View allAll Photos Tagged homogenizer
Axial Screw Powder Extruder, Basket Extruder, spheronizer, Pellets Making Machine, Tray Dryer-Prism Pharma Machinery,Ahmedabad,Gujarat,India.
Pharma Machinery,Pharma Machine Manufacturer in India,Pharmaceuticals Machinery,
Pharmaceuticals Machine Manufacturer in India,Liquid Manufacturing Plant-Prism Pharma Machinery,Ahmedabad,Gujarat,India.
For more detail visit us at : www.liquidsyrupmanufacturingplant.com
Chestatee
Jeff Franks
The Chestatee is time,
water moves from the sky
in uncounted increments,
like crystals of dust in an ancient time piece,
down the round mountains,
pulled into dark and gentle valleys,
propelled into a seines of mountain laurel
that fail to hold the water back,
like the Cherokee failed to hold back the tide.
The Chestatee despises the rhododendron
that scratches and claws steep slopes,
homogenizing proud peeks like Scotsmen
who lusted for the high ground,
above the old river
gallantly carving its old friend
the Appalachians,
on its way back
to the sea.
The Chestatee unwinds
like a worn out watch spring,
inside a desk drawer,
no longer keeping time
from spinning and swirling counterclockwise,
like blood flowing into a vortex
between fractured rocks,
beneath a smooth and hairless face
beside a formal top hat with a dirty brim
and a hawk’s feather in the band.
The Chestatee is a quiet conveyance,
moving the great and the small
slowly downstream,
a liquid continuum,
filled with pieces of deadfall
expelling drowning white termites,
purifying and smoothing
jagged rocks stained with old dried blood,
that wash up along its banks,
with stories to tell the drivers
of the four wheel drives
grinding them beneath their knobby tires
to crystals of dust.
Ingredients for the shortcrust pastry: 500 gr of flour/250 gr of butter/ 140 gr of sugar / 3 egg yolks / 1 whole egg / lemon zest
Mix sugar, butter, lemon zest, eggs (beaten previously) and half of the flour. When the dough starts to be uniform, add the remaining flour, continuing to knead. Let stand in refrigerator at least 1 day before use.
Lemon curd’s ingredients: the juice and the peel of three biological lemons / 200 gr of sugar / 4 eggs / 115 gr of butter
Mix the grated peel and the juice of the three lemons and then add the butter and the sugar. Mix together a baine-marie the ingredients until they are thoroughly amalgamated. Whisk aside the eggs (without whipping them up) and add them to the mixture through a sieve. Mix until the cream doesn’t veil the spoon, then remove it from the burner and let it cool down. If the cream has some lumps, homogenize it with an electric liquidizer when it’s still warm.
Arrangement: lay the shortcrust pastry at a 3 mm. thickness and line 6 patty stamps, previously buttered. Fill the stamps with the lemon curd and put them into the preheated oven at 180° for 26 minutes ( the edge of the shortcrust pastry should be slightly brown ). Pull out of the oven and let them cool down. In the end, after you’ve removed the patties from the stamps, sprinkle some icing sugar on them.
Syrup Manufacturing Plant,Liquid Syrup Plant,Manufacturing Plant, Pharmaceutical syrup manufacturing process,Sugar syrup manufacturing plant-Prism Pharma Machinery,Ahmedabad,Gujarat,India.
For more detail visit us at : www.liquidsyrupmanufacturingplant.com
Vat pasteurized, non-homogenized milk. Non-homogenized milk is easily digested and when left in it's natural state, the cream rises to the top, giving a cream line. The cream line is present in every glass bottle of milk.
Automatic Tablet Coating,Coating Pan, Tablet Film Coating System, Conventional Coating,
Sugar Coating Pan
"If theme parks, with their pasteboard main streets, reek of a bland, safe, homogenized, whitebread America, the Renaissance Faire is at the other end of the social spectrum, a whiff of the occult, a flash of danger and a hint of the erotic. Here, they let you throw axes. Here are more beer and bosoms than you'll find in all of Disney World." - Neil Steinberg
Center for Intelligent Alloy Development
NETL researcher Dr. Paul Jablonski
B4
NETL utilizes its melt lab facilities to create controlled chemistry alloys for further evaluation in our other facilities. Alloys are initially conceived and evaluated using computational thermodynamics. Once designed, the alloys are formulated from industrial purity remelt stocks. Melt operations include non-consumable vacuum arc remelting (VAR) melting up to a few pounds, consumable VAR and electro-slag remelting (ESR) melting up to 440 lbs, and vacuum induction melting (VIM) up to 50lb in this lab (up to 300# in another). Once melted, ingots are sampled for chemistry. Heats that are destined for deformation processing are given a computationally optimized homogenization heat treatment and machined prior to hot working.
