View allAll Photos Tagged homogenizer
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This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
The opening reception for our "Tiffany Shin: Microbial Speculation of Our Gut Feelings" featured a food-based performance entitled, "Perfect Fruit"–which mapped the degradation of biodiversity and homogenization of microbiota in our food systems.
The other night I did some research. I was looking for small business statics on failure vs. success, news articles, anything that addressed what I’m going through. I found a few items which helped me to feel a tiny bit better – here is one which speaks to the fading of personal interactions with a small “specialty shop” and a gradual movement to “everything under one roof”.
Why support a small business? They build real ones on relationships in the community that are hard to find in a big box store. They add flavor and interest to our surroundings. In case you haven’t noticed, the homogenization of Leesburg, Loudoun County and many other counties is thriving while the small business owners are having a hard time competing.
Read more @ thefinal90days.blogspot.com/2014/08/it-isnt-just-my-store...
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This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
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For more detail visit us at : www.liquidsyrupmanufacturingplant.com
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This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
The website for an airline wanted to know what musical instrument I played: none, though once upon a time I played the piano, badly. It also wanted to know my favorite flavor of ice cream: cookie dough, probably, though it’s something of a tie with peanut butter cup. Finally, the website asked, “Who is your favorite artist?” It offered me a drop-down menu featuring comically disparate options — among them Banksy, Norman Rockwell, Gustav Klimt, Richard Serra and Shepard Fairey. It’s al about online security questions!
I have been asked all kinds of questions by the interfaces of major corporations for the purposes of “security.” Some security questions seem simple, almost cliché: “What is your mother’s maiden name?” (My mother kept hers, and then divorced.) “What color was your childhood house?” (Yellow, though first it was blue and then it was painted and then it was sold.) “Who was your childhood best friend?” (Annika — easy.) Others are more difficult, for their reliance on preferences, which they take to be fixed: favorite movie, favorite song, favorite color, even favorite activity. Sometimes they cut straight to the heart, as when I was given the option to select the security question “What is the love of your life?” (There was some odd poetry here — not “who,” but “what.”) I was trying to open a bank account when I found myself wondering, incongruously: What do I really love, above all else?
Online security questions have the feel of the icebreakers we might have played in middle school, or maybe second-date questions; they require us to self-define using arbitrary markers. They’re like treehouse secret passwords, in a game played with yourself. I have come to love them over the years, these sudden, strange, personal inquiries that guard our entrance into some of the internet’s most impersonal zones.
The assumption was that your mother’s maiden name would have faded so far into the past that almost no one else could possibly have known it.
Security questions were invented to solve a problem at once existential and practical: How can you prove that you are you? According to research done by Bonnie Ruberg, a professor at the University of California, Irvine, security questions came into being around 1850. The Emigrant Industrial Savings Bank was founded for Irish immigrants in New York, many of whom encountered discrimination at other banks. In the mid-19th century, banks often used signatures to authenticate people’s identities, but many of the Emigrant Industrial Savings Bank’s clients could not read or write. So it created a “test book” that contained a wealth of personal information. When clients came in, clerks asked them about their personal history and relations to verify their identities. Sometimes they even asked the quintessential question, “What is your mother’s maiden name?” (The assumption was that your mother’s maiden name would have faded so far into the past that almost no one else could possibly have known it.) This practice caught on and expanded to other banks over the course of the next 50 years — they came to be called “challenge questions,” or “question-and-answer passwords,” or, my favorite, “shared secrets.”
Let Us Help You Protect Your Digital Life
Unfortunately, security questions are not very effective for security in the age of the internet. They are often easy to guess (your mother’s maiden name, which may still be her last name, is widely accessible information). A 2009 study found that users’ acquaintances could predict their security answers 17 percent of the time. Digital-security experts advise that we do away with them in favor of two-factor identification and better methods of protection. And yet security questions linger, surprisingly hard to dislodge from the architecture of the internet, out of some combination of cost-cutting, technical challenges and inertia. We are in that strange moment of technological in-between, the impending and necessary twilight of the security question.
I love a shared secret — even one between myself and my online banking system — and am already beginning to mourn the loss of security questions. They feel like antidotes to the sameness of the contemporary internet. Unlike the homogenized corporate sites to which they grant you entry, security questions’ essential randomness feels like a vestige of a past internet. They are addressed to me, personally, out of the blue, and they prod me to consider what makes me uniquely me. They are artifacts of an era when society thought differently about what constituted identity and how to prove it, when who we were wasn’t rooted in the idea of objective documents like passports and driver’s licenses, but in personal, often hereditary knowledge that could be shared.
There is something beautiful about this alternative articulation of the self. Rather than presenting yourself as the sum of objective facts — eye color, height, place of birth — you are instead asked to choose a favorite song. There is something essentially childlike about this; when I was young, I held my preferences like talismans, as I tried both to locate myself in the world and tell others who I was. I selected a favorite baseball player, and repeated it over and over: Derek Jeter, Derek Jeter, Derek Jeter. (In a diary I kept when I was 9, I compared two friends and wrote that one of them was a better match for me because we were both “huge Yankees fans.”) These things fluctuate; they are inexact. But the shifting landscape of my tastes, affinities and random personal trivia are, I think, more essential to who I am than my date of birth. I am still surprised and delighted to encounter another person, a kindred spirit, who shares my favorite song.
www.newsobsession.com/online-security-questions-are-not-v...
