View allAll Photos Tagged homogenizer
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This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
Portfolio || Flickr Archive || Instagram
This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
Ildiko Juhasz
Bachelor of Visual Arts
Jewellery & Metalsmithing
Constructed Nature (2016) is a body of work which explores the creative process of material experimentation and pattern making. The project has become an exercise in conscious thinking and decision making which develops from the way the materials perform.
At the core of project is ‘nature’ and what it means to be a part of — or apart from — nature. I am interested in the relationship we as human beings form with the natural world. This has led me to explore how this relationship has been changed by urbanism and how these changes have manifested into different city patterns from medieval times to present day.
The grid as modernity’s sign is symptomatic of a modern rationalist desire to objectify and control nature. With the use of this pattern I am making reference to our shared experiences of alienation, isolation and homogenization, and also to the feelingof being trapped or suffocated as urbanites.
Constructed Nature, 2016, concrete, leather, and silver
50 x 70 mm
Biennale di Venezia 2014 - 14th International Architecture Exhibition - Fundamentals.
Fundamentals consists of three interlocking exhibitions:
1.Absorbing Modernity 1914-2014 is an invitation to the national pavilions to show the process of the erasure of national characteristics.
2.Elements of Architecture, in the Central Pavilion, pays close attention to the fundamentals of our buildings used by any architect, anywhere, anytime.
3.Monditalia dedicates the Arsenale to a single theme – Italy – with exhibitions, events, and theatrical productions.
The 14th International Architecture Exhibition, titled Fundamentals, directed by Rem Koolhaas and organized by la Biennale di Venezia, chaired by Paolo Baratta, was open to the public from June 7 through November 23, 2014, in Venica Italy. 65 National Participations were exhibiting in the historic pavilions in the Giardini, in the Arsenale, and in the city of Venice. They examine key moments from a century of modernization. Together, the presentations start to reveal how diverse material cultures and political environments transformed a generic modernity into a specific one. Participating countries show, each in their own way, a radical splintering of modernity's in a century where the homogenizing process of globalization appeared to be the master narrative
Absorbing Modernity 1914–2014 has been proposed for the contribution of all the pavilions, and they too are involved in a substantial part of the overall research project, whose title is Fundamentals. The history of the past one hundred years prelude to the Elements of Architecture section hosted in the Central Pavilion, where the curator offers the contemporary world those elements that should represent the reference points for the discipline: for the architects but also for its dialogue with clients and society. Monditalia section in the Corderie with 41 research projects, reminds us of the complexity of this reality without complacency or prejudice, which is paradigmatic of what happens elsewhere in the world; complexities that must be deliberately experienced as sources of regeneration. Dance, Music, Theatre and Cinema with the programmes of the directors will participate in the life of the section, with debates and seminars along the six-month duration of the exhibition.
Elements of Architecture / Central Pavilions
This exhibition is the result of a two-year research studio with the Harvard Graduate School of Design and collaborations with a host of experts from industry and academia. Elements of Architecture looks under a microscope at the fundamentals of our buildings, used by any architect, anywhere, anytime: the floor, the wall, the ceiling, the roof, the door, the window, the façade, the balcony, the corridor, the fireplace, the toilet, the stair, the escalator, the elevator, the ramp. The exhibition is a selection of the most revealing, surprising, and unknown moments from a new book, Elements of Architecture, that reconstructs the global history of each element. It brings together ancient, past, current, and future versions of the elements in rooms that are each dedicated to a single element. To create diverse experiences, we have recreated a number of very different environments – archive, museum, factory, laboratory, mock-up, simulation.
Mozarella kit from cheesemaking.com, using cream-top non-homogenized milk by Kilgus farms.
For the buns, I used my regular AB5 dough, the wheat version, which uses 1/4 local wheat flour, 3/4 bread flour. After forming dough balls, I let those rise for 20-30min, the formed the buns and let those rise ~30min. In the meantime I prepared a stockpot of boiling water + 1/2 cup baking soda.
So if you've ever made bagels before, this is the same concept. Gently drop the formed bun into the boiling water. When it rises to the top, remove it. The buns were a little delicate, so I used two spatulas to fish them out of the pot. I put these directly on a silpat covered baking sheet. Slash the buns to allow them to release steam and expand while baking. Sprinkle coarse kosher salt and toasted sesame seeds on the buns.
I think I baked them about the same time/temp as the usual AB5 bread. 450F for 25 minutes, including placing 1+ cup water in a roasting pan to create a steamed environment. The result is doughy and delicious!