Photo shows Reclaimer PR200 in Tianjin, P.R. China.
Sandvik reclaimers are designed to reclaim bulk materials from stockpiles at mines, ports, steel plants, power stations, etc. in a quick, efficient and orderly way. They are available in several main types, including bucket wheel, scraper and drum-type reclaimers, and in many configurations and sizes, with capacities from 500 to 20 000 tonnes per hour and more. The choice of design depends on factors such as the size and shape of the stockpile, the type of material to be reclaimed, the required reclaiming rate and the need for blending or homogenization.
More information:
For more information, please visit:
www.bulk-online.com/Co/1792.htm
Biennale di Venezia 2014 - 14th International Architecture Exhibition - Fundamentals.
Fundamentals consists of three interlocking exhibitions:
1.Absorbing Modernity 1914-2014 is an invitation to the national pavilions to show the process of the erasure of national characteristics.
2.Elements of Architecture, in the Central Pavilion, pays close attention to the fundamentals of our buildings used by any architect, anywhere, anytime.
3.Monditalia dedicates the Arsenale to a single theme – Italy – with exhibitions, events, and theatrical productions.
The 14th International Architecture Exhibition, titled Fundamentals, directed by Rem Koolhaas and organized by la Biennale di Venezia, chaired by Paolo Baratta, was open to the public from June 7 through November 23, 2014, in Venica Italy. 65 National Participations were exhibiting in the historic pavilions in the Giardini, in the Arsenale, and in the city of Venice. They examine key moments from a century of modernization. Together, the presentations start to reveal how diverse material cultures and political environments transformed a generic modernity into a specific one. Participating countries show, each in their own way, a radical splintering of modernity's in a century where the homogenizing process of globalization appeared to be the master narrative
Absorbing Modernity 1914–2014 has been proposed for the contribution of all the pavilions, and they too are involved in a substantial part of the overall research project, whose title is Fundamentals. The history of the past one hundred years prelude to the Elements of Architecture section hosted in the Central Pavilion, where the curator offers the contemporary world those elements that should represent the reference points for the discipline: for the architects but also for its dialogue with clients and society. Monditalia section in the Corderie with 41 research projects, reminds us of the complexity of this reality without complacency or prejudice, which is paradigmatic of what happens elsewhere in the world; complexities that must be deliberately experienced as sources of regeneration. Dance, Music, Theatre and Cinema with the programmes of the directors will participate in the life of the section, with debates and seminars along the six-month duration of the exhibition.
Elements of Architecture / Central Pavilions
This exhibition is the result of a two-year research studio with the Harvard Graduate School of Design and collaborations with a host of experts from industry and academia. Elements of Architecture looks under a microscope at the fundamentals of our buildings, used by any architect, anywhere, anytime: the floor, the wall, the ceiling, the roof, the door, the window, the façade, the balcony, the corridor, the fireplace, the toilet, the stair, the escalator, the elevator, the ramp. The exhibition is a selection of the most revealing, surprising, and unknown moments from a new book, Elements of Architecture, that reconstructs the global history of each element. It brings together ancient, past, current, and future versions of the elements in rooms that are each dedicated to a single element. To create diverse experiences, we have recreated a number of very different environments – archive, museum, factory, laboratory, mock-up, simulation.
The dairy is located in Alexandria, Alabama. They locally sell pasteurized, but not homogenized milk. The ice creams are upwards of 15% milk fat and thus are extremely creamy. This was grape, or locally known as "purple cow". It was very good.
Portfolio || Flickr Archive || Instagram
This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
Syrup Manufacturing Plant,Liquid Syrup Plant,Manufacturing Plant, Pharmaceutical syrup manufacturing process,Sugar syrup manufacturing plant-Prism Pharma Machinery,Ahmedabad,Gujarat,India.
For more detail visit us at : www.liquidsyrupmanufacturingplant.com
Hielscher industrial ultrasonic devices are powerful, efficient and reliable. They are built to operate continuously at high load in industrial environments. With up to 16kW per device, Hielscher is the leading ultrasonics supplier for industrial liquid processes.