The opening reception for our "Tiffany Shin: Microbial Speculation of Our Gut Feelings" featured a food-based performance entitled, "Perfect Fruit"–which mapped the degradation of biodiversity and homogenization of microbiota in our food systems.
Biennale di Venezia 2014 - 14th International Architecture Exhibition - Fundamentals.
Fundamentals consists of three interlocking exhibitions:
1.Absorbing Modernity 1914-2014 is an invitation to the national pavilions to show the process of the erasure of national characteristics.
2.Elements of Architecture, in the Central Pavilion, pays close attention to the fundamentals of our buildings used by any architect, anywhere, anytime.
3.Monditalia dedicates the Arsenale to a single theme – Italy – with exhibitions, events, and theatrical productions.
The 14th International Architecture Exhibition, titled Fundamentals, directed by Rem Koolhaas and organized by la Biennale di Venezia, chaired by Paolo Baratta, was open to the public from June 7 through November 23, 2014, in Venica Italy. 65 National Participations were exhibiting in the historic pavilions in the Giardini, in the Arsenale, and in the city of Venice. They examine key moments from a century of modernization. Together, the presentations start to reveal how diverse material cultures and political environments transformed a generic modernity into a specific one. Participating countries show, each in their own way, a radical splintering of modernity's in a century where the homogenizing process of globalization appeared to be the master narrative
Absorbing Modernity 1914–2014 has been proposed for the contribution of all the pavilions, and they too are involved in a substantial part of the overall research project, whose title is Fundamentals. The history of the past one hundred years prelude to the Elements of Architecture section hosted in the Central Pavilion, where the curator offers the contemporary world those elements that should represent the reference points for the discipline: for the architects but also for its dialogue with clients and society. Monditalia section in the Corderie with 41 research projects, reminds us of the complexity of this reality without complacency or prejudice, which is paradigmatic of what happens elsewhere in the world; complexities that must be deliberately experienced as sources of regeneration. Dance, Music, Theatre and Cinema with the programmes of the directors will participate in the life of the section, with debates and seminars along the six-month duration of the exhibition.
Elements of Architecture / Central Pavilions
This exhibition is the result of a two-year research studio with the Harvard Graduate School of Design and collaborations with a host of experts from industry and academia. Elements of Architecture looks under a microscope at the fundamentals of our buildings, used by any architect, anywhere, anytime: the floor, the wall, the ceiling, the roof, the door, the window, the façade, the balcony, the corridor, the fireplace, the toilet, the stair, the escalator, the elevator, the ramp. The exhibition is a selection of the most revealing, surprising, and unknown moments from a new book, Elements of Architecture, that reconstructs the global history of each element. It brings together ancient, past, current, and future versions of the elements in rooms that are each dedicated to a single element. To create diverse experiences, we have recreated a number of very different environments – archive, museum, factory, laboratory, mock-up, simulation.
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This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
At the launch of the wonderful book "Facing the Cold", Philip McMaster congratulated China Daily, Wang Wenlan, all the people involved in the production of the book, the Chinese Military for thier rapid and compassionate help in the crisis, and the Chinese People for their courage and cooperation in the face of disaster.
Philip McMaster is from Montreal Canada, (the same city where Dr. Norman Bethune was educated and developed many innovations in Medicine) where he particpated as Director of Volunteer Coordination with "Cool to be Canadian" during two major disasters caused by Global Warming in 1997 and 1998. (see links below for details)
Presented with complimentary copies of the "Face the Cold" book, in gratitude Mr. McMaster shared the new Chinese Sustainability Symbol (3 fingers) with many of the key dignitaries, noting that he had developed the symbol in China, when teaching MBA students at the Chinese University of Hong Kong. This "made in China" symbol, researched and developed by the McMaster Institute for Sustainable Development of Commerce, is designed to become an ATTITUDE that the Chinese people will practice first for the Olympics, (balancing Society, Environment and Economy) and then export as China's gift of sustainability to the world.
Today Philip McMaster is Principal Researcher with the McMaster Institute for Sustainable Development of Commerce www.SustainabilitySymbol.com and Eco-Entrepreneurship Coach with www.Dragonpreneur.com , www.Dragonpreneur.com/blog
a description of the research and development of the Sustainability Symbol and programs for Chinese students of business and entrepreneurs can be found at the following websites: www.Dragonpreneur.com, www.DragonThink.com,
************************************
National Emergencies where Philip McMaster has assisted citizens:
Flooding
In 1997, Philip McMaster was leader of "Cool to be Canadian" ( www.CooltobeCanadian.ca )crews helping the military build dams to protect the city from floods - www.cool.ca/cool_en/fld_action.htm
Ice Storm
In 1998, Philip McMaster was leader of "Cool to be Canadian" crews protecting Canadians from the ICE STORM covering Eastern Canada www.cool.ca/cool_en/icestorm_album.htm
Jan 13, 2000 - Philip McMaster cooperates with China Daily on Environment Book
Stop homogenization to protect tourism
By: Philip McMaster in Beijing
www.ecotaskforce.com/chinadaily/protect/
04/17/99 Philip McMaster - Sustainable Adventure in Hong Kong
www.ecotaskforce.com/chinadaily/HKnature/
******************************************************
Photos of the "Facing the Cold" event can be found on Flickr at the following address: www.flickr.com/photos/dragonpreneur/sets/72157604040544560/
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Hielscher Ultrasonics' 500 watts powerful ultrasonic machine for the bench-top and small scale production
At the launch of the wonderful book "Facing the Cold", Philip McMaster congratulated China Daily, Wang Wenlan, all the people involved in the production of the book, the Chinese Military for thier rapid and compassionate help in the crisis, and the Chinese People for their courage and cooperation in the face of disaster.