Portfolio || Flickr Archive || Instagram
This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
Syrup Manufacturing Plant,Liquid Syrup Plant,Manufacturing Plant, Pharmaceutical syrup manufacturing process,Sugar syrup manufacturing plant-Prism Pharma Machinery,Ahmedabad,Gujarat,India.
For more detail visit us at : www.liquidsyrupmanufacturingplant.com
Portfolio || Flickr Archive || Instagram
This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
Portfolio || Flickr Archive || Instagram
This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
Homogenizer,Vessels Storage Tank,Preparation Vessels,Filter Press ,CIP-WIP Washing System- Prism Pharma Machinery,Ahmedabad,Gujarat,India.
For more detail visit us at : www.liquidsyrupmanufacturingplant.com
Portfolio || Flickr Archive || Instagram
This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
Syrup Manufacturing Plant,Liquid Syrup Plant,Manufacturing Plant, Pharmaceutical syrup manufacturing process,Sugar syrup manufacturing plant-Prism Pharma Machinery,Ahmedabad,Gujarat,India.
For more detail visit us at : www.liquidsyrupmanufacturingplant.com
The opening reception for our "Tiffany Shin: Microbial Speculation of Our Gut Feelings" featured a food-based performance entitled, "Perfect Fruit"–which mapped the degradation of biodiversity and homogenization of microbiota in our food systems.
Portfolio || Flickr Archive || Instagram
This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
Portfolio || Flickr Archive || Instagram
This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
Liquid oral section,Colloid Mill,Fermentation vessels,Stirrer- Agitator, Vacuum Homogenizer Mixer-Prism Pharma Machinery,Ahmedabad,Gujarat,India.
For more detail visit us at : www.liquidsyrupmanufacturingplant.com
Biennale di Venezia 2014 - 14th International Architecture Exhibition - Fundamentals.
Fundamentals consists of three interlocking exhibitions:
1.Absorbing Modernity 1914-2014 is an invitation to the national pavilions to show the process of the erasure of national characteristics.
2.Elements of Architecture, in the Central Pavilion, pays close attention to the fundamentals of our buildings used by any architect, anywhere, anytime.
3.Monditalia dedicates the Arsenale to a single theme – Italy – with exhibitions, events, and theatrical productions.
The 14th International Architecture Exhibition, titled Fundamentals, directed by Rem Koolhaas and organized by la Biennale di Venezia, chaired by Paolo Baratta, was open to the public from June 7 through November 23, 2014, in Venica Italy. 65 National Participations were exhibiting in the historic pavilions in the Giardini, in the Arsenale, and in the city of Venice. They examine key moments from a century of modernization. Together, the presentations start to reveal how diverse material cultures and political environments transformed a generic modernity into a specific one. Participating countries show, each in their own way, a radical splintering of modernity's in a century where the homogenizing process of globalization appeared to be the master narrative
Absorbing Modernity 1914–2014 has been proposed for the contribution of all the pavilions, and they too are involved in a substantial part of the overall research project, whose title is Fundamentals. The history of the past one hundred years prelude to the Elements of Architecture section hosted in the Central Pavilion, where the curator offers the contemporary world those elements that should represent the reference points for the discipline: for the architects but also for its dialogue with clients and society. Monditalia section in the Corderie with 41 research projects, reminds us of the complexity of this reality without complacency or prejudice, which is paradigmatic of what happens elsewhere in the world; complexities that must be deliberately experienced as sources of regeneration. Dance, Music, Theatre and Cinema with the programmes of the directors will participate in the life of the section, with debates and seminars along the six-month duration of the exhibition.
Elements of Architecture / Central Pavilions
This exhibition is the result of a two-year research studio with the Harvard Graduate School of Design and collaborations with a host of experts from industry and academia. Elements of Architecture looks under a microscope at the fundamentals of our buildings, used by any architect, anywhere, anytime: the floor, the wall, the ceiling, the roof, the door, the window, the façade, the balcony, the corridor, the fireplace, the toilet, the stair, the escalator, the elevator, the ramp. The exhibition is a selection of the most revealing, surprising, and unknown moments from a new book, Elements of Architecture, that reconstructs the global history of each element. It brings together ancient, past, current, and future versions of the elements in rooms that are each dedicated to a single element. To create diverse experiences, we have recreated a number of very different environments – archive, museum, factory, laboratory, mock-up, simulation.