Center for Intelligent Alloy Development
NETL researcher Dr. Paul Jablonski
B4
NETL utilizes its melt lab facilities to create controlled chemistry alloys for further evaluation in our other facilities. Alloys are initially conceived and evaluated using computational thermodynamics. Once designed, the alloys are formulated from industrial purity remelt stocks. Melt operations include non-consumable vacuum arc remelting (VAR) melting up to a few pounds, consumable VAR and electro-slag remelting (ESR) melting up to 440 lbs, and vacuum induction melting (VIM) up to 50lb in this lab (up to 300# in another). Once melted, ingots are sampled for chemistry. Heats that are destined for deformation processing are given a computationally optimized homogenization heat treatment and machined prior to hot working.
Before the RTA and Metra homogenized the Chicago Suburban trains, each carrier had its own style and personality. This carried down to the equipment and tickets one rode on. This group of C&NW tickets should stir the memories of anyone who rode the C&NW in the late 1970's. All these tickets were to be found between 1974 and 1978 and a couple (The odd half fare tickets on heavy yellow stock) are very old, dating to the late 1960's but were still to be found. After 1978, the RTA began the slow process to upgrade and homogenize the trains and tickets into what we have today. And each roads tickets looked different. The RI and C&NW were big users on these small card type tickets (Called Edmonson Tickets after the English inventor) while the MILW and BN used radically different tickets. The variety of trains and tickets made for interesting collecting back then.
"The best things and best people rise out of their separateness; "I'm against a homogenized society ;I want the cream to rise."
-Robert Frost
Automatic Tablet Coating,Coating Pan, Tablet Film Coating System, Conventional Coating,
Sugar Coating Pan
“V” Shape Blender Mixer, Octagonal Blender Mixer, Double Cone Blender Mixer, Bin Blender,
Fluid Bed Dryer
Center for Intelligent Alloy Development
NETL researcher Dr. Paul Jablonski
B4
NETL utilizes its melt lab facilities to create controlled chemistry alloys for further evaluation in our other facilities. Alloys are initially conceived and evaluated using computational thermodynamics. Once designed, the alloys are formulated from industrial purity remelt stocks. Melt operations include non-consumable vacuum arc remelting (VAR) melting up to a few pounds, consumable VAR and electro-slag remelting (ESR) melting up to 440 lbs, and vacuum induction melting (VIM) up to 50lb in this lab (up to 300# in another). Once melted, ingots are sampled for chemistry. Heats that are destined for deformation processing are given a computationally optimized homogenization heat treatment and machined prior to hot working.
Portfolio || Flickr Archive || Instagram
This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
Portfolio || Flickr Archive || Instagram
This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
The opening reception for our "Tiffany Shin: Microbial Speculation of Our Gut Feelings" featured a food-based performance entitled, "Perfect Fruit"–which mapped the degradation of biodiversity and homogenization of microbiota in our food systems.
Portfolio || Flickr Archive || Instagram
This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
The opening reception for our "Tiffany Shin: Microbial Speculation of Our Gut Feelings" featured a food-based performance entitled, "Perfect Fruit"–which mapped the degradation of biodiversity and homogenization of microbiota in our food systems.
“V” Shape Blender Mixer, Octagonal Blender Mixer, Double Cone Blender Mixer, Bin Blender,
Fluid Bed Dryer-Prism Pharma Machinery,Ahmedabad,Gujarat,India.
Portfolio || Flickr Archive || Instagram
This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
"If theme parks, with their pasteboard main streets, reek of a bland, safe, homogenized, whitebread America, the Renaissance Faire is at the other end of the social spectrum, a whiff of the occult, a flash of danger and a hint of the erotic. Here, they let you throw axes. Here are more beer and bosoms than you'll find in all of Disney World." - Neil Steinberg
Shot Blasting Machines | Shot Blasting Machine in India
From: sand blasting hopper
Shot Blasting Machine
The Shot Blasting Machine uses a method call propelling abrasive media with the help of a radial wheel to remove the damage or contaminants from the surface of metal and steel. The Shot Blasting Machine basically cleans and remove the loose scales from the surface of metal and steel.with the help of this machine we can also clean the rough surface edges of automobile parts that have uneven or sharp surface.