Philip McMaster is from Montreal Canada, (the same city where Dr. Norman Bethune was educated and developed many innovations in Medicine) where he particpated as Director of Volunteer Coordination with "Cool to be Canadian" during two major disasters caused by Global Warming in 1997 and 1998. (see links below for details)
Presented with complimentary copies of the "Face the Cold" book, in gratitude Mr. McMaster shared the new Chinese Sustainability Symbol (3 fingers) with many of the key dignitaries, noting that he had developed the symbol in China, when teaching MBA students at the Chinese University of Hong Kong. This "made in China" symbol, researched and developed by the McMaster Institute for Sustainable Development of Commerce, is designed to become an ATTITUDE that the Chinese people will practice first for the Olympics, (balancing Society, Environment and Economy) and then export as China's gift of sustainability to the world.
Today Philip McMaster is Principal Researcher with the McMaster Institute for Sustainable Development of Commerce www.SustainabilitySymbol.com and Eco-Entrepreneurship Coach with www.Dragonpreneur.com , www.Dragonpreneur.com/blog
a description of the research and development of the Sustainability Symbol and programs for Chinese students of business and entrepreneurs can be found at the following websites: www.Dragonpreneur.com, www.DragonThink.com,
************************************
National Emergencies where Philip McMaster has assisted citizens:
Flooding
In 1997, Philip McMaster was leader of "Cool to be Canadian" ( www.CooltobeCanadian.ca )crews helping the military build dams to protect the city from floods - www.cool.ca/cool_en/fld_action.htm
Ice Storm
In 1998, Philip McMaster was leader of "Cool to be Canadian" crews protecting Canadians from the ICE STORM covering Eastern Canada www.cool.ca/cool_en/icestorm_album.htm
Jan 13, 2000 - Philip McMaster cooperates with China Daily on Environment Book
Stop homogenization to protect tourism
By: Philip McMaster in Beijing
www.ecotaskforce.com/chinadaily/protect/
04/17/99 Philip McMaster - Sustainable Adventure in Hong Kong
www.ecotaskforce.com/chinadaily/HKnature/
******************************************************
Photos of the "Facing the Cold" event can be found on Flickr at the following address: www.flickr.com/photos/dragonpreneur/sets/72157604040544560/
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For more detail visit us at : www.liquidsyrupmanufacturingplant.com
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Hielscher's industrial ultrasonic devices are commonly used for inline sonication (single pass or loop) in order to obtain a better processing quality. Of course, it can be used for batch sonication, too. The UIP1500hd allows for running at a wide range of ultrasonic parameters sets. You can vary ultrasonic amplitude, liquid pressure and liquid composition. www.hielscher.com/ultrasonics/industry.htm
The girls are indulging in the goodies of nature. Raw milk sale is fully legal in Montenegro and we get it moments after it has been milked. One of mom's neighbours has four goats and the other one has a cow.
Food from Heaven.
Also known as Ramsey's delicious (and oh so healthy!) Kentucky Hot Brown.
It's worth every single calorie, oh yes it is. *happy sigh*
The pies at Ramsey's Diner are fantastic as well. Highly recommended good Southern food. We only live once, after all. A good walk can solve many calories. ;)
Keep your homogenized, inanely boring Cracker Barrels and Applebee's to yourselves, please...It's always the greatest to eat the local goods while on the road.
I'm quite sure you can count the fat globules and calories in large view....
So so SO worth it. Trust me. You'll die happy.
The Kentucky Hot Brown
The Kentucky Hot Brown is a delicious savoury meal wherin a piece of bread is topped with thinly sliced roasted turkey, a thin slice of ham, and sliced tomato topped with a cheddar mornay sauce and bacon, then broiled or baked until the bread is crisp and the sauce browns. Made famous by Kentucky's Brown Hotel, the official recipe is here, though some variations include pimentoes or mushrooms. Enjoy!
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This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
At the launch of the wonderful book "Facing the Cold", Philip McMaster congratulated China Daily, Wang Wenlan, all the people involved in the production of the book, the Chinese Military for thier rapid and compassionate help in the crisis, and the Chinese People for their courage and cooperation in the face of disaster.
Philip McMaster is from Montreal Canada, (the same city where Dr. Norman Bethune was educated and developed many innovations in Medicine) where he particpated as Director of Volunteer Coordination with "Cool to be Canadian" during two major disasters caused by Global Warming in 1997 and 1998. (see links below for details)
Presented with complimentary copies of the "Face the Cold" book, in gratitude Mr. McMaster shared the new Chinese Sustainability Symbol (3 fingers) with many of the key dignitaries, noting that he had developed the symbol in China, when teaching MBA students at the Chinese University of Hong Kong. This "made in China" symbol, researched and developed by the McMaster Institute for Sustainable Development of Commerce, is designed to become an ATTITUDE that the Chinese people will practice first for the Olympics, (balancing Society, Environment and Economy) and then export as China's gift of sustainability to the world.