Image: 0050668757, License: Rights managed, Restrictions: ::::::::::::::, A Renaissance fair, Renaissance faire, or Renaissance festival is an outdoor weekend gathering, usually held in the United States, open to the public and generally commercial in nature, which emulates a historic period for the amusement of its guests. Some are permanent theme parks, others are short-term events in fairgrounds or other large public or private spaces[1]. Renaissance fairs generally include an abundance of costumed entertainers, musical and theatrical acts, art and handicrafts for sale, and festival food. Some even offer camping, for those who wish to stay more than one day[2]. Most Renaissance fairs are set during the reign of Queen Elizabeth I of England.[citation needed] Some are set earlier, during the reign of Henry VIII, or in other countries, such as France, and some include broader definitions of the Renaissance which include earlier periods, such as the Vikings, or later, such as 18th Century pirates, and some engage in deliberate "time travel" by encouraging participants to wear costumes representing several eras in a broad time period. Renaissance fairs encourage visitors to enter into the spirit of things with costumes and audience participation. Most tolerate, and many welcome, fantasy elements such as wizards and elves.[citation needed]Chicago journalist Neil Steinberg said (of the Bristol Renaissance Faire), "If theme parks, with their pasteboard main streets, reek of a bland, safe, homogenized, whitebread America, the Renaissance Faire is at the other end of the social spectrum, a whiff of the occult, a flash of danger and a hint of the erotic. Here, they let you throw axes. Here are more beer and bosoms than you'll find in all of Disney World."[3], Model Release: No or not aplicable, Credit line: Profimedia.com, Alamy
Vat pasteurized, non-homogenized milk. Non-homogenized milk is easily digested and when left in it's natural state, the cream rises to the top, giving a cream line. The cream line is present in every glass bottle of milk.
The opening reception for our "Tiffany Shin: Microbial Speculation of Our Gut Feelings" featured a food-based performance entitled, "Perfect Fruit"–which mapped the degradation of biodiversity and homogenization of microbiota in our food systems.
The McDonald's birthday party was another Indo experience. When you book they tell you to write at least a half an hour early on your invitations to get people there on time. It almost worked, we should have said an hour early. We needed 20 kids to get the complimentary MC, but Chintya does not know that many kids here. We talked to the owners of our room, they said “how many do you need there are more than 20 around here?” That worked out pretty good. At first it was like a wedding with the segregation of the room by family, after the party started the room homogenized quickly. They had some games with hula hoops, sang five different happy birthday songs, did the cake/candles and fed everyone fried chicken and rice. I partook in the savage custom of eating with your hands, as is normal here. I have been able to avoid it until now, every place we have gone someone handed me a fork and spoon. I am sure I could have got one, but I did not want to be the only one. We came home to share the leftover cake with our landlord's family, then opened presents in the room.
Airslide fabrics are employed in equipment and plants with pneumatic conveyor for discharging or homogenizing powder or bulk materia.
SUITA brand high tensile strength polyester air slide is a belt fabrics made of polyester filament or polyester spun filament, they are mainly used in air transport flume of cement, alumina, etc, as well as used in other conveying appliance for some other dry particles, such as Bulk haulers, Barges, etc, which with a perfect fluid, will improve the convey efficiency, they can uniformize the raw material if they are used in raw material Blending Bed Equipment. This fabrics are widely used in metal works, building materials, chemical plants, power plants, food processing industries and transportation area, keeping a good performance. For the gaseity of particles when they are being transferred, and with a perfect fluid, so the equipment won't be damaged from abrasion which will reduce the repair works. For the particles be transferred in air tight flume, they won't lost when transferred, they save the cost, and won't pollute the environment.
Our company provide the air slide belt fabrics adopt the synthetic fiber which heat resistance and abrasion resistance, then woven in our developed machines, combine with our professional technology, the quality will second to none.
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1. Clear veins, smooth surface, stable size.
2. Equal air permeability, the tolerance of air resistance is within ± 10%.
3. High temperature resistance, abrasion resistance, little hygroscopicity, corrosion resistance, lower adhesive capacity, never delamination, longer service life.
4. Smooth surface, won't leak dust, green products.
5. The products applicable to convey the particle which the diameter <4mm, the temperature <180 C, the moisture content <2%.
Applications:
Cement industries: Cement plant, bulk cement truck and ship; Mining industries: Aluminium, lime, coal, phosphates, etc; Chemical plants: Soda, etc; Power plant: Coal, desulfurize, etc; Food industries: Flour, etc.
Note:
We will sell by rolls with big width(within 3000mm), meanwhile, we will cut and process it to complete piece, customer will install easily.
