View allAll Photos Tagged homogenizer
Homogenizer, Vessels Storage Tank, Preparation Vessels, Syrup Manufacturing Plant, Oral Liquid manufacturing plant
At the launch of the wonderful book "Facing the Cold", Philip McMaster congratulated China Daily, Wang Wenlan, all the people involved in the production of the book, the Chinese Military for thier rapid and compassionate help in the crisis, and the Chinese People for their courage and cooperation in the face of disaster.
Philip McMaster is from Montreal Canada, (the same city where Dr. Norman Bethune was educated and developed many innovations in Medicine) where he particpated as Director of Volunteer Coordination with "Cool to be Canadian" during two major disasters caused by Global Warming in 1997 and 1998. (see links below for details)
Presented with complimentary copies of the "Face the Cold" book, in gratitude Mr. McMaster shared the new Chinese Sustainability Symbol (3 fingers) with many of the key dignitaries, noting that he had developed the symbol in China, when teaching MBA students at the Chinese University of Hong Kong. This "made in China" symbol, researched and developed by the McMaster Institute for Sustainable Development of Commerce, is designed to become an ATTITUDE that the Chinese people will practice first for the Olympics, (balancing Society, Environment and Economy) and then export as China's gift of sustainability to the world.
Today Philip McMaster is Principal Researcher with the McMaster Institute for Sustainable Development of Commerce www.SustainabilitySymbol.com and Eco-Entrepreneurship Coach with www.Dragonpreneur.com , www.Dragonpreneur.com/blog
a description of the research and development of the Sustainability Symbol and programs for Chinese students of business and entrepreneurs can be found at the following websites: www.Dragonpreneur.com, www.DragonThink.com,
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National Emergencies where Philip McMaster has assisted citizens:
Flooding
In 1997, Philip McMaster was leader of "Cool to be Canadian" ( www.CooltobeCanadian.ca )crews helping the military build dams to protect the city from floods - www.cool.ca/cool_en/fld_action.htm
Ice Storm
In 1998, Philip McMaster was leader of "Cool to be Canadian" crews protecting Canadians from the ICE STORM covering Eastern Canada www.cool.ca/cool_en/icestorm_album.htm
Jan 13, 2000 - Philip McMaster cooperates with China Daily on Environment Book
Stop homogenization to protect tourism
By: Philip McMaster in Beijing
www.ecotaskforce.com/chinadaily/protect/
04/17/99 Philip McMaster - Sustainable Adventure in Hong Kong
www.ecotaskforce.com/chinadaily/HKnature/
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Photos of the "Facing the Cold" event can be found on Flickr at the following address: www.flickr.com/photos/dragonpreneur/sets/72157604040544560/
Coburg Milk Truck in the parking lot of the fast fare store, Kangaroo, where I buy my Sunday paper. Think maybe Coburg only delivers to the smaller store. I don't see this brand at Bi_lo where I regularly shop.
When I was a kid in New York it was Emmadine. We got home delivery. Their bottles had an hour glass shape on top so all the cream settled at the top. That was poured off first to be used in the coffee. I suppose some people shook it up to mix it all together. That was before homogenized milk.
Coney Island, Brooklyn, NYC
August 20, 2010
It's now a sort of peninsula off the main part of Brooklyn, but Coney Island was once a barrier island like the ones further east on Long Island. It appears on an 1639 Dutch map as "Conyne Eylandt", or "Rabbit Island". Rabbit hunting seems to have been the primary draw of this place until rail and steamboat connections were made with Manhattan after the Civil War. In the late 19th century and early 20th, Coney Island had its heyday as throngs of New Yorkers flocked here to the resorts or for daytrips, escaping the heat of the city. The crowds you see in the old pictures and newsreels are staggering.
With the advent of the automobile and air-conditioning, Coney Island, which had already always had a seedy undercurrent, began to lose its appeal and economic base. It's basically been in decline since the 1950's, and most of the rides, hotels, and attractions which were once the hallmarks of a NYC summer for so many have been torn down and relegated to memory. In recent years there has been much talk about revitalizing the area, and it seems that some measures have worked. Unfortunately, every year more and more disappears- Many of the signs and buildings I've photographed since 2005 no longer exist.
AND- instead of trying to restore what is left, the latest idea is to raze everything and turn much of the area to housing, much of which will be priced beyond the range of the average Coney Island resident. The buildings in the crosshairs of the bulldozer include some classic structures from a century ago- buildings, which, if simply restored, would not only help revitalize the neighborhood, but also preserve the aesthetic and spirit which made Coney Island so well-known throughout the world. The most promising redevelopment efforts have been by those who sought to preserve the history of the neighborhood, while infusing it with new energy and creativity- places like Lola Star's Dreamland Roller Rink (housed in an otherwise vacant classic bank) and the Coney Island Sideshow School. These places have either been shut down, or are under constant pressure.
The redevelopment of Coney Island is one of the most contentious real estate issues in the city today. Unfortunately Big Business seems (as usual in NYC), to have the upper-hand here. And the sad fact is, the percentage of New Yorkers who take advantage of Coney Island is pretty small. It's not the nicest beach in the world, and certainly the neighborhood has a bit of grit, but coming here is not a cookie-cutter experience- an characteristic which should hold some value in an increasingly homogenized world.