Today Philip McMaster is Principal Researcher with the McMaster Institute for Sustainable Development of Commerce www.SustainabilitySymbol.com and Eco-Entrepreneurship Coach with www.Dragonpreneur.com , www.Dragonpreneur.com/blog
a description of the research and development of the Sustainability Symbol and programs for Chinese students of business and entrepreneurs can be found at the following websites: www.Dragonpreneur.com, www.DragonThink.com,
************************************
National Emergencies where Philip McMaster has assisted citizens:
Flooding
In 1997, Philip McMaster was leader of "Cool to be Canadian" ( www.CooltobeCanadian.ca )crews helping the military build dams to protect the city from floods - www.cool.ca/cool_en/fld_action.htm
Ice Storm
In 1998, Philip McMaster was leader of "Cool to be Canadian" crews protecting Canadians from the ICE STORM covering Eastern Canada www.cool.ca/cool_en/icestorm_album.htm
Jan 13, 2000 - Philip McMaster cooperates with China Daily on Environment Book
Stop homogenization to protect tourism
By: Philip McMaster in Beijing
www.ecotaskforce.com/chinadaily/protect/
04/17/99 Philip McMaster - Sustainable Adventure in Hong Kong
www.ecotaskforce.com/chinadaily/HKnature/
******************************************************
Photos of the "Facing the Cold" event can be found on Flickr at the following address: www.flickr.com/photos/dragonpreneur/sets/72157604040544560/
At the launch of the wonderful book "Facing the Cold", Philip McMaster congratulated China Daily, Wang Wenlan, all the people involved in the production of the book, the Chinese Military for thier rapid and compassionate help in the crisis, and the Chinese People for their courage and cooperation in the face of disaster.
Philip McMaster is from Montreal Canada, (the same city where Dr. Norman Bethune was educated and developed many innovations in Medicine) where he particpated as Director of Volunteer Coordination with "Cool to be Canadian" during two major disasters caused by Global Warming in 1997 and 1998. (see links below for details)
Presented with complimentary copies of the "Face the Cold" book, in gratitude Mr. McMaster shared the new Chinese Sustainability Symbol (3 fingers) with many of the key dignitaries, noting that he had developed the symbol in China, when teaching MBA students at the Chinese University of Hong Kong. This "made in China" symbol, researched and developed by the McMaster Institute for Sustainable Development of Commerce, is designed to become an ATTITUDE that the Chinese people will practice first for the Olympics, (balancing Society, Environment and Economy) and then export as China's gift of sustainability to the world.
Today Philip McMaster is Principal Researcher with the McMaster Institute for Sustainable Development of Commerce www.SustainabilitySymbol.com and Eco-Entrepreneurship Coach with www.Dragonpreneur.com , www.Dragonpreneur.com/blog
a description of the research and development of the Sustainability Symbol and programs for Chinese students of business and entrepreneurs can be found at the following websites: www.Dragonpreneur.com, www.DragonThink.com,
************************************
National Emergencies where Philip McMaster has assisted citizens:
Flooding
In 1997, Philip McMaster was leader of "Cool to be Canadian" ( www.CooltobeCanadian.ca )crews helping the military build dams to protect the city from floods - www.cool.ca/cool_en/fld_action.htm
Ice Storm
In 1998, Philip McMaster was leader of "Cool to be Canadian" crews protecting Canadians from the ICE STORM covering Eastern Canada www.cool.ca/cool_en/icestorm_album.htm
Jan 13, 2000 - Philip McMaster cooperates with China Daily on Environment Book
Stop homogenization to protect tourism
By: Philip McMaster in Beijing
www.ecotaskforce.com/chinadaily/protect/
04/17/99 Philip McMaster - Sustainable Adventure in Hong Kong
www.ecotaskforce.com/chinadaily/HKnature/
******************************************************
Photos of the "Facing the Cold" event can be found on Flickr at the following address: www.flickr.com/photos/dragonpreneur/sets/72157604040544560/
Portfolio || Flickr Archive || Instagram
This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
At the launch of the wonderful book "Facing the Cold", Philip McMaster congratulated China Daily, Wang Wenlan, all the people involved in the production of the book, the Chinese Military for thier rapid and compassionate help in the crisis, and the Chinese People for their courage and cooperation in the face of disaster.
Philip McMaster is from Montreal Canada, (the same city where Dr. Norman Bethune was educated and developed many innovations in Medicine) where he particpated as Director of Volunteer Coordination with "Cool to be Canadian" during two major disasters caused by Global Warming in 1997 and 1998. (see links below for details)
Presented with complimentary copies of the "Face the Cold" book, in gratitude Mr. McMaster shared the new Chinese Sustainability Symbol (3 fingers) with many of the key dignitaries, noting that he had developed the symbol in China, when teaching MBA students at the Chinese University of Hong Kong. This "made in China" symbol, researched and developed by the McMaster Institute for Sustainable Development of Commerce, is designed to become an ATTITUDE that the Chinese people will practice first for the Olympics, (balancing Society, Environment and Economy) and then export as China's gift of sustainability to the world.