Shot Blasting Machine is used as a mechanical method for the surface treatment by using an abrasive with the help of a centrifugal wheel at high speed to obtain excellent surface and remove impurities for secondary operations.
Shot blasting is used for the following main purposes:
It provides a better texture to enhance paint adhesion.
It increases the coating life of a machine by reducing its maintenance cost.
For cleaning and preparing the surface before painting, coating, metalworking.
It also used for making non-slipping surfaces and providing surface homogenization.
Shot blasting is done after heat treatment and also for mechanic descaling.
The shot blasting is done in two ways:
Wheel blasting: It is a common and economical method. In this process, the electric motor energy is converted into kinetic energy by rotating a turbine wheel. This is mostly used for treating heavy equipment. The turbine wheel works here as a centrifugal pump and it delivers the abrasive by centrifugal force on the surface.
Air blasting: In this method compressed is used and sprayed out through nozzles on the surface. This is mostly used for smaller equipment. Air blasting is comparatively expensive due to the use of steel frames and weldments.
After the process of shot blasting, shots are removed by the air washing process.
The shot blasting machine works on the projectile motion of an abrasive on the metal surface to get a better surface finish. So, this mechanical method depends on the abrasive. For this, mostly metal abrasive should be used.
Metal abrasives can provide the following benefits:
They can increase productivity by reducing maintenance costs.
Waste generation can be reduced to get better quality of work.
They cause less environmental pollution and also there is no risk to the operator’s health by using metal abrasive.
The main components of the shot blasting are:
Blast wheel: The efficiency of a shot blasting machine depends on the quality of wheels used. So one used to use a better quality of the wheel.
Cabinet: Cabinet consists of dust and abrasive. The shot blasting cabinet is made up of steel material to secure strength. A dust collector is mounted on the machine to prevent dust from entering the shop environment.
Work handling mechanism: Handling of parts depends on the quantity of the parts. Tumblast Shot Blasting Machines are used for large quantities and spinner hangers are used for heavier parts.
Elevator: After the metallic shots hit the surface they fall into the hopper under the machine from which the elevator carries them to the separator at the upper part of the machine.
Separator: The separator, separates contaminates, and the cleaned abrasive is fed into the shot turbine.
Dust collector: A dust collector system is used to release clean air. A properly designed and sized dust collector is preferred for shot blasting machines.
Control and instrumentation: The starting and stopping of all operations depend on the controls and instrumentation features of the shot blasting machines.
The shot blasting machine is mostly used in chemical industries, petroleum industries, Aerospace, Automobile industry, Heavy engineering industry, Railways, Defence.
We are the leading Manufacturer, Supplier, and Exporter of different kinds of Sand Blasting machines and blasting equipment, Shot Blasting Machines, Sand Blasting Cabinet, Shot Blasting Cabinet, pressure blasting cabinet, Shot Blasting Room, Automatic Sand Blasting Machine, thermal spray gun, Metalizing Gun in India at a low price for Sale.
Ps Balls | Ps Ball Manufacturer in India
From: sand blasting hopper
Ps Balls
It gives a perfect atomizing of elements size, density, hardness, and durability. Therefore, the effectiveness of abrasive reduces the consumption rate and increases productivity as well as non-toxic environment status. PS Ball is a cheap material when compared to other mineral substances. PS Ball can be reused up to 3-4 times based on its surface roughness.
Product Details:
Color: Black
State: Grains
Hardness: 7.5 mohs
Types of Cutting: Sand blasting
Density: 3.64 g/㎤
Fe2O3: 43.5%
SiO2: 19.5%
Ps Balls
PS Ball stands for Precious Slag Ball. PS Ball is the great product of the slag atomizing process. We named it precious since it is turned from valueless waste into newborn material with good value-added. It is an environment-friendly substance with a stable status of spinet structure by rapid air & mist cooling system, proven by professionals. PS Ball is designed by supercooling molten steel slag. it's an exciting and versatile product that's highly stable, hard, and extremely tough. Its superior features make it suitable for an outsized range of applications and its most typical usage is as an abrasive for the surface preparation of steel before the application of paint coatings. As PS Ball doesn't contain Free Silica, it's non-toxic and in compliance with environmental regulations the world over. As compared to copper slag, it's superior compressive strength, hardness, and anti-weathering characteristics.
Advantages of Ps Balls
Excellent hardness for blasting.
Improve the efficiency of work.