People in New York forget that if you're willing to part with $2.25 and read a book on the subway for an hour, you can hang out in the sun and air, on a free beach; and need only to walk a few yards to eat or drink-
Vacuum Mixer Dryer, Roto Cone Vacuum Dryer, Ribbon Vacuum Mixer Dryer, Vacuum Shelf Tray Dryer, Multi Mill
"If theme parks, with their pasteboard main streets, reek of a bland, safe, homogenized, whitebread America, the Renaissance Faire is at the other end of the social spectrum, a whiff of the occult, a flash of danger and a hint of the erotic. Here, they let you throw axes. Here are more beer and bosoms than you'll find in all of Disney World." - Neil Steinberg
Portfolio || Flickr Archive || Instagram
This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
"If theme parks, with their pasteboard main streets, reek of a bland, safe, homogenized, whitebread America, the Renaissance Faire is at the other end of the social spectrum, a whiff of the occult, a flash of danger and a hint of the erotic. Here, they let you throw axes. Here are more beer and bosoms than you'll find in all of Disney World." - Neil Steinberg
Portfolio || Flickr Archive || Instagram
This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
Portfolio || Flickr Archive || Instagram
This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
02.02.02 Nicaragua.
Rain forest near Siuna in the province of Atlantico Norte. Subsistence farming, woman makes tortillas
the result
If you were truly to begin from scratch, you'd get some white corn grain and set it to low boil in a covered pot with some slaked lime or wood ashes. You can get this in Mexican open-air markets by asking for "cal," or "tequisquite." Much of the language employed to talk about corn, tortillas, and the process of making tortillas, is based on the Aztec language, Nahuatl, and I'll mention these terms as we go along. The process described above will loosen the "skins" (pericarp) of the kernels, and you'd find most of these skins floating at the top of the steep liquor next morning. This alkaline solution has the side effect of making bound niacin in the corn endosperm soluble, and therefore available as a nutrient (this is important to folks who depend on corn as their staple source of nutrients; in Mexico annual per capita consumption of tortillas is about 410 lb., or as you can see, a little over 1 lb. per day, and in rural areas it is estimated that tortillas provide about 70% of the caloric intake). You would discard the supernate and the steep liquor itself (called "nejayote"), then wash the remaining "naked" kernels (consisting mostly of pure starch) and embryos ("germs," where most of the oil is concentrated). However, if you wanted to avoid this whole process and start from this point on, you could look for 'hominy' in your local grocery store, since this is precisely what hominy is.
Next, you'd get hold of a grinding stone utensil (known in Mexico as 'metate,') and you'd begin slaving over the corn grain with a pestle and a jug of water by your side. In the course of grinding the grain you're homogenizing and gelatinizing the starch, protein and germ, and also somewhat dehydrating it; however, you must add water continuously to make the resulting mixture pliable. When you are done, you'll have a dough that you will work into
Portfolio || Flickr Archive || Instagram
This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
Vacuum Mixer Dryer, Roto Cone Vacuum Dryer, Ribbon Vacuum Mixer Dryer, Vacuum Shelf Tray Dryer, Multi Mill
"If theme parks, with their pasteboard main streets, reek of a bland, safe, homogenized, whitebread America, the Renaissance Faire is at the other end of the social spectrum, a whiff of the occult, a flash of danger and a hint of the erotic. Here, they let you throw axes. Here are more beer and bosoms than you'll find in all of Disney World." - Neil Steinberg
Homogenizer, Vessels Storage Tank, Preparation Vessels, Syrup Manufacturing Plant, Oral Liquid manufacturing plant-Prism Pharma Machinery,Ahmedabad,Gujarat,India.
Filter Press, CIP-WIP Washing System, Tippler, Bin Loader, Vacuum Conveying System-Prism Pharma Machinery,Ahmedabad,Gujarat,India.
"If theme parks, with their pasteboard main streets, reek of a bland, safe, homogenized, whitebread America, the Renaissance Faire is at the other end of the social spectrum, a whiff of the occult, a flash of danger and a hint of the erotic. Here, they let you throw axes. Here are more beer and bosoms than you'll find in all of Disney World." - Neil Steinberg
Had some interesting ideas, and some not so good ones.
"Letters to the Mayor is an itinerant exhibition that displays real letters written by architects to their city mayors.
Letters to the Mayor and Letters to the Developer are international exhibitions that commission letters by architects to public officials and developers shaping the future of cities worldwide.
PARTISANS partners with Storefront for Art and Architecture to bring the first edition of the series to Canada for EDIT. With the rise of globalization and homogenization of the contemporary city, the architect’s role has often been relegated to answering questions asked by others. The exhibition series, initiated by Storefront in 2014, questions this dynamic and invites architects worldwide to deliver their thoughts directly to elected officials and into the public consciousness.