Today Philip McMaster is Principal Researcher with the McMaster Institute for Sustainable Development of Commerce www.SustainabilitySymbol.com and Eco-Entrepreneurship Coach with www.Dragonpreneur.com , www.Dragonpreneur.com/blog
a description of the research and development of the Sustainability Symbol and programs for Chinese students of business and entrepreneurs can be found at the following websites: www.Dragonpreneur.com, www.DragonThink.com,
************************************
National Emergencies where Philip McMaster has assisted citizens:
Flooding
In 1997, Philip McMaster was leader of "Cool to be Canadian" ( www.CooltobeCanadian.ca )crews helping the military build dams to protect the city from floods - www.cool.ca/cool_en/fld_action.htm
Ice Storm
In 1998, Philip McMaster was leader of "Cool to be Canadian" crews protecting Canadians from the ICE STORM covering Eastern Canada www.cool.ca/cool_en/icestorm_album.htm
Jan 13, 2000 - Philip McMaster cooperates with China Daily on Environment Book
Stop homogenization to protect tourism
By: Philip McMaster in Beijing
www.ecotaskforce.com/chinadaily/protect/
04/17/99 Philip McMaster - Sustainable Adventure in Hong Kong
www.ecotaskforce.com/chinadaily/HKnature/
******************************************************
Photos of the "Facing the Cold" event can be found on Flickr at the following address: www.flickr.com/photos/dragonpreneur/sets/72157604040544560/
At the launch of the wonderful book "Facing the Cold", Philip McMaster congratulated China Daily, Wang Wenlan, all the people involved in the production of the book, the Chinese Military for thier rapid and compassionate help in the crisis, and the Chinese People for their courage and cooperation in the face of disaster.
Philip McMaster is from Montreal Canada, (the same city where Dr. Norman Bethune was educated and developed many innovations in Medicine) where he particpated as Director of Volunteer Coordination with "Cool to be Canadian" during two major disasters caused by Global Warming in 1997 and 1998. (see links below for details)
Presented with complimentary copies of the "Face the Cold" book, in gratitude Mr. McMaster shared the new Chinese Sustainability Symbol (3 fingers) with many of the key dignitaries, noting that he had developed the symbol in China, when teaching MBA students at the Chinese University of Hong Kong. This "made in China" symbol, researched and developed by the McMaster Institute for Sustainable Development of Commerce, is designed to become an ATTITUDE that the Chinese people will practice first for the Olympics, (balancing Society, Environment and Economy) and then export as China's gift of sustainability to the world.
Today Philip McMaster is Principal Researcher with the McMaster Institute for Sustainable Development of Commerce www.SustainabilitySymbol.com and Eco-Entrepreneurship Coach with www.Dragonpreneur.com , www.Dragonpreneur.com/blog
a description of the research and development of the Sustainability Symbol and programs for Chinese students of business and entrepreneurs can be found at the following websites: www.Dragonpreneur.com, www.DragonThink.com,
************************************
National Emergencies where Philip McMaster has assisted citizens:
Flooding
In 1997, Philip McMaster was leader of "Cool to be Canadian" ( www.CooltobeCanadian.ca )crews helping the military build dams to protect the city from floods - www.cool.ca/cool_en/fld_action.htm
Ice Storm
In 1998, Philip McMaster was leader of "Cool to be Canadian" crews protecting Canadians from the ICE STORM covering Eastern Canada www.cool.ca/cool_en/icestorm_album.htm
Jan 13, 2000 - Philip McMaster cooperates with China Daily on Environment Book
Stop homogenization to protect tourism
By: Philip McMaster in Beijing
www.ecotaskforce.com/chinadaily/protect/
04/17/99 Philip McMaster - Sustainable Adventure in Hong Kong
www.ecotaskforce.com/chinadaily/HKnature/
******************************************************
Photos of the "Facing the Cold" event can be found on Flickr at the following address: www.flickr.com/photos/dragonpreneur/sets/72157604040544560/
"Pine Grove Dairy. Grade A Milk. Pasteurized, Homogenized, Vitamin D. At least 400 U.S.P. units added per quart. Skaneateles, N.Y."
Portfolio || Flickr Archive || Instagram
This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
"If theme parks, with their pasteboard main streets, reek of a bland, safe, homogenized, whitebread America, the Renaissance Faire is at the other end of the social spectrum, a whiff of the occult, a flash of danger and a hint of the erotic. Here, they let you throw axes. Here are more beer and bosoms than you'll find in all of Disney World." - Neil Steinberg
Portfolio || Flickr Archive || Instagram
This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
Portfolio || Flickr Archive || Instagram
This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
"If theme parks, with their pasteboard main streets, reek of a bland, safe, homogenized, whitebread America, the Renaissance Faire is at the other end of the social spectrum, a whiff of the occult, a flash of danger and a hint of the erotic. Here, they let you throw axes. Here are more beer and bosoms than you'll find in all of Disney World." - Neil Steinberg
Some local decorations for the season. There used to be a really big tree where this is now and it was decorated by men on "cherry pickers" with the old fashioned fat bulbs every year. Now it is a bit more modern, but still colorful. There is a carillon in the background which has a red face (and maybe a gold one) on at least one side of the clock this year. I believe they still play Christmas carols up there every year. Downtown has gone to a more homogenized version of white snowflake decorations. They are cute, but not very Christmas-y.