Portfolio || Flickr Archive || Instagram
This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
Portfolio || Flickr Archive || Instagram
This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
400 Watts ultrasonic power - The UP400S (400W, 24kHz) is a powerful and reliable ultrasonic device for the sonication of larger samples in the lab. Typical application include: Homogenization, deagglomeration, lysis and cell disintegration, protein extraction and the emulsification of liquids.
Portfolio || Flickr Archive || Instagram
This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
Portfolio || Flickr Archive || Instagram
This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
Pharma Machinery,Pharma Machine Manufacturer in India,Pharmaceuticals Machinery,
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Biennale di Venezia 2014 - 14th International Architecture Exhibition - Fundamentals.
Fundamentals consists of three interlocking exhibitions:
1.Absorbing Modernity 1914-2014 is an invitation to the national pavilions to show the process of the erasure of national characteristics.
2.Elements of Architecture, in the Central Pavilion, pays close attention to the fundamentals of our buildings used by any architect, anywhere, anytime.
3.Monditalia dedicates the Arsenale to a single theme – Italy – with exhibitions, events, and theatrical productions.
The 14th International Architecture Exhibition, titled Fundamentals, directed by Rem Koolhaas and organized by la Biennale di Venezia, chaired by Paolo Baratta, was open to the public from June 7 through November 23, 2014, in Venica Italy. 65 National Participations were exhibiting in the historic pavilions in the Giardini, in the Arsenale, and in the city of Venice. They examine key moments from a century of modernization. Together, the presentations start to reveal how diverse material cultures and political environments transformed a generic modernity into a specific one. Participating countries show, each in their own way, a radical splintering of modernity's in a century where the homogenizing process of globalization appeared to be the master narrative
Absorbing Modernity 1914–2014 has been proposed for the contribution of all the pavilions, and they too are involved in a substantial part of the overall research project, whose title is Fundamentals. The history of the past one hundred years prelude to the Elements of Architecture section hosted in the Central Pavilion, where the curator offers the contemporary world those elements that should represent the reference points for the discipline: for the architects but also for its dialogue with clients and society. Monditalia section in the Corderie with 41 research projects, reminds us of the complexity of this reality without complacency or prejudice, which is paradigmatic of what happens elsewhere in the world; complexities that must be deliberately experienced as sources of regeneration. Dance, Music, Theatre and Cinema with the programmes of the directors will participate in the life of the section, with debates and seminars along the six-month duration of the exhibition.
Elements of Architecture / Central Pavilions
This exhibition is the result of a two-year research studio with the Harvard Graduate School of Design and collaborations with a host of experts from industry and academia. Elements of Architecture looks under a microscope at the fundamentals of our buildings, used by any architect, anywhere, anytime: the floor, the wall, the ceiling, the roof, the door, the window, the façade, the balcony, the corridor, the fireplace, the toilet, the stair, the escalator, the elevator, the ramp. The exhibition is a selection of the most revealing, surprising, and unknown moments from a new book, Elements of Architecture, that reconstructs the global history of each element. It brings together ancient, past, current, and future versions of the elements in rooms that are each dedicated to a single element. To create diverse experiences, we have recreated a number of very different environments – archive, museum, factory, laboratory, mock-up, simulation.
The opening reception for our "Tiffany Shin: Microbial Speculation of Our Gut Feelings" featured a food-based performance entitled, "Perfect Fruit"–which mapped the degradation of biodiversity and homogenization of microbiota in our food systems.
Mixing Emulation and Homogenizing Solution for Emulsions,Inline Homogenizer,Pharma Machinery,Pharma Machine Manufacturer in India,Pharmaceuticals Machinery- Prism Pharma Machinery,Ahmedabad,Gujarat,India.
For more detail visit us at : www.liquidsyrupmanufacturingplant.com
Mass Mixer, Sigma Mixer Kneader, Sigma Mixer Extruder, Continuous Paddle Mixer, Blender
-Prism Pharma Machinery,Ahmedabad,Gujarat,India.
Homogenizing and mixing plants,Mixing Plant for Pharmaceuticals,Homogenizing, Mixing/Dispersing Unit,Homogenizer Mixing Tank- Prism Pharma Machinery,Ahmedabad,Gujarat,India.
For more detail visit us at : www.liquidsyrupmanufacturingplant.com
The opening reception for our "Tiffany Shin: Microbial Speculation of Our Gut Feelings" featured a food-based performance entitled, "Perfect Fruit"–which mapped the degradation of biodiversity and homogenization of microbiota in our food systems.