Letters to the Mayor / Developer: Toronto is locally curated and designed by PARTISANS, whose rhetorical mayoral desk and architect’s table connect these seats of power via an “assembly line” of ideas (architects’ letters). Enhanced by artist Gary Taxali’s speculative wallpaper, the exhibition proposes a new future for the design and development of Toronto. Letters were presented to Mayor John Tory at EDIT’s opening night. Letters to the Mayor / Developer: Toronto is made possible with the support of Osmington Inc., Slate Asset Management, and Norm Li Studio, as well as private donors. Services are generously provided by 3M, ESP Canada, and V.CreativeGraphics."
Portfolio || Flickr Archive || Instagram
This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
Portfolio || Flickr Archive || Instagram
This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
Portfolio || Flickr Archive || Instagram
This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
Portfolio || Flickr Archive || Instagram
This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
Portfolio || Flickr Archive || Instagram
This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
Homogenizer, Vessels Storage Tank, Preparation Vessels, Syrup Manufacturing Plant, Oral Liquid manufacturing plant
The opening reception for our "Tiffany Shin: Microbial Speculation of Our Gut Feelings" featured a food-based performance entitled, "Perfect Fruit"–which mapped the degradation of biodiversity and homogenization of microbiota in our food systems.
The opening reception for our "Tiffany Shin: Microbial Speculation of Our Gut Feelings" featured a food-based performance entitled, "Perfect Fruit"–which mapped the degradation of biodiversity and homogenization of microbiota in our food systems.
ABL offers homogenizers with sanitary features produced by leading European companies
Homogenizers are designed and constructed to ensure high performance and flexibility.
Portfolio || Flickr Archive || Instagram
This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
The opening reception for our "Tiffany Shin: Microbial Speculation of Our Gut Feelings" featured a food-based performance entitled, "Perfect Fruit"–which mapped the degradation of biodiversity and homogenization of microbiota in our food systems.
Dry Compaction, Tablet Press, High Speed Rotary Tablet Press, Single Sided Rotary Tablet Press, Double Sided Rotary Tablet Press
We stopped at a park on a drive we took today. I love this park because it still has the kind of play equipment I loved when I was a girl -- big clanking metal rings, and tall swings, and a shiny metal slide that has that particular smell that hot metal slides in the sunshine used to have. In other words, it hasn't yet been forced into the homogenized "which park are we at again?" mold by overzealous safety regulations. I hesitate to even say where the park is for fear they'll be Caught and I'll be responsible for having brought down the last of the original old-school playgrounds in the United States.
Really, other than that, this park is actually a little sad. It's very quiet, which can be nice, but the baseball diamond is all grown up shin-deep in field grasses and the bathroom is MOST sadly neglected indeed. (It's terrible.) But I still love the place and hope it never changes.
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This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
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Chestatee
Jeff Franks
The Chestatee is time,
water moves from the sky
in uncounted increments,
like crystals of dust in an ancient time piece,
down the round mountains,
pulled into dark and gentle valleys,
propelled into a seines of mountain laurel
that fail to hold the water back,
like the Cherokee failed to hold back the tide.
The Chestatee despises the rhododendron
that scratches and claws steep slopes,
homogenizing proud peeks like Scotsmen
who lusted for the high ground,
above the old river
gallantly carving its old friend
the Appalachians,
on its way back
to the sea.
The Chestatee unwinds
like a worn out watch spring,
inside a desk drawer,
no longer keeping time
from spinning and swirling counterclockwise,
like blood flowing into a vortex
between fractured rocks,
beneath a smooth and hairless face
beside a formal top hat with a dirty brim
and a hawk’s feather in the band.
The Chestatee is a quiet conveyance,
moving the great and the small
slowly downstream,
a liquid continuum,
filled with pieces of deadfall
expelling drowning white termites,
purifying and smoothing
jagged rocks stained with old dried blood,
that wash up along its banks,
with stories to tell the drivers
of the four wheel drives
grinding them beneath their knobby tires
to crystals of dust.
Ingredients for the shortcrust pastry: 500 gr of flour/250 gr of butter/ 140 gr of sugar / 3 egg yolks / 1 whole egg / lemon zest
Mix sugar, butter, lemon zest, eggs (beaten previously) and half of the flour. When the dough starts to be uniform, add the remaining flour, continuing to knead. Let stand in refrigerator at least 1 day before use.
Lemon curd’s ingredients: the juice and the peel of three biological lemons / 200 gr of sugar / 4 eggs / 115 gr of butter
Mix the grated peel and the juice of the three lemons and then add the butter and the sugar. Mix together a baine-marie the ingredients until they are thoroughly amalgamated. Whisk aside the eggs (without whipping them up) and add them to the mixture through a sieve. Mix until the cream doesn’t veil the spoon, then remove it from the burner and let it cool down. If the cream has some lumps, homogenize it with an electric liquidizer when it’s still warm.
Arrangement: lay the shortcrust pastry at a 3 mm. thickness and line 6 patty stamps, previously buttered. Fill the stamps with the lemon curd and put them into the preheated oven at 180° for 26 minutes ( the edge of the shortcrust pastry should be slightly brown ). Pull out of the oven and let them cool down. In the end, after you’ve removed the patties from the stamps, sprinkle some icing sugar on them.