Trying out some night shots the night before the big storm, not liking the results very well. NEXT TIME, take the tripod!!! Have a good holiday season, everyone!
The plough (UK) or plow (US; both /ˈplaʊ/) is a tool (or machine) used in farming for initial cultivation of soil in preparation for sowing seed or planting to loosen or turn the soil. Ploughs are traditionally drawn by working animals such as horses or cattle, but in modern times may be drawn by tractors. A plough may be made of wood, iron, or steel frame with an attached blade or stick used to cut the earth. It has been a basic instrument for most of recorded history, although written references to the plough do not appear in English until 1100 CE at which point it is referenced frequently. The plough represents one of the major advances in agriculture.
The primary purpose of ploughing is to turn over the upper layer of the soil, bringing fresh nutrients to the surface, while burying weeds and the remains of previous crops and allowing them to break down. As the plough is drawn through the soil it creates long trenches of fertile soil called furrows. In modern use, a ploughed field is typically left to dry out, and is then harrowed before planting. Plowing and cultivating a soil homogenizes and modifies the upper 12 to 25 cm of the soil to form a plow layer. In many soils, the majority of fine plant feeder roots can be found in the topsoil or plow layer.
Ploughs were initially human powered, but the process became considerably more efficient once animals were pressed into service. The first animal powered ploughs were undoubtedly pulled by oxen, and later in many areas by horses (generally draught horses) and mules, although various other animals have been used for this purpose. In industrialised countries, the first mechanical means of pulling a plough were steam-powered (ploughing engines or steam tractors), but these were gradually superseded by internal-combustion-powered tractors.
Portfolio || Flickr Archive || Instagram
This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
via
The injection molding machine is one of the most popular and efficient manufacturing processes in the world and can produce large quantities of the products you are using every day. Injection machines are capable of producing identical volumes of items in the fastest time while maintaining product quality. Do you know how does injection moulding machine work? Let’s learn the principle of injection machine operation with BNT Machinery in this article.
What is an injection molding machine?
An injection molding machine is production equipment capable of producing large volumes of products. It works by injecting molten material into the mold. Injection molding materials include metals, glasses, and elastomers, and are most commonly used to create thermoplastics and thermosetting polymers.
> > > Learn more: How does CO injection machine affect tuna color?
History of injection molding
The injection molding machine was first invented in the United States in 1872 by brothers John Wesley Hyatt and Isaiah. This machine is more primitive than modern equipment, it works like a large needle, under the action of a piston, the plastic through the cylinder is heated and injected into the mold.
German scientists Arthur Eichengrün and Theodore Becker discovered the first soluble forms of cellulose acetate in 1903, which are less flammable than cellulose nitrate and easy to extrude. Arthur Eichengrün developed the first injection molding machine in 1939 and patented the flexible cellulose acetate injection mold.
World War II opened up huge demand for cheap and mass-produced products. In 1946, American inventor James Watson Hendry built the first screw pump, which allowed more precise control of the injection rate and quality of the products manufactured. This machine can also mix raw materials before spraying, so that colored plastic or recycled plastics are mixed.
In 1970, Hendry developed the first air-assisted injection molding system for rapid cooling of complex products. This improves the design flexibility and rigidity of manufactured products while saving on costs, fuel, raw materials, and waste.
History of plastics injection molding
In 1990, aluminum molds were widely used. Nowadays, screw pumps make up the majority of plastic injection molding machines.
Plastic injection molding technology produces push buttons for use in automotive, medical, aerospace, consumer goods, toys, plumbing, packaging, and construction.
Application of injection molding technology
Injection molding technology is widely used in industry, especially in the plastics industry, as the ideal method for producing large objects of the same volume. In addition, injection molding technology is also applied in the manufacturing industry of packaging, bottle caps, auto parts, components, coils, musical instruments, tables and chairs, machine parts (including gears), …
> > > Read more: What is an overmold? What are the applications of overmolding?
How does injection moulding machine work?
How does injection moulding machine work? The injection molding process is carried out through 4 main steps, specifically as follows:
Step 1: Use the plastic injection machine to melt the material to a suitable temperature.
In this step, the raw materials that are still in a hard form such as recycled plastics and virgin plastic will be put into the raw material port of the plastic injection machine. Here, the materials will be mixed and pushed forward to melt by the heating system arranged around the cylinder of the machine.
Step 2: The screw system of the plastic injection molding machine will create a large pressure to inject the molten plastic into the mold in the closed state. The screw system of the plastic injection machine will act as a plunger pushing the melted plastic forward with great pressure. The plastic channel system will contain the liquid plastic part. At this time, the mold cavity is in a closed state to do the task of forming the product.
Step 3: Cool the mold part so that the molten plastic part turns into a solid state. In order to get the plastic out, the melted plastic must be solidified. In this step, the machine’s cooling system will work to cool the mold and solidify the molten plastic.
Step 4: Take the product out. This is the final step of the injection molding process. The injection molding machine’s needle system will slowly pull out half of the mold, leaving a certain amount of time to take the product out. Then close the mold again to continue the new process.