The opening reception for our "Tiffany Shin: Microbial Speculation of Our Gut Feelings" featured a food-based performance entitled, "Perfect Fruit"–which mapped the degradation of biodiversity and homogenization of microbiota in our food systems.
Portfolio || Flickr Archive || Instagram
This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
I really can't put into words how much I love Scott Simon and his radio show every Saturday. He's the PERFECT mix of intellegence, fun, and seriousness. And with Daniel Schorr on his show ever Saturday, it just tops it all off!! He was doign a reading of his book at Davis Kidd in Nashville. The old cool Davis Kidd, before they ruined it and moved into a boring, homogenized Borders-like space.
Cement ball mill is the equipment used to grind the hard, nodular clinker from the cement kilninto the fine grey powder that is cement. Most cement is currently ground in ball mills.Cement mill is normally driven by electric motors.The output achieved by a cement mill system varies with the mill power, the fineness of the product and the hardness of the clinker.
Cement mill grinding process:
In the technics of Cement production process, People usually choose limestones and clays as the main raw materials, crushing, concocting, grinding them into cement raw meal, feeding them into cement kiln,Cement clinker is usually ground using a cement ball mill.After being calcined maturity, adding appropriate amount of gypsum (sometimes mixing the mixed material or admixture) then being grinded, and the cements form.The cement manufacturing process consists of many simultaneous and continuous operations using some of the largest moving machinery in manufacturing.
1 Crushing and pre-homogenization
2 The prepare and homogenization of cement raw meals
3 Pre-decomposition and the burning of cement clinker
4 Cement grinding
Service for cement ball mill:
Lipu Heavy Industry not only have skilled technicians and experienced service team, we also apply Internet technology into all aspects of production and management process which can provide timely provision of the latest products' information and technical services. We provide the best warranty and extended warranty plan for our products.
Stand behind the product that we supply.
Repair all failures that are a result of defects in materials or factory workmanship. Provide the benefit of the coverage immediately.
Treat all customers fairly and consistently.
For specific information regarding your warranty, or for more information regarding our warranties,please don't heasited to contact us.
Cement ball mill technical parameters:
Specific-ation
(m)mill ing
formTransmission
formGear boxMotor
power
(kw)Capacity
(t/h)Weight
(t)
TypeSpeed reduction
ratio
ø 1.83*7Open flowBrimZD604.52456.5-836
ø 2.2*7.5Circle flowBrimZD7053808-1056
ø 2.2*11Open flowCentral shaftD11035.563012-13104.6
ø 2.2*13Open flowCentral shaftD11035.563016-18114
ø 2.4*13Open flowCentral shaftD11035.580020-23171.5
ø 2.6*13Open flowCentral shaftMFY10019.5100028-32149.7
ø 3*9Circle flowBrimD12541.2100028-36.5136.4
ø 3*11
Circle flowCentral shaftD14042.8125036-47180
ø 3.2*13Open flowCentral shaftD14036.5160045-50198
ø 3.8*13Open flowCentral shaftMFY25016.5250060-62204
ø 4.2*13Open flowCentral shaftJQS355015.6353085-87254
Oral Liquid Manufacturing Plant,Automatic Liquid syrup Manufacturing Plant,Liquid Syrup Manufacturing Plant,Oral Syrup Manufacturing Plant,Liquid Syrup Preparation vessels-Prism Pharma Machinery,Ahmedabad,Gujarat,India.
For more detail visit us at : www.liquidsyrupmanufacturingplant.com
Quando vedo questi mostri non posso fare altro che scattare e ancora scattare. Li trovo terorizzanti e insieme affascinanti, gli unici veri dinosauri in questo nostro mondo omologato e globalizzato.
When I see this monster I cn do but shooting and shooting. I find them so scary and fascinating at the same time, the only real emotiong dynosaurs living in our homogenized and globalized world!
---------------------------------------------------------------------------------------------------------------------- A chi assegna un award sarò ancora più grato se aggiungerà un commento.
More thanks awarders for commenting too!
----------------------------------------------------------------------------------------------
Copyright © Stefano Guadagni
All rights reserved.
Do not use this photograph without my consent.
If you are interested in this picture, please contact me, I'll provide you the printable version (this is a low resolution medium quality jpeg)
passionflyer@gmail.com
Thanks.
Tutti i diritti riservati.
Non utilizzare questa fotografia senza il mio consenso.