Less dust during the sand blasting machine work than silica or garnet.
Reuse available (2~3 times) by recycling equipment.
Good intensity of illumination.
Uses of Ps Balls
Abrasive Blasting Material.
Filter Media.
Casting Sand.
Weight Material.
Industrial Uses
Shipbuilding.
Steel Bridges.
Heavy Steel Structure.
Storage Tanks.
We provide steel shot, SS shot, copper slag, steel grit, garnet sand, quartz shot, aluminum oxide, glass beads, etc. We provide a large range of products and are checked on various parameters, such as density, physical and chemical properties, microstructure, hardness, durability. We are focused on our quality products and customer satisfaction.
Glass Beads | Glass Beads Manufacturer in India
From: sand blasting hopper
Glass beads
Glass beads mostly used in the abrasive blast cabinet. they are round in shape and smoothly cleans metal part with a smooth polish. pressure on which glass beads are blasted is 60-90 PSI to get the highest productivity result.
The appearance of Glass Beads are spherical and round . Glass Beads are available in all standard sizes. They are good for the environment and reliable. glass beads clean the surface without damaging them and they are recyclable. Glass Beads can perform a variety of operations. the dust level is also low and due to this reason, the cleanup maintenance is reduced. To get polished or smooth surface glass beads are shot on the surface of the object or work-piece under the pressure of compressed gas with high speed and after that, we will find a smooth and clean polished surface.
Uses of Glass Beads
Cleaning of Automotive parts.
Casting.
Deburring of rough edges.
Maintenance of Gears.
Applications
Metal preparation
surface finishing
We are a Manufacturer, Supplier, and Exporter of Sand Blasting Machine, Tumblast Shot Blasting Machine, Grit Blasting Machine, thermal spray gun, Sand Blasting Cabinet, Shot Blasting Room, Pressure blasting Cabinet, Metalizing Gun.
Alternative model of lego 75218 X-Wing StarFighter
Original design by BrickBros UK
Modified by Razgamaziel (April 2019)
Design and model using Stud.io
Big thanks to BrickBros UK for his amazing work and inspiration. Take a look at his youtube channe for many many more alternative builds. www.youtube.com/channel/UCOxw7B0uIWUjtfl85wuCAsw
and his FB page : www.facebook.com/BrickBrosUK
Modifications : Nose, Wings canons, droids location lowered 1 stuf, back rebuilt, îeces swapped all around for color homogenization, etc.
GlobeCore KLM series Colloid Mills are specially designed for the production of highly stable colloidal solutions, fine suspensions, mixtures and emulsions. Wet grinding technique is used, as rotor and stator cone gap is wider at the inlet and narrower at the outlet.
Additionaly, the complex relief of the generator(stator) surface creates increased turbulence, shearing the particles.
The product is crashed between the rotating rotor and stationary stator in the mill. Under the influence of centrifugal force and high velocity of the rotor relative to the stator, liquid and semi-liquid substances are finely dispersed and homogenized.
The mill can simultaniousely disperse and homogenise the product.
It is equiped with a heating jacket
KLM features allow to produce highly stable emulsions as well as colloid suspensions and ensure high degree of homogenization with particles size down to 0.5 micron.
GlobeCore offers a range of Bitumen Emulsion Plants, Colloid Mills, Polymer Modified Bitumen Plants and auxiliary equipment for production of bitumen emulsions and modified bitumen.
For more details please contact Mr Stanislav Sukhar via skype: stan_globecore or by phone:+380500131317; +38 (05322) 41211 or email: sales@gcequipment.com
Center for Intelligent Alloy Development
NETL researcher Dr. Paul Jablonski
B4
NETL utilizes its melt lab facilities to create controlled chemistry alloys for further evaluation in our other facilities. Alloys are initially conceived and evaluated using computational thermodynamics. Once designed, the alloys are formulated from industrial purity remelt stocks. Melt operations include non-consumable vacuum arc remelting (VAR) melting up to a few pounds, consumable VAR and electro-slag remelting (ESR) melting up to 440 lbs, and vacuum induction melting (VIM) up to 50lb in this lab (up to 300# in another). Once melted, ingots are sampled for chemistry. Heats that are destined for deformation processing are given a computationally optimized homogenization heat treatment and machined prior to hot working.
Portfolio || Flickr Archive || Instagram
This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
Portfolio || Flickr Archive || Instagram
This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.