Suitable plastics
The types of plastic commonly used in injection molding are thermoplastics, thermosetting plastics, and some elastomers. Available materials are usually metals or a mixture of materials, so designers can select the material with the most suitable properties.
Material selection criteria are based on stiffness, modulus of elasticity, flexural resistance, heat resistance and water absorption, design requirements as well as manufacturing cost, each with different specifications. should be considered and considered. The thermoplastics are nylon, polyethylene, and polystyrene. Thermosetting resins are epoxy and phenolic.
Structure of plastic injection molding machine
Clamping system
It has the effect of opening and closing the mold while supporting the movement of the molding element and creating a force large enough to hold the mold during the filling process and push the product out of the mold. The motion of this assembly is reciprocating, so any mechanism that produces this movement is allowed.
Common types of mold clamp assemblies include:
– Mechanical clamp assembly
– Hydraulic clamp assembly
– Mechanical clamp assembly with hydraulic combination
Mold
Consists of 2 basic components: a fixed half and a movable mold. The movable mold half usually carries the mold core, and the fixed mold half usually carries the mold cavity. In the mold plates, a cooling system and plastic channel are arranged. In addition, there are connecting rods and other parts such as a heating system … will talk about plastic injection mold in detail.
Spray system
The injection system consists of 3 parts: the feed hopper, the thermal cylinder, the screw, and the nozzle.
Feed Hopper
Thermoplastic is fed in the form of pellets. The feed hopper serves to contain these particles. These small particles of material from the door of the feed hopper enter the thermal cylinder.
Thermal Cylinder
The heating cylinder for the material makes the material molten, it is heated by the thermocouples.
The screw consists of 3 segments:
Inlet section: Near the inlet hopper used to move the material forward, at the end of this zone, the material softens and begins to flow.
Compression zone: In the middle of the screw, used to compress liquid materials.
Dosing area: Mix and homogenize the material before injection into the mold.
Nozzle: The part that attaches between the cylinder head and the nozzle of the mold. The nozzle must have a shape suitable for the flow of the material and be firmly attached to the nozzle during injection molding. The nozzle hole should be smaller than the nozzle hole in the mold.
The nozzle is interchangeable and has its own heating ring. Because the types of plastic have different characteristics, the nozzles also have different textures to help the best plastic injection process into the mold.
Advantages and limitations of using an injection molding machine
Advantage:
Complex shapes: Plastic injection molded parts can hold very tight tolerances on extremely small parts that are not possible with other manufacturing methods and cost-effectively. This allows injection molding products to be more complex or more suitable for certain applications.
Speed and scale: Injection molding works best when it quickly produces a large number of parts. The mold can contain multiple cavities all producing identical products in one press.
Usually, the cooling time of thermoplastics is also short. Even large parts can be produced in a minute or two. This means that every minute you can produce hundreds of products from one machine and one operator.
Durability: Plastic is an extremely durable material, especially when molded. That’s why it’s often used to make the outer shell or outer shell of equipment, plastic containers, etc. In addition, it is practically possible to mix anti-UV agents, increasing the anti-corrosion properties. bacteria, making it antistatic, and other uses make it a very durable material choice for components.
Product control: It is much easier to control the bonded surface of plastic molded components than other components. The colors are melted directly into the resin allowing for a uniform color without the need for a second operation such as powder coating. In addition, the mold can give the product many different characteristics, from smooth and smooth to matte..
In addition, labels and logos can be engraved on the part by the mold, making it easier for users to read and easily found on the product.
Defect:
Design Limitations: Since the mold has to be partially opened and ejected, there are some designs that cannot be molded or would be extremely difficult to cast.
High upfront costs: Injection molding involves an investment in an injection mold that can cost anywhere from 20 million to 500 million depending on the complexity of the part and the size of the mold.
Longer design time: Before production can be made entirely of drawings, molds must be designed and engineered to be able to rapidly increase project time and deliver products to production.
These are all information about how does injection moulding machine work that BNT shares with you. Hopefully, through our article, you will have more useful knowledge to apply to your work.
Contact information to buy an injection molding machine:
Address: No. 233, 23/10 Phuong Son Ward, Nha Trang City, Khanh Hoa
Hotline: 0905 361 004
Email: bntbaonam@gmail.com
Website: bnt-machinery.com
Fanpage: BNT Machinery
The opening reception for our "Tiffany Shin: Microbial Speculation of Our Gut Feelings" featured a food-based performance entitled, "Perfect Fruit"–which mapped the degradation of biodiversity and homogenization of microbiota in our food systems.
Gallon-sized jugs of Turkey Hill milk for sale at the Grocery Outlet store in Hagerstown, Maryland.
Ben Schumin is a professional photographer who captures the intricacies of daily life. This image is all rights reserved. Contact me directly for licensing information.
Pharma Machinery, Pharma Machines Manufacturer, Pharma Machine Manufacturer in India,
Pharmaceuticals Machinery, Pharmaceuticals Machines Manufacturer
Weathered black shales disconformably overlying limestones in the Devonian of Kentucky, USA.
