but there are also many similarities. By and large I believe that the religious and spiritual leaders that have assembled here today constitute a camp of peace… While we may practice different religions, we are looking at the same sky, and praying to the Lord. Use your good voices and strong spirits to overcome the great divisions.”
Lastly, the President stressed the need to fight discrimination: “I think the time has come to cross out any expression of discrimination. I wish that every young girl and young boy, Jewish or Arab, will have the opportunity to get the highest education without discrimination. I wish to protect every mosque, church, and synagogues as indepdenet, as a place of good faith, and not a place of extremism. I think we are taking measures to achieve it.”
Greek Patriarch of Jerusalem Theophilos III thanked the President for hosting the event and for his remarks: “events and gathering such as this one are of great importance for promoting values that are greatly needed in our present day.” Patriarch Theophilos III firmly stated, “rest assured that both the Christian institutions and leadership, in the Holy land, are willing to employ their blessings and resources in furthering peace in the region because we believe that this constitutes one of the fundamental commandments of our faith which solidifies our existence and determines our mission.” He added that “we are appreciative of the Authorities’ efforts in facilitating the access for pilgrims and worshipers and we commend them to continue and push further this holy important provision.”
Fort Indiantown Gap PA hosted the annual WWII Battle of the Bulge Reenactment January 27 - 30, 2011. One of my brothers and I drove there on the 29th. I was interested in portraits, and managed to take a number of decent ones, This year we could actually see some of the mock battle through the trees and undergrowth - and mass of spectators – so there are many shots of reenactors in combat roles posted. The sky was overcast all day, and it snowed most of the time...
What you see here is one of many photos I'll be posting of reenactors in US and German uniforms. (Please note: You may catch an occasional glimpse of a military swastika on a German uniform or helmet - not often, but enough that if it would be something you'd rather not to have happen to you, then I recommend you look only at the GIs & Brits.)
The Battle of the Bulge was a momentous and historic event that proved decisive in the Second World War in Europe. This collection of reenactors' images reflects modern-day individuals' passion to portray soldiers and civilians from the nations involved in the actual event - the Second World War, and specifically, the Battle of the Bulge. That was a meaningful time for all the men and women who took part in it. Honoring their memory is key to those who participate in this annual reenactment, recreating the zeitgeist.
See more WWII reenactment photos in my World War 2 Reenactment Set.
Art Gallery FIPGC Host Fiera Milano 2015.
Galleria d'Arte dei Membri della Federazione Internazionale Pasticceria Gelateria Cioccolateria.
Web Site: www.federazionepasticceri.it
We were strolling through Havana and happened to look into the entrance to this place and just had to sneak in and grab a few shots.
Single jpeg, tone mapped