Se siete interessati a questa fotografia, contattatemi, potrò fornire la versione stampabile (questo è un jpeg di media qualità a bassa risoluzione)
passionflyer@gmail.com
Grazie.
I'm the guy on the bass in the background. This was taken around 1972 when I was briefly part of a small band performing "Take Five" in my college talent contest, Tiger Tangles. The following was written around that time as well:
I Need A Woman
Lyrics by Michael Vance
Written August 4th, 1971
Once, you know, I trust, I caught:
“clouds homogenize into dust.
Armored in pieces of tree sperm
ants are partial to squashed worm.
But…
Now, it’s true, quite laced with wine,
people evaporate into swine
cities are splotches of human spit
man is destroyed by human wit.
Ah, I need a woman to, when I’m down,
knock me in the head
to
pull me ‘round
slap me into bed
and kiss away the searing city sidewalks
“The CPA was sick today; you’ll have to tomorrow—sir?
“Yes, we’ve heard the news as well, it multiplies my sorrow.
“Well?”
Then, you see, I saw, quite so
summer transfigured into snow
pears in patches of speary lawn
wasps made holy in sticky yawns
But…
“The CPA was sick today; you’ll have to tomorrow—sir?
“Yes, we’ve heard the news as well, It multiplies my sorrow.
“Well?”
Ah, I need a woman to, when I’m down,
knock me in the head
to
pull me ‘round
slap me into bed
and kiss away the searing city sidewalks
“The CPA was sick today; you’ll have to tomorrow—sir?
“Yes, we’ve heard the news as well, it multiplies my sorrow.
“Well?”
The Population, Landscape, And Climate Estimates, Version 4 (PLACE IV) data set is part of the National Aggregates of Geospatial Data Collection (NAGDC). The Koppen-Geiger Climate Classification system (Rubel & Kottek, 2010) represents global climatological regions based on observed climate data for the period 1976–2000 and estimated climate data for emissions scenarios from the Intergovernmental Panel on Climate Change (IPCC) for the periods: 2001–2025, 2026–2050, 2051–2075, and 2076–2100. This map represents Climate Zones for the period 2001–2025 under Scenario A1 (FI: fossil fuel intensive): rapid economic growth; launch of new/efficient technologies; economic, social, and cultural homogenization; fossil fuel intensive energy sources.
Portfolio || Flickr Archive || Instagram
This Case feature is extra special for me because he was one of the first writers I met in '95 when I didn't know anybody and we were still in high school. Case has been famous twice, both as a writer and as Video director when he won an Juno for a video with Arcade Fire.
1.) How long have you been actively writing for?
I started writing in '92. I slowed down in 2002 to a couple pieces a year, but I never stopped writing. So it's been 28 years.
2.) How has your work changed or evolved since you started, and what made it change?
My work has gotten better since I started... First couple years were pretty toy. But at my peak, my work was known worldwide, I got the chance to paint with Daim, Loomit, Seen, Duster, Tats Cru and many other international writers. Also in the big magazines like The Source, 12oz Prophet, etc. All these experiences improved my style and made me look at pushing graffiti further.
3.) Tell me about your approach to street art?
My approach comes from a freestyle frame of mind. I like to paint to the wall instead of to the sketch. I sketch to practice but when I paint I rarely use sketch's. I find them to constricting. I do all aspects from 2d to 3d to characters and backgrounds.
4.) Any other interests you have apart from painting/art?
Apart from art, Im interested in film making and have directed and animated many music videos for a variety of recording artist from 2001-2009
5.) How do you see the further evolution of your work? The city, and scene at large? Seems to have changed alot in the last decade.
My work has evolved onto canvases using Spray paint in a different way. Portraits, scenics and abstracts that adhere to the traditional rules of graffiti - no stencils, no brushes, just pure freehand spray painting. The scene really changed with the advent of the internet. Regional styles started disappearing and a more homogenized style replaced it. Street cred was easier to fake and the real street culture turned into legal walls and sponsored jams. Its great to see many writers from the pre-internet era coming back and still kings. Shout out to the graffiti grandpa's keeping it real and my crews Kwota, TDV, AFC and BIF.
You can see more of Case's art here: casemackeen.com
He also has a show coming up at Run Gallery in Toronto opening Dec 12, 2020.
20 - Brick building with Art Deco elements. Other sources show art deco features inside; however, we were shooed away by a security guard after 2 or 3 photos. Originally a private villa, now the HQ of Liri Technologies Co. Ltd. who manufacture vacuum homogenizers, etc.... How about that hedge?