The rocks in the upper and middle parts of the photo are weathered black shales of the New Albany Shale, a Devonian-aged formation in Kentucky, Indiana, Illinois, and eastern Missouri. The unit is dominated by dark-colored marine mudshales of Late Devonian age. These black shales were deposited in a moderately deep, anoxic seafloor environment. This was a widespread lithofacies during the Late Devonian's Global Anoxia Event. The New Albany Shale is equivalent to the Ohio Shale, the Antrim Shale, and the Chattanooga Shale in surrounding states.
The basal New Albany here is the Blocher Member - it consists of dolomitic black shales (dolosiltites, actually). The fissile nature of Blocher rocks is due to post-depositional compaction. Blocher beds are rich in organic carbon and have been homogenized by bioturbation.
The rocks in the lower left part of the picture are the Middle Devonian North Vernon Limestone, which is part of a widespread sheet of Devonian carbonates that extends from New York State to the Midwest. The North Vernon Limestone represents deposition in a subtropical, shallow-water, carbonate platform environment. The limestone here is fossiliferous, with decent-sized camerate crinoid columnals. An encrinite bed is present in the top-preserved North Vernon.
Just above the top of the North Vernon Limestone is a thin, lensoidal lag unit with phosphatic nodules, glauconitic pellets, and conodonts.
The New Albany-North Vernon contact represents missing time - such stratigraphic boundaries are called unconformities, which are surfaces of erosion and/or non-deposition of sediments. This is a disconformity, with horizontal sedimentary rocks above and below the contact, which here has noticeable paleotopography. A paleosinkhole was visible here when the cut was fresh.
Oxidative weathering of pyrite (FeS2 - iron sulfide; "fool's gold") at the New Albany-North Vernon boundary has produced iron oxide minerals such as reddish-brown hematite and yellowish-brown limonite. The iron oxides have stained the underlying rocks via descending meteoric waters (rain and runoff). The end result is a "bleeding unconformity".
Stratigraphy: lowermost-preserved New Albany Shale (uppermost Givetian Stage to lower Frasnian Stage, uppermost Middle Devonian to lower Upper Devonian) disconformably over the Beechwood Member of the North Vernon Limestone (Givetian Stage, upper Middle Devonian)
Locality: roadcut along the western side of the south-bound entrance ramp to Interstate 65 at the Route 245-Interstate 65 interchange, north-northeast of Belmont & south of Sherpherdsville, south-central Bullitt County, north-central Kentucky, USA (37° 55' 24.45" North latitude, 85° 41' 18.33" West longitude)
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Info. at:
Schieber, J. & R. Lazar (eds.). 2004. Devonian black shales of the eastern U.S. New insights into sedimentology and stratigraphy from the subsurface and outcrops in the Illinois and Appalachian Basins. Field Guide for the 2004 Annual Field Conference of the Great Lakes Section of SEPM. Indiana Geological Survey Open-File Study 04-05. 90 pp.
Symbolizing a complete and total takeover of The E82 Project by ENCOM International, the entire design philosophy was changed to more closely resemble the homogenized look of other ENCOM products.
For More Information
Please Visit “The E82 Project”
Coney Island, Brooklyn, NYC
August 20, 2010
It's now a sort of peninsula off the main part of Brooklyn, but Coney Island was once a barrier island like the ones further east on Long Island. It appears on an 1639 Dutch map as "Conyne Eylandt", or "Rabbit Island". Rabbit hunting seems to have been the primary draw of this place until rail and steamboat connections were made with Manhattan after the Civil War. In the late 19th century and early 20th, Coney Island had its heyday as throngs of New Yorkers flocked here to the resorts or for daytrips, escaping the heat of the city. The crowds you see in the old pictures and newsreels are staggering.
With the advent of the automobile and air-conditioning, Coney Island, which had already always had a seedy undercurrent, began to lose its appeal and economic base. It's basically been in decline since the 1950's, and most of the rides, hotels, and attractions which were once the hallmarks of a NYC summer for so many have been torn down and relegated to memory. In recent years there has been much talk about revitalizing the area, and it seems that some measures have worked. Unfortunately, every year more and more disappears- Many of the signs and buildings I've photographed since 2005 no longer exist.
AND- instead of trying to restore what is left, the latest idea is to raze everything and turn much of the area to housing, much of which will be priced beyond the range of the average Coney Island resident. The buildings in the crosshairs of the bulldozer include some classic structures from a century ago- buildings, which, if simply restored, would not only help revitalize the neighborhood, but also preserve the aesthetic and spirit which made Coney Island so well-known throughout the world. The most promising redevelopment efforts have been by those who sought to preserve the history of the neighborhood, while infusing it with new energy and creativity- places like Lola Star's Dreamland Roller Rink (housed in an otherwise vacant classic bank) and the Coney Island Sideshow School. These places have either been shut down, or are under constant pressure.
The redevelopment of Coney Island is one of the most contentious real estate issues in the city today. Unfortunately Big Business seems (as usual in NYC), to have the upper-hand here. And the sad fact is, the percentage of New Yorkers who take advantage of Coney Island is pretty small. It's not the nicest beach in the world, and certainly the neighborhood has a bit of grit, but coming here is not a cookie-cutter experience- an characteristic which should hold some value in an increasingly homogenized world.
People in New York forget that if you're willing to part with $2.25 and read a book on the subway for an hour, you can hang out in the sun and air, on a free beach; and need only to walk a few yards to eat or drink-